Search results for ""author marina"

In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid's Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of the Middle Ages and Renaissance, especially on the fifteenth-century Spanish novela sentimental, or "sentimental romance." Presenting this proto-novelistic form as a highly original rewriting of Ovid, Brownlee demonstrates that its language model interrogates rather than affirms the linguistic referentiality implied by romance. Whereas the ambiguity of the sign had been articulated in fourteenth-century Spain (most notably by the Libro de buen amor), it is the fifteenth-century novela sentimental that fully grasps the existentially, novelistically dire consequences of this ambiguity. And in the process of deconstructing the referentiality that underlies romance, the novela sentimental reveals itself to be a discursively essential step in the evolution of the modern novel. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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‘[A] captivating story, wonderfully fleshed out characters and relationships, and beautiful writing make this a must-read!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ October 1941: As war rages in the Soviet Union, Nina is devastated as she watches her younger brother being sent off to the front. She has witnessed so many soldiers go to war and never return, and with her father already on the battlefield, her brother is her only family left. Sick of feeling helpless and determined to fight for her motherland, Nina and her best friend Katya decide to volunteer for the first female-only aviation regiment, led by the legendary pilot Marina Raskova. But fighting a war is nothing like they expected, and soon the battle lines are no longer restricted to the front – a forbidden love begins to blossom, and Nina is faced with the ultimate betrayal. Will Nina and her loved ones make it out alive? From the bestselling author of Sisters of War comes a heart-wrenching novel of love, friendship, betrayal and sacrifice, perfect for fans of Mandy Robotham and Pam Jenoff. Readers LOVE Sisters of the Sky! ‘Absolutely wonderful! I recommend all Lana’s books, but I believe this one is my favourite and her best yet! TEN STARS!’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘This book packs a powerful punch… [it] makes your heart soar with every flight, pound in every battle, and break with every loss.’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘A story I won’t be forgetting any time soon… I highly recommend this book.’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘Beautiful novel. Loved the way it is written. The characters and the eta are well portrayed, wrapped in the history of WWII.’ NetGalley reviewer,⭐⭐⭐⭐⭐ ‘Lana Kortchik has a great writing style and the historical elements were everything that I was hoping for.’ NetGalley reviewer,⭐⭐⭐⭐⭐

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Author of Lincoln and His Admirals (winner of the Lincoln Prize), The Battle of Midway (Best Book of the Year, Military History Quarterly), and Operation Neptune, (winner of the Samuel Eliot Morison Award for Naval Literature), Craig L. Symonds has established himself as one of the finest naval historians at work today. World War II at Sea represents his crowning achievement: a complete narrative of the naval war and all of its belligerents, on all of the world's oceans and seas, between 1939 and 1945. Opening with the 1930 London Conference, Symonds shows how any limitations on naval warfare would become irrelevant before the decade was up, as Europe erupted into conflict once more and its navies were brought to bear against each other. World War II at Sea offers a global perspective, focusing on the major engagements and personalities and revealing both their scale and their interconnection: the U-boat attack on Scapa Flow and the Battle of the Atlantic; the "miracle" evacuation from Dunkirk and the pitched battles for control of Norway fjords; Mussolini's Regia Marina-at the start of the war the fourth-largest navy in the world-and the dominance of the Kidö Butai and Japanese naval power in the Pacific; Pearl Harbor then Midway; the struggles of the Russian Navy and the scuttling of the French Fleet in Toulon in 1942; the landings in North Africa and then Normandy. Here as well are the notable naval leaders-FDR and Churchill, both self-proclaimed "Navy men," Karl Dönitz, François Darlan, Ernest King, Isoroku Yamamoto, Erich Raeder, Inigo Campioni, Louis Mountbatten, William Halsey, as well as the hundreds of thousands of seamen and officers of all nationalities whose live were imperiled and lost during the greatest naval conflicts in history, from small-scale assaults and amphibious operations to the largest armadas ever assembled. Many have argued that World War II was dominated by naval operations; few have shown and how and why this was the case. Symonds combines precision with story-telling verve, expertly illuminating not only the mechanics of large-scale warfare on (and below) the sea but offering wisdom into the nature of the war itself.

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Finally Available Since 1992, Dia has presented the Robert Lehman Lectures on Contemporary Art. Like the Foundation's “Discussions in Contemporary Culture” symposia series, the Lehman lectures are an example of Dia's ongoing commitment to cross-disciplinary critical and intellectual discourse. The long-term, often site-specific, exhibitions at Dia offer a fertile space for discussion. Edited by Lynne Cooke and Karen Kelly, together with Bettina Funcke, this second volume of collected theoretical and critical essays are by a multidisciplinary group of lecturers, and are focused on the exhibitions mounted at Dia from 1995 through 1998. Nine diverse contributors range in scope from art historian David Sylvester and philosopher Sarat Maharaj to architectural theoretician Beatriz Colomina, from philosopher Mark Taylor to fiction writer and cultural critic Marina Warner. These writers, among others, take on the challenges of illuminating, analyzing, and exploring the work of a disparate group of internationally recognized artists, including Alighiero e Boetti, Jessica Stockholder, Gerhard Richter, Juan Muñoz, Fred Sandback and Andy Warhol. Together, the essays in this book present a broad-based account of contemporary artistic practice, criticism, scholarship and theory.

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In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin’s purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

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As Singapore is constantly reinventing itself, this book is a timely publication. After all, anything on contemporary Singapore that doesn't include the Marina Bay Sands' iconic towers, Gardens by the Bay and the new Business District extension is hopelessly out of date. Yet, this book is much more than a round-up of Singapore's new urban cityscapes. Rather, it traces the development of the city-state, showing how so much of the old has been retained and celebrated alongside the new. In addition to an assessment of the downtown core, chapters include an analysis of Singapore's eco credentials as it strives to become a truly green City within a Garden; how its varied population contributes to its success (and how the various peoples came to its shores); a sober reflection on World War II and Occupation, and reminders thereof; a showcase of all things stylishly Singaporean; and finally, a short look back in time with a selection of evocative black-and-white photographs to Singapore's early days as a colonial city.Beautifully photographed by Danish photographer, Jacob Termansen, with insightful texts by Kim Inglis, this is a must-have for anybody interested in the history and culture of Singapore.

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Electricity is vital on board most boats: to keep their systems running and to provide the crew with the services they expect. Much of it will be professionally fitted and many yachtsmen will have little knowledge about the finer detail of electric circuits. But, given the importance of electrical power, some understanding of it is likely to be useful: either to use when required away from the marina or to repair and upgrade your systems. This book is written to provide that understanding and to allow you to undertake electrical jobs on board yourself, properly and safely. It removes the mystique of boat electrics and gives you the confidence to tackle the jobs when you need to. Included are the minimum formulae and theory required, focussing more on the practical – using simple language and clear illustrations. There are tutorials, from using a multimeter and wiring a circuit, to troubleshooting electrical faults, all using easy-to-follow photo sequences. The book also looks at tasks such as choosing solar panels and batteries and connecting navigational instruments. The book is a great manual for a yachtsman needing to keep the power flowing. It has been thoroughly modernised and updated for this new edition by boating electric wizard Oliver Ballam.

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Marina Tsvietáieva escribió este relato autobiográfico durante el exilio en Francia y lo publicó en ruso, en 1933, en distintas revistas de París; tres años más tarde, en 1936, tratando de acercarse a los lectores franceses, reelaboró sus recuerdos de infancia en francés, un conjunto de cinco capítulos al que dio por título Mi padre y su museo y que, no obstante, jamás llegó a publicar en vida. En ambas versiones reunidas en este volumen la autora ofrece una evocación emotiva y lírica de la figura de su padre, Iván Tsvietáiev, profesor universitario que consagró su vida a la fundación del museo de bellas artes de Moscú, el actual museo Pushkin. A menudo lacónico y fragmentario pero de una extraordinaria fuerza poética, este maravilloso texto, vibrante y conmovedor, nos acerca como pocos a la intimidad de una poeta inimitable.

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Wolfgang Beltracchi is a phenomenon of the international art world. His name is inextricably entwined with one of the greatest upheavals in the global art market. Emulating numerous world-famous artists, he developed and painted new paintings, continued their narrations and biography, and concluded them with a forged signature. His wife Helene Beltracchi then smuggled them onto the art market. Many experts were deceived by Beltracchi’s stupendous skill and auctioneers cast many doubts aside in the interests of insatiable market demand, selling the paintings as authentic works by the purported artists. Reading the artistic handwriting of a painting requires an exceptional willingness and ability to be able to empathise and identify with the artist, until you “can feel what the other feels” (Wolfgang Beltracchi). Through extensive discussions with the painter and his wife, the psychoanalyst Jeannette Fischer explored this capability that is so pronounced for Beltracchi. In her new book, she places this in relation to the disappearance of Beltracchi’s own signature. As with her previous highly successful book about the performance artist Marina Abramović, Jeannette Fischer has created an exceptionally insightful portrait of a fascinating artist personality.

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The first ever illustrated study of the largest and most significant clash between the Royal Navy and the Italian Regia Marina. The Battle of Matapan witnessed the first use of decisive new technologies to bring about a stunning British victory over the Italian Navy. The Allies had tapped into the Ultra coded messages sent by the Axis powers, and the battle witnessed the use of radar and carrier-based air strikes to bring about a critical night action. The result was the most decisive engagement of the Mediterranean naval war. Written by renowned naval historian Angus Konstam, this book offers for the first time a unique and fully illustrated exploration of the battle. It also examines why, despite the emphatic and decisive Royal Navy victory, the Allies failed to capitalize on the strategic advantage earned in the months that followed. Battlescene artworks bring to life the cruiser clashes early on 28 March off Gavdos, the Fleet Air Arm attacks on the Italian fleet, and the 28/29 March night action that resulted in the destruction of Admiral Carlo Cattaneo’s ships – Italy's worst naval defeat. The progress of the action from the initial Operation Gaudo sweep by Italy’s powerful battle fleet towards Crete (aimed at disrupting Allied convoys) to the events of the climactic battle itself is revealed in detailed maps.

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This detailed study of the naval Spanish Civil War describes how the Spanish Navy, torn in two and comprising a Republican and Nationalist part, fought a civil war at sea involving both Hitler's and Mussolini's navies. In July 1936, a pro-fascist coup orchestrated by General Franco tore Spain apart and plunged the country into a bitter civil war. Like Spain itself, the Spanish Navy was torn in two: crews and most ships remained loyal to the Republican government but many of the Navy’s officers joined Franco's rebels, and warships under repair or 'mothballed' in southern ports soon fell to the rebel advance. These formed the basis of Franco’s 'Nationalist fleet,' and with both Italian and German help, the rebels were able to contest the Republic's control of Spanish waters. Overall the Republican Navy held its own, despite mounting losses, until the collapse of the Republican Army led to the fleet seeking internment in French North Africa. Packed with contemporary photographs and full colour illustrations, this study examines the composition and organization of the two rival fleets, the capabilities of their ships and submarines, and the performance of their crews. It also covers the warships of the Basque Auxiliary Navy - an offshoot of the Republican Fleet - and other navies who played a part in the conflict, most notably the Italian Regia Marina.

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'James Hanning's book is excellent . . . The fascination of Love & Deception lies in the meticulously detailed account it gives of Philby's strange half-life in Beirut, where he was banished in 1956' Guardian Love & Deception is the extraordinary story of how Eleanor, an able, cultured American living in the espionage hot spot of 1950s Beirut, fell in love with the kindest of men. Unknown to her, that man, Kim Philby, was under suspicion by the British and US intelligence services of having secretly signed up to help the Russians fight fascism in the 1930s, and of remaining in their pay at the height of the Cold War. Despite his mysterious past, Eleanor adored and married Philby, but the strength of their love was challenged as the net steadily closed in on him. The outline of Philby's story is familiar to many, but Love & Deception breaks remarkable new ground. Through extensive research, Hanning produces an eye-opening tale of friendship, politics, love and loyalty. 'Fascinating and superbly researched' TLS'I am always gripped by the Philby story and James Hanning succeeds in putting new flesh on this fascinating period in his double life . . . I thoroughly recommend it' Marina Hyde'If ever there was a cautionary tale about the true costs of male privilege in the higher echelons of the British establishment - this is it' Amanda Foreman

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For 12 years, the Schwarz Foundation has been organizing regular exhibitions on the island of Samos at Art Space Pythagorion as well as the Samos Young Artists Festival. Due to its location on the Greek–Turkish border, Samos symbolizes one of the most pressing humanitarian issues of our time: Migrants crossing the Mediterranean Sea, geopolitical conflicts at the borders of Europe, and the human impact on the oceans around he world. A Decade of Cultural Production presents the work of the Munich-based Schwarz Foundation, whose declared aim is to promote dialogue through music and art. The book highlights how its projects deal with issues of migration, social responsibility and intercultural coexistence. Text by: Fanie Antonelou, Tania Canas, Markellos Chryssicos, Michelangelo Corsaro, Boris Dezulovic, Dorukhan Doruk, Antje Ehmann, Marina Fokidis, Mulo Francel, Caspar Frantz, Konstantia Gourzi, Katerina Gregos, Masha Ilyashov, Alexis Karaiskakis-Nastos, Dimitris Kountouras, Guy Mintus, Ina Niehoff, Wolf-Dietrich Niemeier, Daniel Nodel, Lorenda Ramou, Lenia Safiropoulou, Nikos Tsouchlos, Ioli Tzanetaki, Alexander Ullman, Chiona Xanthopoulou-Schwarz, Nikos Xydakis, Katerina Zacharopoulou

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Bedevilled by the demons of self-doubt, fear of failure or lack of inspiration? Lay waste to your mind-forged monsters with the help of Creative Demons and How to Slay Them. If you’ve ever embarked on a creative endeavour, then there’s a good chance you’ll have been bedevilled by self-doubt, fear of failure or a lack of inspiration at some point along the way. This book will help you to banish those mind-forged monsters one by one, no matter how grotesque or scary they may be.Drawing on inspirational anecdotes from art, philosophy, neuroscience, nature, music and contemporary culture, creativity expert Richard Holman provides you with your very own mental armoury to see you through every stage of the creative process. By learning through the experiences of such creative luminaries as Leonardo da Vinci, Marina Abramovic, J.K. Rowling, Dr Seuss and Herbie Hancock, you’ll find out how best to overcome the perils of procrastination, the sting of criticism, the seductive tug of convention or the gnawing feeling that you’re not up to it.It’s time to say farewell to your demons and make your next creative project the very best it can be.

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Prince Philip was a man of many, many words. For almost eighty years since he first entered the public's eye, Prince Philip had been telling the world exactly what he thought of it.Over the years, Prince Philip's quips and wisecracks have been labelled as shocking and even outrageous, but at the root of this colourful royal was a very funny man who seemingly never took life too seriously. He was an icon of the royal family and a reminder of a time when the world was a different place – and for that, we, the Great British public, salute him.This tiny tome is a celebration of his extraordinary life in the service of his subjects, as well as a compilation of his best (and worst) one-liners, in his own inimitable style.'I rather doubt whether anyone has ever been genuinely shocked by anything I have said.'Prince Philip, in an interview, 1999. Smashing Fact No.1:Philip was 13 years old when he met his future wife, Elizabeth. They were both attending the wedding of Princess Marina of Greece and the Duke of Kent in 1934. Elizabeth was eight at the time. The pair met again five years later.

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However divergent their analyses may be in other ways, some prominent anti-capitalist critics have remained critical of contemporary debates over reparative justice for groups historically oppressed and marginalized on the basis of race, gender, sexual identity, sexual preference, and/or ability, arguing that the most these struggles can hope to produce is a more diversity-friendly capital. Meanwhile, scholars of gender and sexuality as well as race and ethnic studies maintain that, by elevating the socioeconomic above other logics of domination, anti-capitalist thought fails to acknowledge specific forms and experiences of subjugation. The thinkers and activists who appear in Totality Inside Out reject this divisive logic altogether. Instead, they aim for a more expansive analysis of our contemporary moment to uncover connected sites of political struggle over racial and economic justice, materialist feminist and queer critique, climate change, and aesthetic value. The re-imagined account of capitalist totality that appears in this volume illuminates the material interlinkages between discrepant social phenomena, forms of oppression, and group histories, offering multiple entry points for readers who are interested in exploring how capitalism shapes integral relations within the social whole. Contributors: Brent Ryan Bellamy, Sarah Brouillette, Sarika Chandra, Chris Chen, Joshua Clover, Tim Kreiner, Arthur Scarritt, Zoe Sutherland, Marina Vishmidt

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Tras Animalium e Historium, un nuevo hito de la colección Visita nuestro Museo. La historia de la evolución en una concertina de dos metros de largo!Contempla la evolución de la vida en la Tierra en este compendio cronológico de más de ochenta extraordinarias criaturas terrestres, marinas y voladoras, desde las algas hasta el Archaeopteryx, desde el Pterygotus hasta el Tyrannosaurus rex. Cada forma de vida, tanto las diminutas bacterias como la megafauna de la Edad del Hielo, ha sido escogida para representar un período de la historia de la Tierra y, a la vez, mostrar la extraordinaria diversidad de las especies.Ilustrada hasta en sus más minuciosos detalles por la brillante Katie Scott, la línea del tiempo desplegable de dos metros ha captado la historia de la vida en una única instantánea.

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'I am very grateful for Carolyn Whitney-Brown's accurate account of my brother Henri's inner feelings, hopes, wishes and despair. You brought Henri very close to me again.’ LAURENT NOUWEN, FOUNDER OF THE HENRI NOUWEN FOUNDATION 'Anyone who knew Henri, either through his writing or in person, will immediately recognise how beautifully he’s been brought to life in this book.’ GARY DONOHOE, PROFESSOR & CHAIR OF PSYCHOLOGY, NATIONAL UNIVERSITY OF IRELAND ‘A beacon of hope.’ MARINA NEMAT, AUTHOR OF INTERNATIONAL BESTSELLER PRISONER OF TEHRAN During the last five years of his life, spiritual leader and teacher Henri Nouwen became close to a travelling circus trapeze troupe, The Flying Rodleighs. The lessons he discovered through his relationship with the troupe stimulated Nouwen to write in a genre new to him, creative non-fiction, and these writings are presented for the first time in Flying, Falling, Catching. With care and insight, Nouwen’s colleague and friend Carolyn Whitney-Brown weaves Henri’s material into a dramatic narrative that imagines his life flashing before him during his first heart attack. We learn how Nouwen saw his own experiences reflected in the artistry, exhilarating successes, crushing failures and continual forgiveness that were integral to the act of The Flying Rodleighs. A fascinating blend of autobiography and spiritual writing, Flying, Falling Catching offers an extraordinary new angle on a man who has inspired thousands. Through his own writings and Whitney-Brown’s narrative, we see him as a spiritual adventurer, someone who was transformed by diversity as he learned to view the world through many perspectives. Nouwen’s story – including his participation in the Civil Rights movement, the friendships he made during the 1990s AIDS pandemic, and many other unexpected encounters – encourages us to embrace our vulnerabilities, and vividly reminds us that one of the greatest challenges we face is to avoid despair by reflecting on the meaning and significance of the lives we have lived, and are living. Part inspirational Christian autobiography, part thought-provoking narrative, Flying, Falling Catching will surprise and delight long-term fans of Nouwen’s ministry and new readers keen to learn more about him. In offering a deeper understanding of an extraordinary yet very human spirit, it provides us with the motivation to search out our own spiritual adventure; like Nouwen, we too can learn to let go and fly – and not be afraid to fall.

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In this important and timely collection of essays, historians reflect on the middle class: what it is, why its struggles figure so prominently in discussions of the current economic crisis, and how it has shaped, and been shaped by, modernity. The contributors focus on specific middle-class formations around the world—in Africa, Asia, Europe, the Middle East, and the Americas—since the mid-nineteenth century. They scrutinize these formations in relation to the practices of modernity, to professionalization, to revolutionary politics, and to the making of a public sphere. Taken together, their essays demonstrate that the historical formation of the middle class has been constituted transnationally through changing, unequal relationships and shifting racial and gender hierarchies, colonial practices, and religious divisions. That history raises questions about taking the robustness of the middle class as the measure of a society's stability and democratic promise. Those questions are among the many stimulated by The Making of the Middle Class, which invites critical conversation about capitalism, imperialism, postcolonialism, modernity, and our neoliberal present.Contributors. Susanne Eineigel, Michael A.Ervin, Iñigo García-Bryce, Enrique Garguin, Simon Gunn, Carol E. Harrison, Franca Iacovetta, Sanjay Joshi, Prashant Kidambi, A. Ricardo López, Gisela Mettele, Marina Moskowitz, Robyn Muncy, Brian Owensby, David S. Parker, Mrinalini Sinha, Mary Kay Vaughan, Daniel J. Walkowitz, Keith David Watenpaugh, Barbara Weinstein, Michael O. West

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This 'dream-laden and spooked' (Marina Warner, London Review of Books) story is to many one of the best-loved books of the twentieth century.Munthe spent many years working as a doctor in Southern Italy, labouring unstintingly during typhus, cholera and earthquake disasters. It was during this period that he came across the ruined Tiberian villa of San Michele, perched high above the glittering Bay of Naples on Capri. With the help of Mastro Nicola and his three sons, and with only a charcoal sketch roughly drawn on a garden wall to guide them, Munthe devoted himself to rebuilding the house and chapel. Over five long summers they toiled under a sapphire-blue sky, their mad-cap project leading them to buried skeletons and ancient coins, and to hilarious encounters with a rich cast of vividly-drawn villagers.The Story of San Michele reverberates with the mesmerising hum of a long, hot Italian summer. Peopled with unforgettable characters, it is as brilliantly enjoyable and readable today as it was upon first publication. The book quickly became an international bestseller and has now been translated into more than 30 languages; it is today an established classic, and sales number in the millions.

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Antígona es la joven más célebre de la tragedia griega. Es la rebelde que regresa, en todas las épocas, en todos los tiempos, a poner en duda los límites del mundo. Ella trae en sus manos el cuerpo de su hermano, porque más allá de normas o mandatos, el derecho a un enterramiento digno es esencia misma de Humanidad.Nuestra Antígona está hecha con comprensión a la vida y a los jóvenes que se interrogan ante el mundo, con el deseo de un futuro con menos dolor y más esperanza, en especial para las mujeres, y está en deuda con Charo Amador y el fabuloso elenco que estrenó esta obra en la Sala García Lorca de la RESAD: Sami Bek, Ángel Cobes, Sergio Doblas, Mario García, Inés González, Marina Inchauspe, Clara Iturralde, Cocó Jiménez, Alberto López, Macarena Molina, Anna Nácher, Julien Ouvrard y Antonio Prieto.Creemos, con José Monleón, que podemos vivir por todo y morir por nada.

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Las formas de vida de tamaño microscópico encierran la mayor biodiversidad y riqueza genética del planeta. Su historia evolutiva es muy extensa (más de 3.000 millones de años de antigüedad) y tienen y han tenido una gran influencia en la ecología del planeta. Se encuentran presentes en todo tipo de ambientes con tamaños de población enormes, desde ambientes fríos y oscuros hasta ambientes de pH muy ácido, de salinidad muy elevada o en lugares faltos de oxígeno. Su actividad es tan elevada y su abundancia tan alta que consiguen que lo invisible acabe haciéndose manifiesto a simple vista. En muchos casos, ignoramos que detrás de cambios en el patrimonio natural y cultural, en su coloración y estructura biológica, o en el desarrollo de vida en profundidades marinas o en zonas polares se encuentran los microorganismos. Aplicaciones biotecnológicas e industriales como la biominería, la ingeniería genética o la biorremediación, así como el desarrollo de entramados biológicos complejos en amb

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La mariña lucense, entre Viveiro y Ribadeo, entre La Coruña y Asturias, ofrece innumerables playas y un excelente marisco. El interior también tiene su tajo litoral o pequeño mar, nos referimos a la Ribeira Sacra que une a Lugo con Orense y es tan rica en monasterios, vino y también en miradores. La pizarra es la piedra que mejor va con el paisaje lugués. Y hablar de piedra es hablar de la muralla romana de la capital, Patrimonio de la Humanidad. Lugo cuenta, además, con pueblos con mucha historia, como la episcopal Mondoñedo o Monforte. Hay además un montón de pueblos perdidos, casi hechos para que el viajero se sorprenda. Y recordemos que por Lugo y por el monasterio de Samos pasa uno de los ramales más bonitos del Camino de Santiago. Los Ancares y O Caurel son paraíso para cazadores y excursionistas. La ternera, el lacón y el pulpo alcanzan en esta tierra cotas de excelencia.

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From legendary visual artists Yoko Ono and Tracey Emin, to groundbreaking musicians like Annie Lennox and Debbie Harry, to fashion giants such as Miuccia Prada and Diane von Fürstenberg, this collection of original interviews and Polaroid photographs of almost 30 trailblazing women spans creative industries, nationalities and generations to bring together a never-before- published collection of leading voices. Featuring an astounding range of names including FKA Twigs, Isabelle Huppert and Rei Kawakubo, this book creates both a portrait of each individual woman and – collectively – a powerful portrait of the impact of women on the creative industries. Each creative is interviewed and photographed by the Mexican artist Hugo Huerta Marin. Cate Blanchett reflects on the differences between acting on stage and in film; Marina Abramović discusses her most radical piece of performance art; Carrie Mae Weems discusses the relationship between race and photography —these and other conversations are further brought to life by Huerta Marin’s candid, intimate Polaroid images. Inspiring and revealing, this collection of interviews and photographs gives readers an unparalleled connection with some of the most fascinating women working in the arts today.

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Where will the water come from to sustain the great desert cities of Las Vegas, Los Angeles, and Phoenix? In a provocative exploration of the past, present, and future of water in the West, James Lawrence Powell begins at Lake Powell, the vast reservoir that has become an emblem of this story. At present, Lake Powell is less than half full. Bathtub rings ten stories tall encircle its blue water; boat ramps and marinas lie stranded and useless. To refill it would require surplus water - but there is no surplus: burgeoning populations and thirsty crops consume every drop of the Colorado River. Add to this picture the looming effects of global warming and drought, and the scenario becomes bleaker still. "Dead Pool", featuring rarely seen historical photographs, explains why America built the dam that made Lake Powell and others like it and then allowed its citizens to become dependent on their benefits, which were always temporary. Writing for a wide audience, Powell shows us exactly why an urgent threat during the first half of the twenty-first century will come, not from the rising of the seas but from the falling of the reservoirs.

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Where will the water come from to sustain the great desert cities of Las Vegas, Los Angeles, and Phoenix? In a provocative exploration of the past, present, and future of water in the West, James Lawrence Powell begins at Lake Powell, the vast reservoir that has become an emblem of this story. At present, Lake Powell is less than half full. Bathtub rings ten stories tall encircle its blue water; boat ramps and marinas lie stranded and useless. To refill it would require surplus water - but there is no surplus: burgeoning populations and thirsty crops consume every drop of the Colorado River.Add to this picture the looming effects of global warming and drought, and the scenario becomes bleaker still. "Dead Pool", featuring rarely seen historical photographs, explains why America built the dam that made Lake Powell and others like it and then allowed its citizens to become dependent on their benefits, which were always temporary. Writing for a wide audience, Powell shows us exactly why an urgent threat during the first half of the twenty-first century will come not from the rising of the seas but from the falling of the reservoirs.

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Este nuevo ensayo del científico Javier Cacho, autor de la trilogía Los héroes de la conquista de los Polos, trata sobre la necesidad del ser humano por explorar el mundo que lo rodea, y en concreto, sobre la historia de esa larga búsqueda y descubrimiento del lugar más recóndito, alejado e inhóspito del planeta: la Antártida. Rodeado por las más grandes extensiones oceánicas, distante de los otros continentes miles de kilómetros, aislado por un cinturón de corrientes marinas y vientos huracanados que, hasta hoy en día, hacen difícil la navegación a su través, el continente antártico ha permanecido ajeno a todo el proceso de colonización de los humanos durante siglos.Filósofos, cartógrafos, geógrafos e historiadores crearon desde la Antigüedad el mito del gran continente austral, al que los griegos denominaron Antarktikos. Pero fue a partir del siglo XVI, y sobre todo en los siglos XVIII y XIX, cuando tuvieron lugar las grandes exploraciones del Atlántico, el Índico y el Pacífico,

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Una variedad de creaciones con chocolate de uno de los más destacados maestros chocolateros del mundo: recetas adaptadas al repostero casero para crear barras de chocolate y confites, pastas y bocaditos, pasteles y tartas, bizcochos y galletas. Trufas y bombones de alta costura infusionados con ingredientes clásicos y originales, como el vinagre negro japonés, la citronela y el jengibre, el albaricoque y el wasabi, así como caramelo de sal marina. Ingredientes exquisitos e impresionantes fotografías elevan la elaboración del chocolate a la categoría de arte. William Curley nos desvela los procesos que hay detrás de sus extraordinarias creaciones con chocolate, así como los secretos y las técnicas que forman la base de sus exquisitas recetas. Ganador en cuatro ocasiones del galardón al mejor chocolatero del Reino Unido concedido por la Academy of Chocolate, Curley es un innovador en este arte. El libro se inicia con una guía de las cualidades únicas del chocolate fino, se expone la gama

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"Un libro de historia que se sale de lo corriente porque habla más de libertad y de grandeza femeninas que de opresión y de miseria".Así comienza María Milagros Rivera Garretas el prólogo a este libro sobre la vida y obra de cinco mujeres que se sintieron libres para crear cultura. La maestra Hildegarda de Bingen, la artista Herralda de Hohenbourg, la escritora Hrotsvitha de Gandersheim, la mediadora entre Oriente y Occidente Eufrosinia, y Marina, la prudente y eficaz gobernadora de un monasterio de monjas y monjes, vivieron entre los siglos X y XII, refugiadas en los únicos ámbitos posibles para acceder entonces a la cultura y al poder: los monasterios. A lo largo de estas páginas se descubre la fuerza de estas mujeres para buscar y encontrar lo que el contexto sociocultural les negaba: identidad propia y cultura. Una obra imprescindible para descubrir genealogías femeninas que den a las mujeres y hombres de hoy medida de la grandeza de algunas de sus antepasadas.

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En este mar, -como describe el autor- se desarrolló día tras día, una tremenda lucha por la supremacía mediterránea, entre dos principales contendientes: la Marina de Guerra italiana y la Mediterranean Fleet británica. Luis de la Sierra, uno de los primeros expertos e historiadores de las luchas navales en la Gran guerra y en la Segunda Guerra mundial, nos recuerda la época posterior a 1918, cuando la carrera de construcción de barcos de guerra entre Francia y Alemania se había disparado. El propio Mussolini fijó algunas directrices de dicho rearme. Pero al llegar la contienda en 1939, la flota italiana tenía el nivel tecnológico inferior y se encontraba con un flanco decisivo sin cubrir: la falta de portaaviones. A pesar de ello y en condiciones de inferioridad, la Escuadra italiana, libró difíciles y victoriosas batallas con gran mérito y arrojo de sus mandos y de los sencillos marineros. La guerra naval en el Mediterráneo constituye una apasionante secuela de episodios, sorprendente

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Nadie podría pensar que en la playa de El Manantial, en pleno corazón de la bahía gaditana, su costa y su fondo marino hayan guardado bajo sus sedimentos los restos fósiles de la fauna marina que hace al menos cinco millones de años habitaban sus aguas. Restos fósiles que pertenecen a mamíferos marinos, sobre todo cetáceos, sirénidos, delfines, tiburones como el megalodón, sargos o aguijones de rayas, caparazones de tortugas, corales, algas y una gran variedad de moluscos y crustáceos, así como restos de un ave (alca).Otros hallazgos de fósiles vegetales son: restos de maderas, grandes fragmentos de troncos, piñas o semillas de Ricinus, en los sedimentos una abundante presencia de foraminíferos-bentónicos( que viven en el sedimento) o planctónicos( que viven en la columna de agua).Un yacimiento paleontológico con piezas de una conservación extraordinaria, que han llegado hasta nuestros días y que se han de conservar y proteger.En este libro se analizan todos estos aspectos

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This title presents the story of the pioneering troops, in their own words. With an executive order from President Franklin Roosevelt in 1941, the United States Marine Corps - the last all-white branch of the U.S. military - was forced to begin recruiting and enlisting African Americans. The first black recruits received basic training at the segregated Camp Montford Point, adjacent to Camp Lejeune, near Jacksonville, North Carolina. This book, in conjunction with the documentary film of the same name, tells the story of these pioneering African American Marines. Drawing from interviews with 60 veterans, Melton McLaurin relates in the Marines' own words their reasons for enlisting; their arrival at Montford Point and the training they received there; their lives in a segregated military and in the Jim Crow South; their experiences of combat and service in World War II, Korea, and Vietnam; and, their legacy. This book serves to recognize and to honor the men who desegregated the Marine Corps and loyally served their country in three major wars.

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What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

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This collection of essays revisits Jacques Maritain's book, Man and the State - the University of Chicago Walgreen lectures of 1949 - and critically engages its greatest themes and arguments: the character of the modern state and its relation to the body politic, the state's functions and claims, the basis of authority, the foundation of human rights and natural law, structural pluralism, Church and State relations, national sovereignty, and the prospects for world government. The contributors address whether Maritain has successfully accomplished his project of engaging modernity from the perspective of a 20th century disciple of Thomas Aquinas; whether his reformulations and revisions of the modern state are philosophically sound and prudent; and whether his developments of Aristotle and Aquinas are faithful to the sources. Maritain, drawing upon the philosophy of Aquinas, represents a significant achievement: he provides a viable reassessment of the liberal state, uniting Thomistic and Aristotelian traditions with the human rights thrust of modern political philosophy. The contributors to this collection find Maritain has achieved much in the accomplishment of this project. Some continue this project by applying Maritain's philosophy to contemporary issues. Other contributors find it helpful, however, to compare Maritain to other contemporary political philosophers, and to question his use of the philosophy of Aquinas. Maritain's political philosophy, and Man and the State in particular, is worth continued study. His work shows a remarkable resilience and relevance to the issues of the day, offering a deeper philosophical foundation and more flexible set of tools for analysis than currently provided.

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Coined in 1902, the term "standard of living" grew popular in early twentieth-century America. Though its exact definition remained ambiguous, it most often reflected the middle class and material comfort. The term was not a precise measure of how people lived. Instead, it embodied the ideal of how middle-class Americans wanted to live. With increasing wages and the mass production of consumer goods, the standard of living became an important expression of the shared national culture that emerged in the Gilded Age and Progressive Era. But what material and social components constituted this standard? Who decided what they were and how they were to be promoted? In Standard of Living, Marina Moskowitz explores these questions, focusing on the relationship between middle-class identity and material culture through four case studies. In one, she examines the incorporation of silverplate flatware into the daily rituals of American life. Mass production made this former luxury item affordable, while advertising, etiquette books, and home advice columns stressed its value as a family heirloom and confirmed its place in the middle-class dining room. Moskowitz then turns her attention to the bathroom and the proliferation of indoor sanitation, bathroom fixtures, and a hygiene industry equally interested in profits and public health. Home ownership contributed an essential element of this standard, and Moskowitz next charts the mail-order home industry, which sold not just kit houses but also the very idea of owning a home. Concluding with a look at zoning and urban planning as a means of fostering and protecting the standard of living for whole communities, this book offers important evidence of and fresh insights into the history of the American middle class.

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Pulitzer Prize–winning author of The Sympathizer Viet Thanh Nguyen called on 17 fellow refugee writers from across the globe to shed light on their experiences, and the result is The Displaced, a powerful dispatch from the individual lives behind current headlines, with proceeds to support the International Rescue Committee (IRC). Today the world faces an enormous refugee crisis: 68.5 million people fleeing persecution and conflict from Myanmar to South Sudan and Syria, a figure worse than flight of Jewish and other Europeans during World War II and beyond anything the world has seen in this generation. Yet in the United States, United Kingdom, and other countries with the means to welcome refugees, anti-immigration politics and fear seem poised to shut the door. Even for readers seeking to help, the sheer scale of the problem renders the experience of refugees hard to comprehend. Viet Nguyen, called “one of our great chroniclers of displacement” (Joyce Carol Oates, The New Yorker), brings together writers originally from Mexico, Bosnia, Iran, Afghanistan, Soviet Ukraine, Hungary, Chile, Ethiopia, and others to make their stories heard. They are formidable in their own right—MacArthur Genius grant recipients, National Book Award and National Book Critics Circle Award finalists, filmmakers, speakers, lawyers, professors, and New Yorker contributors—and they are all refugees, many as children arriving in London and Toronto, Oklahoma and Minnesota, South Africa and Germany. Their 17 contributions are as diverse as their own lives have been, and yet hold just as many themes in common. Reyna Grande questions the line between “official” refugee and “illegal” immigrant, chronicling the disintegration of the family forced to leave her behind; Fatima Bhutto visits Alejandro Iñárritu’s virtual reality border crossing installation “Flesh and Sand”; Aleksandar Hemon recounts a gay Bosnian’s answer to his question, “How did you get here?”; Thi Bui offers two uniquely striking graphic panels; David Bezmozgis writes about uncovering new details about his past and attending a hearing for a new refugee; and Hmong writer Kao Kalia Yang recalls the courage of children in a camp in Thailand. These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. The Displaced is also a commitment: ABRAMS will donate 10 percent of the cover price of this book, a minimum of $25,000 annually, to the International Rescue Committee, a not-for-profit organization dedicated to providing humanitarian aid, relief, and resettlement to refugees and other victims of oppression or violent conflict. List of Contributors: Joseph Azam David Bezmozgis Fatima Bhutto Thi Bui Ariel Dorfman Lev Golinkin Reyna Grande Meron Hadero Aleksandar Hemon Joseph Kertes Porochista Khakpour Marina Lewycka Maaza Mengiste Dina Nayeri Vu Tran Novuyo Rosa Tshuma Kao Kalia Yang

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Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tubingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Chapman is the foundation reference for all boaters and sailors with essential information on boat handing and seamanship skills on coast and inland waters. With three million copies sold, Chapman Piloting & Seamanship is the one comprehensive resource boaters at all levels of experience trust for everything they need to know to set out on the water. It addresses the best traditions of seamanship with cutting-edge practices, gear, and technology. Along with 1500 color photos, charts and drawings, this edition includes: Navigating by day or night in any weatherTrailerboatingGetting underway or returning to a marina or mooring under power or sailAnchoring and weighing anchorOperating a gas or diesel engine—inboard, outboard, or sterndriveUsing radar and communicating by radioSharing the water with other boatsHandling lines and making them fastReading the weather and keeping your crew safe with the latest advice on safety equipment The 4,200-entry index makes it easy to quickly access any topic, and the glossary and source information directs the reader to vital information on weather, tides, and aids to navigation. Used and recommended by the U.S. Coast Guard Auxiliary, the U.S. Power Squadrons, and other boating educators, Chapman is today—and has been for more than a century—the boating book of record.

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However divergent their analyses may be in other ways, some prominent anti-capitalist critics have remained critical of contemporary debates over reparative justice for groups historically oppressed and marginalized on the basis of race, gender, sexual identity, sexual preference, and/or ability, arguing that the most these struggles can hope to produce is a more diversity-friendly capital. Meanwhile, scholars of gender and sexuality as well as race and ethnic studies maintain that, by elevating the socioeconomic above other logics of domination, anti-capitalist thought fails to acknowledge specific forms and experiences of subjugation. The thinkers and activists who appear in Totality Inside Out reject this divisive logic altogether. Instead, they aim for a more expansive analysis of our contemporary moment to uncover connected sites of political struggle over racial and economic justice, materialist feminist and queer critique, climate change, and aesthetic value. The re-imagined account of capitalist totality that appears in this volume illuminates the material interlinkages between discrepant social phenomena, forms of oppression, and group histories, offering multiple entry points for readers who are interested in exploring how capitalism shapes integral relations within the social whole. Contributors: Brent Ryan Bellamy, Sarah Brouillette, Sarika Chandra, Chris Chen, Joshua Clover, Tim Kreiner, Arthur Scarritt, Zoe Sutherland, Marina Vishmidt

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