Search results for ""Omnibus Press""

(The Little Black Songbook). This little book packs in over 80 Oasis tunes with chords and complete lyrics for each. Songs include: Be Here Now * Better Man * Champagne Supernova * Cum on Feel the Noize * D'You Know What I Mean? * Don't Go Away * Don't Look Back in Anger * Fade Away * Gas Panic! * Go Let It Out * Hey Now * The Hindu Times * Little by Little * Live Forever * Rock 'N' Roll Star * Songbird * Supersonic * Wonderwall * and more.

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(The Little Black Songbook). This is a pocket-sized collection of over 70 Leonard Cohen hits, with complete lyrics, guitar chord symbols, and chord diagrams. Perfect for fitting into gig bags! Songs include: Ain't No Cure for Love * Bird on the Wire (Bird on a Wire) * Closing Time * Death of a Ladies' Man * First We Take Manhattan * Hallelujah * Lady Midnight * Lover Lover Lover * So Long Marianne * Winter Lady * and many more.

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Wie ein Mann Howlin' Wolf, Ike Turner, Jerry Lee Lewis, Johnny Cash und Elvis Presley entdeckte, und sein winziges Label Sun Records aus Memphis die Welt auf den Kopf stellte! Der Autor der von Kritikern gefeierten Elvis-Presley-Biografie Last Train to Memphis bringt uns das Leben von Sam Phillips, dem visionaren Genie, das im Alleingang den revolutionaren Weg von Sun Records lenkte. Die Musik, die er in seinem winzigen Studio im Memphis formen wurde mit so unterschiedlichen Kunstlern wie Elvis Presley, Ike Turner, Howlin Wolf, Jerry Lee Lewis und Johnny Cash -, brachte einen Sound hervor, den man so noch nie zuvor gehoert hatte. Phillips brachte eine einzigartige Mischung aus schwarzen und wei en Stimmen hervor, die voller Leidenschaft die Vitalitat der einheimischen, amerikanischen Tradition verkundeten und gleichzeitig ein fur alle Mal eine neue, integrierte Musikwelt proklamierten. Mit umfangreichen Interviews und persoenlichen Beobachtungen aus erster Hand, die sich uber einen Zeitraum von 25 Jahren mit Phillips erstreckten, sowie umfassenden Interviews mit fast allen legendaren Kunstlern von Sun Records, liefert Guralnick ein leidenschaftliches, vorbehaltloses Portrat eines amerikanischen Originals.

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(Music Sales America). A great collection of classical music, specifically graded from easy-to-play tunes to more challenging pieces. These books have a special binding to help the pages to lie flat while you are playing.

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(Music Sales America). Notecrackers are handy little packs of facts, tips and entertainment on musical topics. They give instant reference to things like chords and music theory as well as musical trivia and jokes, making them perfect pocket-sized gifts. Each pack is 1-1/8 high x 3-1/4 wide and features drilled laminated pages with one fact or theory per page so you can quickly flip through the pack.

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(Music Sales America). Mealor divides his setting of this religious Latin text into four sections, the first of which is unaccompanied. For SATB chorus with soprano solo and piano. Also available with harp (or piano) and string accompaniment.

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(Music Sales America). Today's Choral Classics is a special collection of pieces from the most exciting talents in choral composition today. From the church to the concert hall, it is the perfect volume for choruses seeking a contemporary choral repertoire, rich in accessible, modern arrangements in a variety of styles. Featuring Paul Mealor's Wherever You Are , a Christmas No. 1 for The Military Wives choir, and Ubi Caritas , his specially commissioned piece for the royal wedding of the Duke and Duchess of Cambridge; serene miniatures by John Tavener and Eric Whitacre; simple gems by Richard Rodney Bennett and Richard Blackford; and more substantial works by Judith Weir, James Whitbourn, Tarik O'Regan and Nico Muhly; choirs of all styles, sizes and abilities will discover a wealth of variety of inspiring pieces to delight singers and audiences alike. Today's Choral Classics is a fantastic addition to any music library or choral resource, and provides a solid and accessible basis for any contemporary choral concert program.

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(Music Sales America). One of two new additions to the Novello Handel Edition, the vocal score of Let God Arise , originally written as one of the so-called Chandos anthems, was re-scored for the Chapel Royal in 1724.

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A riveting oral biography of the proto-punk Detroit rockers MC5, based on original interviews with the band and key members of their inner circle

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Picking up where the critically acclaimed Salad Daze left off, Heady Daze sees Wayne Hussey revisit the years from 1985 to 1990 leading The Mission through their formation to global success.

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Mark Perry's first issue (1 of 12) set the tone for an exercise in kitchen-table publishing that did not even have a kitchen table. Boldly scrawled in his bedroom SNIFFIN' GLUE started out as a fan's rallying cry, went on just as long as it needed to (one year) and then stopped, as good punk enterprises should.

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From bass player to lead guitarist, member, Steve Diggle has been the driving force keeping Buzzcocks alive since he first met Pete Shelley in 1976. Together they would ignite the Manchester music scene, kickstart indie and become one of the best loved and most influential punk groups of all time.

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An intimate, coming-of-age memoir by legendary guitarist Kid Congo Powers, detailing his experiences as a young, queer Mexican-American in 1970s Los Angeles through his rise in the glam rock and punk rock scenes. Kid Congo Powers has been described as a "legendary guitarist and paragon of cool" with "the greatest resume ever of anyone in rock music." That unique imprint on rock history stems from being a member of not one but three beloved, groundbreaking, and influential groups--Nick Cave and the Bad Seeds, the Cramps, and last but not least, The Gun Club, the wildly inventive punk-blues band he co-founded. Some New Kind of Kick begins as an intimate coming of age tale, of a young, queer, Chicano kid, growing up in a suburb east of East LA, in the mid-'70s, exploring his sexual identity through glam rock. When a devastating personal tragedy crushes his teenage dreams, he finds solace and community through fandom, as founder ('The Prez') of the Ramones West Coast fan club, and immerses himself in the delinquent chaos of the early LA punk scene. A chance encounter with another superfan, in the line outside the Whiskey-A-Go-Go to get into a Pere Ubu concert, changes the course of his life entirely. Jeffrey Lee Pierce, a misfit Chicano punk who runs the Blondie fan club, proposes they form a band. The Gun Club is born. So begins an unlikely transition from adoring fan to lauded performer. In Pierce, he finds brotherhood, a creative voice, and a common cause, but also a shared appetite for self-destruction that threatens to overwhelm them both. Quirky, droll, and heartfelt, with a pitch-perfect evocation of time and place, and a wealth of richly-drawn supporting characters, Some New Kind of Kick is a memoir of personal transformation, addiction and recovery, friendship and belonging, set against the relentless creativity and excess of the '70s and '80s underground music scenes.

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When 22-year-old accountant Harvey Lisberg heard the Beatles' 'Please Please Me', he had an epiphany: he could be Manchester's answer to Brian Epstein. He had a musical ear, a knack for numbers and a gambler's instinct for taking a punt. Within a year he had taken local group, Herman's Hermits, to number one with 'I'm Into Something Good'. Soon, Hermania was a global phenomenon. Harvey had found his vocation. In this uproarious, frank and moving autobiography, he reveals the excesses of life on the road with Herman's Hermits; the frustration of championing unknowns Tim Rice and Andrew Lloyd Webber; the highs and lows of managing the brilliant 10cc; the utter madness of looking after snooker bad boys Alex 'Hurricane' Higgins and Jimmy 'Whirlwind' White and much, much more. Many other artists benefitted from Harvey's guidance during this time, including Tony Christie, Barclay James Harvest, Sad Cafe and the Chameleons. I'm Into Something Good is his account of a life that started in Salford and ended up in Palm Springs; a life in which he travelled the world, met heroes and villains, fulfilled his dreams, spent a fortune on good living, family and friends, and never took himself or his achievements too seriously. 'Harvey came along and turned us into stars. He believed in us when no one else cared.' Peter Noone, Herman's Hermits 'Harvey was one of the very first to recognise potential in Andrew and myself. He spotted 'Joseph' as a winner way before it became one.' Sir Tim Rice 'He virtually invented modern management. In terms of the UK's music history, there really is no one like Harvey.' Tony Wilson

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Pressure Dropchronicles reggae's most tumultuous and influential decade. Beginning in 1970 and unfolding both in Britain and Jamaica, reggae flourished against a backdrop of political upheaval, gang warfare, Black Nationalism, racial and class discrimination and grinding poverty.

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With his unique and powerful voice, Tony Hadley has been a successful music artist for more than forty years, from fronting one of the biggest bands of the 80s, Spandau Ballet, to now enjoying a thriving solo career around the world. Featuring stunning imagery and behind-the-scenes photos from his musical adventures, this beautifully illustrated book also captures other professional highlights, like starring on stage in Chicago and appearing on I'm a Celebrity... Get Me Out of Here!, as well as his charity work, celebrity friends, childhood in north London and special family moments. With snaps from his personal photo albums, this amazing visual journey is accompanied by Tony's heartfelt and insightful anecdotes.

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'Don't live life worrying about it, just T. Rex the s*** out of it.' - Sylvain Sylvain The New York Dolls were called many things; glam, proto-punk, hard rock, but are probably best understood as a 'dirty rock & roll' band. Combining an aggressively androgynous style with street smart New York attitude and campy humour, the New York Dolls ushered in the era of CBGBs, heroin chic, loud guitars and referential lyrics which gave rise to Patti Smith, The Ramones, Television and many more. Fans of the band range from Guns N' Roses to Morrissey, who organised the reformation of the band when he curated Meltdown festival in 2004. Sylvain Sylvain was there from the start, and this is his story. Taking in his early life in New York, the rise, fall and rise again of the New York Dolls, and all his misadventures between, There's No Bones in Ice Cream is the true story of one of rock's greatest, told in his own authentic voice. 'In any great band it's often The Quiet One who has the best stories. There's No Bones in Ice Cream would be a superb book even if Sylvain worked in a bank. As it is it's one of the best rock biographies ever. Ten out of ten.' - Classic Rock

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I Just Can't Stop It is the honest and compelling autobiography from British Music Legend, Ranking Roger. As the enigmatic frontman of the multicultural band The Beat, Ranking Roger represented the youthful and joyous sound of the post-punk 2 Tone movement. As well as his illustrious career with The Beat and its subsequent iterations, this absorbing book explores Roger's upbringing as a child of the Windrush generation, touring America and his outstanding collaborations with artists such as The Clash, The Police and The Specials.

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In 2011, Janet Devlin wowed X-Factor judges and charmed the nation with her unique vocals and performances. She consistently received the highest consecutive public vote out of all the contestants and gained a place on the live arena tour. But rather than this steering her towards greater musical success, Janet faced numerous challenges which almost cost her her career... "Believe it or not, you're holding my life in your hands. Not the picture-perfect version we've all become accustomed to, thanks to social media. This is my life as I've lived it - no filters. Each chapter in this book unlocks the truth behind a song from my album Confessional. They span ten years of intense self-discovery married with a lot of self-sabotage. My broken brain has taken me to dark places both in my own head and in the real world. But, with destruction comes creation. I genuinely hope that My Confessional does not personally resonate with you and that you've not been to the same Hell that I've come to call Home, but if you have let my life be proof that it all works out in the end. I see now that the world is truly what we make of it and that everything happens for a reason. Or, at least, that's what I tell myself. Here lyeth my confessional of the sins I want so much to be free from and to finally forgive myself for what I've done. I confess. Janet Devlin"

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When a musician dies, it is rarely the end of their story. While death can propel megastars to even further success, artists overlooked in their lifetime might also find a new type of fame. But a badly timed move or the wrong deal can see the artist die all over again. Colonel Tom Parker, the former carnival huckster, understood this high-wire act implicitly and the posthumous career of Elvis Presley has provided a template for everyone else. Estates have two jobs: keeping the artist's name alive and ensuring they continue to make money. These can sometimes be compatible goals, but often they spark a tension that is unique in the music business. Drawing on interviews with those running music estates as well as music lawyers, record company executives and archivists, Leaving the Building reveals how the music industry is constantly striving to perfect the business of death.

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Folk music has been evolving and adapting for centuries, but in the 1960s and 70s came an extraordinary period of change and innovation. Rock musicians borrowed from traditional songs, while folk musicians re-worked ancient ballads using electric guitars and drum kits. From Dylan to Fairport Convention, Richard Thompson and Steeleye Span, the fusion of old and contemporary created a powerful new style: folk-rock. Since then, new and experimental folk fusions have continued, involving anything from rap to electronica. First published in 1975, at the height of the folk-rock boom, the critically acclaimed Electric Muse chronicled the story of the folk movement, from roots to revival. With new chapters on the eras of Eliza Carthy, Billy Bragg, June Tabor, Bellowhead, Sam Lee, Stick In The Wheel and others, and featuring new interviews and photographs, this edition brings the fascinating narrative up to date. As in 1975, The Electric Muse Revisited is published simultaneously with a new album set of the same title, on Good Deeds Music.

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Robert Johnson is the subject of the most famous myth about the blues: he allegedly sold his soul at the crossroads in exchange for his incredible talent, and this deal led to his death at age 27. But the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson’s death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource and document, most of it material no one has seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a human story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson.

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