Search results for ""Author Ming"

This is the first anthology of Yuan-dynasty zaju (miscellaneous comedies) to introduce the genre to English-speaking readers exclusively through translations of the plays' fourteenth-century editions. Almost all previous translations of Yuan-dynasty zaju are based on late-Ming regularized editions that were heavily adapted for performance at the Ming imperial court and then extensively revised in the seventeenth century for the reading pleasure of Jiangnan literati. These early editions are based on leading actor scripts and contain arias, prose dialogue, and cue lines. They encompass a fascinating range of subject matter, from high political intrigue to commoner life and religious conversion. Crackling with raw emotion, violent imagery, and colorful language and wit, the zaju in this volume explore the consequences of loyalty and betrayal, ambition and enlightenment, and piety and drunkenness. The collection features seven of the twenty-six available untranslated zaju published in the fourteenth century, with a substantial introduction preceding each play and extensive annotations throughout. The editors also include translations of the Ming versions of four of the included plays and an essay that synthesizes recent Chinese and Japanese scholarship on the subject.

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'A map for how feminism can move forward inclusively' (GRAZIA), featuring essays by writers including Brit Bennett, bestselling author of The Vanishing Half, and Afua Hirsch, bestselling author of Brit(ish)Black Lives Matter * Trans Rights * Sex Workers' Rights * Body Positivity * Disability Rights * Immigration * British Muslims * Intersectionality * Latinx Identity * ColourismHow can we make feminism more inclusive? In Can We All Be Feminists? seventeen writers from diverse backgrounds wrestle with this question, exploring what feminism means to them in the context of their other identities. Edited by the inspiring activist and writer June Eric-Udorie, this impassioned, thought-provoking collection offers a vision for a new feminism that is truly for all.Including essays by: Soofiya Andry, Gabrielle Bellot, Caitlin Cruz, Nicole Dennis-Benn, Brit Bennett, Evette Dionne, Aisha Gani, Afua Hirsch, Juliet Jacques, Wei Ming Kam, Mariya Karimjee, Eishar Kaur, Emer O'Toole, Frances Ryan, Zoé Samudzi, Charlotte Shane and Selina Thompson.'As timely as it is well-written, this clear-eyed collection is just what I need right now' Jacqueline Woodson, author of Red at the Bone'Not just a key read but a mandatory one' STYLIST'The intersectional feminist anthology we all need to read' BUSTLEShortlisted for the 2019 Bread and Roses Award for Radical Publishing

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Cultural Realism is an in-depth study of premodern Chinese strategic thought that has important implications for contemporary international relations theory. In applying a Western theoretical debate to China, Iain Johnston advances rigorous procedures for testing for the existence and influence of "strategic culture." Johnston sets out to answer two empirical questions. Is there a substantively consistent and temporally persistent Chinese strategic culture? If so, to what extent has it influenced China's approaches to security? The focus of his study is the Ming dynasty's grand strategy against the Mongols (1368-1644). First Johnston examines ancient military texts as sources of Chinese strategic culture, using cognitive mapping, symbolic analysis and congruence tests to determine whether there is a consistent grand strategic preference ranking across texts that constitutes a single strategic culture. Then he applies similar techniques to determine the effect of the strategic culture on the strategic preferences of the Ming decision makers. Finally, he assesses the effect of these preferences on Ming policies towards the Mongol "threat." The findings of this book challenge dominant interpretations of traditional Chinese strategic thought. They suggest also that the roots of realpolitik are ideational and not predominantly structural. The results lead to the surprising conclusion that there may be, in fact, fewer cross-national differences in strategic culture than proponents of the "strategic culture" approach think.

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Adapted into the Channel 4 documentary 'Sex: My British Job' by Nick Broomfield. Ming and Beata share neither the same language nor cultural background, yet their stories are remarkably similar. Both are single mothers in their thirties and both came to Britain in search of a new life: Ming from China and Beata from Poland. Neither imagined that their journey would end in a British brothel. In this chilling expose, investigative journalist Hsiao-Hung Pai works undercover as a housekeeper in a brothel and unveils the terrible reality of the British sex trade. Workers are trapped and controlled - the lack of freedoms this invisible strait of society suffers is both shocking and scandalous and at odds with the idea of a modern Britain in the twenty-first century.

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Between 1751 and 1784, the Qianlong emperor embarked upon six southern tours, traveling from Beijing to Jiangnan and back. These tours were exercises in political theater that took the Manchu emperor through one of the Qing empire's most prosperous regions.This study elucidates the tensions and the constant negotiations characterizing the relationship between the imperial center and Jiangnan, which straddled the two key provinces of Jiangsu and Zhejiang. Politically, economically, and culturally, Jiangnan was the undisputed center of the Han Chinese world; it also remained a bastion of Ming loyalism and anti-Manchu sentiment. How did the Qing court constitute its authority and legitimate its domination over this pivotal region? What were the precise terms and historical dynamics of Qing rule over China proper during the long eighteenth century?In the course of addressing such questions, this study also explores the political culture within and through which High Qing rule was constituted and contested by a range of actors, all of whom operated within socially and historically structured contexts. The author argues that the southern tours occupied a central place in the historical formation of Qing rule during a period of momentous change affecting all strata of the eighteenth-century polity.

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This pathbreaking work argues that the major intellectual trend in China from the seventeenth through the early nineteenth century was Confucian ritualism, as expressed in ethics, classical learning, and discourse on lineage. Reviews "Chow has produced a work of superb scholarship, fluently written and beautifully researched. . . . One of the landmarks of the current reconstruction of the social philosophy of the Qing dynasty. . . . Chow's book is indispensable. It has illuminating analyses of many mainstream writers, institutions, and social categories in eighteenth-century China which have never previously been examined." —Canadian Journal of History "Chow's monograph moves ritual to center stage in late imperial social and intellectual history, and the author makes a powerful case for doing so. . . . Because the author understands the intellectual history of late Ming and Qing as the history of a movement, or successive movements, of fundamental social reform, he has also made an important contribution to social and political history as these were related to intellectual history." —Journal of Chinese Religion "Chow's book is an excellent contribution to recent scholarship on the intellectual history of the Confucian tradition and provides a balance for other studies that have emphasized ideas to the exclusion of symbols." —The Historian

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A group of zoo animals and a brave messenger pigeon must fight for survival during the London Blitz in this exhilarating third installment of Survival Tails, perfect for fans of the Ranger in Time and I Survived series!World War II is raging across Europe and the German army has their sights set on England. Messenger pigeon Francis carries important notes back and forth between England and her allies, and wants nothing more than to do his part for the war effort. But when Francis is injured on an assignment to deliver the most important message of the war--one which warns of a coming attack on Britain itself--he finds himself stranded in the middle of the London Zoo with no way to complete his mission.Ming, the world-famous panda, has so far managed to avoid being caught up in the war. But that's getting harder and harder to do as the zoo suffers under dwindling food rations and German air raids threaten the city every night. When Francis lands in Ming's enclosure, she knows she can no longer stand by and do nothing. Enlisting the help of a kind zookeeper and a resourceful troop of monkeys, Ming fights to help Francis recover his strength so that he can carry out his mission and deliver his message.But when the war finally arrives in London, threatening everyone in the zoo, Francis, Ming, and the other animals must work together to save themselves...and maybe even London itself.With engaging nonfiction back matter that delves deep into the true story behind the action-packed animal adventure novel, Survival Tails: World War II is sure to keep readers on the edge of their seats.

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A masterpiece in the study of Wang Yangming's (1472-1529) philosophy, this book adopts a holistic approach, integrating philosophical history, comparative philosophy, cultural research and historical documents. The book provides a comprehensive and in-depth analysis of Wang's philosophy at different stages throughout its maturation so as to sketch the essential character and grand picture of Wang's philosophy. As a systematic study of Wang's philosophy, this monograph boasts a broad perspective, profound discourse and substantial historical data. It is a perfect manifestation of the author's academic accomplishment and presents the readers with a panorama of Wang's studies. Although the book is focused primarily on Wang, its scope and methodology carry great implications for the study of Song and Ming Confucianism and even ancient Chinese philosophy as a whole.

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Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality.Volpp examines a series of objects—a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting—drawn from the canonical works frequently mined for information about late imperial material culture, including the novels The Plum in the Golden Vase and The Story of the Stone as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.

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Inspired by personal observations of the climate crisis, as well as health issues from patients involving ministerial fire, this text dives into the concepts of ming men and ministerial fire - core concepts of Chinese medical diagnosis and treatment. This book will assist practitioners in understanding the mechanisms of treating patients with autoimmune diseases, allergies, skin disorders and arthritic disorders.With material from the classic texts, Z'ev Rosenberg explains the concepts ming men and ministerial fire and its relation to the clinical treatment of chronic disorders and its ecological and philosophical implications for life on this planet.Including case histories, acupuncture strategies and herbal formulas, Afterglow is for practitioners that want to deepen their Chinese medicine knowledge in order to treat these complex yet common disorders.

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Early in the seventeenth century, Northeast Asian politics hung in a delicate balance among the Chosŏn dynasty in Korea, the Ming in China, and the Manchu. When a Chosŏn faction realigned Korea with the Ming, the Manchu attacked in 1627 and again a decade later, shattering the Chosŏn-Ming alliance and forcing Korea to support the newly founded Qing dynasty.The Korean scholar-official Na Man’gap (1592–1642) recorded the second Manchu invasion in his Diary of 1636, the only first-person account chronicling the dramatic Korean resistance to the attack. Partly composed as a narrative of quotidian events during the siege of Namhan Mountain Fortress, where Na sought refuge with the king and other officials, the diary recounts Korean opposition to Manchu and Mongol forces and the eventual surrender. Na describes military campaigns along the northern and western regions of the country, the capture of the royal family, and the Manchu treatment of prisoners, offering insights into debates about Confucian loyalty and the conduct of women that took place in the war’s aftermath. His work sheds light on such issues as Confucian statecraft, military decision making, and ethnic interpretations of identity in the seventeenth century. Translated from literary Chinese into English for the first time, the diary illuminates a traumatic moment for early modern Korean politics and society. George Kallander’s critical introduction and extensive annotations place The Diary of 1636 in its historical, political, and military context, highlighting the importance of this text for students and scholars of Chinese and East Asian as well as Korean history.

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First-hand accounts of travel provide windows into places unknown to the reader, or new ways of seeing familiar places. In Jade Mountains and Cinnabar Pools, the first book-length treatment in English of Chinese travel literature (youji), James M. Hargett identifies and examines core works in the genre, from the Six Dynasties period (220–581), when its essential characteristics emerged, to its florescence in the late Ming dynasty (1368–1644). He traces the dynamic process through which the genre, most of which was written by scholars and officials, developed, and shows that key features include a journey toward an identifiable place; essay or diary format; description of places, phenomena, and conditions, accompanied by authorial observations, comments, and even personal feelings; inclusion of sensory details; and narration of movement through space and time. Travel literature’s inclusion of a variety of writing styles and purposes has made it hard to delineate. Hargett finds, however, that classic pieces of Chinese travel literature reveal much about the author, his values, and his view of the world, which in turn tells us about the author’s society, making travel literature a rich source of historical information.

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First-hand accounts of travel provide windows into places unknown to the reader, or new ways of seeing familiar places. In Jade Mountains and Cinnabar Pools, the first book-length treatment in English of Chinese travel literature (youji), James M. Hargett identifies and examines core works in the genre, from the Six Dynasties period (220–581), when its essential characteristics emerged, to its florescence in the late Ming dynasty (1368–1644). He traces the dynamic process through which the genre, most of which was written by scholars and officials, developed, and shows that key features include a journey toward an identifiable place; essay or diary format; description of places, phenomena, and conditions, accompanied by authorial observations, comments, and even personal feelings; inclusion of sensory details; and narration of movement through space and time. Travel literature’s inclusion of a variety of writing styles and purposes has made it hard to delineate. Hargett finds, however, that classic pieces of Chinese travel literature reveal much about the author, his values, and his view of the world, which in turn tells us about the author’s society, making travel literature a rich source of historical information.

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Encuadernación: CartonéEs la mejor novela china sobre la sociedad Ming. Una joya literaria de alto contenido erótico que fue incluida en el índice imperial de libros prohibidos.

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In the Ming and Qing periods, the Chinese read fiction in editions with extensive commentary printed on the same page as the fiction itself. This commentary was concerned less with helping the reader understand the “letter” of the text than with drawing the reader’s attention to its more notable aspects through emphatic punctuation (similar to our underlining, italics, or highlighting) and evaluative comments. Authors developed four different approaches to the challenges this type of commentary presented: they wrote their own commentary, they modeled aspects of their narrators on fiction commentators, they left space in their texts for readers to compose their own commentaries, or they combined these approaches. This book is the first concerted effort to see how the existence of the commentary tradition affected the development of Chinese fiction. It aims to answer several questions, including: How prevalent were commentary editions of fiction? How important was the commentary in them? Were the comments actually read? What effect did they have on readers and future writers?

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A gripping manga based on Ubisoft’s Assassin’s Creed Chronicles: China video game, featuring iconic Assassin Shao Jun. Unveil a tale that will engulf the world.Shao Jun, the last Assassin in China, has returned to her homeland with vengeance on her mind. The Templar Order’s machinations must be stopped, and only Shao Jun stands ready for the battle to come. As she eliminates her foes one by one, the Templar Order’s plans for the Great Ming Empire begin to come to light…Shao Jun, the last Assassin in China, has returned to her homeland with vengeance on her mind. The Templar Order’s machinations must be stopped, and only Shao Jun stands ready for the battle to come. As she eliminates her foes one by one, the Templar Order’s plans for the Great Ming Empire begin to come to light…

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Late imperial Chinese Buddhism was long dismissed as having declined from the glories of Buddhism during the Sui and Tang dynasties (581–907). In recent scholarship, a more nuanced picture of late Ming-era Buddhist renewal has emerged. Yet this alternate conception of the history of Buddhism in China has tended to focus on either doctrinal contributions of individual masters or the roles of local elites in Jiangnan, leaving unsolved broader questions regarding the dynamics and mechanism behind the evolution of Buddhism into the renewal.Thriving in Crisis is a systematic study of the late Ming Buddhist renewal with a focus on the religious and political factors that enabled it to happen. Dewei Zhang explores the history of the boom in enthusiasm for Buddhism in the Jiajing-Wanli era (1522–1620), tracing a pattern of advances and retrenchment at different social levels in varied regions. He reveals that the Buddhist renewal was a dynamic movement that engaged a wide swath of elites, from emperors and empress dowagers to eunuchs and scholar-officials. Drawing on a range of evidence and approaches, Zhang contends that the late Ming renewal was a politically driven exception to a longer-term current of disfavor toward Buddhism and that it failed to establish Buddhism on a foundation solid enough for its future development. A groundbreaking interdisciplinary study, Thriving in Crisis provides a new theoretical framework for understanding the patterns of Buddhist history in China.

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As the audacious Monkey King battles his way through a landscape of inexplicable places and unfamiliar passions, Further Adventures on the Journey to the West offers a wry, revisionist critique of the late-Ming fascination with desire. Building on the great sixteenth-century novel Journey to the West, which recounts the escapades of a monk and three companions traveling to India in search of Buddhist scriptures to carry back to China, this sequel is a parable of self-delusion that explores the tension between desire and emptiness from a Buddhist perspective. The consummate literati novel, written by an accomplished artist for a well-educated readership, it is filled with allusions and parodies and features a dream-sequence narrative that is innovative and sophisticated even by modern standards. This new, fully annotated translation by two acclaimed scholars and translators brings to life this remarkably inventive, playful early modern text. The volume includes the original commentaries and illustrations, a critical introduction and afterword, and notes that highlight the sources of the novel’s intertextual references, revealing the author’s erudition and versatility.

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In imperial China, intellectuals devoted years of their lives to passing rigorous examinations in order to obtain a civil service position in the state bureaucracy. This traditional employment of the literati class conferred social power and moral legitimacy, but changing social and political circumstances in the Ming (1368–1644) and Qing (1644–1911) periods forced many to seek alternative careers. Politically engaged but excluded from their traditional bureaucratic roles, creative writers authored critiques of state power in the form of fiction written in the vernacular language. In this study, Liangyan Ge examines the novels Romance of the Three Kingdoms, The Scholars, Dream of the Red Chamber (also known as Story of the Stone), and a number of erotic pieces, showing that as the literati class grappled with its own increasing marginalization, its fiction reassessed the assumption that intellectuals’ proper role was to serve state interests and began to imagine possibilities for a new political order. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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In imperial China, intellectuals devoted years of their lives to passing rigorous examinations in order to obtain a civil service position in the state bureaucracy. This traditional employment of the literati class conferred social power and moral legitimacy, but changing social and political circumstances in the Ming (1368–1644) and Qing (1644–1911) periods forced many to seek alternative careers. Politically engaged but excluded from their traditional bureaucratic roles, creative writers authored critiques of state power in the form of fiction written in the vernacular language. In this study, Liangyan Ge examines the novels Romance of the Three Kingdoms, The Scholars, Dream of the Red Chamber (also known as Story of the Stone), and a number of erotic pieces, showing that as the literati class grappled with its own increasing marginalization, its fiction reassessed the assumption that intellectuals’ proper role was to serve state interests and began to imagine possibilities for a new political order. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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Turning toward Edification discusses foreigners in Korea from before the founding of Chosŏn in 1392 until the mid-nineteenth century. Although it has been common to describe Chosŏn Korea as a monocultural and homogeneous state, Adam Bohnet reveals the considerable presence of foreigners and people of foreign ancestry in Chosŏn Korea as well as the importance to the Chosŏn monarchy of engagement with the outside world. These foreigners included Jurchens and Japanese from border polities that formed diplomatic relations with Chosŏn prior to 1592, Ming Chinese and Japanese deserters who settled in Chosŏn during the Japanese invasion between 1592 and 1598, Chinese and Jurchen refugees who escaped the Manchu state that formed north of Korea during the early seventeenth century, and even Dutch castaways who arrived in Chosŏn during the mid-1700s. Foreigners were administered by the Chosŏn monarchy through the tax category of "submitting-foreigner" (hyanghwain). This term marked such foreigners as uncivilized outsiders coming to Chosŏn to receive moral edification and they were granted Korean spouses, Korean surnames, land, agricultural tools, fishing boats, and protection from personal taxes. Originally the status was granted for a limited time, however, by the seventeenth century it had become hereditary. Beginning in the 1750s foreign descendants of Chinese origin were singled out and reclassified as imperial subjects (hwangjoin), giving them the right to participate in the palace-sponsored Ming Loyalist rituals. Bohnet argues that the evolution of their status cannot be explained by a Confucian or Sinocentric enthusiasm for China. The position of foreigners - Chinese or otherwise - in Chosŏn society must be understood in terms of their location within Chosŏn social hierarchies. During the early Chosŏn, all foreigners were clearly located below the sajok aristocracy. This did not change even during the eighteenth century, when the increasingly bureaucratic state recategorized Ming migrants to better accord with the Chosŏn state's official Ming Loyalism. These changes may be understood in relation to the development of bureaucratized identities in the Qing Empire and elsewhere in the world during the seventeenth and eighteenth centuries, and as part of the vernacularization of elite ideologies that has been noted elsewhere in Eurasia.

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Early in the seventeenth century, Northeast Asian politics hung in a delicate balance among the Chosŏn dynasty in Korea, the Ming in China, and the Manchu. When a Chosŏn faction realigned Korea with the Ming, the Manchu attacked in 1627 and again a decade later, shattering the Chosŏn-Ming alliance and forcing Korea to support the newly founded Qing dynasty.The Korean scholar-official Na Man’gap (1592–1642) recorded the second Manchu invasion in his Diary of 1636, the only first-person account chronicling the dramatic Korean resistance to the attack. Partly composed as a narrative of quotidian events during the siege of Namhan Mountain Fortress, where Na sought refuge with the king and other officials, the diary recounts Korean opposition to Manchu and Mongol forces and the eventual surrender. Na describes military campaigns along the northern and western regions of the country, the capture of the royal family, and the Manchu treatment of prisoners, offering insights into debates about Confucian loyalty and the conduct of women that took place in the war’s aftermath. His work sheds light on such issues as Confucian statecraft, military decision making, and ethnic interpretations of identity in the seventeenth century. Translated from literary Chinese into English for the first time, the diary illuminates a traumatic moment for early modern Korean politics and society. George Kallander’s critical introduction and extensive annotations place The Diary of 1636 in its historical, political, and military context, highlighting the importance of this text for students and scholars of Chinese and East Asian as well as Korean history.

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Studies the hunt, animals and how regional dynamics informed local cultural practices on the Korean peninsula Elucidates the significance of the peninsula in regional and Eurasian history through detailing and navigating animals and the hunt, themes scholarship has overlooked. Reframes the struggle between a kingship and a powerful bureaucracy competing for authority over an expanding state in the shifting geopolitics of Northeast Asia at the advent of the Little Ice Age. Explores political and military contacts across Northeast Asia through Korean encounters with Yuan Mongols, Ming Chinese, Jurchen tribes, and Japanese on Tsushima and pirates along the coasts, all in the context of hunts, hunting grounds, and wild beasts. Rereads the primary sources with an eye on animals and the hunt, including neglected sources such as a fifteenth-century manuscript on falcons and falconry. Draws upon secondary sources across the fields of animal studies, zoology, geography, biology, and more, including forays into the larger topic of human-animal affairs and environmental history. Studies the circulation of ideas and intellectual contacts across the region, such as the cultural flows of Buddhism, Neo-Confucianism, and folk and shaman beliefs related to animals and hunting. This book focuses on the transitional period in late Kory? and early Chos?n dynasty Korea from the 1270s until 1506, situating the Korean peninsula in relations to the neighbouring Mongol Empire and Ming Dynasty China. During this period, Korean statesmen expanded their influence over people and the environment. Human-animal relations became increasingly significant to politics, national security, and elite identities. Animals, both wild and domestic, were used in ritual sacrifices, submitted as tax tribute, exchanged in regional trade, and most significantly, hunted. Royal proponents of the hunt, as a facet of political and military legitimacy, were contested by a small but vocal group of officials. These vocal elites attempted to circumscribe royal authority by co-opting hunting through Confucian laws and rites, either by regulating the practice to a state ritual at best, or, at worst, considering it a barbaric exercise not befitting of the royal family. While kings defied the narrow Confucian views on governance that elevated book learning over martial skills, these tensions revealed how the meaning of political power and authority were shaped. Attention to animals and hunting depicts how a multiplicity of cultural references Sinic, Korean, Northeast Asian, and steppeland existed in tension with each other and served as a battleground for defining politics, society, and ritual. Kallander argues that rather than mere resources, animals were a site over which power struggles were waged.

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Focusing on two late-Ming or early-Qing plays central to the Chinese canon, this thought-provoking study explores crucial questions concerning personal identity. How is a person, as opposed to a ghost or animal, to be defined? How can any specific person (as distinguished, for example, from an impostor or twin) be identified? Both plays are chuanqi, representatives of a monumental genre that represents Chinese dramatic literature at its most complex: Tang Xianzu's Peony Pavilion is a romantic comedy in 55 acts, and Kong Shangren's Peach Blossom Fan narrates the fall of the Ming Dynasty in 40 acts. No reader of Chinese literature would find a sexual encounter between a young man and a female ghost surprising. In Peony Pavilion, however, the lovers actually marry and join human society—a possibility that invites speculation on the nature of personhood and agency. By contrast, Peach Blossom Fan addresses the question of identity in an explicitly political fashion. After the fall of Beijing, many men put forward imperial claims. Who, in a time of turmoil, is truly the Emperor? In a Confucian society, where hierarchy and identity are so interdependent, how does the lack of certainty about the Emperor's identity affect all human identities? The question of personal identity is intrinsically bound up with questions of agency, legal responsibility, and participation within a polity. Confucian patriarchy, in particular, implies an anxiety of identity: in order to serve one's father appropriately, one must first know who he is. Drawing on related contemporary sources, the author combines a range of perspectives, including literary criticism, philosophy, jurisprudence, and art history.

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This book is a groundbreaking study of transgender lives and practices in late imperial China. Through close readings of court cases, as well as Ming and Qing fiction and nineteenth-century newspaper accounts, Matthew H. Sommer examines the social, legal, and cultural histories of gender crossing.

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The Mongol Empire was the mightiest land empire the world has ever seen. At its height it was twice the size of its Roman equivalent. For a remarkable century and a half it commanded a population of 100 million people, while the rule of Chinggis (Genghis) Khan marched undefeated from the Pacific Ocean to the Caspian Sea. George Lane argues that the Mongols were not only subjugators who swept all before them but one of the great organising forces of world history. His book traces the rise of the Great Khan in 1206 to the dissolution of the empire in 1368 by the Ming Dynasty. He discusses the unification of the Turko-Mongol tribes under Chinggis' leadership; the establishment of a vigorous imperium whose Pax Mongolica held mastery over the Central Asian steppes; imaginative policies of religious pluralism; and the rich legacy of the Toluid Empire of Yuan China and Ilkhanate Iran. Offering a bold and sympathetic understanding of Mongol history, the author shows that commercial expansion, cultural assimilation and dynamic political growth were as crucial to Mongol success as desire for conquest.

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Something is rotten in the heart of the capital The Ming dynasty is at its zenith. All under heaven bow towards the Forbidden City, where the Celestial Emperor and his servants grace the earth. Yet rot festers deep in the palace...Emperor Jiajing has sealed himself away, more interested in Taoist magics than the Dragon Throne. In his absence, the corruption of ambitious men grows unchecked. Among such shameless villains stride the Yan, a ruthless clan whose lustful grasp on the state ever tightens. Few dare stand against them, but heaven's mandate calls for balance, and a humble clerk named Hai Rui rises to answer. Across land and over water, forces awaken, stirred by the shadows emanating from the halls of power. No one knows if or when the peace of the Great Ming will collapse. Perhaps the cracks can be healed. Perhaps fate can be appeased. Or perhaps the old saying holds true: a realm long united, must divide...

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In this collaborative effort by two leading scholars of modern Chinese history, Ming K. Chan and Arif Dirlik investigate how the short-lived National Labor University in Shanghai was both a reflection of the revolutionary concerns of its time and a catalyst for future radical experiments in education. Under the slogan “Turn schools into fields and factories, fields and factories into schools,” the university attempted to bridge the gap between intellectual and manual labor that its founders saw as a central problem of capitalism, and which remains a persistent theme in Chinese revolutionary thinking.During its five years of existence, Labor University was the most impressive institutional embodiment in twentieth-century China of the labor-learning ideal, which was introduced by anarchists in the first decade of the century and came to be shared by a diverse group of revolutionaries in the 1920s. This detailed study places Labor University within the broad context of anarchist social ideals and educational experiments that inspired it directly, as well as comparable socialist experiments within labor education in Europe that Labor University’s founders used as models. The authors bring to bear the perspectives of institutional and intellectual history on their examination of the structure and operation of the University, presenting new material on its faculty, curriculum, physical plant, and history.

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The first intellectual history of Song, Yuan, and Ming China written from a local perspective, Localizing Learning traces how debates over the relative value of cultural accomplishment and political service unfolded locally. Close readings and quantitative analysis of social networks consider why and how the local literati enterprise was built.

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The civil service examination essay known as shiwen (modern or contemporary prose) or bagu wen (eight-legged essay) for its complex structure was the most widely read and written literary genre in early modern China (1450–1850). As the primary mode of expression in which educated individuals were schooled, shiwen epitomized the literary enterprise even beyond the walls of the examination compound. But shiwen suffered condemnation in the shift in discourse on literary writing that followed the fall of the Ming dynasty, and were thoroughly rejected in the May Fourth iconoclasm of the early twentieth century.Challenging conventional disregard for the genre, Alexander Des Forges reads the examination essay from a literary perspective, showing how shiwen redefined prose aesthetics and transformed the work of writing. A new approach to subjectivity took shape: the question “who is speaking?” resonated through the essays’ involuted prose style, foregrounding issues of agency and control. At the same time, the anonymity of the bureaucratic evaluation process highlighted originality as a literary value. Finally, an emphasis on questions of form marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers.

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Scoutmaster Musical Heron (aka top spy Colonel Clifton) and his troop must investigate when one of them is abducted while collecting kindling in the woods. The abductors are demanding a ransom, with which their leader plans to complete his collection of Ming vases. After a huge commotion, the Boy Scouts go on an unconventional treasure hunt.

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Written around 1660, the unique Chinese short story collection Idle Talk under the Bean Arbor (Doupeng xianhua), by the author known only as Aina the Layman, uses the seemingly innocuous setting of neighbors swapping yarns on hot summer days under a shady arbor to create a series of stories that embody deep disillusionment with traditional values. The tales, ostensibly told by different narrators, parody heroic legends and explore issues that contributed to the fall of the Ming dynasty a couple of decades before this collection was written, including self-centeredness and social violence. These stories speak to all troubled times, demanding that readers confront the pretense that may lurk behind moralistic stances. Idle Talk under the Bean Arbor presents all twelve stories in English translation along with notes from the original commentator, as well as a helpful introduction and analysis of individual stories.

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Written around 1660, the unique Chinese short story collection Idle Talk under the Bean Arbor (Doupeng xianhua), by the author known only as Aina the Layman, uses the seemingly innocuous setting of neighbors swapping yarns on hot summer days under a shady arbor to create a series of stories that embody deep disillusionment with traditional values. The tales, ostensibly told by different narrators, parody heroic legends and explore issues that contributed to the fall of the Ming dynasty a couple of decades before this collection was written, including self-centeredness and social violence. These stories speak to all troubled times, demanding that readers confront the pretense that may lurk behind moralistic stances. Idle Talk under the Bean Arbor presents all twelve stories in English translation along with notes from the original commentator, as well as a helpful introduction and analysis of individual stories.

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In the eighteenth century, multiple migratory groups with competing political ambitions converged on the Mekong plains. In the frontier region, literati‐officials of a territorially expanding Vietnamese state crossed paths with a network of diasporic Chinese Ming loyalists closely affiliated with the coastal trading network. Drawing on vernacular Vietnamese and classical Chinese sources, Claudine Ang identifies the different ways two leading statesmen of the time employed literature to transform the frontier region. In their rival cultural projects, we see the clash between the aspirations of Vietnamese and Chinese migrants. Ang shows how a bawdy play, in which a lascivious monk turns his charms on an unsuspecting nun, acted as a vehicle for differentiating Vietnamese lowlanders from their neighbors, and she uncovers in a suite of landscape poems coded messages aimed at founding a new Ming loyalist stronghold on the Mekong delta. Through its close reading of satirical drama and landscape poetry, Poetic Transformations captures a historical moment of overlapping visions, frustrated schemes, and contested desires on the Mekong plains.

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Professor Sullivan is a leading authority on the art of China, and has published a number of standard works on both traditional and modern Chinese art. These two volumes bring together for the first time his papers on the subject, and include a number of important studies on the related art of South-East Asia. The first volume concentrates on traditional Chinese art. In its long and relatively uninterrupted development over a period of two thousand years, Chinese art can only be compared with the art of ancient Egypt. The author gives a resume of the stages of this development in his first paper, and isolates certain recurrent themes and attitudes in the four studies that follow. Other papers deal with screen and scroll painting in the early period, and with the excavation of a T'ang emperor's tomb. The period of the Ming and Ch'ing emperors is also covered, leading up to the first contacts with Western art in the seventeenth and eighteenth centuries, and the work of European artists in China. The volume concludes with a number of Professor Sullivan's reviews of works by other scholars on Chinese art, and of exhibitions, and an appreciatlon of the work of Arthur Waley. There is a new preface and index, and the author has supplied additional notes to the original articles which draw attention to subsequent research.

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This book is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.

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Third in the Scripta Mongolica series, this book reproduces a rare printed text of the Bolor Erike or Chaplet of Crystals, written in the 18th century but preserving a number of recitals, some unknown elsewhere, relating to Chinggis Qaghan and his line and to the history of the Mongols under the Chinese Ming dynasty. The dean of the world’s Mongolists provides a thorough textual and historical analysis.

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Designed for quick reference and efficient, accurate sign-outs, Uropathology, 2nd Edition, provides superbly illustrated, expert guidance in a time-saving format. This updated volume in the High-Yield Pathology series is highly templated for ease of use, featuring bulleted text, authoritative content, and high-quality images that comprehensively cover both non-neoplastic and neoplastic entities, making it easy to recognize the classic manifestations of urologic diseases and quickly confirm your diagnoses. Provides in-depth, bulleted outlines for each entity covering definition, anatomy, and pathology: histology, immunohistochemistry, and differential diagnosis. Features 1,600 high-quality illustrations that include gross, radiographic imaging, microscopic, immunohistochemical, and special stains, providing a comprehensive visual summary of the typical features of each entity. Includes expanded information on tumor staging expertly provided by Dr. Ming Zhou, primary author of the College of American Pathologists cancer protocols. Reflects recent guidelines and protocols including: Restructured tumor classification and new entities New and modified grading systems for GU cancers New and modified staging criteria for all GU cancers New recommendations for reporting New IHC and molecular markers for diagnosis and prognosis for GU cancers Enhanced eBook version included with purchase, which allows you to access all of the text, figures, and references from the book on a variety of devices

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Translated in full for the first time, this fourth volume immerses readers in the power and drama of the electrifying classic Chinese novel. Many centuries of violence have forged a new political order, and seven great warring kingdoms are now established. However, old loyalties persist, and brave men are still determined to avenge their former lords. Even as their world consigns them to the past, a handful of assassins still seek to rewrite history. One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged. Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

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Translated in full for the first time, this fourth volume immerses readers in the power and drama of the electrifying classic Chinese novel. Many centuries of violence have forged a new political order, and seven great warring kingdoms are now established. However, old loyalties persist, and brave men are still determined to avenge their former lords. Even as their world consigns them to the past, a handful of assassins still seek to rewrite history. One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged. Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

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Translated in full for the first time, this third volume immerses readers in the power and drama of the electrifying classic Chinese novel. The three great southern states of Chu, Wu, and Yue are locked in conflict, and their kings feel a hatred for each other that transcends all bounds. Cruel humiliations are imposed on the vanquished each time a battle is lost, while vicious scheming and internecine manipulation destroy many lives. The balance of power is threatened—but there can only be one victor. One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged. Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

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Translated in full for the first time, this first volume immerses readers in the power and drama of the electrifying classic Chinese novel. Deep inside the Zhou royal palace, an ancient curse is released, and darkness spreads across the land. An incompetent king’s mad passion for a teenaged slave leads to the country being torn apart by civil war. As the situation unravels, will anyone attempt to stand against the forces of chaos? One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged. Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

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In Saying All That Can Be Said, Keith McMahon presents the first full analysis of the sexually explicit portrayals in the Ming novel Jin Ping Mei 金瓶梅 (The Plum in the Golden Vase). Countering common views of those portrayals as “just sex” or as “bad sex,” he shows that they are rich in thematic meaning and loaded with social and aesthetic purpose. McMahon places the novel in the historical context of Chinese sexual culture, from which Jin Ping Mei inherits the style of the elegant, metaphorical description of erotic pleasure, but which the anonymous author extends in an exploration of the explicit, the obscene, and the graphic. The novel uses explicit description to evaluate and comment on characters, situations, and sexual and psychic states of being. Echoing the novel’s way of taking sex as a vehicle for reading the world, McMahon celebrates the richness and exuberance of Jin Ping Mei’s language of sex, which refuses imprisonment within the boundaries of orthodox culture’s cleanly authoritative style, and which continues to inspire admiration from readers around the world. Saying All That Can Be Said will change the way we think about sexual culture in premodern China.

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Translated in full for the first time, this third volume immerses readers in the power and drama of the electrifying classic Chinese novel. The three great southern states of Chu, Wu, and Yue are locked in conflict, and their kings feel a hatred for each other that transcends all bounds. Cruel humiliations are imposed on the vanquished each time a battle is lost, while vicious scheming and internecine manipulation destroy many lives. The balance of power is threatened—but there can only be one victor. One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged. Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

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Conventional portraits of Neo-Confucianism in China are built on studies of scholars active in the south, yet Xue Xuan (1389–1464), the first Ming Neo-Confucian to be enshrined in the Temple to Confucius, was a northerner. Why has Xue been so overlooked in the history of Neo-Confucianism? In this first systematic study in English of the highly influential thinker, author Khee Heong Koh seeks to redress Xue’s marginalization while showing how a study interested mainly in “ideas” can integrate social and intellectual history to offer a broader picture of history.Significant in its attention to Xue as well as its approach, the book situates the ideas of Xue and his Hedong School in comparative perspective. Koh first provides in-depth analysis of Xue’s philosophy, as well as his ideas on kinship organizations, educational institutions, and intellectual networks, and then places them in the context of Xue’s life and the actual practices of his descendants and students. Through this new approach to intellectual history, Koh demonstrates the complexity of the Neo-Confucian tradition and gives voice to a group of northern scholars who identified themselves as Neo-Confucians but had a vision that was distinctly different from their southern counterparts.

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A dark, contemporary interpretation of the Persephone myth for fans of The Invisible Life of Addie Larue and The Sandman. Death stole Emilia - the first time in his very long life that he hasn't carried over the soul he was assigned to carry over. It would be romantic, except that they're being hunted. And as Emilia and the man with the veil of smoke set out for the ocean in a stolen truck, there is a bloody handprint on his neck and she’s beginning to worry it's hers. Illustrated in competing points of view, narration comes from both Death and Amelia, giving the story conflicting, yet unique perspectives. Two Graves is the first volume of a new series from writer Genevieve Valentine and illustrated by Annie Wu and Ming Doyle. This edition features bonus backmatter content, including essays by bestselling Broken Earth trilogy author N.K. Jemisin, Sarah McCarry (Lambda, Norton, and Tiptree nominee), Veronica Schanoes (Shirley Jackson Award winner, Nebula, and World Fantasy nominee), and Stephanie Lai (Best New Talent Ditmar Award, 2018).

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The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments.Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.

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Readings in Chinese Women’s Philosophical and Feminist Thought gathers 40 original writings on women by 32 authors (many of whom are women) from the Yuan dynasty to the Republics, an important 700-year historical period during which women’s learning in China blossomed as a result of economic prosperity, the development of commercial printing, and the interaction between East and West. Selections are made not only from canonical texts on women’s virtues, but also from less orthodox literary works such as plays, poetry, novels, essays, and revolutionary writings that illuminate the lived experience of women and the perception of gender. With many texts translated into English for the first time, this reader provides the context needed to understand them. It features: - Chronologically organized readings in the sequence of the Yuan, Ming, Qing dynasties, and the Republics to demonstrate historical progression of thought (or the lack of) - Introductions to each section and chapter covering essential information about the authors and the cultural, historical, and philosophical background to their work - A chronology of dynasties, Republics, key events, and a map Recovering discourse so often neglected in discussion of Chinese thought, this is the first collection to pay special attention to women-authored works from the late 13th to the early 21st century. By bringing these readings together in a single volume, it juxtaposes and compares female and male perspectives from the same time and creates a new narrative of Chinese philosophical thought.

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