Search results for ""Karma""
Karma The De Luxe Show
A 50th-anniversary tribute to one of America’s first racially integrated exhibitions In August 1971 Peter Bradley mounted the landmark exhibition The De Luxe Show at the legendary DeLUXE theater in Houston's Fifth Ward. The De Luxe Show was a milestone in civil rights history, as one of the first racially integrated shows in the United States. Curated by Bradley with the backing of collector and philanthropist John de Menil, the exhibition featured emerging and established abstract modern painters and sculptors of the time, including Darby Bannard, Peter Bradley, Anthony Caro, Dan Christensen, Ed Clark, Frank Davis, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel Johnson, Craig Kauffman, Alvin Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams and James Wolfe. In August 2021, for its 50th anniversary, Karma and Parker Gallery staged a contemporary bicoastal tribute to The De Luxe Show. The tribute honors the long, pioneering legacies of the artists of The De Luxe Show, and continues the dialogue between these innovators in the field of abstraction that began 50 years ago. This fully illustrated catalog includes texts and installation images from the original 1971 catalog, as well as a newly commissioned text by Amber Jamilla Musser and a text by Bridget R. Cooks that expands upon her 2013 essay in Gulf Coast.
£32.00
Karma Kara Walker: White Shadows in Blackface
Themes and motifs in the art of Kara Walker, from blackface to abjection, by a leading art historian In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s racist tourist attraction and the minstrel tradition. Robert Hobbs (born 1946) has written more than 50 books and catalogs, focusing on such artists as Milton Avery, Alice Aycock, Lee Krasner, Robert Smithson and Kehinde Wiley. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University. Since 2004 he has served as a visiting professor at Yale University. Now based in New York, Kara Walker was born in Stockton, California, in 1969. She received her MFA from the Rhode Island School of Design in 1994; soon afterward, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces.
£29.70
Karma Hughie Lee-Smith
At once surreal and neoclassical, Lee-Smith’s masterful compositions reflect the social alienation of mid-20th-century America Hughie Lee-Smith came of age in the midst of the Great Depression, spending his early life primarily between Cleveland and Detroit. The Midwest left an indelible impression on the artist, whose Social Realist paintings referenced its expansive gray skies and industrial architecture. Carnival imagery recurs throughout Lee-Smith’s work via the motifs of ribbons, pendants and balloons, often evoking the contrast between the carnival’s playful theatricality and its uncanny imitation of reality. He depicted abandoned, crumbling urban architecture as the sets for his existential tableaux, and even when his figures appear together, they always seem solitary. Over the course of his long career, Lee-Smith developed a distinct figurative vocabulary influenced by both Neoclassicism and Surrealism—the summation of a lifelong effort to see beyond the real. This volume, published for a 2022 show at Karma, New York, surveys the artist's practice from 1938 to 1999, tracing his development from depictions of the Midwest to his years on the East Coast in the decades following World War II. It features writing by Hilton Als, Lauren Haynes, Steve Lock and Leslie King-Hammond, as well as a conversation between Reggie Burrows Hodges, LeRonn P. Brooks and Kellie Jones. Hughie Lee-Smith (1915–99) was born in Eustis, Florida. Early in his career he was involved in several WPA projects, including Karamu House in Cleveland (the oldest running African American theater in the nation) and the Southside Community Art Center in Chicago, where he would cross paths with Charles White, Gordon Parks and Margaret Taylor-Burroughs, among others. Eventually teaching would take him to the East Coast, where he was artist in residence at Howard University in Washington, DC, and later an instructor at the Art Students League of New York. He died in Albuquerque, New Mexico.
£48.60
Karma Kim Gordon Keller
£27.00
Karma Lee Lozano: Private Book 6
This is the sixth volume in Karma's 11-volume facsimile printing of Lee Lozano's Private Book (1930 99) project. Eleven of these private books survive, containing notes on Lozano's work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life. One excerpt reads: For my opening at the Whitney I would like to do a very special FANCY: want to give an invitation personally to the downtown people I know from being/living in this neighborhood for so long. In fact these are the only people I want at my opening. Just NEIGHBORHOOD people: from drugstores, food & laundry stores, stationary stores, etc. GET IT?"
£19.80
Karma The Origin of Mark Flood
On the face and the self in Mark Flood's early work This book investigates a crucial period for the Houston-based artist Mark Flood (born 1957), from 1987 to 1992, during which he was still making and exhibiting work using his birth name, John Peters. Artist and editor Adam Marnie explores Flood’s motif of the face and his use of personae, aliases and surrogates.
£24.00
Karma Katherine Bernhardt
This book collects a series of new portraits by the critically acclaimed New York based painter Katherine Bernhardt (born 1975). The drawings depict a man named Francesco D'Angelo, whom she met while traveling in Peru. The two began sending photos back and forth through WhatsApp of their daily lives.The drawings are accompanied by a group of photo pairings that Bernhardt made of him, alongside other depictions of D'Angelo, as well as images found online that point to similarities between him and others (an image of Jesus in Michelangelo's Last Judgment, for example).
£35.00
Karma Matt Connors: Thirty-Four Reverse Telescopes and Three Buttons
Thirty-Four Reverse Telescopes and Three Buttons catalogs the artist’s recent body of colored Plexiglas works, made between 2013 and 2016, introduced obliquely with a poem by Ben Estes. Painter Matt Connors (born 1973) is known for combining a modernist visual vocabulary of grids and tense, minimal compositions with influences from design, poetry and music. Connors’ recent series of works brings this sensibility into the play of media: paintings in acrylic on paper are mounted on colored matte board, framed behind colored Plexiglass, creating an effect of nested colored forms in space. Both objects and paintings, the deeply hued, mixed-media pieces have been reproduced in Thirty-Four Reverse Telescopes and Three Buttons in black and white as well as color, highlighting the works’ complex tonality in addition to their dynamic coloration.
£36.00
Karma Blair Thurman
Blair Thurman (born 1961) creates work at the intersection of Pop art, abstract geometric art of the 50s and 60s and Americana. This volume presents his most recent abstract pieces--most of them painted on canvas covering shaped stretchers--alongside an essay by critic and curator Vincent Pécoil.
£34.00
Karma Andro Wekua: Gems Survey
Andro Wekua's (born 1977) Gems Survey is a book of memories: pinned to the bare field of each page are small images of buildings, scraps of cities and shreds of skies, clippings of stars and far-off galaxies. These are the places that Wekua has traveled to, real and imaginary, environments that influence and constitute a large part of his oeuvre.
£31.50
Karma Jonas Wood: Drawings: 2003–2023
Two decades of intricately layered works on paper from an artist known for his contemporary still lifes Comprising 100 works on paper, Drawings: 2003–2023 is the most expansive collection of Jonas Wood's artistic practice to date. This body of work traces the artist's trajectory back to his early days in Los Angeles, where he worked alongside painter Laura Owens and sculptor Matt Johnson. It was during this formative period that Wood's distinct visual language began to take shape: a language that would come to define his mature practice. Drawing played a central role in Wood's process, serving as both preparatory sketches for his collages and paintings, as well as independent works of art in their own right. At the core of Wood's prolific output lies a deep appreciation for the handmade—a reverence reflected in his engagement with found photographs, manual projectors and half-erased pencil sketches. Although rendered in a flattened perspective, the resulting tableaux are deeply layered, revealing traces of the artist's hand, miscellaneous references and the transformative nature of various artistic media. The comprehensive catalog features an essay by Douglas Fogle and a conversation between Laura Owens and the artist. The Los Angeles-based artist Jonas Wood (born 1977) creates paintings, drawings and prints, which mostly comprise intricate still lifes and interior domestic scenes. Throughout his compositions, the artist draws from art history, memory, and the people, objects and interiors that comprise his life. His work is boldly colored, detailed and graphic, and often features basketballs, ceramics and lush plants.
£46.35
Karma Ulala Imai The Scene
Teddy bears, toys and fruit populate Imai's intimate and imaginary compositions In The Scene, Japanese painter Ulala Imai (born 1982) draws references from popular culture, including Peanuts comics and Star Wars, to make delicate still-life-style works that, according to author Hiji Nam, create a magical mannerist fable world.
£39.60
Karma Keith Mayerson: My American Dream
A epic painterly panorama of an alternate American 21st century New York–based painter Keith Mayerson (born 1966) is inspired by symbols of American history and pop culture. He depicts familiar figures who have affected the country’s consciousness—in addition to personal scenes and his abstract “iconscapes”—through microscopic brushstrokes and coloring. While his formal qualities hint at a French Impressionist influence, his images also evoke the spiritual and cultural commentary of the Symbolists as well as the more visionary aspects of American modernists and the Old Masters. In this survey, Mayerson constructs what he calls a “wordless novel” for the 21st century: an alternate history in which the cultural landscape of American politics is reconstructed to emphasize belonging and understanding. Since the George W. Bush era, his long-running nonlinear narrative My American Dream has been presented in separate catalogs as “chapters,” and the ongoing series continues through today. This latest chapter features hundreds of works ranging in date from 1997 to 2021, replete with a foreword by cartoonist Gary Panter, an essay by painter Ann Craven and a conversation between Keith Mayerson and painter Celeste Dupuy-Spencer.
£46.80
Karma Ann Craven and Reggie Burrows Hodges: Moons and Angels
Luminous painterly interpretations of two abiding motifs in art history A two-person exhibition featuring angel paintings by Reggie Burrows Hodges (born 1965) and moon paintings by Ann Craven (born 1967), Moons and Angels was staged in the former St James Catholic church at 70 Main Street in Thomaston, Maine. Appearing throughout the canon of art history, these enduring celestial subjects have served as protectors and messengers. Craven and Hodges create warm and inviting interpretations of these guiding lights that allow the viewer to, in Hodges’s words, “offer up and be offered back.” This comprehensive, fully illustrated exhibition catalog features a collection of poems by Susan Howe.
£37.80
Karma Mathew Cerletty: Drawings
Pencil drawings from the acclaimed painter of domestic poetry The first book on the drawings of New York–based painter Matthew Cerletty (born 1980), this volume features his depictions of the household items familiar from his paintings.
£25.20
Karma Paul Mogensen & Steven Parrino
Published in conjunction with an exhibition at OV Project in Brussels, this catalog brings together paintings by two influential modern American painters Paul Mogensen (born 1941) and Steven Parrino (1958 2005) revealing how, for both artists, structure, material, production and function of the artwork relate to space and spectator.
£25.20
Karma Keith Sonnier: Portals
Keith Sonnier (born 1941), along with his contemporaries Eva Hesse, Barry Le Va, Bruce Nauman, Richard Serra, Joel Shapiro and Richard Tuttle, was a leader in Postminimalist art who radically reinvented sculpture in the late 1960s. The artist experimented with previously unused materials—latex and satin, found objects, transmitters and video—until he settled upon his signature work with neon. Sonnier sketches lines, arches and curves before rendering them in glass tubing enclosed neon, creating works of line and color that become architectural installations. Keith Sonnier: Portals documents the artist’s latest eponymous series of 14 wall-mounted sculptures, in which neon is investigated architecturally as well as iconographically, serving as an entrance point for readers to examine Sonnier’s process. The artist has taken the orphic allegory of the portal and explored its various historical manifestations with delightful humor, evoking something more corporeal than architectural in the tension between penetration and accommodation.
£28.00
Karma Sam Falls: Plein Air
Los Angeles–based artist Sam Falls’ (born 1984) newest publication, Plein Air, documents a year the artist spent outdoors making his large-scale pigment-on-canvas paintings in four separate locations around the world: Hartland, Vermont; Venice, California; Hudson, New York; and Sarvisalo, Finland. Nature has always been a principle theme in Falls’ work and the splendor and unpredictability with which the seasons change is transferred directly onto his canvas through the use of saturated pigments and the natural elements. The resulting paintings are lush, familiar silhouettes of ferns, flowers and the boughs of native trees. Four concise texts—naturalist and analytical in turn—by Hammer Museum curator Aram Moshayedi accompany each location and body of work.
£24.30
£27.00
Karma Mathew Cerletty: Full Length Mirror
Mathew Cerletty creates eerie hyperrealist portraits of everyday objects The idealized household objects of New York–based painter Matthew Cerletty (born 1980), scaled up and isolated on single color backgrounds, float in a purified, contaminant-free space. The objects are familiar, even jokingly so, but resist apprehension. Cerletty’s subjects always return a scrutinizing gaze, seeking connection with a viewer who might catalyze the work’s completion. As Chris Sharp writes, “How to account for the work in Mathew Cerletty’s Full Length Mirror? What drives this artist to paint these things? What could possibly impel him to depict a jet ski, a green ottoman, a brown leather belt, a laundry rack or white ceiling molding with such bright, marvelously matter-of-fact and painstaking realism? The funny thing about this is that the natural inclination to solving this mystery is not necessarily to dwell upon a single painting or drawing, but to look at another, and then another, in hopes of shaking out the fils rouges between them. It’s as if they, not individually, but as a sequence, are supposed to gradually disclose their enigma, rebus-like, collectively yielding it up like a decoded secret. And yet the more you glance between the works, the more opaque, enigmatic and inscrutable they are liable to become.”
£28.00
Karma Robert Duran: 1968 1970
This book presents a selection of the earliest paintings by Robert Duran (1938–2005), which were born of a period in which the then-young artist concurrently experimented in minimalist sculpture. Closely examining Duran’s practice within these years, it show show the forms and structures of his sculptures loosely illustrate the paintings surfaces.
£24.00
Karma Paul Mogensen - Early 1968
Paul Mogensen (born 1941) had his first one-person exhibition at the Bykert Gallery, New York, in March 1967. A pioneering minimalist painter, Mogensen worked then—as now—on paintings guided by such ancient mathematical rules as the golden ratio. In early 1968, Mogensen boarded a rivet-plated British passenger ship in Madras (now Chennai), India, which traveled for six days to Penang Island, Malaya, off the west coast of Malaysia. He carried with him a children's notebook in which he drew a few ideas related to what he was seeing on his travels and worked on the arithmetic that continues to inform his paintings. Paul Mogensen: Early 1968 is a facsimile of the workbook from that time. An intimate volume, offering a glimpse of how Mogensen worked out his mathematical imagery in relation to the outside world, this publication is the only book available on this key minimalist artist.
£17.50
Karma Marianne Vitale: From Here to Nowhere
From Here to Nowhere documents New York artist Marianne Vitale’s (born 1973) major recent sculptural works to date: "Thought Field," composed of 90 sections of 1930s-era railroad track, and "Caution Beams," six towering stacks of white pine that have been painted, bashed and pummeled to evoke traffic barricades.
£24.00
Karma Dan Colen: Slayer Psychic
This minimal artist's book was published on the occasion of Dan Colen’s first show in Denmark at the Herning Museum of Contemporary Art in 2015. At the time, Colen was considering the space between life and death, and the presence of a natural void within his life and work. Slayer Psychic continues the exploration of this idea through phone conversations Colen had with a professional psychic and photo documentation of the mining of "Slayer Rock," a work included in the exhibition.
£22.00
Karma Dike Blair & Edward Hopper: Gloucester
Portraits of the picturesque Massachusetts city, painted a century apart In the late 19th and early 20th centuries, the coastal city of Gloucester, Massachusetts, long a major hub for America’s fishing industry, became a celebrated summer resort for prominent American painters and writers including Winslow Homer, Childe Hassam, Cecilia Beaux and T.S. Eliot. As a young man visiting Gloucester, Edward Hopper (1882–1967) turned away from the allure of its ragged coast line and instead created atmospheric watercolors of homes, lighthouses and street scenes in Gloucester. In this volume, art historian Robert Hobbs revisits these works from the 1920s, which he positions alongside the work of New York–based painter Dike Blair (born 1952), who, a century later, has created a new body of work centered on the small fishing city.
£34.00
Karma Peter Bradley
Recent abstractions from the organizer of the landmark 1971 De Luxe Show New York-based American painter Peter Bradley (born 1940) is known for his pioneering and influential use of acrylic gel paint in the 1960s. This volume presents nine recent paintings from Bradley, which depart from the thick impasto textures of his early work, instead favoring a flatter and cleaner aesthetic.
£31.50
Karma The House of the Seven Gables
Alex Katz illustrates Hawthorne’s classic gothic tale of Puritan New England While enrolled in an illustration course at Cooper Union in 1948, Alex Katz (born 1927) created nine ink drawings to accompany Nathaniel Hawthorne’s gothic romance, The House of the Seven Gables. Published a century earlier, in 1851, Hawthorne’s classic novel is a solemn study of greed, guilt and atonement under the Puritan moral code of 19th-century New England, inspired by the curse pronounced on Hawthorne's own family by a condemned woman during the Salem Witch Trials of 1692. Nathaniel Hawthorne (1804–64) was one of the most influential American writers of the 19th century, known for his darkly romantic stories and novels such as The Scarlet Letter. He was born in Salem, Massachusetts, and belonged to a prominent circle of New England–based writers and philosophers including Ralph Waldo Emerson, Henry David Thoreau and Louisa May Alcott. Alex Katz (born 1927) is a New York–based artist known for his large-scale Pop-inspired canvases of two-dimensional figures set against monochrome backgrounds. For over seven decades, his work has been the subject of hundreds of solo and group exhibitions worldwide.
£22.50
Karma Marley Freeman
Painterly compositions teetering between abstraction and figuration New York–based artist Marley Freeman (born 1981) works with a steadfast devotion to process. Her paintings emerge over extended periods, seamlessly navigating the realms of transparency and opacity. The selection of works in this book chronicles her ongoing inquiry into painting’s expressive capacity.
£37.80
Karma Alex Katz & Joe Brainard: Flowers Journals
Alex Katz celebrates an old friendship, illustrating Brainard’s 1970s journals with charcoal flower drawings In this tender posthumous collaboration initiated by Alex Katz (born 1927), the artist embellishes journal entries by his old friend Joe Brainard (1941–94) with a new series of exquisite charcoal drawings of flowers (a popular motif in Brainard’s own art). Katz and Brainard often collaborated with poets—particularly those of the New York School, such as Ted Berrigan, Anne Waldman and Ron Padgett—on artists' books, poetry publications, book covers, writings and paintings. Brainard’s journal entries in this volume, written between 1971 and 1972, express this milieu, with accounts of conversations and expeditions with Waldman and Padgett as well as frequent mention of his appreciation for Katz’s work: “How Alex has remained so pure all these years is beyond me,” he notes in one entry, enumerating his favorite Katz works. Katz’s charcoal drawings are simple and clear in execution, matching the serene clarity that famously characterizes Brainard’s prose.
£27.00
Karma Tabboo!: Cityscapes: 1992–2022
Three decades of luminous cityscapes from downtown New York’s legendary painter-performer Multidisciplinary performer, designer and artist Tabboo! (born 1959) rose to prominence during the 1980s through New York City’s underground drag scene. When Tabboo! first moved to the city at age 23, he fell in love with the electrifying, scrappy downtown environment and began to paint cityscapes for the backdrops in his drag performances. Forty years later, the city has altered drastically but the artist’s ardor remains (he even lives in the same apartment in Alphabet City). The sweeping cityscapes gathered in this volume are reminiscent of Tabboo!’s early backdrops. Dramatic color fields render the city in moments of transition, from day into night and back again. Gleaming windows are sprinkled with glitter, scattering the sun’s brilliance as it sets. An indelible energy soaks these cityscapes, many of which depict the view from Tabboo!’s apartment window.
£38.70
Karma Let's Have a Talk: Conversations with Women on Art and Culture
Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.
£22.00
Karma Lee Lozano: Private Book 1
Before her self-imposed exile from the art world, Lee Lozano (1930 99) was a highly regarded painter who defined a generation of American artists infusing conceptualism with a new intensity. A prolific writer and documenter of both her art and her relationships, the public and private, Lozano kept a series of personal journals from 1968 to 1972 while living in New York's SoHo neighborhood.Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life.In the decade before her infamous dropout piece culminating in a move to Dallas where she would remain until her death Lozano returned to these notebooks, editing the entries, sometimes blacking out entire pages. Private Book 1 is the first in the series of 11 pocket-sized books, which are printed as facsimiles.
£22.00
Karma Robert Grosvenor - 16 Pictures
16 Pictures is the latest in a series of photobooks by American artist Robert Grosvenor (born 1937). Included here are color photographs of vehicles, scale models and ordinary objects. Sometimes blurry, sometimes overexposed, and very often brightly colorful, the photographs depict scenes that may be staged or chanced upon.
£22.00
Karma Sebastian Black: Period Pieces
Using El Lissitzky’s artwork as a starting point, New York–based painter Sebastian Black (born 1985) abstracts space and graphic shapes in this slim artist's book.
£16.00
Karma Mathew Cerletty: True Believer
Brightly chromatic transformations of everyday objects from the New York painter Presenting 16 new paintings by New York–based painter Matthew Cerletty (born 1980), True Believer includes a short story by Catherine Lacey and an interview by Louis-Philippe Van Eeckhoutte. Depicting a range of familiar subjects from Ellsworth Kelly to a red gas can, Cerletty’s paintings challenge habits of recognition.
£31.50
Karma Sam Falls: Death Sequence
Death Sequence documents a year in the life of Los Angeles-based artist Sam Falls through a series of carefully selected photos taken by the artist and his friends, as well as installation shots of Falls’ 2013 shows in Los Angeles, Geneva, Paris and Rome. Nearly 50 poems by Jamie Kanzler appear throughout, surrounded by the primary colors and natural silhouettes that are characteristic of Falls’ work.
£31.50
Karma Ted Stamm: DRM 1980
A sketchbook facsimile, DRM 1980 documents the rigorous thought process of Brooklyn-born minimalist painter Ted Stamm (1944–84) as he explores color within a series of 36 studies for a single composition. The warmth of these intimate works stands in contrast to the stately severity of his shaped canvasses, though lacking none of their masterly precision.
£19.00
Karma Michael Williams - Things You Shouldn't Understand
Things You Shouldn’t Understand is the newest in a series of drawing books by Los Angeles–based painter Michael Williams (born 1978). It employs the motif of marker bleeding through a page to propel the narrative, each image repeating in mirror form and interacting with a new one on its facing page, as a psychedelic cast of creatures twists and turns.
£24.00
Karma Michael Williams: How to Ruin an Omelet
How to Ruin an Omelet is the third in a series of artist’s books by Los Angeles–based painter Michael Williams (born 1978), following California Land for Sale!! and Yoga Online. Using a fashion sketchbook with figurative templates as its foundation, How to Ruin an Omelet is a lively amalgam of text and image.
£24.00
Karma Mathew Cerletty - Shelf Life
Shelf Life provides the first comprehensive look at the paintings, drawings and notes of Brooklyn-based artist Mathew Cerletty (born 1980). His surrealistic works torque the recognition of common objects such as Diet Coke logos, fish, foliage and planets.
£45.00
Karma Marina Adams: Portrait and a Dream
This portfolio-style monograph by New York–based painter Marina Adams draws from Bernini’s sculpture “The Ecstasy of Saint Teresa” and Picasso’s study of the Weeping Woman for “Guernica.” The juxtaposing of these images--one of ecstasy, the other of agony--inspired Adams' diptych spreads of vibrating forms and vivid color.
£24.00
Karma Thaddeus Mosley & Frank Walter: Sanctuary
Sculpture and painting from two esteemed artists offer unique interpretations of sanctuary This volume showcases the works of Thaddeus Mosley (born 1926) and Frank Walter (1926–2009). Mosley, self-taught and son of a Pennsylvania miner, uses salvaged wood to create large-scale abstract forms. Walter, from Antigua, expresses the beauty of his homeland’s landscapes through paintings and woodwork.
£37.80
Karma Louise Fishman: 1960s: Darkness and Light
Unseen early works from a pioneering feminist abstractionist New York–based artist Louise Fishman (1931–2021) was widely known for her gestural markmaking and atmospheric spaces. This volume presents nine previously unseen paintings from the artist’s foundational years as a student, featuring her early forays into abstraction.
£35.55
Karma Yesterworld: 2019 Diary
A diaristic glimpse of a zeitgeist on the brink, from the influential New York curator and writer Widely recognized for his bold, dissenting and prolific criticism and curation, Bob Nickas has been a fixture of the New York City art scene for nearly 40 years, having organized more than 120 exhibitions since 1984. He has left an indelible impression on the artistic milieu as the founding editor of index magazine; a regular contributor to Artforum; a curatorial advisor for MoMA PS1; and the author of several collections of writing and interviews, including Theft Is Vision, Live Free or Die, The Dept. of Corrections and Komplaint Dept. Nickas’ most recent undertaking, Bob Nickas: Yesterworld, consists of hundreds of diary entries written over the course of 2019. Part memoir, part social commentary, Yesterworld is a richly detailed, intimate account of the New York art world in the final years of the Trump administration and in the final months before the advent of Covid-19. Nickas reflects on significant exhibitions, openings, major news headlines, recently published books and his own social escapades.
£22.00
Karma Alex Katz: Beauty
Elegant monochrome glamour in Katz's new print series This handsome clothbound catalog gathers Alex Katz’s recent titular print portfolio. The series of 25 prints features close-up, black-and-white portraits that remove the subjects from any contextual backdrop, emphasizing instead subtle shifts in expression. Rendered in bold lineation and tightly framed, the women depicted recall the models and celebrities featured in mid-20th-century fashion imagery, underscoring Katz’s ongoing fascination with perceptions of beauty and glamour that permeate the public sphere. The portraits are bookended by a pair of meditations on beauty: Carter Ratcliff imagines a comedically philosophical dialogue between himself and beauty, and Jarrett Earnest shares 31 encounters with beauty in art and life. Alex Katz (born 1927) is one of America’s most iconic and prolific artists. His work has been the subject of more than 250 solo exhibitions and 500 group exhibitions since 1951 and can be found in over 100 public collections worldwide. Katz is best known for his large-scale canvases of flatly rendered figures cast against a monochrome background.
£28.35
Karma Anne Collier: Women with Cameras (Self Portrait)
This book collects images that New York–based artist Anne Collier (born 1970) originally presented as a slideshow of 80 35mm slides depicting found images of female subjects in the act of taking self-portraits. Dating from the 1970s to the early 2000s, these relics of the analog age were collected by Collier, each image discarded by its original owner but finding its way back to relevance in Collier’s work. The slideshow consists of amateur snapshots of women photographing themselves with film cameras prior to the advent of the digital "selfie." Instead of circulating on social media, these abandoned images once existed for a private audience. The resulting work is steeped in a deep sense of loneliness, illustrating photography’s contentious relationship to memory, loss and self-representation. The book represents a kind of sequel to Collier's 2017 book Women with Cameras (Anonymous).
£36.00
Karma Paul Mogensen
The latest in Karma's acclaimed series of overviews, this 424-page clothbound volume is the first comprehensive survey of New York–based minimalist painter Paul Mogensen (born 1941). Born in Los Angeles, Mogensen arrived in New York in 1966 already associated with such peers as David Novros and (through Novros) Brice Marden. His first solo exhibition at the Bykert Gallery came the following year. Since that time, Mogensen has created often colorful works that follow rule-based progressions (such as the “n + 1” method) to generate sharply executed geometric abstractions. In a text for this volume, the artist Lynda Benglis usefully summarizes the special character of Mogensen’s art: “Paul is a colorist who is measured in his method. It may be said that he is a decorative painter as well a painter of a philosophical disposition. He is stringent in his approach, as stringent as a mechanic might be with a Ferrari. There are no accidents.”
£40.50
Karma Lee Lozano - Private Book 5
This is the fifth volume in Karma's 11-volume facsimile printing of Lee Lozano's Private Book project. Eleven of these private books survive, containing notes on Lozano's work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life.
£22.00
