Search results for ""Author Editors of David"

Climate change poses one of the greatest challenges for human society in the twenty-first century, yet there is a major disconnect between our actions to deal with it and the gravity of the threat it implies. In a world where the fate of countries is increasingly intertwined, how should we think about, and accordingly, how should we manage, the types of risk posed by anthropogenic climate change? The problem is multi-faceted, and involves not only technical and policy specific approaches, but also questions of social justice and sustainability. In this volume the editors have assembled a uniquerange of contributors who together examine the intersection between the science, politics, economics and ethics of climate change. The book includes perspectives from some of the world's foremost commentators in their fields, ranging from leading scientists to political theorists, to high profile policymakers and practitioners. They offer a critical new approach to thinking about climate change, and help express a common desire for a more equitable society and a more sustainable way of life.

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Roy Orbison's music--whether heard in his own recordings or in cover versions of his songs--is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs. Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss. Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters. Author note: Peter Lehman is Director of the Interdisciplinary Humanities Program at Arizona State University. He is the author of Running Scared: Masculinity and the Representation of the Male Body (Temple), and the editor of Masculinity Bodies/Movies/Culture.

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Sprawl is the single most significant and urgent issue in American land use at the turn of the twenty-first century. Efforts to limit and reform sprawl through legislative “Smart Growth” initiatives have been enacted around the country while the neotraditionalist New Urbanism has been embraced by many architects and urban planners. Yet most Americans persist in their desire to live farther and farther away from urban centers, moving to exurbs made up almost entirely of single-family residential houses and stand-alone shopping areas. Sprawl and Suburbia brings together some of the foremost thinkers in the field to present in-depth diagnosis and critical analysis of the physical and social realities of exurban sprawl. Along with an introduction by Robert Fishman, these essays call for architects, urban planners, and landscape designers to work at mitigating the impact of sprawl on land and resources and improving the residential and commercial built environment as a whole. In place of vast residential exurbs, these writers offer visions of a fresh urbanism—appealing and persuasive models of life at greater density, with greater diversity, and within genuine communities. With sprawl losing the support of suburban citizens themselves as economic, environmental, and social costs are being paid, Sprawl and Suburbia appears at a moment when design might achieve some critical influence over development—if architects and planners accept the challenge. Contributors: Mike Davis, Ellen Dunham-Jones, Peter Hall, David Harvey, Jerold S. Kayden, Matthew J. Kiefer, Alex Krieger, Andrew Ross, James S. Russell, Mitchell Schwarzer. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at the Harvard Design School. He is the author of Modern Architecture: Photographs by Ezra Stoller. Robert Fishman is professor of architecture and urban planning at the Taubman College of Architecture, University of Michigan. He is author of Bourgeois Utopias: The Rise and Fall of Suburbia and editor of The American Planning Tradition: Culture and Policy.

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This book discusses important recent developments in the theory, concepts and empirical applications of ecological economics and sustainable development. The editors have assembled a fascinating collection of papers from some of the leading scholars in the field of ecological economics.Topics covered include: the contribution of classical economics to ecological economics alternatives to the growth paradigm and Gross Domestic Product valuation in ecological economics and indicators of natural resource scarcity case studies of sustainable development critical reviews of the environmental Kuznets curve green national accounting. This will be an invaluable text for scholars, policy analysts and students interested in sustainable development and ecological, environmental and resource economics.

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How much credit can be given to entrepreneurship for the unprecedented innovation and growth of free-enterprise economies? In this book, some of the world's leading economists tackle this difficult and understudied question, and their responses shed new light on how free-market economies work--and what policies most encourage their growth. The contributors take as their starting point William J. Baumol's 2002 book The Free-Market Innovation Machine (Princeton), which argued that independent entrepreneurs are far more important to growth than economists have traditionally thought, and that an implicit partnership between such entrepreneurs and large corporations is critical to the success of market economies. The contributors include the editors and Robert M. Solow, Kenneth J. Arrow, Michael M. Weinstein, Douglass C. North, Barry R. Weingast, Ying Lowrey, Nathan Rosenberg, Melissa A. Schilling, Corey Phelps, Sylvia Nasar, Boyan Jovanovic, Peter L. Rousseau, Edward N. Wolff, Deepak Somaya, David J. Teece, Naomi R. Lamoreaux, Kenneth L. Sokoloff, Yochanan Shachmurove, Ralph E. Gomory, Jonathan Eaton, Samuel S. Kortum, Alan S. Blinder, Robert J. Shiller, Burton G. Malkiel, and Edmund S. Phelps.

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Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history--including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois--leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.

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Nicola Bryant reads a brand new story featuring the Sixth Doctor and Peri, set in the far future. The TARDIS lands aboard the Sun God, a vast spaceship carrying executives from a powerful 35th Century energy company. Peri is menaced by deadly cat-like robots, whilst the Doctor discovers that Spalding Revere, the company's founder, has set the ship on course for the heart of a sun. Spalding's last wish is to take his acolytes with him to the afterlife, and unless the Doctor can intervene he and Peri will be going with them. Tensions and in-fighting grow among the staff. Peri meets Brian, whose half-man/half-insect body has a terrible significance to Spalding's plan. As the Sun God continues on its final mission, time is running out for them all... Nicola Bryant, who played Peri in the TV series, reads this original adventure by Nev Fountain, featuring the Sixth Doctor as played on TV by Colin Baker. Reading produced by Neil GardnerSound design by David DarlingtonProject Editor: John AinsworthExecutive Producer: Michael Stevens

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Britain is well-known for its churches and cathedrals; buildings of great architecture and religious grandeur that form many of our recognisable skylines. But these grand structures are also full of facts, histories and stories that you may not have been aware of. Did you know that there are only three cathedrals in Britain without a ringing bell? Or that St Davids Cathedral, nestled away in a Welsh valley, has a very unique choir, where the top line is sung only by female choristers, aged eight to eighteen? How about that the Great Pyramids in Egypt were the world's tallest structures for over 3,870 years, until the construction of Lincoln Cathedral in 1311? Award-wining travel writer and editor Sue Dobson takes us on a journey around the United Kingdom, showing us her highlights while providing fascinating details and stories along the way.

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An utterly brilliant collection of the very best poems, from Puffin Books,A celebratory anthology of the best of Puffin poetry publishing, including poems by Roger McGough, Michael Rosen, Charles Causley, Benjamin Zephaniah, Jackie Kay, Spike Milligan, John Agard, Brian Patten, Allan Ahlberg and Kit Wright. Each poet's work is illustrated by a different artist such as Emma Chichester Clark, Fritz Wegner and Korky Paul.Brian Patten came to public attention with the publication of THE MERSEY SOUND in 1967. He is a very popular performance poet, always in demand for conferences and school visits. Collections of his own poetry are published in Puffin and he is the editor of the PUFFIN BOOK OF TWENTIETH CENTURY VERSE. Brian lives in London.This collection features poems and illustrations from:Spike Milligan; Kit Wright; Michael Rosen; Charles Causley; Roger McGough; Benjamin Zephaniah; Brian Patten; Jackie Kay; John Agard; Allan Ahlberg; Emma Chichester Clark; Korky Paul; Alison Jay; Lydia Monks; Ali Chatterton; David Mostyn; Sue Williams; Sheila Moxley; Fritz Wegner

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THE ENCYCLOPEDIA OF THE GOTHIC “Well written and interesting [it is] a testament to the breadth and depth of knowledge about its central subject among the more than 130 contributing writers, and also among the three editors, each of whom is a significant figure in the field of gothic studies … A reference work that’s firmly rooted in and actively devoted to expressing the current state of academic scholarship about its area.” New York Journal of Books“A substantial achievement.” Reference Reviews Comprehensive and wide-ranging, The Encyclopedia of the Gothic brings together over 200 newly-commissioned essays by leading scholars writing on all aspects of the Gothic as it is currently taught and researched, along with challenging insights into the development of the genre and its impact on contemporary culture. The A-Z entries provide comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that continue to define, shape, and inform the genre. The volume’s approach is truly interdisciplinary, with essays by specialist international contributors whose expertise extends beyond Gothic literature to film, music, drama, art, and architecture. From Angels and American Gothic to Wilde and Witchcraft, The Encyclopedia of the Gothic is the definitive reference guide to all aspects of this strange and wondrous genre. The Wiley-Blackwell Encyclopedia of Literature is a comprehensive, scholarly, authoritative, and critical overview of literature and theory comprising individual titles covering key literary genres, periods, and sub-disciplines. Available both in print and online, this groundbreaking resource provides students, teachers, and researchers with cutting-edge scholarship in literature and literary studies.

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American Indian Autobiography is a kind of cultural kaleidoscope whose narratives come to us from a wide range of American Indians: warriors, farmers, Christian converts, rebels and assimilationists, peyotists, shamans, hunters, Sun Dancers, artists and Hollywood Indians, spiritualists, visionaries, mothers, fathers, and English professors. Many of these narratives are as-told-to autobiographies, and those who labored to set them down in writing are nearly as diverse as their subjects. Black Elk had a poet for his amanuensis; Maxidiwiac, a Hidatsa farmer who worked her fields with a bone-blade hoe, had an anthropologist. Two Leggings, the man who led the last Crow war party, speaks to us through a merchant from Bismarck, North Dakota. White Horse Eagle, an aged Osage, told his story to a Nazi historian. By discussing these remarkable narratives from a historical perspective, H. David Brumble III reveals how the various editors’ assumptions and methods influenced the autobiographies as well as the autobiographers. Brumble also—and perhaps most importantly—describes the various oral autobiographical traditions of the Indians themselves, including those of N. Scott Momaday and Leslie Marmon Silko. American Indian Autobiography includes an extensive bibliography; this Bison Books edition features a new introduction by the author.

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First published in 1975, this collection includes many of the best critical responses to John Rawls' A Theory of Justice, and the editor has elected to reissue the book without making any substitutions. As he argues in his new preface, the variety of issues raise in the original papers has been a major part of the book's appeal. He also acknowledges that no modest revision of this book could pretend to respond adequately to the considerable elaboration and evolution of Rawls' theory in the last fifteen years. Political philosophy has been one of the most exciting areas of philosophical activity in the years since A Theory of Justice, and much of that activity has been a response to Rawls' work. In his preface, the editor suggests how some of the insights and criticisms contained in the collection have had a bearing on developments in Rawls' theory and in political philosophy more generally, and that fresh reading of each of them reveals additional important points that have not yet received adequate attention. The contributors are: Benjamin Barber, Norman Daniels, Gerald Dworkin, Ronald Dworkin, Joel Feinberg, Milton Fisk, R.M. Hare, H.L.A. Hart, David Lyons, Frank Michelman, Richard Miller, Thomas Nagel, T.M. Scanlon, and A.K. Sen.

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Published in 1542 to an astonished and captivated public, Chronicle of the Narváez Expedition tells the unforgettable story of a sixteenth-century soldier turned explorer who, along with three other survivors of a shipwreck, makes his way across an unknown geographic and cultural landscape. This Norton Critical Edition is based on David Frye’s new translation. It is accompanied by Ilan Stavan’s introduction, the translator’s preface, the editor’s detailed explanatory annotations, and a map tracing Cabeza de Vaca’s journey from Florida to California. “Alternative Narratives and Sequels” enriches the reader’s understanding of and appreciation for Cabeza de Vaca’s chronicle, which can be read both as historical record and as fiction (Cabeza de Vaca having written his account years after the events took place). Gonzalo Fernández de Oviedo y Valdéz’s General and Natural History of the Indies (1535) provides a different account of the same journey, while sequels can be found in a 1539 letter from the Viceroy of New Spain to the Emperor and in Fray Marcos de Niza’s Relación on the Discovery of the Kingdom of Cibola (1539). The Spanish explorers, soldiers, and missionaries of the period saw the New World as a place of enchantment, riches, and opportunity. This spirit is captured in “Contexts” with documents including a 1493 letter from Christopher Columbus to a potential benefactor of his future travels; Hernán Cortés’s 1520 letter from Mexico; and an excerpt from Fray Bartolomé’s Brief Account of the Destruction of the Indies (1542). A selection from Miguel León Portilla’s Broken Spears provides readers with the viewpoint of the vanquished. “Criticism” includes five major assessments of Chronicle of the Narváez Expedition spanning eighty years. Contributors include Morris Bishop, Rolena Adorno and Patrick Charles Pautz, Paul Schneider, Andrés Reséndez, and Beatriz Rivera-Barnes. A Chronology, Selected Bibliography, and Index are also included.

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In this two-volume set, the editors present seminal articles by leading SSA scholars describing the development of SSA Theory and its wider application. The first volume offers an introduction to SSA theory and covers the historical context, the founding documents of the approach, subsequent theoretical and empirical developments, the relationship between SSA theory and related approaches, and an introduction to the work of Bowles, Gordon and Weisskopf on the rise and demise of the postwar SSA. The second volume examines extensions to the SSA literature: applying SSA analysis to countries outside the United States, placing the history of a wider range of institutions within an SSA framework and current use of SSA analysis. The editors' comprehensive original introduction illuminates the state of SSA Theory up to the present and considers its future applications within further historical and theoretical contexts and in analysing and understanding the unfolding economic turmoil which began in 2007-2008.

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'Shadowman is an emotional and powerful read, deeply honest and very personal, and at times made bearable only by Johnny Daukes' ability to find comedy in horrific circumstances. An astonishing piece of work' - David Quantick This is no ordinary autobiography. In 2003 Johnny Daukes acknowledged to himself and confessed to his younger brother that he had been sexually abused as a child. This was by a man in charge of a boys' club in Oxford, run by the Catholic organisation Opus Dei. In 1984 the abuser married their older sister and the couple went on to have ten children. In 1992 Johnny formed the band FIN and they released records, toured extensively and received a great deal of press and national airplay. He also went on to become a successful voice-over artist, screenwriter and director. Later in life Johnny came to realise that these projects – his lyrics, sketches and scripts – were in fact the documents, or records, of a life that had been corrupted. Shadowman is an extraordinary memoir about childhood abuse and one man's unwitting attempt to examine and understand the past through creativity and art. 'What a unique book Johnny Daukes' Shadowman is. On the surface it's memoir but at its heart it's a book that wrestles with big questions about pain, art, memory and love' - Mat Osman 'Johnny Daukes' compelling memoir navigates both darkness and exhilaration with intensity and painful candour but also joy and wit. This is a book that is often melancholy but never mawkish and at its heart is an affirming appetite for life.' - Stuart Maconie AUTHOR: Johnny Daukes is a writer, musician, film editor, voice artist. He was the singer/songwriter of 90s indie-band FIN, became a comedy writer with sketch shows on BBCR4 (Radio9 & The Scanner), BBC3TV (The Message) and voiced 16 series of C4's Eurotrash. He wrote and directed the 2011 feature film Acts of Godfrey (starring Simon Callow), released solo albums including Promise that was album of the week in The Sunday Times and Rough Trade. His sitcom Cracking Up ran for two series on BBCR4 and he has latterly cut feature films including Finding Your Feet, Fisherman's Friends and Settlers.

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Taking Stock of Homicide provides a critical look at homicide, offering a comprehensive review of the major areas of homicide research, including topics largely unexplored in the literature, such as qualitative and historical accounts. Featuring leading scholars, this volume is organized around key themes and areas that reflect major contemporary trends and patterns in criminological literature. Chapters consider fundamentals such as data collection, sources, and histories; structural dynamics, including methodologies and fieldwork plus factors involving race and public health; the circumstances, types, and variations in homicide, from intimate partner violence to gangs, drugs, and firearms; as well as the prevention of and responses to homicide. An essential state-of-the-discipline examination, Taking Stock of Homicide expands our knowledge while offering a toolkit for how to conduct future research on this serious, violent crime. Contributors: Mark Berg, Laura Boisten, Anthony Braga, Fiona Brookman, Shytierra Gaston, Veronica Valencia Gonzalez, Elizabeth Griffiths, Chris Guerra, John Hipp, John Jarvis, Helen Jones, Sharon Jones-Eversley, Jungmyung Kim, Kenneth Land, Marieke Liem, Michael Light, Xiaoshuang Iris Luo, Amy Magnus, Patricia McCall, Erin Orrick, Alex Piquero, William Pridemore, David Pyrooz, Arnaldo Rabolini, Kasey Ragan, Wendy Regoeczi, Johnny Rice II, Jacqueline Rhoden-Trader, Ethan Rogers, Meghan Rodgers, Randolph Roth, Jose Antonio Sanchez, Daniel Semenza, James Tuttle, Jolien van Breen, Kirk Williams, and the editors

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Taking Stock of Homicide provides a critical look at homicide, offering a comprehensive review of the major areas of homicide research, including topics largely unexplored in the literature, such as qualitative and historical accounts. Featuring leading scholars, this volume is organized around key themes and areas that reflect major contemporary trends and patterns in criminological literature. Chapters consider fundamentals such as data collection, sources, and histories; structural dynamics, including methodologies and fieldwork plus factors involving race and public health; the circumstances, types, and variations in homicide, from intimate partner violence to gangs, drugs, and firearms; as well as the prevention of and responses to homicide. An essential state-of-the-discipline examination, Taking Stock of Homicide expands our knowledge while offering a toolkit for how to conduct future research on this serious, violent crime. Contributors: Mark Berg, Laura Boisten, Anthony Braga, Fiona Brookman, Shytierra Gaston, Veronica Valencia Gonzalez, Elizabeth Griffiths, Chris Guerra, John Hipp, John Jarvis, Helen Jones, Sharon Jones-Eversley, Jungmyung Kim, Kenneth Land, Marieke Liem, Michael Light, Xiaoshuang Iris Luo, Amy Magnus, Patricia McCall, Erin Orrick, Alex Piquero, William Pridemore, David Pyrooz, Arnaldo Rabolini, Kasey Ragan, Wendy Regoeczi, Johnny Rice II, Jacqueline Rhoden-Trader, Ethan Rogers, Meghan Rodgers, Randolph Roth, Jose Antonio Sanchez, Daniel Semenza, James Tuttle, Jolien van Breen, Kirk Williams, and the editors

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What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the ‘War on Terror’. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to ‘culture’ wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of ‘official’ war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.

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While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism.Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity.Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.

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September 1973: A pro-trades union congressman is shot dead in a California desert town along with a celebrity businessman and a barmaid who went for a break at the wrong time. The triple homicide happened just hours after the congressman told local newspaper editor Wat Tyler that he'd come to town in defiance of a death threat from anti-union workers. Tyler, a Vietnam combat veteran, teams up with the town's first female chief of detectives. Together, they link the killings to a defence company boss who has gone missing, leaving a huge Pentagon contract and 1,200 jobs in the balance. At a time when reality often humbled the wildest conspiracy theories, Tyler comes up against a hostile FBI agent, angry mobsters and a cheated casino owner. His problems mount when a secretive figure he last saw deep in Viet Cong territory arrives in town

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This book provides an understanding of how public organizations adapt to and manage situations characterized by fluidity, ambiguity, complexity and unclear technologies, thus exploring public governance in times of turbulence. An impressive selection of scholars present their research on governance in turbulent times and explore how public organizations adapt flexibly in turbulent situations. The editors introduce a diverse analytical toolkit contributing not only to an understanding of the role of complexity in public governance, but also suggesting how organizational formats may serve as usable design tools available to decision-makers in the pursuit of sustainable and responsible governance. Chapters explore a variety of topics and cases including artificial intelligence, antimicrobial resistance and sexuality education. Providing a broad coverage of empirical cases and a global outlook, this book will be an excellent read for scholars and practitioners in political science and public administration, as well as policy makers with interests in governance, leadership and citizen engagement.

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We are used to singing hymns of praise when we go to church but often we miss the hymns and poems that are there in the New Testament. This course will explore five different Songs of Praise from the New Testament, looking at what they tell us about God and Jesus but also reflecting on what they tell us about us and our faith. The five sessions focus on: Session 1: Gratitude (Ephesians 1.3-14) Session 2: Image of God (Colossians 1.15-20) Session 3: Humility (Philippians 2.5-11) Session 4: New birth (1 Peter 1.3-12) Session 5: Word made flesh (John 1.1-14) The course booklet is accompanied by a lively CD, featuring the Archbishop of Canterbury, Justin Welby, ‘art nun’, the late Sister Wendy Beckett, the multi-award winning actor, David Suchet CBE, and Editor and Publisher of the Methodist Recorder, Moira Sleight. This York Course is available in the following formats Course Book (Paperback 9781909107069) Course Book (eBook 9781909107854) Audio Book of Interview to support Praise Him York Course (CD 9781909107847) Audio Book of Interview (Digital Download 9781909107830) Transcript of interview to support Praise Him York Course (Paperback 9781909107076) Transcript of interview (eBook 9781909107861) Book Pack (9781909107878 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107885)

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Two renowned theologians open up the reality of God's glory in this book, offering readers a dynamic foundation for glorifying God in the twenty-first century. Drawing from Christian spirituality, liturgy, poetry, hymns, iconography, seminal "glory" texts in the Bible, the Nicene Creed, and theologians throughout the ages who caught sight of the glory of God in diverse ways, this book explores the immensely rich and generative soteriological theme of glorification. It shows students how to integrate theology into the life of faith and demonstrates how the practices of Christian worship influence theological thinking. Metaphors, descriptions, evocations, concepts, narratives, and more highlight the amazing, abundant reality of glorification. This is the first book in the Soteriology and Doxology series. These introductory textbooks cover key topics in soteriology, providing substantive treatments of doctrine while pointing to the setting of theology in doxology. Series editors are Kent Eilers and Kyle C. Strobel.

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While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism.Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity.Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.

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We are used to singing hymns of praise when we go to church but often we miss the hymns and poems that are there in the New Testament. This course will explore five different Songs of Praise from the New Testament, looking at what they tell us about God and Jesus but also reflecting on what they tell us about us and our faith. The five sessions focus on: Session 1: Gratitude (Ephesians 1.3-14) Session 2: Image of God (Colossians 1.15-20) Session 3: Humility (Philippians 2.5-11) Session 4: New birth (1 Peter 1.3-12) Session 5: Word made flesh (John 1.1-14) The course booklet is accompanied by a lively CD, featuring the Archbishop of Canterbury, Justin Welby, ‘art nun’, the late Sister Wendy Beckett, the multi-award winning actor, David Suchet CBE, and Editor and Publisher of the Methodist Recorder, Moira Sleight. This York Course is available in the following formats Course Book (Paperback 9781909107069) Course Book (eBook 9781909107854) Audio Book of Interview to support Praise Him York Course (CD 9781909107847) Audio Book of Interview (Digital Download 9781909107830) Transcript of interview to support Praise Him York Course (Paperback 9781909107076) Transcript of interview (eBook 9781909107861) Book Pack (9781909107878 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107885)

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In Confronting Dystopia, a distinguished group of scholars analyze the implications of the ongoing technological revolution for jobs, working conditions, and income. Focusing on the economic and political implications of AI, digital connectivity, and robotics for both the Global North and the Global South, they move beyond diagnostics to seek solutions that offer better lives for all. Their analyses of the challenges of technology are placed against the backdrop of three decades of rapid economic globalization. The two in tandem are producing the daunting challenges that analysts and policymakers must now confront. The conjuncture of recent advances in AI, machine learning, and robotization portends a vast displacement of human labor, argues the editor, Eva Paus. As Confronting Dystopia shows, we are on the eve of—indeed we are already amid—a technological revolution that will impact profoundly the livelihoods of people everywhere in the world. Across a broad and deep set of topics, the contributors explore whether the need for labor will inexorably shrink in the coming decades, how pressure on employment will impact human well-being, and what new institutional arrangements—a new social contract, for example, will be needed to sustain livelihoods. They evaluate such proposals as a basic income, universal social services, and investments that address key global challenges and create new jobs. Contributors: Vandana Chandra, Mignon Duffy, Dieter Ernst, Vincent Ferraro, Martin Ford, Juliana Martinez Franzoni, Irmgard Nubler, Robert Pollin, David Rueda, Diego Sanchez-Ancochea, Guy Standing, Stefan Thewissen

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The ten novels explored in Critical Children portray children so vividly that their names are instantly recognizable. Richard Locke traces the 130-year evolution of these iconic child characters, moving from Oliver Twist, David Copperfield, and Pip in Great Expectations to Tom Sawyer and Huckleberry Finn; from Miles and Flora in The Turn of the Screw to Peter Pan and his modern American descendant, Holden Caulfield; and finally to Lolita and Alexander Portnoy. "It's remarkable," writes Locke, "that so many classic (or, let's say, unforgotten) English and American novels should focus on children and adolescents not as colorful minor characters but as the intense center of attention." Despite many differences of style, setting, and structure, they all enlist a particular child's story in a larger cultural narrative. In Critical Children, Locke describes the ways the children in these novels have been used to explore and evade large social, psychological, and moral problems. Writing as an editor, teacher, critic, and essayist, Locke demonstrates the way these great novels work, how they spring to life from their details, and how they both invite and resist interpretation and provoke rereading. Locke conveys the variety and continued vitality of these books as they shift from Victorian moral allegory to New York comic psychoanalytic monologue, from a child who is an agent of redemption to one who is a narcissistic prisoner of guilt and proud rage.

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Learn the most up-to-date developments in applied psychology with one authoritative collection The Handbook on the State of the Art in Applied Psychology delivers 19 state-of-the-art addresses on a selected topic in applied psychology. Together, they constitute an up-to-date and authoritative reference that describes the most cutting-edge material in the most prominent domains of applied psychology. The accomplished academics and editors Dr. Peter Graf and Dr. David Dozois put the focus on areas where the most profound recent progress has been made. They also emphasize the link between science and practice, showcasing basic science research that has practical implications for real world problems. Readers will benefit from up-to-date research on topics as varied as occupational commitment and organizational productivity, forgiveness, shared cultural spaces, environmental decision making, and the early identification of reading problems. In addition to the papers included in the collection, the Handbook on the State of the Art in Applied Psychology features: An insightful preface focused on the theme of connecting basic research to practical solutions in the real world An overview of the chapters and their arrangement in the collection An author and subject index to assist readers in finding the information they seek A focus on the most cutting-edge advancements in the field of applied psychology, with an emphasis on the impact of technological innovation and increased recognition of cultural determinants of behavior Perfect for applied psychology researchers, workers, teachers, and students around the world, Handbook on the State of the Art in Applied Psychology also belongs on the bookshelves of anyone looking for an efficient way to get up to speed on the latest developments on a wide variety of relevant topics in applied psychology.

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“A Meteor of Intelligent Substance”“Something was Missing in our Culture, and Here It Is”"Liberties is THE place to be. Change starts in the mind."Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today’s culture and politics.This issue of Liberties includes: new work from Nobel Prize winner Mario Vargas Llosa; drawings by Leonard Cohen published for the first time; Mamtimin Ala’s essay on China’s genocide of the Uyghurs; Jaroslaw Anders’ analysis of the crisis in Belarus; Cass R. Sunstein on liberalism inebriated; Richard Thompson Ford on what slavery does and does not explain; Sean Wilentz on the historical strategy of the Republican Party; Benjamin Moser writes about translation as a form of tourism in literary life; Jonathan Zimmerman on the scandal of college teaching; Mark Lilla on cults of innocence and their victims; Helen Vendler on Adrienne Rich; Holly Brewer on race and enlightenment; David Thomson asks, What shall we watch now?; Celeste Marcus (managing editor) on the legend of Alice Neel; Leon Wieseltier (editor) on Zionism’s beautiful stubbornness of survival; and new poetry from Ange Mlinko and Shaul Tchernikhovsky, translated by Robert Alter.

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Centering on the difficult and important subject of medieval rape culture, this book brings Middle English and Scots texts into conversation with contemporary discourses on sexual assault and the #MeToo movement. The book explores the topic in the late medieval lyric genre known as the pastourelle and in related literary works, including chivalric romance, devotional lyric, saints’ lives, and the works of major authors such as Margery Kempe and William Dunbar. By engaging issues that are important to feminist activism today—the gray areas of sexual consent, the enduring myth of false rape allegations, and the emancipatory potential of writing about survival—this volume demonstrates how the radical terms of the pastourelle might reshape our own thinking about consent, agency, and survivors’ speech and help uncover cultural scripts for talking about sexual violence today.In addition to embodying the possibilities of medievalist feminist criticism after #MeToo, Rape Culture and Female Resistance in Late Medieval Literature includes an edition of sixteen Middle English and Middle Scots pastourelles. The poems are presented in a critical framework specifically tailored to the undergraduate classroom.Along with the editors, the contributors to this volume include Lucy M. Allen-Goss, Suzanne M. Edwards, Mary C. Flannery, Katharine W. Jager, Scott David Miller, Elizabeth Robertson, Courtney E. Rydel, and Amy N. Vines.

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Clinics in Developmental Medicine No. 161 Since the first edition of this book was published in 1984 the intensive debates about the 'correct' method of treatment for children with cerebral palsy have been resolved and it is now possible to describe what is generally agreed to be the optimal approach. This entirely rewritten new edition describes the most up-to-date thinking, with two new editors from America and Australia reflecting the worldwide picture. Coverage includes the coordination of care and the management team; the types of cerebral palsy; assessment; goal-setting; learning and neural plasticity; global therapeutic approaches as well as more focused (topical) therapies; the mechanisms of deformity, its prevention and treatment; and the transition to adult life. This book details the advancement of the subject from 1984 to 2002.

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In his 60-year career, Carmine Infantino has practised nearly every job that there is in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect the dying comics industry in 1956, as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of "Adam Strange" was "Star Wars", to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look". Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Adams/O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics, through his experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip.

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In some ways, I didn’t – don’t – want to remember any of it. Which is not to say that one ever forgets. I don’t know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn’t haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles – the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed – arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book – a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O’Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglán de Bréadún, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O’Callaghan, Conor O’Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

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The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship,and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Musicof the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of theMoravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.

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"The first edition of this Handbook is built on surveys by well-known figures from around the world and around the intellectual world, reflecting several different theoretical predilections, balancing coverage of enduring questions and important recent work. Those strengths are now enhanced by adding new chapters and thoroughly revising almost all other chapters, partly to reflect ways in which the field has changed in the intervening twenty years, in some places radically. The result is a magnificent volume that can be used for many purposes." David W. Lightfoot, Georgetown University "The Handbook of Linguistics, Second Edition is a stupendous achievement. Aronoff and Rees-Miller have provided overviews of 29 subfields of linguistics, each written by one of the leading researchers in that subfield and each impressively crafted in both style and content. I know of no finer resource for anyone who would wish to be better informed on recent developments in linguistics." Frederick J. Newmeyer, University of Washington, University of British Columbia and Simon Fraser University "Linguists, their students, colleagues, family, and friends: anyone interested in the latest findings from a wide array of linguistic subfields will welcome this second updated and expanded edition of The Handbook of Linguistics. Leading scholars provide highly accessible yet substantive introductions to their fields: it's an even more valuable resource than its predecessor." Sally McConnell-Ginet, Cornell University "No handbook or text offers a more comprehensive, contemporary overview of the field of linguistics in the twenty-first century. New and thoroughly updated chapters by prominent scholars on each topic and subfield make this a unique, landmark publication."Walt Wolfram, North Carolina State University This second edition of The Handbook of Linguistics provides an updated and timely overview of the field of linguistics. The editor's broad definition of the field ensures that the book may be read by those seeking a comprehensive introduction to the subject, but with little or no prior knowledge of the area. Building on the popular first edition, The Handbook of Linguistics, Second Edition features new and revised content reflecting advances within the discipline. New chapters expand the already broad coverage of the Handbook to address and take account of key changes within the field in the intervening years. It explores: psycholinguistics, linguistic anthropology and ethnolinguistics, sociolinguistic theory, language variation and second language pedagogy. With contributions from a global team of leading linguists, this comprehensive and accessible volume is the ideal resource for those engaged in study and work within the dynamic field of linguistics.

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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.

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Now in its Tenth Edition and in continuous publication since 1959, Apley & Solomon's System of Orthopaedics and Trauma is one of the world's leading textbooks of orthopaedic surgery. Relied upon by generations of orthopaedic trainees the book remains true to the teaching principles of the late Alan Apley and his successor Professor Louis Solomon. This new edition is fully revised and updated under the leadership of new editors. It retains the familiar 'Apley' philosophy and structure, and is divided into three major sections: General Orthopaedics, Regional Orthopaedics and Trauma, thus enabling readers to gain the knowledge they need for their lifetime learning.

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Building Cultures Valparaiso takes a critical look at how pedagogy, practice and poetry are brought together at one of the most influential schools of architecture of the past 50 years: the School of Architecture and Design of the Pontifical Catholic University of Valparaiso in Chile. The editors have brought together research on the origins of the school, on the role that poetry plays in teaching and practice, and on the school’s larger historical place in the context of a global out-break of radical architectural teaching in the late 1960’s. Contributors come from both within and outside of the school and include Beatriz Colomina, David Jolly Monge and Gerald Wildgruber. In addition to original research, Building Cultures Valparaiso includes a collection of student drawings from the early years of the Valparaiso School’s Open City, a 270 hectare stretch of land along the Pacific Ocean that serves as a laboratory for living and working together. These drawings provide an insight into how the philosophy of the school translates into the making of architecture. Through its exploration of the Valparaiso School’s radical approach to teaching and making, Building Cultures Valparaiso serves as a guide for all those interested in an experimental vision of architecture.

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Macroeconomics would not be what it is today without Edmund Phelps. This book assembles the field's leading figures to highlight the continuing influence of his ideas from the past four decades. Addressing the most important current debates in macroeconomic theory, it focuses on the rates at which new technologies arise and information about markets is dispersed, information imperfections, and the heterogeneity of beliefs as determinants of an economy's performance. The contributions, which represent a breadth of contemporary theoretical approaches, cover topics including the real effects of monetary disturbances, difficulties in expectations formation, structural factors in unemployment, and sources of technical progress. Based on an October 2001 conference honoring Phelps, this incomparable volume provides the most comprehensive and authoritative account in years of the present state of macroeconomics while also pointing to its future. The fifteen chapters are by the editors and by Daron Acemoglu, Jess Benhabib, Guillermo A. Calvo, Oya Celasun, Michael D. Goldberg, Bruce Greenwald, James J. Heckman, Bart Hobijn, Peter Howitt, Hehui Jin, Charles I. Jones, Michael Kumhof, Mordecai Kurz, David Laibson, Lars Ljungqvist, N. Gregory Mankiw, Dale T. Mortensen, Maurizio Motolese, Stephen Nickell, Luca Nunziata, Wolfgang Ochel, Christopher A. Pissarides, Glenda Quintini, Ricardo Reis, Andrea Repetto, Thomas J. Sargent, Jeremy Tobacman, and Gianluca Violante. Commenting are Olivier J. Blanchard, Jean-Paul Fitoussi, Mark Gertler, Robert E. Hall, Robert E. Lucas, Jr., David H. Papell, Robert A. Pollak, Robert M. Solow, Nancy L. Stokey, and Lars E. O. Svensson. Also included are reflections by Phelps, a preface by Paul A. Samuelson, and the editors' introduction.

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Amstat News asked three review editors to rate their top five favorite books in the September 2003 issue. Statistical Methods for Detection and Quantification of Environmental Contamination was among those chosen. This groundbreaking volume describes the statistical theory that underlies the detection and quantification of environmental pollution both in the laboratory and in the field. It presents the foundation of relating measured concentrations to true concentrations and the development of intervals of uncertainty for true concentrations, and it presents a comprehensive review of the problem of estimating thresholds at which detection and quantification decisions can be made reliably. The authors demonstrate the use of analytical measurements in making environmental impact decisions and in comparing environmental data to regulatory standards and naturally occurring background concentrations. Taking the next step in a major evolution in the way environmental impact decisions are made, Statistical Methods for Detection and Quantification of Environmental Contamination: Presents statistical methods that allow the earliest possible detection and quantification of contaminants Describes procedures applicable to all environmental constituents Covers numerous state-of-the-art approaches Includes case studies demonstrating practical applications of these approaches An indispensable handbook for scientists and engineers involved in environmental monitoring programs, this book is also an important resource for public health officials, waste facility managers, regulators, statisticians, and analytical chemists.

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Music of the Night is a new anthology of original short stories contributed by Crime Writers' Association (CWA) members and edited by Martin Edwards, with music as the connecting theme. The aim, as always, is to produce a book which is representative both of the genre and the membership of the world’s premier crime writing association. The CWA has published anthologies of members’ stories in most years since 1956, with Martin Edwards as editor for over 25 years, during which time the anthologies have yielded many award-winning and nominated stories by writers such as Ian Rankin, Reginald Hill, Lawrence Block, and Edward D. Hoch. Stories by long-standing authors and stellar names sit alongside contributions from relative newcomers, authors from overseas, and members whose work haven’t appeared in a CWA anthology before. Contents List: Abi Silver – Be Prepared Alison Joseph – A Sharp Thorn Andrew Taylor – Wrong Notes Antony M. Brown – The Melody of Murder Art Taylor – Love Me or Leave Me Brian Price – The Scent of an Ending Cath Staincliffe – Mix Tape C. Aird – The Last Green Bottle Chris Simms – Taxi Christine Poulson – Some Other Dracula David Stuart Davies – Violin – CE Dea Parkin – The Sound and the Fury Jason Monaghan – A Vulture Sang in Berkeley Square Kate Ellis – Not a Note L.C. Tyler – His Greatest Hit Leo McNeir – Requiem Martin Edwards – The Crazy Cries of Love Maxim Jakubowski – Waiting for Cornelia Neil Daws – The Watch Room Paul Charles – The Ghosts of Peace Paul Gitsham – No More ‘I Love You’s’ Peter Lovesey – And the Band Played On Ragnar Jónasson – 4x3 Shawn Reilly Simmons – A Death in Four Parts Vaseem Khan – Bombay Blues FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress

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During the Civil War, Walt Whitman described his admiration for the Union soldiers' loyalty to the ideal of democracy. His argument, that this faith bonded Americans to their nation, has received little critical attention, yet today it raises increasingly relevant questions about American patriotism in the face of growing nationalist sentiment worldwide. Here a group of scholars explores the manner in which Americans have discussed and practiced their patriotism over the past two hundred years. Their essays investigate, for example, the extent to which the promise of democracy has explained citizen loyalty, what other factors--such as devotion to home and family--have influenced patriotism, and how patriotism has often served as a tool to maintain the power of a dominant group and to obscure internal social ills. This volume examines the use of patriotic language and symbols in building unity in the early republic, rebuilding the nation after the Civil War, and sustaining loyalty in an increasingly diverse society. Continuing through the World Wars to the Clinton presidency, the essay topics range from multiculturalism to reactions toward masculine power. In addition to the editor, the contributors include Cynthia M. Koch, Cecilia Elizabeth O'Leary, Andrew Neather, Stuart McConnell, Gaines M. Foster, Kimberly Jensen, David Glassberg and J. Michael Moore, Lawrence R. Samuel, Robert B. Westbrook, Wendy Kozol, George Lipsitz, Barbara Truesdell, Robin Wagner-Pacifici, and William B. Cohen.

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Essays addressing the relation of aesthetic artistry to historical context in medieval English narrative. A collection of essays offering original arguments in a number of areas. Papers cluster around two topics: the writing of Langland and Chaucer, and writing as historical process. These reflect Frank's own wide-ranging work. The papers contain a refreshing ideological diversity while maintaining coherence of intellectual concerns. There is a discussion of the working of memory in The Knight's Tale. On debt, on Langland's Christology and on revelry, some very interesting ideas are put foward. In addition, literary contexts for the two major poets are usefully and thoroughly mapped out, and three papers illustrate how historical events and processes may be perceived in stimulatingly different ways. Included is an introduction from the editor and bibliography of Robert Worth Frank, Jnr. Contributors: ELIZABETH KIRK, C. DAVID BENSON, ANNA BALDWIN, M.TERESA TAVORMINA, MONICA McALPINE, MARY CARRUTHERS, KATHRYN L. LYNCH, CAROLYN P. COLLETTE, MARY HAMEL, PAUL STROHM, THOMAS J. HEFFERMAN, PEGGY KNAPP

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Featured on Rough Trade's top 20 Books of the Year listLaunched by NME editor and Smash Hits creator Nick Logan in 1980, The Face was Britain’s first youth magazine to present ‘youth subject matter’ beyond music alone. A strong voice of urban identity in the age of Thatcher, it rapidly became an icon of ‘style culture’, the benchmark for the very latest trends in music, fashion, photography and film. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity – embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography and the ‘Buffalo’ styling of Ray Petri. The Face introduced Spandau Ballet and Boy George; Wham! and Sade, and was an early showcase for the works of Robert Mapplethorpe, Bruce Weber and Cindy Sherman. In 1990, The Face featured a 15-year-old Kate Moss on her first cover campaign. Styled by Melanie Ward, The Face published a series of fresh-faced cover images, an antidote to the glossy Vogue models of the time. Other iconic cover stars included David Bowie, Annie Lennox, Prince, George Michael and Adam Ant. Part two shows how in the 1990s, after surviving the Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art, shifting its focus from London to the regions. However, The Face met its eventual demise in 2004. With an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the most influential publications of the 80s and 90s.

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Musculoskeletal Rehabilitation, Volume 2: Scientific Foundations and Principles of Practice provides a thorough review of the basic science information concerning the tissues of the musculoskeletal system impacted by injury or disease, as well as the guiding principles upon which rehabilitation interventions are based. This volume divides information into two sections: scientific foundations and principles of intervention, providing readers with a guiding set of clinical foundations and principles upon which they can easily develop treatment interventions for specific impairments and functional limitations. Clinical application case studies help readers apply what they learn in the classroom to real life situations. Evidence-based content uses over 5,000 references to support the basic science information principles for rehabilitation interventions and provide the best evidence and physiological reasoning for treatment. Over 180 tables and 275 text boxes highlight key points within the text for better understanding. Expert editors David Magee, PhD, PT, James Zachazewski, DPT, SCS, ATC, Sandy Quillen, PT, PhD, SCS, FACSM and over 70 contributors provide authoritative guidance on the foundations and principles of musculoskeletal rehabilitation practice.

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Hume's Natural History of Religion may, with his Dialogues Concerning Natural Religion be held to mark the beginning of the Philosophy of Religion. Not so clearly a text illustrating modern technology—indeed in its own day it was regarded as skeptical and subversive—the Natural History is remarkably illustrative of the development of religious thought and is a brilliant philosophical contribution to the interpretation of religion. The editor of this reprint discusses Hume's purpose in writing the Natural History and assesses its influence at the present day.

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Individuals who are civically active have three things in common: they have the capacity to do so, they want to, and they have been asked to participate. New Advances in the Study of Civic Voluntarism is dedicated to examining the continued influence of these factors—resources, engagement, and recruitment—on civic participation in the twenty-first century. The contributors to this volume examine recent social, political, technological, and intellectual changes to provide the newest research in the field. Topics range from race and religion to youth in the digital age, to illustrate the continued importance of understanding the role of the everyday citizen in a democratic society. Contributors include:Molly Andolina, Allison P. Anoll, Leticia Bode, Henry E. Brady, Traci Burch, Barry C. Burden, Andrea Louise Campbell, David E. Campbell, Sara Chatfield, Stephanie Edgerly, Zoltán Fazekas, Lisa García Bedoll, Peter K. Hatemi, John Henderson, Krista Jenkins, Yanna Krupnikov, Adam Seth Levine, Melissa R. Michelson, S. Karthick Ramakrishnan, Dinorah Sánchez Loza, Kay Lehman Schlozman, Dhavan Shah, Sono Shah, Kjerstin Thorson, Sidney Verba, Logan Vidal, Emily Vraga, Chris Wells, JungHwan Yang, and the editor.

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In the world of speculative fiction.Your favorite authors.have selected the best new voices of the year. 24 Award-winning Authors and Illustrators.3 Bonus Short Stories by Kevin J. Anderson, L. Ron Hubbard & S. M. Stirling. Art and Writing Tips by Lazarus Chernik, L. Ron Hubbard & Kristine Kathryn Rusch. Edited by Dean Wesley Smith, Jody Lynn Nye. 16-page color gallery of artwork. Cover art by Tom Wood.Check out the stories Brandon Sanderson, Orson Scott Card, Nnedi Okorafor, Robert J. Sawyer, Kevin J. Anderson, Jody Lynn Nye and others chose as the best of the best.Be amazed. Be amused. Be transported . by stories that take you by surprise and take you further and deeper into new worlds and new ideas than you've ever gone before..Twelve captivating tales from the most exciting new voices in science fiction and fantasy accompanied by three from masters of the genre. A miracle? An omen? Or something else? One day, they arrived in droves?the foxes of the desert, the field, the imagination..- "Kitsune" by Devon BohmWhen a vampire, a dragon and a shape-shifting Chihuahua meet on a beach in Key West, fireworks go off! But that's just the background. - "Moonlight and Funk" by Marianne XenosDan Shamble, Zombie P.I., faces one of his funniest and most perplexing cases ever?an enlightened ogre, a salamander with low self-esteem, and a raging fire dragon terrorizing the Unnatural Quarter! - "Fire in the Hole" by Kevin J. AndersonThe Grim Reaper, trapped in an IRS agent's dying body, must regain his powers before he dies and faces judgment for his original sin. - "Death and the Taxman" by David HankinsIn a metaverse future, a woman who exposes falseness in others must decide what is real to her-the love she lost or the love she may have found. - "Under My Cypresses" by Jason PalmatierVic Harden wasn't lured by glory on a daring mission into the reaches of outer space-he was ordered out there by his editor. - "The Unwilling Hero" by L. Ron HubbardDangerous opportunities present themselves when an alien ship arrives in the solar system seeking repairs. - "White Elephant" by David K. HenricksonWith her spaceship at the wrong end of a pirate's guns, a former war hero must face down her enemies and demons to save Earth's last best chance for peace. - "Piracy for Beginners" by J. R. JohnsonYears after the Second Holocaust, the last surviving Jews on earth attempt to rewrite the past. - "A Trickle in History" by Elaine MidcohWhen I said I'd do anything to pay off my debts and get back home to Earth, I didn't mean survey a derelict spaceship at the edge of the solar system?but here I am. - "The Withering Sky" by Arthur H. MannerHigh-powered telescopes bring galactic life to our TVs, and network tuner Hank Enos figures he's seen everything?until the day an alien boy stares back. - "The Fall of Crodendra M." by T. J. KnightDetermined to save his wife, Tumelo takes an unlikely client through South Africa's ruins to the heart of the Desolation?a journey that will cost or save everything. - "The Children of Desolation" by Spencer SekulinWhen a terrorist smuggles a nuclear weapon into London, a team regresses in time to AD 1093 to assassinate a knight on the battlefield, thereby eliminating the terrorist a millennia before his birth. - "Timelines and Bloodlines" by L. H. Davis You will love this collection of the best new voices because, as Locus magazine puts it, "Excellent writing.extremely varied. There's a lot of hot new talent."Get it now.

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