Search results for ""atlantic monthly press""

A riveting mystery that recalls the work of Umberto Eco and Barry Unsworth, A Stolen Tongue is the captivating debut novel that launched critically acclaimed author Sheri Holman’s literary career. In 1483, Father Felix Fabri sails from Germany to Mount Sinai on a pilgrimage to venerate the relics of Saint Katherine of Alexandria. But at each of the shrines he visits throughout Greece and Palestine, he finds that the remains of Katherine’s body are being stolen piece by piece: her hand, her ear, and then her tongue vanish from their holy resting places. Desperate to discover the thief and save his saint from such appalling desecration, Felix is thrust into a strange mystery that takes him across the desert and plumbs the depths of his soul.

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“Kick off your shoes, pour yourself a stiff drink and take your hat off to the elder statesman of southern African words--he’s done it again.” --Alexandra Fuller “Vivid and powerful. Highly recommended.” --Library Journal (starred review) The author of Serenity House and Kruger’s Alp (winner of the Whitbread Prize for Fiction) returns with a lyrical and taut novel about the past fifty years of white presence in South Africa, told through a son’s larger-than-life vision of his mother. In Kathleen Healey, acclaimed novelist Christopher Hope crafts a superbly authentic female character. Aviator, big game hunter, and a knitting devotee who once boxed three rounds with Ernest Hemingway, her multitude of lovers came from all over the world. When she fades with illness, her son must carry out her final wishes, and confront his own ability to love. Bitingly funny and inventive, My Mother’s Lovers is as fierce and radiant as our romance with Africa.

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The spellbinding new novel from the award-winning author of The Caprices and A Carnivore’s Inquiry transports us to a mysterious world of deception, political intrigue, and desire. In the summer of 1963, American Rupert Brigg travels to Greece to collect classical pieces for his Uncle William’s art collection. Rupert’s first discovery, however, is that Athens is a shadowy place that hides a tangle of fork-tongued diplomacy and duplicitous women, a city of replicas and composites that, like a hall of mirrors, calls to question what is real and what is false. Journeying to the secluded island of Aspros, among a circle of artists and aristocrats, each with their own secrets, Rupert finds the very pieces he’s searching for, but can he escape the tragedy that ended his brief marriage? As beautiful as Rupert’s discoveries are, beneath the surface lurk rumors of insurrection, fabrication, and even murder. Seductive, compelling, and sly, Forgery is a sophisticated book about the value and meaning of art, love, and the corrosive power of grief.

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Here They Come is the lyrical, startling and poignant third novel from Yannick Murphy, a National Endowment for the Arts award winner and one of the freshest voices in American fiction today. Splitting time between a ramshackle apartment and a lonely hot dog vendor, the observant thirteen-year-old who stands steadily at the center of Here They Come gives lyrical voice to an unforgettable instant —1970s New York, stifling, violent and full of life. Balanced between her enigmatic siblings, detached parents, and a quiet sense of the surreal, she recounts a year of startling moments with dark humor and deadpan resilience.

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In Cliff Chase’s scathingly funny and surprisingly humane debut novel, the zeitgeist assumes the form of a one-foot-tall ursine Everyman — a mild-mannered teddy bear named Winkie who finds himself on the wrong side of America’s war on terror. After suffering decades of neglect from the children who've forgotten him, Winkie summons the courage to take charge of his fate, and so he hops off the shelf, jumps out the window, and takes to the forest. But just as he is discovering the joys and wonders of mobility, Winkie gets trapped in the jaws of a society gone rabid with fear and paranoia. Having come upon the cabin of the mad professor who stole his beloved, Winkie is suddenly surrounded by the FBI, who instantly conclude that he is the evil mastermind behind dozens of terrorist attacks that have been traced to the forest. Terrified and confused, Winkie is brought to trial, where the prosecution attempts to seal the little bear’s fate by interviewing witnesses from the trials of Galileo, Socrates, John Scopes, and Oscar Wilde. Emotionally gripping and intellectually compelling, Winkie exposes the absurdities of our age and explores what it means to be human in an increasingly barbaric world.

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In the citation accompanying Kay's recent award of the prestigious Ruth Lilly Prize, Christine Wiman wrote: "Kay Ryan can take any subject and make it her own. Her poems-which combine extreme concision and formal expertise with broad subjects and deep feeling-could never be mistaken for anyone else's. Her work has the kind of singularity and sustained integrity that are very, very rare…. It's always a dicey business predicting the literary future…[but] for this reader, these poems feel as if there were built to last, and…they have the passion, precision and sheer weirdness to do so."Salon compared the poems in Ryan's last collection to "Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder." The exquisite poems in The Niagara River provide similarly hidden gems. Bafflingly effective, they seem too brief and blithe to pack so much wallop. Intense and relaxed at once, both buoyant and rueful, their singular music appeals to many people. Her poems, products of an immaculately off-kilter mind, have been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker.

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With his latest national best seller, Peace Kills, P.J. O'Rourke casts his ever-shrewd and mordant eye on America's latest adventures in warfare. Imperialism has never been more fun. To unravel the mysteries of war, O'Rourke first visits Kosovo: "Wherever there's injustice, oppression, and suffering, America will show up six months later and bomb the country next to where it's happening." He travels to Israel at the outbreak of the intifada. He flies to Egypt in the wake of the 9/11 terrorists' attacks and contemplates bygone lunacies. "Why are the people in the Middle East so crazy? Here, at the pyramids, was an answer from the earliest days of civilization: People have always been crazy." He covers the demonstrations and the denunciations of war. "A moral compass needle needs a butt end. Wherever direction France is pointing-toward collaboration with Nazis, accommodation with communists, existentialism, Jerry Lewis, or a UN resolution veto-we can go the other way with a quiet conscience." Finally he arrives in Baghdad with the U.S. Army and, standing in one of Saddam's palaces, decides, "If a reason for invading Iraq was needed, felony interior decorating would have sufficed."

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