Search results for ""Author Grant""

The mission seems simple enough: extract a pharmaceutical magnate from Russian soil, a volatile man who holds the secret to a deadly bio-weapon. But nothing is as it appears to be. A conspiracy of world-shattering scope unravels as Tucker and Kane struggle to keep one move ahead of their deadly enemies.From the frozen steppes of Russia to the sun-blasted mountains of South Africa and Namibia, a biological threat millions of years in the making strikes out at the heart of America. All that stands in the way of a global apocalypse is one man and his dog. But can even Tucker and Kane thwart an ecological menace from the ancient past to save the world's future?

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The remarkable story of Grant Fowlds, a conservationist who has dedicated his life to saving the last rhinos, vividly told with the help of Graham Spence, co-author of the bestselling The Elephant Whisperer.'A terrific read . . . an outstanding book!'Gary Player and Vivienne Player'A truly heart-wrenching story, but a must-read for all who value our wild animals and their right to roam free. Grant Fowlds is a Zulu in a white skin and loves the people who hold the key to animal conservation. This is an intriguing true story that sends a clear message to the rest of the world.'Phil Liggett'Exceptionally readable - a fluid and captivating story . . . a swashbuckling tale.'Dr Dave Cooper, Rhinos Without Borders veterinarian, and Debbie Cooper of iSimangaliso Wetland Park'A rollicking true-life adventure that celebrates rhinos and people'Guy Rogers, Daily Herald'Truly awe-inspiring . . . Read this book. You will get a sense of Africa like never before, from a true African soul.'David S. Lee, Limbani in the blockbuster movie Black Panther'An excellent read . . . both sobering and uplifting'Moira Smith, General Manager Africa & Middle East, Goway TravelWhat would drive a man to 'smuggle' rhino horn back into Africa at great risk to himself? This is just one of the situations Grant Fowlds has put himself in as part of his ongoing fight against poaching, in order to prove a link between southern Africa and the illicit, lucrative trade in rhino horn in Vietnam.Shavings of rhino horn are sold as a snake-oil 'cure' for colds or impotence, but a rhino's horn has no magical, medicinal properties. It is for this that rhinoceroses are being killed at an escalating rate that puts the survival of the species in jeopardy. This corrupt, illegal war on wildlife has brought an iconic animal to the brink of extinction.Growing up on a farm in the Eastern Cape of South Africa, Grant developed a deep love of nature, turning his back on hunting to focus on saving wildlife of all kinds and the environment that sustains both them and us. He is a passionate conservationist who puts himself on the front line of protecting rhinos in the wild - right now, against armed poachers; but in the longer term, too, through his work with schoolchildren, communities and policymakers.We are most grateful to photographer Gerhard van der Westhuizen for the use of his stunning photograph on the cover of the book.

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In the lethal aftermath of the war with the Anti-Matter Lanterns, Hal Jordan finds himself in a bizarre afterlife facing the judgment of the Young Guardians. Nothing will ever be the same again as the truth about the coming Ultrawar and the Cosmic Grail is finally revealed. Only one anti-matter soldier could decimate a small army of Green Lanterns, so what will happen when a horde of them strike? What monstrous forces gather in the shadows? What mind-bending and heartrending secrets will surface from this backdrop of cosmic conspiracy and shady interstellar politics? And as the divisiveness spreads from world to world, can love prevail? Hal must prepare himself to face both death and rebirth in hopes of saving the universe one more time. Collects The Green Lantern Season Two #7-12.

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In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.

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Accountants and financial managers are often the first professionals to realize that a financial problem exists within a corporation but must be familiar with the various alternatives available to clients before they can offer solutions. Completely updated, Bankruptcy and Insolvency Accounting, Seventh Edition, Volume 1 provides detailed information on SOP 90-7 and FASB statements 141, 142, and 144 and revisions made in CSSR 93-1 by CSSR 03-1. The process of corporate restructuring is thoroughly described for controllers, CEOs, CFOs and CPAs with small businesses as clients.

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Anthropology and History in Yucatán is a collection of ten essays that offer new evidence and interpretations of the survival and adaptation of lowland Maya culture from its earliest contact with the Spanish to the 1970s. These case studies reflect a growing interest in the use of historical approaches in the development of models of cultural change that will integrate archaeological, historical, and ethnographic data. The portrait of the Maya emerging from this collection is that of a remarkably vital people who have skillfully resisted total incorporation with their neighbors and who continue even today to emphasize their cultural independence and historical uniqueness. In his introduction, Grant D. Jones synthesizes previous studies of the anthropological history of Yucatán and summarizes the theoretical issues underlying the volume. Section I, which focuses on continuity and change in the boundaries of Maya ethnicity in Yucatán, includes contributions by the late Sir Eric Thompson, France V. Scholes, and O. Nigel Bolland. Section II presents comparative regional perspectives of Maya adaptations to external forces of change and contains essays by D. E. Dumond, Grant D. Jones, James W. Ryder, and Anne C. Collins. In the closing section, three articles, by Victoria Reifler Bricker, Allan F. Burns, and Irwin Press, treat Maya concepts of their own history. Throughout the book, the authors demonstrate that models far more complex than Robert Redfield’s folk-urban continuum must be developed to account for the great regional variations in responses by the Maya to the pressures of economic, cultural, and political control as exerted by Spanish, Mexican, Guatemalan, and British authorities over the past four centuries. The essays demonstrate a variety of methodological approaches that will be of interest to historians, ethnohistorians, ethnologists, archaeologists, and those who have a general interest in the survival of Maya culture.

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Is it possible any longer to "read" markets fast enough to respond to them? A world of discrete parts is now one interconnected web of ceaseless calculation and response. Marketing has become a thing of speed and turbulence, with all the players moving simultaneously.For marketing guru Grant McCracken, the key to success in this dynamic new marketplace is to find a way to slow the world down. And McCracken believes he has the solution. It begins with understanding the mechanics at work today. He says, "Complexity has a theory. Commotion has a pattern. Dynamism has a system. We can continue to live by damage control, or we can change the way we play the game." To survive our own world of collision and speed, marketers need to see the world as "flocks and flows."In this exciting new book, McCracken deploys "complex adaptive theory" to track the movement of trends and new groupings of consumers. He shows how to monitor new trends, whether and when to introduce new brands and brand extensions, how to speak to niche markets, and how to avoid costly mistakes. McCracken's sage and witty advice could not come at a better time. His book will be a valuable aid for anyone trying to keep up with marketplace changes in our rapidly evolving world.

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Self reinvention has become a preoccupation of contemporary culture. In the last decade, Hollywood made a 500-million-dollar bet on this idea with movies such as Multiplicity, Fight Club, eXistenZ, and Catch Me If You Can. Self reinvention marks the careers of Madonna, Ani DiFranco, Martha Stewart, and Robin Williams. The Nike ads of LeBron James, the experiments of New Age spirituality, the mores of contemporary teen culture, and the obsession with "extreme makeovers" are all examples of our culture's fixation with change. In a time marked by plenitude, transformation is one of the few things these parties have in common.Although transformation is widely acknowledged as a defining characteristic of our culture, we have almost no studies on what it is or how it works. Transformations offers the first comprehensive and systematic view. It is an ethnography of the contemporary world.

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Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publicized projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production.

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After the Apostle Paul returned from his first missionary journey, he heard that a certain group of legalistic Jewish Christians had infiltrated the churches he had established. These false teachers were teaching that new Christians had to be circumcised and follow the Old Testament law in order to be truly saved. Paul, realizing the gospel was at stake, wrote this letter in response. In Galatians Verse by Verse, experienced New Testament scholar sets forth Paul's laser-focused argument: Jesus is not only the Messiah; he came to inaugurate a new era in salvation history. In this new era, Christians are not made right with God by obeying the law; justification is by faith alone. This frees believers to live their lives not trying to earn salvation, but instead joyfully keeping in step with the Spirit. Pastors, Bible study leaders, and invested laypeople will all benefit from Osborne's careful reading of the text and commitment to making sense of the New Testament without scholarly jargon.The Osborne New Testament Commentary Series is a set of commentaries on every New Testament book. In each volume, Grant R. Osborne seeks to carefully exposit the text in plain language, bringing out the treasures in each book and making them accessible for today's readers.

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An invaluable primary resource for understanding nineteenth-century America. As a Georgetown resident for nearly a century, Britannia Wellington Peter Kennon (1815 – 1911) was close to the key political events of her time. Born into the prominent Peter family, Kennon came into contact with the many notable historical figures of the day who often visited Tudor Place, her home for over ninety years. Now published for the first time, the record of her experiences offers a unique insight into nineteenth-century American history. Housed in the Tudor Place archives, "The Reminiscences of Britannia Wellington Peter Kennon" is a collection of Kennon’s memories solicited and recorded by her grandchildren in the 1890s. The text includes Kennon’s memories of her mother Martha Custis Peter and spending time at Mount Vernon with her grandparents George and Martha Washington. It also includes her recollections of childhood in Georgetown, life during the Civil War, the people enslaved at Tudor Place, and daily life in Washington, DC. Edited by Grant Quertermous, this richly illustrated and annotated edition gives readers a greater appreciation of life in early Georgetown. It includes a guide to the city's streets then and now, a detailed family tree, and an appendix of the many people Britannia encountered—a who's who of the period. Readers will also find Britannia's narrative an essential companion to the incredible collection of objects preserved at Tudor Place. Notable for both its breadth and level of detail, A Georgetown Life brings a new dimension to the study of nineteenth-century America.

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For the past few years, Grant Thompson has spent his weekends starting fires, building cannons, and experimenting with dry ice and liquid nitrogen. He’s made pumpkins explode, defied gravity, and discovered countless ways to make everyday life easier using ordinary items such as butter, suntan lotion, cupcake wrappers, and aluminum foil. His discoveries and experiments, many posted online to sites such as YouTube, have earned him the title of the King of Random.With the help of the staff at Instructables.com, Thompson has compiled the best of his weekend projects in Life Hacks. With life hacks from the King himself, you’ll see how easy it is to have better summers, less stressful holidays, and cooler—literally—birthday parties.Following Thompson’s instructions in this book, you’ll be able to:Make dry ice with a fire extinguisherCreate carbonated ice creamStart fires with plastic water bottlesCharge your cell phone—using your own energyBuild working speakers for less than $1And much more

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In The Sovereign Self, Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of “Man,” upon which the aesthetic itself often depends.

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How can sales managers coach their teams through multiple, sometimes stressful, rollouts? You can teach your team to embrace and manage change from the bottom up. Global sales management and transformation leader Grant Van Ulbrich makes a compelling case for tackling this issue using an innovative change management model designed with sales teams in mind. Transforming Sales Management begins with an overview of sales management, sales transformation and change management. Showcasing the issues of organization-focused frameworks in today's current sales atmosphere, the book makes a case for a bottom-up change management model: SCARED SO WHAT. Transforming Sales Management takes readers through the implementation of the model used at various Fortune 100 groups, universities and institutions, detailing the framework in two parts: SCARED (Surprise, Champion/Conflicted, Action, Receptive/Rejective, Explore, Decide) and SO WHAT (Strategy, Options, Way forward, Hope, Actions, Taking ownership). The author explains the emotional impact of change and why it's important to critically reflect and focus on actions before making a decision and responding to it. The book applies the model to complex sales situations and provides useful support tools to help readers react when confronted with change. Readers will learn how to help their sales teams navigate corporate rollouts, changes to organizational design, the implementation of new technologies, rejection of sales opportunities and changing customer expectations.

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On March 13, 1697, Spanish troops from Yucatán attacked and occupied Nojpeten, the capital of the Maya people known as Itzas, the inhabitants of the last unconquered native New World kingdom. This political and ritual center—located on a small island in a lake in the tropical forests of northern Guatemala—was densely covered with temples, royal palaces, and thatched houses, and its capture represented a decisive moment in the final chapter of the Spanish conquest of the Mayas. The capture of Nojpeten climaxed more than two years of preparation by the Spaniards, after efforts by the military forces and Franciscan missionaries to negotiate a peaceful surrender with the Itzas had been rejected by the Itza ruling council and its ruler Ajaw Kan Ek’. The conquest, far from being final, initiated years of continued struggle between Yucatecan and Guatemalan Spaniards and native Maya groups for control over the surrounding forests. Despite protracted resistance from the native inhabitants, thousands of them were forced to move into mission towns, though in 1704 the Mayas staged an abortive and bloody rebellion that threatened to recapture Nojpeten from the Spaniards. The first complete account of the conquest of the Itzas to appear since 1701, this book details the layers of political intrigue and action that characterized every aspect of the conquest and its aftermath. The author critically reexamines the extensive documentation left by the Spaniards, presenting much new information on Maya political and social organization and Spanish military and diplomatic strategy. This is not only one of the most detailed studies of any Spanish conquest in the Americas but also one of the most comprehensive reconstructions of an independent Maya kingdom in the history of Maya studies. In presenting the story of the Itzas, the author also reveals much about neighboring lowland Maya groups with whom the Itzas interacted, often violently.

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Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailand - artists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. Provocative, accessible, and engaging, this book, one of the first full-length studies on the topic, situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a unique critical framework for understanding them. Grant Kester discusses a disparate network of artists and collectives - including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur - united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jurgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.

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"This book compiles and integrates highly innovative work aimed at bridging the fields of anthropology and consumer behavior." —Journal of Consumer Affairs" . . . fascinating . . . ambitious and interesting . . . " —Canadian Advertising Foundation Newsletter" . . . an anthropological dig into consumerism brimming with original thought . . . " —The Globe and Mail"Grant McCracken has written a provocative book that puts consumerism in its place in Western society—at the centre." —Report on Business Magazine" . . . a stimulating addition to knowledge and theory about the interrelationship of culture and consumption." —Choice"[McCracken's] synthesis of anthropological and consumer studies material will give historians new ideas and methods to integrate into their thinking." —Maryland Historian"The book offers a fresh and much needed cultural interpretation of consumption." —Journal of Consumer Policy"The volume will help balance the prevailing cognitive and social psychological cast of consumer research and should stimulate more comprehensive investigation into consumer behavior." —Journal of Marketing Research" . . . broad scope, enthusiasm and imagination . . . a significant contribution to the literature on consumption history, consumer behavior, and American material culture." —Winterhur Portfolio"For this is a superb book, a definitive exploration of its subject that makes use of the full range of available literature." —American Journal of Sociology"McCracken's book is a fine synthesis of a new current of thought that strives to create an interdisciplinary social science of consumption behaviors, a current to which folklorists have much to contribute." —Journal of American FolkloreThis provocative book takes a refreshing new view of the culture of consumption. McCracken examines the interplay of culture and consumer behavior from the anthropologist's point of view and provides new insights into the way we view ourselves and our society.

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In 1930 wealthy Scottish socialite Dorothy Brooke followed her new husband to Cairo, where she discovered thousands of suffering former British war horses leading lives of toil and misery.Brought to the Middle East by British forces during the Great War, these ex-cavalry horses had been left behind at the war's end, abandoned as used equipment too costly to send home. Grant Hayter-Menzies chronicles not only the lives and eventual rescue of these noble creatures, who after years of deprivation and suffering found respite in the Old War Horse Memorial Hospital established by Dorothy, but also the story of the challenges of founding and maintaining an animal-rescue institution on this scale. The legacy of the Old War Horse Memorial Hospital and its founder endures today in the dozens of international Brooke animal-welfare facilities dedicated to improving the lives of working horses, donkeys and mules across Africa, Asia and Latin America.

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In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.

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The primary theme of Paul's letter to the Colossians is the lordship of Christ. Writing from prison, Paul urges the Colossian believers to remain focused on Jesus even as false teachers have infiltrated the church. In his letter to Philemon, a prominent co-worker in the Colossian church, Paul spells out some of the practical implications of Christ's lordship when it comes to relationships with others.In Colossians & Philemon Verse by Verse, Grant R. Osborne offers a clear exposition of these letters that takes seriously both their first-century context and what they mean today. Pastors, Bible study leaders, and invested laypeople will all benefit from Osborne's careful reading of the text and commitment to making sense of God's Word without scholarly jargon.The Osborne New Testament Commentary Series is a set of commentaries on every New Testament book. In each volume, Grant R. Osborne seeks to carefully exposit the text in plain language, bringing out the treasures in each book and making them accessible for today's readers.

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For devotees of Bird by Bird and The Artist's Way, a memoir-driven guide to healing through the craft of writing A cinematic exploration of the writing life by Francesca Lia Block, the bestselling author of the Weetzie Bat series of magical-realism novels, The Thorn Necklace offers visceral insights and healing exercises for the writer who creates as a way to process pain and adversity. Gently guiding the reader down the write-to-heal path, Block offers guideposts of awareness for writers, such as how to find a muse, channeling agony into art, putting chaos into order, ignoring the inner critic, fostering personal perseverance, and thriving as an artist in a troubled world. The author also addresses the intrinsic value of channeling our experiences into the written word and provides compassionate support to the reader for his or her own write-to-heal process.

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The thousands of mergers, acquisitions, and start-ups that have characterized the past years of business have created an increasing number of corporations in financial trouble: specifically, a shortage of venture capital or quick cash. Consequently, bankruptcy protection is now viewed as a strategic move to protect corporations from their creditors and allow them to reorganize. Fully revised and updated with new case studies and the latest coverage of regulations, Bankruptcy and Insolvency Taxation, Fourth Edition provides the answers to the questions financial managers will have on the tax aspects of bankruptcy strategy.

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Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle’s epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle’s life.

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The new Doom Patrol puts itself back together after nearly being destroyed, and things start to get a lot weirder for everybody. The Chief leads Robotman, the recently formed Rebis, and new member Crazy Jane against the Scissormen, part of a dangerous, philosophical location that has escaped into our world and is threatening to engulf reality itself. Collecting Grant Morrison's definitive run, which launched his career as one of the comic industry's most innovative and creative writers! Collects Doom Patrol #19-63 and Doom Force Special #1.

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Let the experts at NauticEd teach you the smart way to handle your sailboat!If you skipper a sailboat, you know the inherent dangers of docking and maneuvering in a tight marina with high winds and current. Just one ding can cost hundreds of dollars and worse than that, major embarrassment.The experts at NauticEd offer a painless solution with this concise series of practice exercises using real maneuvering techniques—with clear explanations on how you can always be in full control or your boat in the marina. Once you master these exercises, you will confidently maneuver your sailboat in any marina in the world under whatever conditions are thrown at you.Grab this book, grab a friend, some (non-alcoholic) libations, and a sandwich and get out on the water for a fun enjoyable day of maneuvering practice.Here is what one of NauticEd’s students had to say:“I’ve sailed for the last thirty-plus years and have a fifty-ton master’s credential. I’m constantly learning something new or forgotten from NauticEd.”

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Take the first steps to become certified to charter a boat anywhere in the world.Imagine having the credentials to charter and skipper a boat in the Caribbean—or anywhere in the world.Grant Headifen and the experts at NauticEd have certified thousands of sailors for bareboat skippering in some of the most alluring seas of the world. NauticEd’s résumé-building system is accepted by yacht charter companies worldwide.Successfully Skipper a Sailboat offers everything you need to know—and with its unique, scannable QR codes providing clear instructional videos and animations, it is the next best thing to being on the water with an instructor at your side. Here is all you need to quickly learn how to confidently handle skippering and boat operations near shore with ease.NauticEd is the world’s most advanced sailing education and sailing certification program, providing sailing training from basics to advanced education through entertaining and interactive multimedia online sailing courses and an unparalleled network of global training centers. No other program in the world can offer you this.Here is what just one of NauticEd’s students had to say:“I’ve sailed for the last thirty-plus years, and have a fifty-ton master’s credential. I’m constantly learning something new or forgotten from NauticEd.”Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.In addition to books on popular team sports, we also publish books for a wide variety of athletes and sports enthusiasts, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

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This handy sketchbook is top-bound (suitable for the left- and right-handed), lies flat, and has an elastic pen holder so that your favorite pen or pencil is always at hand. The cover design is by Grant Snider, author of the Shape of Ideas, a collection of comics about the creative process. Offering empathy, humor, and inspiration to creative types of all kinds, this handsome sketchbook has a few pieces of Snider’s art tucked here and there throughout its blank pages. Whether you are a professional artist or designer, a student pursuing a creative career, or someone who spends their spare moments dedicated to creative pursuit, this sketchbook will motivate you to explore the world and capture pieces of it through your own unique perspective.

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Paul and Alice’s half-sister Eloise is getting married! In London! There will be fancy hotels, dinners at “it” restaurants and a reception at a country estate complete with tea lights and embroidered cloth napkins. They couldn’t hate it more. The People We Hate at the Wedding is the story of a more than dysfunctional family as they reunite for the wedding of their oldest daughter. As the bride's walk down the aisle approaches, Grant Ginder brings to vivid, hilarious life the power of family, the possibilities of friendship, and the complicated ways we hate the ones we love the most in this bitingly funny, slyly witty and surprisingly tender novel.

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James Prendergast is the most infamous figure in New Zealand's legal history, known mainly for his condemnation of the Treaty of Waitangi as ""a simple nullity"" in 1877. But during his lifetime Prendergast was a highly respected lawyer and judge. He was arguably New Zealand's dominant legal professional from 1865 to 1899, and his good reputation remained intact until the 1980s, when the Treaty of Waitangi finally returned to the centre of New Zealand political life. The more the Treaty has been celebrated, the more Prendergast has been condemned. Who was this legal villain? Was he really a villain at all? This comprehensive biography charts Prendergast's life from his upbringing in the heart of London's legal world through to his long and eventful reign as New Zealand's third Chief Justice. It provides fascinating insights into different parts of the 19th-century British Empire and, in particular, colonial Wellington, featuring bitter feuds, groundbreaking judgments, and personal tragedy.

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"I love words!" says Ava. "Words can be tiny, prickly, big, and bright!" In this delightful romp through one little girl's discovery of words, readers meet Ava—who asks: What was it like before I had words? Using a bright cheery palette, visual humor (and yes, even a big pile of words climbed by Ava), Grant Snider deftly follows the baby babbles, toddler questions, and little kid discoveries that are the hallmarks of how kids learn to "use their words."An adventurous spirit and a cheerful disposition make Ava feel like a friend children will want to spend time with. Her curiosity is nurtured by family, friends, and the world she discovers around her. For fans of books like Dear Girl, and I Am Peace, My Words will appeal to curious children who want to know more about how they grew from babies, as well as children who are excited by language. Perfect for reading together at home or for the pre-K or K classroom, My Words is a book that will make readers want to talk about the things they say and excite them about the giant world of words.

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Luci LaBang is a star: for decades this flamboyant drag artist has cast a spell over screen and stage. Now she's the leading lady in a smash hit pantomime.When Luci's co-star meets with a mysterious accident, a new ingenue shimmers onto the scene, and Luci is immediately smitten with the fantastically beautiful Luda and her sinister charm.Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, an arcane discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects.But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well.What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the

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Luci LaBang is a star: for decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit pantomime. When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene, and Luci is immediately smitten with the fantastically beautiful Luda and her sinister charm. Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, an arcane discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects. But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well. What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the brightest star of them all.

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THEY ARE ALIENS, DEMIGODS, METAHUMANS, AND MORTALS DRIVEN BY SHEER WILL...THEY ARE THE WORLD'S GREATEST HEROES...THEY ARE THE JLA. The classic Justice League of America lineup of Superman, Batman, Wonder Woman, the Flash, Green Lantern, Aquaman, and Martian Manhunter returns, but while the team members may be familiar, the stakes aren't. This is a dark new era where aliens from another world, evil masterminds, and even the old gods themselves are waiting to test the JLA's mettle. Battles will be fought, allies will be gained and lost, and the League will be pushed to its limits like never before. THE GODS WALK AMONG US. In a world where superhumans live side-by-side with mortals, the people of Earth can take comfort that some of these powerful beings are on the side of good. Superman, Batman, Wonder Woman, the Flash, Green Lantern, Aquaman, and Martian Manhunter are the world's first line of defense against alien invaders and supernatural entities. Time and again the JLA has rallied to save humankind from the brink of extinction. These are the adventures that have made them living legends. The JLA by Grant Morrison Omnibus collects acclaimed writer GRANT MORRISON's prolific JLA run, accompanied by artists HOWARD PORTER, JOHN DELL, and PAT GARRAHY. This deluxe volume also includes the groundbreaking JLA: Earth 2 graphic novel illustrated by FRANK QUITELY, plus bonus material from the DC One Million event and more.

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An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconsciousAn Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity.Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.

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An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconsciousAn Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity.Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.

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The Art of Videogames explores how philosophy of the arts theories developed to address traditional art works can also be applied to videogames. Presents a unique philosophical approach to the art of videogaming, situating videogames in the framework of analytic philosophy of the arts Explores how philosophical theories developed to address traditional art works can also be applied to videogames Written for a broad audience of both philosophers and videogame enthusiasts by a philosopher who is also an avid gamer Discusses the relationship between games and earlier artistic and entertainment media, how videogames allow for interactive fiction, the role of game narrative, and the moral status of violent events depicted in videogame worlds Argues that videogames do indeed qualify as a new and exciting form of representational art

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The World's Strangest Heroes continue their adventures in this next collection of Grant Morrison's career-launching run on DOOM PATROL. For the first time, meet Danny the Street and subsequently Flex Mentallo. But the team soon realizes that there may be more to Flex than they first realized...who is the real Flex? Collects DOOM PATROL #35-50.

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Advance Praise for Moving the Rock “The future comes at us fast — which means school reformers don’t have time to wait. They need real tools in real time. That’s why Moving the Rock is so important. Grant Lichtman has guidance for anyone — teachers, parents, administrators, government officials — intent on helping young people succeed not ‘someday,’ but today.” — Daniel H. Pink, best-selling author of Drive and A Whole New Mind “Grant Lichtman’s book is a clear and comprehensive guide to the “what" and the “how” of educational transformation. Organized around essential levers for change, it is a must-read for anyone who wants to make a difference in our schools.” —Tony Wagner, Harvard Ilab Expert in Residence, and best-selling author of The Global Achievement Gap and Creating Innovators” “This book gives me hope for a brighter future in education. Despite the dark clouds imposed by misguided policies, Grant Lichtman diligently tells stories of grass-roots innovations in the classrooms and schools all over the world. Moving the Rock is an inspiring call to action for all educators.”—Yong Zhao, Ph.D., Foundation Distinguished Professor, School of Education, University of Kansas “If you have children, or teach children, or want our children to succeed, this is a must-read book. Grant Lichtman throws down the challenge for all of us; that WE can change education, and he shows us just how successful schools everywhere are overcoming change-killing inertia in our schools.” —Todd Rose, best-selling author of The End of Average; Harvard University Moving the Rock: Seven Levers WE Can Press to Transform Educationgives educators, parents, administrators, students, and other stakeholders a clear paradigm for transforming our outmoded schools into schools that will help our children to meet the challenges of tomorrow. It’s no secret that our educational system is stuck. Moving the Rock shows the important roles all of us can play in un-sticking it by moving seven specific levers that will change the focus of education from what we teach to how we learn. Importantly, moving the levers is completely possible today, and in fact is already happening now in many schools. Drawing on research and extensive experience in the education community, Grant Lichtman outlines the seven essential levers that can profoundly change our schools so that we are teaching all our children how to learn, including • Creating the Demand for Better Schools • Building School-Community Learning Laboratories • Encouraging Open Access to Knowledge • Fixing How We Measure Student Success • Teaching the Teachers what They Really Need to Know • and more At the end of each of each chapter there are one or more challenges, ways that all of us can collectively turn the pioneering work of others into transformation for all our schools.

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