Search results for ""Author VIRGINIA WOOLF""

WITH INTROUCTIONS BY EAVAN BOLAND AND MAUD ELLMANThe serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary SupplementFirst masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness.Edited by Brenda Lyons with an Introduction and Notes by Sandra M. Gilbert

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Katherine Hilbery, torn between past and present, is a figure reflecting Woolf's own struggle with history. Both have illustrious literary ancestors: in Katherine's case, her poet grandfather, and in Woolf's, her father Leslie Stephen, writer, philosopher, and editor. Both desire to break away from the demands of the previous generation without disowning it altogether. Katherine must decide whether or not she loves the iconoclastic Ralph Denham; Woolf seeks a way of experimenting with the novel for that still allows her to express her affection for the literature of the past. This is the most traditional of Woolf's novels, yet even here we can see her beginning to break free; in this, her second novel, with its strange mixture of comedy and high seriousness, Woolf had already found her own characteristic voice. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'I lay in the garden and red the Browning love letters, and the figure of their dog made me laugh so I couldn't resist making him a Life.' Throughout her career, Woolf invokes the animal world both directly and metaphorically. She started to write a biography of Elizabeth Barrett Browning's spaniel after finishing The Waves, tracing the life of the spaniel from his country origins, his puppyhood spent with the writer Mary Mitford, through his sheltered existence with Elizabeth Barrett in her sick room, and later travels in Florence. But Flush is much more than a playful writer's holiday. As well as offering an exploration of a life of the senses free from the tyranny of words, Flush can be read as an allegorical testimony to the inscrutable, discarded, unrepresentable lives of the Victorian women poets, who were barely discussed or read in the 1930s. From a quite literally low point of view, Woolf explores class and gender in Victorian London, with gently mocking humour. Charming yet also radical, Flush is a work of sensuous imagination, an apparently light text that opens up a range of questions concerning difference which are woven through the whole of Woolf's writing. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'I am making up "To the Lighthouse" - the sea is to be heard all through it' Inspired by the lost bliss of her childhood summers in Cornwall, Virginia Woolf produced one of the masterworks of English literature in To the Lighthouse. It concerns the Ramsay family and their summer guests on the Isle of Skye before and after the First World War. As children play and adults paint, talk, muse and explore, relationships shift and mutate. A captivating fusion of elegy, autobiography, socio-political critique and visionary thrust, it is the most accomplished of all Woolf's novels. On completing it, she thought she had exorcised the ghosts of her imposing parents, but she had also brought form to a book every bit as vivid and intense as the work of Lily Briscoe, the indomitable artist at the centre of the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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WITH INTRODUCTIONS BY SUSAN HILL AND STEVEN CONNORThe Years follows the lives of the Pargiters, a large middle-class London family, from an uncertain spring in 1880 to a party on a summer evening in the 1930s. We see them each endure and remember heart-break, loss, radical change and stifling conformity, marriage and regret. Written in 1937, this was the most popular of Virginia Woolf's novels during her lifetime, and is a powerful indictment of 'Victorianism' and its values.

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Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.

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'Nothing is any longer one thing.' From a teenage encounter with Elizabeth I, through infatuations, voyages and even a change of gender, Orlando lives out five centuries of life and love before they finally find the courage to truly be themselves. Neil Bartlett's sparkling adaptation of Virginia Woolf's famous fantasy finds powerful contemporary relevance in her vision of equal rights to love for bodies of every kind – and brings it to life on the stage with a kaleidoscope of theatrical styles, overseen by the haunting figure of Woolf herself. It premiered at the Garrick Theatre in London's West End in November 2022, in a production directed by Michael Grandage and starring Emma Corrin in the title role. Written for a diverse ensemble of nine or more actors, this adaptation will appeal to any theatre or company looking to entertain their audiences with a bold new take on this iconic tale of love and transformation.

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On a perfect June morning, Clarissa Dalloway – fashionable, worldly, wealthy, an accomplished hostess – sets off to buy flowers for the party she will host that evening. She is preoccupied with thoughts of the present and memories of the past, and from her interior monologue emerge the people who have touched her life. On the same day, Septimus Warren Smith, a shell-shocked survivor of the Great War, commits suicide, and casual mention of his death at the party provokes in Clarissa thoughts of her own isolation and loneliness. Bold and experimental, Virginia Woolf's Mrs Dalloway is a landmark in twentieth-century fiction and a book that gets better and better with every reading. This elegant Macmillan Collector’s Library edition of Virginia Woolf's modernist classic features an afterword by editor and publisher Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Woolf's fine character studies of several authors, among them Samuel Taylor Coleridge, who 'seems not a man, but a swarm, a cloud, a buzz of words, darting this way and that, clustering, quivering and hanging suspended'. He is, Woolf adds,so complex, so eccentric, that we 'become dazed in the labyrinth of what we call Coleridge'. He was incapable of adopting requisite social modes, of suppressing his obsessive urge to talk, of pandering to the expectations of others. Woolf tries to capture a 'clear picture' of Coleridge but this metaphor is skewed and what she really reveals is a voice - mad and beautiful - never to be heard again:

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WITH AN INTRODUCTION, PLUS EXTENSIVE NOTES AND REFERENCES BY HERMIONE LEEThis volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality. A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism.

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This Norton Critical Edition includes: • The American edition of the novel, first published by Harcourt Brace in 1927, introduced and annotated by Margaret Homans. • A 1924-28 chronology of To the Lighthouse’s composition, revision, publication and reception. • A rich selection of background materials, thematically organized for ease of reference. Topics include: “Autobiographical Writings,” “Family and Other Contemporary Contexts and Sources,” “Essays by Virginia Woolf,” and “Literary Sources.” • Nine critical assessments of To the Lighthouse, from publication to the present day, by Arthur Sydney McDowell, Louis Kronenberger, Mary Colum, Francis Brown, Erich Auerbach, Adrienne Rich, Rachel Bowlby, Pamela L. Caughie, and Urmila Seshagiri. • A chronology and a selected bibliography

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'Her first full work of the charged Modernism that would come to define her' Paris ReviewJacob Flanders is a young man passing from adolescence to adulthood in a hazy rite of passage. From his boyhood on the windswept shores of Cornwall to his days as a student in Cambridge, his elusive, chameleon-like character is gradually revealed in a stream of loosely related incidents and impressions: whether through his mother's letters, his friend's conversations, or the thoughts of the women who adore him. Then we glimpse him as a young man in 1914, caught under the glare of a London streetlamp as Europe is on the brink of war. This tantalizing novel heralded Woolf's departure from the traditional methods of the novel, with its experimental play between time and reality, memory and desire.Edited with an Introduction and Notes by Sue Roe

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'A strange, tragic, inspired book ... It is absolutely unafraid' E. M. ForsterA party of English people are aboard the Euphrosyne, bound for South America. Among them is a young girl, Rachel Vinrace, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer, but her greatest discovery will be her own self. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind, signalling the beginning of her fascination with capturing the mysteries and complexities of the inner life.Edited with an Introduction and Notes by Jane Wheare

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WITH INTRODUCTIONS BY JEANETTE WINTERSON AND GILLIAN BEERThe Waves is an astonishingly beautiful and poetic novel. It begins with six children playing in a garden by the sea and follows their lives as they grow up and experience friendship, love and grief at the death of their beloved friend Percival. Regarded by many as her greatest work, The Waves is also seen as Virginia Woolf's response to the loss of her brother Thoby, who died when he was twenty-six.The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.

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“Mrs. Dalloway is a novel that thinks with extraordinary precision and virtuosity about what modern novelists mean when they talk about character: how characters are born; how they age and grow; . . . how they reach for one another in moments of terror and joy, and, finding nothing solid to hold onto, shrink back, unfurling the dazzling intricacies of their thoughts like the petals of the flowers Clarissa Dalloway sees at the florist’s shop, each burning in solitude, ‘softly, purely in the misty beds.’ The intimacy we are offered with her characters comes at the expense of the intimacy they cannot offer each other.” —MERVE EMRE, from the Introduction

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'He stretched himself. He rose. He stood upright in complete nakedness before us, and while the trumpets pealed 'Truth! Truth! Truth!' we have no choice left but confess - he was a woman.'A young man in the court of the ageing Queen Elizabeth I, the beautiful Orlando seems to belong everywhere and nowhere. One morning, Orlando awakens transformed - transported into the eighteenth century, and the body of a woman.One of the twentieth century's defining imaginings of queer identity, Orlando is a book of radical possibilities -boy and girl, past and future, nature and magic, life and history, love and literature. One of the most thrilling love letters in all literature, it trespasses thrillingly over the borders of place, time and self.

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"Mrs. Dalloway said she would buy the flowers herself." So begins Virginia Woolf’s beloved fourth novel. First published in 1925, Mrs. Dalloway has long been considered Woolf’s masterpiece. A pivotal work of literary modernism, its simple plot—centred on an upper-class Londoner preparing to give a party—is complicated by Woolf’s satire of the English social system. For decades, Woolf’s rapturous style and vision of individual consciousness have challenged and inspired readers, novelists and scholars alike. In this annotated volume based on the original British edition, acclaimed essayist and Oxford don Merve Emre mines Woolf’s diaries and notes on writing to take us into the making of Mrs. Dalloway, revealing the novel’s artistry and astonishing originality. Alongside her generous commentary, Emre offers hundreds of illustrations and little-seen photographs from Woolf’s life. The result is not only an essential volume for students and Woolf devotees but an incomparable gift to all lovers of literature.

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One of BBC's 100 Novels That Shaped Our World.Virginia Woolf’s wildly imaginative, comic novel was inspired by the life of her lover, Vita Sackville West. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features original illustrations and with an introduction by the academic and novelist, Professor Susan Sellers.Orlando is a young Elizabethan nobleman whose wealth and status afford him an extravagant lifestyle. Appointed ambassador in Constantinople, he wakes one morning to find he is a woman. Unperturbed by such a dramatic transformation, and losing none of his flamboyance and ambition, the newly female Orlando charges through life and English history so that by the end of this extraordinary biography she is a modern, 1920s woman.

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First published in 1922, Jacob’s Room was Virginia Woolf’s third novel and the first in her more experimental mode. Set in the years leading up to the First World War, the work is an elegy, not just for an individual character, but for a generation lost in and affected by the war. This Shakespeare Head Press edition restores the text to its original form, notably recreating the space breaks on the page with which Woolf deliberately fragmented her narrative. The editor provides an extensive introduction, discussing the genesis of the novel, its biographical elements, the process of composition and revision, and the history of its early critical reception. A series of notes helps the reader to identify references and allusions, from sponge-bag trousers and gold beater’s skin to Tonks and Steer, and the Hampstead Garden Suburbs; while an appendix lists variants between the first UK and first US editions of the work.

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Virgina Woolf’s collection of writings on visual arts offer a whole new perspective on the revolutionary author. Despite wide interest in Woolf's writings, her circle, and her relationship with the visual arts, there is no accessible edition or selection of essays dedicated to her writings on art. This newest edition in David Zwirner Books’s ekphrasis series collects such essays including “Walter Sickert: A Conversation” (1934), “Pictures” (1925), and “Pictures and Portraits” (1920). These formally inventive texts examine the connection between the literary writer and the visual artist and are innovative in their treatment of ideas about color and modern art as experienced in picture galleries. In these essays, Woolf looks at the complex and interdependent relationship between the artist and society. She also provides sharp and astute commentary on specific works of art and the relationship between art and writing. An introduction by Claudia Tobin situates the essays within their cultural contexts.

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'The Lighthouse was then a silvery, misty-looking tower with a yellow eye that opened suddenly and softly in the evening'To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. With a psychologically introspective mode, the use of memory, reminiscence and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

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Between the Acts is Virginia Woolf's last novel, and in her own opinion it was `more quintessential' than any of her others. Set in the summer of 1939 on the day of the annual village pageant at Pointz Hall, the book weaves together the musings of several disparate characters and their reactions to the imminence of a war which is to change the pattern of history. Before the book was published in the spring of 1941, Virginia Woolf had taken her own life. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A formally innovative work of modernist fiction, Virginia Woolf's The Waves is edited with an introduction by Kate Flint in Penguin Modern Classics.More than any of Virginia Woolf's other novels, The Waves conveys the full complexity and richness of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age. While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that expresses the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay.If you enjoyed The Waves, you might like Woolf's Mrs Dalloway, also available in Penguin Classics.'A book of great beauty and a prose poem of genius'Stephen Spender'Full of sensuous touches ... the sounds of her words can be velvet on the page'Maggie Gee, Daily Telegraph

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With this sixth volume The Hogarth Press completes a major literary undertaking - the publication of the complete essays of Virginia Woolf. In this, the last decade of her life, Woolf wrote distinguished literary essays on Turgenev, Goldsmith, Congreve, Gibbon and Horace Walpole. In addition, there are a number of more political essays, such as 'Why Art To-Day Follows Politics', 'Women Must Weep' (a cut-down version of Three Guineas and never before reprinted), 'Royalty' (rejected by Picture Post in 1939 as 'an attack on the Royal family, and on the institution of kingship in this country'), 'Thoughts on Peace in an Air Raid', and even 'America, which I Have Never Seen...' ('['Americans are] the most interesting people in the world - they face the future, not the past'). In 'The Leaning Tower' (1940), Virginia Woolf faced the future and looked forward to a more democratic post-war age: 'will there be no more towers and no more classes and shall we stand, without hedges between us, on the common ground?' Woolf stimulates her readers to think for themselves, so she 'never forges manifestos, issues guidelines, or gives instructions that must be followed to the letter' (Maria DiBattista).In providing an authoritative text, introduction and annotations to Virginia Woolf's essays, Stuart N. Clarke has prepared a common ground - for students, common readers and scholars alike - so that all can come to Woolf without specialised knowledge.

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'I feel the need of an escapade after these serious poetic experimental books...I want to kick up my heels & be off.' Orlando tells the tale of an extraordinary individual who lives through centuries of English history, first as a man, then as a woman; of his/her encounters with queens, kings, novelists, playwrights, and poets, and of his/her struggle to find fame and immortality not through actions, but through the written word. At its heart are the life and works of Woolf's friend and lover, Vita Sackville-West, and Knole, the historic home of the Sackvilles. But as well as being a love letter to Vita, Orlando mocks the conventions of biography and history, teases the pretensions of contemporary men of letters, and wryly examines sexual double standards. This new edition discusses Woolf's stylistic aims, the biographical parallels, and the work's literary context, and includes the original illustrations. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The collected BBC radio adaptations of Virginia Woolf’s pioneering modernist novelsThe Voyage OutA sea voyage to South America turns into a journey of self-discovery for naïve Rachel Vinrace.Night and DayIn pre-First World War London, aristocrat Katharine Hilbery and suffragette Mary Datchet have their assumptions about love challenged.Mrs DallowayVirginia Woolf’s masterpiece charts one day in the life of Clarissa Dalloway, as she prepares to host an important party.To the LighthouseCentring around a summer home on Skye, Virginia Woolf’s landmark tale follows the Ramsay family and their guests before and after World War I.OrlandoThe adventures of time-travelling, gender-swapping poet Orlando, who is born male in Elizabethan England and dies female over 300 years later.The WavesIn this radical ‘play-poem’, six characters look back on their childhood and first forays into adulthood, and reflect on the loss of their friend Percival.Between the ActsAn eccentric artist devises a pageant celebrating English history – but it is 1939, and the shadow of war hangs over England’s present.Among the stars of these seven poignant, penetrating dramatisations are Bertie Carvel, Kristin Scott-Thomas, Dervla Kirwan, John Lynch, Geraldine James, Anna Massey and Don Warrington.

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'One of the greatest elegies in the English language, a book which transcends time' Margaret DrabbleTo the Lighthouse is at once a vivid impressionistic depiction of a family, the Ramseys, whose annual summer holiday in Scotland falls under the shadow of war, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of all that had gone before.Edited by Stella McNichol with an Introduction and Notes by Hermione Lee

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A unique anthology of short stories and poetry by feminist contemporaries of Virginia Woolf, who were writing about work, discrimination, war, relationships and love in the early part of the 20th Century. Includes works by English and American writers Zelda Fitzgerald, Charlotte Perkins Gillman, Radclyffe Hall, Katherine Mansfield, Alice Dunbar Nelson, Edith Wharton, and Virginia Woolf, alongside their recently rediscovered 'sisters' from around the world. This book offers a diverse and international array of over 20 literary gems from women writers living in Bulgaria, Chile, China, Egypt, France, Italy, Palestine, Romania, Russia, Spain and Ukraine.

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'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary SupplementFirst masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness.Edited by Brenda Lyons with an Introduction and Notes by Sandra M. Gilbert

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Discover Virginia Woolf's landmark essay on women’s struggle for independence and creative opportunity A Room of One's Own is one of Virginia Woolf's most influential works and widely recognized for its extraordinary contribution to the women's movement. Based on a lecture given at Girton College, Cambridge, it is one of the great feminist polemics, ranging in its themes from Jane Austen and Charlotte Brontë to the silent fate of Shakespeare's gifted (imaginary) sister, and the effects of poverty and sexual constraint on female creativity. The work was ranked by The Guardian newspaper as number 45 in the 100 World's Best Non-fiction Books. Part of the bestselling Capstone series, this collectible, hard-back edition of A Room of One’s Own includes an insightful introduction by Jessica Gildersleeve that explains the book's place in modernist literature and why it still resonates with contemporary readers. Born in 1882, Virginia Woolf was one of the most forward-thinking English writers of her time. Author of the classic novels Mrs Dalloway (1925) and To the Lighthouse (1927), she was also a prolific writer of essays, diaries, letters and biographies, and a member of the celebrated Bloomsbury Set of intellectuals and artists. Discover why A Room of One's Own is considered among the greatest and most influential works of female empowerment and creativity Learn why Woolf's classic has stood the test of time. Make this attractive, high-quality hardcover edition a permanent addition to your library Enjoy an insightful introduction by Jessica Gildersleeve, who connects the themes of the text to the concerns of today's audience Capstone Classics brings A Room of One's Own to a new generation of readers who can discover how Woolf's book broke new artistic ground and advanced the position of women writers and creatives around the world.

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Introduction and Notes by Deborah Parsons, University of Birmingham. 'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.

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'One of the great writers of the twentieth century' GuardianIt is June in 1939, and the inhabitants of a country house prepare to host the annual village pageant in its grounds. It will tell the stories of English history, as it does every year. Yet the coming of war broods over the whole community, changing the meaning of past and present, and heralding a new act. Through her characters' passionate musings and private dramas, and through the enigmatic figure of the pageant's author, Miss La Trobe, Virginia Woolf's playful final novel both celebrates and mocks Englishness, and re-creates the elusive role of the artist.Edited by Stella McNichol with an Introduction and Notes by Gillian Beer

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As the Pargiters, a middle-class English family, move from the oppressive confines of the Victorian home of the 1880s to the `present day' of the 1930s, they are weighed down by the pressures of war, the social strictures of patriarchy, capitalism and Empire, and the rise of Fascism. Engaging with a painful struggle between utopian hopefulness and crippled with despair, the novel is a savage indictment of Virginia Woolf's society, but its bitter sadness is relieved by the longing for some better way of life, where `freedom and justice' might really be possible. This is Virginia Woolf's longest novel, and the one she found the most difficult to write. The most popular of all her writings during her lifetime, it can now be re-read as the most challengingly political, even revolutionary, of all her books. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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