Search results for ""rebellion""

The third century of the second calendar. Roj Blake is about to discover a powerful spaceship and spearhead a rebellion against the despotic Federation. But he can’t be everywhere at once…Throughout the galaxy, brave people fight for freedom, without the benefit of miraculous alien technology. Avalon has only her wits and her contacts to reply on – but her name will become legend, all the same.1.1 Terra Firma by Steve Lyons. The Resistance on Earth has been decimated. Blake has been arrested. Avalon returns home, to the seat of the Federation’s power, to pick up the pieces. But she’ll need the help of a self-centred smuggler named Jenna…1.2 Throwback by Gary Russell. Argo Madison’s career as a clerk was uneventful – until a band of outlaws burst into his ordered life and brought it crashing down around him. Now, Captain Travis of Space Security wants to know what Madison knows about the rebel leader Avalon… 1.3 Black Water by Trevor Baxendale. Avalon hopes to pull the Resistance on Earth together with a bold attack upon an Administration facility. But her plan might be doomed before she can put it into action, thanks to a traitor in the ranks… Cast: Olivia Poulet (Avalon), Sally Knyvette (Jenna Stannis), Stephen Greif (Travis), Nicholas Asbury (Krask), Cliff Chapman (Madison), Stewart Clark (Kiril), Jon Edgley Bond (Jon Weston), William Ellis (Gryson), Malcolm James (Dev Tarrant), Dawn Murphy (Dag), Richard Reed (Challis), Becky Wright (Fay). Other parts played by members of the cast.

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Linden A. Lewis returns with this next installment of The First Sister Trilogy, perfect for fans of Red Rising, The Handmaid's Tale, and The Expanse.Astrid has reclaimed her name and her voice, and now seeks to bring down the Sisterhood from within. Throwing herself into the lioness' den, Astrid must confront and challenge the Aunts who run the Gean religious institution, but she quickly discovers that the business of politics is far deadlier than she ever expected.Meanwhile, on an outlaw colony station deep in space, Hiro val Akira seeks to bring a dangerous ally into the rebellion. Whispers of a digital woman fuel Hiro's search, but they are not the only person looking for this link to the mysterious race of Synthetics.Lito sol Lucious continues to grow into his role as a lead revolutionary and is tasked with rescuing an Aster operative from deep within an Icarii prison. With danger around every corner, Lito, his partner Ofiera, and the newly freed operative must flee in order to keep dangerous secrets out of enemy hands.Back on Venus, Lito's sister Lucinia must carry on after her brother's disappearance and accusation of treason by Icarii authorities. Despite being under the thumb of Souji val Akira, Lucinia manages to keep her nose clean . . . that is until an Aster revolutionary shows up with news about her brother's fate, and an opportunity to join the fight.This captivating, spellbinding second installment to The First Sister series picks up right where The First Sister left off and is a must-read for science fiction fans everywhere.

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Linden A. Lewis returns with this next installment of The First Sister Trilogy, perfect for fans of Red Rising, The Handmaid's Tale, and The Expanse.Astrid has reclaimed her name and her voice, and now seeks to bring down the Sisterhood from within. Throwing herself into the lioness' den, Astrid must confront and challenge the Aunts who run the Gean religious institution, but she quickly discovers that the business of politics is far deadlier than she ever expected.Meanwhile, on an outlaw colony station deep in space, Hiro val Akira seeks to bring a dangerous ally into the rebellion. Whispers of a digital woman fuel Hiro's search, but they are not the only person looking for this link to the mysterious race of Synthetics.Lito sol Lucious continues to grow into his role as a lead revolutionary and is tasked with rescuing an Aster operative from deep within an Icarii prison. With danger around every corner, Lito, his partner Ofiera, and the newly freed operative must flee in order to keep dangerous secrets out of enemy hands.Back on Venus, Lito's sister Lucinia must carry on after her brother's disappearance and accusation of treason by Icarii authorities. Despite being under the thumb of Souji val Akira, Lucinia manages to keep her nose clean . . . that is until an Aster revolutionary shows up with news about her brother's fate, and an opportunity to join the fight.This captivating, spellbinding second installment to The First Sister series picks up right where The First Sister left off and is a must-read for science fiction fans everywhere.

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Provides a wealth of detail on how "the wild geese" - the Irish who refused to submit to the English - played a significant role in the armies of Spain. It is well-known that many Irishmen who refused to submit to the English in the reigns of Elizabeth and the early Stuart kings, including the famous earls of Tyrone and Tyrconnell, went to fight for the king of Spain, but what they did when they joined the Spanish armies is much less well-known. This book provides a wealth of detail on the activities of the Irish in the Spanish armies in the late sixteenth and seventeenth centuries. It outlines who the Irish soldiers were, how they were recruited and the terms under which they served. It discusses their military roles both in the wars in Flanders between the Spanish and their former Dutch subjects, and, later, in the Hispanic peninsula, showing how the Irish were often employed as elite troops who made significant contributions to major military actions, such as the siege of Breda in 1624. It examines military tactics, explores the politics of the Spanish armies, showing how the Irish fitted in, and discusses how, when the rebellion of 1641 broke out in Ireland, many Irish soldiers returned to Ireland to resume the fight against the English. Eduardo de Mesa completed hisdoctorate at University College Dublin. He is the author of La pacificación de Flandes. Spínola y las campañas de Frisia (1604-1609) (2009), and Discurso Militar del Marqués de Aytona (2008), co-author of La Monarquía de Felipe III (2008), and author of numerous articles, chapters in edited collections, and encyclopedia entries.

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Launching a new trilogy in the Shades of Magic universe, an enchanting and thrilling epic fantasy from the international sensation, V. E. Schwab, perfect for fans of Samantha Shannon, Kerri Maniscalco, Leigh Bardugo and R. F. Kuang. Seven years have passed since the doors between the worlds were sealed. Seven years since Kell, Lila and Holland stood against Osaron, a desperate battle that saved the worlds of Red, Grey and White London. Seven years since Kell's magic was shattered, and Holland lost his life. Now Rhy Maresh rules Red London with his new family - his queen, Nadiya, their daughter Ren, and his consort, Alucard. But his city boils with conspiracy and rebellion, fuelled by rumours he is causing magic to fade from the word. Now Kosika, a child Antari, sits on the throne of White London. The new queen leads her people in new rituals of sacrifice and blood in devotion to the altar of Holland Vosijk, summoning vast power she may not be able to control. Now Lila and Kell, living free on the waves, are charged by the captain of the Floating Market to retrieve an immensely powerful artefact, stolen by secretive forces. Now Tes, a young woman with a knack for fixing broken things, is thrust into the affairs of Antari and kings, traitors and thieves. And only her unique powers can weave the threads of power together. A triumphant return to the worlds of The Shades of Magic, The Fragile Threads of Power continues the stories of fan-favourite characters Kell, Lila, Rhy and Alucard, and introduces a new generation of magic, shadows and embers in the dark.

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A rich picture of commercial life among the British Catholic merchants operating in the Atlantic and Mediterranean at the end of the Stuart era. British Catholic merchants in the long eighteenth century occupied an ambiguous social space. On the one hand, their religion made them marginal and suspect figures in a nation increasingly defining itself by its Protestantism against the Catholic powers of Europe. On the other, their Catholicism, particularly as national rivalries erupted into outright war, afforded them access to markets and contacts overseas which their Protestant competitors found it increasingly difficult to reach. Drawing on extensive original research on the business papers of one prominent Catholic merchant family, the Aylwards, Pizzoni maps a complex network of merchants emanating from trading housesin London, Cadiz and St Malo and linking Britain and Ireland, continental Europe, the Levant and colonial America. She reveals the high level of cooperation between these Catholic houses and their Protestant trading partners - a cooperation which seems to have overridden even such political perils as the Jacobite rebellion - and shows the increasing role played by smuggling and privateering in keeping the wheels of legitimate commerce turning in time of war. A final chapter looks particularly at the business activities of Roman Catholic women, who mostly inherited their husbands' businesses but in many cases developed and expanded them through new activities and investments. This is a rich picture of commercial life in a time of shifting political and religious attitudes when the pressures of mercantilism led to de facto economic integration for the successful Catholic merchant class and opened up theroad which would lead to emancipation in the next century.

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Michel Gobat deftly interweaves political, economic, cultural, and diplomatic history to analyze the reactions of Nicaraguans to U.S. intervention in their country from the heyday of Manifest Destiny in the mid–nineteenth century through the U.S. occupation of 1912–33. Drawing on extensive research in Nicaraguan and U.S. archives, Gobat accounts for two seeming paradoxes that have long eluded historians of Latin America: that Nicaraguans so strongly embraced U.S. political, economic, and cultural forms to defend their own nationality against U.S. imposition and that the country’s wealthiest and most Americanized elites were transformed from leading supporters of U.S. imperial rule into some of its greatest opponents.Gobat focuses primarily on the reactions of the elites to Americanization, because the power and identity of these Nicaraguans were the most significantly affected by U.S. imperial rule. He describes their adoption of aspects of “the American way of life” in the mid–nineteenth century as strategic rather than wholesale. Chronicling the U.S. occupation of 1912–33, he argues that the anti-American turn of Nicaragua’s most Americanized oligarchs stemmed largely from the efforts of U.S. bankers, marines, and missionaries to spread their own version of the American dream. In part, the oligarchs’ reversal reflected their anguish over the 1920s rise of Protestantism, the “modern woman,” and other “vices of modernity” emanating from the United States. But it also responded to the unintended ways that U.S. modernization efforts enabled peasants to weaken landlord power. Gobat demonstrates that the U.S. occupation so profoundly affected Nicaragua that it helped engender the Sandino Rebellion of 1927–33, the Somoza dictatorship of 1936–79, and the Sandinista Revolution of 1979–90.

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“If colonial America was the melting pot of modernity, it was because it was also a fabulous laboratory of images. . . . Just as much as speech and writing, the image can be a vehicle for all sorts of power and resistance.” So writes Serge Gruzinski in the introduction to Images at War, his striking reinterpretation of the Spanish colonization of Mexico. Concentrating on the political meaning of the baroque image and its function within a multicultural society, Gruzinski compares its ubiquity in Mexico to our modern fascination with images and their meaning.Although the baroque image played a decisive role in many arenas, especially that of conquest and New World colonization, its powerful resonance in the sphere of religion is a focal point of Gruzinski’s study. In his analysis of how images conveyed meaning across linguistic barriers, he uncovers recurring themes of false images, less-than-perfect replicas, the uprooting of peoples and cultural memories, and the violence of iconoclastic destruction. He shows how various ethnic groups—Indians, blacks, Europeans—left their distinct marks on images of colonialism and religion, coopting them into expressions of identity or instruments of rebellion. As Gruzinski’s story unfolds, he tells of Aztec idols, the cult of the Virgin of Guadalupe, conquistadors, Franciscans, and neoclassical attempts to repress the baroque. In the final chapter he discusses the political and religious implications of contemporary imagery—such as that in Mexican soap operas—and speculates about the future of images in Latin America. Originally written in French, this work makes available to an English audience a seminal study of Mexico and the role of the image in the New World.

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“The same rebellion, the same impatience, the same anger that exists in the hearts of the dark people in Africa and Asia,” Malcolm X declared in a 1962 speech, “is existing in the hearts and minds of 20 million black people in this country who have been just as thoroughly colonized as the people in Africa and Asia.” Four decades later, the hip-hop artist Talib Kweli gave voice to a similar Pan-African sentiment in the song “K.O.S. (Determination)”: “The African diaspora represents strength in numbers, a giant can't slumber forever.”Linking discontent and unrest in Harlem and Los Angeles to anticolonial revolution in Algeria, Egypt, and elsewhere, Black leaders in the United States have frequently looked to the anti-imperialist movements and antiracist rhetoric of the Muslim Third World for inspiration. In Black Star, Crescent Moon, Sohail Daulatzai maps the rich, shared history between Black Muslims, Black radicals, and the Muslim Third World, showing how Black artists and activists imagined themselves not as national minorities but as part of a global majority, connected to larger communities of resistance. Daulatzai traces these interactions and alliances from the Civil Rights movement and the Black Power era to the “War on Terror,” placing them within a broader framework of American imperialism, Black identity, and the global nature of white oppression.From Malcolm X and Muhammad Ali to contemporary artists and activists like Rakim and Mos Def, Black Star, Crescent Moon reveals how Muslim resistance to imperialism came to occupy a central position within the Black radical imagination, offering a new perspective on the political and cultural history of Black internationalism from the 1950s to the present.

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What does democracy look like? And when should we cause trouble to pursue it?Troublemakers fuses photography and history to demonstrate how racial and economic inequality gave rise to a decades-long struggle for justice in one American city. In dialogue with 275 of Art Shay’s photographs, Erik S. Gellman takes a new look at major developments in postwar US history: the Second Great Migration, “white flight,” and neighborhood and street conflicts, as well as shifting party politics and the growth of the carceral state. The result is a visual and written history that complicates—and even upends—the morality tales and popular memory of postwar freedom struggles. Shay himself was a “troublemaker,” seeking to unsettle society by illuminating truths that many middle-class, white, media, political, and businesspeople pretended did not exist. Shay served as a navigator in the US Army Air Forces during World War II, then took a position as a writer for Life Magazine. But soon after his 1948 move to Chicago, he decided to become a freelance photographer. Shay wandered the city photographing whatever caught his eye—and much did. His lens captured everything from private moments of rebellion to era-defining public movements, as he sought to understand the creative and destructive energies that propelled freedom struggles in the Windy City. Shay illuminated the pain and ecstasy that sprung up from the streets of Chicago, while Gellman reveals their collective impact on the urban fabric and on our national narrative. This collaboration offers a fresh and timely look at how social conflict can shape a city—and may even inspire us to make trouble today.

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'Kristen Ciccarelli is now my favourite author' Tomi Adeyemi, #1 New York Times bestselling author of Children of Blood and Bone Now includes exclusive new content!****************************** ASHA IS A DRAGON SLAYERSince she was a young princess, Asha has killed to protect her father's kingdom. She longs to atone for the terrible deed she committed as a child - one that almost destroyed her city, and left her with a terrible scar.But no matter how many dragons she kills, her people still think she's wicked.So now she plans to slay the most powerful dragon of all. And the only person standing in her way is a defiant slave boy, leading a rebellion she can't possibly be a part of . . . THE LAST NAMSARA is an extraordinary story about courage, loyalty and star-crossed love, set in a kingdom that trembles on the edge of war. For fans of Madeline Miller, Katherine Arden, Laini Taylor and Tomi Adeyemi. **********************************'An accomplished fantasy novel . . . I'll definitely be looking out for the next one' Joanne Harris'The most simply thing I can say is this is the best book I have ever read and Kristen Ciccarelli is now my favourite author . . . your soul has been waiting for a story this beautiful' Tomi Adeyemi'It's always refreshing to see a non-traditional fantasy setting. And a kickass princess . . . a dash of Arabian Nights story magic, plus dragons? Yes please! Elspeth Cooper'The Last Namsara is easily one of my favourite fantasy books of this year . . . It's fast paced, action packed, filled with a diverse cast . . . Fans of An Ember in the Ashes, Seven Realms, and the Shattered Realms series will devour this' YABooksCentral

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In Vietnam during the long nineteenth century from the Tây Son rebellion to the 1920s, individuals negotiated changing interpretations of their culinary choices by their families, neighbors, and governments. What people ate reflected not just who they were, but also who they wanted to be. Appetites and Aspirations in Vietnam starts with the spread of Vietnamese imperial control from south to north, marking the earliest efforts to create a common Vietnamese culture, as well as resistance to that cultural and culinary imperialism. Once the French conquered the country, new opportunities for culinary experimentation became possible, although such experiences were embraced more by the colonized than the colonizers. This book discusses how colonialism changed the taste of Vietnamese fish sauce and rice liquor and shows that state intervention made those products into tangible icons of a unified Vietnamese cuisine, under attack by the French. Vietnamese villagers began to see the power they could bring to bear on the state by mobilizing around such controversies in everyday life. The rising new urban classes at the turn of the twentieth century also discovered new perspectives on food and drink, delighting in unfamiliar snacks or giving elaborate multicultural banquets as a form of conspicuous consumption. New tastes prompted people to reconsider their preferences and their position in the changing modern world. For students of Vietnamese history, food here provides a lens into how people of different class and ethnic backgrounds struggled to adapt first to Vietnamese and then French imperialism. Food historians will find a provocative case study arguing that food does not simply reveal identity but can also help scholars analyze people's changing ambitions.

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The Sunday Times bestseller, launching a new trilogy in the Shades of Magic universe, an enchanting and thrilling epic fantasy from the international sensation, V. E. Schwab, perfect for fans of Samantha Shannon, Kerri Maniscalco, Leigh Bardugo and R. F. Kuang. Seven years have passed since the doors between the worlds were sealed. Seven years since Kell, Lila and Holland stood against Osaron, a desperate battle that saved the worlds of Red, Grey and White London. Seven years since Kell's magic was shattered, and Holland lost his life. Now Rhy Maresh rules Red London with his new family - his queen, Nadiya, their daughter Ren, and his consort, Alucard. But his city boils with conspiracy and rebellion, fuelled by rumours he is causing magic to fade from the word. Now Kosika, a child Antari, sits on the throne of White London. The new queen leads her people in new rituals of sacrifice and blood in devotion to the altar of Holland Vosijk, summoning vast power she may not be able to control. Now Lila and Kell, living free on the waves, are charged by the captain of the Floating Market to retrieve an immensely powerful artefact, stolen by secretive forces. Now Tes, a young woman with a knack for fixing broken things, is thrust into the affairs of Antari and kings, traitors and thieves. And only her unique powers can weave the threads of power together. A triumphant return to the worlds of The Shades of Magic, The Fragile Threads of Power continues the stories of fan-favourite characters Kell, Lila, Rhy and Alucard, and introduces a new generation of magic, shadows and embers in the dark.

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*WINNER OF THE WOLFSON HISTORY PRIZE 2022*A BOOK OF THE YEAR 2021, AS CHOSEN BY THE TIMES, NEW STATESMAN, TELEGRAPH AND TIMES LITERARY SUPPLEMENT 'A big historical advance. Ours, it turns out, is a very un-insular "Island Story". And its 17th-century chapter will never look quite the same again' John Adamson, Sunday Times A ground-breaking portrait of the most turbulent century in English history Among foreign observers, seventeenth-century England was known as 'Devil-Land': a diabolical country of fallen angels, torn apart by seditious rebellion, religious extremism and royal collapse. Clare Jackson's dazzling, original account of English history's most turbulent and radical era tells the story of a nation in a state of near continual crisis. As an unmarried heretic with no heir, Elizabeth I was regarded with horror by Catholic Europe, while her Stuart successors, James I and Charles I, were seen as impecunious and incompetent. The traumatic civil wars, regicide and a republican Commonwealth were followed by the floundering, foreign-leaning rule of Charles II and his brother, James II, before William of Orange invaded England with a Dutch army and a new order was imposed. Devil-Land reveals England as, in many ways, a 'failed state': endemically unstable and rocked by devastating events from the Gunpowder Plot to the Great Fire of London. Catastrophe nevertheless bred creativity, and Jackson makes brilliant use of eyewitness accounts - many penned by stupefied foreigners - to dramatize her great story. Starting on the eve of the Spanish Armada in 1588 and concluding with a not-so 'Glorious Revolution' a hundred years later, Devil-Land is a spectacular reinterpretation of England's vexed and enthralling past.

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Once the Queendom of Sol was a glowing monument to humankind’s loftiest dreams. Ageless and immortal, its citizens lived in peaceful splendor. But as Sol buckled under the swell of an "immorbid" population, space itself literally ran out. . . . Conrad Mursk has returned to Sol on the crippled starship Newhope. His crew are the frozen refugees of a failed colony at Barnard’s Star. A thousand years older, Mursk finds Sol on the brink of rebellion, while a fanatic necro cult is reviving death itself. Now Mursk and his lover, Captain Xiomara “Xmary” Li Weng, are sent on a final, desperate mission by King Bruno de Towaji—one of the greatest terraformers of the ages—to literally crush the moon. If they succeed, they’ll save billions of lost souls. If they fail, they’ll strand humanity between death and something unimaginably worse. . . . About Wil McCarthy: “McCarthy is an entertaining, intelligent, amusing writer, with Heinlein's knack for breakneck plotting and, at the same time, Clarke's thoughtfulness.”—Booklist “‘Imagination really is the only limit.’”—The New York Times “The future as McCarthy sees it is a wondrous place.”—Publishers Weekly “A bright light on the SF horizon.”—David Brin “Wil McCarthy demonstrates that he has a sharp intelligence, a galaxy-spanning imagination, and the solid scientific background to make it all work.”—Connie Willis “In nearly every passage, we get another slice of the science of McCarthy’s construction, and a deeper sense of danger and foreboding . . . McCarthy develops considerable tension.”—San Diego Union-Tribune “An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.”—Kirkus

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Queens Cartimandua and Boudica were both Celtic noblewomen, recorded by classical writers as part of a tradition of women who showed particular courage, ambition and political skill, and who were just as formidable in war as their husbands. They took on the status of Celtic goddesses and were central players in the struggle against the Roman annexation of Britain. Boudica led the rebellion against the Romans but her reputation may be largely symbolic. Using historical and archaeological evidence, Celtic Queen uncovers the arguably more impressive story of Queen Cartimandua, the independent ruler of the powerful Brigante tribe whose territory was the single largest Celtic kingdom in Britain. Cartimandua’s leadership in battle and political influence were probably much greater than Boudica’s. Unlike Boudica, wife of King Prasutagus of the Iceni tribe, Cartimandua was the regent of the Brigante tribe in her own right. Her tribe prospered in the new Imperial world because she cooperated with the invaders and she held her position as queen until AD69. Cartimandua's territory was considerable, covering most of modern Cheshire, South and North Yorkshire, Lancashire, North Humberside, Cumbria, County Durham and Tyne and Wear. But she was seen as a shameless adulteress after an open affair with her husband’s armour bearer. Such sexual liberation was normal for powerful Celtic women but it scandalised Roman society. With many references to popular Celtic culture, their gods, beliefs, art and symbolism, as well as living conditions and the hillforts that would have been Cartimandua’s headquarters, Celtic Queen offers an insight into the life of this fascinating woman and the Romano/Celtic world in which she lived.

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On the brink of a critical moment in human history, this book presents a vision of "planetary stewardship" - a rethinking of our relationship with our planet - and plots a new course for our future. The authors, whose work is the subject of a new Netflix documentary released in summer 2021 and narrated by Sir David Attenborough, reveal the full scale of the planetary emergency we face - but also how we can stabilise Earth's life support system. The necessary change is within our power if we act now. In 2009, scientists identified nine planetary boundaries that keep Earth stable, ranging from biodiversity to ozone. Beyond these boundaries lurk tipping points. To stop short of these tipping points, the 2020s must see the fastest economic transition in history. This book demonstrates how societies are reaching positive tipping points that make this transition possible: Activism groups such as Extinction Rebellion, or the schoolchildren inspired by Greta Thunberg demand political action; countries are committing to eliminating greenhouse gas emissions; and one tipping point has even already passed - the price of clean energy has dropped below that of fossil fuels. Inside the pages of this scientifically-led publication, world-leading climate-change experts explain the greatest crisis humanity has ever faced.- Expert-authored text in an accessible style for both adults, and children ages 14+- A breakdown of the 9 planetary boundaries for relative stability on Earth, ranging from biodiversity to the ozone layer- An exploration of climate "tipping points" - good and bad- Stunning infographics and images visualising the problems and solutions to climate change- Contains detailed and unique images of Earth produced by Globaïa, the world's leading visualisers of human impact

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The Queen of Spades has long been acknowledged as one of the world's greatest short stories. In this classic literary representation of gambling, Alexander Pushkin explores the nature of obsession. Hints of the occult and gothic alternate with scenes of St Petersburg high-society in the story of the passionate Hermann's quest to master chance and make his fortune at the card-table. Underlying the taut plot is an ironical treatment of the romantic dreamer and social outcast. This volume contains three other major works of Pushkin's fiction, moving from the witty parodies of sentimentalism and high melodrama in The Tales of Belkin to an early experiment with recreating the past in Peter the Great's Blackamoor. It concludes with the novel-length masterpiece The Captain's Daughter, which combines historical fiction in the manner of Sir Walter Scott with the colour and devices of the Russian fairy-tale in a narrative of rebellion and romance. These new translations, as well as being meticulously faithful to the original, do full justice to the elegance and fluency of Pushkin's prose. The Introduction provides insightful readings of the stories and places them in their European literary context. A chronology of the Pugachov Uprising illuminates the events in The Captain's Daughter. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A philosophical exploration of the idea of 'rebellion' by one of the leading existentialist thinkers, Albert Camus' The Rebel looks at artistic and political rebels throughout history, from Epicurus to the Marquis de Sade. This Penguin Modern Classics edition is translated by Anthony Bower with an introduction by Oliver Todd.The Rebel is Camus' 'attempt to understand the time I live in' and a brilliant essay on the nature of human revolt. Published in 1951, it makes a daring critique of communism - how it had gone wrong behind the Iron Curtain and the resulting totalitarian regimes. It questions two events held sacred by the left wing - the French Revolution of 1789 and the Russian Revolution of 1917 - that had resulted, he believed, in terrorism as a political instrument. In this towering intellectual document, Camus argues that hope for the future lies in revolt, which unlike revolution is a spontaneous response to injustice and a chance to achieve change without giving up collective and intellectual freedom.Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.If you enjoyed The Rebel, you might like Camus' The Fall, also available in Penguin Modern Classics.'One of the great humanist manifestos'The Times'A conscience with style'V.S. Pritchett, author of A Cab at the Door

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'I narrowly escaped with my life and a fiery tongue of the sun I inadvertently swallowed and which consumed my memory for the next six years.'So writes Leon-Battista Mondaal when he reconstructs the events that have led him to lie, bound as a madman, in Mackenzie marketplace. His narrative moves backwards and forwards in time, to his boyhood and first visionary glimpses; the day he and two thousand souls are swept away in the flood that inundates the Guyanese coastline; and the day when, rescued by Amalivacar, the Amerindian god, he recovers his memory.At the heart of Mondaal's narrative lie his relationships with Jacob Laban, the patriarchal leader of the ethnographic team studying the Christmas Eve masquerade at Manchester village, and Elizabeth-Eberhart, the Amerindian aviator and agronomist on the team who, inspired by her memory of a childhood encounter with the River Fairmaid, shares with Mondaal her vision of 'kinship with species of being other than our own.'It is the failure of his half-hearted rebellion against Laban that drives Mondaal to write his narrative as an act of restitution, aided by the timehr, the painted child of Amerindian legend, who prompts him to the importance of recovering those whose 'ways of living are dark-sided in the shadow/composite of history's giants'.Poetry, high comedy, science fiction, Amerindian and Celtic myth are woven in this 'covenant between the biblical, the nation state and the immigrated space'. The Timehrian questions the reality of all monolithic historical lineages, all received framing devices, for as Mondaal asks, challenging Laban's closed, functional interpretation of the Christmas Eve masquerade, 'have we not happened upon their gestures mid-way in a larger, unseen composition?'Andrew Jefferson-Miles is a poet and artist.

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The next novel set in the world of Blizzard Entertainment's legendary online game World of Warcraft. When the world was young, all life shook before the might of Galakrond, a massive primal dragon whose hunger could not be sated. Five primal dragons rose valiantly beside the titan-forged Keeper Tyr to combat this threat. Though the fight was desperate, Galakrond fell by their teeth and talons, and they were chosen to become protectors of Azeroth. The titans gifted Nozdormu, Ysera, Alexstrasza, Malygos, and Neltharion with order magic, transforming them into the Aspects, powerful dragons with command of time, nature, life, magic, even the earth itself. Other primal dragons followed them on their path, and, imbued with the titans' power, the dragonflights rose to shape the world and serve the Aspects. That is the tale the dragonflights have always told . . . but it is not the whole story. For while the Dragonqueen and her flights set to reshaping Azeroth, not all dragonkind sees order magic as a gift. Spurning the titans' interference, a group of rebel primal dragons drink deep from the elemental powers of the planet and are reborn as the Incarnates. Led by Iridikron, the Incarnates believe that dragonkind should be subservient to no one. They foment a rebellion against the Aspects, what they are and all they stand for. Despite the efforts of the Dragonqueen Alexstrasza and her primal friend, Vyranoth, to preserve peace, both sides slip closer to violence, as dragons are forced to choose a side or be swept up in the growing conflict. With battle lines and allegiances drawn, the war amongst dragonkind shakes the foundation of the world. Both sides realize they will have to make sacrifices to secure the future of their kind, sacrifices that will cascade through the ages.

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A memoir by a disability rights activist Such a Pretty Girl is Nadina LaSpina's story—from her early years in her native Sicily, where still a baby she contracts polio, a fact that makes her the object of well-meaning pity and the target of messages of hopelessness; to her adolescence and youth in America, spent almost entirely in hospitals, where she is tortured in the quest for a cure and made to feel that her body no longer belongs to her; to her rebellion and her activism in the disability rights movement. LaSpina’s personal growth parallels the movement’s political development—from coming together, organizing, and fighting against exclusion from public and social life, to the forging of a common identity, the blossoming of disability arts and culture, and the embracing of disability pride. While unique, the author's journey is also one with which many disabled people can identify. It is the journey to find one's place in an ableist world—a world not made for disabled people, where disability is only seen in negative terms. La Spina refutes all stereotypical narratives of disability. Through the telling of her life’s story, without editorializing, she shows the harm that the overwhelming focus on pity and on a cure that remains elusive has done to disabled people. Her story exposes the disability prejudice ingrained in our sociopolitical system and denounces the oppressive standards of normalcy in a society that devalues those who are different and denies them basic rights. Written as continuous narrative and in a subtle and intimate voice, Such a Pretty Girl is a memoir as captivating as a novel. It is one of the few disability memoirs to focus on activism, and one of the first by an immigrant.

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“In the most barren inhospitable unhealthy part of North America, opposed by the most savage, inveterate perfidious cruel Enemy, with zeal and with Bayonets only, it was resolv'd to follow Green's Army, to the end of the World.” So wrote British general Charles O'Hara about the epic confrontation between Nathanael Greene and Charles Cornwallis during the winter of 1780-81\. Only Greene's starving, threadbare Continentals stood between Cornwallis and control of the South—and a possible end to the American rebellion. Burning their baggage train so that they could travel more quickly, the British doggedly pursued Greene's bedraggled soldiers, yet the rebels remained elusive. Daniel Morgan's stunning victory at Cowpens over a superior British force set in motion the “Race to the Dan,” Greene's month-long strategic retreat across the Carolinas. In constant rain and occasional snow, Greene's soldiers— tracking the ground with their bloody feet—bound toward a secret stash of boats on the Dan River. Just before Cornwallis could close his trap, the Continentals crossed into Virginia and safety. Greene's path featured three nearmiss river escapes, the little-known Battle of Cowan's Ford, and a final chase so close that the fate of the American South—and the American effort—rested on one wrong British move. With a background section on the Southern theater in 1780, and a summary outlining the lives and careers of its important officers, To the End of the World: Nathanael Greene, Charles Cornwallis, and the Race to the Dan is a carefully documented and beautifully written account of this extraordinary chapter of American history. The book not only showcases the incredible dramatics of the American Revolution's “Great Escape,” but also provides a compelling look at the psychological and intellectual distinctions between its two great generals, Greene and Cornwallis.

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Combining the intimacy of memoir and the precision of history, the story of psychologist Nicolae Margineanu's imprisonment and survival conveys in striking detail the corrosive impact of Communist rule in Romania. Nicolae Margineanu's journey started in 1905 in the village of Obreja in Transylvania and ended in 1980 in Cluj-Napoca, Romania. He began his life under Austro-Hungarian rule, was witness to the 1918 Union, lived under three kings(Ferdinand, Carol II, and Mihai), and survived all of Romania's dictatorships, from absolute monarchy to the Legionnaires' rebellion, the Antonescian dictatorship, and finally the years under Communist rule. Margineanu studied psychology at the University of Cluj and attended postgraduate courses in Leipzig, Berlin, Hamburg, Paris, and London. He was awarded a Rockefeller Foundation fellowship that enabled him to do research for two years in the United States, at Harvard, Yale, Columbia, the University of Chicago, and Duke. He returned to Romania and became chair of the psychology department at the University of Cluj. In 1948, Margineanu was arrested on a charge of "high treason," based on his alleged membership in a resistance movement against Communist rule. He was sentenced to twenty-five years' imprisonment, of which he served sixteen, passing through the jails at Malmaison, Jilava, Pitesti,Aiud, and Gherla. This book, his autobiography, is a shocking testimony to the fate of the intellectual elite of Romania during the Communist dictatorship. It is a unique and invaluable addition to the literature in English on the experience of political prisoners, not only in Communist Romania but in authoritarian states in general. Nicolae Margineanu (1905-1980) was a Romanian psychologist and writer who was a political prisoner during theperiod of Communist rule. Dennis Deletant is the Visiting Ratiu Professor of Romanian Studies at Georgetown University. Calin Cotoiu is a translator based in Bucharest, Romania.

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Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by "Frogs" and "Toads," humanoid creatures brutally committed to a kill-or-be-killed struggle. The history of American youth depends primarily on adult reminiscences of their own childhoods, adult testimony to the lives of youth around them, or surmises based on at best a few creative artifacts. The survival then of such a large collection of adolescent comic strips from America’s small-town Midwest is remarkable. Michael Kugler reproduces the never-before-published comics of his father’s adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. Kugler emphasizes how US propaganda intended to inspire patriotic support for the war gave this young artist a license for his imagined violence. In a context of progressive American educational reform, these violent comic stories, often in settings modeled on the artist’s small Nebraska town, suggests a form of adolescent rebellion against moral conventions consistent with comic art’s reputation for "outsider" or countercultural expressions. Kugler also argues that these comics provide evidence for the transition in American taste from war stories to the horror comics of the late 1940s and early 1950s. Kugler’s thorough analysis of his father’s adolescent art explains how a small-town boy from the plains distilled the popular culture of his day for an imagined war he could fight on his audacious, even shocking terms.

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The evolution of the federal prosecutor's role from a pragmatic necessity to a significant political figure.In the United States, federal prosecutors enjoy a degree of power unmatched elsewhere in the world. They are free to investigate and prosecute—or decline to prosecute—criminal cases without significant oversight. And yet, no statute grants them these powers; their role is not mentioned in the Constitution. How did they obtain this power, and are they truly independent from the political process? In Constitutional Inquisitors, Scott Ingram answers these questions by tracing the origins and development of federal criminal law enforcement.In the first book to examine the development of the federal law enforcement apparatus in the earliest part of the early republic, Ingram explains how federal prosecutors' roles began as an afterthought but quickly evolved into powerful political positions. He also addresses two long-held perceptions about early federal criminal prosecution: that prosecutors tried many more cases than historians thought and that the relationship between prosecution and executive power is much more complex and interwoven than commonly assumed.Drawing on materials at the National Archives as well as correspondence and trial reports, Ingram explores the first federal criminal case, the first use of presidential pardon power, the first federal prosecution of a female, and the first interstate criminal investigation. He also discloses internal Administration discussions involving major criminal cases, including those arising from the Whiskey Insurrection, Neutrality Crisis, Alien and Sedition Acts, and Fries' Rebellion. As the United States grapples today with political divisions and arguments over who should be prosecuted for what, Constitutional Inquisitors reveals that these problems began with the creation of the federal prosecutor role and have continued as the role gained power.

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It's a story that has a beginning, a middle, but as yet, no end. John McGrath's winding, furious, innovative play tracks the economic history and exploitation of the Scottish Highlands from the post-Rebellion suppression of the clans to the story of the Clearances: in the 19th century, aristocratic landowners discovered the profitability of sheep farming, and forced a mass emigration of rural Highlanders, burning their houses in order to make way for the Cheviot sheep. Described by the playwright as having a “ceilidh” format, The Cheviot, the Stag and the Black, Black Oil draws on historical research alongside Gaelic song and the Scots' love of variety and popular entertainment to tell this epic story. A totally distinctive cultural and theatrical phenomenon, the play championed several new approaches to theatre, raising its profile as a means of political intervention; proposing a collective and collaborative approach to creating theatre; offering a language of performance accessible to working-class people; producing theatre in non-purpose-built theatre spaces; breaking down the barrier between audience and performers through interaction; and taking theatre to people who otherwise would not access it. The play received its premiere in 1973 by the agit-prop theatre group 7:84. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of The Cheviot, the Stag and the Black, Black Oil was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a new foreword by Kate McGrath.

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We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants’ Revolt to the English Civil War. The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation—the process by which one could become a vessel for divine violence—and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic’s claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism’s tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.

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Commons Democracy highlights a poorly understood dimension of democracy in the early United States. It tells a story that, like the familiar one, begins in the Revolutionary era. But instead of the tale of the Founders’ high-minded ideals and their careful crafting of the safe framework for democracy—a representative republican government—Commons Democracy examines the power of the democratic spirit, the ideals and practices of everyday people in the early nation. As Dana D. Nelson reveals in this illuminating work, the sensibility of participatory democratic activity fueled the involvement of ordinary folk in resistance, revolution, state constitution-making, and early national civic dissent. The rich variety of commoning customs and practices in the late colonies offered non-elite actors a tangible and durable relationship to democratic power, one significantly different from the representative democracy that would be institutionalized by the Framers in 1787. This democracy understood political power and liberties as communal, not individual. Ordinary folk practiced a democracy that was robustly participatory and insistently local. To help tell this story, Nelson turns to early American authors—Hugh Henry Brackenridge, James Fenimore Cooper, Robert Montgomery Bird, and Caroline Kirkland—who were engaged with conflicts that emerged from competing ideals of democracy in the early republic, such as the Whiskey Rebellion and the Anti-Rent War as well as the enclosure of the legal commons, anxieties about popular suffrage, and practices of frontier equalitarianism. While Commons Democracy is about the capture of “democracy” for the official purposes of state consolidation and expansion, it is also a story about the ongoing (if occluded) vitality of commons democracy, of its power as part of our shared democratic history and its usefulness in the contemporary toolkit of citizenship.

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Winner of the Social Science History Association President’s Book AwardEast Germany was the first domino to fall when the Soviet bloc began to collapse in 1989. Its topple was so swift and unusual that it caught many area specialists and social scientists off guard; they failed to recognize the instability of the Communist regime, much less its fatal vulnerability to popular revolt. In this volume, Steven Pfaff identifies the central mechanisms that propelled the extraordinary and surprisingly bloodless revolution within the German Democratic Republic (GDR). By developing a theory of how exit-voice dynamics affect collective action, Pfaff illuminates the processes that spurred mass demonstrations in the GDR, led to a peaceful surrender of power by the hard-line Leninist elite, and hastened German reunification. While most social scientific explanations of collective action posit that the option for citizens to emigrate—or exit—suppresses the organized voice of collective public protest by providing a lower-cost alternative to resistance, Pfaff argues that a different dynamic unfolded in East Germany. The mass exit of many citizens provided a focal point for protesters, igniting the insurgent voice of the revolution.Pfaff mines state and party records, police reports, samizdat, Church documents, and dissident manifestoes for his in-depth analysis not only of the genesis of local protest but also of the broader patterns of exit and voice across the entire GDR. Throughout his inquiry, Pfaff compares the East German rebellion with events occurring during the same period in other communist states, particularly Czechoslovakia, China, Poland, and Hungary. He suggests that a trigger from outside the political system—such as exit—is necessary to initiate popular mobilization against regimes with tightly centralized power and coercive surveillance.

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A renowned historian offers novel perspectives on slavery and abolition in eighteenth-century Jamaica Between the start of the Seven Years' War in 1756 and the onset of the French Revolution in 1789, Jamaica was the richest and most important colony in British America. White Jamaican slaveowners presided over a highly productive economic system, a precursor to the modern factory in its management of labor, its harvesting of resources, and its scale of capital investment and ouput. Planters, supported by a dynamic merchant class in Kingston, created a plantation system in which short-term profit maximization was the main aim. Their slave system worked because the planters who ran it were extremely powerful. In Jamaica in the Age of Revolution, Trevor Burnard analyzes the men and women who gained so much from the labor of enslaved people in Jamaica to expose the ways in which power was wielded in a period when the powerful were unconstrained by custom, law, or, for the most part, public approbation or disapproval. Burnard finds that the unremitting war by the powerful against the poor and powerless, evident in the day-to-day struggles slaves had with masters, is a crucial context for grasping what enslaved people had to endure. Examining such events as Tacky's Rebellion of 1760 (the largest slave revolt in the Caribbean before the Haitian Revolution), the Somerset decision of 1772, and the murder case of the Zong in 1783 in an Atlantic context, Burnard reveals Jamiaca to be a brutally effective and exploitative society that was highly adaptable to new economic and political circumstances, even when placed under great stress, as during the American Revolution. Jamaica in the Age of Revolution demonstrates the importance of Jamaican planters and merchants to British imperial thinking at a time when slavery was unchallenged.

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In A Town In-Between, Judith Ridner reveals the influential, turbulent past of a modest, quiet American community. Today Carlisle, Pennsylvania, nestled in the Susquehanna Valley, is far from the nation's political and financial centers. In the eighteenth century, however, Carlisle and its residents stood not only at a geographical crossroads but also at the fulcrum of early American controversies. Located between East Coast settlement and the western frontier, Carlisle quickly became a mid-Atlantic hub, serving as a migration gateway to the southern and western interiors, a commercial way station in the colonial fur trade, a military staging and supply ground during the Seven Years' War, American Revolution, and Whiskey Rebellion, and home to one of the first colleges in the United States, Dickinson. A Town In-Between reconsiders the role early American towns and townspeople played in the development of the country's interior. Focusing on the lives of the ambitious group of Scots-Irish colonists who built Carlisle, Judith Ridner reasserts that the early American west was won by traders, merchants, artisans, and laborers—many of them Irish immigrants—and not just farmers. Founded by proprietor Thomas Penn, the rapidly growing town was the site of repeated uprisings, jailbreaks, and one of the most publicized Anti-Federalist riots during constitutional ratification. These conflicts had dramatic consequences for many Scots-Irish Presbyterian residents who found themselves a people in-between, mediating among the competing ethnoreligious, cultural, class, and political interests that separated them from their fellow Quaker and Anglican colonists of the Delaware Valley and their myriad Native American trading partners of the Ohio country. In this thoroughly researched and highly readable study, Ridner argues that interior towns were not so much spearheads of a progressive and westward-moving Euro-American civilization, but volatile places situated in the middle of a culturally diverse, economically dynamic, and politically evolving early America.

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There is perhaps no place in the world today where the stakes of partying and having sex are higher than in present-day Iran. Drinking and dancing can lead to arrest by the morality police and a punishment of up to 70 lashes. Consequences for sex outside of marriage can be even more severe—up to 84 lashes, or even public execution. But even under the threat of such harsh punishment, a sexual revolution is taking place. Iranian youth continually risk personal safety to meet friends, date, and, ultimately, to have sex. In the absence of any option for overt political dissent, young people have become part of a self-proclaimed revolution in which they are using their bodies to make social and political statements. Sex has become both a source of freedom and an act of political rebellion. With unprecedented access inside turn-of-the century Iran, Pardis Mahdavi offers a firsthand look at the daily lives of Iranian youth. They are given a voice as she tells the stories of their intertwined quests for sexual freedom, political reform, and a better future—but not a future without risk. The sexual revolution is also leading to increased levels of abortion, HIV/AIDS, sexually transmitted diseases, and ongoing emotional troubles and mental illnesses, with worrying implications for Iranian youth and Iranian society at large. Passionate Uprisings is a fascinating, ground-breaking, and personal look into a society that is poorly understood—if it is understood at all—by the majority of Westerners today. Mahdavi's narrative provides not only an invaluable insight into the real lives of much of Iran's population, but shows how sexual politics and the youth culture could even destabilize the current regime and change the course of Iranian politics.

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In December 1931, El Salvador’s civilian president, Arturo Araujo, was overthrown in a military coup. Such an event was hardly unique in Salvadoran history, but the 1931 coup proved to be a watershed. Araujo had been the nation’s first democratically elected president, and although no one could have foreseen the result, the coup led to five decades of uninterrupted military rule, the longest run in modern Latin American history. Furthermore, six weeks after coming to power, the new military regime oversaw the crackdown on a peasant rebellion in western El Salvador that is one of the worst episodes of state-sponsored repression in modern Latin American history. Democracy would not return to El Salvador until the 1990s, and only then after a brutal twelve-year civil war. In Authoritarian El Salvador: Politics and the Origins of the Military Regimes, 1880-1940, Erik Ching seeks to explain the origins of the military regime that came to power in 1931. Based on his comprehensive survey of the extant documentary record in El Salvador’s national archive, Ching argues that El Salvador was typified by a longstanding tradition of authoritarianism dating back to the early- to mid-nineteenth century. The basic structures of that system were based on patron-client relationships that wove local, regional, and national political actors into complex webs of rival patronage networks. Decidedly nondemocratic in practice, the system nevertheless exhibited highly paradoxical traits: it remained steadfastly loyal to elections as the mechanism by which political aspirants acquired office, and it employed a political discourse laden with appeals to liberty and free suffrage. That blending of nondemocratic authoritarianism with populist reformism and rhetoric set the precedent for military rule for the next fifty years.

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With round-the-clock drugs, games, and eros parlors to entertain them and virtual weather to sustain them, humans live inside a global network of domed cities known collectively as "the Enclosure." Having poisoned the biosphere, we've had to close ourselves off from the Earth. The cities of the Enclosure are scattered around the globe on the land and sea, and are connected by a web of travel tubes, so no one needs to risk exposure. Health Patrollers police the boundaries of the Enclosure to keep the mutants and pollution out. Phoenix Marshall decodes satellite images for a living. He has spent all 30 years of his life in Oregon City, afloat on the Pacific Ocean. He busies himself with work and various forms of recreation to keep boredom at bay. One morning he opens his door to find Teeg Passio. Teeg is the same age as Phoenix, but she's different; she's menacingly and enticingly wild. She grew up on the outside. Her mother oversaw the recycling of the old cities, and her father helped design the Enclosure. Teeg works maintenance, which allows her to travel outside the walls. When she introduces Phoenix to her crew, he is drawn into a high-tech conspiracy that may threaten everything he understands. Are humans really better off within the Enclosure? Is the Earth? Are Health Patrollers keeping us safe or just keeping us in? Teeg seduces Phoenix out of his orderly life, enlisting him in a secret, political and sexual rebellion. Teeg and her co-conspirators, part mystics, part tech-wizards, dream of a life embedded in nature. Then one day, during a closely monitored repair mission on the outside, a typhoon offers the rebels a chance to escape the Enclosure and test their utopian dreams in the wilds.

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Between its founding in 1854 and its collapse in 1952, the Chinese Maritime Customs Service delivered one-third to one-half of all revenue collected by China's central authorities. Much more than a tax collector, the institution managed China's harbors, erected lighthouses, and surveyed the Chinese coast. It funded and oversaw the Translator's College, which trained Chinese diplomats while its staff translated Chinese classics, novels, and poetry and wrote important studies on the Chinese economy, its financial system, its trade, its history, and its government. It organized contributions to international exhibitions, developed its own shadow diplomacy, pioneered China's modern postal system, and even maintained its own armed force. After the 1911 Revolution, the agency became deeply involved in the management of China's international loans and domestic bond issues. In other words, the Customs Service was pivotal to China's post-Taiping integration into the world of modern nation-states and twentieth-century trade and finance. If the Customs Service introduced the modern governance of trade to China, it also made Chinese legible to foreign audiences. Following the activities of the Inspectors General, who were virtual autocrats within the service and communicated regularly with senior Chinese officials and foreign diplomats, this history tracks the Customs Service as it transformed China and its relationship to the world. The Customs Service often kept China together when little else did. This book reveals the role of the agency in influencing the outcomes of the Sino-French War, the Boxer Rebellion, and the 1911 Revolution, as well as the rise of the Nationalists in the 1920s, and concludes with the Customs Service purges of the early 1950s, when the relentless logic of revolution dismantled the agency for good.

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NOMINATED FOR A SHIRLEY JACKSON AWARD AND BRITISH FANTASY AWARD "This rich and masterful collection of horror highlights both up-and-coming and established authors in an interesting twist on the standard anthology [...] Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." — Booklist This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. It is the first of what will hopefully become an annual, non-themed horror anthology of entirely original stories, showcasing the very best short fiction that the genre has to offer. Contents List: BUTTERFLY ISLAND by C.J. Tudor RESEARCH by Tim Lebbon SWANSKIN by Alison Littlewood THAT’S THE SPIRIT by Sarah Lotz GAVE by Michael Bailey WHEREVER YOU LOOK by Ramsey Campbell SAME TIME NEXT YEAR by Angela Slatter MINE SEVEN by Elana Gomel IT DOESN’T FEEL RIGHT by Michael Marshall Smith CREEPING IVY by Laura Purcell LAST RITES FOR THE FOURTH WORLD by Rick Cross WE ALL COME HOME by Simon Bestwick THE IMPORTANCE OF ORAL HYGIENE by Robert Shearman BOKEH by Thana Niveau MURDER BOARD by Grady Hendrix ALICE’S REBELLION by John Langan THE MIRROR HOUSE by Jonathan Robbins Leon THE NAUGHTY STEP by Stephen Volk A HOTEL IN GERMANY by Catriona Ward BRANCH LINE by Paul Finch FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

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Fighter Pilot's Daughter: Growing Up in the Sixties and the Cold War details author and Professor Mary Lawlor’s unconventional upbringing in Cold War America. Memories of her early life—as the daughter of a Marine Corps and then Army father—reveal the personal costs of tensions that once gripped the entire world, and illustrate the ways in which bold foreign policy decisions shaped an entire generation of Americans, defining not just the ways they were raised, but who they would ultimately become. As a kid on the move she was constantly in search of something to hold on to, a longing that led her toward rebellion, to college in Paris, and to the kind of self-discovery only possible in the late 1960s. A personal narrative braided with scholarly, retrospective reflections as to what that narrative means, Fighter Pilot's Daughter zooms in on a little girl with a childhood full of instability, frustration and unanswered questions such that her struggles in growth, her struggles, her yearnings and eventual successes exemplify those of her entire generation. From California to Georgia to Germany, Lawlor’s family was stationed in parts of the world that few are able to experience at so young an age, but being a child of military parents has never been easy. She neatly outlines the unique challenges an upbringing without roots presents someone struggling to come to terms with a world at war, and a home in constant turnover and turmoil. This book is for anyone seeking a finer awareness of the tolls that war takes not just on a nation, but on that nation’s sons and daughters, in whose hearts and minds deeper battles continue to rage long after the soldiers have come home.

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This is a brutal story – but, from the safety of fifty years distance in time – it is an extremely compelling one. It is also an enduring lesson that a military unit, formed under an evil ideology, led by a social outcast and composed of vicious criminals, will sink to its lowest common denominator – hate. The Dirlewanger Battalion, also known as “Sonderkommando (special commando) Dirlewanger” was perhaps the least understood, but at the same time the most notorious German SS anti-partisan unit in World War II. German propaganda correspondents and wartime photographers did not follow them in action. And for good reason. Wherever the Dirlewanger unit – named for and led by Oskar Dirlewanger – operated, corruption and rape formed an every-day part of life and indiscriminate slaughter, beatings and looting were rife. Formed as a battalion of convicted poachers in 1940, the unit operated in Poland until 1942, guarding Jews in forced labor camps and making life miserable for Poles in Lublin and Cracow. From there Dirlewanger spent two years combating partisans in central Russia, giving no quarter and expecting none in return, during vicious fighting against an elusive foe in the midst of inhospitable swamps and dismal forests. In 1944 Dirlewanger savaged Warsaw during the Polish Uprising, before moving to Slovakia to crush another rebellion there. The end of the war saw the unit, which was now a division in size, fighting for its life south of Berlin against the Soviet Army. Medieval in their outlook on war and certainly not indicative of many German military formations, this unit none-the-less remains a reflection of a segment of mankind gone mad in the inferno of World War II on the eastern front. Size: 6" x 9" over 50 b/w photographs, maps, fully annotated

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America's most enduring and legendary symbol of young rebellion, James Dean continues into the 21st Century to capture the imagination of the world. In recognition of his enduring appeal as Hollywood's most visible symbol of unrequited male rage, bars from California to Nigeria and Patagonia are named in his honor. Dean, a strikingly handsome heart-throb, is a study in contrasts: Tough but tender; brutal at times but remarkably sensitive; a reckless hellraiser badass who could revert to a little boy in bed. From his climb from the dusty backroads of Indiana to the most formidable boudoirs of Hollywood, his saga is electrifying. He claimed that sexually, he didn't want to go through life with one hand tied behind his back. He corroborated his identity as a rampant bisexual through sexual interludes with Marilyn Monroe, Rock Hudson, Elizabeth Taylor, Paul Newman, Natalie Wood, Shelley Winters, Marlon Brando, Steve McQueen, Ursula Andress, Montgomery Clift, Pier Angeli, Tennessee Williams, Susan Strasberg, and (are you sitting down?) both Tallulah Bankhead and (as a male prostitute) FBI director J. Edgar Hoover. Woolworth heiress Barbara Hutton wanted to make him her toy boy. Tomorrow Never Comes, the newest in Blood Moon's critically acclaimed Babylon Series, is the most penetrating look at James Dean to have emerged from the wreckage of his Porsche Spyder in 1955. He flirted with Death until it caught him. Ironically, he said, "If a man can live after he dies, then maybe he's a great man." Before setting out on his last ride, he also said, "I feel life too intensely to bear living it." Tomorrow Never Comes is published in recognition of the 60th anniversary of his early death. It presents a damaged but beautiful soul, and the embarrassing and sometimes lurid compromises James Dean made on his road to "success" before his demons grabbed him.

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In June 2016, Rodrigo Duterte won the Philippine presidential election by a landslide. Infamous for his bombastic temper and un-PC wisecracks, he is waging a brutal drug war that has killed more than 12,000 people so far. Over the last nine years, British writer Tom Sykes has travelled extensively in the Philippines in order to understand the Duterte phenomenon, interviewing friends and enemies of 'The Punisher' -- as he is known -- in politics, the media, the arts and civil society. Sykes witnesses anti-government demonstrations in the capital Manila and visits the provincial city of Davao, where Duterte began his crusade against crime using police and vigilante death squads. By delving into Duterte's troubled childhood of violent rebellion, Sykes discovers what motivates the man today in his pursuit of a merciless 'war on the poor' -- as Amnesty has described it -- that has no end in sight. The Realm of the Punisher also examines oppressed and marginalized groups in the modern Philippines through encounters with a transgender rights campaigner, an 86-year-old former sex slave to the Japanese in the Second World War, a public artist who must work while under attack from Maoist rebels, and slum-dwellers resisting violent eviction by a real estate company. The past is never far away from these present-day problems and Sykes' travels to festivals, cemeteries, war memorials and a tomb housing an embalmed corpse reveal the ways in which key figures in Philippine history -- from Jose Rizal to Ferdinand Marcos -- have influenced current affairs. Funny, tragic, enlightening and uncompromising -- and infused with the author's strong sense of social justice -- The Realm of the Punisher is the first major travel book by a Westerner to explore Duterte's Philippines.

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Emmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, “unforgettably memorable” (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time.Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon’s parents’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless’s remarkable career and explores Gless’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.

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"Jessie Mihalik is an author to watch.”--Ilona Andrews, #1 New York Times bestselling authorTo save her brother and protect her family’s future, a powerful princess must join forces with a dashing man from her past in this thrilling space adventure, the second novel in the Consortium Rebellion trilogy.As the dutiful daughter of High House von Hasenberg, Bianca set aside her personal feelings and agreed to a political match arranged by her family, only to end up trapped in a loveless, miserable marriage. When her husband unexpectedly dies, Bianca vows never to wed again. Newly independent, she secretly uses her wealth and influence to save other women stuck in dire circumstances. Information is power and Bianca has a network of allies and spies that would be the envy of the ’verse—if anyone knew about it.When her family’s House is mysteriously attacked, Bianca’s oldest brother, the heir to House von Hasenberg, disappears. Fearful for her brother’s life, the headstrong Bianca defies her father and leaves Earth to save him. Ian Bishop, the director of House von Hasenberg security—and Bianca’s first love—is ordered to find and retrieve the rebellious woman. Ian is the last man Bianca wants to see. To evade capture, she leads him on a merry chase across the universe. But when their paths finally collide, she knows she must persuade him to help her. Bianca will do anything to save her sibling, even if it means spending time alone on a small ship with the handsome, infuriating man who once broke her heart.As the search takes them deep into rival House Rockhurst territory, Bianca must decide if she can trust Ian with the one piece of information that could destroy her completely . . .

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Night of the Golden Butterfly concludes the Islam Quintet-Tariq Ali's much lauded series of historical novels, over twenty years in the writing, which has been translated into a dozen languages Completing an epic panorama that began in fifteenth-century Moorish Spain, the concluding novel moves between the cities of the twenty-first century, from Lahore to London, from Paris to Beijing. The narrator is rung one morning and reminded that he owes a debt of honour. The creditor is Mohammed Aflatun-known as Plato-an irascible but gifted painter living in a Pakistan where "human dignity has become a wreckage." Plato, who once specialized in stepping back from the limelight, now wants his life story written.As the tale unravels we meet Plato's London friend Alice Stepford, now a leading music critic in New York; Mrs. "Naughty" Latif, the Islamabad housewife whose fondness for generals forces her to flee to the salons of intellectually fashionable Paris, where she becomes an overnight celebrity, hailed as the Diderot of the Islamic world; and there's Jindie, the Golden Butterfly of the title, the narrator's first love. The daughter of a Chinese family long settled in Lahore, Jindie is now married to his best friend, a Republican heart surgeon in DC, whose children cannot forgive him for saving the life of a much-despised politician.Interwoven with this chronicle of contemporary life is the turbulent history of Jindie's family. Her great forebear, Dù Wénxiù, led a Muslim rebellion in Yunnan in the nineteenth century and ruled the region from his capital Dali for almost a decade as Sultan Suleiman. Night of the Golden Butterfly shows Ali in full flight, at once imaginative and intelligent, satirical and stimulating.

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'READING THIS TERRIFIC, ORWELLIAN NOVEL YOU ALMOST HOLD YOUR BREATH' Bel MooneyAn alternative history with a strong feminist twist, perfect for fans of Robert Harris' Fatherland, Christina Dalcher's Vox and the dystopian novels of Margaret Atwood.'A TRIUMPH' Amanda Craig'CONVINCING AND GRIPPING' Elizabeth Buchan'BRILLIANTLY IMAGINED' Clare Chambers'TERRIFIC HEROINE' Adèle Geras'VIVIDLY IMAGINED' Nicci FrenchTo control the past, they edited history. To control the future, they edited literature.London, 1953, Coronation year - but not the Coronation of Elizabeth II.Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest. Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task. Outbreaks of insurgency have been seen across the country; graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland to find the source of this rebellion and ensure that it is quashed.'THE MOST IMPORTANT FEMINIST NOVEL IN DECADES' Jane Harris'A VERY SMART REIMAGINED HISTORY' Henry Porter'BRIMMING WITH CRACKLING DETAIL, A GRIPPING THRILLER' Miranda Carter

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A key element of the American dream is an unwavering belief in its uniqueness. Somehow, it has become an article of faith that the United States emerged from the political mists of 1776 as a fully formed and unparalleled political entity without a past and with a special destiny. America: Made in Britain provides an important corrective to this received wisdom about the US and an original insight into its ‘Special Relationship’ with the UK. Author Tom Arms explains how the United States was the result of political, social, economic, philosophical and religious developments that preceded the arrival of the Pilgrim Fathers by centuries and which continued to be the overwhelming influence on the political development of America during the colonial period and beyond. The colonists were almost entirely from the British Isles. They were governed by British laws. British philosophers guided their thinking. British economic needs determined their trade and future commercial developments. British religion, wars, suppression and political debates spurred immigration. The fight to restore cherished British rights and liberties drove colonists to the brink of rebellion and beyond. The Declaration of Independence and the US constitution are marked by British philosophical, legal and political fingerprints. The Magna Carta and English common law are regularly cited in US Supreme Court judgements. Because of this, what happened in Britain centuries ago has an impact on American life today. And what was done by the British in America also influences contemporary Britain. The Special Relationship that exists between the United Kingdom and the United States did not start with the Atlantic Charter. Its roots were laid before the arrival of the first Jamestown settlers in 1607 and have spread to link the two countries at every conceivable level.

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'An absolutely unputdownable read' Grimdark MagazineThe Tyranny of Faith is the epic sequel to the Sunday Times bestselling debut The Justice of Kings, where Sir Konrad Vonvalt - the most powerful and feared of the Emperor's Justices - must face down a growing threat to the Empire. A Justice's work is never done.The Battle of Galen's Vale is over, but the war for the Empire's future has just begun. Concerned by rumours that the Magistratum's authority is waning, Sir Konrad Vonvalt returns to Sova to find the capital city gripped by intrigue and whispers of rebellion. In the Senate, patricians speak openly against the Emperor, while fanatics preach holy vengeance on the streets. Yet facing down these threats to the throne will have to wait, for the Emperor's grandson has been kidnapped - and Vonvalt is charged with rescuing the missing prince. His quest will lead Vonvalt - and his allies Helena, Bressinger and Sir Radomir - to the Empire's southern frontier, where they will once again face the puritanical fury of Bartholomew Claver and his templar knights . . . and a dark power far more terrifying than they could have imagined.Praise for the Empire of the Wolf series 'Utterly compelling, thoroughly engrossing and written with such skilful assurance I could barely put it down' Nicholas Eames'The Justice of Kings is equal parts heroic fantasy and murder mystery . . . Richard Swan's sophisticated take on the fantasy genre will leave readers hungry for more' Sebastien de Castell'Great characters, compelling and wonderfully written. A brilliant debut and fantastic start to the series' James IslingtonThe Empire of the Wolf seriesThe Justice of Kings The Tyranny of Faith Empire of the Wolf #3 (coming '24)

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40th anniversary edition of Richard Adams' picaresque saga about a motley band of rabbits - Watership Down is one of the most beloved novels of our time.Sandleford Warren is in danger. Hazel's younger brother Fiver is convinced that a great evil is about to befall the land, but no one will listen. And why would they when it is Spring and the grass is fat and succulent? So together Hazel and Fiver and a few other brave rabbits secretly leave behind the safety and strictures of the warren and hop tentatively out into a vast and strange world.Chased by their former friends, hunted by dogs and foxes, avoiding farms and other human threats, but making new friends, Hazel and his fellow rabbits dream of a new life in the emerald embrace of Watership Down . . .'A gripping story of rebellion in a rabbit warren and the subsequent adventures of the rebels. Adams has a poetic eye and a gift for storytelling which will speak to readers of all ages for many years to come' Sunday Times'A masterpiece. The best story about wild animals since The Wind in the Willows. Very funny, exciting, often moving' Evening Standard'A great book. A whole world is created, perfectly real in itself, yet constituting a deep incidental comment on human affairs' GuardianRichard Adams grew up in Berkshire, the son of a country doctor. After an education at Oxford, he spent six years in the army and then went into the Civil Service. He originally began telling the story of Watership Down to his two daughters and they insisted he publish it as a book. It quickly became a huge success with both children and adults, and won the Guardian Children's Fiction Award and the Carnegie Medal in 1972. Richard Adams has written many novels and short stories, including Shardik and The Plague Dogs.

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