Search results for ""Syracuse University Press""

As a deeply religious thinker who disclaimed all rationalistic systems, Martin Buber produced an insightful critique of modern philosophical ethics, one that became productive soil for another nontraditional philosophical ethic: feminism's care ethic. In light of the recent emphasis on the new morality, antifoundationalism, and postmodernism in ethics, the dialogical ethics of Martin Buber merits close examination. Most important, Walters compares and contrasts Buber's and feminism's personalist ethics in light of two considerations: the lack of attention by feminist writers to the feminist-Buber linkage and the long-standing and general inattention by twentieth-century thinkers to the ethical dimensions of Buber's thought.

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This is a selection of the finest essays by Serif Mardin, offering a historical and cultural analysis of the late Ottoman period and Republican Turkey. This book collects Serif Mardin's seminal essays written throughout the span of his prolific career. Comprising some of the author's finest and most incisive writings, these essays deal with the historical background, political travails, and socioeconomic metamorphosis of Turkey during a century of modernization. With his characteristic sophistication and breadth of vision, Mardin provides readers with a remarkably objective analysis of ideology, civil society, religion, urban life, and violence in late Ottoman and Republican Turkey. Mardin moves easily from sociological topics on violence and class-consciousness to the history of the Ottoman Empire, and the philosophy and culture of modern Turkey within the greater Middle East. These influential pieces - collected for the first time in one volume - represent an invaluable addition to the field of Middle East studies.

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On the eve of her sixtieth birthday, Nina Shengold embarks on a challenge: to walk the path surrounding the Catskills' glorious Ashokan Reservoir every day for a year, at all times of day and in all kinds of weather, trying to find something new every time. Armed with lively curiosity, infectious enthusiasm, and renewed stubbornness, she hits the path every day with all five senses wide open, searching for details that glint. As Shengold explores the secrets of this spectacular place, she rediscovers the glories of solitude and an expanded community, both human and animal. Step by step, her reservoir walks rekindle connections with family, strangers, and friends, with a landscape she grows to revere, and with a new sense of self. Like the writings of John Burroughs, Annie Dillard, and Barry Lopez, Shengold's reflections on her personal journey will resonate with outdoor enthusiasts and armchair hikers alike. Quietly transformative, Reservoir Year encourages readers to find their own ways to unplug and slow down, reconnecting with nature, reviving old passions and sparking some new ones along the path.

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Grundman presents readers with a portrait, the first of its kind, of Dolph Schayes - the star of the Syracuse Nationals basketball team during the 1950s and 1960s. Schayes may not have one of the most recognizable names in basketball history, but his accomplishments are staggering. He was named one of the fifty greatest players of all time by the NBA, and he held six NBA records, including one for career scoring, at his retirement. Grundman chronicles Schayes’s life from his early days as the child of Jewish Romanian immigrants, through his illustrious basketball career, first at New York University, then as part of the Syracuse Nationals. In writing about Schayes’s career, Grundman also reflects on many of the revolutionary changes that were happening in the professional basketball world, changes that affected not only Schayes and his contemporaries but also the essence of the sport.

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The Rev. Jermain Wesley Loguen was a pioneering figure in early nineteenthcentury abolitionism and African American literature. A highly respected leader in the AME Zion Church, Rev. Loguen was popularly known as the ""Underground Railroad King"" in Syracuse, where he helped over 1,500 fugitives escape from slavery. With a charismatic and often controversial style, Loguen lectured alongside Frederick Douglass and worked closely with well-known abolitionists such as Harriet Tubman, William Wells Brown, and William Lloyd Garrison, among others. Originally published in 1859, The Rev. J. W. Loguen chronicles the remarkable life of a tireless young man and a passionate activist. The narrative recounts Loguen’s early life in slavery, his escape to the North, and his successful career as a minister and abolitionist in New York and Canada. Given the text’s third-person narration and novelistic style, scholars have long debated its authorship. In this edition, Williamson uncovers new research to support Loguen as the author, providing essential biographical information and buttressing the significance of his life and writing. The Rev. J. W. Loguen represents a fascinating literary hybrid, an experiment in voice and style that enlarges our understanding of the slave narrative.

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This monumental work answers the grand question of where American Jewish liberalism comes from and ultimately questions whether the communal motivations behind such behaviour are strong enough to withstand twenty-first-century America.

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With more than 130 illustrations, The Photographed Cat: Picturing Close Human-Feline Ties, 1900–1940 is both an archive and an analytical exploration of the close relationships between Americans and their cats during a period that is significant for photography and for modern understandings of animals as pets. This volume examines the cultural implications of feline companions while also celebrating the intimacy and joys of pets and family photographs. In seven thematic sections, Arluke and Rolfe engage with the collection of antique images as representations of real relationships and of ideal relationships, noting the cultural trends and tropes that occur throughout this increasingly popular practice. Whether as surrogate children, mascots, or companions to women, cats are part of modern American life and visual culture.Entertaining, smart, and filled with a collector’s trove of wonderful images, The Photographed Cat pays homage to the surprising range of relationships we have with cats and offers thoughtful consideration of the ways in which we represent them.

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Louis Lowy (1920–1991), an international social worker and gerontologist, rarely spoke publicly about the Holocaust. During the last months of his life, however, he recorded an oral narrative that explores his activities during the Holocaust as the formative experiences of his career. Whether caring for youth in concentration camps, leading an escape from a death march, or forming the self-government of a Jewish displaced persons center, Lowy was guided by principles that would later inform his professional identity as a social worker, including the values of human worth and self-determination, the interdependence of generations, and the need for social participation and lifelong learning. Drawing on Lowy’s oral narrative and accounts from three other Holocaust survivors who witnessed his work in the Terezín ghetto and the Deggendorf Displaced Persons Center, Gardella offers a rich portrait of Lowy’s personal and professional legacy. In chronicling his life, Gardella also uncovers a larger story about Jewish history and the meaning of the Holocaust in the development of the social work profession.

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Popular Turkish Love Lyrics and Folk Legends is the first illustrated anthology of Turkish folk poetry and legends published in the United States. Talat Halman's eloquent, fluid telling of these engaging stories and his translations of the love lyrics, accompanied by Zeki Findikoglu's vibrant serigraphs, serve as a marvelous introduction to the rich world of Turkish folktales and lyrics. This volume brings together three of the most beloved of Anatolian tales and legends with the life stories and selected poems of four great folk poets - Yunus Emre, Pir Sultan Abdal, Koroglu, and Karacaoglan. The seven sections of the book come alive with images of striking beauty and dramatic power by Findikoglu, a son of Anatolia. Each section features four 'visual experiences' - extraordinary in their delineation of nature and human figures, teeming with moods stirring or sinister. They capture not only the splendor of nature in Anatolia but also the quintessential spirit of the legends and the lyrics. Cultural and literary historians as well as poetry lovers will enjoy this stunning union of art and literature.

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In this biography of Colonel John Henry Patterson, Denis Brian reveals his subject to be a composite of diverse identities. An Irish-born soldier, lion hunter, bridge builder, East African game warden, author, man-about-town, and Zionist, Patterson's life is a fascinating story, and Brian's well-researched account gives a revealing look into the ebb and flow of circumstances that produced such a colorful character. Brian begins the narrative with Patterson's assignment in East Africa, where lion attacks were terrorizing workers on a railroad project. With the sure hand of the storyteller, Brian details accounts of Patterson quelling the rebellion and killing the lions himself. The colonel's indomitable energy and courage become a consistent theme in the book as the author traces Patterson's life from his days as a British socialite to his command of the Jewish Legion of volunteers who helped drive the Turks out of Palestine. Patterson spent most of his later years as an ardent Zionist, working for the creation of a Jewish homeland until his death in 1947, a year before the birth of the state of Israel. Drawing on an impressive range of sources, Brian's biography of this ""Righteous Gentile"" is an incisive portrait of a key figure in both Israeli and colonial British history.

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Return to Dar al-Basha by the contemporary Tunisian author Hassan Nasr depicts the childhood of Murtada al-Shamikh and his return forty years later to his home in the medina or old city of Tunis. After being taken from his mother and raised in his father's home where he was physically abused and emotionally marginalized, Murtada spends a life of anxiety wandering the world. His return is prompted by a mysterious visit from one of his father's Sufi friends as he roams the desert in Mauritania. Murtada retraces his steps through the medina to his family's house in anticipation of a possible reunion with his troubled father, vividly reliving sights, smells, and sounds from his childhood and evoking his childhood initiation into Islamic mysticism as he experiences a personal journey of the spirit across space and time. Nasr succeeds in conjuring up a Tunisian boyhood not unlike his own and brings to life in a poetic, sensual narrative the spaces, light, colors, and life of Tunis some six decades ago. Murtada searches the streets of Tunis and his memories for the decisive mistake he feels he must have made - that has left him a perpetual wanderer until he undergoes a cathartic nightmare sequence that leaves him shaken. Only then is he finally able to come to peace with his past and with himself. In William M. Hutchins' lucid translation serves as an evocation and tribute to the historic city of Tunis the novel and meditates about the position of the past in a rapidly modernizing society.

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This book contains a representative selection of modern Turkish poems that conveys in faithful translations the full spectrum of Turkish emotions, humor, intellectual explorations, joys, and agonies. This anthology features a wide variety of poems about social justice, love, evocations of history, humanitarian concerns, and other themes. It contains stirring examples of the revolutionary romanticism of Nazim Hikmet; the passionate wisdom of Fazil Husnu Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behcet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets. These poems are infused with their own unique flavors while speaking in an unmistakably universal style.

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A unique and useful reference guide to some of the more common and best color-producing dye mushrooms of North America. The book includes step-by-step instructions to the process from collecting the mushrooms to dyeing the wool. There is an accurate and up-to-date description for each species along with over 200 color photographs. The scope of this work goes beyond the identification of species. The authors provide information about dyeing equipment, mordants, preparing and dyeing the wool, and the dazzling array of colors that can be obtained from mushroom.

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The author of Yiddish novels and short stories, Sholem Aleichem, evokes the voices of Yiddish speakers in these monologues written between 1901 and 1916. In each piece, a man or a woman comes forward to tell the story.

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The man Lucille Ball called ""the brains"" of ""I Love Lucy"" gives us an inside view of television history as it was being made. Jess Oppenheimer's famous sitcom was the most popular and influential television phenomenon in the history of the medium. Forty-five years after its debut, it remains a favourite the world over. Oppenheimer's book, written with his son, Gregg, is not only a record of how this groundbreaking comedy was conceived and executed, but an insider's account of the broadcasting industry's development from the early days of radio and television's golden age. Hollywood aficionados should enjoy his entertaining stories of stars such as Douglas Fairbanks, Edgar Bergen, Fred Astaire, and, of course, Lucille Ball. It contains two previously unpublished scripts, dozens of previously unreleased photos and a compact disc full of rare ""Lucy"" performances.

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These letters from the Albany Orphan Asylum in New York demonstrate how institutions in the late 19th century provided a social service. The volume comprises letters from parents to their children and to the asylum superintendents, as well as letters from children placed out to indenture.

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This guidebook to the downtown and neighbourhood landmarks of Syracuse is arranged geographically, with sections exploring the historical and social background to the various districts and neighbourhoods. It includes maps for walking and driving tours, and a glossary of architectural terms.

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Allah's Spacious Earth is a stunningly fresh and timely political dystopia that depicts the tragic yet very real consequences of tensions between majority populations and Muslim minorities in the Western world. The novel is set in an imagined future where anti-Muslim sentiment and political pressure lead to a community being cut off from the rest of society. Told from the perspective of Nasim, a young Muslim living in the Zone—an urban area within one of the states forming the Pan-European Federation—the story follows his journey as he struggles with the restrictions imposed upon him along with the expectations of his community. In the tradition of Michel Houellbecq's Submission and Boualem Sansal's 2084, Allah’s Spacious Earth is a powerful novel of ideas that brilliantly captures a growing fear in Western societies and its devastating fallout.

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Contrary to popular notions, today’s LGBT movement did not begin with the Stonewall riots in 1969. Long before Stonewall, there was Franklin Kameny (1925-2011), one of the most significant figures in the gay rights movement. Beginning in 1958, he encouraged gay people to embrace homosexuality as moral and healthy, publicly denounced the federal government for excluding homosexuals from federal employment, openly fought the military’s ban against gay men and women, debated psychiatrists who depicted homosexuality as a mental disorder, identified test cases to advance civil liberties through the federal courts, acted as counsel to countless homosexuals suffering state-sanctioned discrimination, and organized marches for gay rights at the White House and other public institutions. In Gay Is Good, Long collects Kameny’s historically rich letters, revealing some of the early stirrings of today’s politically powerful LGBT movement.These letters are lively and colorful because they are in Kameny’s inimitable voice—a voice that was consistently loud, echoing through such places as the Oval Office, the Pentagon, and the British Parliament, and often shrill, piercing to the federal agency heads, military generals, and media personalities who received his countless letters. This volume collects approximately 150 letters from 1958 to 1975, a critical period in Kameny’s life during which he evolved from a victim of the law to a vocal opponent of the law, to the voice of the law itself. Long situates these letters in context, giving historical and biographical data about the subjects and events involved. Gay Is Good pays tribute to an advocate whose tireless efforts created a massive shift in social attitudes and practices, leading the way toward equality for the LGBT community.

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Walid Masoud disappears. A Palestinian intellectual, he has been living in Baghdad since the first Israeli War of 1948. Suspicion arises that he has gone underground as part of a political movement. He leaves behind a lengthy but disconnected tape recording of garbled utterances through which the author artfully crafts the basis for his novel.

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In a 1984 interview with longtime friend Edna O’Brien, Philip Roth describes her writing as ""a piece of fine meshwork, a net of perfectly observed sensuous details that enables you to contain all the longing and pain and remorse that surge through the fiction."" The phrase ""fine meshwork"" not only captures the essence of O’Brien’s writing, but also suggests the multiple connective threads that bind her work to others’, including, most illuminatingly, Roth’s. Since the publication of their first controversial novels in the 1950s and 1960s, Roth and O’Brien have always argued against the isolation of mind from body, autobiography from fiction, life from art, and self from nation. In Fine Meshwork, Dan O’Brien investigates these shared concerns of the two authors, now regarded as literary icons of their respective countries. He traces their forty-year literary friendship and the striking parallels in their books and reception, bringing together what, at first glance, seem to be quite disparate milieus: the largely feminist and Irish scholarship on O’Brien and the American Jewish perspective on Roth. In doing so, and in considering them in a transnational context, he argues that the intertwined nature of their writing symbolizes the far-ranging symbiosis between Irish literature and it’s American—particularly Jewish-American—counterpart.

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Since W. B. Yeats wrote in 1890 that "the man of science is too often a person who has exchanged his soul for a formula," the anti-scientific bent of Irish literature has often been taken as a given. Science, Technology, and Irish Modernism brings together leading and emerging scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. The collection spotlights authors ranging from James Joyce, Elizabeth Bowen, Flann O’Brien, and Samuel Beckett to less-studied writers like Emily Lawless, John Eglinton, Denis Johnston, and Lennox Robinson. With chapters on naturalism, futurism, dynamite, gramophones, uncertainty, astronomy, automobiles, and more, this book showcases the far-reaching scope and complexity of Irish writers’ engagement with innovations in science and technology.Taken together, the fifteen original essays in Science, Technology, and Irish Modernism map a new literary landscape of Ireland in the twentieth century. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns between revivalists, modernists, and late modernists that challenge us to rethink how we categorize and periodize Irish literature.

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Turkey, Egypt, and Syria: A Travelogue vividly captures the experiences of prominent Indian intellectual and scholar Shibli¯ Nu‘ma¯ni¯ (1857–1914) as he journeyed across the Ottoman Empire and Egypt in 1892. A professor of Arabic and Persian at the Mohammedan Anglo-Oriental (MAO) College at Aligarh, Nu‘ma¯ni¯ took a six-month leave from teaching to travel to the Ottoman Empire in search of rare printed works and manuscripts to use as sources for a series of biographies on major figures in Islamic history. Along the way, he collected information on schools, curricula, publishers, and newspapers, presenting a unique portrait of imperial culture at a transformative moment in the history of the Middle East. Nu‘ma¯ni¯ records sketches and anecdotes that offer rare glimpses of intellectual networks, religious festivals, visual and literary culture, and everyday life in the Ottoman Empire and Egypt. First published in 1894, the travelogue has since become a classic of Urdu travel writing and has been immensely influential in the intellectual and politicalhistory of South Asia. This translation, the first into English, includes contemporary reviews of the travelogue, letters written by the author during his travels, and serialized newspaper reports about the journey, and is deeply enriched for readers and students by the translator's copious multilingual glosses and annotations. Nu‘ma¯ni¯ 's chronicle offers unique insight into broader processes of historical change in this part of the world while also providing a rare glimpse of intellectual engagement and exchange across the porous borders of empire.

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A true ""intersection"" of Arab women's texts that challenges and rewrites the traditional boundaries of nation, gender, and community. This rigorously documented collection brings together for the first time original essays by leading authorities in the field on nine contemporary Arab women novelists from Algeria, Egypt, Lebanon, and Palestine. The work focuses on texts available in English translation and explores with great theoretical sophistication the relationship of these authors' texts to contemporary phenomena of feminism, nationalism, post-colonialism, war, transnationalism, and societal change.

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Chicago may seem a surprising choice for studying thoroughbred racing, especially since it was originally a famous harness racing town and did not get heavily into thoroughbred racing until the 1880s. However, Chicago in the late nineteenth and early twentieth centuries was second only to New York as a center of both thoroughbred racing and off-track gambling. Horse Racing the Chicago Way shines a light on this fascinating, complicated history, exploring the role of political influence and class in the rise and fall of thoroughbred racing; the business of racing; the cultural and social significance of racing; and the impact widespread opposition to gambling in Illinois had on the sport. Riess also draws attention to the nexus that existed between horse racing, politics, and syndicate crime, as well as the emergence of neighborhood bookmaking, and the role of the national racing wire in Chicago. Taking readers from the grandstands of Chicago's finest tracks to the underworld of crime syndicates and downtown poolrooms, Riess brings to life this understudied era of sports history.

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It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity.Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.

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When Winslow Homer sailed to England in March of 1881, he was already well established as a leading member of his generation of American artists. Critics often referred to him as the "most American of American artists", combining praise with the implication that his work was provincial compared to that of his more European-trained American contemporaries. However, upon his return, after a year and a half spent in the seaside village of Cullercoats, Homer's work garnered rave reviews and gained a new appreciation among art dealers. In this book, Tatham's detailed account of Homer's time in Cullercoats offers a perceptive reappraisal of both the village's influence on his work and the paintings themselves.In his Cullercoats paintings, Homer took as his main subject the lives and labors of the village's women andtheir strong sense of community. In many ways, these paintings stand among Homer's most original and perceptive depictions of women, but they also display his masterly uses of watercolor. The Cullercoats paintings show Homer in a new light, and Tatham's revelatory account provides the long-overdue attention they deserve.

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The individual and cultural upheavals of early colonial New France were experienced differently by French explorers and settlers, and by Native traditionalists and Catholic converts. However, European invaders and indigenous people alike learned to negotiate the complexities of cross-cultural encounters by reimagining the meaning of kinship. Part micro-history, part biography, Religion, Gender, and Kinship in Colonial New France explores the lives of Etienne Brulé, Joseph Chihoatenhwa, Thérèse Oionhaton, and Marie Rollet Hébert as they created new religious orientations in order to survive the challenges of early seventeenth-century New France. Poirier examines how each successfully adapted their religious and cultural identities to their surroundings, enabling them to develop crucial relationships and build communities. Through the lens of these men and women, both Native and French, Poirier illuminates the historical process and powerfully illustrates the religious creativity inherent in relationship-building.

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The Candidate is one of the most masterful, psychologically penetrating novels in Armenian diaspora literature. Published in 1967 at a time of political awakening among the descendants of survivors of the Armenian genocide, the novel explores themes of trauma, forgiveness, reconciliation, friendship, and sacrifice, and examines the relationship between victim and perpetrator.The book opens in 1927 in Paris after Minas has found his friend Vahakn’s body on the floor of the apartment they share. In a fragmentary way, Minas tells of his meeting Vahakn in the cafés of the Latin Quarter; the friendship that joins them; their conversations with Ziya, a Turkish student in Paris; Vahakn’s murder of Ziya; and Vahakn’s suicide. At the core of the novel is the note Vahakn leaves Minas to explain the enigma of Ziya’s murder and his own suicide. The letter recounts Vahakn’s and his mother’s deportation from their village in the Ottoman Empire; his mother’s death and Vahakn’s adoption by a Turkish woman, Fatma, who rapes and abuses him; his feelings of alienation and self-estrangement in France; and his inability to adapt to life after trauma.Known for his innovation of the Western Armenian novel, Vorpouni challenges the narrative elements of the conventional novel by playing with subjectivity and linearity. His melding of contemporary French literary and intellectual currents produces a literary and cultural hybrid unique in Western Armenian literature.

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If I had no sense of humour, I should long ago have committed suicide," wrote the late Mahatma Gandhi, expressing the potent power of humour to sustain and uplift. Less obvious is humour’s ability to operate as a cunning weapon in nonviolent protest movements. Over the last few decades, activists are increasingly incorporating subversive laughter in their protest repertoires, realizing the ways in which it challenges the ruling elite’s propaganda, defuses antagonism, and inspires both participants and the greater population.In this highly original and engaging work, Sombatpoonsiri explores the nexus between humour and nonviolent protest, aiming to enhance our understanding of the growing popularity of humour in protest movements around the world. Drawing on insights from the pioneering Otpor activists in Serbia, she provides a detailed account of the protesters’ systematic use of humour to topple Slobadan Miloševi? in 2000. Interviews with activists, protest newsletters, and documentaries of the movement combine to illustrate how humour played a pivotal role by reflecting the absurdity of the regime’s propaganda and, in turn, by delegitimizing its authority. Sombatpoonsiri highlights the Otpor activists’ ability to internationalize their nonviolent crusade, influencing youth movements in the Ukraine, Georgia, Iran, and Egypt. Globally, Otpor’s successful use of humour became an inspiration for a later generation of protest movements.

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Of the late nineteenth- and early twentieth-century Jewish artists, a large number turned toward radical socialist politics. These artists, even the most secularized among them, were deeply influenced by the Jewish traditions, teachings, and culture in which they were raised. The communal thrust of Judaism that calls upon Jews to bear the responsibility for the moral, spiritual, and material welfare of their community informed the creative output of these artists.Baigell explores the meaningful yet little-examined connections between religious heritage, social concerns, and political radicalism in the Jewish American art world from the time of the Great Migration from Eastern Europe in the 1880s to the beginning of World War II. Focusing on political cartoons published in left-wing Yiddish- and English-language newspapers and magazines, Baigell shows how artists commented on current events using biblical and other Jewish references within a medium of expression that had the widest possible audience. Set against the backdrop of the Russian Revolution, the Depression, and the rise of fascism during the 1930s, the book examines the work of such well-known artists as William Gropper and Mark Rothko, and brings to light the work of lesser-known artists, such as Leon Israel and Louis Ribak. Artists’ personal correspondence, newspaper articles, and the writings of art critics all reveal the intimate connections between Jewish memories, religious customs, and radical socialist concerns.

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For eight years, the San Francisco neighborhood of Bernal Heights was mired in controversy. Traditionally a working-class neighborhood known for political activism and attention to community concerns, Bernal housed a diverse population of Latino, Filipino, and European heritage. The branch library, beloved in the community, was being renovated, raising the issue of whether to restore or paint over a thirty-year-old mural on its exterior wall. To some of the residents the artwork represented their culture and their entitlement to live on the hill. To others, the mural blighted a beautiful building. To resolve this seemingly intractable conflict, area officials convened a mediation led by Roy, an experienced mediator and Bernal resident. The group, which reflected the wide range of ethnic and socioeconomic backgrounds in the community, ultimately came to a strong consensus, resulting in the reinterpretation of the artwork to reflect changing times and to honor the full population of the neighborhood. The Bernal Story recounts in detail how the process was designed, who took part, how the group of twelve community representatives came to a consensus, and how that agreement was carried into the larger community and implemented. Roy's firsthand account offers an essential tool for training community leaders and professional mediators, a valuable case history for use in sociology and conflict resolution courses, and a compelling narrative.

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At the beginning of the twentieth century, Yiddish was widely viewed, even by many of its speakers, as a corrupt form of German that Jews had to abandon if they hoped to engage in serious intellectual, cultural, or political work. Yet, by 1917 it was the dominant language of the Russian Jewish press, a medium for modern literary criticism, a vehicle for science and learning, and the foundation of an ideology of Jewish liberation. ""The Revolutionary Roots of Modern Yiddish, 1903-1917"" investigates how this change in status occurred and three major figures responsible for its transformation.Trachtenberg reveals how, following the model set by other nationalist movements that were developing in the Russian empire, one-time revolutionaries such as the literary critic Shmuel Niger, the Marxist Zionist leader Ber Borochov, and the linguist Nokhem Shtif committed themselves to the creation of a new branch of Jewish scholarship dedicated to their native language. The new 'Yiddish science' was concerned with the tasks of standardizing Yiddish grammar, orthography, and word corpus; establishing a Yiddish literary tradition; exploring Jewish folk traditions; and creating an institutional structure to support their language's development. In doing so, the author argues, they hoped to reimagine Russian Jewry as a modern nation with a mature language and culture and one that deserved the same collective rights and autonomy that were being demanded by other groups in the empire.

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At the close of the nineteenth century, American women missionaries traveled far afield to spread Christianity across the globe. Their presence abroad played a significant role in shaping foreign perceptions of America. At the same time, the cultural knowledge and independence these women missionaries gained had a profound impact on gender roles and racial ideologies among Protestants in the United States. In Providence Has Freed Our Hands, Karen K. Seat tells the history of women's foreign missions in Japan and reveals the considerable role they played in liberalizing American understandings of Christianity, gender, and race.The author uses the story of Elizabeth Russell, a colorful missionary to Japan, as the backbone of her study. As a member of the Women's Foreign Missionary Society of the Methodist Episcopal Church, one of the most powerful women's institutions of the late nineteenth century, Russell founded a progressive school for girls in Japan, defying the conservative ideologies not only of her own organization but also of the government of Japan. Transformed by her experience in Japan, Russell became a forceful advocate for racial tolerance and women's rights.

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A highly influential Sudanese reformist thinker, Mahmud Muhammad Taha is regarded as a product of a dual legacy rooted in mystical Islam on the one hand and in the tradition of modernity on the other. Publicly executed in 1985 following his conviction of apostasy, Taha offered distinctly original interpretations of the Qur'an and a radical theory of Islamic prayer. In ""Quest for Divinity"", Mohamed Mahmoud presents an in-depth and balanced treatment of Taha's controversial yet significant thought. The author's ability to provide access to relevant literature in both Arabic and English offers readers a rare view of the considerable nuance Taha's thought. With rich detail Mahmoud explores Taha's theories of human freedom and his social message, referred to as ""the second message of Islam"" with its emphasis on political, economic, and social equality. Taha's embrace of modernity is further assessed relative to his position on science, law, and art - areas that have always attracted Muslim modernists. ""Quest for Divinity"" will attract attention to Taha's compelling but little-known intellectual contribution as a seminal modern reformer of Islam. Such recognition is long overdue and will enrich the current debates on Islam and modernity.

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Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work.

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An encyclopedic introduction to French Jewish literature as it has emerged since the late 1960s. This book provides a wide-ranging analysis of French Jewish authors born after the Shoal and traces the development of the rich agenda of jeune litterature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the diaspora and in Israel.

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Set in the first decade of modern Israel's existence, this volume offers an insightful look at the changing relationship of American Jews and the reborn Jewish nation/state. It is the first in-depth analysis of the subject during this key period. As the Cold War rages, leaders in all camps are shown attempting to shape and control the tangled circumstances that engulf them - especially American Jewish Committee president Jacob Blaustein, Israeli founding father David Ben-Gurion, and American presidents Harry S. Truman and Dwight D. Eisenhower. Tapping into private correspondence, diaries, oral history interviews, scholarly literature and other archival materials, Zvi Ganin provides a richly detailed look at motivations, passions, and attitudes of Jewish and Israeli leaders on numerous issues - none more affecting than in the stormy debate over dual loyalty.

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A practical guide to writing effective short scripts for films or videos, focusing on dialog, settings, characters, structure, and themes.

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New to Jerusalem and to adulthood, Rutha serves Café Shira’s devoted customers with a quiet compassion and a sensitive gaze, collecting their stories and absorbing them at her peril. Avigdor, the melancholy and somewhat weary café owner, philosophizes about love as he attends to the needs of his patrons while ignoring his own. Christian, a young religious pilgrim, has come to Jerusalem to find God but stumbles upon a much different revelation. These characters form the heart of this wry, often poignant novel narrated through a series of vignettes. They are joined by a colorful cast of characters who frequent the literary café—long-married couples, young lovers, an eccentric poet, and a traumatized veteran—all finding refuge and occasionally wisdom among their motley urban community.Closely based on Ehrlich’s own experiences over the twenty-five years he devoted to running a café that became an important Jerusalem cultural venue and landmark, Café Shira is a work of disarming tenderness and bittersweet love.

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When celebrated mahjar writer Ameen Rihani returned to his native Lebanon from his long stay in New York, he set out on nine journeys through the Lebanese countryside, from the rising mountains to the shores of the Mediterranean, to experience and document the land in intimate detail.Through his travelogue The Heart of Lebanon, Rihani brings his readers along by foot and by mule to explore rural villages like his childhood home of Freike, the flora and fauna of massive cedar forests, and archaeological sites that reveal the history of Lebanon. Meeting goatherds, healers, monks, and more along the way, Rihani offers more than vivid descriptions of the country's sweeping scenery. His candid and often humorous narration captures what he sees as the soul of Lebanon and its people. Allen's fluid translation transports English-language readers to an early twentieth-century rural Lebanon of the writer's time in a way that only Rihani's firsthand account can accomplish.

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Shams al-Din Mohammad Hafez is in love. He is in love with a girl, with a city, and with Persian poetry. Despite his enmity with the new and dangerous city leader, the jealousy of his fellow court poets, and the competition for his beloved, Iran's favorite poet remains unbothered. When his wit and charm are not enough to keep him safe in Shiraz, his friends conspire to keep him out of trouble. But their schemes are unsuccessful. Nothing will chase Hafez from this city of wine and roses.In Pezeshkzad's fictional account, Hafez's life in fourteenth-century Shiraz is a mix of peril and humor. Set in a city that is at once beautiful and cutthroat, the novel includes a cast of historical figures to illuminate this elusive poet of the Persian literary tradition. Shabani-Jadidi and Higgins's translation brings the beloved poetry of Hafez alive for an English audience and reacquaints readers with the comic wit and original storytelling of Pezeshkzad.

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Set in late nineteenth-century Benghazi, Najwa Bin Shatwan's powerful novel tells the story of Atiqa, the daughter of a slave woman and her white master. We meet Atiqa as a grown woman, happily married with two children and working. When her cousin Ali unexpectedly enters her life, Atiqa learns the true identity of her parents, both long deceased, and slowly builds a friendship with Ali as they share stories of their past.We learn of Atiqa's childhood, growing up in the "slave yards," a makeshift encampment on the outskirts of Benghazi for Black Africans who were brought to Libya as slaves. Ali narrates the tragic life of Atiqa's mother, Tawida, a black woman enslaved to a wealthy merchant family who finds herself the object of her master's desires. Though such unions were common in slave-holding societies, their relationship intensifies as both come to care deeply for each other and share a bond that endures throughout their lives.Shortlisted for the 2017 International Prize for Arabic Ficiton, Bin Shatwan's unforgettable novel offers a window into a dark chapter of Libyan history and illuminates the lives of women with great pathos and humanity.

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A major literary figure and frequent contributor to the Yiddish-language newspaper Forverts from the 1920s to the mid-1930s, Jonah Rosenfeld was recognized during and after his lifetime as an explorer of human psychology. His work foregrounds loneliness, social anxiety, and people's frustrated longing for meaningful relationships - themes just as relevant to today's Western society as they were during his era.The Rivals and Other Stories introduces nineteen of Rosenfeld's short stories to an English-reading audience for the first time. Unlike much of Yiddish literature that offers a sentimentalized view of the tight knit communities of early twentieth-century Jewish life, Rosenfeld's stories portray an entirely different view of pre-war Jewish families. His stories are urban, domestic dramas that probe the often painful disjunctions between men and women, parents and children, rich and poor, Jews and Gentiles, self and society. They explore eroticism and family dysfunction in narratives that were often shocking to readers at the time they were published. Following the Modernist tradition, Rosenfeld rejected many established norms, such as religion and the assumption of absolute truth. Rather, his work is rooted in psychological realism, portraying the inner lives of alienated individuals who struggle to construct a world in which they can live. These deeply moving, empathetic stories provide a counterbalance to the prevailing idealized portrait of shtetl life and enrich our understanding of Yiddish literature.

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Shortlisted for the Arabic Booker Prize in 2010, this finely constructed epic traces the turbulent life of Aisha, an Egyptian girl raised in a Christian convent beyond the reach of a predatory uncle. With her English education, Aisha crosses paths with Lord Cromer, British consul-general of Egypt, and famed archaeologist Howard Carter, with whom she will trek to locate Tutankhamen's tomb. Fate briefly favors Aisha when she falls in love with the Egyptian sculptor Mahmoud Mukhtar, until events conspire to move her life along adarker path.Part allegory, part magical realism, this novel is threaded with aspects of Egyptian antiquity, including semihistorical accounts of the excavations ofancient Egyptian relics and the tortured jealousies that accompanied them. A deftly written journey through momentous occasions in world history, A Cloudy Day on the Western Shore explores questions of Egypt's identity and history, and the implications for better or worse of European exploitation of the treasures of pharaonic civilization. Novelist Qandil skillfully allows readers to encounter complex questions of colonialism, gender, and sectarianism all through the symbolic lens of an unlikely Egyptian heroine.

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Drawing on stories he heard as a boy from female relatives, Jilali El Koudia presents a cross section of utterly bewitching narratives. Filled with ghouls and fools, kind magic and wicked, eternal bonds and earthly wishes, these are mesmerizing stories to be savored, studied, or simply treasured. Varied genres include anecdotes, legends, and animal fables, and some tales bear strong resemblance to European counterparts, for example Aamar and his Sister (Hansel and Gretel) and Nunja and the White Dove (Cinderella). All capture the heart of Morroco and the soul of its people.In an enlightening introduction, El Koudia mourns the loss of the teller of tales in the marketplace, and he makes it clear that storytelling, born of memory and oral tradition, could vanish in the face of mass and electronic media.

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