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“This beautiful tale with gentle illustrations is an ode to the milestone of attending school for the first time and all it entails.”—School Library Journal. “A cozy portrait of the everyday discoveries and accomplishments that school can bring.”—Publishers Weekly, Starred ReviewMing goes to school, where she learns to say hello and good-bye. She meets new friends and introduces them to old friends (including her favorite teddy). She builds sandcastles and makes snow angels; she traces, glitters, and glues. She is so fearless that when held at sword point, she even walks the plank! And when she’s playing in the mud, she reaches out and touches the worms with her bare hands. But despite those brave deeds, she isn’t quite ready for the big red slide—not yet.This is a very sweet story with soft, evocative watercolor illustrations that will help kids to grow comfortable with the idea of starting preschool. Ming is curious and playful and ready for adventure, but even she gets scared of new things sometimes. Kids will relate to her desires and fears and will be excited to see Ming at the top of the slide by the story’s end.A quiet and reassuring picture book for preschoolers (3-5), this is a wonderful going-to-school story that can be read both at home and in the classroom or childcare center. The illustrations provide a lot of diversity of characters, making this feel like any classroom in any school in the country.

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Charmion von Wiegand started painting figuratively in 1926, when she received encouragement from her friend and painter, Joseph Stella. After being hired as an American reporter based in Soviet Moscow from 1929 to 1932, von Wiegand established herself as a preeminent art critic who embraced progressive ideas. She moved back to New York City in 1932 and became immersed in the avant-garde movement. Von Wiegand developed a close circle of friends including Hans Richter, Carl Holty, and John Graham. In 1941, when she met and befriended Dutch painter Piet Mondrian, she changed her painting style completely and was finally considered an artist in her own right. Highly influenced by his work, von Wiegand became interested in combining abstraction, Theosophy, and Eastern religions including her adoptive religion, Buddhism. The result was modern geometric abstract paintings that were imbued with Eastern imagery. This comprehensive volume on von Wiegand showcases gloriously illustrated works from all phases of her career. It also contains insightful essays and an array of previously unpublished material from the artist’s archives, including correspondence with Mondrian.

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