Search results for ""University of Wales Press""

Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.

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J. F. C. Harrison has written that 'for each age there is a new view of Mr Owen', which is proof of the fertility and continuing relevance of his ideas. Not just in Britain and America but today around the world anti-poverty campaigners, birth-controllers, collectivists, communitarians, co-operators, ecologists, educationalists, environmentalists, feminists, humanitarians, internationalists, paternalistic capitalists, secularists, campaigners for social justice, trade unionists, urban planners, utopians, welfare reformers can all find something to admire and inspire in the treasure trove that is the thought and actions of Robert Owen. Owen was a creative genius of global significance, a radical writer and activist of international reputation and reach who has inspired those seeking to change human society for the better. The contributors to this volume include not only many of the recognized experts on the life, work and legacy of Owen, but also work from younger scholars or scholars coming to the field afresh. The volume presents the most recent and original research on Owen. Owen notoriously (and impressively) dabbled in many spheres, and this is reflected in the its breadth of content. The unifying themes are Owen's profile in his own time, and the relevance of his ideas for the generations that followed. His importance for educational and social philosophy, for political economy and for the political theory of socialism are all discussed, as are his contribution as a philanthropic employer, his political activities and the specificities of his historical context.

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Dyma gyfrol sy’n rhoi darlun o fywyd a gwaith y ffisegydd o Gymro, yr Athro Evan James Williams, gŵr a gafodd ei ddisgrifio fel un o’r gwyddonwyr mwyaf galluog a welodd Cymru erioed ac fe’i cydnabyddid fel arbrofwr dyfeisgar a damcaniaethwr disglair. Cymerodd ran flaenllaw yn y chwyldro a ddigwyddodd yn negawdau cyntaf yr ugeinfed ganrif gyda datblygiad ffiseg cwantwm. Cydweithiodd gyda’r arloeswyr (nifer ohonynt yn enillwyr gwobr Nobel) a gwnaeth gyfraniad nodedig ym maes gwrthdrawiadau atomig ac yn narganfyddiad gronyn elfennol newydd. Ym 1939, ymunodd yn y dasg o ddiddymu bygythiad dinistriol llongau tanfor a chyflawnodd waith gorchestol. Amlygir ei alluoedd di-gymar yn y gyfrol hon, a chyflwynir yn ogystal ddarlun o gymeriad hoffus a thwymgalon na gollodd ei ymlyniad na’i gariad tuag at fro ei febyd a’i diwylliant.

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Carmarthen Castle was one of the largest castles in medieval Wales. It was also one of the most important, in its role as a centre of government and as a Crown possession in a region dominated by Welsh lands and Marcher lordships. Largely demolished during the seventeenth century, it was subsequently redeveloped, first as a prison and later as the local authority headquarters. Yet the surviving remains, and their situation, are still impressive. The situation changed with a major programme of archaeological and research work, from 1993 to 2006, which is described in this book. The history of the castle, its impact on the region and on Wales as a whole are also examined: we see the officials and other occupants of the castle, their activities and how they interacted with their environment. Excavations at the castle, and the artefacts recovered, are described along with its remaining archaeological potential. This book puts Carmarthen Castle back at the heart of the history of medieval Wales, and in its proper place in castle studies and architectural history, the whole study combining to make a major contribution to the history of one of Wales's great towns.

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As late as 1980, a quarter of the population of Wales lived within the boundaries of what had once been the lordships of the Bute estate. Powerful landowners for centuries, the Stuarts of Bute were key drivers of the many social, political, and economic changes that transformed south Wales between the eighteenth and twentieth century. This volume explores the Butes and their influence, setting them in context of a long, interwoven history of landed proprietorship, economic development, and the rise of the industrial middle class throughout Britain.

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In Tir the Welsh word for land' writer and ecologist Carwyn Graves takes us on a tour of seven key elements of the Welsh landscape, such as the ffridd, or mountain pasture, and the rhos, or wild moorland. By diving deep into the history and ecology of each of these landscapes, we discover that Wales, in all its beautiful variety, is at base just as much a human cultural creation as a natural phenomenon: its raw materials evolved alongside the humans that have lived here since the ice receded. In our modern era of climate concerns and polarised debates on land use, diet and more, it matters that we understand the world we are in and the roads we travelled to get here. By exploring each of these key landscapes and meeting the people who live, work and farm in them, Tir offers hope for a better future; one with stunningly beautiful, richly biodiverse landscapes that are ten times richer in wildlife than they currently are, and still full of humans working the land.

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If you want to see the whole of Wales, from cosmopolitan Cardiff in the south to the historic Victorian resorts of the north, there's one road that will take you all the way: the A470. This route, which traverses the country from end to end, winds its way through post-industrial valleys, agricultural landscapes and stunning mountains and it offers a chance to see Wales for what it is in the twenty-first century, in all its diversity.In the company of Gwendoline, his trusty but ancient scooter, travel writer Marc P. Jones follows the long unwinding road of the A470 on a quest to discover what makes his homeland tick. Taking in the splendour, beauty and history of the communities he travels through, Marc explores what unites and divides the different regions of this varied nation, and how can they learn to understand each other better. And one question, above all others, remains to be answered: will Gwendoline make it to the end of the road in one piece?

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On a windswept stretch of the Durham coastline, there's treasure to be found: jewels of shining sea glass, swept in by the tide after years at sea. Gathered together in a jar on the windowsill, each seawornpebbleisa moment in time, aglinting archiveof unknowablelives. Seaglassis a collection of such moments; essaysblending creative non-fiction with nature writing and memoir, and portraying with powerful observation and moving honesty the journey of a young woman navigating modern adulthood.The stories draw a map of Kathryn's life,from Manchester to the South Wales coastline and out to the Thousand Islands in Canada's Saint Lawrence River.Traversing wilderness, natural history, travel and water rivers, lakes, coastlines and leisure centres Seaglassexplores shared experiences,anxieties, confidence and contentment.

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Discover 366 fun and surprising stories about Wales – each linked to a specific day of the year. Did you know that the recipe of Tennessee’s famous Jack Daniel’s whiskey is rumoured to have originated in Llanelli, or that the world’s first radio play was set in a Welsh coal mine? Why was a showing of the Jurassic Park film in Carmarthen so special, and how is Rupert Bear connected to Snowdonia? Delve in to discover the stories that most history books leave out.

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Queer theory, queer literary criticism and queer cultural criticism often focus on western, white, cis men. This book provides the first in-depth analysis of contemporary queer and Gothic texts that focus on the subjectivity, characterisation and representation of queer girls and women. The New Queer Gothic applies interdisciplinary theory to offer a new mode and method of reading literary and film fiction. From monstrous femininity in tales of girlhood, to paranoid negativity and transformation in young womanhood, through to postcolonial doubles, hybrid assimilation, corporeal possession, and final girls at the end of everything this book takes as its canon works from the past fifteen years concerning queer and questioning girls and women in Gothic settings and narratives, to elucidate upon questions of queer feminist ethics, biopower and global identity politics.

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Spectral Spain examines the Gothic haunting motif in post-Franco Spanish literature. With a theoretical framework in memory and trauma studies, and a particular emphasis on the inclusion of women's voices, this book is the first to provide an in-depth study of spectrality and haunting in the Gothic literature of contemporary Spain. Through close readings of eleven main texts, the author examines haunting as the perfect motif for Spanish authors to portray the tension between modernity and the imposition of a monocultural, nationalised tradition throughout the twentieth century noting not just the trauma of the civil war and resulting dictatorship of Franco, but also the continuing and widespread disenchantment during and after the Transition. Through its references to the contemporary debate surrounding historical memory, Spectral Spain demonstrates the relevance of the Gothic in Spanish literature, and the continued ghostly returns of the past in the socio-political anxieties of the

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OPEN ACCESS To read the PDF of Gentility in Early Modern Wales: The Salesbury Family, 1450–1720 for free, follow the link below Gentility in Early Modern Wales: The Salesbury Family, 1450–1720 (uwp.co.uk) This book is freely available on a Creative Commons licence thanks to the kind sponsorship of the libraries participating in the Jisc Open Access Community Framework OpenUP initiative. Early modern Wales was a place of opportunity for the gentry. The Acts of Union with England granted them powers to govern their local communities, the Reformation enabled them to add former monastic lands to their estates, and burgeoning global expansion encouraged them to seek fortunes abroad. Early modern Wales was also a place in transition. The gentry navigated a complex relationship with their English neighbours and found themselves cultivating a new identity as Cambro-Britons. This book is an exciting new study of how one Welsh gentry family, the Salesburys of Rhug and Bachymbyd, negotiated the changing expectations of gentility in early modern Wales. From this in-depth analysis, the book finds that the Welsh gentry were status-conscious and opportunistic, but Welshness remained fundamental to their sense of self. This is further enhanced by considering the early modern Welsh gentry within a wider global context for the first time.

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The fine tradition of the Spanish sonnet, developed during the sixteenth and seventeenth centuries and the subject of Rutherford’s The Spanish Golden Age Sonnet (2016), has been extended and developed during the subsequent centuries. This book presents one hundred of the best sonnets of the eighteenth, nineteenth, twentieth and twenty-first centuries, including sonnets written in the Catalan and Galician languages, together with their translations into modern English sonnets and a critical commentary on each. There is a general introduction to the genre, followed by summaries of the historical and literary backgrounds and a discussion of the problems facing the translator of sonnets. The life and works of each poet are summarised and a select bibliography of further reading concludes the volume. The translations bring these sonnets to new life in the modern English language, and they can be read both as interesting and lively poems in their own right and as leads into the originals.

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This innovative collection offers a reappraisal of gender as a category of analysis in modern Welsh history. Beginning with sex work in the eighteenth century and concluding with women’s late twentieth-century anti-nuclear activism, the contributors show how gender has been constructed, represented, performed and experienced by men and women at different times and places throughout Wales’s modern past. Using a variety of approaches, the collection interrogates gender as a concept that encompasses both femininity and masculinity, provides fresh perspectives on familiar themes, and demonstrates the value of gender analysis for our understanding of the political, social, cultural and economic history of modern Wales. Chapters by leading historians and early career academics each set an agenda for exploring the intersection of gender with nationality, race, class, age and sexuality.

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Mae John Jones, Gellilyfdy, sir y Fflint (c.1580–1658) yn enwog fel ysgrifydd medrus a dibynadwy a gopïodd nifer helaeth o destunau canoloesol, mewn llaw galigraffig hardd. Mae ei gopïau o farddoniaeth a rhyddiaith ganoloesol yn arbennig o werthfawr i’r ysgolhaig Cymraeg, gan nad yw ei ffynonellau’n aml wedi goroesi. Ond nid copïwr yn unig oedd John Jones. Pan oedd yng ngharchar y Fflyd yn Llundain yn ystod y 1630au cynnar, cynhyrchodd restrau o dros 7,000 o eiriau wedi eu trefnu’n thematig dan 130 o benawdau, gan eu cofnodi’n daclus mewn tair llawysgrif. Mae’r geirfâu hyn, a gyhoeddir yma am y tro cyntaf, yn cynnwys geiriau am sawl agwedd ar fywyd bob dydd: y tŷ a’i gynnwys; crefftwyr traddodiadol a’u hoffer; dyn, ei gorff a’i afiechydon, a’r gemau a’r chwaraeon a’i difyrrai; a byd natur, gan gynnwys rhestrau maith o enwau coed, llysiau, pysgod ac adar. Rhydd y geirfâu gipolwg gwerthfawr i ni ar fywyd ac iaith gŵr bonheddig o sir y Fflint ar ddechrau’r ail ganrif ar bymtheg, yn ogystal ag ychwanegu’n fawr at eirfa Gymraeg hysbys y cyfnod.

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Yn oes Fictoria, ystyriwyd menywod yn anaddas ac anabl ar gyfer pob arweinyddiaeth gyhoeddus a deallusol. Ond llwyddodd Cranogwen, sef Sarah Jane Rees (1839–1916) o Langrannog, i ennill parch ac enwogrwydd fel bardd, darlithydd, golygydd, pregethwraig, dirwestwraig – ac ysbrydolwraig to newydd o awduresau a merched cyhoeddus. Mae’r gyfrol hon yn dilyn ei thrywydd er mwyn deall pam a sut y cododd Cranogwen, benyw ddibriod o gefndir gwerinol, i’r fath fri a dylanwad ymhlith Cymry ei hoes. Teflir goleuni newydd hefyd ar ei bywyd carwriaethol cyfunrywiol, a’i syniadau arloesol ynghylch rhywedd. Cyhoeddwyd cyfrolau bywgraffiadol ar Cranogwen ym 1932 a 1981, ond oddi ar hynny mae twf y mudiad ffeminyddol wedi ysgogi llawer astudiaeth (ar awduron benywaidd a lesbiaid y bedwaredd ganrif ar bymtheg, er enghraifft, ac ar wragedd mewn cymunedau morwrol) sy’n berthnasol iawn i’w hanes. Yng ngoleuni’r holl ddeunydd ychwanegol hyn, ceir yn y gyfrol hon ddarlun newydd o’i bywyd a’i dylanwad.

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Sut mae ysgrifennu drama ‘genedlaethol’ mewn cenedl ddwyieithog a diwladwriaeth? A yw ymdrech dramodwyr yr 1990au i ddychmygu cenedl amgen ac annibynnol ar lwyfan wedi pylu ers datganoli? Sut y mae lleiafrifoedd eraill wedi dygymod â heriau’r oes honedig ôl-fodern ac ôl-genedlaethol hon, ac a oes gan eu profiadau wersi i Gymru? Dyma rai o’r cwestiynau y mae nifer o arloeswyr y ddrama Gymraeg gyfoes yn ymhél â nhw yn y gyfrol ddiweddaraf hon yng nghyfres Safbwyntiau. Mae Llwyfannu’r Genedl Anghyflawn yn gasgliad heriol o ysgrifau, wedi ei guradu a’i olygu gan un o’n dramodwyr mwyaf blaengar.

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This is the first study of the early formative years of one of Wales’s most important cultural organisations – Sianel Pedwar Cymru (S4C). The volume chronicles the decisions and activities of the channel during its trial period between 1981–5. Through a detailed study of minutes, correspondence and interviews with individuals who were key to the channel’s development during its early years, it chronicles the many challenges, successes and failures which faced the S4C Authority and its staff as they aimed to create a Welsh-language television service that would meet the desires and needs of the audience in Wales. S4C is no ordinary channel, and no other period in its history portrays this more effectively than the trial period given to it at the beginning of the 1980s.

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The Society for the Reformation of Manners in Hull was formed in 1698 by religiously-inspired mariners, merchants and tradesmen who aimed to hinder the spread of sin and wickedness in their town. Their methods included initiating prosecutions against their neighbours’ transgressions, and sponsoring sermons on the subject of spiritual reformation. Unlike other religious societies of this period, the majority of the leading members in the Hull society were Dissenters from the Church of England. For many nonconformists, the period represented a providential ‘now or never’ moment for moral reform. The Society’s activities shed considerable light on the degree to which High Churchmen were willing to tolerate the Toleration. An exceptional survival for a regional society for the reformation of manners, this volume presents their records in full for the first time, with an introductory essay analysing its origins, membership, methods, and ultimate decline.

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This is a ground-breaking history of school and college inspection in Wales. With contributions from two former chief inspectors, two former HMI and leading historians, it offers an authoritative account of how the inspectorate has changed over time. Since their beginnings in 1839, HMI have steered a course between being instruments of the state and independent influencers of education policy and practice. They have been much-valued catalysts for improvement in schools and colleges, and have had a key role in promoting the teaching of the Welsh language, history and culture. This book is written for anyone concerned with the history of education in Wales, the history of accountability in education, with approaches to school improvement, and the extent to which HMI have influenced or been at odds with education policy making. At a time when the inspectorate itself is under review, this is a timely reminder of its wide-ranging services.

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This is the first comparative study of the distinctive literatures and cultures that have developed in Wales, Scotland, England and Northern Ireland since political devolution in the late 1990s, especially surrounding Brexit. The book argues that in conceptualising their cultures as ‘national’, each nation is caught up in a creative tension between emulating forms of cultural production found in the others to assert common aspirations, and downplaying those connections in order to forge a sense of cultural distinctiveness. The author explores the resulting dilemmas, with chapters analysing the growth of the creative industries; the relationship between UK City of Culture and its forerunner, the European Capital of Culture; national book prizes in Britain and Europe; British variations on Nordic Noir TV; and the Brexit novel. With regard to separate cultural precursors and responses in each nation, Brexit itself is debated as a factor that has widened their differences, placing the future of the UK in question.

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This book is a pioneering comparison of Wales with another small people, the Slovenes, over the formative period for national development in modern Europe. Language, religion and social conflict figured in both countries, but the determinant issue for national mobilisation was language equality for Slovene speakers, and religious equality for Welsh Nonconformists. Both options reflected their respective state contexts: the Habsburg empire’s acceptance of public multilingualism, and the religious pluralism long crucial in the British isles. British economic power, shown in the dramatic industrialisation of south Wales, strengthened a Welsh profile; relative Habsburg weakness detracted from Slovene language progress. The wartime premiership of a Welsh-speaking Nonconformist, Lloyd George, was no fluke – language-orientated East European scepticism about Welsh nationhood overlooks this context. The Welsh process was indeed more diffuse than the Slovene, involving the dual assimilation of immigrant workers to Welsh nationality, but also, less completely, Welsh language loss. The stories of Wales and Slovenia fascinate in themselves. They suggest, too, that alongside the ‘hard power’ of larger units, the ‘soft power’ of smaller communities’ traditions, linguistic, religious or other, is also a vital historical factor.

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The term 'Gothic' has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. Concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. Considering a plethora of Gothic representatives in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), this study investigates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions.

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Mae’r byd gwaith yng Nghymru a’r Gymraeg fel disgyblaeth yn esblygu yn sgil y galw cynyddol am weithwyr proffesiynol â sgiliau dwyieithog. Mae’r gyfrol ryngddisgyblaethol hon yn cyfuno lleisiau o’r byd academaidd a’r byd proffesiynol er mwyn archwilio i arwyddocâd a rôl y Gymraeg mewn gweithleoedd yn y Gymru gyfoes, ymateb y sectorau addysg a recriwtio i anghenion gweithwyr a sefydliadau, a rôl gwneuthurwyr polisi yn natblygiad yr iaith mewn cyd-destun proffesiynol. Sut mae gwella sgiliau dwyieithog gweithwyr? Er gwaethaf ewyllys da nifer o sefydliadau, a yw sgiliau Cymraeg eu gweithwyr yn cael eu cymhwyso? Beth yw buddiannau'r Gymraeg i weithleoedd, a beth yw’r heriau y maen nhw’n eu hwynebu wrth weithredu a chynnig eu gwasanaethau’n ddwyieithog? Beth yw rôl y Llywodraeth a Chomisiynydd y Gymraeg yn y fath ddatblygiadau? Wrth ystyried a thrafod y cwestiynau hyn, gofynnir sut y mae polisïau, cyfreithiau a safonau iaith yn effeithio ar y gweithle cyfoes yng Nghymru.

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Zombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.

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Precarious Sociality, Ethics and Politics: French Documentary Cinema in the Early Twenty-First Century brings an original perspective on French cinema's 'return to work' in the early twenty-first century, focusing on the transformation of cinematic activism in view of the rapid dissolution of class narratives and solidarities. It is argued that, reckoning with widespread anxieties about job precarity, social uncertainty, loss and invisibility in French society, filmmakers catalysed new modes of intervention, best described as embodied praxes of sociality. Combining rigorous film analyses with concepts borrowed from philosophy, sociology, geography and political theory, this study positions documentary as a privileged point of articulation between aesthetics, politics and ethics. The wide-ranging film corpus features well-established auteurs (Agnes Varda, Raymond Depardon, Denis Gheerbrant) and less canonical filmmakers to celebrate the vitality of contemporary French documentary cinema and its creative contributions to international discussions about work, precarity and social resilience.

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Between 1836 and 1861, Mexico’s difficulties as a sovereign state became fully exposed. Its example provides a case study for all similarly emerging independent states that have broken away from long-standing imperial systems. The leaders of the Republic in Mexico envisaged the construction of a nation, in a process that often conflicted with ethnic, religious, and local loyalties. The question of popular participation always remained outstanding, and this book examines regional and local movements as the other side of the coin to capital city issues and aspirations. Formerly an outstanding Spanish colony on the North American sub-continent, financial difficulties, economic recession, and political divisions made the new Republic vulnerable to spoliation. This began with the loss of Texas in 1836, the acquisition of the Far North by the United States in 1846–8, and the European debt-collecting Intervention in 1861. This study examines the Mexican responses to these setbacks, culminating in the Liberal Reform Movement from 1855 and the opposition to it.

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This is the first full-length study of a Welsh family of the thirteenth to fifteenth centuries who were not drawn from the princely class. Though they were of obscure and modest origins, the patronage of great lords of the March - such as the Mortimers of Wigmore or the de Bohun earls of Hereford - helped them to become prominent in Wales and the March, and increasingly in England. They helped to bring down anyone opposed by their patrons - like Llywelyn, prince of Wales in the thirteenth century, or Edward II in the 1320s. In the process, they sometimes faced great danger but they contrived to prosper, and unusually for Welshmen one branch became Marcher lords themselves. Another was prominent in Welsh and English government, becoming diplomats and courtiers of English kings, and over some five generations many achieved knighthood. Their fascinating careers perhaps hint at a more open society than is sometimes envisaged.

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This study carves out a new area of study, the 'industrial Gothic', placing the literature of the Industrial Revolution in dialogue with the Gothic. It explores a significant subset of transatlantic nineteenth-century literature that employs the tropes, themes and rhetoric of the Gothic to portray the real-life horrors of factory life, framing the Industrial Revolution as a site of Gothic excess and horror. Using archival materials from the nineteenth century, localised incidences of Gothic industrialisation (in specific cities like Lowell and Manchester) are considered alongside transnational connections and comparisons. The book argues that stories about the real horrors of factory life frequently employed the mode of the Gothic, while nineteenth century Gothic writing (stories, novels, poems and stage adaptations) began to use new settings - factories, mills, and industrial cities - as backdrops for the horrors that once populated Gothic castles.

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As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity - combining tropes from foreign and domestic genres - as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror's vilified status in the UK, a continuation of attitudes perpetuated by middlebrow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies' focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.

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Since its publication in 1929, the story of Doña Bárbara has haunted the collective Latin-American imagination, and has been adapted variously both for the small and big screen. Doña Bárbara Unleashed explores how Rómulo Gallegos’s original story has been kept alive yet altered by subsequent screen adaptations; the book illustrates how film and telenovela adaptations have reinterpreted Doña Bárbara in order to mirror changes in societal norms, such as the role of women in Latin American societies, and audience expectations. Particular attention is given to how spectators in the twenty-first century have played a crucial role influencing the alterations to which Gallegos’s original plot has been subjected. Now Doña Bárbara Unleashed offers an original way of studying screen adaptations by engaging several adaptations of the same source text in dialogue with each other, rather than simply comparing adaptations to the source text. This is a ground-breaking study that further develops readings through more traditional theories of screen adaptations with approaches emerging from fandom studies and audience responses.

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The Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding The Walking Dead, Supernatural and Stranger Things. Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/streaming contexts. Bringing together established scholars and new voices in the field, Global TV Horror examines historical and contemporary TV Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK. It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar – Horror on television – unfamiliar yet again.

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This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television that we term 'New Queer Horror.' New Queer Horror designates horror that is crafted by directors/producers who identify as gay, bi, queer or transgendered, or works that feature homoerotic or explicitly homosexual narratives with 'out' LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film in an age where its presence has become more unambiguous. Ultimately, this anthology aims to show that 'New Queer Horror' has in recent years turned the focus of fear on itself, on its own communities and subcultures.

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Barry Island was one of the most cherished leisure spaces in twentieth-century south Wales, a playground of generations of working-class day-trippers. This book considers its rise as a seaside resort and reveals a history that is much more complex, lengthy and important than has previously been recognised. As conventionally told, the story of the island as tourist resort begins in the 1890s, when the railway arrived in Barry - in fact, it was functioning as a watering hole by the 1790s - yet decades of tourism produced no sweeping changes. Barry remained a district of 'bathing villages' and hamlets, not a developed urban resort. As such, its history challenges us to rethink the category of 'seaside resort' and forces us re-evaluate Wales's contribution to British coastal tourism in the 'long nineteenth century'. It also underlines the importance of visitor agency. Powerful landowners shaped much of the island's development but, ultimately, it was the working-class visitors who turned it into south Wales's most beloved tripper resort.

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This is the first biography to foreground the importance of Hester Lynch Piozzi's Welsh heritage throughout her long life. As one anonymous reader put it, `Few eighteenth-century Welsh writers long resident in England continued to identify as strongly with their homeland.' Born in an obscure plwyf in Caernarvonshire the salonniere of Streatham was finally laid to rest in the vault of Tremeirchion church in the Vale of Clwyd. Hester had been mortified at the failure of her brewer husband Henry Thrale, and her mentor Dr Samuel Johnson, to appreciate the beauties of Wales. But her second husband, musician Gabriel Piozzi, was so enamoured that he proposed residing there. Newly-found confidence inspired Piozzi to write in her middle age, and her daringly personal biography (1786) and edition of Johnson's letters (1788) were runaway bestsellers. Her travel book (1789) treated the reader for the first time as an intimate friend, recounting her love affair with her husband's homeland in Italy, whose landscape reminded her so much of Wales.

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It is astonishing how deeply the figure of Ophelia has been woven into the fabric of Spanish literature and the visual arts – from her first appearance in eighteenth-century translations of Hamlet, through depictions by seminal authors such as Espronceda, Bécquer and Lorca, to turn-of-the millennium figurations. This provocative, gendered figure has become what both male and female artists need her to be – is she invisible, a victim, mad, controlled by the masculine gaze, or is she an agent of her own identity? This well-documented study addresses these questions in the context of Iberia, whose poets, novelists and dramatists writing in Spanish, Catalan and Galician, as well as painters and photographers, have brought Shakespeare’s heroine to life in new guises. Ophelia performs as an authoritative female author, as new perspectives reflect and authorise the gender diversity that has gained legitimacy in Spanish society since the political Transition.

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Cyfrol arbrofol o feirniadaeth greadigol yw hon, sy'n cynnig golwg ffres ar ffuglen fer y llenor nodedig Mihangel Morgan (1955-). Hon yw'r astudiaeth estynedig gyntaf o'i waith, a rhoddir sylw penodol i'r wyth cyfrol o ffuglen fer a gyhoeddodd rhwng 1992 a 2017 - cyfnod lle gwelwyd datblygiadau arwyddocaol ym maes rhyddiaith Gymraeg. Eir i'r afael a phynciau megis ffurf y stori fer, realaeth, moderniaeth ac ol-foderniaeth, a thrwy osod gwaith Mihangel Morgan yn ganolbwynt i'r astudiaeth cynigir golwg ehangach ar ddatblygiad a derbyniad ffuglen fer ol-fodernaidd Gymraeg a'i harwyddocad i'n diwylliant llenyddol. Arbrofir yma am y tro cyntaf yn y Gymraeg a beirniadaeth lenyddol ar ffurf ffuglen academaidd er mwyn archwilio'r ffin dybiedig rhwng 'ffaith' a 'ffuglen'. Dilynir hynt a helynt y cymeriad ffuglennol Dr Mari Non yn ei swydd brifysgol, law yn llaw a thrafodaeth ar ddarnau o ffuglen fer Mihangel Morgan, gan agor y drws ar ddeongliadau newydd o waith yr awdur.

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This is the first monograph to consider the significance of madness and irrationality in both Spanish and Spanish American literature. It considers various definitions of madness and explores the often contrasting responses, both positive (figural madness as stimulus for literary creativity) and negative (clinical madness representing spiritual confinement and sterility). The concept of national madness is explored with particular reference to Argentina, where the country's vast expanses have been seen as conducive to madness, while the urban population of Buenos Aires is especially dependent on psychoanalytic therapy. The discussion considers both the work of lesser-known writers such as Nuria Amat, whose personal life is inflected by madness, and that of larger literary figures such as Jose Lezama Lima, whose poetic concepts are suffused with the irrational. The conclusion draws attention to the other side of reason as a source of possible originality in a world dominated by the tenets of logic and conventionalised thinking.

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This interdisciplinary book breaks new ground by systematically examining ways in which two of the most important works of late-medieval English literature - Julian of Norwich's Revelations of Love and William Langland's Piers Plowman - were borne from engagement with the biblical Apocalypse and exegetical writings. This study contends that the exegetical approach to the Apocalypse is more extensive in Julian's Revelations and more sophisticated in Langland's Piers Plowman than previously thought, whether through a primary textual influence or a discernible Joachite influence. The author considers the implications of areas of confluence, which both writers reapply and emphasise - such as spiritual warfare and other salient thematic elements of the Apocalypse, gender issues, and Julian's explications of her vision of the soul as city of Christ and all believers (the fulcrum of her eschatologically-focused Aristotelian and Augustinian influenced pneumatology). The liberal soteriology implicit in Julian's `Parable of the Lord and the Servant' is specifically explored in its Johannine and Scotistic Christological emphasis, the absent vision of hell, and the eschatological `grete dede', vis-a-vis a possible critique of the prevalent hermeneutic.

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Middle English devotional compilations - consisting of a series of texts or extracts of texts that have intentionally been put together to constitute new and unified devotional texts - have often been approached as complex collections of source texts that need to be linked with their originals. Middle English Devotional Compilations argues that the study of compilations should move beyond the disentanglement of their sources. This publication approaches compiling as a literary activity and an active way of shaping the medieval text, aiming to nuance scholarly discussion about compiling by putting greater emphasis on the literary instead of the technical aspects of compiling activity. In addition to describing the additions, omissions and other types of adaptations that compilers made to their source texts, Middle English Devotional Compilations highlights the nature and function of compiling activity in late medieval England. Furthermore, this monograph will examine three major but understudied Middle English devotional compilations in depth: the Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.

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In recent years, there has been an explosion of writing on the topic of human dignity across a plethora of different academic disciplines. Despite this explosion of interest, there is one group - critical legal scholars - that has devoted little if any attention to human dignity. This book argues that these scholars should attend to human dignity, a concept rich enough to support a whole range of progressive ambitions, particularly in the field of international law. This book synthesizes certain liberal arguments about the good of self-authorship with the critical legal philosophy of Roberto Unger and the capabilities approach to agency of Amartya Sen, to formulate a unique conception of human dignity. The author argues how human dignity flows from an individual's capacity for self-authorship as defined by the set of expressive capabilities s/he possesses, and the book demonstrates how this conception can enrich our understanding of international human rights law by making the amplification of human dignity its fundamental orientation.

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The Gothic has always been fascinated with objects carrying with them a sense of horror - the decomposing body, the rigid corpse, the bleeding statue, the spectral skeleton - capable of creating a sublime form of beauty. Gothic Remains: Corpses, Terror and Anatomical Culture, 1764-1897 offers an exploration of those Gothic tropes and conventions which were most thoroughly steeped in the anatomical culture of the period - from skeletons, used to understand human anatomy, to pathological human remains exhibited in medical museums; from bodysnatching aimed at providing dissection subjects to live-burials resulting from medical misdiagnosis and pointing to contemporary research into the signs of death. The historicist reading of canonical and less known Gothic texts which is proposed throughout Gothic Remains, explored through the prism of anatomy, seeks to offer new insights into the ways in which medical practice and the medical sciences informed the aesthetics of pain and death typically read therein, and the two-way traffic that emerged between medical literature and literary texts.

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Horror and Religion is an edited collection of essays offering structured discussions of spiritual and theological conflicts in Horror fiction from the late-sixteenth to the twenty-first century. Contributors explore the various ways that horror and religion have interacted over themes of race and sexuality; the texts under discussion chart the way in which the religious imagination has been deployed over the course of Horror fiction’s development, from a Gothic mode based in theological polemics to a more distinct genre in the twenty-first century that explores the afterlife of religion. Horror and Religion focuses on the Horror genre and its characteristics of the body, sexuality, trauma and race, and the essays explore how Horror fiction has shifted emphasis from anti-Catholicism and anti-Semitism to incorporate less understood historical and theological issues, such as the ‘Death of God’ and the spiritual destabilisation of the secular. By confronting spiritual conflicts in Horror fiction, this volume offers new perspectives on what we traditionally perceive as horrifying.

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This book is about how water becomes people – or, put another way, how people and water flow together and shape each other. While the focus of the book is on the relationships held between water and people, it also has a broader message about human relationships with the environment generally – a message that illustrates not only that people are existentially entangled with the material world, but that the materials of the world shape, determine and enable humans to be ‘humans’ in the ways that they are. Offering a selection of anthropological examples from Kenya, Wales and Spain to illustrate how water’s materiality coproductively generates the way people are able to engage with water, this book uses cross-disciplinary perspectives to provide and promote a new analytic – one that encourages ethical, holistic and sustainable relationships with the world around us. This approach challenges representations that ignore, sidestep or are blind to the fleshy materiality of being human, and aims to encourage a re-imagining of the world that acknowledges humanity as intrinsically active-with and part of the fabric of the collection of materials we call planet Earth.

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Who was Saint Valentine, the saint who gave his name to the festival of lovers? Where do red hearts and roses fit in? Or do they? This volume addresses these questions, but focuses more specifically on the previously unpublished Welsh poetry written over the centuries on the feast day of Saint Valentine in mid- February, the one saint’s day in the Christian calendar of saints that does not depend on the Church for its celebration. Far from resembling anything else on offer in any other part of the UK, these Welsh songs are lyrical, expressive, and often in cynghanedd. This volume analyses this rich collection of extant Welsh Saint Valentine’s Day poems, and advances a new understanding of societal propriety in settings where citizens paid great attention to tradition. In so doing, it offers new insights into the tradition of observing Saint Valentine’s Day in Wales and, indeed, argues that although it is the fifth-century Dwynwen who is today considered to be the patron saint of Welsh lovers, Saint Valentine also handed out aid and sympathy to lovers in Wales over many centuries. To read Rhiannon Ifans article on her volume, visit Parallel.Cymru website https://parallel.cymru/rhiannon-ifans-red-hearts-and-roses/

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Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.

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Shards of Light is a collection of previously unpublished poems by Emyr Humphreys. Now in his hundredth year, he has been described as Wales's foremost novelist of his generation. This newly discovered collection of poems has all the sharpness and incisiveness of thought as if they had been written today. Humphreys scrutinises life with a wry humour, coloured by the experience of his great longevity and grounded in Wales. With a sharpness of thought and a sparseness and frugality of expression - a hallmark of his work - the poems contain a profundity which challenges us to think more deeply about the nature of our being. They fearlessly ask difficult questions of ourselves as to the nature of being within the vastness of creation. The subjects are as varied as is man's experience, from the vastness of time, space and God's power, to musings on everyday life leading to old age. Ultimately the reader will find the experience entertaining yet deeply felt, satisfying and rewarding.

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