Search results for ""Author Paul"

What motivated the apostle Paul from his Damascus road experience through to the end of his life? That is the question driving this powerfully argued work by leading New Testament scholar Paul Barnett. Dr Barnett proposes that an understanding of Paul's years in Syria-Cilicia is critical for understanding his visit to Jerusalem, the mission to Galatia, the counter-mission of the 'agitators', the dispute with Cephas in Antioch and the implied dispute with James. Read this work and see Galatians in a different light. COMMENDATIONS "If you are remotely interested in New Testament Studies, especially the writings of Paul, this is an outstanding book to read. Paul Barnett does an excellent job in casting light on the lengthy period of time the Apostle spent in Syria and Cicilia. While in Syria, Paul formed his theology, which Barnett brings out extremely informatively. Barnett reflects on how Paul would have influenced the writings of Peter and James. This book is stimulating, informative and an invaluable resource. For anyone who takes the New Testament writings of Paul seriously, this book brings it all together and is a must-read." - Peter Christofides, Dean of Students, Lecturer in New Testament, Vose Seminary, Perth, Western Australia

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Artur Paul Duniecki praktizierte bei Karl Schwanzer und Wilhelm Holzbauer, bevor er 1975 sein Büro in Wien gründete. Nach einer Lehrtätigkeit an der Universität für angewandte Kunst Wien 1977–1980 zu theoretischen Grundlagen des Entwurfs widmete er sich eigenen Entwürfen. Seine Projekte umfassten Messedesigns, Ladenbau und Bankfilialen, aber auch Teamplanungen wie U-Bahn-Stationen. Es folgten städtebauliche Entwürfe, Industrie- und Wohnbauten. Sein gestalterischer Ansatz gründet in der Tradition Oswald Haerdtls und Karl Schwanzers und entwickelt im Laufe der Zeit eine markante Gestik. Neben der Biografie bietet das Buch eine detaillierte Darstellung der wichtigsten Projekte Dunieckis und ein Essay von Otto Kapfinger über die Architekturproduktion im Wien des späten 20. Jahrhunderts, das Leben und Werk des Architekten kontextualisiert.

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Abed Azzam offers a fresh interpretation of Nietzsche's engagement with the work of Paul the Apostle, reorienting the relationship between the two thinkers while embedding modern philosophy within early Christian theology. Paying careful attention to Nietzsche's dialectics, Azzam situates the philosopher's thought within the history of Christianity, specifically the Pauline dialectics of law and faith, and reveals how atheism is constructed in relation to Christianity. Countering Heidegger's characterization of Nietzsche as an anti-Platonist, Azzam brings the philosopher closer to Paul through a radical rereading of his entire corpus against Christianity. This approach builds a compelling new history of the West resting on a logic of sublimation, from ancient Greece and early Judaism to the death of God. Azzam discovers in Nietzsche's philosophy a solid, tangible Pauline structure and virtual, fragile Greek content, positioning the thinker as a forerunner of the recent "return to Paul" led by Badiou, Agamben, Zizek, and Breton. By changing the focus of modern philosophical inquiry from "Nietzsche and philosophy" to "Nietzsche and Christianity," Azzam initiates a major challenge to the primacy of Plato in the history of Western philosophy and narrow certainties regarding Nietzsche's relationship to Christian thought.

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Paul Schrader’s unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays – one of the first collections to assess Schrader’s contributions to directing, screenwriting and criticism – includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader’s more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).

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Klee's art appeals to our primary instincts and makes us look beyond the ordinary. A natural draughtsman, master of colour and hugely influential artist, Klee eludes classification, having been variously linked with Expressionism, Cubism, Futurism, Surrealism and Abstraction. Part of a new series of beautiful gift art books, Paul Klee Masterpieces of Art brims with the subtle warmth and humour of a unique artist. With a fresh and thoughtful introduction to Klee's life and art, the book goes on to showcase his key works in all their glory.

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Mehrdad Fatehi studies Paul's letters and shows that the risen Lord is featured in the religious experiences of Paul and the Pauline believers as the present and active lord of the new covenant community. These experiences seem to point beyond the notion of a divine agent alongside God to a redefinition of the very concept of God in a way that it would include Christ within itself. This is confirmed by the way Paul and the Pauline communities believed themselves to have experienced the risen Lord through God's Spirit.In Judaism in general, as well as in Paul, the Spirit was not regarded as an entity distinct or separable from God but as God himself in his presence and action in and among his people. Yet we have clear evidence in Paul's letters that the risen Christ was experienced and conceived of as being present and active through the Spirit bestowing grace and gracious gifts, infusing wisdom, communicating his will, regenerating and transforming his people, and dwelling in and among them all through the Spirit in a way which is best understood after the analogy of God's presence and work through the Spirit in Judaism. In other words, Paul's 'the Spirit of Christ' is best understood after the analogy of 'the Spirit of God'.Paul's application of the Spirit-language to describe and interpret the Christians' experiences of the risen Lord shows that Paul most probably presupposed a redefinition of monotheism in which Christ would be included within the Godhead.

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Ronald J. Cooke’s second novel, The Mayor of CÔte St. Paul, is the tale of a struggling writer living in Depression-era Montreal. Winnipegger Dave Manley, arrived in the city thinking that its rich atmosphere will inspire his fiction, but was met by a stream rejection slips. His luck turns, for good and bad, when he meets Cherie, a looker from Lunenberg who does dirty work for a crime boss known as The Mayor. It isn’t long before Dave is running booze between Montreal and Windsor, learning all there is to know about the slot machine and liquor rackets. Dave wants out, Cherie wants out—but there is no easy escape from The Mayor, a man who lives in luxury—through vice and murder—surrounded by the squalor of CÔte St. Paul. Published in 1950, The Mayor of CÔte St. Paul enjoyed the month of June on newsstands, never to be seen again. This edition is the first in 64 years.

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Stanislas Breton's A Radical Philosophy of Saint Paul, which focuses on the political implications of the apostle's writings, was an instrumental text in Continental philosophy's contemporary "turn to religion." Reading Paul's work against modern thought and history, Breton helped launch a reassessment of Marxism, introduce secular interpretations of biblical and theological traditions, develop "radical negativity" as a critical category, and rework modern political ideas through a theoretical lens. Newly translated and critically situated, this edition takes a fresh approach to Breton's classic work, reacquainting readers with the remarkable ways in which an ancient apostle can reset our understanding of the political. Breton begins with Paul's biography and the texts of his conversion, which challenge common conceptions of identity. He broaches the question of allegory and divine predestination, introduces the idea of subjectivity as an effect of power, and confronts Paul's critique of Law, which leads to an exploration of the logics and limits of agency and power. Breton develops these and other insights in relation to Paul's subversive reflections on the crucified messiah, which challenge meaning and reason and upend our current world order. Neither a coherent theologian nor a stable humanist, Breton's Paul becomes a fascinating figure of excess and madness, experiencing a kind of being that transcends philosophy, secularity, and religion.

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The great singer, Paul Robeson was born in Princeton, New Jersey, USA on 9 April 1898. His father, William was a Presbyterian minister and a former slave; his mother, Maria was also descended from slaves. For Robeson as an African-American, the 'American Dream' was a nightmare. At Rutgers College he was subjected to deliberate violence on the football field; his concerts were disrupted by the Ku Klux Klan; he was hounded by the government on account of his communist sympathies. And yet, it is difficult to think of any human being in the whole of history who was more multi-talented. At Rutgers he was admitted to the very highest academic societies: he subsequently played football in the newly-created NFL; he became acquainted with more than 40 languages, and played the piano. He played 'Othello' at the Royal Shakespeare Theatre at Stratford-upon-Avon, and 'Joe' in the film, Show Boat. Yet it was his voice, arguably the finest bass baritone ever to be possessed by a human being, and the message contained in his songs and speeches that echoed right around the world. Here was a message of hope for the poor and underprivileged everywhere, of whatever colour or creed. They too could bring down the 'Walls of Jericho'; gain access to the 'Promised Land'; and finally, be carried to Heaven on a 'Sweet Chariot'! As an author, the challenge for me was to see if I could make contact with any of Paul's descendants and any descendants of his slave owner, who might have unique information about the Robeson family, and to find out where exactly his father, William and mother, Maria had been enslaved. The search was a fruitful one; beyond my wildest dreams, as the reader will discover!

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Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of "performative authorship" by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of "performative authorship".

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Text in English & German. The central Mosque of the Turkish-Islamic Union in Köln-Ehrenfeld has given us one of the most vigorously discussed German building projects of the past 10 years. With this spectacular domed structure, Paul Böhm, the youngest son of Pritzker Prize-winner Gottfried Böhm and grandchild of Dominikus Böhm, has successfully introduced the Osman mosque typus into the modern age. The dome and minaret provide the Turkish / Islamic community with visual identification points. At the same time, this shell-construction structure is broken up into individual segments in a manner that opens it up to both the neighbourhood and the world. Containing conference halls, rooms for community use, a bazaar, a library and a museum, the complex is intended to convey to the surrounding area a message of retained ties to the historical country of origin coupled with acceptance and integration into the new homeland, and a willingness to engage in dialogue. Up to now the mosque represents the high point of the architectural career of Paul Böhm, who was born in 1959 and who is teaching at the Fachhochschule Köln. His work encompasses a multitude of exciting projects and realised buildings, including cultural buildings, university buildings, administration buildings and residential buildings. It is, perhaps, unsurprising that an architect who comes from a family of church builders should have added an impressive religious structure to uvre. St. Theodor in Köln-Vingst is a central-plan building that possesses a coherent atmosphere suited to contemplation whilst, at the same time, opening itself to a part of the city that suffers from social problems. Figures who have played a significant role in Paul Böhm's professional development include Tadao Ando, the master of velvet-smooth concrete, Oswald Mathias Ungers, the great lover of geometry, and Peter Zumthor, the essentialist of his generation. Like these three figures, the architects who Böhm worked with prior to founding his own firm in 2001, all espoused very different philosophies of architecture: Otto Steidle, Anton Schweighofer, Richard Meier . Paul Böhm does, of course, also owe a debt to the traditions of the family of architects that he comes from -- a tradition that he continues in his own individual way.

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There is nothing quite like the smell of a scrumptious meat and potato pie cooking in the oven. There perhaps isn’t anything better than the first taste of a caramel and coffee éclair. From Britain’s favourite expert baker comes a mouth-watering new book about two of our nation’s obsessions: pies and puddings. Paul Hollywood puts his signature twist on the traditional classics, with easy-to-follow, foolproof and tantalising recipes for steak and ale pie, pork, apple and cider pie, lamb kidney and rosemary suet pudding, sausage plait and luxury fish pie. He will show you how to create inventive dishes such as chicken and chorizo empanadas, chilli beef cornbread pies and savoury choux buns. If that isn’t enough, here you will find his recipe for the Queen of puddings, as well as spiced plum pizza, chocolate volcanoes and apple and Wensleydale pie. There are also regional recipes like Yorkshire curd tart and the Bedfordshire clanger, and a step-by-step guide to all the classic doughs from rich shortcrust to choux pastry. Paul Hollywood’s Pies and Puds is simply a must-have. Whether you’re a sweet or a savoury person, a keen novice or an expert baker: it’s time to get baking pies and puds.

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Comedian, teatime talk show host and all-round entertainer, multi-award winning Paul O'Grady is one of the most popular figures on British television.But his real-life journey has been more dramatic than any of his on-stage stories.Born into a noisy Irish Catholic household in Birkenhead, Paul was always determined to live a colourful life. He was a boxing champion as a boy. He became a dad as a teenager. He has been a barman in a brothel and spent his first years in London working as a carer to some of the capital's most at-risk kids.In this, the first major biography of the star, Neil Simpson reveals the extraordinary highs and the terrible lows of Paul's life. He explains: how Lily Savage was born as a way to make more money - and help Paul take his mind off the horrors he saw every day as a social worker; how tough it was for the 'blonde bombsite from Birkenhead' to break into the entertainment mainstream; and, why Paul decided to risk everything by throwing off Lily's wig and carving out a new career as himself.The depression, the private grief and the near fatal heart attacks that struck as Paul re-invented himself as the funniest and most successful chat show host in the country. Frequently hilarious and sometimes heart-wrenchingly sad, Paul O'Grady has always lived his life on a rollercoaster of emotions. Today he is a proud grandfather, a multimillionaire and a man loved by millions of devoted fans. This is his incredible story.

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This volume contains seventeen essays written by Eckhard J. Schnabel, written over the past 25 years. The essays focus on the realities of the work of Jesus, Paul, John, and the early church, exploring aspects of the history, missionary expansion, and theology of the early church including lexical, ethical, and ecclesiological questions. Specific subjects discussed include Jesus' silence at his trial, the introduction of foreign deities to Athens, the understanding of Rom 12:1, Paul's ethics, the meaning of baptizein, the realities of persecution, Christian identity and mission in Revelation, and singing and instrumental music in the early church.

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First book in English translation since 2005 for celebrated Russian poet Translator, Wachtel, is one of the most well-known and respected Russian translators and academics working today Over the past few years Polonskaya has taken part in a number of writers' residency programs in the U.S., which means that we will not be starting from square one with name recognition, and we will be able to use those previous contacts to advertise this title

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Although Paul Delvaux (born 1897) is an artist of international standing, his work is relatively little known in the Anglo-Saxon world. This book, the first on the artist written in English, places Delvaux's work in the tradition of European figurative painting, as well as in the more immediate context of twentieth-century Surrealism, exploring the relationship between them as they came together in the artist's works from the 1930s. David Scott identifies Delvaux's most characteristic contribution to twentieth-century art as that of problematizing academic history painting by surrealizing it. He concentrates on recurrent themes in Delvaux's art, notably his continuing, indeed unremitting, focus on the nude, and on the question of the 'legibility' of the works, given the contradictory pictorial codes - academic and Surrealist - that Delvaux adopts in them.

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Paul has been regarded as being uncritical of the Roman Empire for a long time, not least because of his apparent call to obey the state in Rom 13:1-7. However, recent scholarship has questioned this assumption by pointing to "hidden criticism" in the letters of the apostle. But how can we decide, in a methodologically sound way, whether such a counter-imperial message lies beneath the surface of the text? On the basis of insights from the philosophy of science, Christoph Heilig suggests several analytical steps for examining this paradigm. He concludes that the hypothesis that we can identify critical "echoes" of the Roman Empire in Paul's letters needs to be modified for it to be maintained. In particular, concern over the danger of overt criticism and subsequent persecution do not sufficiently justify this interpretative hypothesis. Nevertheless, Heilig concludes that the search for a counter-imperial subtext in Paul could turn out to be heuristically fruitful so long as the limitations of the approach are heeded. Hence, a re-evaluation of Pauline passages in light of Paul's engagement with ideas from his Roman environment is encouraged.

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The Times Book of the Year 'There’s no tougher a mind, no more tender a voice than Paul Simon, and there’s no better man than Robert Hilburn to decipher the hardwiring of this hyperintellect...great songs can never be fully explained, but the great man on his way to find those songs surely can.' — Bono Through such hits as “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland,” Paul Simon has spoken to us in songs for a half-century about alienation, doubt, survival, and faith in ways that have established him as one of the most honoured and beloved songwriters in American pop music history. Yet Simon has refused to talk to potential biographers and urged those close to him to also remain silent. But Simon not only agreed to talk to biographer Robert Hilburn for what has amounted to more than sixty hours, he also encouraged his family and friends to sit down for in-depth interviews. Paul Simon is a revealing account of the challenges and sacrifices of artistry at the highest level. He has also lived a roller-coaster life of extreme ups and downs. We not only learn Paul’s unrelenting drive to achieve artistry, but also the subsequent struggles to protect that artistry against distractions – fame, wealth, marriage, divorce, drugs, complacency, public rejection, self-doubt – that have frequently derailed pop stars and each of which he encountered. From dominating the charts with Art Garfunkel and a successful reinvention as a solo artist, to his multiple marriages and highly publicized second divorce from Carrie Fisher, this book covers all aspects of this American icon.'When it comes to writing songs, no one does it better than Paul Simon. Robert Hilburn’s is a wise and winning account of our most nimble, nuanced, and numinous poet-musician.' —Paul Muldoon'A tantalizing look into the mind and writing process of the man who is arguably the finest craftsman of the American popular song since the Gershwin brothers, this book will delight any Paul Simon fan or student of popular culture.' —Linda Ronstadt

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As an interpreter in the German Foreign Ministry, Paul-Otto Schmidt (1899–1970) was in attendance at some of the most decisive moments of twentieth-century history. Fluent in both English and French, he served as Hitler’s translator during negotiations with Chamberlain, the British declaration of war and the surrender of France, as well as translating the Führer’s infamous speeches for radio. Having gained favour with the Nazi Party – donning first the uniform of the SS then that of the Luftwaffe – Paul Schmidt was given ‘absolute authority’ in everything to do with foreign languages. He later presided over the interrogation of Canadian soldiers captured after the 1942 Dieppe Raid. Arrested in May 1945, Schmidt was freed by the Americans in 1948. In 1946 he testified at the Nuremberg Trials, where conversations with him were noted down by the psychiatrist Leon Goldensohn and later published. After the war he taught at the Sprachen und Dolmetscher Institut in Munich. Hitler’s Interpreter presents a highly atmospheric account of the bizarre life led behind the scenes at the highest level of the Third Reich. Roger Moorhouse is a historian of the Third Reich. He is the author of the acclaimed Berlin at War, Killing Hitler and The Devil’s Pact. He has contributed to He Was My Chief, I Was Hitler’s Chauffeur, With Hitler to the End and Hitler’s Last Witness.

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We have seen a few great odd couples in picture books already, but filled with possibility as the world is, there's always room for one more pair, especially if they are as charming and unforgettable as these pigs, born from the brushes and prolific imagination of Kerascoet. Kerascoet lives and works in Paris in the worlds of cartooning and illustration. Best known for illustrating the book Miss Don't Touch Me written by Hubert, as well as a couple of the Lewis Trondheim Dungeon books, their most recent book Beautiful Darkness broke out on the US scene in 2014, winning them wide recognition and high praise. It was a Publishers Weekly best book of the year.

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