Search results for ""Author Leonard"

For fans of Bradley Cooper’s film Maestro, an appreciation that gives Bernstein his due as composer as well as conductor Leonard Bernstein stood at the epicenter of twentieth-century American musical life. His creative gifts knew no boundaries as he moved easily from the podium to the piano to television with his nationally celebrated Young People’s Concerts, which introduced an entire generation to the joy of classical music. In this fascinating biography, the breadth of Bernstein’s musical composition is explored, through the spectacular range of music he composed—from West Side Story to Kaddish to A Quiet Place and beyond—and through his intensely public role as an internationally celebrated conductor. For the first time, the composer’s life and work receive a fully integrated analysis, offering a comprehensive appreciation of a multi-faceted musician who continued to grow as an artist well into his final days.

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Leonard Bernstein's gifts for drama and connecting with popular audiences made him a central figure in twentieth century American music. Though a Bernstein work might reference anything from modernism to cartoon ditties, jazz permeated every part of his musical identity as a performer, educator, and intellectual. Katherine Baber investigates how jazz in its many styles served Bernstein as a flexible, indeed protean, musical idea. As she shows, Bernstein used jazz to signify American identity with all its tensions and contradictions and to articulate community and conflict, irony and parody, and timely issues of race and gender. Baber provides a thoughtful look at how Bernstein's use of jazz grew out of his belief in the primacy of tonality, music's value as a unique form of human communication, and the formation of national identity in music. She also offers in-depth analyses of On the Town, West Side Story, 1600 Pennsylvania Avenue, and other works to explore fascinating links between Bernstein's art and issues like eclecticism, music's relationship to social engagement, black-Jewish relations, and his own musical identity.

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Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism. Composer, conductor, activist, and icon of twentieth-century America, Leonard Bernstein (1918-90) had a rich association with Washington, DC. Although he never lived there, the US capital was the site of some of the most important moments in his life and work, as he engaged with the nation's struggles and triumphs. By examining Bernstein through the lens of Washington, DC, this book offers new insights into his life and music from the 1940s through the 1980s, including his role in building the city's artistic landscape, his political-diplomatic aims, his works that received premieres and other early performances in Washington, and his relationships with the nation's liberal and conservative political elites. The collection also contributes new perspectives on twentieth-century American history, government, and culture, helping to elucidate the political function of music in American democracy. The essays in Leonard Bernstein and Washington, DC, all newly written by leading authorities, situate this important American cultural figure in the seat of United States government. The result is a fresh new angle on Leonard Bernstein, American politics, and American culture in the second half of the twentieth century.

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MUSIC BUSINESS CONTRACT LIBRARY

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Two of the most prominent and celebrated athletes in the world, Marvelous Marvin Hagler and Sugar Ray Leonard came together to contest the $100million SuperFight on April 6, 1987 at Caesars Palace in Las Vegas. From Frank Sinatra to U2, Joan Collins to Whoopi Goldberg, the stars were drawn to ringside by the huge box-office appeal of the blue-collar, dominant world middleweight champion facing his nemesis, the charismatic and flamboyant Sugar Ray, who was coming out of virtually five years of retirement. Drawing on his deep reservoir of nerve, outstanding technique and a strategy which Budd Schulberg - who provided Marlon Brando with the immortal line, 'I coulda been a contender' - called a compound optical illusion, Leonard won on points. It was boxing's greatest comeback, but to this day the judges' decision remains bitterly contested and not merely by the protagonists. But the story of The SuperFight is much more than the story of the fight, for it details two remarkable lives, the demons that drove both men and the formidable challenges they overcame inside and outside the ring. Hagler grew up in the Newark, New Jersey ghetto of Central Ward, where a riot/rebellion rooted in racism claimed the lives of 26 people, injured 1,000 more and, to the young teenager, was "like the end of the world". Fuelled by anger, he climbed to the top of his domain and ruled for seven years as champion, one of the most accomplished in boxing's annals. Leonard was an Olympic gold medallist and all-American hero whose career was cut short by a detached retina after he became the world welterweight king. He was Muhammad Ali's gifted and anointed successor but he succumbed to alcohol and drug abuse and for years was tormented by a secret - the sexual abuse he endured as an amateur boxer by a trusted coach. As provocative and polarising in its own way as Ali's defining rivalry with Joe Frazier, this is the story of The SuperFight, of Marvin Hagler and Ray Leonard and a fierce fire that still burns.

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Meet Hap and Leonard, the unlikely detective duo now on screen in the highly praised series starring James Purefoy, Michael K. Williams and Christina Hendricks.Hap Collins and Leonard Pine, the kings of East Texas mischief and mayhem, return in this full-throttle thriller to face off with the Dixie Mafia. When Leonard is asked to rescue a teenage girl from a lowly drug dealer, he gladly agrees and invites Hap along for the ride. Everything goes according to plan, until they find out the dealer is a member of the Dixie mafia. A wild gun fight ensues, after which Hap and Leonard are arrested. Turns out, however, that the law needs a favour and if Hap and Leonard can do the deed they'll be free to roam. There's one problem, the Dixie Mafia's new hired gun - the legendary assassin Vanilla Ride.Filled with breakneck action, gut-busting laughs, and one gigantic alligator, this hilarious novel is as hot as a habanero pepper.

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A comprehensive collection of the pioneering work of Leonard Norman Primiano, one of the preeminent scholars in religious studies In 1995, Leonard Norman Primiano introduced the idea of “vernacular religion.” He coined this term to overcome the denigration implied in the concept of “folk religion” or “popular religion,” which was juxtaposed to “elite religion.” This two-tiered model suggested that religion existed somewhere in a pure form and that the folk version transforms it. Instead, Primiano urged scholars to adopt an inductive approach to the study of religion and to pay attention to experiential aspects of belief systems, ultimately redressing a heritage of scholarly misinterpretation. Here for the first time, Leonard Norman Primiano’s pioneering works have been collected into one volume, providing a foundational look at one of the preeminent scholars of twentieth-century religious studies. Vernacular Religion makes visible the dimensions of vernacular religion in North America, exemplifying the richness of its ability to explain key facets of American society, including especially thorny issues around race and sexuality. The volume also demonstrates a method of abiding engagement, the creation of ongoing relationships with those who are studied, and how the relationship between scholars and the communities they study inform an ethics of critical commitment—what Primiano calls an “ethnography of collaboration and reciprocity.” This posthumous collection, edited by Deborah Dash Moore, brings together key studies in vernacular religion that explore its expression among such varied groups as Catholics, LGBTQ Christians, and the followers of Father Divine. Vernacular Religion models empathetic ethnographic engagement that embraces American religion in all its rich diversity, illuminating Primiano’s enduring legacy.

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