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In the winter of 1965, Leo Strauss taught a seminar on Hegel at the University of Chicago. While Strauss did not consider himself a Hegelian nor write about Hegel at any length, his writings contain intriguing references to the philosopher, particularly in connection with his studies of Hobbes, in his debate in On Tyranny with Alexandre Koje ve; and in his account of the "three waves" of modern political philosophy. Leo Strauss on Hegel reconstructs Strauss's seminar on Hegel, supplemented by passages from an earlier version of the seminar from which only fragments of a transcript remain. Strauss focused in his seminar on the lectures collected in The Philosophy of History, which he considered more accessible than Hegel's written works. In his own lectures on Hegel, Strauss continues his project of demonstrating how modern philosophers related to ancient thought and explores the development and weaknesses of modern political theory. Strauss is especially concerned with the relationship in Hegel between empirical history and his philosophy of history, and he argues for the primacy of religion in Hegel's understanding of history and society. In addition to a relatively complete transcript, Leo Strauss on Hegel also includes annotations, which bring context and clarity to the text.

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Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times).Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life.Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

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Let's be sérieux!Can't quite come up with the right French quip or four-letter word? With Talk Dirty: French, you'll be able to put your (middle) finger on it. Each entry provides an individual foreign gem, a useful French sentence employing the word, the expression's English counterpart, and its literal translation.Whether you're a native-speaker, world traveler, or just looking to tell off those brash Parisians, these naughty words and risqué slang will surely give your tongue a French twist.Les couilles: the balls French Expression: Je l'ai avertie-elle ne m'a pas écoute alors maintenant je m'en bats les couilles.Translation: I warned her--she didn't listen to me so now I'm washing my hands of it. Literal Translation: I warned her--she didn't listen to me so now I'm flapping my balls of it.

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When David Bramwell’s girlfriend left him for someone she described as 'younger, but more mature than you', he decided he had something to learn about giving. Taking a year off, he journeyed through Europe and America seeking out extraordinary communities that could teach him how to share. He wanted answers to a few troubling questions: Is modern life rubbish? Why do so many of us feel lonely and unfulfilled despite a high standard of living? Are there communities out there who hold the key to happiness? And if so, why do so many of their inhabitants insist on dressing in tie-dye? His quest led him to an anarchist haven in the heart of Copenhagen; some hair-raising experiences in free love communities; an epiphany in a spiritual caravan park in Scotland and an apparent paradise in a Californian community dreamed up by Aldous Huxley. Most impressive of all was Damanhur, a 1000-strong science fiction- style community in the Alps with an underground temple the size of St Paul's Cathedral, a village of tree houses and a ‘fully-functioning time machine'. Inspired, he returned home with a desire to change. Not just himself but also his neighbourhood and city. Find out how he succeeded in this wry and self-deprecatingly funny spiritual journey that asks some big questions and finds the answers surprisingly simple.

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‘I was delighted when Mark Simmons asked me to write the foreword for this book – mostly because the request implied the book had actually been written and was ready to go. It’s a subject I have long wanted to see covered, and finally it has been. Excellent!’ Lee Child It is no coincidence that many of Alistair MacLean's most successful novels were sea stories. In 1941, he was called up after volunteering for the Royal Navy and served as Ordinary Seaman, Able Seaman, and Leading Torpedo Operator. For the majority of his service, he was on HMS Royalist, a modified Dido-class light cruiser, seeing action in the Arctic, and operations against the German battleship Tirpitz . The ship then deployed to the Mediterranean taking part in Operation Dragoon the invasion of the South of France and later in operations against German occupied Greek Islands in the Aegean. After which MacLean and Royalist were deployed to the Indian Ocean and operations against the Japanese in Malaya, Burma, and Sumatra. His wartime experiences coupled with exceptional literary skill resulted in the runaway success of his first novel HMS Ulysses (1955) followed by The Guns of Navarone (1957) and South by Java Head (1958). These three blockbusters cemented his position as one of the most successful and highly paid authors of the era. While not a whole life biography, Mark Simmon's book provides a fascinating insight into Maclean's war service and subsequent works, which deserve enduring popularity.

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In the spring of 1959, eighteen-year-old Bruce Lee returned to San Francisco, the city of his birth. Although the martial arts were widely unknown in America, Bruce encountered a robust fight culture in the Bay Area, populated with talented and trailblazing practitioners such as Lau Bun, Chinatown’s aging kung fu patriarch; Wally Jay, the innovative Hawaiian jujitsu master; and James Lee, the Oakland street fighter. Regarded by some as a brash loudmouth and by others as a dynamic visionary, Bruce spent his first few years back in America advocating for a modern approach to the martial arts, and showing little regard for the damaged egos left in his wake. The year of 1964 would be an eventful one for Bruce, in which he would broadcast his dissenting worldview before the first great international martial arts gathering, and then defend it by facing down Wong Jack Man—Chinatown’s young kung fu ace—in a legendary behind-closed-doors showdown. These events were a catalyst to the dawn of martial arts in America and a prelude to an icon. Based on over one hundred original interviews, Striking Distance chronicles Bruce Lee’s formative days amid the heated martial arts proving ground that thrived on San Francisco Bay in the early 1960s.

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Cut risk and generate profit even after the market drops The Second Leg Down offers practical approaches to profiting after a market event. Written by a specialist in global macro, volatility and hedging overlay strategies, this book provides in-depth insight into surviving in a volatile environment. Historical back tests and scenario diagrams illustrate a variety of strategies for offsetting portfolio risks with after-the-fact options hedging, and the discussion explores how a mixture of trend following and contrarian futures strategies can be beneficial. Without a rational analysis-based approach, investors often find themselves having to cut risk and buy protection just as options are at their most over-priced. This book provides practical strategies, expert analysis and the knowledge base to assist you in recovering your portfolio. Hedging strategies are often presented as expensive and unnecessary, especially during a bull market. When equity indices and other unstable assets drop, they find themselves stuck – hedging is now at its most expensive, but it is imperative to hedge or face liquidation. This book shows you how to salvage the situation, with strategies backed by expert analysis. Identify the right hedges during high volatility Generate attractive risk-adjusted returns Learn new strategies for offsetting risk Know your options for when losses have already occurred Imagine this scenario: you've incurred significant losses, you're approaching risk limits, you must cut risk immediately, yet slashing positions would damage the portfolio – what do you do? The Second Leg Down is your emergency hotline, with practical strategies for dire conditions.

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Rosa Luxemburg, brilliant early 20th century German revolutionary, comes alive in a rich set of essays on her life, ideas, and lasting influence. The essays deal not only with her remarkable contributions to political, social and economic theory, but also touch on her vibrant personality and intimate friendships. This collection, the fruit of more than four decades of involvement with Luxemburg's work, simultaneously showcases her penetratingly intellectual, political and deeply humanistic qualities.

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Whether you are running a start-up or multinational organization, there is always scope to optimize your processes and reinvigorate your teams. In Tech-Led Culture, Duena Blomstrom highlights how you can discover the new innovations and technologies that can lead to meaningful and lasting change in your business. This book provides you with the insights, knowledge and confidence you need to improve your performance and ensure that your business thrives and grows in the increasingly innovative and competitive landscape. Employees and teams are more disengaged and fragmented than ever; get ahead of the competition and attract new talent by becoming the exception. Tech-Led Culture is an essential companion for any leader or changemaker looking to implement and sustain change initiatives within their business which will lead to more productivity, greater innovation and better performance.

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In 1861, the great journalist and social advocate Henry Mayhew published London Labour and the London Poor, an oral history of those living and working on the streets of Victorian London. Nothing on this scale had been attempted before. On the surface, the streets of London in 1861 and in 2019 are entirely different places. But dig just a little and the similarities are striking and, in many cases, shocking. Taking Mayhew's book as inspiration, Jennifer Kavanagh explores the changes and continuities by collecting and mapping stories from today's London. Beggars, street entertainers, stalls selling a variety of food, clothes, second-hand goods, thieves and the sex trade are all still predominant. The rise of the gig economy has brought a multitude of drivers and cyclists, delivering and moving goods, transporting meals and people, all organized through smart phones but using the same streets as Mayhew's informants. The precarity faced by this new workforce would also be familiar to the street-sellers of Mayhew's day. In terms of resources, gone are the workhouses, almshouses, paupers' lunatic asylums. Enter shelters, day centres, hostels, and food banks. Let Me Take You By The Hand is an x-ray of life on the streets today: the stories in their own words of those who work and live in our capital.

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From the Top 10 Sunday Times bestselling author and winner of the CWA Ian Fleming Steel Dagger for Best Thriller of the Year. Perfect for fans of John le Carré, Charles Cumming is ‘the master of the modern spy thriller’ (Mail on Sunday) Thomas Kell is a disgraced agent who longs to come in from the cold. When MI6’s top spy in Turkey is killed in a mysterious plane crash, his chance arrives… for Kell is the only man Service Chief Amelia Levene can trust to investigate the accident. In Istanbul, Kell soon discovers that there is a traitor inside Western Intelligence. Then he meets Rachel- the dead spy’s daughter- and the stakes grow higher still. From London to Greece and into Eastern Europe, Kell tracks the mole. But a betrayal close to home transforms the operation into something more personal. Soon Kell will stop at nothing to see it through.

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From Aristophanes to Zeffirelli, from Gerard Depardieu to Mae West, in Break a Leg! Michèle Brown has assembled a world-beating cast, including actors, dramatists, directors and even critics (`A man who knows the way but cannot drive the car.’ Kenneth Tynan). She draws on plays, books, newspapers and table-talk and her collection of wise and witty lines includes the familiar and the completely unexpected. This is a work where Sarah Bernhardt is playing opposite Kenneth Branagh. Orson Welles is sharing the limelight with Samuel Beckett, Aphra Behn and Noel Coward, and the themes range from stage fright to star quality.

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A model for social experiential learning focused on choice.Lecturing on its own is ineffective. But what’s the alternative? Combine the best of brain science and learning theory with the power of choice. Deliver meaningful training programs that stimulate your learners, rather than bore them to sleep.Let Them Choose shows you how to get participants out of their seats and into station-based activities catered to distinct learning preferences, interaction types, and technology options. Part experiential, part social, and part emotional, the Cafeteria Learning Style model encourages learners to explore and absorb content at their own speed and direction. It puts learners in the best position to succeed.Supercharge the relevance of your content by encouraging learners to act, problem-solve, and construct their own knowledge. Apply content (the ingredients) to a variety of interchangeable activities (the recipes) that result in learning experiences (the meal) that acknowledge their diversity. Allow them to choose whether to engage with your content through collaboration, competition, movement, or reflection, on their own or with a partner or group.Adult learning experts Shannon McKenzie and Jillian Douglas walk you through designing, facilitating, and measuring a learning experience that’s proven to delight your learners. Watch retention and engagement soar as you use this easily replicable model to give your training program participants the freedom to choose.

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The Gothic tale has been with us for over two hundred years, but this collection is the first to illustrate the continuing strength of this special fictional tradition from its origins in the late eighteenth century. Gothic fiction is generally identified from Horace Walpole's Castle of Otranto and the works of Ann Radcliffe, and with heroes and heroines menaced by feudal villains amid crumbling ruins. While the repertoire of claustrophobic settings, gloomy themes, and threatening atmosphere established the Gothic genre, later writers from Poe onwards achieved an ever greater sophistication, and a shift in emphasis from cruelty to decadence. Modern Gothic is distinguished by its imaginative variety of voice, from the chilling depiction of a disordered mind to the sinister suggestion of vampirism. This anthology brings together the work of writers such as Le Fanu, Hawthorne, Hardy, Faulkner, and Borges with their earliest literary forebears, and emphasizes the central role of women writers from Anna Laetitia Aikin to Isabel Allende and Angela Carter. While the Gothic tale shares some characteristics with the ghost story and tales of horror and fantasy, the present volume triumphantly celebrates the distinctive features that define this powerful and unsettling literary form.

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A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890–1976)—the pseudonym of Emmanuel Radnitzky—embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation. Distributed for the Virginia Museum of Fine ArtsExhibition Schedule:Virginia Museum of Fine Arts, Richmond (October 30, 2021–February 21, 2022)

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Daniel Moulin is a Post-Doctoral Fellow at the University of Geneva, Switzerland. He completed his doctorate in Educational Studies at the University of Oxford, UK. He was a Scholar-in-Residence at the Kilns C.S. Lewis Study Centre, Oxford, UK, 2010-2011, and Chapel Director at Somerville College, Oxford, UK, 2011-2013. He is currently researching issues concerning identity formation in adolescence, and also the use of narrative in interreligious dialogue.

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"There’s only one thing I’m aiming for-to be the world's strongest hero."Cri makes an oath with his friends to become the strongest hero in the world...but hishopes are quickly dashed when he realizes that his talents lie elsewhere. Despite thereality check, the expectations from the people around him seem to risingexponentially every day! Now Cri must deal with this huge misunderstanding as well asthe outrageous consequences!

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Despite his utter lack of talent, Krai finds himself at the top of a huge clan. When hegives a job to Tino, the talented girl with eyes for him, little does he realize that he'ssent her off on an incomprehensible mission. What awaits Tino and her group as theysearch for the missing Hunter in the White Wolf's Den?

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The first ever publication of a long-lost episode of Hancock's Half Hour, featuring Peter Sellers - plus bonus materialLegendary sitcom Hancock's Half Hour ran for 102 episodes on BBC Radio between 1954 and 1959. Over 20 shows were subsequently lost - but now one of the funniest and most sought-after, 'The Marriage Bureau', has been rediscovered. The penultimate episode of Series 1, it features a unique appearance from Peter Sellers, standing in for Kenneth Williams. Available for the first time since its original broadcast in 1955, it sees Hancock looking for a job - and a wife...Alongside it is a fascinating documentary, Raiders of the Lost Archive, in which Keith Wickham - the Indiana Jones of archiving - and fellow treasure-hunters discuss the thrilling, complex work of locating and restoring missing radio classics. Plus, there's a surviving extract from the lost Hancock's Half Hour episode, 'The New Year Resolutions', and a previously unreleased documentary, H-H-H-Happy Birthday Hancock, in which Andrew Sachs presents an affectionate tribute to The Lad Himself with contributions from Denis Norden, Ray Galton, Alan Simpson, John Freeman and Sid James.CreditsHancock's Half Hour written by Ray Galton and Alan SimpsonProduced by Dennis Main WilsonThanks to Tessa Le Bars, Martin Gibbons, Keith Wickham, Richard Harrison, the Radio Circle and the Tony Hancock Appreciation Society.'The Marriage Bureau'Starring Tony Hancock, Bill Kerr, Moira Lister, Sidney James and Peter SellersAnnouncer: Adrian WallerTheme and incidental music composed by Wally Stott. Recorded by the BBC Revue Orchestra conducted by Harry RabinowitzSound restoration by Keith WickhamFirst broadcast BBC Light Programme, 8 February 1955Raiders of the Lost ArchivePresented by Keith WickhamWritten and edited by Keith Wickham and James PeakWith special thanks to the Radio Circle, Richard Harrison, Roger Bickerton, Mark Ayres, Steve Arnold, Tom Hercock, Hannah Ratford and all at BBC Archives in CavershamProduced by James PeakAn Essential Radio production for BBC Radio 4First broadcast BBC Radio 4, 13 October 2022Extract from 'The New Year Resolutions'Starring Tony Hancock, Bill Kerr, Sidney James and Kenneth WilliamsSound restoration by Jon StreetFirst broadcast BBC Light Programme, 4 January 1956NB: Due to the age and off-air nature of this recording, the sound quality may varyH-H-H Happy Birthday HancockPresented by Andrew SachsWith contributions from Denis Norden, Ray Galton, Alan Simpson, John Freeman and Sid James, and excerpts from Hancock's Half HourProduced by Richard EdisFirst broadcast BBC Radio 2, 11 May 1999©2023 BBC Studios Distribution Ltd (P)2023 BBC Studios Distribution Ltd

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The Second World War and the German Occupation remain a major focal point in French culture and society, with new and sometimes controversial titles published every year – Irène Némirovsky’s Suite française and Jonathan Littell’s Les Bienveillantes, both rapidly translated into English, offer just two examples of this significant phenomenon. Gathering within one volume studies of genres, visual cultures, chronology, narrative theory, and a wealth of narratives in fiction and film, Framing narratives of the Second World War and occupation in France 1939-2009 brings together an internationally distinguished group of contributors and offers an authoritative overview of criticism on war and occupation narratives in French, a redefinition of the canon of texts and films to be studied and a vibrant demonstration of the richness of the work in this area. Edited by two leading specialists, the book includes contributions by William Cloonan, Richard J Golsan, Leah Hewitt, Colin Nettelbeck and Gisèle Sapiro.

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Containing a wealth of material on a variety of subjects, Light for the New Millennium tells the story of the meeting of two great men and their continuing relationship beyond the threshold of death: Rudolf Steiner (1861-1925) - the seer, scientist of the spirit, and cultural innovator - and Helmuth von Moltke (1848-1916) - a renowned military man, Chief of the General Staff of the German army during the outbreak of the First World War. In 1914, following disagreements with the Kaiser, Moltke was dismissed from his post. This led to a great inner crisis in the General, that in turn drew him closer to Steiner. When Moltke died two years later, Steiner maintained contact with his excarnated soul, receiving communications that he passed on to Moltke's wife, Eliza. These remarkable and unique messages are reproduced here in full, together with relevant letters from the General to his wife. The various additional commentaries, essays and documents give insights to themes of continuing significance for our time, including the workings of evil; karma and reincarnation; life after death; the new millennium and the end of the last century; the hidden causes of the First World War; the destiny of Europe, and the future of Rudolf Steiner's science of the spirit. Also included are Moltke's private reflections on the causes of the Great War ('the document that could have changed world history'), a key interview with Steiner for Le Matin, an introduction and notes by T. H. Meyer, and studies by Jurgen von Grone, Jens Heisterkamp and Johannes Tautz.

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Between the late twelfth century and the mid fourteenth, Castile saw a reordering of mental, spiritual, and physical space. Fresh ideas about sin and intercession coincided with new ways of representing the self and emerging perceptions of property as tangible. This radical shift in values or mentalites was most evident among certain social groups, including mercantile elites, affluent farmers, lower nobility, clerics, and literary figures--"middling sorts" whose outlooks and values were fast becoming normative. Drawing on such primary documents as wills, legal codes, land transactions, litigation records, chronicles, and literary works, Teofilo Ruiz documents the transformation in how medieval Castilians thought about property and family at a time when economic innovations and an emerging mercantile sensibility were eroding the traditional relation between the two. He also identifies changes in how Castilians conceived of and acted on salvation and in the ways they related to their local communities and an emerging nation-state. Ruiz interprets this reordering of mental and physical landscapes as part of what Le Goff has described as a transition "from heaven to earth," from spiritual and religious beliefs to the quasi-secular pursuits of merchants and scholars. Examining how specific groups of Castilians began to itemize the physical world, Ruiz sketches their new ideas about salvation, property, and themselves--and places this transformation within the broader history of cultural and social change in the West.

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‘One of our very best writers on France.’ Antony Beevor After publishing an acclaimed biography of Jean Moulin, leader of the French Resistance, Patrick Marnham received an anonymous letter from a person who claimed to have worked for British Intelligence during the war. The ex-spy praised his book but insisted that he had missed the real ‘treasure’. The letter drew Marnham back to the early 1960s when he had been taught French by a mercurial woman – a former Resistance leader, whose SOE network was broken on the same day that Moulin was captured and who endured eighteen months in Ravensbrück concentration camp. Could these two events have been connected? His anonymous correspondent offered a tantalising set of clues that seemed to implicate Churchill and British Intelligence in the catastrophe. Drawing on a deep knowledge of France and original research in British and French archives, War in the Shadows exposes the ruthless double-dealing of the Allied intelligence services and the Gestapo through one of the darkest periods of the Second World War. It is a story worthy of Le Carré, but with this difference – it is not fiction. ‘A melange of Le Grand Meaulnes and The Spy Who Came in from the Cold. It is unforgettable.’ Ferdinand Mount, TLS, Books of the Year ‘A masterly analysis, impeccably presented.’ Allan Mallinson, Spectator ‘Fascinating… Marnham has a vast and scholarly knowledge of this often treacherous world.’ Caroline Moorehead, Literary Review

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Rachel Khoo cooks up a storm from her tiny Parisian kitchen, bringing the magic of France into our homes.The 'little kitchen' concept might be a considerable hindrance to most chefs, but Khoo has made the most of it' New York Times'The fabulous fairy godmother of French cuisine' Easy LivingRachel Khoo was determined to get to grips with French cooking, so to learn more she moved to Paris, not speaking a word of French, and enrolled at Le Cordon Bleu, the world-famous cookery school. From a Croque Madame muffin and the classic Boeuf bourguignon, to a deliciously fragrant Provencal lavender and lemon roast chicken, Rachel celebrates the culinary landscape of France as it is today and shows how simple these dishes are. The 120 recipes in the book range from easy, everyday dishes like Omelette Pipérade, to summer picnics by the Seine and afternoon 'goûter' (snacks), to meals with friends and delicious desserts including classics like Crème brulee and Tarte tatin. It's a book that celebrates the very best of French home-cooking in a modern and accessible way. In The Little Paris Kitchen, Rachel Khoo serves up a modern twist on classic French cooking.After graduating from Central Saint Martin's College with a degree in Art and Design, British food writer Rachel was lured to Paris to study pâtisserie at Le Cordon Bleu. Rachel shot to fame when her TV series, The Little Paris Kitchen, was broadcast by BBC. Her beautiful tie-in cookbook and the follow up, My Little French Kitchen, have been published around the globe. Rachel now travels the world working on a variety of projects, including a weekly recipe column for the Evening Standard.

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The definitive history of the Bavarian Order of the Illuminati and their founder, Adam Weishaupt The Bavarian Order of the Illuminati is the most celebrated secret society in the world. Though officially lasting only 11 years, the powerful spell and shadow cast by the Illuminati still looms in the present day, where its influence can be seen in current conspiracy beliefs and actions by powerful individuals working in the shadows. The original Order of the Illuminati was founded by Bavarian professor Adam Weishaupt in 1776. Although the order was banned and brought down by the Bavarian Elector in 1787--when he became aware of the extent to which it had infiltrated the courts, schools, and his own administration--its legend and deep influence lives on to this day. Charting the rise and fall of this infamous order, this book--first published in French in 1915 and never before available in English--remains the definitive history of the Order of the Bavarian Illuminati. It also offers a revealing look at the world that spawned and shaped it: a ceaseless ferment of revolutionary and occult ideas and the ceaseless attempts by crown and church to suppress them. Other secret societies that shared the stage with the Illuminati during these years include the Templar Strict Observance, von Hund’s Templar Freemasonry, and other Masonic lodges the Illuminati targeted to subvert for their own purposes. Many of the documents the author consulted for the writing of this book were destroyed during the two World Wars, making this book the only surviving record of many of the order’s secrets. The author explains the Bavarian Illuminati’s grades, rituals, and ceremonies as well as its fundamental philosophies. He paints vivid portraits of the leaders of the order, including Weishaupt, Baron Knigge, and Xavier von Zwack. He reveals how Weishaupt early on decided to subvert the existing German Freemason Lodge as a shortcut to gain esoteric hegemony over the occult world, all in order to extend Illuminati influence into the society at large and the government. The author also provides extensive detail of the order’s eventual destruction by the Bavarian government. In addition to its revelation of little-known secrets of the Illuminati Order, the author also sheds new light on much of the occult life of this time, including the activities of figures such as Cagliostro and Mirabeau and other active groups such as Freemason chapters, the Rosicrucians, and the Martinists.

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Scrutinises the political strategies and ideological evolution of Islamist actors and forces following the Arab uprisingsWhat role does political Islam play in the genealogy of protests as an instrument to resist neo-liberalism and authoritarian rule? How can we account for the internal conflicts among Islamist players after the 2011/2012 Arab uprisings? How can we assess the performance of Islamist parties in power? What geopolitical reconfigurations have the uprisings created, and what opportunities have arisen for Islamists to claim a stronger political role in domestic and regional politics? These questions are addressed in this book, which looks at the dynamics in place during the aftermath of the Arab uprisings in a wide range of countries across the Middle East and North Africa.Key features22 case studies explain the diverse trajectories of political Islam since 2011 in Bahrain, Egypt, Iraq, Iran, Kuwait, Lebanon, Libya, Morocco, Qatar, Syria, Tunisia, Turkey and YemenProvides a comprehensive analysis of political Islam covering intra-Islamist pluralisation and conflict, governance and accountability issues, 'secular-Islamist' contention, responses to neo-liberal development and the resurgence of sectarianism and militancyOffers a set of innovative approaches to the study of political Islam in the post-Arab spring era that open new possibilities for theory development in the fieldContributorsIbrahim Al-Marashi, California State University San MarcosNazli Cagin Bilgili, Istanbul Kultur UniversitySouhail Belhadj, Graduate Institute of International and Development Studies in GenevaFrancesco Cavatorta, Laval University, QuebecCherine Chams El-Dine, Cairo UniversityKaterina Dalacoura, London School of Economics and Political Science Jerome Drevon, University of Oxford Vincent Durac, University College Dublin and Bethlehem UniversityLaura Ruiz de Elvira Carrascal, French Institut de Recherche pour le Developpement (IRD), ParisMelissa Finn, University of WaterlooCourtney Freer, London School of Economics and Political Science Angela Joya, University of OregonWanda Krause, Royal Roads UniversityMohammed Masbah, Chatham House and Brandeis UniversityAlam Saleh, Lancaster UniversityJillian Schwedler, City University of New York's Hunter College Mariz Tadros, University of Sussex Truls Tonnessen, Georgetown UniversityMarc Valeri, University of Exeter Anne Wolf, University of CambridgeLuciano Zaccara, Qatar UniversityBarbara Zollner, Birkbeck College

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This book examines Diderot’s and d’Holbach’s views on determinism to illuminate some of the most important debates taking place in eighteenth-century Europe. Insisting on aspects of Diderot’s and d’Holbach’s thought that, to date, have been given scant, if any, scholarly attention, it proposes to restore both thinkers to their rightful position in the history of philosophy. The book problematises Diderot’s and d’Holbach’s atheism by showing their philosophy to be deeply rooted in the Christian tradition and offers a more nuanced and historicised interpretation of the so-called “Radical Enlightenment”, challenging the notions that this movement can be taken to be a perfectly coherent set of ideas and that it represents a complete break with “the old”. By examining Diderot’s and d’Holbach’s works in tandem and without post-romantic assumptions about originality and single authorship, it argues that the two philosophers’ texts should be taken as the product of a fascinating collaborative form of philosophical enquiry that perfectly reflects the sociable nature of intellectual production during the Enlightenment. The book further proposes a fresh interpretation of such crucial texts as the Système de la nature and Jacques le fataliste et son maître and unveils a key web of concepts that will help researchers to better understand Enlightenment philosophy and literature as a whole.

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Politicians and philosophers presenting themselves as the ultimate bearers of truth and reality have created unprecedented technological, cultural, and political framings. This new order conspires to undermine the interpretive practices of open-ended critique, normalizing a sense of threat to preserve control. The greatest emergency has become the absence of emergencies. Tracing an intellectual alliance between academics such as Jordan Peterson and Christina Hoff Sommers and right-wing populist politicians such as Donald Trump and Marine Le Pen, this book denounces framings that make a claim to objectivity. With the help of contemporary thinkers including Bruno Latour, Judith Butler, and Giorgio Agamben, as well as discussion of the Cambridge Analytica whistleblower Christopher Wylie and the emergency of biodiversity loss due to climate change, Santiago Zabala illustrates that the twenty-first-century question is not whether we can be free, but how to be at large - unconstrained by the new realist order. Being at Large demonstrates the anarchic power of hermeneutics, calling for interpretive disruptions of the authoritarian narrative as a way of reclaiming freedom in the age of alternative facts.

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

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A classic account of the villa—from ancient Rome to the twentieth century—by “the preeminent American scholar of Italian Renaissance architecture” (Architect’s Newspaper)In The Villa, James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the “country place” as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. “The villa,” he reminds us, “accommodates a fantasy which is impervious to reality.” As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.

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THE PORTLAND SPY RING was one of the most infamous espionage cases from the Cold War. People the world over were shocked when its exposure revealed the shadowy world of deep cover KGB 'illegals' - spies operating under false identities stolen from the dead.The CIA's revelation to MI5 in 1960 that a KGB agent was stealing crucial secrets from the world-leading submarine research base at Portland in Dorset looked initially like a dangerous but contained lapse of security by a British man and his mistress. But the couple were tailed by MI5 'watchers' to a covert meeting with a Canadian businessman, Gordon Lonsdale. The unsuspecting Lonsdale in turn led MI5's spycatchers to an innocent-looking couple in suburban Ruislip called the Krogers.But within weeks the CIA rang the alarm - their critical source of intelligence was to defect within hours - and MI5 was forced to act immediately. The Krogers were exposed as two of the most important Russian 'illegals' ever, whom the Americans had been hunting for years. And Lonsdale was no Canadian, but a senior KGB controller.This astonishing but true story of MI5's spyhunt is straight from the world of John le Carré and is told here for the first time using hitherto secret MI5 and FBI files, private family archives and original interviews. Its tentacles stretch around the world - from America, to the USSR, Canada, New Zealand, Europe and the UK. DEAD DOUBLES is a gripping episode of Cold War history, and a case that fully justified the West's paranoia about infiltration and treachery.

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The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson."

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Fifteen artists draw on an array of motifs and techniques to construct diverse “Asias” in a modern global context This book examines the subtly subversive characteristics of contemporary Asian and Asian American art. The 15 artists represented here were born in Japan, China, Korea, Vietnam, Argentina or the United States; all are adept at crossing borders both physical and material. Artists include: Kwang Young Chun, Jacob Hashimoto, Manabu Ikeda, Jun Kaneko, Dinh Q. Lê, Hung Liu, Mariko Mori, Hiroki Morinoue, Takashi Murakami, Roger Shimomura, Do Ho Suh, Akio Takamori, Barbara Takenaga, Rirkrit Tiravanija and Patti Warashina.

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Basics Interior Architecture 03: Drawing Out the Interior is a comprehensive introduction to the representation of interior space through drawing and modelling. The book introduces the reader to a range of techniques and methods and describes when and where to use them. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. The text is supported by detailed studies of contemporary work, alongside activities and resources. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. It considers the idea that the method we choose to draw with influences the way we think and therefore what we design. It includes sketches and drawings from Le Corbusier, Iannis Xenakis, Mies van der Rohe and Carlo Scarpa.

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

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For the first time in eighty-five years, the famous Sanke postcards of World War I Imperial German Aviators have been reproduced. Clear, large scale copies of all known and highly collectible Sanke personality photo postcards produced during World War I are now available, carefully replicated, and included all under one cover in this deluxe volume. Over 270 different cards of 132 individual aviators are included in this ground-breaking edition. Boelcke, Immelmann, the Richthofen brothers, Udet, and Göring are just a few of the famed aces and Pour le Mérite flyers photographed by Postkarten-Vertrieb Willi Sanke. Each postcard is given full page coverage, accompanied by a brief history of each man, together with his victories and highest attained award. A bibliography is included for the reader desiring to further research the lives of Germany’s unusual, heralded, and greatest heroes of the First War. This book is a must for the student of uniforms as it depicts the amazing variety worn by the flyers of the Luftstreitkräfte 1914-1918, and also shows them wearing the multitude of awards and decorations presented to Germany’s airborne heroes. Both private and museum collections have been combed to provide this book with the finest possible coverage ever compiled on the work of Willi Sanke and his talented photographers. This is an excellent companion volume to Schiffer’s recently published Aviation Awards of Imperial Germany, Volume VII by the late Neal O’Connor.

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With their era-defining music and instantly recognisable look, Chic’s reputation as pioneers of disco has endured long after the movement itself. After their initial success in the 1970s with classics such as `Good Times’, `Le Freak’ and `I Want Your Love’, Chic disbanded in 1983, with founding members Nile Rodgers and Bernard Edwards becoming in-demand producers. After Edwards’ tragic early passing in 1996, Nile Rodgers’ involvement in Daft Punk’s 2013’s smash hit `Get Lucky’ catapulted Chic back to international acclaim. And now, from curating Meltdown in 2019 to headlining festivals all over the world, Nile Rodgers and Chic have arguably never been more popular. Covering the sweet successes and fallings out of favour, the creative process and encounters with Jimi Hendrix, David Bowie, Diana Ross, Madonna and others, the acclaimed Everybody Dance explores the highs and the lows of Chic’s journey in fascinating detail. With a new foreword by Duran Duran founding member John Taylor and a host of new interviews with Nile Rodgers, Johnny Mathis and many others, to add to those with Ahmet Ertegun, Bryan Ferry and David Bowie, this edition bring their enthralling journey up to date. A must-read for any disco fan, Everybody Dance: Chic and the Politics of Disco is the essential story of the legendary band who still get us lost in music, over four decades on.

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From Paris to Prague, from the past to the present, authors and artists explore what Europe means to them - and us.Through moving personal letters, hilarious anecdotes, brilliant new fiction, and original illustrations, Postcards to Europe paints a picture of a nation and a continent, and how they define each other.Featuring some of the biggest, best and brightest names from the world of fiction, current affairs, politics, art, film, history and food. There is nothing like this out there and every reader will find something to cherish and share in this stunning collection.Contributed to by: Richard Herring, Alain de Botton, Sarah Perry, Matt Haig, Bee Wilson, Andrew Roberts, Oliver Kamm, Hari Kunzru, Colonel Tim Collins, Jessie Burton, Kate Eberlen, Will Self, Adam Dant, Sanjeev Bhaskar, Jennifer Higgie, Simon Garfield, Ian Rankin, Mark Kermode, Amy Liptrot, Nicci French, Rob Temple, Afua Hirsch, Sarah Winman, Sunny Singh, Owen Jones, David Shrigley, Ben Collins, Henry Marsh, Alex Kapranos, Val McDermid, Cathy Rentzenbrink, Matt Frei, Lionel Shriver, Jacob Rees-Mogg, Jim Hacker, Robert Crampton, Yasmin Alibhai-Brown, Kate Mosse, Marie le Conte, Hollie McNish, Ece Temelkuran, Chris Riddell, Olivia Laing, Ian McEwan, Tom Bradby, Jenni Murray, Georgia Donley and Robert Macfarlane.

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This book provides an intellectual history of the modernist "minimum dwelling", exploring how early modernism saw mass housing as a primary vehicle for achieving the utopian transformation of society. It reappraises the often-overlooked 2nd and 3rd CIAM conferences (1929-31), addressing their engagement with the "minimum dwelling" and revealing them both as milestones in the organisation's annals and as seminal moments in the history of interwar modernism. In 1929, an eclectic international group of avant-garde modernist architects, including Ernst May, Mart Stam, Walter Gropius and Le Corbusier, met in Frankfurt for the second instalment of the CIAM conferences. They discussed a design programme for cost-effective, good-quality housing, seeking new approaches and processes to maximize quality and functionality while ensuring affordability for the wider population. In exploring the meaning and form of the 'minimum dwelling', they also re-defined dwelling as the hub of a new way of living, proposing a revolutionary multi-scalar approach to urban design based on the concept of the Existenzminimum (‘optimally minimal housing’). Despite the two conferences falling short of the organizer’s expectations, and being overshadowed by later instalments, the participating architects sanctioned a semantic shift from minimum as bare necessity to a very different, aspirational, kind of minimalism – transforming the entire conversation on mass low-cost dwelling in design, social and ethical terms. Split into two parts, The Minimum Dwelling Revisited first takes a genealogical approach to explore the provenance of the concept of "minimum dwelling" prior to the 2nd and 3rd CIAM conferences, it then traces the proceedings of the two conferences themselves. Addressing the origins of the "minimum dwelling" concept but also its legacies, and serving as a corrective to the overemphasis on 4th CIAM conference and the Athens Charter, the book is essential reading for scholars researching urban design during the Interwar period.

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Thilo Westermann is known for his reverse glass paintings, unique prints, and photomontages. The catalogue accompanies the exhibition of the same name at the Vitromusée Romont and presents the artist’s work, from the manual processing of picture motifs on the reverse side of glass plates to the migration of forms in his photomontages. In addition to a wide range of color illustrations, the publication brings together contributions by internationally renowned art historians. Thilo Westermann est connu pour ses peintures sous verre, ses tirages uniques et ses photomontages. Le catalogue, qui accompagne l’exposition du même nom présentée au Vitromusée Romont, introduit à l’œuvre de l’artiste, des motifs filigranes gravés à la main au dos de la plaque de verre à la migration des formes dans les photomontages. Richement illustré, l’ouvrage rassemble les contributions d’historien·ne·s de l’art de renommée internationale. With contribution by | Avec des contributions deXavier Salmon (Musée du Louvre Paris), Martin Thierer (Munich), Hans Dickel (Friedrich-Alexander-Universität Erlangen), Christopher L. Maxwell (Art Institute of Chicago), Magali Nachtergael (Université Bordeaux Montaigne), Shao-Lan Hertel (Tsinghua University Art Museum Beijing)

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The most effective leaders are “human leaders:” leading with empathy, vulnerability, and authenticity. But many still adhere to the outdated myth that leaders must be “superhero leaders: infallible, unflappable, and fearless." Tragically, their innate ability to inspire remains locked within, blunting their impact. In The Unlocked Leader veteran executive leadership coach Hortense le Gentil combines real life stories, rigorous research, and practical tools to explain how superhero leaders can become effective human leaders. You’ll discover: · How to identify the mental obstacles that stand between you and leadership authenticity, and sap your energy and impact - your mindtraps. · How to confront your fears and escape those traps by operating a mindshift. · Practical strategies to better connect with yourself and others - a mindbuild. The journey from superhero leader to human leader not only transforms the lives of leaders themselves - both at work and beyond. It also makes a profound and lasting difference in the lives of people around them and the organizations they lead. This is how human leaders make an impact and shine their light in the world: by changing the way they connect with themselves and other people, they start a chain reaction that reverberates throughout their organizations and beyond them, because we are all part of interconnected networks of human relationships. An indispensable leadership manual for people who wish to lead not just with their heads, but with their heart and soul as well, The Unlocked Leader belongs on the bookshelves of leaders and aspiring leaders at all levels looking for a fresh new perspective on effective, powerful leadership in service of something bigger than themselves.

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These are beautifully delicate Christmas cross stitch designs to delight the heart and soul! If you love cross stitch, you need this book. Extremely pretty these designs from accomplished embroiderer Hélène Le Berre are light and airy, using backstitch to outline and emphasize with great skill. Split into chapters on Advent Foliage, Christmas Animals, Festive Foliage and Amazing Alphabets, there is a lovely range of designs to fit every Christmas situation. You can make beautiful cutlery pockets with fox, bunny or baby deer motifs, a reindeer photo album cover, a pine cone confectionery sachet, personalized gift labels and many more elegant embroidered Christmas items. The charts are beautifully presented, along with a comprehensive techniques section at the back of the book. Suitable for beginners to more advanced stitchers, these designs are achievable and utterly gorgeous.

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This is an in-depth critical exploration of cinematic representations of the family in transnational cinema. In the age of globalisation, diasporic and other types of transnational family are increasingly represented across the film spectrum in works such as Bend It Like Beckham, The Namesake, Boys 'n the Hood, Dilwale Dulhania Le Jayenge (The Brave Heart Will Take the Bride) and My Big Fat Greek Wedding. While there is a significant body of scholarship on the representation of the family in Hollywood cinema, an analysis of the depiction of the diasporic family in cinema from a comparative transnational angle has yet to be attempted. Far-Flung Families in Film fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema. The work will answer the following key questions: Why is diasporic cinema characterised by a preponderance of family narratives?; How does the diasporic family as constructed in cinema relate to or differ from models of family life in dominant social groups?; What role does authorship play in the depiction of the diasporic family?; How does diasporic cinema negotiate the aesthetic and generic conventions of film genres commonly associated with the representation of the family?. It takes a theme-centred approach, examining journeys of migration, family memories, gender identities, romance and weddings. It includes 15 detailed case studies of diasporic family films.

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After the great battles of 1916, the Allied Armies planned to launch massive attacks North and South of the Somme. The German withdrawal to the Hindenburg Line in March 1917 forced the new French CinC General Nivelle to rethink and the French embarked on a major attack in the Aisne area and along the Chemin des Dames, with the British conducting large scale diversionary operations around Arras. The French suffered disastrously and, rendered incapable of further offensive operations, it fell to the British to step up the pressure, which they did albeit at a terrible price. This latest work by expert Jack Sheldon describes the event of Spring 1917 from the defenders' perspective. In particular it reveals the methods the Germans used to smash the French attacks and Oberst Fritz von Lossberg's transformation of the defences in the Arras front. Actions described in detail are the bitter battles around Monchy Le Preun, the Roeux Chemical works and Bullecourt as well as the capture of Vimy Ridge.

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Was the American Revolution fought to achieve abstract ideals of individual freedom or to serve economic interests? "Both!" is the answer provided by Prof. Thomas D. Curtis in this intriguing study. He shows how British policy, particularly as it related to the speculation in lands on the western frontier (in the Appalachias and the Ohio Valley), had the unintended effect of uniting diverse interests into a force for rebellion. The leaders included heavily indebted southern landowners (including George Washington), northern urban land speculators (including Benjamin Franklin), and wealthy northern merchants who feared, after 1773, that England would impose trade monopolies that would bankrupt them. Artisans, shopkeepers, and small-scale farmers were influenced by combinations of economic and ideological motives. Small-scale land-oriented interests consisted of the settlers who wanted cheap land for farming in the western frontier areas, but who were denied legal title to the Indian lands by British law.

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