Search results for ""author george philip"

The case for a thoughtful secularism from some of today's most distinguished scientists, philosophers, and writersCan secularism offer us moral, aesthetic, and spiritual satisfaction? Or does the secular view simply affirm a dog-eat-dog universe? At a time when the issues of religion, evolution, atheism, fundamentalism, Darwin, and science fill headlines and invoke controversy, The Joy of Secularism provides a balanced and thoughtful approach for understanding an enlightened, sympathetic, and relevant secularism for our lives today. Bringing together distinguished historians, philosophers, scientists, and writers, this book shows that secularism is not a mere denial of religion. Rather, this positive and necessary condition presents a vision of a natural and difficult world—without miracles or supernatural interventions—that is far richer and more satisfying than the religious one beyond.From various perspectives—philosophy, evolutionary biology, primate study, Darwinian thinking, poetry, and even bird-watching—the essays in this collection examine the wealth of possibilities that secularism offers for achieving a condition of fullness. Factoring in historical contexts, and ethical and emotional challenges, the contributors make an honest and heartfelt yet rigorous case for the secular view by focusing attention on aspects of ordinary life normally associated with religion, such as the desire for meaning, justice, spirituality, and wonder. Demonstrating that a world of secular enchantment is a place worth living in, The Joy of Secularism takes a new and liberating look at a valuable and complex subject.The contributors are William Connolly, Paolo Costa, Frans de Waal, Philip Kitcher, George Levine, Adam Phillips, Robert Richards, Bruce Robbins, Rebecca Stott, Charles Taylor, and David Sloan Wilson.

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Theology of Money is a philosophical inquiry into the nature and role of money in the contemporary world. Philip Goodchild reveals the significance of money as a dynamic social force by arguing that under its influence, moral evaluation is subordinated to economic valuation, which is essentially abstract and anarchic. His rigorous inquiry opens into a complex analysis of political economy, encompassing markets and capital, banks and the state, class divisions, accounting practices, and the ecological crisis awaiting capitalism. Engaging with Christian theology and the thought of Carl Schmitt, Georg Simmel, Karl Marx, Adam Smith, and many others, Goodchild develops a theology of money based on four contentions, which he elaborates in depth. First, money has no intrinsic value; it is a promise of value, a crystallization of future hopes. Second, money is the supreme value in contemporary society. Third, the value of assets measured by money is always future-oriented, dependent on expectations about how much might be obtained for those assets at a later date. Since this value, when realized, will again depend on future expectations, the future is forever deferred. Financial value is essentially a degree of hope, expectation, trust, or credit. Fourth, money is created as debt, which involves a social obligation to work or make profits to repay the loan. As a system of debts, money imposes an immense and irresistible system of social control on individuals, corporations, and governments, each of whom are threatened by economic failure if they refuse their obligations to the money system. This system of debt has progressively tightened its hold on all sectors and regions of global society. With Theology of Money, Goodchild aims to make conscious our collective faith and its dire implications.

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A state-of-the-field survey of historical sociology, Remaking Modernity assesses the field’s past accomplishments and peers into the future, envisioning changes to come. The seventeen essays in this collection reveal the potential of historical sociology to transform understandings of social and cultural change. The volume captures an exciting new conversation among historical sociologists that brings a wider interdisciplinary project to bear on the problems and prospects of modernity.The contributors represent a wide variety of theoretical orientations and a broad spectrum of understandings of what constitutes historical sociology. They address such topics as religion, war, citizenship, markets, professions, gender and welfare, colonialism, ethnicity, bureaucracy, revolutions, collective action, and the modernist social sciences themselves. Remaking Modernity includes a significant introduction in which the editors consider prior orientations in historical sociology in order to analyze the field’s resurgence. They show how current research is building on and challenging previous work through attention to institutionalism, rational choice, the cultural turn, feminist theories and approaches, and colonialism and the racial formations of empire.ContributorsJulia AdamsJustin BaerRichard BiernackiBruce CarruthersElisabeth ClemensRebecca Jean EmighRussell FaegesPhilip GorskiRoger GouldMeyer KestnbaumEdgar KiserMing-Cheng LoZine MagubaneAnn Shola OrloffNader SohrabiMargaret SomersLyn SpillmanGeorge Steinmetz

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Essays on varied topics, with particular emphasis on the Normans in the mediterranean world. Papers here have as a general theme the "Norman Age", with a special slant towards the Mediterranean world. Subjects treated include the policies of the Norman rulers, their military and naval organisation and coinage, chronicle sources and aspects of church history in their principalities, and the relations of the Normans with Byzantium, the Fatimid rulers and the crusading states. Other papers treat more generally of art, literature and language in the Norman period. Listing: Adam of Balsham's Oratio de Utensilibus; Chronicle of Falco of Benevento; Coinages of Norman Apulia and Sicily; De Clericis et Rustico; Franks in 11cByzantium; Knight's Arms and Armour 1150-1250; Marriage of Henry VI and Constance of Sicily; Military Combat in Anglo-Norman Art; Nobilitàe Parentela nell'Italia Normanna; Norman Kings of Sicily and the Fatimid Caliphate; Norman Naval Activity in the Mediterranean c.1060-c.1108. Normans through their Languages; Richard of Salerno 1097-1112; Simon Magus in S. Italy; Tomb of King John in Worcester Cathedral; Tombs of Roger II in Cefalù. Contributors: J.J.G. ALEXANDER, GEORGE BEECH, MATTHEW BENNETT,ARMANDO BISANTI, H.E.J. COWDREY, VINCENZO D'ALESSANDRO, WALTER FRÖÖHLICH, PHILIP GRIERSON, JEREMY JOHNS, PATRIZIA LENDINARA, G.A. LOUD, JANE MARTINDALE, LUCIO MELAZZO, IAN PEIRCE, JONATHAN SHEPARD, LIVIA VARGA.

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Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.

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A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition. The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel. “Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner. “Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley. A Selected Bibliography is also included.

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Since she succeeded to the throne in 1952, Queen Elizabeth II has become respected, celebrated, and beloved around the world. This stunning collection of powerful images illustrates her storied reign in all its glory. More than 300 extraordinary photographs, along with insightful commentary by the royal journalist Victoria Murphy, showcase the significant, historic, and intimate moments throughout the Queen’s life, first as a young princess and then as the longest-reigning British monarch. The book covers her war years in service; her marriage to Prince Philip; her coronation—the first to be televised; ​her extensive official travels around the world; the glittering diplomatic occasions and encounters with ​world leaders, dignitaries, and celebrities; the pomp and pageantry of ceremonial events; her role as a fashion icon; her relationships with her parents, King George VI and ​the Queen Mother, and her sister, Princess Margaret; the birth of her son and heir to the throne Prince Charles; family life with her four children and eight grandchildren, as well as her beloved dogs and horses; and the growing role of Prince William and his wife, the Duchess of Cambridge, as they support the Queen in her public duties. Shown here too are the Crown Jewels as well as the Queen’s personal jewelry collection; a look at the royal palaces and residences; and portraits from the stunning royal weddings that have so enchanted the world. Throughout her reign, with a combination of star power and a profound sense of duty, Queen Elizabeth II has steered the British monarchy into the modern era with supreme style and grace. She is truly a queen for all ages.

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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The sophisticated schoolmaster.The importance of Isocrates for the study of Greek civilization of the fourth century BC is indisputable. From 403 to 393 he wrote speeches for Athenian law courts, and then became a teacher of composition for would-be orators. After setting up a school of rhetoric in Chios he returned to Athens and established there a free school of “philosophia” involving a practical education of the whole mind, character, judgment, and mastery of language. This school had famous pupils from all over the Greek world, such as the historians Ephorus and Theopompus and orators Isaeus, Lycurgus, and Hypereides. Isocrates also wrote in gifted style essays on political questions, his main idea being a united Greece to conquer the Persian empire. Thus in his fine Panegyricus (written for the 100th Olympiad gathering in 380) he urged that the leadership should be granted to Athens, possibly in conjunction with Sparta. In the end he looked to Philip of Macedon, but died just as Philip’s supremacy in Greece began. Twenty-one discourses by Isocrates survive; these include political essays, treatises on education and on ethics, and speeches for legal cases. Nine letters are also extant; they are concerned more with public than with private matters. The Loeb Classical Library edition of Isocrates is in three volumes. Volume I contains six discourses: To Demonicus, To Nicocles, Nicocles or The Cyprians, Panegyricus, To Philip, and Archidamus. Five are in Volume II: Areopagiticus, On the Peace, Panathenaicus, Against the Sophists, Antidosis. Volume III contains Evagoras, Helen, Busiris, Plataicus, Concerning the Team of Horses, Trapeziticus, Against Callimachus, Aegineticus, Against Lochites, and Against Euthynus, as well as the nine extant letters and a comprehensive index.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders (1400-1800). In 1993, she was conferred O Grão Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula. This manuscript investigates Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter of the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429 when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided in the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analyzed with regard to King João I's conquest of Ceuta, achieved by his sons who were hailed as an"illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania 's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henrique the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy.

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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This Telemann Album brings together 14 arrangements of Georg Philipp Telemann pieces for descant (soprano) and treble (alto) recorders with piano and/or tenor recorder. The arrangements have been made by Walter Bergmann.

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The Politics of Method in the Human Sciences provides a remarkable comparative assessment of the variations of positivism and alternative epistemologies in the contemporary human sciences. Often declared obsolete, positivism is alive and well in a number of the fields; in others, its influence is significantly diminished. The essays in this collection investigate its mutations in form and degree across the social science disciplines. Looking at methodological assumptions field by field, individual essays address anthropology, area studies, economics, history, the philosophy of science, political science and political theory, and sociology. Essayists trace disciplinary developments through the long twentieth century, focusing on the decades since World War II. Contributors explore and contrast some of the major alternatives to positivist epistemologies, including Marxism, psychoanalysis, poststructuralism, narrative theory, and actor-network theory. Almost all the essays are written by well-known practitioners of the fields discussed. Some essayists approach positivism and anti-positivism via close readings of texts influential in their respective disciplines. Some engage in ethnographies of the present-day human sciences; others are more historical in method. All of them critique contemporary social scientific practice. Together, they trace a trajectory of thought and method running from the past through the present and pointing toward possible futures.Contributors. Andrew Abbott, Daniel Breslau, Michael Burawoy, Andrew Collier , Michael Dutton, Geoff Eley, Anthony Elliott, Stephen Engelmann, Sandra Harding, Emily Hauptmann, Webb Keane, Tony Lawson, Sophia Mihic, Philip Mirowski, Timothy Mitchell, William H. Sewell Jr., Margaret R. Somers, George Steinmetz, Elizabeth Wingrove

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In early May 1864, Lieutenant General Ulysses S. Grant initiated a drive through central Virginia to crush Robert E. Lee's Confederate Army of Northern Virginia. For forty days, the armies fought a grinding campaign from the Rapidan River to the James River that helped decide the course of the Civil War. Several of the war's bloodiest engagements occurred in this brief period: the Wilderness, Spotsylvania Court House, the North Anna River, Totopotomoy Creek, Bethesda Church, and Cold Harbor. Pitting Grant and Lee against one another for the first time in the war, the Overland Campaign, as this series of battles and maneuvers came to be called, represents military history at its most intense. In the Footsteps of Grant and Lee, a unique blend of narrative and photographic journalism from Gordon C. Rhea, the foremost authority on the Overland Campaign, and Chris E. Heisey, a leading photographer of Civil War battlefields, provides a stunning, stirring account of this deadly game of wits and will between the Civil War's foremost military commanders. Here Grant fought and maneuvered to flank Lee out of his heavily fortified earthworks. And here Lee demonstrated his genius as a defensive commander, countering Grant's every move. Adding to the melee were cavalry brawls among the likes of Philip H. Sheridan, George A. Custer, James Ewell Brown ""Jeb"" Stuart, and Wade Hampton. Forty days of combat produced horrific casualties, some 55,000 on the Union side and 35,000 on the Confederate. By the time Grant crossed the James and began the Siege of Petersburg, marking an end to this maneuver, both armies had sustained significant losses that dramatically reduced their numbers.Rhea provides a rich, fast-paced narrative, movingly illustrated by more than sixty powerful color images from Heisey, who captures the many moods of these hallowed battlegrounds as they appear today. Heisey made scores of visits to the areas where Grant and Lee clashed, giving special attention to lesser-known sites on byways and private property. He captures some of central Virginia's most stunning landscapes, reminding us that though battlefields conjure visions of violence, death, and sorrow, they can also be places of beauty and contemplation. Accompanying the modern pictures are more than twenty contemporary photographs taken during the campaign or shortly afterwards, some of them never before published. At once an engaging military history and a vivid pictorial journey, In the Footsteps of Grant and Lee offers a fresh vision of some of the country's most significant historic sites.

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What does it mean to be human? Poetry asks this question. The answer, if one looks in any anthology—from any country or era—would appear to be that humanity consists of hopelessly doomed romantics, variously-religious spiritual seekers, or soldiers. It takes a lot of searching to find a poetry about the most universal and human of activities; that of parenting or of being parented. In recent years, poets such as Bernadette Mayer, Alice Notley, and Anne Waldman have all written long celebrations of motherhood, but there has never been a poetry written by fathers about the father-daughter relationship. Tim Atkins’ ON FATHERS < ON DAUGHTYRS changes this.ON FATHERS < ON DAUGHTYRS is a long poem which rolls up its sleeves, puts on a waterproof apron, and dives head-first into this messy world. From being thrown out of museums for throwing too much paint around to marching through London (repeatedly) on political demonstrations, Tim Atkins casts a warm eye on the many and various pleasures of being the father of two daughters. In a brand new poetics of the transcendent domestic, which combines the styles of The New York School and Britain’s Tom Raworth, slapstick and tragedy coexist on every page.Philip Larkin wrote that your mum & dad fuck you up. ON FATHERS < ON DAUGHTYRS is a poem with plenty of fucking around but very little fucking up. Poet George Oppen asked the question; "My daughter, my daughter, what can I say of living?" Atkins’ happy poem is a 120-page answer. "Come down here right now/ & get your snot off the ceiling."

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In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art. In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genre—and an artworld—in transition.

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The new blockbuster thriller from Graham Hurley, The Blood of Others is part of the SPOILS OF WAR Collection, a thrilling, beguiling blend of fact and fiction born of some of the most tragic, suspenseful, and action-packed events of World War II. Dieppe, August 1942. A catastrophe no headline dared admit. Plans are underway for the boldest raid yet on Nazi-occupied France. Over six thousand men will storm ashore to take the port of Dieppe. Lives will change in an instant – both on the beaches and in distant capitals. Annie Wrenne, working at Lord Mountbatten’s cloak-and-dagger Combined Operations headquarters, is privy to the top secret plans for the daring cross-Channel raid. Young Canadian journalist George Hogan, protege of influential Lord Beaverbrook, faces a crucial assignment that will test him to breaking point. And Abwehr intelligence officer Wilhelm Schultz is baiting a trap to lure thousands of Allied troops to their deaths… Three lives linked by Operation Jubilee: the Dieppe Raid, 19 August 1942. Over six thousand men will storm the heavily defended French beaches. Less than half of them will make it back alive. The blockbuster SPOILS OF WAR non-chronological collection features compelling recurring characters whose fragmented lives mirror the war that shattered the globe. For fans of Philip Kerr and Robert Harris. What reviewers are saying about The Blood of Others: 'Hurley’s depiction of the period is as enticing as ever.' The Times 'A masterful and fascinating historical thriller. ' LoveReading ‘There is far more to this novel than sheer military action, though that is, as usual, superbly done… Historical fiction of the highest order.’ Mike Ripley, Shots Reviews for Graham Hurley: 'Tense, absorbing and faultlessly plotted' Sunday Times 'Beautifully constructed... This is one of Hurley's finest' Daily Mail 'Capable and understated characterization' Publishers Weekly

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A Times, Spectator, TLS and BBC Music Magazine Book of the YearA major biography of Ravi Shankar published on the centenary of his birth: the first full portrait of the man and the artist across his extraordinary ninety-two years. As an icon of India, Ravi Shankar ranks not far below Gandhi or the Taj Mahal. He was one of the twentieth century's most important musicians, and India's greatest cultural ambassador. The maestro of the sitar filled the world's leading concert halls, festival stages and airwaves with Indian classical music at a time when it was little known outside its homeland. A sensation at Monterey Pop, the Woodstock Festival and the Concert for Bangladesh, he also helped reshape jazz, minimalism and electronic music, pioneered the sitar concerto, and wrote many film scores, including Pather Panchali and Gandhi. He charted the map for countless global musicians who followed in his wake. The unparalleled breadth of his impact is reflected in his disciples, who included George Harrison, John Coltrane, Philip Glass and Yehudi Menuhin.For this first biography of Ravi Shankar, Oliver Craske has carried out more than 130 new interviews and enjoyed unprecedented access to the Shankar family archives. He presents the first full portrait of the man and the artist, painting a vivid picture of the public and private faces of a captivating, restless workaholic who lived an intense and extraordinary life across ninety-two years. He investigates Shankar's childhood traumas and youthful stardom as a dancer, his intensive study of the sitar and his leading role in the revival of Indian classical music in his homeland, and his subsequent international career that ultimately made his name synonymous with India. Throughout, this biography seeks to answer the question of what impelled Ravi Shankar on an unending creative and emotional quest.

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A key anthology for students of English literature, Metaphysical Poetry is a collection whose unique philosophical insights are some of the crowning achievements of Renaissance verse, edited with an introduction and notes by Colin Burrow in Penguin Classics.Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.

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In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naive notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Gunter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel Garcia Marquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

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In the 1740s, two quite different developments revolutionized Anglo-American life and thought-the Enlightenment and the Great Awakening. This book takes an encounter between the paragons of each movement-the printer and entrepreneur Benjamin Franklin and the British-born revivalist George Whitefield-as an opportunity to explore the meaning of the beginnings of modern science and rationality on one hand and evangelical religious enthusiasm on the other. There are people who both represent the times in which they live and change them for the better. Franklin and Whitefield were two such men. The morning that they met, they formed a long and lucrative partnership: Whitefield provided copies of his journals and sermons, Franklin published them. So began one of the most unique, mutually profitable, and influential friendships in early American history. By focusing this study on Franklin and Whitefield, Peter Charles Hoffer defines with great precision the importance of the Anglo-American Atlantic World of the eighteenth century in American history. With a swift and persuasive narrative, Hoffer introduces readers to the respective life story of each man, examines in engaging detail the central themes of their early writings, and concludes with a description of the last years of their collaboration. Franklin's and Whitefield's intellectual contributions reach into our own time, making Hoffer's readable and enjoyable account of these extraordinary men and their extraordinary friendship relevant today. Also in the Witness to History series The Huron-Wendat Feast of the Dead: Indian-European Encounters in Early North America by Erik R. Seeman King Philip's War: Colonial Expansion, Native Resistance, and the End of Indian Sovereignty by Daniel R. Mandell The Caning of Charles Sumner: Honor, Idealism, and the Origins of the Civil War by Williamjames Hull Hoffer Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations by Tim Lehman

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The war correspondent trails clouds of glory. The names of the pioneers of the trade are stardust: Ernest Hemingway, Alexander Dumas, Henry Villard, Winston Churchill, Stephen Crane, John Reed, Arthur Conan Doyle, Rudyard Kipling, Richard Harding Davis, John Dos Passos, John Steinbeck, Jack London, George Orwell, Philip Gibbs, Luigi Barzini. The names from World War II, Korea, and Vietnam, the Gulf War, and Kosovo are likewise as redolent of adventure and derring-do, with photojournalists and radio and televisioncommentators crowding the pantheon. They are the eyes of history. War Stories: Reporting in the Time of Conflict from The Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War in 2003. War Stories: Reporting in the Time of Conflict From the Crimea to Iraq tells their stories, from the very first reports from the Crimean War in 1853 to the Second Gulf War. Through the notebooks, photographs, headlines, wires, telegrams, and satellite uplinks and direct interviews, Harold Evans describes the personal and professional challenges of these uniquely dedicated men and women as they attempted and succeeded, sometimes at the cost of their own lives, in retelling the most immediate stories of war. Harold Evans is an internationally acclaimed editor, author, and publisher. He was the editor of the Sunday Times and The Times of London. He was subsequently president and publisher of Random House and the editorial director for the publishers of US News & World Report, The Daily News, and The Atlantic. He is the author of The American Century. He guest curated the Newseum exhibition that inspired this book. Harold Evans is the author of two critically acclaimed best-selling histories of America: The American Century and They Made America: From the Steam Engine to the Search Engine: Two Centuries of Innovators. This book was the basis for a four-part documentary of the same title on PBS, which he wrote. It is also being adapted into a college curriculum. His latest book is My Paper Chase: True Stories of Vanished Times, a memoir covering his early life, his years in Britain's newspaper business and his move to America. He is editor at large of The Week magazine, and moderates The Week's panel discussions with political and economic leaders. Evans graduated M.A. from Durham University and held a Harkness Fellowship at the Universities of Chicago and Stanford. In London, he was the editor of The Sunday Times from 1967 to 1981, and editor of The Times from 1981 to 1982. His account of these years was published in his best-selling book Good Times, Bad Times. He was regular presenter on the TV series What the Papers Say. Evans moved to America in 1984. He was the founding editor of Conde Nast Traveler magazine and President and Publisher of Random House Trade Group (1990-1997) From 1997-1999 he was Editorial Director and Vice Chairman of U.S. News & World Report, the New York Daily News, The Atlantic Monthly and Fast Company, a position from which he resigned in January 2000 to write full time. (Evans remains a Contributing Editor at U.S. News & World Report.) Among many recognitions, Evans was awarded the European Gold Medal by the Institute of Journalists. This followed his successful Sunday Times investigation and campaign on behalf of children injured by the pharmaceutical thalidomide. In 1999, he received the Lifetime Achievement Award from the UK Press Award Committee, its highest accolade. In 2000, Evans was honored as one of 50 World Press Heroes on the 50th anniversary of the founding of the International Press Institute in defense of press freedom; for the IPI's 60th anniversary, he will deliver the keynote address at their 2010 conference in Vienna. In 2001, British journalists voted him the greatest all time British newspaper editor, and in 2004 he was honored with a knighthood in the Queen's 2004 New Year's Honors list.

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Rooted in recent scholarship, The Columbia History of the Vietnam War offers profound new perspectives on the political, historical, military, and social issues that defined the war and its effect on the United States and Vietnam. Laying the chronological and critical foundations for the volume, David L. Anderson opens with an essay on the Vietnam War's major moments and enduring relevance. Mark Philip Bradley follows with a reexamination of Vietnamese revolutionary nationalism and the Vietminh-led war against French colonialism. Richard H. Immerman revisits Eisenhower's and Kennedy's efforts at nation building in South Vietnam, and Gary R. Hess reviews America's military commitment under Kennedy and Johnson. Lloyd C. Gardner investigates the motivations behind Johnson's escalation of force, and Robert J. McMahon focuses on the pivotal period before and after the Tet Offensive. Jeffrey P. Kimball then makes sense of Nixon's paradoxical decision to end U.S. intervention while pursuing a destructive air war. John Prados and Eric Bergerud devote essays to America's military strategy, while Helen E. Anderson and Robert K. Brigham explore the war's impact on Vietnamese women and urban culture. Melvin Small recounts the domestic tensions created by America's involvement in Vietnam, and Kenton Clymer traces the spread of the war to Laos and Cambodia. Concluding essays by Robert D. Schulzinger and George C. Herring account for the legacy of the war within Vietnamese and American contexts and diagnose the symptoms of the "Vietnam syndrome" evident in later debates about U.S. foreign policy. America's experience in Vietnam continues to figure prominently in discussions about strategy and defense, not to mention within discourse on the identity of the United States as a nation. Anderson's expert collection is therefore essential to understanding America's entanglement in the Vietnam War and the conflict's influence on the nation's future interests abroad.

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Rooted in recent scholarship, The Columbia History of the Vietnam War offers profound new perspectives on the political, historical, military, and social issues that defined the war and its effect on the United States and Vietnam. Laying the chronological and critical foundations for the volume, David L. Anderson opens with an essay on the Vietnam War's major moments and enduring relevance. Mark Philip Bradley follows with a reexamination of Vietnamese revolutionary nationalism and the Vietminh-led war against French colonialism. Richard H. Immerman revisits Eisenhower's and Kennedy's efforts at nation building in South Vietnam, and Gary R. Hess reviews America's military commitment under Kennedy and Johnson. Lloyd C. Gardner investigates the motivations behind Johnson's escalation of force, and Robert J. McMahon focuses on the pivotal period before and after the Tet Offensive. Jeffrey P. Kimball then makes sense of Nixon's paradoxical decision to end U.S. intervention while pursuing a destructive air war. John Prados and Eric Bergerud devote essays to America's military strategy, while Helen E. Anderson and Robert K. Brigham explore the war's impact on Vietnamese women and urban culture. Melvin Small recounts the domestic tensions created by America's involvement in Vietnam, and Kenton Clymer traces the spread of the war to Laos and Cambodia. Concluding essays by Robert D. Schulzinger and George C. Herring account for the legacy of the war within Vietnamese and American contexts and diagnose the symptoms of the "Vietnam syndrome" evident in later debates about U.S. foreign policy. America's experience in Vietnam continues to figure prominently in discussions about strategy and defense, not to mention within discourse on the identity of the United States as a nation. Anderson's expert collection is therefore essential to understanding America's entanglement in the Vietnam War and the conflict's influence on the nation's future interests abroad.

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Get ready for a turbo-charged short read (80 pages) from two of the world’s biggest thriller writers – Karin Slaughter and Lee Child. Jack Reacher and Will Trent Twice the action Twice the drama Double the trouble Will Trent is undercover at Fort Knox. His assignment: to investigate a twenty-two-year-old murder. His suspect's name: Jack Reacher. Jack Reacher is in Fort Knox on his own mission: to bring down a dangerous criminal ring operating at the heart of America’s military. Except now Will Trent is on the scene. But there’s a bigger conspiracy at play – one that neither the special agent nor the ex-military cop could have anticipated. And the only option is for Jack Reacher and Will Trent to team up and play nicely. If they can… Praise for Karin Slaughter:‘I’d follow her anywhere’ Gillian Flynn‘A great writer at the peak of her powers’ Peter James‘Her characters, plot, and pacing are unrivalled’ Michael Connelly‘Big, dark, rich, satisfying, and bloody’ Stuart MacBride‘Fiction doesn't get any better than this’ Jeffery Deaver‘One of the boldest thriller writers working today’ Tess Gerritsen‘A writer of extraordinary talents’ Kathy Reichs Praise for Lee Child:‘These books are absolutely addictive’ George R. R. Martin‘Great pace, drama, language’ James Patterson‘Jack Reacher is today’s James Bond’ Ken Follett‘Nothing makes for a great weekend quite like quality time with Jack’ Lisa Gardner‘The coolest continuing series character’ Stephen King‘I always seize the latest Lee Child with pleasure’ Philip Pullman‘I pick up Jack Reacher when I’m in the mood for someone big to solve my problems’ Patricia Cornwell

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For readers of George R. R. Martin, Philippa Gregory, and the classic work of T. H. White, an epic novel laced with fantasy based on the original Game of Thrones, the battle to control the crown in the bloody, fratricidal War of the Roses. Acclaimed on its UK publication, with raves in the Guardian, Literary Review, Buzz magazine, TLS, the Herald, the Times (London), Prospect, Strange Horizons, and the London Sunday Times so far, and a blurb from Neil Gaiman Pop-culture phenomena like A Game of Thrones, Outlander, and numerous series with supernatural beings and/or time travel premises and contemporary themes make this a perfect historical fantasy for our time. The author's 1982 novel The Arabian Nightmare is considered by some critics to be one of the greatest fantasy novels of the twentieth century, and Neil Gaiman wrote of it, "I have friends who love smart, deep fantasy novels, and can never find enough. Robert Irwin's novel The Arabian Nightmare was one of my favourite books of the early 1980s and one of the finest fantasies of the last century. His newest novel, Wonders Will Never Cease, is as erudite and well-constructed . . . but is set in a medieval England that never quite was, and uses stories and fictions to illuminate and to make us gasp with awe. "

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The exciting conclusion to the Brightstorm twins' trilogy within The Brightstorm Chronicles! Arthur, Maudie, and the rest of the Aurora crew are going on a mission to the Volcanic North, where years before their parents discovered the moth that is their family symbol. But their scheming, ambitious aunt, Eudora Vane, is still dedicated to destroying the Brightstorm family name, and the further north the Aurora travels, the more long-buried secrets are revealed... The long-awaited conclusion to the Brightstorm twins' trilogy Brightstorm was selected as the first Booksellers Association Children's Book of the Season, won the West Sussex Children's Story Book Award, was shortlisted for the Books Are My Bag Awards and the Waterstones' Children's Book Prize, and longlisted for the Blue Peter Book Award Perfect for fans of books by Peter Bunzl, Abi Elphinstone, and Alex Bell PRAISE FOR BRIGHTSTORM: "A pacy tale of lies and greed versus loyalty" Observer "Hardy has drunk from the same cup as Philip Reeve and Philip Pullman. This is a skilful, gripping and hugely enjoyable account of the bonds that keep families together." Literary Review "Full of surprises and keeps you desperate to find the truth" National Geographic Kids "An unputdownable Victorian adventure with vivid characters that travels at lightning speed" BookTrust's Great Books Guide "A highly entertaining old-school adventure" The Bookseller

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The new blockbuster thriller from Graham Hurley, The Blood of Others is part of the SPOILS OF WAR Collection, a thrilling, beguiling blend of fact and fiction born of some of the most tragic, suspenseful, and action-packed events of World War II. Dieppe, August 1942. A catastrophe no headline dared admit. Plans are underway for the boldest raid yet on Nazi-occupied France. Over six thousand men will storm ashore to take the port of Dieppe. Lives will change in an instant – both on the beaches and in distant capitals. Annie Wrenne, working at Lord Mountbatten’s cloak-and-dagger Combined Operations headquarters, is privy to the top secret plans for the daring cross-Channel raid. Young Canadian journalist George Hogan, protege of influential Lord Beaverbrook, faces a crucial assignment that will test him to breaking point. And Abwehr intelligence officer Wilhelm Schultz is baiting a trap to lure thousands of Allied troops to their deaths… Three lives linked by Operation Jubilee: the Dieppe Raid, 19 August 1942. Over six thousand men will storm the heavily defended French beaches. Less than half of them will make it back alive. The blockbuster SPOILS OF WAR non-chronological collection features compelling recurring characters whose fragmented lives mirror the war that shattered the globe. For fans of Philip Kerr and Robert Harris. What reviewers are saying about The Blood of Others: 'Hurley’s depiction of the period is as enticing as ever.' The Times 'A masterful and fascinating historical thriller. ' LoveReading ‘There is far more to this novel than sheer military action, though that is, as usual, superbly done… Historical fiction of the highest order.’ Mike Ripley, Shots Reviews for Graham Hurley: 'Tense, absorbing and faultlessly plotted' Sunday Times 'Beautifully constructed... This is one of Hurley's finest' Daily Mail 'Capable and understated characterization' Publishers Weekly

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A systematic and integrated approach to Cantor Sets and their applications to various branches of mathematics The Elements of Cantor Sets: With Applications features a thorough introduction to Cantor Sets and applies these sets as a bridge between real analysis, probability, topology, and algebra. The author fills a gap in the current literature by providing an introductory and integrated perspective, thereby preparing readers for further study and building a deeper understanding of analysis, topology, set theory, number theory, and algebra. The Elements of Cantor Sets provides coverage of: Basic definitions and background theorems as well as comprehensive mathematical details A biography of Georg Ferdinand Ludwig Philipp Cantor, one of the most significant mathematicians of the last century Chapter coverage of fractals and self-similar sets, sums of Cantor Sets, the role of Cantor Sets in creating pathological functions, p-adic numbers, and several generalizations of Cantor Sets A wide spectrum of topics from measure theory to the Monty Hall Problem An ideal text for courses in real analysis, topology, algebra, and set theory for undergraduate and graduate-level courses within mathematics, computer science, engineering, and physics departments, The Elements of Cantor Sets is also appropriate as a useful reference for researchers and secondary mathematics education majors.

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The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these essays examine how government agents, acting both within and outside the law, and criminal actors seek to manage the flow of illicit drugs to both maintain order and earn profits. Whether discussing the moral economy of coca cultivation in Bolivia, criminal organizations and drug traffickers in Mexico, or the routes cocaine takes as it travels into and through Guatemala, the contributors demonstrate how entire ways of life are built around cocaine commodification. They consider how the authority of state actors is coupled with the self-regulating practices of drug producers, traffickers, and dealers, complicating notions of governance and of the relationships between economic and moral economies. The collection also outlines a more progressive drug policy that acknowledges the important role drugs play in the lives of those at the urban and rural margins. Contributors. Enrique Desmond Arias, Lilian Bobea, Philippe Bourgois, Anthony W. Fontes, Robert Gay, Paul Gootenberg, Romain Le Cour Grandmaison, Thomas Grisaffi, Laurie Kain Hart, Annette Idler, George Karandinos, Fernando Montero, Dennis Rodgers, Taniele Rui, Cyrus Veeser, Autumn Zellers-León

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This is a rich harvest from a renowned translator, an elegant survivor. In 1996, in his eightieth year, David Gascoyne was awarded the Chevalier dans l'Ordre des Arts et Lettres in recognition of his profound contribution to French literature and art. This collection includes some of his best work - early translations, recent unpublished translations, and a substantial section of translations printed in journals over the past twenty-five years.Translations by David Gascoyne of: Guillaume Apollinaire, Andre Breton, Blaise Cendrars, Rene Char, Xie Chuang, Rene Daumal, Yves de Bayser, Robert Desnos, Andre du Bouchet, Paul Eluard, Pierre Emmanuel, Jean Follain, Benjamin Fondane, Andre Frenaud, Eugene Guillevic, Maurice Henry, Friedrich Holderlin, Georges Hugent, Edmond Jabes, Max Jacob, Pierre Jean Jouve, Valery Larbaud, Giacomo Leopardi, Stephane Mallarme, Loys Masson, O. V. de L. Milosz, Benjamin Peret, Francis Ponge, Gisele Prassinos, Raymond Queneau, Pierre Reverdy, Georges Ribemont-Dessaignes, Arthur Rimbaud, Gui Rosey, Philippe Soupault, Jules Supervielle, Jean Tardieu, Georg Trakl and Tristan Tzara.

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The story of the paradoxical relationship of two parents. As he clears out his parents’ house, Philipp, a photographer, comes across an object that has played a major role in his parents’ lives. Herta and Georg made a fine couple when they first met. Their son imagines the early days of their relationship and remembers how his father was forced to flee across the inner-German border to the West. When Herta and Philipp joined him a few days later, this could have signaled the start of a new era of happiness, but the seeds of their separation had already been sown. In gentle, probing prose, Gert Loschütz describes how Philipp gradually unravels the paradoxical nature of his parents’ relationship: it was love that destroyed their love. To his astonishment, Philipp discovers that Herta and Georg had been in contact all those years in a way they kept secret even from one another.

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Translated into English for the first time, this is Georges Perec's unique, puzzling, and often imitated memoir. At once an affectionate portrait of mid-century Paris and a daring pointillist autobiography, Georges Perec's / Remember is the last of this essential writer's major works to be translated into English. Consisting of 480 numbered statements, all beginning identically with "I remember," and all limited to pieces of public knowledge - brand names and folk wisdom, actors and illnesses, places and things ("I remember: "When parents drink, children tipple"; "I remember Hermes handbags, with their tiny padlocks"; "I remember myxomatosis") - the book represents a secret key to the world of Perec's fiction. As critic, translator, and Perec biographer David Bellos notes in his introduction to this edition, since its original publication, "It's hardly possible to utter the words je me souviens in French these days without committing a literary allusion." As playful and puzzling as the best of Perec's novels, I Remember began as a simple writing exercise, and grew into an expansive, exhilarating work of art: the image of one unmistakable and irreplaceable life, shaped from the material of our collective past.

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A dramatic novel of passion, politics and betrayal from the author of The Other Boleyn Girl. They can fear me, and they can hate me. They can even deny me. But they cannot kill me. 1568. The Virgin Queen Elizabeth I has ruled England for ten years, but refuses to name a successor, despite the rival claims that threaten her kingdom. Bess of Hardwick, the new Countess of Shrewsbury, has secured her future with her fourth marriage to George Talbot. Ambitious and shrewd, Bess anticipates royal favour when she and the Earl are asked to give sanctuary to the fugitive Mary Queen of Scots. But the Scottish queen rails against house arrest in a desolate castle and plots to regain her throne. The castle becomes the epicentre of intrigue against Elizabeth, the Earl blinded by admiration for the other queen. Even Bess’s own loyalty is thrown into question. If Elizabeth's spymaster William Cecil links the Talbots to the growing conspiracy to free Mary, they will all face the Tower…

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General Douglas MacArthur is one of the towering figures of World War II, and indeed of the twentieth century, but his leadership of the second largest air force in the USAAF is often overlooked. When World War II ended, the three numbered air forces (the Fifth, Thirteenth and Seventh) under his command possessed 4004 combat aircraft, 433 reconnaissance aircraft and 922 transports. After being humbled by the Japanese in the Philippines in 1942, MacArthur and his air chief General George Kenney rebuilt the US aerial presence in the Pacific, helping Allied naval and ground forces to push back the Japanese Air Force, re-take the Philippines, and carry the war north towards the Home Islands. Following the end of World War II, MacArthur was the highest military and political authority in Japan and at the outbreak of the Korean War in June 1950 he was named as Commander-in-Chief, United Nations Command. In the ten months of his command, his Far East Air Forces increased dramatically and saw the first aerial combat between jet fighters. Written by award-winning aviation historian Bill Yenne, this engrossing and widely acclaimed book traces the journey of American air forces in the Pacific under General MacArthur’s command, from their lowly beginnings to their eventual triumph over Imperial Japan, followed by their entry into the jet age in the skies over Korea.

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Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.

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Star Cops debuted on BBC2 in 1987, the brainchild of Doctor Who and Blake's 7 writer Chris Boucher, aimed as a police procedural set in the new frontier of commercialised space exploration. It's the near future, and mankind has expanded its presence in space. Maintaining law and order among this network of space stations, satellites and moon outposts is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Their leader is Commander Nathan Spring. While dealing with crimes including drug smuggling and murder, the Star Cops find themselves facing a new and sustained threat. The activist group Mother Earth, ideologically opposed to humanity's presence in space, has been quiet for some time. But no longer. The group returns with a vengeance, prepared it seems to go to any lengths to achieve its aims. 1.1 One of Our Cops is Missing by Andrew Smith. As construction of the Vasco da Gama, the largest space station ever put into orbit, nears completion, Nathan is visited by an old friend, who asks for his help in tracking down a missing undercover officer. Meanwhile, Inspector Priya Basu is investigating a near-fatal spacewalk accident on the space station Rakesh Sharma that may be no accident at all.1.2 Tranquillity and Other Illusions by Ian Potter. A murder at the historic scene of the first Apollo moon landing offers few clues for the Star Cops. Why would anyone want to kill Philip Hughes, a property entrepreneur? And what has become of the mysterious woman who was with him at the time? The investigation leads to a moon outpost, where anyone may be the killer. 1.3 Lockdown by Christopher Hatherall. Tech Tower is a state of the art, high - security, high-technology building located in Paris. It seems the ideal venue for an international conference on how to counter the growing threat from the Mother Earth group. Nathan and Priya attend as representatives of space policing. Soon, they and everyone else in the building find themselves in danger as a disruptive attack by Mother Earth coincides with a plot by criminals to carry out a high stakes robbery. 1.4 The Thousand Ton Bomb by Guy Adams. A failed bombing of Moonbase provides the Star Cops with an opportunity to strike back at Mother Earth. Paul Bailey is called on to use his undercover skills once more. But Mother Earth is about to escalate its campaign of violence with a spectacular attack. And the Star Cops are among those in the firing line. The series hero Nathan Spring is played by David Calder, one of Britain's most regarded stage and screen actors. He is joined by several new characters created for these fresh Star Cops adventures, with Priya Basu played by Eastenders regular Rakhee Thakrar. CAST: David Calder (Nathan Spring / Box), Trevor Cooper (Colin Devis), Linda Newton (Pal Kenzy), Rakhee Thakrar (Priya Basu), Philip Olivier (Paul Bailey), Andrew Secombe (Brian Lincoln), Ewan Bailey (Martin Collyer), Nimmy March (Shayla Moss), Delroy Atkinson (Charles Hardin), Zora Bishop (Armina Hamid), Mandi Symonds (Caroline / Mother Earth), Tim Scragg (Ashton / Hughes), Amerjit Deu (Rez Varughese / Gish), Gabrielle Glaister (Joanne Stack / Janine), George Asprey (Alby Royle / Steven Moore), Andy Snowball (Danny Neal / Pan-Pacific President), Sophie-Louise Dann (Simone Babin).

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Despite a supreme belief in itself, the Royal Navy of the early eighteenth century was becoming over-confident and outdated, and it had more than its share of disasters and miscarriages including the devastating sickness in Admiral Hosier's fleet in 1727; failure at Cartagena, and an embarrassing action off Toulon in 1744\. Anson's great circumnavigation, though presented as a triumph, was achieved at huge cost in ships and lives. And in 1756 Admiral Byng was shot after failure off Minorca. In this new book, the bestselling author Brian Lavery shows how, through reforms and the determined focus of a number of personalities, that navy was transformed in the middle years of the eighteenth century. The tide had already begun to turn with victories off Cape Finisterre in 1747, and in 1759 the navy played a vital part in the 'year of victories' with triumphs at Lagos and Quiberon Bay; and it conducted amphibious operations as far afield as Cuba and the Philippines, and took Quebec. The author explains how it was fundamentally transformed from the amateurish, corrupt and complacent force of the previous decades. He describes how it acquired uniforms and a definite rank structure for officers; and developed new ship types such as the 74 and the frigate. It instigated a more efficient (if equally brutal) method of recruiting seamen, and boosted morale and motivation and a far more aggressive style of fighting. The coppering of ships' hulls and the solving of the problems associated with longitude and scurvy, were also hugely significant steps. Much of this transformation was due to the forceful if enigmatic personality of George, Lord Anson. In a largely static society, he changed the navy so that it was fit for purpose, and in readiness for Nelson just decades later. Using a mass of archival evidence and a mix of official reports and personal reminiscences, this book offers a fascinating and engrossing analysis of all these far-reaching reforms, which in turn led to the radical transformation of Britain's navy into a truly global force. The consequential effect on the world's history would be huge.

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An international group of artists and scholars reflects on the nature and significance of education in contemporary society, introducing new perspectives on learning and creativity Back to the Sandbox addresses critical issues of the education system from an intriguing new perspective: essays by leading thinkers juxtaposed with art projects, intended for kindergarten through adult. The core issues include democracy in education, creativity, transdisciplinarity, neuroplasticity, thinking versus memorizing, science versus art and humanities. Both artists and scholars explore specific topics while guided by one framing question central to educators’ and students’ concerns today: What education do we need? The volume includes several lead essays and eighteen shorter texts from international scholars. Based on an exhibition with the same name, Back to the Sandbox records an ongoing multifaceted project that comprises exhibitions, conferences, workshops, surveys, and online roundtables, connecting local communities with international networks. This groundbreaking publication will serve as both reference and inspiration to educators, students, artists, parents, policy makers, and everyone interested in education and art. Contributors: Peter Alheit, Georg-August-U, Gottingen, Germany; Eva Bakkeslett; Nicolas Buchoud; Nancy Budwig, Clark U; Cathy Burke, U of Cambridge; Luis Camnitzer; Teddy Cruz; Jim Duignan; Tony Eaude, U of Oxford; Bente Elkjaer, Aarhus U, Denmark; Priscila Fernandes; Fonna Forman; Liane Gabora, U of British Columbia; Henry Giroux, McMaster U, Ontario; Ken Goldberg, UC Berkeley; Michael Joaquin Grey; Ane Hjort Guttu; Jessica Hamlin, New York U; Yaacov Hecht; Knud Illeris, Danish School of Education, Copenhagen; Mannish Jain; Ronald Jones; Markus Kayser; Floris Koot; Eva Koťátková; Graziela Kunsch; Pamela Kuntz; Tyson E. Lewis, U of North Texas; Sugata Mitra, Newcastle U, London; James Mollison; Basarab Nicolescu, U Pierre et Marie Curie, Paris; Petr Nikl; Petr Payne; Renzo Piano; Howard Rheingold; Luboš Rychvalský; Andreas Schleicher; Calvin Seibert; Bára Štěpánová; Mark Tennant; Bruce E. Wexler, Yale U; Judy Willis; Conrad Wolfram; Hafthor Yngvason; Philip Zimbardo, Stanford U.

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Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America. Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora

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Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America. Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora

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Philip Brett's groundbreaking writing on Benjamin Britten altered the course of music scholarship in the later twentieth century. This volume is the first to gather in one collection Brett's searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten's work and inspired a generation of scholars to imagine 'the new musicology'. Addressing urgent questions of how an artist's sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten's operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten's musical achievement and highlights the many ways that Brett expanded the borders of his field.

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Vic is from a family of pirates, and they are preparing to enter the Race to Hornswaggle Rock, the hardest, most dangerous pirate contest in the country. But the dastardly Captain Guillemot has stolen their ship and thrown their parents overboard. Together with siblings Bert and Maud, and annoyingly resourceful friends Arabella and George, Vic must come up with a plan to steal the ship back from their arch-enemy, join the race and win victory. But there are fearsome pirate crews, hungry sharks and some lovesick parrots in the way – will they be the rulers of the seven seas or the scurviest losers to ever walk the plank?

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The pioneering account of West Coast assemblage art, featuring Bruce Conner, Jess, Jay DeFeo, Robert Duncan, Cameron and a cast of postwar countercultural icons This reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.

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The Renaissance was a period of great intellectual change and innovation as philosophers rediscovered the philosophy of classical antiquity and passed it on to the modern age. Renaissance philosophy is distinct both from the medieval scholasticism, based on revelation and authority, and from philosophers of the seventeenth and eighteenth centuries who transformed it into new philosophical systems.Despite the importance of the Renaissance to the development of philosophy over time, it has remained largely understudied by historians of philosophy and professional philosophers. This anthology aims to correct this by providing scholars and students of philosophy with representative translations of the most important philosophers of the Renaissance. Its purpose is to help readers appreciate philosophy in the Renaissance and its importance in the history of philosophy. The anthology includes translations from philosophers from the thirteenth to the seventeenth centuries, and it ranges from works on moral and political philosophy, to metaphysics, epistemology, and natural philosophy, thereby providing historians and students of philosophy with a sense for the nature, breadth, and complexity of philosophy in the Renaissance. Each translation is accompanied by an introduction by a historian of Renaissance philosophy, as well as select secondary sources, in order to encourage further study.This anthology is a companion to Philosophers of the Renaissance, which included essays on the writings of the same group of philosophers of the Renaissance: Raymond Llull, Gemistos Plethon, George of Trebizond, Basil Bessarion, Lorenzo Valla, Nicholas of Cusa, Leon Battista Alberti, Giovanni Pico della Mirandola, Marsilio Ficino, Pietro Pomponazzi, Niccolò Machiavelli, Heinrich Cornelius Agrippa von Nettesheim, Juan Luis Vives, Philipp Melanchthon, Petrus Ramus, Bernardino Telesio, Jacopo Zabarella, Michel de Montaigne, Francesco Patrizi, Giordano Bruno, Francisco Suàrez, Tommaso Campanella.

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The book contains a preface by the Three (editors) and has five sections—all befitting the recipient of this Festschrift with her interest in Septuagint and Textual Criticism. The first part of the book, entitled The Septuagint. Origins and Translations contains articles on what a translator is and does (such as the contribution from Benjamin G. Wright and Joachim Schaper) or how LXXGenesis functions as the first translation of Scripture (Emanuel Tov) and contains numerous articles on idioms and accuracy (John A.L. Lee), on lexical variation (Arie van der Kooij) and on renderings of nouns (Bénédicte Lemmelijn), verbs (Anssi Voitila), tenses (Raimund Wirth), semi-prepositions (Raija Sollamo), particles (Michael N. van der Meer) or lexical expressions and themes such as the “end of times” (Staffan Olofsson) or `labouring women (Takamitsu Muraoka), etc. In the second part, entitled The Septuagint and the Versions. Textual Criticism and Text History, the books that are focused on are Samuel and Kings (with contributions by Jan Joosten, Philippe Hugo, Zipora Talshir, Siegfried Kreuzer, Andrés Piquer Otero, Pablo Torijano Morales, Juha Pakkala, Christian Seppanen) and Joshua (with contributions by Seppo Sipilä and Julio Trebolle Barrera). Then, there are also studies on textual issues and text history of Isaiah (Anna Kharanauli), Ezechiel (Johan Lust), Job (Claude Cox), Ecclesiastes (Peter J. Gentry) and Minor Prophets (Hans Ausloos). The third part of this volume is entitled The Septuagint in New Testament and Christian Use and contains two contributions on textual links between LXX and the New Testament (contributions by Tuukka Kauhanen and Georg A. Walser) and patristic texts (contributions by Reinhart Ceulemans and Katrin Hauspie). A fourth part of the volume is devoted to The Septuagint in Jewish Tradition (with contributions on how the Tabernacle Account was received in Hellenistic Judaism by Alison Salvesen and `Seeking “the Septuagint” in a Scroll Dependent World' by Robert A. Kraft). The final part of the volume is dedicated to The Hebrew Bible and the Dead Sea Scrolls. It opens with an attempt by Martti Nissinen to answer the question: `Since when do Prophets Write?’ Then, there is the contribution by George J. Brooke who offers a variant on the issue of variant editions, albeit from the perspective of the scrolls. Eugene Ulrich explores the fine balance between intentional variants and isolated insertions in 4QSama and the MT. Sarianna Metso offers an article on the Leviticus traditions at Qumran and Jutta Jokiranta offers a reflection on `the stranger’ in the Hebrew Bible and the Dead Sea. The contribution by Hanne von Weissenberg forms a nice inclusion with the opening contribution by Benjamin G. Wright as it too focuses on Authority.

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