Search results for ""author andrea""

The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

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Amadou Diallo, Abner Louima, Anthony Baez, Patrick Dorismond. New York City has been rocked in recent years by the fate of these four men at the hands of the police. But police brutality in New York City is a multi-dimensional phenomenon that refers not only to the hyperviolent response of white male police officers as in these cases, but to an entire set of practices that target homeless people, vendors, and sexual minorities. The complexity of the problem requires a commensurate response, which Zero Tolerance fulfills with a range of scholarship and activism. Offering perspectives from law and society, women's studies, urban and cultural studies, labor history, and the visual arts, the essays assembled here complement, and provide a counterpoint, to the work of police scholars on this subject. Framed as both a response and a challenge to official claims that intensified law enforcement has produced New York City's declining crime rates, Zero Tolerance instead posits a definition of police brutality more encompassing than the use of excessive physical force. Further, it develops the connections between the most visible and familiar forms of police brutality that have sparked a new era of grassroots community activism, and the day-to-day violence that accompanies the city's campaign to police the "quality of life." Contributors include: Heather Barr, Paul G. Chevigny, Derrick Bell, Tanya Erzen, Dayo F. Gore, Amy S. Green, Paul Hoffman, Andrew Hsiao, Tamara Jones, Joo-Hyun Kang, Andrea McArdle, Bradley McCallum, Andrew Ross, Eric Tang, Jacqueline Tarry, Sasha Torres, and Jennifer R. Wynn.

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Canadian Foreign Policy, as an academic discipline, is in crisis. Despite its value, CFP is often considered a “stale and pale” subfield of political science with an unfashionably state-centred focus. This book asks why. Contributors from both inside and around the field investigate how they came to view themselves as participating in CFP as an academic project – or not – and what that means for both their intellectual trajectory and the development of the field. How were they taught to think about Canada? How does that affect their interpretation of this country’s place in the world? And how do they teach the subject themselves? The thoughtful essays in this nuanced collection shine a light on issues such as the casualization of academic labour, the prospect of Indigenizing the field, and the relationship between study and practice. More broadly, they offer a much-needed assessment of the boundaries, goals, and values of the discipline, and an important guide to its revitalization.

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Rome's most important and controversial archaeologist shows why the myth of the city's founding isn't all mythAndrea Carandini's archaeological discoveries and controversial theories about ancient Rome have made international headlines over the past few decades. In this book, he presents his most important findings and ideas, including the argument that there really was a Romulus--a first king of Rome--who founded the city in the mid-eighth century BC, making it the world's first city-state, as well as its most influential. Rome: Day One makes a powerful and provocative case that Rome was established in a one-day ceremony, and that Rome's first day was also Western civilization's.Historians tell us that there is no more reason to believe that Rome was actually established by Romulus than there is to believe that he was suckled by a she-wolf. But Carandini, drawing on his own excavations as well as historical and literary sources, argues that the core of Rome's founding myth is not purely mythical. In this illustrated account, he makes the case that a king whose name might have been Romulus founded Rome one April 21st in the mid-eighth century BC, most likely in a ceremony in which a white bull and cow pulled a plow to trace the position of a wall marking the blessed soil of the new city. This ceremony establishing the Palatine Wall, which Carandini discovered, inaugurated the political life of a city that, through its later empire, would influence much of the world.Uncovering the birth of a city that gave birth to a world, Rome: Day One reveals as never before a truly epochal event.

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Bill Beckley is an American conceptual artist and one of the first artists to use photography as a means of artistic expression. In the early 1970s he was part of a loose-knit group of conceptual artists that used images and fictional texts in a form that came to be known as Narrative Art. I was basically writing a story and taking pictures at the same time. The text evolved with the photos, he says. In the 1980s he experimented with various materials and his work became more sculptural and pictorial. By the end of the decade, he had found a way to integrate these materials with photography, and this integration became a very important aspect of all his works. In 2019 he produced the Neapolitan Holidays series, inspired by cards dated between 1915 and 1972, sent to or from Naples, Italy. The artist responded to the text on the postcard with an email or a text message an old postcard receiving a response, sometimes even after a hundred years.

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This publication is the second edition of the London Architecture Guide and features new insights and new itineraries. The architectural and cultural expansion of the largest city in Western Europe is constantly evolving, confirming year after year its multi-ethnic and innovative soul. The city presents itself as a set of extraordinary buildings, created by internationally renowned architects, which coexist harmoniously, unmistakably characterising its skyline. The itineraries featured include about 80 architectural works, both historical and contemporary, which are fully illustrated with images, drawings and descriptions, and are marked on the front of the map with a reference number corresponding to the section in the book and the icon on the back of the map. The guide also provides information about museums, libraries, institutions, movie theatres, restaurants and gathering places. Among others, the project selection includes works by Allies and Morrison, Arup Associates, Ateliers Jean Nouvel, Avery Associates, Foster + Partners, Grimshaw Architects, Herzog & De Meuron, James Stirling, Jestico + Whiles, John Mc Aslan + Partners, Stanton Williams, OMA, Renzo Piano Building Workshop, Richard Rogers Partnership, Stanton Williams Architects, Studio Daniel Libeskind, Wilkinson Eyre Architects, Zaha Hadid Architects.

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This book supports and deepens the existing interfaces between art, science, and technology - transgressing traditional principles and styles of research, and selectively overcoming the side-by-side coexistence in favour of an integrated "laboratory of the future". Instead of relying on traditional dualisms like nature-culture, subject-object, as well as man and machine, heterogeneous networks with humans and non-humans (Latour) are opened in shared contexts of agency. New momentary propositions are developed, meeting the complexity of discovering, exploring, and inventing - things: things which do not exist just as given beings. The artists and theoreticians can pursue using the tools and techniques of science actively - not only to comment them but also to fathom their possibilities, and employ them in their artistic and scientific projects. Machines as Agency is an artistic perspective.

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The Czech Republic, Poland, and Slovakia share similar experiences in the past, and a swift post-communist integration into the originally West European communities of democratic countries, as their return to Europe. Michal Vít explores how these three countries have been influenced by the new all-European environment for their independent national development. He introduces a research framework for the analysis of national identity focusing on parliamentary political parties represented at both the national and European levels. How did these parties cope with possible misfits of their understanding of national identity? How did these tensions interplay with their new transnational European political environment? Víts study finds that, after the accession of the Czech Republic, Poland, and Slovakia to the EU, there started a gradual decrease of identification of political parties with the European space. The extent of this estrangement was determined by these parties belonging or non-belonging to European political party families. The book provides a better understanding of current political developments in East-Central Europe and their consequences for these countries national and European politics.

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The information age has brought about a growing conflict between proponents of a data-driven society on the one side and demands for protection of individual freedom, autonomy, and dignity by means of privacy on the other. The causes of this conflict are rooted in the modern Western opposition of individual and society and a self-understanding of the human as an autonomous rational subject with an inalienable right to informational self-determination. Andréa Belliger and David J. Krieger propose a theory of information as a common good and redefine the individual as an informational self who exists in networks made up of both humans and nonhumans. Privacy is replaced by publicy and issues of data use and data protection are described in terms of governance instead of government.

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After postmodern critique has deconstructed, decentered, and displaced order and identity on all levels, we are faced with the Humpty Dumpty question of how to put the pieces back together again. This book brings together the seldom associated discourses of hermeneutics, actor-network theory, and new media in order to formulate a theory of a global network society. Hermeneutics re-opens the question of unity in a fragmented world. Actor-network theory reinterprets the construction of meaning as networking. New media studies show how networking is done. Networks arise, are maintained, and are transformed by communicative actions that are governed by network norms that make up a social operating system. The social operating system offers an alternative to the imperatives of algorithmic logic, functionality, and systemic closure that dominate present day solutions to problems of over-complexity in all areas. The world of meaning constructed by the social operating system is a mixed reality in which filters and layers replace the physical restraints of space and time as parameters of knowing and acting. Society and nature, humans and non-humans come together in a socio-sphere consisting of hybrid, heterogeneous actor-networks. This book proposes reinterpreting hermeneutics as networking and networking as guided by a social operating system whose norms are based on new media. There emerges a theory for a global network society described by different concepts than those typical of Western modernity.

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Tel Aviv is known for two things above all: its Bauhaus architecture and its nightlife. Both are wonderful, but represent only a small part of this many-faceted city. Often called the Big Orange, for many people this white city on the sea is a synonym for innovation and diversity, but in many ways it is astonishingly provincial, orderly and family-friendly. Tel Aviv has classic sights to see. If you want to get to know the city really well, you simply have to walk its streets. 111 Places in Tel Aviv That You Shouldn't Miss shows you the way.

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In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp’s Green Box in English. This landmark publication translated Duchamp’s notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp’s conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist’s book in eight parts—a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp’s imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint (“The Bride accepts this stripping…”) and formal liberation (“discover true form…develop the principle of the hinge.”). The artists of Hinge Pictures use formal constraint—a commitment to abstraction—in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book’s physical qualities mirror its conceptual occupations.

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A tale of a brave penguin that goes on an adventure to find where he belongs. This paperback book comes complete with stickers for interactive storytelling so that your child can get involved in the story.

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“Supremely well-crafted” - Kirkus Reviews (Starred Review)“A lively story of how children are affected by their parents, emphasised by a third narrative strand where Larry and a daughter of Escobar’s strike up a friendship on a plane trip, neither aware of their darker connection." - The Irish TimesLarry returns to Colombia twelve years after the disappearance of his father, an old associate of Pablo Escobar. His remains have finally been unearthed in a mass grave, and Larry is returning to give them a proper burial . . . but not before a reunion with his childhood friend Pedro. Pedro takes him straight from the airport to the Alborada celebration, during which fireworks explode all over Medellín, and the entire city loses its inhibitions.His homecoming quickly becomes a rude awakening. The years of luxury living in bodyguard-surrounded mansions are now firmly in the past, as Larry watches his family—including his ex-beauty queen mother and troubled brother—fall deeper into depression, drug addiction, and the traps of the family business.Faced by an uncertain reality, Larry is forced to confront his family’s turbulent history and reclaim himself from the dark remnants of a city trying to rediscover itself. Unflinching and remarkably controlled, Jorge Franco creates a stunning portrait of a generation wounded by their parents’ mistakes.What the readers are saying:"This is an amazingly good book for how it captures the various emotions Larry and the other characters go through and for the Cold emptiness it finds at the heart of it all.""It makes for a fascinating moral quandary and Franco handles the subject matter well.""Highly recommended for anyone interested in realistic Latin American fiction."

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This new book is a concise and practical guide to the procedural rules that apply to cases in the Property Chamber of the First-tier Tribunal. Including procedures to be followed in leasehold, land registration, agricultural and residential cases, it will enable practitioners to get to grips with the rules that apply to their particular case in the tribunal, and what they need to know to prepare accordingly. Included in the book are useful summaries of the types of cases dealt with by the First-tier Tribunal, tables setting out the prescribed forms relating to common disputes before the tribunal; explanations of the extent of the tribunal's jurisdiction and chapters dealing with costs and appeals. This book is the only practical guide available covering property cases in the First-tier Tribunal.

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Conceiving of and representing mothers without their children seems so paradoxical as to be almost impossible. How can we define a mother in the absence of her child? This compelling volume explores these and other questions from a range of interdisciplinary perspectives, examining experiences, representations, creative manifestations, and embodiments of mothers without their children. In her 1997 book, entitled Mother Without Child: Contemporary Fiction and the Crisis of Motherhood, the critic Elaine Tuttle Hansen urged for critical and feminist engagement with what she described as ‘the borders of motherhood and the women who really live there, neither fully inside nor fully outside some recognizable “family unit”, and often exiles from their children’. This book extends and expands this important enquiry, looking at maternal experience and mothering on the borders of motherhood in different historical and cultural contexts, thereby opening up the way in which we imagine and represent mothers without their children to reassessment and revision, and encouraging further dialogue about what it might mean to mother on the borders of motherhood.

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This inspiring introduction to activism and social justice for young teens shows the important role music plays in changing the world, featuring: Musicians young teens will know and love: Beyoncé, Billie Eilish, Lady Gaga, Lil Nas X, and more! Iconic artists from past generations: readers will learn about the extraordinary impact of artists such as Nina Simone, Neil Young, John Lennon, Bob Dylan, Tracy Chapman, and more. Playlists for each social justice issue: Each chapter includes a playlist with recommended songs about an area of activism, from classic tracks to contemporary hits. In Rise Up and Sing!, Andrea Warner explores how music has contributed to the fight for social justice. Across eight areas of activism—the climate emergency, Indigenous rights, civil rights, disability rights, 2SLGBTQIA+ rights, gender equality, the peace/anti-war movement, and human rights—Warner introduces some of the artists, past and present, who have made a difference both on stage and off.Through ground-breaking artists and iconic moments, Rise Up and Sing! shows us that a song is never just a song, and that music really does have the power to change the world.

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From the "Personal to the Political" seeks to analyze the autobiographical perspective of mothering and motherhood not purely as their inner, emotional and private narratives. The collection aims at evidentiating how autobiographical writing gives voice to the historically determined experience of mothering and makes visible the importance of mothers as resilient and political agents. The volume is divided into two sections. The first focuses on what may be termed 'autobiographical theory'. The contributors in this section use their life stories to theorize upon a social maternal perspective such as that as single mothers, mothers of children with disabilities, mothers of older children, and mothers of bi-racial children. The focus of the second section is on autobiographical narratives and includes readings of memoirs, slave narratives, poetry, and fiction. The essays in this volume position autobiography, in both theory and fiction, as a profoundly cultural and political text that makes social change possible. Andrea O'Reilly is Associate Professor in the School of Women's Studies at York University. Silvia Caporale Bizzini is Associate Professor of English Literature at the University of Alicante.

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Gyula Kosice (born 1924) is an innovative Argentine artist and poet. His constructions and sculptures were inspired as much by local discussions and disputes in the cafés of 1940s Buenos Aires as by the international avant-garde. In dialogue with Gabriel Pérez-Barreiro in this latest volume from the Fundación Cisneros’ Conversaciones/Conversations series, Kosice recalls his contributions to an era of hotly debated movements and manifestos; the magazine Arturo; the formation of Arte Madí; his interactive mobiles; and his groundbreaking use of materials like neon and water to articulate a futuristic vision that includes Hydrospatial City, a community suspended in space.

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With tongue-twisty wordplay and escalating absurdity, this is a fall-down-funny farce that will surprise and delight readers—from television comedy writer Elliott Kalan and acclaimed illustrator Andrea Tsurumi. When Sharko calls for a boat, Hippo pulls out a goat. He wants a pole, but Hippo gives him a pail. And instead of bait, a beet and a boot! Hippo’s coat pockets seem to have everything except what Sharko asks for! Will their fishing trip ever get off the ground?

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A Kite in the Wind is an anthology of essays by 20 veteran writers and master teachers. While the contributors offer specific, practical advice on such fundamental aspects of craft as characterization, character names, the first person point of view, and unreliable narrators, they also give extended, thoughtful consideration to more sophisticated topics, including "imminence," or the power of a sense of beginning; creating and maintaining tension; "lushness"; and the deliberate manipulation of information to create particular effects. The essays in A Kite in the Wind begin as personal investigations -- attempts to understand why a decision in a particular story or novel seemed unsuccessful; to define a quality or problem that seemed either unrecognized or unsatisfactorily defined; to understand what, despite years of experience as a fiction writer, resisted comprehension; and to pursue haunting, even unanswerable questions. Unlike a how-to book, the anthology is less an instruction manual than it is an intimate visit with twenty very different writers as they explore topics that excite, intrigue, and even puzzle them. Each discussion uses specific examples and illustrations, including both canonical stories and novels and writing less frequently discussed, from the 19th, 20th, and 21st centuries, by both American and international authors. The contributors share their hard-earned insights for beginning and advanced writers with humility, wit, and compassion. The first section of the book focuses on narration, with particular attention paid to various kinds of narrators; the second, on strategic creation and presentation of character; the third, on some of the roles of the visual, beginning with establishing setting; and the fourth, on structural and organizational issues, from movement through time to the manipulation of information to create mystery and suspense.

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A Nest of Vipers is the twenty-first novel in Andrea Camilleri’s irresistible Inspector Montalbano series.On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house, his body slumped on the dining room floor, his morning coffee spilled across the table, and a single gunshot wound at the base of his skull.First appearances point to the son having the most to gain from his father’s untimely death, a notion his sister can’t help but reinforce. But when Montalbano delves deeper into the case, and learns of the dishonourable life the victim led, it soon becomes clear half of Vigàta has a motive for his murder and this won’t be as simple as the inspector had once hoped . . .A Nest of Vipers is followed by the twenty-second gripping mystery, The Pyramid of Mud.

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The Shape of Water is the first in Andrea Camilleri's wry, brilliantly compelling Sicilian crime series, featuring Inspector Montalbano. When the body of respected and prominent engineer Silvio Luparello is discovered in the Pasture, a rubbish-strewn site brimming with drug dealers and prostitutes, the coroner’s verdict is death from natural causes – refreshingly unusual for Sicily.But Inspector Salvo Montalbano of the Vigàta police force, as honest as he is streetwise and as scathing to fools and villains as he is compassionate to their victims, is not ready to close the case, despite pressure from Vigàta’s police chief, judge, and bishop. Picking his way through a labyrinth of high-comedy corruption, carefully planted false clues, trigger-happy Mafia members, and delicious Sicilian fare, Montalbano can be relied on, whatever the cost, to get to the heart of the matter.The Shape of Water is followed by the second in this phenomenal series, The Terracotta Dog.

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Set in Sicily, The Terracotta Dog is the second novel in the humorous Inspector Montalbano series by Andrea Camilleri.*Adapted for BBC4's Inspector Montalbano series*After a cloak and dagger exchange with an ageing Mafioso, Inspector Montalbano is left haunted by the man’s dying words, which lead him to a mountainside just west of Vigàta where he unearths two young lovers, dead fifty years and still embracing, watched over by a life-size terracotta dog.Heedless of personal danger, Montalbano’s drive to solve this old crime forces him on a journey through Sicily’s World War II history and to the dark heart of one family . . .The Terracotta Dog is followed by the third title in this satirical series, The Snack Thief.

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In The Sicilian Method, Andrea Camilleri's twenty-sixth novel in the Inspector Montalbano mystery series, a troubling murder invesitgation may see Montalbano find his answers on a theatre's stage . . .'[E]ven the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today' – GuardianMimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly he climbs out the window and into the downstairs apartment, but finds himself swinging from one danger to another. In the dark he sees a body lying on the bed.Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the methods he has developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with – as well as strange notebooks full of figures, dates and names . . .Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters and the notes on his final drama, Dangerous Turn. Indeed, it is in the theatre where he feels the solution lies.

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Packed with vivid scenes showing garden favourites from a pumpkin patch to busy butterflies and frolicking foxes. Simply brush water over the black and white designs to reveal an array of sumptuous colours.

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Montalbano's First Case and Other Stories is a brilliant collection of short stories, personally chosen by Andrea Camilleri.It follows Inspector Montalbano from his very first case in Vigàta, in which he stumbles upon a young girl lurking outside a courthouse with a pistol in her handbag. When she is taken in for questioning and won't utter a single word, Montalbano must find another way to learn who she is trying to kill, and why . . .Other cases include a missing woman who has run away from the love of her life; an old married couple who appear to be rehearsing their suicides; and a crime so dark there's only one person the inspector can call for help.With twists and turns aplenty, these short stories have all the wit, mystery and culinary gusto that Camilleri's fans have come to love him for.

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From Andrea Camilleri, the bestselling author of the Inspector Montalbano mysteries, comes The Brewer of Preston, a hilarious standalone comedy.1870s Sicily. Much to the displeasure of Vigàta's stubborn populace, the town has just been unified under the Kingdom of Italy. They're now in the hands of a new government they don't understand, and they definitely don't like. Eugenio Bortuzzi has been named Prefect for Vigàta, a regional representative from the Italian government tasked to oversee the town. But the rowdy and unruly Sicilians don't care much for this rather pompous mainlander nor the mediocre opera he's hell-bent on producing in their new municipal theatre. The Brewer of Preston, it's called, and the Vigàtese are revving up to wreak havoc on the performance's opening night . . .

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Five Nights at Freddy's fans won't want to miss this pulse-pounding collection of three novella-length tales that will keep even the bravest FNAF player up at night... Act in haste, repent at leisure... After losing his friend in a terrible accident, Andrew can't spend his money fast enough on a happy companion guaranteed to keep his friend's memory alive. Mott quickly flushes his brother's creepy new pets, but the creatures have other plans. Eager to put her classmates in their place, Homecoming Queen Jessica doesn't stop to double-check her homework … reprogramming a defunct animatronic. In this tenth volume, Five Nights at Freddy's creator Scott Cawthon spins three sinister novella-length stories from different corners of his series' canon. Readers beware: this collection of terrifying tales is enough to unsettle even the most hardened Five Nights at Freddy's fans. Perfect for video game fans and fans of horror. If you enjoy the FNAF series, check out Bendy and the Ink Machine and Hello Neighbor.

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Cash is Queen breaks down the basics of how young women of today can learn to understand and manage money - an empowering skill that will last them a lifetime. The world’s first money book written exclusively for girls,Cash is Queen is designed to deliver the sophistication, practicality and fun guaranteed to appeal to today’s young woman. Study after study shows that women are far happier discussing virtually anything else but bank balances, and this lack of confidence in openly discussing money matters is crippling the female population financially. Women negotiate less in salary discussions, are excessively cautious and risk averse when it comes to investing and lack the general awareness around how to optimise retirement savings to guarantee a comfortable retirement. With clear explanations and empowering text by experienced financial expert Davinia Tomlinson, you'll learn that establishing a positive relationship with money as an adult must be cultivated in childhood.Cash Is Queen explains in a tone that’s relatable, fresh and fun, everything a young girl needs to know about saving, spending and stashing her cash, helping girls everywhere establish positive financial habits that will last a lifetime.. Non-patronising or preachy, this book is essential reading for young girls everywhere as they enter adulthood and begin the journey of discovery in identifying the mark they would like to leave in the world.

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This easy-to-use 28-day write-in journal is founded on CBT (Cognitive Behavioural Therapy) and self-development techniques to help people understand and manage their moods and emotions. The daily tracker helps the reader chart their feelings alongside daily energy levels, sleep patterns, exercise, food and drink, and even medication they are taking. Throughout there are free-writing pages to encourage self-reflective journalling, CBT worksheets to delve deep into emotions and patterns of thinking and weekly assessments.This enlightening, informative and motivating book will help readers take control and make positive changes to lead a healthier, happier life, improve self-esteem and build personal relationships as they work towards their goals.

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The universe ended, but humanity survived. And for years, the passengers and crew of the vessel Orpheus found the endless void between realities to be a surprisingly peaceful home. Then they found a body; bloodied, brutalized, and surrounded by inscrutable runes. As Security Director Deva Karrell investigates the Orpheus' first murder, she'll come face to face with a horror from beyond the confines of time itself...Collects INFINITE DARK #1-4

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Having sold over 50,000 copies, "Handwriting Analysis" has been revised and expanded to include a new chapter on analyzing doodles.

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Ordesa - a small Spanish town in the Pyrenees - is where our narrator was born, a place his father loved dearly, a place suffused with memories. Now, forty-six years later, he returns to the valley with his own children on a summer vacation. His parents are dead, his marriage has ended and he's struggling to piece together the bits of himself.Single and living in an apartment he hates, clinging to snatched moments of quality time with his apathetic children, newly sober and with his career on the wane, the ghosts of the narrator's family besiege him, but also bring him hope. Out of despair, he writes this chronicle, this homage, this memoir of his family: grandparents whose photos were never taken, whose funerals were never attended, parents unable to show their love. Maybe the tragedy of life itself is not death, but truly realising the importance of family only once they've passed. Perhaps this trip to Ordesa can help him fall in love with life - his life - once more.A masterwork of autofiction from Spanish literary icon Manuel Vilas, Ordesa is a deeply moving meditation on identity, nationality, family, loss and the passing of time.

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