Search results for ""Author Eve""

Much of what we know about life in the medieval Islamic Middle East comes from texts written to impart religious ideals or to chronicle the movements of great men. How did women participate in the societies these texts describe? What about non-Muslims, whose own religious traditions descended partly from pre-Islamic late antiquity?Coming of Age in Medieval Egypt approaches these questions through Jewish women’s adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969–1250). Using hundreds of everyday papers preserved in the Cairo Geniza, Eve Krakowski follows the lives of girls from different social classes—rich and poor, secluded and physically mobile—as they prepared to marry and become social adults. She argues that the families on whom these girls depended were more varied, fragmented, and fluid than has been thought. Krakowski also suggests a new approach to religious identity in premodern Islamic societies—and to the history of rabbinic Judaism. Through the lens of women’s coming-of-age, she demonstrates that even Jews who faithfully observed rabbinic law did not always understand the world in rabbinic terms. By tracing the fault lines between rabbinic legal practice and its practitioners’ lives, Krakowski explains how rabbinic Judaism adapted to the Islamic Middle Ages.Coming of Age in Medieval Egypt offers a new way to understand how women took part in premodern Middle Eastern societies, and how families and religious law worked in the medieval Islamic world.

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''This is every woman's dream revenge plot come to life.'' Reader review, ?????Are you on a date that doesn't feel right? Can't shake that creepy guy at the bar?Worried you're being followed home?Message M.After one too many terrifying encounters, Millie Masters sets up a hotline for women who feel unsafe walking home alone at night: Message M.But very quickly she realises that there's much more to be done to help the women who call in. Because the men just do it again the next night, and the next, and the nextAnd when her own sister is assaulted on a night out, the temptation to take the law into her own hands becomes too much to resist.Because M can also stand for murderA deliciously dark, hilariously twisted serial killer thriller with a villainous female lead. Perfect for fans of Bella Mackie's How to Kill Your Family, Oyinkan Braithwaite's My Sister, the Serial Killer, or anyone who enjoyed watching You.Readers are OBSESSED with How to Kill a Guy in Ten Ways!A masterclass in murde

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Brewster climbs chimneys risking his life as a sweep, but he has got a SECRET: he is a WIZARD with numbers and his numbers predict a TERRIFYING STORM OF STARS. Upon each star he'll cast a wish to be the last climbing boy ever. A powerful woman promises to make his wish come true, but challenges him to do the impossible in return: A WISH FOR A WISH.

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The disparate texts in this anthology, produced in England between the late thirteenth and the early sixteenth centuries, challenge, and in some cases parody and satirize, the institution of marriage. In so doing, according to the Introduction, they allow us to interrogate the traditional assumptions that shape the idea of the medieval household. The trials of marriage seem to outweigh its joys at times and, as some of these texts suggest, maintaining a sense of humor in the face of what must have been great difficulty could have been no easy task. The texts bridge generic categories. Some are obscure, written by anonymous authors; others are familiar, written by the likes of John Lydgate, John Wyclif, and William Dunbar. Taken together they suggest that, despite the fact that marriage had become a sacrament in the twelfth century and was increasingly recognized by ecclesiastical and secular authorities as a valuable social institution, it was not always a stabilizing and orderly social force.

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If there’s one universal trait among humans, it’s our social nature. Having relationships with others is a hard-wired need that literally shapes us and the lives we lead. The craving to connect is universal, compelling, and frequently irresistible. This concept is central to Robots and the People Who Love Them. This book is about socially interactive robots and how they will transform friendship, work, home life, love, warfare, education, and nearly every nook and cranny of modern life. It is an exploration of how we, the most gregarious creatures in the food chain, could be changed by social robots. On the other hand, it questions how will we remain the same, and how will human nature express itself when confronted by a new class of beings created in our own image? Drawing upon recent research in the development of social robots, including how people react to them, how in our minds the boundaries between the real and the unreal are routinely blurred when we interact with them, and how their feigned emotions evoke our real ones, science writer Eve Herold takes readers through the gamut of what it will be like to live with social robots and still hold onto our humanity. This is the perfect book for anyone interested in artificial intelligence, robotics, and what they mean for our future.

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From the beginnings of the women's game, the sexist ban that lasted 50 years, to its glorious rise again and brilliant footballing heroes past and present, this is a celebration of all things women's football! Do you think you're a football-fan? Challenge your knowledge with this ultimate pocketbook of your Lioness footballing heroes. Young aspiring footballers will discover:*The history of the beautiful game*Meet amazing star players like Leah Williamson, Chloe Kelly, Alex Scott, Steph Houghton and their incredible trophy-winning manager Sarina Wiegman*Learn your favourite players' best moves*Pick your dream team using any player throughout history*Compare fact files and the stats that make these players the best in the gamePacked full of phenomenal wins, screaming goals, and extraordinary saves - this is everything you need to know about these history-makers, record-breakers and gamechangers. It's the perfect gift to inspire every young fan who cheered on as football finally came home.

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Reconsiders contemporary Disney animation through the critical lens of genre theory Reveals new directions for the study of Disney's gender portrayals by combining a film genre perspective and the concept of post-feminism Examines the multifaceted interactions between Disney animated films, Pixar, Marvel, and other properties, providing insight into Disney's expanding cinematic universe Supported throughout by close analyse of the films, marketing materials, merchandising, and a wide range of comparative case studies from mainstream animation and Hollywood cinema Contemporary Disney Animation: Genre, Gender and Hollywood is the first in-depth study of Disney's latest animated output from the perspective of genre theory. Analysing a decade in Disney's history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film. Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.

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Prior's Ford's Women's Rural Institute finds itself on the verge of a civil war when Moira Melrose is defeated in her bid to become president for the third time by newcomer Alma Parr. Moira seeks revenge by trying to outdo the Parrs' extravagant Christmas outdoor decorations, and the feud escalates from there, setting neighbour against neighbour. A former villager returns to set up the village's first holiday home, causing deep resentment, and things are going from bad to worse at Tarbethill Farm when building starts on the field that Victor McNair persuaded his father Bert to hand over to him.

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Electric Arches is an imaginative exploration of Black girlhood and womanhood through poetry, visual art, and narrative prose. Blending stark realism with the surreal and fantastic, Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances - Koko Taylor is a tall-tale hero; LeBron James travels through time and encounters his teenage self. Electric Arches invites conversations about race, gender, the city, identity, and the joy and pain of growing up.

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Mie Olise Kjærgaard (b. 1974) conquers an artistic domain closely linked to the idea of the genius male painter: expressive, figurative, large-scale paintings. Composed of turbulent brushstrokes, her works on their huge canvases exude a wildness and power. Kjærgaard is utterly convincing in her adoption of the genre and translates the expressive force of gestural painting into a world of female experience. Her works depict active women in sportswear and flip-flops, their hair standing wildly on end. They ride mythical creatures, hang from the railings of ships, play a round of tennis, or hurtle through the neighbourhood on skateboards. Ferocious Expeditions brings together her works from recent years, accompanied by texts that give insight into the work of this Danish painter.

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Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general.Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

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Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

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NPR Best Books of 2019 Chicago Tribune Best Books of 2019 Chicago Review of Books Best Poetry Book of 2019 O Magazine Best Books by Women of Summer 2019 The Millions Must-Read Poetry of June 2019 LitHub Most Anticipated Reads of Summer 2019 The Chicago Race Riot of 1919, the most intense of the riots comprising the nation’s Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

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'The whistling had started on their first night. At first, Layah thought it was bird song - a high thin sound which became a melody, rising and falling. And each night, it returned.'Strange things have been happening to Layah and her younger sister, Izzie, ever since their mother dragged them to a rain-soaked cottage miles from anywhere in the Lake District: there is a peculiar whistling at night, a handful of unusual feathers appear on their doorstep and there are murmurings of a shadowed woman in the forest. And their mother is behaving very oddly. Layah is mourning the loss of her dear grandmother in Poland - and can almost hear her Babcia's voice telling her the old myths and fairy tales from that magical place. And as the holiday takes on a dark twist, Layah begins to wonder if the myths might just be real.A thrilling debut from remarkable new talent, Eve Wersocki Morris.Praise for The Bird Singers'A deliciously spine-tingling story with sisterhood at its heart. I loved it.' - A.F. Steadman, author of Skandar and the Unicorn Thief

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Since the late 1980s, queer studies and theory have become vital to the intellectual and political life of the United States. This has been due, in no small degree, to the influence of Eve Kosofsky Sedgwick's critically acclaimed "Epistemology of the Closet". Working from classic texts of European and American writers - including Melville, James, Nietzsche, Proust, and Wilde -Sedgwick analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries. In her preface to this updated edition Sedgwick places the book both personally and historically, looking specifically at the horror of the first wave of the AIDS epidemic and its influence on the text.

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"Failing schools. Underprivileged schools. Just plain bad schools." That's how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt. But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures-they're an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together. Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike? Ewing's answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools-schools that are certainly less than perfect but that are theirs-as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

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"Eve’s brave and honest experiment reveals the shocking impact of the throwaway society we’ve become and at the same time showing small ways we can all do better.” —Rebecca Prince-Ruiz, founder of Plastic Free JulyYear of No Garbage is Super Size Me meets the environmental movement. In this book Eve O. Schaub, humorist and stunt memoirist extraordinaire, tackles her most difficult challenge to date: garbage. Convincing her husband and two daughters to go along with her, Schaub attempts the seemingly impossible: living in the modern world without creating any trash at all. For an entire year. And- as it turns out- during a pandemic. In the process, Schaub learns some startling things: that modern recycling is broken, and single stream recycling is a lie. That flushable wipes aren’t flushable and compostables aren’t compostable. That plastic drives climate change, fosters racism, and is poisoning the environment and our bodies at alarming rates, as microplastics are being found everywhere, from the top of Mount Everest to the placenta of unborn babies. If you’ve ever thought twice about that plastic straw in your drink, you’re gonna want to read this book.

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In der vorliegenden Aufsatzsammlung arbeitet Eve-Marie Becker die Sicht auf Markus als den frühesten Evangelisten aus, der mit seiner Evangelienerzählung eine neue literarische Form schafft, die sich in den weiteren Rahmen der frühkaiserzeitlichen Historiographie einzeichnen lässt. So dient der in diesem Band gewählte Zugang zum frühesten Evangelium erstens der Kontextualisierung und allgemeinen literatur- und gattungsgeschichtlichen Einordnung der Evangelienform in die frühkaiserzeitliche hellenistisch-römische Literatur. Zweitens bearbeitet die Autorin in den vorliegenden Aufsätzen die literatur- wie geschichtswissenschaftlich relevante Frage nach dem Verhältnis des Markusevangeliums zur antiken Historiographie: Welcher historiographischer Methoden und Deutungen sowie literarischer Formen bedient sich der früheste Evangelist? Welche pragmatische Absicht verfolgt Markus als historiographischer Autor? Die hier versammelten Textuntersuchungen reichen vom incipit des Evangeliums (Mk 1,1) bis zum wohl intentional offen gestalteten Ende der Schrift in Mk 16,8.

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Der Begriff der 'Demut' ist täglich in unserem politischen, kulturellen, intellektuellen und religiösen Leben präsent. Haben wir es hier mit der Wiederkehr einer christlichen Tugend oder mit dem Versuch zu tun, ein inter-religiöses Ethos zu installieren, das auch in nicht-christlichen Kulturkreisen bekannt ist? Was bedeutet die inflationäre Verwendung des Demut-Begriffs? Eve-Marie Becker begibt sich zunächst auf eine kulturgeschichtliche Spurensuche zum Gebrauch und Missbrauch des Begriffs der Demut. Sie führt dann zurück zum begrifflichen und konzeptionellen Ausgangspunkt der ταπεινοφροσύνη, der bei Paulus liegt. In seinem letzten Schreiben aus römischer Haft fordert der Apostel seine Adressaten in Philippi zu einer Gesinnung der Demut auf (Phil 2,3).Die exegetische Studie zu Phil 2 und den verwandten Texten im Corpus Paulinum deckt auf, wie Paulus im Bereich gemeindlicher Ethik mit dem Konzept der Demut jenseits von traditioneller Moral Möglichkeiten des kommunitären Denkens und Handelns eröffnet. Von Paulus ausgehend unternimmt die Autorin den Versuch, anthropologische und moralistische Engführungen des Begriffs, die unsere Kulturgeschichte hartnäckig durchziehen und den Blick auf Paulus verdunkeln, aufzubrechen und zu lernen, wie paulinisches Reden über Demut christliche Ethik und Ekklesiologie in ihren Anfängen begründet. Es wird diskutiert, ob die Demut sachlich zu Recht in der Zeit der Alten Kirche als ein identity marker der Christen verstanden wurde und wieweit sich diese Beschreibung bereits auf Paulus und Phil 2 zurückbeziehen kann.

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Das Markus-Evangelium wird in diesem Buch als früheste Evangelienschrift betrachtet und in den Kontext hellenistischer Historiographie (griechisch, römisch und frühjüdisch) gestellt. Eve-Marie Becker untersucht es im Hinblick auf die Datierung und die Verarbeitung von zeitgeschichtlichen Ereignissen und die Verwendung von geschichtlichen und literarischen Quellen. Sie analysiert die Erzählung von geschichtlichen Ereignissen in chronologischer und kausaler Ordnung und fragt nach der theologischen Deutung der Geschichte. Darüber hinaus behandelt sie die Gestaltung einer literarischen Gattung sui generis im Umfeld frühkaiserzeitlicher Literatur. Die Verortung des Markus-Evangeliums im Rahmen antiker Historiographie dient verschiedenen Zielen. Sie soll den geschichtlichen Wert der vormarkinischen Quellen und Überlieferungen bestimmen und die 'historiographische Leistung' des Redaktors Markus würdigen. Die Autorin zeigt die literarischen Verwandtschaften der Gattung 'Evangelium', aber zugleich auch ihre gattungsgeschichtliche Sonderstellung auf.

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A fabled witch. A powerful curse. A monster out for revenge.13-year-old Kallie Tamm can't wait to spend a week of her summer holidays at the Wildstorm Theatre Camp: she's determined not to let her dyslexia hold her back from achieving her dream of becoming a playwright. The finale of the whole week is a performance in the local village theatre. But as soon as she arrives, Kallie discovers that the cast will be performing a play written by a 17th Century witch, Ellsabet Graveheart, and strange, scary things start happening. Unbeknown to Kallie, a dark shadow is stirring in the woodland near Wildstorm: an ancient and dangerous creature has awoken from a centuries old slumber, and they're out for revenge, putting Kallie and all of her new friends in grave danger. The Wildstorm Curse is a thrillingly suspenseful story about unlikely heroes and the power of storytelling, from author of The Bird Singers, Eve Wersocki Morris.Praise for The Wildstorm Curse ''A cursed theatre, a witch's play and a warm-hearted heroine determined to follow her dream. I loved this perfectly paced mystery showcasing the magic of storytelling and the power of friendship.' - A.F. Steadman, author of Skandar and the Unicorn Thief'A riveting tale full of secrets, suspense and the power of storytelling. Just beware reading it if camping out in a dark, spooky wood...' - Jamie Littler, bestselling author of Frostheart 'Fabulously gripping. I couldn't put it down.' - Abi Elphinstone, bestselling author of Sky Song 'Bewitching and beguiling - The Wildstorm Curse is a heartwarming and spinechilling tale of friendship, bravery, and the intoxicating magic of storytelling. Once you step foot into the Wildstorm Theatre, you'll never want to leave.' - Jack Meggitt-Phillips, author of The Beast and the Bethany 'The Wildstorm Curse is a brilliant, spine-tingling mystery that kept me on the edge of my seat. I would wholeheartedly recommend it!' - Ewa Jozefkowicz, author of The Dragon in the Bookshop 'Distinctive, dark and mysterious - a thoroughly intriguing adventure.' - Katherine Woodfine, author of The Sinclair's Mysteries

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Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" (Rolling Stone). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing.The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.

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In January 1995, the first Complexity Seminar was held at the London School of Economics, in the UK. This was quite a momentous occasion as it proved to be the turning point for the series of seminars, which had started in December 1992. That seminar and those that followed it, had a profound effect on the research interests of Eve Mitleton-Kelly, the initiator and organiser of the series and editor of this volume, and thus laid the foundation for what became the LSE Complexity Research Programme, which proceeded to win several research awards for collaborative projects with companies. But the series also provided the material for this book. Earlier versions of the papers selected for this volume were first given at the LSE Complexity Seminar series. The seminar series, focussed primarily on the application of the theories of complexity to organisations - an area of study which was quite new to UK businesses and academics; it slowly helped to disseminate these ideas and today, there is a proliferation of networks and seminar series throughout the UK on complexity; a strong and active academic community studying complexity in different disciplines and a growing number of organisations, experimenting with these revolutionary ideas and putting them into practice. The 14 international authors in this volume reflect this interest in 10 chapters that range from the very practical application of the theory to more philosophical reflections on its nature and applicability. They do not all agree with each other, but since diversity and variety is at the heart of complexity they each provide a strand of an intertwined whole, which will enrich and deepen our understanding. In an environment of increasing uncertainty and ambiguity it is necessary to learn how to hold, in tension, disparate or even contradictory views, without undue stress. The world is not a simple dyadic black or white entity, but a rich multi-coloured and many-hued ensemble, each strand or perspective contributing to an intricate and inter-related n-dimensional whole.

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A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

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Eve Begley Kiehm offers an A-Z tour of Scotland, from the splendours of capital city Edinburgh to the stories of Robert Louis Stevenson to the gloomy waters of Loch Ness and its lonely Nessie.

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Alongside the three revolutions we usually identify with the long eighteenth century-the French Revolution, the American Revolution, and the Glorious Revolution of 1688-Enlightenment ideology gave rise to a quieter but no less significant revolution which was largely the fruit of women's imagination and the result of women's work. In The Domestic Revolution, Eve Tavor Bannet explores how eighteenth-century women writers of novels, conduct books, and tracts addressed key social, political, and economic issues, revising public thinking about the family and refashioning women's sexual and domestic conduct. Bannet examines the works of women writers who fell into two distinct camps: "Matriarchs" such as Eliza Haywood, Maria Edgeworth, and Hannah More argued that women had a superiority of sense and virtue over men and needed to take control of the family. "Egalitarians" such as Fanny Burney, Mary Hays, and Mary Wollstonecraft sought to level hierarchies both in the family and in the state, believing that a family should be based on consensual relations between spouses and between parents and children. Bannet shows how Matriarch and Egalitarian writers, in their different ways, sought to raise women from their inferior standing relative to men in the household, in cultural representations, and in prescriptive social norms. Both groups promoted an idealized division of labor between women and men, later to be dubbed the doctrine of "separate spheres." The Domestic Revolution focuses on women's debates with each other and with male ideologues, alternating between discursive and fictional arguments to show how women translated their feminist positions into fictional exemplars. Bannet demonstrates which issues joined and separated different camps of eighteenth-century women, tracing the origins of debates that continue to shape contemporary feminist thought.

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The Scramble for Africa in the 1880s showed European interest in Africa at its most intense and today evokes a picture of the great European powers engaged in a frantic struggle for supremacy and for control of Africa and its resources. Eve Pollecoff here tells the story of Otto Markus - 'Pioneer Merchant Trader' - who established his East African Trading Company in the wake of growing British interest in East Africa: especially Kenya and Uganda. The influence of Markus's company stretched from East Africa to Europe, and to the USA and Brazil, embracing skins and hides, domestic goods, agricultural produce and the Ford Motor Company agency. The company survived two world wars, waves of anti-Semitism in Europe, and pioneered staple crops for which Africa became famous, especially cotton and coffee. Pollecoff paints an impressive portrait of Otto Markus as a dynamic international entrepreneur, the focus of a large and traditional family, and, above all, the embodiment - perhaps unwittingly - of informal empire.

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Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick’s first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative.Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick’s writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places—including Victorian novels—where characters, sexualities, and fates are unmade and made. Sedgwick’s poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do.

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"Failing schools. Underprivileged schools. Just plain bad schools." That's how Eve L. Ewing opens Ghosts in the Schoolyard describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt. But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures--they're an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together. Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike? Ewing's answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools--schools that are certainly less than perfect but that are theirs--as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

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Layer-by-layer self-assembly is the most widely used strategy for the production of functional surfaces with tailored structures and chemical, biological, optical and electrical properties. Layer-by-layer approaches allow for the loading of bioactive molecules for tissue scaffolds, cardiovascular devices, implants, wound healing dressing, bone grafts, biosensors, drug delivery, and release systems. Layer-By-Layer Deposition: Development and Applications also examines the physico-chemical bases underlying the fabrication of materials by the layer-by-layer method. Understanding the forces involved in the control of the assembly process is essential for the fabrication of materials with controlled properties, and structures. Following this, the main principles and latest strategies of functionalized films, diamond core-shell structures, and graphene/graphene oxide nanocomposites by layer-by-layer self-assembly technology are extensively reviewed in detail, and these composites have been applied in the fields of biology, catalysis, and dye degradation. The authors study the layer-by-layer growth of quasiperiodic structures that are mathematical models of quasicrystals. This study is based on the concept of model sets proposed by Moody and generalizing the well-known "cut-and-project" method. This compilation also reviews the current state of the art uses of the layer-by-layer strategy for providing natural and synthetic textile materials with flame retardant properties, reviewing and discussing the current advances. The penultimate study focuses on how nisin peptides can be entrapped and released, creating an antibacterial food-contacting textile membrane. Biocatalytic membranes can be fabricated using entrapped enzymes. Lastly, the different issues of multilayer emulsions with flaxseed and chia seed oil as omega-3 sources will be discussed, including their formation, composition, stability, characterization, and application.

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Amelia Bloomer ListThe world is full of great things to be and do! Meet Aliki, Belinda, Chris, and 23 more girls who are imagining what they will be when they grow up—from astronaut to zookeeper. What would you like to be when you grow up? An astronaut? A ballet dancer, a computer whiz? The world is full of great things to do. But like Aliki, Belinda, Chris, and the other girls in this book, you have to have a dream. Eve Bunting’s breezy, rhyming text, with lively illustrations by Suzanne Bloom, invites girls to “dream any dream you want to dream.”

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