Search results for ""art/books""

“Absolutely essential for all the connoisseurs and Rolex lovers.” — Laura Astrologo Porché, celebremagazine world Why do we collect? For some, it is a pursuit of pure passion – those who appreciate the wristwatch as an artform: the intricacy of its mechanics, the finesse of its form. Yet for others, collecting is an investment, and a watch’s value is of as much importance as its appearance. All collectors ought to have a guide to models and market value. Rolex: Investing in Wristwatches offers detailed insights into the world of authenticating and pricing high-value wristwatches, which will be of use to collectors from amateur to connoisseur. This publication includes the vast majority of key Rolex models, along with their relevant auction results. The timepieces featured have been carefully selected by Senior Horological Expert, Osvaldo Patrizzi. These wristwatches excel for a diverse range of reasons, including technical excellence, auction records, design and anecdotal history. A description of each watch is accompanied by its picture, reference and sales values (rights included). A comparative analysis of auction results, compiled through close collaboration with the Sotheby's auction house, shows, by brand and timepiece, the evolution of prices over time, leading from the Eighties up to the present day. A system to calculate the currency exchange rate at the time of auction sales will also be included in this vital work of reference.

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"Understanding Jewellery is a love letter to glorious pieces from the last hundred years." —M. J. Rose, The Adventurine "An enjoyably scholarly romp through the past and a feast for the eyes for the novice and the consummate jewelry fan and collector."—Beth Bernstein, Forbes "A must-have coffee table book for jewellery aficionados..." —Elisa Vallata, Departures International "As with stocks, education is the way to begin. There are many excellent books on the jewelry market, but start with Understanding Jewellery, the industry bible by two former Sotheby’s jewelry executives, David Bennett and Daniela Mascetti." —Bloomberg Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery. In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century. Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject.

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The ‘Garden of England’, ’The High Weald’, these are phrases that describe a 70-year-old Area of Outstanding National Beauty in Southern England. Among these dramatic landscapes and ancient woodlands stand many castles, mansions and cottages, ringed with orchards, meadows, drifting flowers and horticultural exotica. Featured gardens range from grand landscapes to works of glorious eccentricity, Arts and Crafts green rooms to postage stamp-sized plots of ingenuity. Wilderness weaves into floral genius, while native and exotic species stand side-by-side – all within the unique climate of the English garden. Including chapters on English Parks, Arts and Crafts Gardens and Woodland Gardens, Where the Wildness Pleases – The English Garden Celebrated pays homage to English horticultural excellence and tells the gripping stories behind some of our most breath-taking landscapes. This book also features a handy Who’s Who of designers, gardeners, plant hunters and nurserymen, and a brief guide to English playing greens – cricket, bowling, croquet and tennis. This is a welcome guide for anyone interested in visiting this astonishingly beautiful part of the country, or those thinking of buying a plot.

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They Must Fall: Muhammad Ali and the Men He Fought features powerful and often moving images and stories of Muhammad Ali and the men he fought in the ring, by award-winning photographer Michael Brennan. “Around 1978, I had been in Houston, Texas photographing former Ali opponent George Foreman who had then reinvented himself as a roadside preacher. On the plane back to NYC, I thought, ‘If that’s what George is doing, I wonder what the rest of his opponents are up to?’ I set out to track down as many of the old guys as I could find.” Brennan spent decades locating Ali’s former opponents to discover what had become of them. This unique book is a look through Brennan’s remarkable archive, containing numerous never-before- seen photos plus poignant stories illuminating the images and contextualising Ali’s powerful role in the world of sport. Includes a special introductory essay by the late, great Jimmy Breslin. “Michael Brennan’s iconic 1977 portrait photograph of Muhammad Ali captures something far bigger and deeper than just the beautiful face of a beautiful man. It is a detailed map of the personal journey of one whose incomparable talents and audacity caused literati to swoon, taught a generation to question authority, and ultimately altered the path of a society which had never before seen a man exactly like him. To look at him the way he was then is to remember, with joy and sorrow, who we all once were.” - Jim Lampley, discussing the cover image (Boxing commentator, HBO Sports)

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Did you know that jewellery predates clothes? The oldest known piece is a set of 100, 000-year-old beads, made from Nassarius shells. Liza Urla advises us not to look at the eyes when meeting a new person, but instead to look at their jewellery. She describes it as the ultimate means of self-expression, essential to our identification as humans. "Jewellery is our armour," she says, "and precious stones our amulets". In this book, she journeys from continent to continent, chronicling the pieces that capture her imagination and her heart. Although many of the pictures are from the street, defining the wearer's style on the day they were taken, Urla has been lucky enough to access people's personal jewellery boxes. As she says, the best pieces are always in private collections. Urla's favourite finds are presented alongside her own jewellery styling, in collaboration with various designers from the jungles of Brazil, the beaches of Mexico, or the streets of London, NYC, Paris or Moscow.

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Simon Drew's first book published by ACC was A Book of Bestial Nonsense, setting a high standard for the pursuit of nonsensical intellectualism and poppycock. Many years later, Fowl Fleas and Fancy Fauna, Simon's latest book, concentrates on the Animal Kingdom again, following in the footsteps of Charles Darwin in seeking to offer a unifying theory on our existence: humankind has developed an acute sense of the ludicrous and Simon is an expert in ridiculous behaviour. So will this book be compared to the Origin of Species? We leave the readers to make up their own minds - if, indeed, they are still in possession of their wits after reading this book. Either way any library would be a poorer place without this book and it is expected that the Nobel committee will be in contact soon.

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"David Mellor ...was the outstanding British flatware designer of the last century and a remarkable man who ... understood, and insisted upon, the essential relationship between making things and designing them" Stephen Bayley, The Guardian "Britain's most serious, modest and greatest post-war product designer" Sir Terence Conran David Mellor: Design is an introduction to the designer, his works and his importance within the British design landscape, post 1950. The wider world knows him for his cutlery, which although exquisite and important, is the tip of the iceberg. To see Mellor as 'just' a cutlery designer is to miss his depth: his love of public projects, street furniture or Church commissions. But then to see Mellor as 'just' a designer is to miss his influence as a patron of architecture, or his passion for retailing and promoting British crafts. He may be the 'King of cutlery' but that is just the beginning. David Mellor (1930-2009) began his career at the RCA, developing sophisticated yet simple aesthetics which he displayed through his silver smithing. His cutlery continued in the Sheffield tradition whilst using some technologically advanced manufacturing methods and radically modern designs. He also designed public street furniture in the 50s and 60s which pulled Britain's streets into the modern era. During the late 1960s he opened a shop in Sloane Square, London. His work as a retailer helped introduce the highest professional design standards into our equipment for cooking with and eating with. It followed the trail led by Elizabeth David, introducing continental cuisine to the country, a development that today seems so natural. Beautifully and comprehensively illustrated, this book opens up the wonderful work of David Mellor to a wider audience. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Unlikely to be challenged as the standard work on the subject, British Artists 1880-1940 includes entries for a staggering 41,000 British artists who exhibited at forty-nine of the major exhibition centres and commercial galleries throughout England, Scotland, Wales and Ireland between the years 1880-1940. While there are many books on specific artists, schools and movements, until the publication of this book there has been no basic work of reference covering the vast mass of artists who painted during the period and whose work can be found in most British homes. The arrangement of names is alphabetical, to make it as easy as possible to find the artist; where dates of birth and/or death dates are unknown, the first and last year of exhibiting has been used. The date the artist became a member of a society has been included as well as the address. ' ...a wealth of information that has never been published before...' - Antique Monthly

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Dua Lipa has enjoyed a sensational rise to the peak of pop stardom. Her infectious disco-influenced hits have scored billions of plays on Spotify yes, billions! and her sharp fashion choices have turned heads across the entertainment industry making her an international style icon.Born and raised in London, Dua showed promise as a performer in her mid-teens, and by her early twenties, had already won an armful of awards, including BRITs and Grammys. Frequently splashed on the covers of Teen Vogue, Elle, Clash and more, she has also starred as a model in ad campaigns and ambassadorial roles for Pepe Jeans, Puma, Adidas Originals and Versace. In 2023, Dua's Barbie soundtrack, her acting debut in the film and her subsequent red-carpet appearances won her a legion of new followers around the world. Dua Lipa and the Clothes She Wears is a celebration of the superstar's biggest fashion moments. Written by former B

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This delightful book presents the history and development of the Auricula to both the casual reader and enthusiast. It sets out both traditional and more recent methods of cultivation, how to exhibit the plants, how they are judged, breeding new varieties and how to deal with pests and diseases. More than 200 varieties both old and new are discussed in some detail and numerous coloured illustrations are included. In writing the book, Allan Guest has drawn on over thirty years experience of growing, showing, breeding and judging the plants. Having known and exchanged views with many of the leading personalities of the time, he is able to provide insights into both plants and breeders. He currently sits on the committees of both the Midlands and West and the Northern Sections of the National Auricula and Primula Society. "If you want to grow, show or know the great range of auriculas now available you have to have Guest's fine book." Robin Lane Fox, Financial Times

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Women Garden Designers presents twenty-seven of the most important and influential women garden designers and their gardens from around the world, showing both their finest commissions as well as the gardens they designed for themselves, in their own space. The carefully researched text examines their influences and their legacy to garden design. Beginning with the remarkable Gertrude Jekyll and Beatrix Farrand, who were working simultaneously, though on different sides of the Atlantic, the book then moves on into the 20th century, featuring international designers as diverse as Florence Yoch - who created gardens for film sets and for glamorous Hollywood homes - and Vita Sackville-West - whose regular gardening column in the Observer, along with her own garden at Sissinghurst, influenced those in Britain. In Australia, Edna Walling supplemented her income from her practice with regular articles in life-style magazines. Increasingly with picture-led articles, designers found a way to publicise and advertise their work, thus gaining new clients in emancipated women who were in a position to place their own commissions. Women designers were more likely and quicker to embrace the ecological garden movement particularly in Germany and Sweden in the middle of the 20th century. They are represented by Herta Hammerbacher and Rosemary Weisse, who created the glorious perennial plantings in Munich's West Park and Ulla Bodorff in Sweden, as well as Isabelle Greene in California with her dry native plantings. The modern movement includes Monica Gora and Topher Delaney, for whom spirituality and landscape as works of art are important. The more conventional structured approach is represented by Penelope Hobhouse and Rosemary Verey, who began creating gardens later in their lives, following motherhood. Haruko Seki from Japan and Isabel du Prat from Brazil express their own special cultural qualities in their trans-global practices. Contents: Gertrude Jekyll (1843-1932, English); Beatrix Farrand (1872-1959, American); Norah Lindsay (1876-1948, English); Marian Coffin (1876-1957, American); Florence Yoch (1890-1972, American); Vita Sackville-West (1892-1962, English); Edna Walling (1895-1973, Australian); Brenda Colvin (1897-1981, English); Herta Hammerbacher (1900-1985, German); Sylvia Crowe (1907-1997, English); Maria Teresa Parpagliolo Shephard (1903-1974, Italian); Joane Pim (1904-2002, South African); Ulla Bodorf (1913-1982, Swedish); Rosemary Verey (1918-2001, English); Cornelia Oberlander (1921-, Canadian); Rosmarie Weisse (1927-2002, German); Penelope Hobhouse (1929- English); Niki de Saint Phalle (1930-2002, French); Isabelle Greene (1934- American); Arabella Lennox-Boyd (1938- Italian); Nancy Goslee Power (1942- American); Topher Delaney (1948- American); Isabel du Prat (1954- Brazilian); Petra Blaisse (1955- Dutch); Monica Gora (1959- Swedish); Haruko Seki (1959- Japanese).

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Skins by Gavin Watson is arguably the single most important record of '70s skinhead culture in Britain. Rightly celebrated as a true classic of photobook publishing, the book is now reissued in a high-quality new edition under close supervision from the photographer. The scores of black and white shots offer a fascinating glimpse into a skinhead community that was multi-cultural, tightly knit and, above all else, fiercely proud of its look. These are classic photographs of historical value. “What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.” - Shane Meadows (Director of award-winning film This Is England). The book, described by The Times as “a modern classic”, forms an important visual record of its time and has attained cult status in the genre, alongside works by other eminent photographers such as Derek Ridgers and Nick Knight. “Arguably one of the best and most important books about youth fashion and culture ever published.” – Vice Magazine

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Families searching for a book about separation anxiety disorder as a result of divorce will discover the language needed to give their child the strength to take their first steps toward independence, faith and courage knowing it isn’t goodbye, it’s See You Later.Malucyya is a 4-year-old biracial girl whose parents separated and later divorced. She loves them both so much and wished her parents would fall back in love with each other. Divorce is difficult especially for children and she is very confused. At the end of weekend visitations Malucyya becomes worried, distraught and emotional. Her parents are saddened to see their baby girl cry when she must leave one parent to go with another.This book teaches children of divorce who suffer from separation anxiety and abandonment issues that everything is OK. It’s never Good-Bye, it’s only See You Later.

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A riveting photo journal documenting the pandemic by notable and noteworthy actor Richard Edson.“I began the YEAR ZERO LOCKDOWN JOURNAL on March 20, 2020, the first day of the Los Angeles lockdown. I ended it a year later March 19th, 2021." "On the first day of lock down I took my bicycle and camera and rode through the empty, silent streets of Los Angeles. Everything looked the same, but everything was completely different. I took photos and came back and wrote about it. And I kept it up for next twelve months, through our personal and collective isolation, through the ups and downs of the pandemic, the slow, halting opening of society, the politicization of the virus, the George Floyd protests, the elections, the Stop-the-Steal movement, and the storming of the Capital. Covid-19 was beyond anything we thought possible or could even imagine. It’s the stuff of science fiction and dystopian nightmares. But the writers and doomsayers were right. And here we are. Each of us who have lived through Year Zero have our own stories to tell. This, in photographs and texts, is mine."

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Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloging and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breathtaking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Bed Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

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Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloging and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breathtaking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Negligee Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

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Where are we going to eat tonight? What's the best place for a drink? Where do locals buy their fruit and vegetables? Where are the best delicatessens? All tourists who love good food have asked themselves these questions when visiting a city or country. Many travel guides suggest some food addresses but these are generally very few, unoriginal and, most of the time, crowded with other tourists. This new series, on the other hand, promises the opposite: each title will bring you the heart of gastronomy of the selected destination. Starred restaurants, bistros, canteens, street food, Asian cuisine, chic picnics: in Eat London the best of London is lying on a silver platter just for you! In addition, you'll find addresses to the best delicatessens, the best wine bars, the best cookery equipment stores or specialised gastronomy bookstores of each city... Contents: Stores and General Food; Markets; Tea Time; Bakeries and Pastry Shops; Breakfast; Pubs and Drinks; On the Go; Restaurants.

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"Stuart Devlin was probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time. His originality of design marked him out as a master craftsman and his prolific output was a tribute to the width of his imagination." - Foreword by His Royal Highness The Duke of Edinburgh. This book gives an idea of Stuart Devlin's extraordinary creativity, his skill, and the beauty of his work. It comprises over 500 pages with hundreds of images of Devlin's gold, silver and coins as well as his jewellery, sculpture and furniture. Many collectors will recognise pieces that they originally commissioned or have bought. Also shown are numerous sketches and working drawings. The short sections of text include concise captions and reviews from primary sources. Although it has been impossible to encompass everything ever designed or produced by Devlin, the book highlights how remarkable it is that this wealth of ideas was conceived by just one man. Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s. He adapted old techniques and devised many new ones. His commissions included those for the Royal Households, cathedrals, the armed forces, sporting bodies and universities, as well as abundant private commissions. He was also a coin and medal designer. Australian born, recognition came to Devlin after designing the Australian decimal coinage in 1963. He went on to design coins for more than 30 countries.

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'Sofreh' is Persian for 'spread' - referring to the colorful arrangements of flowers, condiments and objects of spiritual or cultural importance that are displayed at Persian ceremonies. As the title promises, this book is a visual feast. Flush with lavish historical illustrations and contemporary photography, it documents Persian marriage and New Year celebrations in rich detail. Sofreh pays homage to ancient traditions, discussing the symbiosis of symbolism and culture. Despite their ancestral roots, the featured ceremonies are infused with life and creativity. Modern fabrics are welcomed alongside refined antique textiles, creative floral designs, unconventional pieces of furniture, and unexpected objects. References to Persian poetry, literature, art and folklore stimulate the imagination, and the text is illuminated with exquisitely detailed extracts from old manuscripts, antique woven textiles and embroideries. Each volume centers around a series of original and at times highly elaborate sofreh creations. Together they comprise an extensive project, involving research into Persian ceremonies and sofreh history by an eminent scholar, and the design and creation of stunning compositions. Book One is about the Persian New Year (Nowruz), which is celebrated on the first day of Spring. Book Two explores Persian marriage and wedding customs, and the elaborate settings for marriage ceremonies (Aqd). These two lavishly illustrated volumes which make an enduring gift are devoted to showcasing sofreh compositions in all of their glory. Never before have the splendor and beauty of the sofreh been presented in such an intricate and novel fashion.

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Edward Bawden (1903-1989) was one of twentieth century Britain's most innovative graphic designers. Book illustrator, wallpaper, textile and poster designer, watercolourist, mural painter, teacher. His designs still resonate strongly with young designers more than a quarter-of-a-century after his death. Bawden's influence on 20th-century design is beyond measure. Edward Bawden: Design is the newest title in ACC's award-winning Design series and an excellent introduction to the work of Edward Bawden. This fascinating book illustrates every aspect of his creativity, and is beautifully illustrated throughout. Also available: Edward Bawden and Eric Ravilious: Design ISBN 9781851495009 Eric Ravilious ISBN 9781851498024

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Roland Paris is one of the most recognisable artists of the Art Deco world, yet his work remains something of an enigma. His art is caricature-like, bordering on grotesque, and he delivers critical perspectives on society's downtrodden via jesters and devils. His mediums range from sculpture and painting to porcelain and wood, including woodcuts and the written word. This never-before-seen study focuses on the artist's trials and tribulations while living in Nazi-ruled Germany, and the tragic end to his life, hours before the end of World War Two. Also available by Alberto Shayo: Chiparus: Master of Art Deco ISBN 9781851498222, Statuettes of the Art Deco Period ISBN 9781851498246.

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"Clive could always come up with a psychedelic vision to suit the current mood of far-out fantasy in fashion. In one sitting, he was able to capture not only the romance of a Dior coat but the futurism of Pierre Cardin." - Grace Coddington quoted from her book Thirty Years of Fashion at Vogue. "Clive Arrowsmith is the Caravaggio of the 21st century. He creates magic and dreams, he is the master of light." - Marcella Martinelli, Fashion director. "Clive is like the St. Francis of photography - he can charm the birds right out of the trees, but then tells better stories. His work combines not only a creative mind and technical excellence, but most importantly, a real connection with his subjects." - Michael Daks, Professor of Photography at Paris College of Art & Istituto Marangoni, Paris. "Clive Arrowsmith's insightful portraits shimmer with artful lighting and technical mastery, reflecting his own deep humorous humanity." - Nicholas Vreeland. Clive Arrowsmith is a celebrated London-based international photographer. After leaving art school, where he studied painting and design, he began taking photographs whilst working as a graphic designer for television. Leaving television to work as a photographer, he soon gained commissions from leading fashion magazines, most notably, British and French Vogue, Harpers, The Sunday Times Colour Magazine, Vanity Fair, Esquire U.S.A., and F.T. "How to Spend It". Clive continues to work in this genre in both editorial and advertising photography and is equally known for his music and celebrity images: Paul McCartney, Wings, Mick Jagger, Jeff Beck, George Harrison, Daniel Barenboim, Anna Netrebko, Art Garfunkel, Def Leppard, Prince Charles, Michael Caine and Damien Hirst to name a few. Clive is also an accomplished landscape and still life photographer and is the only photographer to have shot the Pirelli Calendar two years in succession. Having worked on many major stills advertising campaigns, such as De Beers, Revlon, G.H.D. Morello, Caroline Castigliano, Lexus, Hassleblad etc, Clive has continued to broaden his creative scope moving on to direct commercials for Heinz, Revlon, Hamlet Cigars (winner of The Silver Lion Cannes Film Festival), Rapeed Sunglasses, Greenmail Whitney Beer, music videos for artists like Lee Griffiths, Jamiroquai, Jools Holland, ZTT and Def Leppard, and album covers such as Wings' 'Band on the Run.' This is the first book to celebrate his career.

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"Fashion history at its finest, taking in some of the key social and artistic milestones of the last century." The Lady "The appeal of this book lies in one's curiosity about the founders of fashion, especially those who forged names for themselves in the business of shoes. [The author Michael Pick] more than generously offers the reader proof of why Rayne became and remained a leader within its classification. There is an incredible trove of photos as well as the brand s advertising during its long and revered existence." New York Journal of Books Rayne is the name synonymous with the best in British 20th-century shoe design. Re-launched as a British-owned company in 2013, the remarkable design achievements of the company in the 20th-century are illustrated in this sumptuous book. The business began in the late 19th-century as a theatrical costumier and soon added shoes to its products, with a factory in Bermondsey near the current Fashion & Textile Museum. Early clients included the Ballet Russes and Nijinsky. By the 1920s, members of the British Royal family and aristocracy were clients, and a shop was opened on Bond Street with a new factory based at King's Cross. By 1950, the company had three royal warrants, had supplied shoes for the wedding of Princess Elizabeth (now Queen Elizabeth II) in 1947, and had a strong American presence with Delman Shoes at Bergdorf Goodman, NYC, amongst other locations. Sir Edward Rayne became a celebrity in his own right and collaborated with many famous designers such as Roger Vivier, Bruce Oldfield, Jean Muir, and the "Fashion Knight" Sir Norman Hartnell, and Hardy Amies. In the 1970s, Bill Gibb designed collections for Rayne, and Rayne supplied the shoes for several leading French couturiers houses such as Lanvin and Nina Ricci. In the 1980s Bruce Oldfield designed collections for them. Oliver Messel re-designed the famous Bond Street Store, which attracted stars of stage and screen, such as Elizabeth Taylor, as well as society ladies. Beautifully illustrated, this book offers a complete history of this remarkable brand.

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Time in a bottle; this is a collection that explores the unlocking of history through the identification of its unique seals, using crests and coats-of-arms as the 'keys' towards identifying the original owner. This three-volume collection examines the evolution of the sealed bottle from the 1640s to the late 1800s and provides a detailed description to accompany each entry, supported by numerous photographs, including the number of examples known, their condition, and the collections where the bottles and detached seals are held. The laying down of wine to improve its quality and longevity related to the social history of the day, the design of the bottles, their evolution and manufacture, are a reflection of the individuals who ordered and used the bottles at home or in the private gentlemen's clubs, much influenced by the historic events of the 17th through to the 20th centuries. Wine consumption has a place in cultural history; these collected bottles existed at times of incredible upheaval and social change. From the early colonial settlements of the New World, into the slave markets of Richmond, VA, New Orleans, Charleston, SC, and Philadelphia, and with the plantation owners who amassed vast wealth and prestige as a result of this trade. In the taverns and coffee houses of London, alongside the bear baiting and cock fighting to be found across the River Thames in Southwark, in the cellars of the Oxford colleges and Inns of Court, these sealed bottles give much information on the early drinking habits of the aspiring and upwardly mobile, and the established aristocracy.

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"a well-written, well-referenced and well-illustrated book. It provides a valuable addition to the literature and our understanding of a previously little-researched facet of the industrial midlands" British Art Journal "Cataloguers now have an impressive volume of new information to draw on when describing anything from a simple tea tray to those suites of papier mâché furniture which remain as impressive today as when they dazzled visitors at the great international exhibitions of the 19th century" Antiques Trade Gazette As one of the few decorative arts about which little has been written, japanning is today fraught with misunderstandings. And yet, in its heyday, the japanning industry attracted important commissions from prestigious designers such as Robert Adam, and orders from fashionable society across Europe and beyond. This book is a long overdue history of the industry which centred on three towns in the English midlands: Birmingham, Wolverhampton and Bilston. It is as much about the workers, their skills, and the factories and workshops in which they laboured, as it is about the goods they made. It tells of matters of taste and criticism, and of how an industry which continued to rely so heavily upon hand labour in the machine age reached its natural end in the 1880s with a few factories lingering into the late 1930s. Richly illustrated, it includes photographs of mostly marked, or well-documented, examples of japanned tin and papier mâché against which readers may compare - and perhaps identify - unmarked specimens. Japanned Papier Mâché and Tinware draws predominantly upon contemporary sources: printed, manuscript and typescript documents, and, for the period leading up to the closure of the last factories in the 1930s, the author was able to draw on verbal accounts of eyewitnesses. With a chapter on japanners in London, other European centres, and in the United States, together with a directory of japan artists and decorators, this closely researched and comprehensive book is the reference work for collectors, dealers and enthusiasts alike. Contents: From Imitation to Innovation; Enter the Dragon!; The Lion of the District; Japanning & Decorating; Not a Bed of Roses!; Clever Accidents?; Decline of the Midlands Japanning Industry; The Birmingham Japanners; The Wolverhampton Japanners; The Bilston Japanners; Japanners in London and Oxford; Products; Other Western Japanning Centres; Appendices.

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The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of The Beggar's Opera at the Lyric Theatre, Hammersmith. Also available: GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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F.H.K Henrion was one of a distinguished group of graphic designers - refugees from Europe just prior to World War II, who brought cutting-edge continental design to the rather parochial English scene. He quickly made his mark as a poster designer for the Ministry of Information, and, parallel to this, began to build up a career in exhibition design, culminating in two highly original pavilions for the Festival of Britain. However, Henrion is best remembered for his evangelical work in corporate identity design whereby he raised the status of the graphic designer to boardroom significance. He established the authority of the profession as total re-branders of organisations, from logo, through retail outlets and vehicles, to stationery and labels. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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This book presents the designs for bookplates and badges by the English Arts and Crafts designer and architect, C.F.A. Voysey, (1857-1941). Perhaps the most recognised and influential designer of his age, Voysey designed over one hundred bookplates, badges and greetings cards. The focus of the book is the collection of these designs from Voysey's own personal archive. Only a very few of these designs have been published to date, and never as a completed collection. Beautiful to look at and full of interesting symbolism, each design encapsulates the spirit and underlying principles which informed every aspect of Voysey's architecture and decorative design. They also form the centrepiece of a beautifully illustrated tale about the life and work of Voysey, touching on his personality, interests, relationship with family and clients, and his central role as designer of the Arts and Crafts Movement.

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This is the first book to explore the work of the forgotten ceramics concern - Chetham & Woolley. The original partnership of James Chetham and Richard Woolley established a factory in Longton, Staffordshire in 1795. The partnership was responsible for developing a new ceramic body - semi-transparent stoneware, properly termed Fildspathic Stoneware. In its day the Chetham & Woolley factory occupied a very important position in the Staffordshire ceramics industry. Until recent research carried out by Colin Wyman practically all memory of Chetham & Woolley had been lost. This book re-establishes the factory's well-deserved reputation.

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Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

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The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922 was the beginning of the Curwen Press's golden decade, during which it produced The Woodcutter's Dog, the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the Medici Society, the exhibition catalogue of books and manuscripts for The First Edition Club, Goldoni's Four Comedies and the delightful little pocket engagement book, The Four Seasons, illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a Younger World, the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933 the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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An excellent introduction to the work of two British designers Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). This fascinating book illustrates every aspect of their creativity, featuring designs for wallpaper, posters, book jackets, trade cards and Wedgwood ceramics, to name but a few. Design opens with an informed and engaging essay by Peyton Skipwith, who, from the late 1960s, acted as Edward Bawden's principal dealer. Bawden and Ravilious both attended the Design School of the Royal College of Art. It was here that they met and started to experiment with print-making - marking the beginning of an extremely creative but tragically short-lived friendship. Ravilious was killed at the age of thirty-nine in an air-sea rescue mission during the Second World War; Edward Bawden survived him by forty-six years. 'Exquisite ... Design is a treat' - Sunday Telegraph 'A neat little scrapbook ... beautifully laid out' - Antiques Magazine The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow for more specific dating of body types and forms as they correspond to the Wedgwood Shapes Books. Three hundred and fifty black and white illustrations with seventy-five colour plates, many shown here for the first time, provide an invaluable guide to the identification of these wares. Detailed research into the more than sixty other potteries concerned with the production of these handsome, ornamental and useful stonewares, makes this the most comprehensive reference book ever produced on the subject.

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Award-winning writer René Balcer is best known for his hit series Law & Order and Criminal Intent. Much less is known about his startling photographic work, shared only with his close friends and colleagues – until now! This offers 500 photographs showcasing Balcer’s trademark crime scene aesthetic. The stunning images range from West Africa to the Utah desert, from a remote Arctic village to a seedy Brooklyn bar, with photos full of narrative mystery. There is a section on pre-Covid China, a China many say has since vanished. Also included is a unique homage to Balcer’s adoptive city of Los Angeles, and a ground-breaking photo-essay on Buenos Aires’ posh Recoleta neighbourhood. Marked by wry social commentary and breath-taking beauty and framed by insightful essays from noted Contemporary Art expert Robert Hobbs, renowned artist Xu Bing, and bestselling mystery writer Naomi Hirahara, these compelling never-before-seen photos are now presented in a glorious high-quality publication.

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"The book provides a fresh take on the difference between the lived experience inside Ferrari and the perception from outside, combining intense scrutiny and global fan adulation." - Motorsport.com “The photographs in the book, reproduced with startling clarity while still maintaining a period-correct palette, are a joy to study, demonstrating with profound evidence the progression of the drivers, cars, and competition—as well as the photographers' techniques—through the decades” - Car and Driver Ferrari is the beating heart of the global sporting phenomenon that is Formula 1. Its founder, Enzo Ferrari, was born on the racetrack as a competition driver before he became a creator of mythical road cars. No other team can inspire the passion or match the stories of triumph and tragedy. Rainer Schlegelmilch and Ercole Colombo are two of Formula 1’s most legendary photographers. They covered the sport from the 1960s onwards, with amazing access inside the Scuderia. Here, for the first time, they come together to pay tribute to Formula 1’s most iconic team. Ferrari: From Inside and Outside features contributions from iconic figures including Piero Ferrari, Luca di Montezemolo, Stefano Domenicali, Jean Todt and legendary designer Mauro Forghieri. The book is edited by internationally celebrated Formula 1 commentator and Michael Schumacher’s biographer, James Allen.

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"To page through its contents is to tumble down a rabbit hole of carved gemstones, cloud shapes, and gleaming colored aluminum (with a gorgeous mad genius of flame-red hair as your guide)." — JCK Online "The Sheibani monograph deftly weaves together Sheibani’s personal life and her jewelry, exploring ways in which one feeds the other." — The Magazine Antiques Cora Sheibani’s jewels are the product of a highly active imagination. Her creations are designed to surprise and delight – miniature cakes and jellies that look good enough to eat; rings and bracelets that glow in the dark; shimmering clouds with diamond raindrops; jewels that stare back at you, and plant pots billowing with vegetation. Her design handwriting is predicated on a bold sense of form and colour, allied with a playful, contradictory mindset. Her design philosophy is to make jewellery she herself wants to wear and in doing so, she trusts that her customers in turn will appreciate and value her personal aesthetic. Cora Sheibani – Jewels is published to mark the 20th anniversary of Cora Sheibani’s eponymous brand.

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First exhibited at the Exposition Universelle (Paris, 1900) Louis XIII has embodied sophistication for over a century. Each bottle is a unique work of art, from the decanter - each of which requires eleven craftsmen to blow the crystal, apply the ornamentation and wrap the 20-K gold collar around its slender neck - to the cognac itself. Composed of up to 1200 eaux-de-vie from the first cru of the Cognac region, Grande Champagne, Louis XIII balances notes of myrrh, honey, dried roses, plum, honeysuckle, cigar boxes, leather, figs and passion fruit in an unmatched, ambrosial blend. This book is an ode to the cognac, sung by some of its earliest and most vibrant devotees. We delve into the diaries and letters of two passionate travellers aboard the America-bound cruiser Normandie, 1935; the agenda of King George VI and his wife Queen Elizabeth on their visit to Versailles in 1938; and the first-hand account of a young millionaire who, while on a trip to Constantinople in 1928, requested that the Orient-Express stop so that the surface of his brandy might lie still. Tracing the history of the iconic decanter from the pewter flask found after the Battle of Jarnac to the inspired glass vessels that captivated the royal courts of Europe, Louis XIII Cognac - The Thesaurus promises an elegant and entertaining glimpse into this prestigious cognac and the characters who drank it.

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"It is thought provoking when you look at people's eyes and the things they have seen and the places they have been...there's so much to consider when looking at Anna's work." — Today Australia “To photograph an eye is to see into another world, a deeper emotional world. These photographs are like small windows into houses that we pass every day but never look inside. In a time where people are looking at screens and experiencing less eye contact with each other, I am happy to put out this book that takes a deeper look into the eyes of these famous faces.” – Anna Gabriel. It is said that the eyes are a window to the soul. They are what we first look at when we meet a stranger, and one of the most expressive parts of the human body. The eye speaks an intricate language, one that cannot be heard, only felt. The size of the pupil can signify focus or arousal. We meet each other’s eyes to show attentive interest, yet often feel discomfort when stared at: an evolutionary trait designed to alert us to a predatory gaze. This book is a testament to the power of the human eye. It gathers together Anna Gabriel’s collection of photographs, showing the close-up eyes of numerous well-known rock and film stars, including David Byrne, Helena Christensen, Willem Dafoe, The Edge, Noel Gallagher, Annie Lennox, Susan Sarandon, Benjamin Zephaniah, Peter Gabriel and many more.

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“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art. This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create. These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several travelling art exhibits. Now, for the first time, they are being brought together in a single volume. Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D'Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

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"Huge champion of organic and biodynamic wine making." —Simon Mayo Radio Show Gérard Bertrand decided he wished to relate his life journey and share his commitment to nature. Drawing on his experience as both a wine grower and a business leader, he demonstrates how the harmony of ecosystems, respect for nature and the preservation of living soils can be the pillars of a new paradigm, creating the conditions for a more balanced life and bringing hope for future generations. In this book, he also analyses how society is changing, and invites the reader to put fear aside and “dare” – in spite of the prevailing climate – to practice altruism, brotherhood, and an opening of the heart.

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This book documents a collection of approximately 90 Paracas textiles. The collection consists of cloaks, ponchos, tunics, as well as some smaller fragments such as ribbons. Originally housed at the Ethnographic Museum in Gothenburg, Sweden, the objects were returned to Peru during 2019 and 2020. Paracas textiles tell the story of the people living in Peru more than 2000 years ago and how they saw and viewed the world. In cultures without a written language imagery is very important. Textile pictures were created from the depths of the human senses, from thoughts and dreams. The makers of the Paracas textiles depict fantastic stories from their time and culture about creation, death and thoughts about life. Kerstin Paradis Gustafsson has studied, inventoried and analysed the Paracas textiles for decades, and cracked codes about how they were made. She also has pioneering theories about what they want to say and how the unbroken thread symbolises life. In this text, Kerstin documents and explains the secret behind these fantastic 2000-year-old textiles.

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