Search results for ""Associated""

Sir William Harcourt was a major figure in the Liberal politics of late Victorian Britain. Supported, as private secretary and inseparable companion, by his son Lewis, Harcourt served in all four of Gladstone's governments. He was home secretary from 1880-1885, and chancellor of the Exchequer in 1886, and again from 1892-1895. When Gladstone retired in 1894 Harcourt, who had served as deputy leader in the House of Commons, expected to succeed him as prime minister, but the queen preferred the much younger Lord Rosebery and most of Harcourt's colleagues, alienated by an overbearing manner, were unwilling to press his claims. Harcourt continued to serve as chancellor of the Exchequer under Rosebery, and his 1894 budget contained a comprehensive new system of graduated death duties whereby for the first time land was taxed on the same basis as personal property. Illustrated. Retired from British government service, Jackson's biographies specialize in Victorian parliamentary politics.

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As international terrorism has become a commonplace phenomenon, a growing body of multiethnic short fiction has turned to depictions of loss and mourning. Characters in short stories and novellas deal with grief in ways that are appropriate to their gender as well as cultural and religious background. Indeed, as Western societies have become increasingly pluralistic, mortuary practices have altered. Mental health professionals who deal with bereaved individuals are becoming increasingly aware of the need to alter their clinical practices in keeping with the cultural and ethnic background of the patients they treat. Yet few have considered the use of global grief pathographies to achieve healing after mass loss. This book suggests ways in which the Literature of Loss, both mainstream and noncanonical, might become a part of the counseling techniques employed by psychotherapists to enable patients to identify with examples of literary bereavement and, through analysis of the situations described, might find healing. Rochelle Almeida teaches at New York University and Fairfield University.

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In critical readings of ten of Moliere's most important plays, this book argues that a rivalry that endangers order by collapsing differences structures the works and provides a key to their understanding. Moliere's great comic characters all want desperately something that they cannot have. The objects of their desire may vary, but the presence of desire itself remains a constant. In L'Ecole des femmes. Amolphe wants, above all, to avoid cuckoldry. The title character in Dom Juan covets women. The bourgeois Monsieur Jourdain does all in his power to become a gentleman in Le Bourgeois gentilhomme, and the eponymous character in George Dandin views his woes as the price of an ill-fated marriage that he had hoped would elevate him to noble rank. Le malade imaginaire, Argan, has a seemingly crazy desire to be sick. The list could go on.

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This text includes the latest theoretical developments in recreational service. Continued experimentation in the field of neuroscience has produced a great deal of rethinking about personal traits and leadership potential, in turn providing a detailed explanation of the processes and techniques of leaderhsip as it applies to the field of recerational service. The author deals with the functional aspects of leadership by providing numerous examples of how theory has been and should be applied in practical situations.

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This study, the first book-length assessment of de Crenne, delineates both her conceptual framework and her stylistic concerns. It situates her in the framework of her times and views her as a woman on the cutting edge of her era who both exploited and innovated literary tradition. The book shows how de Crenne's four works simultaneously reflects a humanist's interest in classical themes, medieval mastery of the allegorical form, and a feminist's zeal for the equality of women.

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Long a figure of spectacular epic imagination appearing in the central cosmological and philosophical literatures extending as far back as the Hellenic texts, "hermaphrodites" have been made to bear the burden of cultural anxieties regarding sexual difference and the transgression of boundaries separating male from female, men from women, in a strained binary system. As threatening evidence that sex is not the natural basis upon which oppositional gender roles are built, the intersexed are made to disappear into normative categories, thus aligning once again the rightful place of male and female as opposites.

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Susan Howatch's global bestsellers have appeared regularly since the 1970s, but a radical shift in her subject matter in the 1980s and especially the 1990s made reviewers and then academics adjust their glasses and stare hard at her pages. Howatch began to take her loyal following of gothic and family-saga readers into unexpected psychological and theological depths, while taking to an extreme, with a serious-novel format, the experiments begun in her family sagas. She also introduced to her readers a character only half-alive in Trollope, the Anglican Church. The twentieth-century church born in Howatch's later fiction is a huge, sometimes monstrous, sometimes life-giving creature whose various dimensions make it entirely engaging and weirdly central to the center-less postmodern world. ""Scandalous Truths"" provides a way into Howatch's new world by presenting for the first time many of her own considerations of her work, and by allowing a group of scholars to engage in a wide-ranging discussion of Howatch's art. Bruce Johnson is Associate Professor of English at James Madison University. Charles Huttar is Professor of English, Emeritus, at Hope College.

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Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).

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Introduction by Geordie Greig, Editor, The Mail on Sunday. A tribute to mark a record-breaking 63 years on the throne. When she was just 21 the then Princess Elizabeth made the people of the Commonwealth of Nations a solemn promise. ïI declare before you all that my whole life, whether it be long or short, shall be devoted to your service and the service of our great imperial family to which we all belong.ï None who heard her words could have known she would go on to become the longest-reigning monarch in British history. Yet on September 9, 2015 that is her momentous achievement. Here The Mail on Sunday tells the story of some of her happiest and most glorious moments. We recount, too, the sadnesses she has borne, both in her family life and in the life of the country she rules. Both are the core of our nationhood; they are our islandïs history. Long to reign over us indeed.

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Poets at Play is the first book in over thirty years to consider the dramatic and theatrical legacy of American modernist poets, making these plays accessible to students and scholars in one concise volume. This critical anthology presents selected drama by American poets writing between 1910 and 1960 - Wallace Stevens, Edna St. Vincent Millay, H.D., E.E. Cummings, Marita Bonner, William Carlos Williams, Gertrude Stein, and Ezra Pound. Rather than simply treating their plays as poetic oddities, this anthology places the drama of modernist poets squarely within theater history, including production histories and considerations of staging practices, acting styles, and performance venues. The volume opens with a critical introduction to the plays within modernism and includes detailed individual introductions for each play with further reading.

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Susquehanna University's history from 1858 to 2000 has occurred in three stages, each expressing a different mission. The school was founded in 1858 as the Missionary Institute of the Evangelical Lutheran Church to fulfill the vision of the Rev. Benjamin Kurtz, a Lutheran cleric and editor of the "Lutheran Observer". He was a partisan of the American Lutheran viewpoint caught up in a fratricidal battle with Lutheran orthodoxy. The Missionary Institute sustained his viewpoint in the preparation, gratis, of men called to preach the gospel in foreign and home missions. A complementary purpose was to educate young people in Selinsgrove, Pennsylvania at both the Institute and its sister school, the Susquehanna Female College. When the Female College folded in 1873, the Institute became coeducational.

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The Great Awakening was the American colonial phase of an evangelical revival marking a re-emergence of Reformation fervor that swept through Britain and the colonies during the early eighteenth century. Though by 1742, it was a spent force and had disintegrated into quarreling factions, the effects of the Great Awakening have been long-lasting.

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This book provides the first comprehensive daily record of surviving evidence relating to nearly seven hundred theatrical performances that took place in Belfast, Ireland from the earliest recorded staging of a play there in 1736, through the year 1800. At the heart of the work is the daily calendar of performances, each entry of which includes date of performances, cast lists and roles enacted, scenery, costume, specialty acts, dances, songs, and other music, as well as commentary on theatre management and other information. The book also contains the first written biographies of many Irish actors.

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