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Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times).Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life.Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

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When David Bramwell’s girlfriend left him for someone she described as 'younger, but more mature than you', he decided he had something to learn about giving. Taking a year off, he journeyed through Europe and America seeking out extraordinary communities that could teach him how to share. He wanted answers to a few troubling questions: Is modern life rubbish? Why do so many of us feel lonely and unfulfilled despite a high standard of living? Are there communities out there who hold the key to happiness? And if so, why do so many of their inhabitants insist on dressing in tie-dye? His quest led him to an anarchist haven in the heart of Copenhagen; some hair-raising experiences in free love communities; an epiphany in a spiritual caravan park in Scotland and an apparent paradise in a Californian community dreamed up by Aldous Huxley. Most impressive of all was Damanhur, a 1000-strong science fiction- style community in the Alps with an underground temple the size of St Paul's Cathedral, a village of tree houses and a ‘fully-functioning time machine'. Inspired, he returned home with a desire to change. Not just himself but also his neighbourhood and city. Find out how he succeeded in this wry and self-deprecatingly funny spiritual journey that asks some big questions and finds the answers surprisingly simple.

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‘I was delighted when Mark Simmons asked me to write the foreword for this book – mostly because the request implied the book had actually been written and was ready to go. It’s a subject I have long wanted to see covered, and finally it has been. Excellent!’ Lee Child It is no coincidence that many of Alistair MacLean's most successful novels were sea stories. In 1941, he was called up after volunteering for the Royal Navy and served as Ordinary Seaman, Able Seaman, and Leading Torpedo Operator. For the majority of his service, he was on HMS Royalist, a modified Dido-class light cruiser, seeing action in the Arctic, and operations against the German battleship Tirpitz . The ship then deployed to the Mediterranean taking part in Operation Dragoon the invasion of the South of France and later in operations against German occupied Greek Islands in the Aegean. After which MacLean and Royalist were deployed to the Indian Ocean and operations against the Japanese in Malaya, Burma, and Sumatra. His wartime experiences coupled with exceptional literary skill resulted in the runaway success of his first novel HMS Ulysses (1955) followed by The Guns of Navarone (1957) and South by Java Head (1958). These three blockbusters cemented his position as one of the most successful and highly paid authors of the era. While not a whole life biography, Mark Simmon's book provides a fascinating insight into Maclean's war service and subsequent works, which deserve enduring popularity.

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Purposefully imitating Voltaire's classic Candide, another dark comedy which derives its humour from life's tragedies, Habiby's The Secret of Saeed the Pessoptimist is a classic of Arab literature. The story of Saeed, a Palestinian who becomes a citizen of Israel, is a story of fact and fantasy, tragedy and comedy. At once a comic hero and luckless fool, his life is full of terror, aggression, resistence and heroism. As an informer for the Zionist state, Saeed's stupidity, candour and cowardice make him more the victim than a villain; but in a series of tragicomic episodes, blundering from disaster to disaster, he is slowly transformed from gullible collaborator into a Palestinian intent on survival. The novel, informed by the author's own experience in Israeli politics, is both biting and funny. The Secret Life of Saeed the Pessoptimist was named in the top ten novels set in the Arab world by The Guardian in 2010, won the Al-Quds Prize in Palestine in 1992 and The Israel Prize for Literature, awarded by the State of Israel. It is the only novel to have the top literary award in both countries.

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Rosa Luxemburg, brilliant early 20th century German revolutionary, comes alive in a rich set of essays on her life, ideas, and lasting influence. The essays deal not only with her remarkable contributions to political, social and economic theory, but also touch on her vibrant personality and intimate friendships. This collection, the fruit of more than four decades of involvement with Luxemburg's work, simultaneously showcases her penetratingly intellectual, political and deeply humanistic qualities.

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The Gothic tale has been with us for over two hundred years, but this collection is the first to illustrate the continuing strength of this special fictional tradition from its origins in the late eighteenth century. Gothic fiction is generally identified from Horace Walpole's Castle of Otranto and the works of Ann Radcliffe, and with heroes and heroines menaced by feudal villains amid crumbling ruins. While the repertoire of claustrophobic settings, gloomy themes, and threatening atmosphere established the Gothic genre, later writers from Poe onwards achieved an ever greater sophistication, and a shift in emphasis from cruelty to decadence. Modern Gothic is distinguished by its imaginative variety of voice, from the chilling depiction of a disordered mind to the sinister suggestion of vampirism. This anthology brings together the work of writers such as Le Fanu, Hawthorne, Hardy, Faulkner, and Borges with their earliest literary forebears, and emphasizes the central role of women writers from Anna Laetitia Aikin to Isabel Allende and Angela Carter. While the Gothic tale shares some characteristics with the ghost story and tales of horror and fantasy, the present volume triumphantly celebrates the distinctive features that define this powerful and unsettling literary form.

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After the great battles of 1916, the Allied Armies planned to launch massive attacks North and South of the Somme. The German withdrawal to the Hindenburg Line in March 1917 forced the new French CinC General Nivelle to rethink and the French embarked on a major attack in the Aisne area and along the Chemin des Dames, with the British conducting large scale diversionary operations around Arras. The French suffered disastrously and, rendered incapable of further offensive operations, it fell to the British to step up the pressure, which they did albeit at a terrible price. This latest work by expert Jack Sheldon describes the event of Spring 1917 from the defenders' perspective. In particular it reveals the methods the Germans used to smash the French attacks and Oberst Fritz von Lossberg's transformation of the defences in the Arras front. Actions described in detail are the bitter battles around Monchy Le Preun, the Roeux Chemical works and Bullecourt as well as the capture of Vimy Ridge.

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Whether you are running a start-up or multinational organization, there is always scope to optimize your processes and reinvigorate your teams. In Tech-Led Culture, Duena Blomstrom highlights how you can discover the new innovations and technologies that can lead to meaningful and lasting change in your business. This book provides you with the insights, knowledge and confidence you need to improve your performance and ensure that your business thrives and grows in the increasingly innovative and competitive landscape. Employees and teams are more disengaged and fragmented than ever; get ahead of the competition and attract new talent by becoming the exception. Tech-Led Culture is an essential companion for any leader or changemaker looking to implement and sustain change initiatives within their business which will lead to more productivity, greater innovation and better performance.

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In 1861, the great journalist and social advocate Henry Mayhew published London Labour and the London Poor, an oral history of those living and working on the streets of Victorian London. Nothing on this scale had been attempted before. On the surface, the streets of London in 1861 and in 2019 are entirely different places. But dig just a little and the similarities are striking and, in many cases, shocking. Taking Mayhew's book as inspiration, Jennifer Kavanagh explores the changes and continuities by collecting and mapping stories from today's London. Beggars, street entertainers, stalls selling a variety of food, clothes, second-hand goods, thieves and the sex trade are all still predominant. The rise of the gig economy has brought a multitude of drivers and cyclists, delivering and moving goods, transporting meals and people, all organized through smart phones but using the same streets as Mayhew's informants. The precarity faced by this new workforce would also be familiar to the street-sellers of Mayhew's day. In terms of resources, gone are the workhouses, almshouses, paupers' lunatic asylums. Enter shelters, day centres, hostels, and food banks. Let Me Take You By The Hand is an x-ray of life on the streets today: the stories in their own words of those who work and live in our capital.

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Can she find the courage to defy a king?In seventeenth-century France, Louis XIV rules with flamboyant ambition. In his domain, wealth and beauty are all; frivolity begets cruelty; science and alchemy collide. From the Hall of Mirrors to the vermin-infested attics of the Chateau at Versailles, courtiers compete to please the king, sacrificing fortune, principles, and even sacred family bonds.'A wonderful book! Adventure, love, history, magic - it's an engrossing story with magnificent characters, balanced perfectly on the edge between,' says DIANA GABALDONBy the fiftieth year of his reign, Louis XIV has made France the most powerful state in the western world, but the Sun King's appetite for glory knows no bounds. In a bold stroke, he sends his natural philosopher on an expedition to seek the source of immortality: the mythical sea monster. For the glory of his God, his country, and his king, Father Yves de la Croix returns with his treasures: one heavy shroud packed in ice . . . and in a covered basin, an imprisoned sea-creature.Marie-Josephe de la Croix has been looking forward to assisting her brother Yves in the scientific study of the sea monster, until she makes a discovery that will threaten everything her brother, the court and the King believe.'The finest alternate history ever, light-hearted and wise - a luminous, radiant novel,' said URSULA K. LE GUINBut in the decadent court of King Louis, where morality is skewed and corruption reigns, will anyone listen to a single voice? Somehow, she must find the courage to follow her heart and her convictions - even at the cost of changing her life forever.

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The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.

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A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890–1976)—the pseudonym of Emmanuel Radnitzky—embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation. Distributed for the Virginia Museum of Fine ArtsExhibition Schedule:Virginia Museum of Fine Arts, Richmond (October 30, 2021–February 21, 2022)

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In the winter of 1965, Leo Strauss taught a seminar on Hegel at the University of Chicago. While Strauss did not consider himself a Hegelian nor write about Hegel at any length, his writings contain intriguing references to the philosopher, particularly in connection with his studies of Hobbes, in his debate in On Tyranny with Alexandre Koje ve; and in his account of the "three waves" of modern political philosophy. Leo Strauss on Hegel reconstructs Strauss's seminar on Hegel, supplemented by passages from an earlier version of the seminar from which only fragments of a transcript remain. Strauss focused in his seminar on the lectures collected in The Philosophy of History, which he considered more accessible than Hegel's written works. In his own lectures on Hegel, Strauss continues his project of demonstrating how modern philosophers related to ancient thought and explores the development and weaknesses of modern political theory. Strauss is especially concerned with the relationship in Hegel between empirical history and his philosophy of history, and he argues for the primacy of religion in Hegel's understanding of history and society. In addition to a relatively complete transcript, Leo Strauss on Hegel also includes annotations, which bring context and clarity to the text.

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'Fifteen years ago, the internet felt like a special place my friends and I had built for each other; by 2020, we were standing on its ruins, wondering if we'd played a part in its destruction.'Journalist Marie Le Conte was born in 1991, the same year the World Wide Web was invented. She had her first blog at twelve, a successful music website at fifteen, a Wikipedia page at seventeen and now, at thirty, over 80,000 followers on Twitter. From MSN, Tumblr and MySpace, to chat rooms, forums and blogs; Marie is part of the millennial generation that grew up while the internet was growing up with them.Where did it go all wrong? How did the internet go from a place where you went to escape real life to where real life is shaped? A place where you could be yourself and find like-minded people to a world of filters and ads? A place we are all now desperately trying to escape from?Escape is a fascinating exploration of the rise and demise of the internet. It's a look back on the platforms, the people and the online places. It's an analysis of the lessons being online has taught us, how the internet has changed us - and a celebration of the tools it gives us to feel less alone. The online generation have forever altered the world we live in, but is the internet still a place for the people that shaped it?

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The Second World War and the German Occupation remain a major focal point in French culture and society, with new and sometimes controversial titles published every year – Irène Némirovsky’s Suite française and Jonathan Littell’s Les Bienveillantes, both rapidly translated into English, offer just two examples of this significant phenomenon. Gathering within one volume studies of genres, visual cultures, chronology, narrative theory, and a wealth of narratives in fiction and film, Framing narratives of the Second World War and occupation in France 1939-2009 brings together an internationally distinguished group of contributors and offers an authoritative overview of criticism on war and occupation narratives in French, a redefinition of the canon of texts and films to be studied and a vibrant demonstration of the richness of the work in this area. Edited by two leading specialists, the book includes contributions by William Cloonan, Richard J Golsan, Leah Hewitt, Colin Nettelbeck and Gisèle Sapiro.

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‘One of our very best writers on France.’ Antony Beevor After publishing an acclaimed biography of Jean Moulin, leader of the French Resistance, Patrick Marnham received an anonymous letter from a person who claimed to have worked for British Intelligence during the war. The ex-spy praised his book but insisted that he had missed the real ‘treasure’. The letter drew Marnham back to the early 1960s when he had been taught French by a mercurial woman – a former Resistance leader, whose SOE network was broken on the same day that Moulin was captured and who endured eighteen months in Ravensbrück concentration camp. Could these two events have been connected? His anonymous correspondent offered a tantalising set of clues that seemed to implicate Churchill and British Intelligence in the catastrophe. Drawing on a deep knowledge of France and original research in British and French archives, War in the Shadows exposes the ruthless double-dealing of the Allied intelligence services and the Gestapo through one of the darkest periods of the Second World War. It is a story worthy of Le Carré, but with this difference – it is not fiction. ‘A melange of Le Grand Meaulnes and The Spy Who Came in from the Cold. It is unforgettable.’ Ferdinand Mount, TLS, Books of the Year ‘A masterly analysis, impeccably presented.’ Allan Mallinson, Spectator ‘Fascinating… Marnham has a vast and scholarly knowledge of this often treacherous world.’ Caroline Moorehead, Literary Review

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Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.

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Daniel Moulin is a Post-Doctoral Fellow at the University of Geneva, Switzerland. He completed his doctorate in Educational Studies at the University of Oxford, UK. He was a Scholar-in-Residence at the Kilns C.S. Lewis Study Centre, Oxford, UK, 2010-2011, and Chapel Director at Somerville College, Oxford, UK, 2011-2013. He is currently researching issues concerning identity formation in adolescence, and also the use of narrative in interreligious dialogue.

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"There’s only one thing I’m aiming for-to be the world's strongest hero."Cri makes an oath with his friends to become the strongest hero in the world...but hishopes are quickly dashed when he realizes that his talents lie elsewhere. Despite thereality check, the expectations from the people around him seem to risingexponentially every day! Now Cri must deal with this huge misunderstanding as well asthe outrageous consequences!

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Despite his utter lack of talent, Krai finds himself at the top of a huge clan. When hegives a job to Tino, the talented girl with eyes for him, little does he realize that he'ssent her off on an incomprehensible mission. What awaits Tino and her group as theysearch for the missing Hunter in the White Wolf's Den?

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Scrutinises the political strategies and ideological evolution of Islamist actors and forces following the Arab uprisingsWhat role does political Islam play in the genealogy of protests as an instrument to resist neo-liberalism and authoritarian rule? How can we account for the internal conflicts among Islamist players after the 2011/2012 Arab uprisings? How can we assess the performance of Islamist parties in power? What geopolitical reconfigurations have the uprisings created, and what opportunities have arisen for Islamists to claim a stronger political role in domestic and regional politics? These questions are addressed in this book, which looks at the dynamics in place during the aftermath of the Arab uprisings in a wide range of countries across the Middle East and North Africa.Key features22 case studies explain the diverse trajectories of political Islam since 2011 in Bahrain, Egypt, Iraq, Iran, Kuwait, Lebanon, Libya, Morocco, Qatar, Syria, Tunisia, Turkey and YemenProvides a comprehensive analysis of political Islam covering intra-Islamist pluralisation and conflict, governance and accountability issues, 'secular-Islamist' contention, responses to neo-liberal development and the resurgence of sectarianism and militancyOffers a set of innovative approaches to the study of political Islam in the post-Arab spring era that open new possibilities for theory development in the fieldContributorsIbrahim Al-Marashi, California State University San MarcosNazli Cagin Bilgili, Istanbul Kultur UniversitySouhail Belhadj, Graduate Institute of International and Development Studies in GenevaFrancesco Cavatorta, Laval University, QuebecCherine Chams El-Dine, Cairo UniversityKaterina Dalacoura, London School of Economics and Political Science Jerome Drevon, University of Oxford Vincent Durac, University College Dublin and Bethlehem UniversityLaura Ruiz de Elvira Carrascal, French Institut de Recherche pour le Developpement (IRD), ParisMelissa Finn, University of WaterlooCourtney Freer, London School of Economics and Political Science Angela Joya, University of OregonWanda Krause, Royal Roads UniversityMohammed Masbah, Chatham House and Brandeis UniversityAlam Saleh, Lancaster UniversityJillian Schwedler, City University of New York's Hunter College Mariz Tadros, University of Sussex Truls Tonnessen, Georgetown UniversityMarc Valeri, University of Exeter Anne Wolf, University of CambridgeLuciano Zaccara, Qatar UniversityBarbara Zollner, Birkbeck College

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Rodin & Dance: The Essence of Movement is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance – from south-asian dances to the music hall and the avant garde – which began appearing on the French stage around 1900. Rodin made hundreds of drawings and watercolours of dancers. From about 1911 he also gave sculptural expression to this fascination with dancers’ bodies and movements in creating the Dance Movements, a series of small clay figure studies (each approx. 30 cm in height) that stretch and twist in unsettling ways. These leaping, turning figures in terracotta and plaster were found in the artist’s studio after his death and were not exhibited during Rodin’s lifetime or known beyond his close circle. Presented alongside the associated drawings and photographs of some of the dancers, they show a new side to Rodin’s art, in which he pushed the boundaries of sculpture, expressing themes of flight and gravity. This exhibition catalogue aims to become the authoritative reference for Rodin’s Dance Movements, comprising essays from leading scholars in the field of sculpture. It includes an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay. The Catalogue will comprise detailed entries on the works in the exhibition and new technical information on the drawings. Contributors include Alexandra Gerstein, Curator of Sculpture and Decorative Arts, The Courtauld Institute of Art; Antoinette Le Normand-Romain, Director, Institut National d’Histoire de l’Art, Paris; Juliet Bellow, Associate Professor of Art History, American University in Washington, DC and currently Resident Fellow, the Center for Ballet and the Arts, New York University; François Blanchetière, Curator of Sculpture at the Musée Rodin; Agnès Cascio and Juliette Lévy, distinguished sculpture conservators; Sophie Biass-Fabiani, Curator of Works on Paper at the Musée Rodin; and Kate Edmonson, Conservator of Works on Paper at The Courtauld Gallery.

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

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A classic account of the villa—from ancient Rome to the twentieth century—by “the preeminent American scholar of Italian Renaissance architecture” (Architect’s Newspaper)In The Villa, James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the “country place” as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. “The villa,” he reminds us, “accommodates a fantasy which is impervious to reality.” As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.

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In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors, keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city. An extraordinary collaborative project almost two years in the making, Exeunt - The Stage Door Project collects together these moving images, alongside anecdotes from some of the world's leading luminaries who have trodden the boards of the pictured theatres. A tribute to the magical nature of the stage door and the tales lurking behind it, Exeunt is a celebration of the legendary theatres of the city, the extraordinary figures behind the curtain - and the faithful audiences who have flocked back after the storm. Proceeds from sales of this book go to the Actors' Benevolent Fund, ArtsMinds and Theatre Artists Fund Featuring the words of Dame Judi Dench, Emma Rice, Ned Seago, Simon Callow, John McCrea, Diane Page, Reece Shearsmith, Anita Dobson, Macy Nyman, David Bedella, Kwong Loke, Luke Giles, Stephanie Street, Dame Harriet Walter, Rebecca Frecknall, David Jonsson, Jackie Clune, Ben Cracknell, Richard Sutton, Adeyinka Akinrinade, Le Gateau Chocolat, Paule Constable, Lucian Msamati, Adrian Scarborough, David Acton, Natalie Law, Gordon Millar, Leanne Robinson, Thomas Aldridge, Katrina Lindsay, Eben Figueiredo, Andy Taylor, Aimie Atkinson, Jack Holden, Laura Donnelly, Laurie Kynaston, Abraham Popoola, Oengus MacNamara, Louis Maskell, Valda Aviks, Garry Cooper, Mark Dugdale, Lyn Paul, James Graham, Emma Sheppard, Paul Bazely, Preston Nyman, Lauren Ward, Jessica Hung Han Yun, Natalie McQueen, Gavin Spokes, Niamh Cusack, Paterson Joseph, Anna Fleischle, Daniel Monks, Michael Sheen, Lia Williams, Ruthie Henshall, Simon Lipkin, Tom Brooke, Ian Rickson, Rufus Hound, Zoe Tapper, Patsy Ferran, Joshua McGuire, Sharon D Clarke, Mark Gatiss, Taz Skylar, Marianne Benedict, Ferdinand Kingsley, Lez Brotherston, Tamsin Withers, Hadley Fraser, Karl Queensborough, Neil Salvage, Jessie Hart, Kathy Peacock, Howard Hudson, Jonathan Andrew Hume, Andy Nyman, Andrew McDonald, Claire Roberts, Michael Jibson, Jason Pennycooke, Christopher Tendai, Laura Baldwin, Matt Henry, Robert Lindsay, Simon Evans, Fisayo Akinade, Irvine Iqbal and Zoe Wanamaker.

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THE PORTLAND SPY RING was one of the most infamous espionage cases from the Cold War. People the world over were shocked when its exposure revealed the shadowy world of deep cover KGB 'illegals' - spies operating under false identities stolen from the dead.The CIA's revelation to MI5 in 1960 that a KGB agent was stealing crucial secrets from the world-leading submarine research base at Portland in Dorset looked initially like a dangerous but contained lapse of security by a British man and his mistress. But the couple were tailed by MI5 'watchers' to a covert meeting with a Canadian businessman, Gordon Lonsdale. The unsuspecting Lonsdale in turn led MI5's spycatchers to an innocent-looking couple in suburban Ruislip called the Krogers.But within weeks the CIA rang the alarm - their critical source of intelligence was to defect within hours - and MI5 was forced to act immediately. The Krogers were exposed as two of the most important Russian 'illegals' ever, whom the Americans had been hunting for years. And Lonsdale was no Canadian, but a senior KGB controller.This astonishing but true story of MI5's spyhunt is straight from the world of John le Carré and is told here for the first time using hitherto secret MI5 and FBI files, private family archives and original interviews. Its tentacles stretch around the world - from America, to the USSR, Canada, New Zealand, Europe and the UK. DEAD DOUBLES is a gripping episode of Cold War history, and a case that fully justified the West's paranoia about infiltration and treachery.

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Duine de shárscéalaithe na Gaeilge In Eanáir 1952, sé bliana sula bhfuair Peig Sayers bás, thionscain Coimisiún Béaloideasa Éireann agallaimh léi agus í in ospidéal Naomh Anna, Baile Átha Cliath. Bhí Peig thar a bheith sásta labhairt lena cuairteoirí a raibh Gaeilge Chiarraí ar a dtoil acu agus seanaithne aici orthu. Foilsítear den chéad uair in Níl Deireadh Ráite na hagallaimh sin mar aon le réamhrá tathagach, tráchtaireacht agus aistriúchán Béarla ar an iomlán. Cuireann Peig i láthair anseo seanscéalta idirnáisiúnta, scéal Fiannaíochta, finscéalta taistealacha, seanchas stairiúil agus sísheanchas, roinnt paidreacha, agus tá cúpla léaráid óna mac, Mícheál Ó Gaoithín, mar anlann leo. Léiríonn na taifeadtaí a bua mar scéalaí oilte, a hacmhainn grinn, a móreolas ar scéalta traidisiúnta agus a cumas máistriúil á gcur i láthair trí shúile mná. Buanaíonn an saothar seo ionad Pheig mar dhuine de shárscéalaithe na Gaeilge agus cinntíonn sé go bhfuil a cuid scéalaíochta le háireamh ar scoth na healaíne béil sa tír seo. Among the first rank of Irish storytellers In January 1952, six years before she died, Peig Sayers was interviewed by a team from the Irish Folklore Commission in St Anne’s Hospital, Dublin. She was more than happy to be recorded, and pleased to be visited by old friends, all of whom spoke fluent Kerry Irish. In Not the Final Word these interviews are published for the first time, in both Irish and English, along with a substantial introduction and detailed annotation. Here Peig tells her versions of international folktales, a Fenian tale, some prayers, migratory legends and historical and supernatural lore, illustrated in paintings by her son, Mícheál Ó Gaoithín. She emerges as a warm and authentic storyteller, with a ready sense of humour, a deep knowledge of traditional narrative and highly skilled in its presentation. This collection reaffirms Peig Sayers’s position in the first rank of Irish storytellers and firmly establishes her tales in the canon of Irish oral literature.

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The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson."

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The first play collection from Anders Lustgarten, "perhaps Britain's most visible and visibly engaged political playwright" (Time Out London), containing plays from the start of his career up to 2015 with the most recent play in the collection, Shrapnel, and one previously unpublished play. The volume includes an introduction by the playwright. A Day at the Racists (2010, Finborough Theatre) is a devastatingly timely examination of the rise of the BNP in London, which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction: the political abandonment and betrayal of the working class by New Labour. If You Don't Let Us Dream, We Won't Let You Sleep (Royal Court Theatre, 2013) offers an exploration of our current government's politics of austerity and a look at possible alternatives. Black Jesus (Finborough Theatre, 2013) unpicks the political complexities of Zimbabwe through the devastating personal journeys of two very different people, both scarred by one of Africa's most notorious dictatorships. Shrapnel (Arcola Theatre, 2015) takes as its subject The Roboski massacre is one of the most controversial episodes in the ‘war on terror’. Piecing together the fragments of the tragedy, Anders Lustgarten’s startling new play dares to ask what a massacre is made of. Kingmakers (Salisbury Playhouse, 2015) imagines ten years after the signing of Magna Carta when the barons' takeover isn’t quite going to plan. With the peasants grumbling about enormous castles and broken promises, the threat of rebellion hangs in the air. This play has not previously been published. The Insurgents (Finborough Theatre, 2007) is Anders Lustgarten's look at contemporary London and its class divide. Private equity has turned the city into a high-fenced playground for a tax-exempt, big business elite. This play has not previously been published.

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Basics Interior Architecture 03: Drawing Out the Interior is a comprehensive introduction to the representation of interior space through drawing and modelling. The book introduces the reader to a range of techniques and methods and describes when and where to use them. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. The text is supported by detailed studies of contemporary work, alongside activities and resources. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. It considers the idea that the method we choose to draw with influences the way we think and therefore what we design. It includes sketches and drawings from Le Corbusier, Iannis Xenakis, Mies van der Rohe and Carlo Scarpa.

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The most effective leaders are “human leaders:” leading with empathy, vulnerability, and authenticity. But many still adhere to the outdated myth that leaders must be “superhero leaders: infallible, unflappable, and fearless." Tragically, their innate ability to inspire remains locked within, blunting their impact. In The Unlocked Leader veteran executive leadership coach Hortense le Gentil combines real life stories, rigorous research, and practical tools to explain how superhero leaders can become effective human leaders. You’ll discover: · How to identify the mental obstacles that stand between you and leadership authenticity, and sap your energy and impact - your mindtraps. · How to confront your fears and escape those traps by operating a mindshift. · Practical strategies to better connect with yourself and others - a mindbuild. The journey from superhero leader to human leader not only transforms the lives of leaders themselves - both at work and beyond. It also makes a profound and lasting difference in the lives of people around them and the organizations they lead. This is how human leaders make an impact and shine their light in the world: by changing the way they connect with themselves and other people, they start a chain reaction that reverberates throughout their organizations and beyond them, because we are all part of interconnected networks of human relationships. An indispensable leadership manual for people who wish to lead not just with their heads, but with their heart and soul as well, The Unlocked Leader belongs on the bookshelves of leaders and aspiring leaders at all levels looking for a fresh new perspective on effective, powerful leadership in service of something bigger than themselves.

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The Tragedy of Pious Antigone (1580) is the first English-language translation of Robert Garnier’s Antigone, ou la Pieté. Written by France’s earliest career tragedian, who also worked in the Paris Parliament and as a counselor at a judicial tribunal in the town of Le Mans, the play draws on various classical sources (especially Seneca, Statius, and Sophocles) to retell the well-known story of a family torn apart by war: as brothers Eteocles and Polynices fight to the death, their sister Antigone and mother Jocasta make repeated calls for peace. Originally published at the height of the French Wars of Religion (1562–1598) that pitted Catholics and Protestants against each other, the five acts of Garnier’s play would have had immediate resonance. Neither extolling nor defending one side or the other, this humanist tragedy, which also anticipates the style of Corneille and Racine, could have been appreciated not only by members of one religious community or the other, but by both as a seemingly non-partisan and earnest lamentation about, and reflection upon, troubled times. This famous story, re-imagined by countless authors including Bertolt Brecht, Jean Anouilh, Griselda Gambaro, Athol Fugard, and many others, is here re-told to emphasize empowered female voices in times of political division.

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A lavishly illustrated collector's edition containing all the supernatural tales ever written by M.R. James, the undisputed father of the modern ghost story.'James is clearly the best that's ever been' MARK GATISSM.R. James is one of the finest authors of supernatural fiction in the English language and revered as the father of the modern English ghost story. Many of his stories were originally written as Christmas entertainments and were read aloud by the author to selected gatherings of friends.'There are all sorts of writers of all sorts of nightmares, but M.R. James wrote the best ghost stories. He may well have created the ghost story in its current form. Nobody can do what he did as well as he could' NEIL GAIMANAuthorised by the writer's estate, Curious Warnings: The Complete Ghost Stories is the only volume that collects together all of James' much-loved supernatural tales - including the classics, 'Oh, Whistle, and I'll Come to You, My Lad', 'A Warning to the Curious' and 'Canon Alberic's Scrapbook' - together with his novel The Five Jars, story fragments, essays and poetry. Illustrated by award-winning artist Les Edwards and featuring an extensive historical Afterword by editor Stephen Jones, this is the ultimate collection for fans of M.R. James and the classic British ghost story.

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An intelligent, atmospheric police procedural series for fans of John Le Carré and Mick Heron"The most important thing that's happened in Mexican literature in the last thirty years" Gaby Wood, Sunday Telegraph.Detective Lefty Mendieta makes a deal with the devil in a gripping new novel from the Godfather of Narco Lit Short of leads on the execution-style murder of a fortune-teller, Detective Lefty Mendieta turns to his contacts in the drug underworld. They oblige, but there is a quid pro quo: Help Samantha Valdés, head of the Pacific Cartel, slip through the net of Mexican army and federal police encircling the hospital where she is recovering after an attempt on her life. Grudgingly he agrees, but then gets caught on camera during the escape and becomes headline news.Fired from the force and on the run from the Feds, Lefty again seeks Samantha's help when he learns that his son Jason has been kidnapped in Los Angeles. There, he must come to terms with the woman who broke his heart, while contending with a thicket of conspiracies, feints and double-crosses that further blur the distinction between crime and the law. Betrayal is certain. To save his son, who will Lefty sell out?Translated from the Spanish by Mark Fried

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Thilo Westermann is known for his reverse glass paintings, unique prints, and photomontages. The catalogue accompanies the exhibition of the same name at the Vitromusée Romont and presents the artist’s work, from the manual processing of picture motifs on the reverse side of glass plates to the migration of forms in his photomontages. In addition to a wide range of color illustrations, the publication brings together contributions by internationally renowned art historians. Thilo Westermann est connu pour ses peintures sous verre, ses tirages uniques et ses photomontages. Le catalogue, qui accompagne l’exposition du même nom présentée au Vitromusée Romont, introduit à l’œuvre de l’artiste, des motifs filigranes gravés à la main au dos de la plaque de verre à la migration des formes dans les photomontages. Richement illustré, l’ouvrage rassemble les contributions d’historien·ne·s de l’art de renommée internationale. With contribution by | Avec des contributions deXavier Salmon (Musée du Louvre Paris), Martin Thierer (Munich), Hans Dickel (Friedrich-Alexander-Universität Erlangen), Christopher L. Maxwell (Art Institute of Chicago), Magali Nachtergael (Université Bordeaux Montaigne), Shao-Lan Hertel (Tsinghua University Art Museum Beijing)

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

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Following the 1960s, that decade's focus on consciousness-raising transformed into an array of intellectual projects far afield of movement politics. The mind's powers came to preoccupy a range of thinkers and writers: ethicists pursuing contractual theories of justice, radical ecologists interested in the paleolithic brain, seventies cultists, and the devout of both evangelical and New Age persuasions. In Ideal Minds, Michael Trask presents a boldly revisionist argument about the revival of subjectivity in postmodern American culture, connecting familiar figures within the seventies intellectual landscape who share a commitment to what he calls "neo-idealism" as a weapon in the struggle against discredited materialist and behaviorist worldviews. In a heterodox intellectual and literary history of the 1970s, Ideal Minds mixes ideas from cognitive science, philosophy of mind, moral philosophy, deep ecology, political theory, science fiction, neoclassical economics, and the sociology of religion. Trask also delves into the decade's more esoteric branches of learning, including Scientology, anarchist theory, rapture prophesies, psychic channeling, and neo-Malthusianism. Through this investigation, Trask argues that a dramatic inflation in the value of consciousness and autonomy beginning in the 1970s accompanied a growing argument about the state's inability to safeguard such values. Ultimately, the thinkers Trask analyzes—John Rawls, Arne Naess, L. Ron Hubbard, Hal Lindsey, Philip Dick, Ursula Le Guin, Edward Abbey, William Burroughs, John Irving, and James Merrill—found alternatives to statism in conditions that would lend intellectual support to the consolidation of these concepts in the radical free market ideologies of the 1980s.

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Winner, Evelyn Richardson Award for Non-Fiction and Democracy 250 Atlantic Book Award for Historical WritingFinalist, Dartmouth Book Award for Non-Fiction, and the Margaret and John Savage Award for Best First Book (Non-fiction)A Hill Times' 100 Best Books in 2020 SelectionOn Canada's History Bestseller ListGrowing up on the south shore of Nova Scotia, Tyler LeBlanc wasn’t fully aware of his family’s Acadian roots — until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc’s discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement.Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph’s ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives.A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family’s experience of this traumatic event.

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These are beautifully delicate Christmas cross stitch designs to delight the heart and soul! If you love cross stitch, you need this book. Extremely pretty these designs from accomplished embroiderer Hélène Le Berre are light and airy, using backstitch to outline and emphasize with great skill. Split into chapters on Advent Foliage, Christmas Animals, Festive Foliage and Amazing Alphabets, there is a lovely range of designs to fit every Christmas situation. You can make beautiful cutlery pockets with fox, bunny or baby deer motifs, a reindeer photo album cover, a pine cone confectionery sachet, personalized gift labels and many more elegant embroidered Christmas items. The charts are beautifully presented, along with a comprehensive techniques section at the back of the book. Suitable for beginners to more advanced stitchers, these designs are achievable and utterly gorgeous.

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Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

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In their day, the Anglo-Irish were the ascendant minority--Protestant, loyalist, privileged landholders in a recumbent, rural, and Catholic land. Their world is vanished, but shades of the Anglo-Irish linger in the big-house estates of Ireland and in the imaginative writings of this realm. In this first comprehensive study of their literature, Julian Moynahan rediscovers the unity of their greatest writings, from Maria Edgeworth's Castle Rackrent through Yeats's poetry to Bowen's The Last September and Samuel Beckett's Watt. Throughout he challenges postcolonial assumptions, arguing that the Anglo-Irish since 1800 were indelibly Irish, not mere colonial servants of Imperial Britain. Moynahan begins in 1800 with the Act of Union, when the Anglo-Irish become Irish. Just as the fortunes of this community begin to wane, its literary power unfolds. The Anglo-Irish produce a haunting, memorable body of writings that explore a unique yet always Irish identity and destiny. Moynahan's exploration of the literature reveals women writers--Maria Edgeworth, Edith Somerville, Martin Ross, and Elizabeth Bowen--as a generative and major force in the development of this literary imagination. Along the way, he attends closely to the Gothic and to the mystery writing of C. R. Maturin and J. S. Le Fanu, and provides in-depth revaluations of William Carleton and Charles Lever. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Building is one of very few endeavours that are physically connected to the surface of the earth, fixed and enduring. Nevertheless, for centuries, especially in the West, we have considered ourselves separate and above nature, drifting away, defining our own systems and order, and using the ground as a nothing more than a passive foundation. Other times we sought connection, drawing on nature for ritual and religion, fortified protection, and ecological balance. This global compendium of nearly 1,400 pages brings architecture back in harmony with Earth’s surface. For years, Bjarne Mastenbroek and his architectural firm, SeARCH, have delved into the relationship architecture has, had, and will have with its surroundings, seeing buildings as landscapes that fit into their site without dominating or disturbing it. For Dig It!, they have dug deep into the history of building culture and brought to light fascinating examples of this philosophy—some well known, some previously overlooked. From African churches chiseled from rock and Chinese villages dug into terrains to Parisian housing vibrantly overgrown and a villa built into the cliffs of Capri (famously featured in the film Le Mépris starring Brigitte Bardot), this book dissects structures from the past millennia. Part atlas, part encyclopedia, it highlights traditional vernacular practices, reconsiders all-time favorites, and celebrates contemporary examples across the globe. Designed by Mevis & Van Deursen, the extensive collection features analytical drawings from SeARCH and photo essays by Iwan Baan. Dig It! acknowledges an effort to reconnect architecture and landscape and merge building with ground. Separated into six chapters (or “strategies”)—Bury, Embed, Absorb, Spiral, Carve, and Mimic—this remarkable survey reveals humanity’s connection to the earth through building culture: clever and utterly relevant for the challenges that we have and will face in both urban and natural environments.

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