Search results for ""author louise"

An attractive student. An older professor. Think you know the story? Think again.--------'Riveting' Shari Lapena 'So twisty, so timely, so terrific' Nicci French 'My new favourite crime series' Louise Candlish She has everything at stake; he has everything to lose. But one of them is lying, all the same. When an Oxford student accuses one of the university's professors of sexual assault, DI Adam Fawley's team think they've heard it all before. But they couldn't be more wrong. Because this time, the predator is a woman and the shining star of the department, and the student a six-foot male rugby player. Soon DI Fawley and his team are up against the clock to figure out the truth. What they don't realise is that someone is watching. And they have a plan to put Fawley out of action for good...The fifth twisty, up-all-night thriller from the Sunday Times bestselling Cara Hunter. For fans of Shari Lapena, Claire Douglas and Lisa Jewell. --------Authors can't get enough of The Whole Truth'A masterclass in twists, deception and modern crime writing' Jo Spain, The Last to Disappear'This book is nail-biting, gasp-out-loud, brilliant' John Marrs, The Vacation '[Gives the] police procedural format a fresh coat of paint' Financial Times 'A master of the genre' Jane Casey, The Reckoning'The Fawley books are the best crime series being written at the moment' Araminta Hall, Hidden Depths'Prepare to be engrossed by a master storyteller' JP Delaney, The Perfect Wife 'Made me race to the end' Fiona Barton, Local Gone Missing 'An absolute masterclass in crime writing' Simon Lelic, The Hiding Place And readers are loving this series, too 'All hail the new queen of all things crime' Penny, Netgalley 'Mind-bending brilliance' Kath, Netgalley 'Packed full of twists' Gary, Netgalley 'Definitely for fans of Lisa Gardner, Karin Slaughter and the like' Fiona, Netgalley 'Captivating: full of mystery, tension, moral dilemma . . . outstanding' Peter, Netgalley 'This series just gets better and better' Tina, Netgalley

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'An absolute must-have for any Year 3 teacher.' Louise Rayner, English Specialist Leader of Education An exciting reading comprehension resource from Andrew Jennings (@VocabularyNinja), the creator of the hugely popular Write Like a Ninja, Vocabulary Ninja and Comprehension Ninja: Non-Fiction series. This photocopiable resource contains 24 immersive and imaginative fiction and poetry texts from acclaimed writers including Roald Dahl, Kevin Crossley-Holland, Patrice Lawrence and Pamela Butchart, as well as original texts by Adam Bushnell and Andrew Jennings aligned to the National Curriculum. Each is accompanied by differentiated activities and answers to boost retrieval skills and help pupils become fully fledged Comprehension Ninjas! Ideal for KS2 SATs practice, the reading texts are high-quality and rich in vocabulary. They cover a range of genres including historical fiction, sci-fi, contemporary stories, adventure, traditional tales and poetry. If you're searching for engaging resources to help pupils practise comprehension strategies and question types such as skim and scan, true or false, draw and label, find and copy, fill in the gap, sequencing and multiple choice, Comprehension Ninja for Ages 7-8: Fiction & Poetry is the book for you. For more must-have Ninja books, check out the Vocabulary Ninja and Comprehension Ninja classroom and home learning resources.

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A key figure in the Art Deco movement, artist Jean Dunand (1877-1942) stands out for his multiple talents as a sculptor, goldsmith, copper maker, but also lacquerer, bookbinder and decorator. After having excelled in finishing hammer-mounted vases and brassware, he met Seizo Sugawara in 1912 who led him to become passionate about lacquer, which he made his signature on both his vases and his panels, furniture and bindings. At the head of an important workshop, he participated in the major international exhibitions of his time, in Paris in 1925, 1931 and 1937, in New York in 1939, and was regularly exhibited at the Georges Petit gallery and at the Salon des Artistes Décorateurs. His singularity and the quality of his creations lead him to become one of the most sought-after portrait painters, immortalising personalities in fashion and the arts such as Jeanne Lanvin, Louise Boulanger, Joséphine Baker as well as from the world of finance such as the Lazards, Carnegie or Louis-Dreyfus. Jean Dunand also worked on remarkable sets in France and the United States such as the music salons of Solomon R. Guggenheim, the apartments of Madame Agnès or Templeton Croker, as well as on the shipyards of the Atlantic and Normandy liners which will crown a rich career of more than two thousand works, presented in a repertoire at the end of the book. Text in French.

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COMING IN JUNE 2023: KATHERINE FAULKNER'S BRILLIANT NEW NOVEL, THE OTHER MOTHERS THE TOP TWENTY BESTSELLER WATERSTONES THRILLER OF THE MONTH 'If you like Louise Candlish, then you’ll want to take a walk in Greenwich Park' RED 'A twisty, fast-paced read’ SUNDAY TIMES ‘The perfect thriller’ CAZ FREAR Helen has it all... Daniel is the perfect husband. Rory is the perfect brother. Serena is the perfect sister-in-law. And Rachel? Rachel is the perfect nightmare. When Helen, finally pregnant after years of tragedy, attends her first antenatal class, she is expecting her loving architect husband to arrive soon after, along with her confident, charming brother Rory and his pregnant wife, the effortlessly beautiful Serena. What she is not expecting is Rachel. Extroverted, brash, unsettling single mother-to-be Rachel, who just wants to be Helen’s friend. Who just wants to get know Helen and her friends and her family. Who just wants to know everything about them. Every little secret… Masterfully plotted and utterly addictive, Greenwich Park is a dark, compelling look at motherhood, friendships, privilege and the secrets we keep to protect ourselves. ‘A fantastically addictive read’ ABIGAIL DEAN

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The Sunday Times Top 10 Bestseller ‘Brutal yet beautiful, heartfelt yet harrowing, this is one compulsive read’ Susan Stokes-Chapman Amara has escaped her life as a slave in Pompeii’s most notorious brothel. She now has a house, fine clothes, servants – but all are gifts from her patron, hers for as long as she keeps her place in his affections. As she adjusts to this new life, Amara is still haunted by her past. At night she dreams of the wolf den, and the women she left behind. By day, she is pursued by her former slavemaster. In order to be truly free, Amara will need to be as ruthless as he is. She knows she can draw strength from Venus, the goddess of love. Yet falling in love herself may prove to be Amara’s downfall. Praise for The House with the Golden Door: 'Beautiful, moving, captivating... A brilliant sequel to The Wolf Den' Jennifer Saint 'Vivid, unsentimental and compelling' The Times '[A] gripping sequel... Harper's recreation of this ancient world continues to thrill' Observer 'Gripping and richly imagined, this is spellbinding storytelling' Louise O'Neill 'A spell-binding novel that brings Pompeii back to life and explores enslavement in all its forms' Anna Mazzola 'Absolutely stunning and utterly gripping!' Buki Papillon

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Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them… One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

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This collection of 18 articles shows how conceptions of the political are expanded and revised when viewed through the lens of gender. Organized to serve both scholars and students across the social sciences, this book re-examines such basic notions as citizenship, collectivity, political resistance and the state. Section One, "Gender, Citizenship, and Collectivity" includes: Nancy Frazer and Linda Gordon's critique of dependence and citizenship; Iris Young on women as a social collective; Ruth Bloch on the feminization of public virtue in revolutionary America; Trisha Franzen on feminism and lesbian community; and Sonia Kruks on de Beauvoir and feminism. "Collective Action and Women's Resistance", Section Two, features: Louise Tilly's "Paths of Proletarianization"; Temma Kaplan's "Female Consciousness and Collective Action"; and five assessments of women's collective action worldwide - Samira Haj on Palestine, Arlene McLeod on Egypt, Gay Seidman on South Africa, Nancy Sternbach et al on Latin America and Anne Walthall on Japan. A section on gender and the state features: Bronwyn Winter on the law and cultural relativism; Sherene Razack on sexual violence; Wendy Luttrell on educational institutions; Patricia Stamp on ethnic conflict; Elizabeth Schmidt on patriarchy and capitalism; and Muriel Nazzari on post-revolutionary Cuba. These essays originally appeared in "Signs: Journal of Women in Culture and Society", edited by Ruth-Ellen Boetcher Joeres and Barbara Laslett.

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This book will explore ways of establishing value and measuring in the archives and specials collections. There is a vast literature about ways of measuring value for cultural heritage assets as a whole, particularly museums and visitor attractions, but archives and special collections in libraries have largely been overlooked. They have been very poor at garnering statistical data and devising ways of measuring the impact of what they do, unlike museums and visitor attractions with their much heavier footfall. Do Archives Have Value? discusses the various valuation methods available, including contingent valuation, willingness to pay and value chain, and assesses their suitability for use by archives and special collections. The book also assesses the impact of the transition to the digital in archival holdings, which will transform their character and will almost certainly cost more. The discussion will be set in the context of changing societal expectations of the archive in the wake of numerous scandals where records to address grievances must be kept irrespective of cost. Value is explored in a range of different cultural and organizational contexts with case studies from a range of countries, including Australia, China, Japan, Malawi, Kenya, Russia and Thailand. There are contributions from Nancy Bell, Head of Conservation at The National Archives, Louise Craven, one of the leading UK archival scholars, Paul Lihoma, National Archivist of Malawi, Helen Morgan from the University of Melbourne, Pak Te Lee of the University of Hong Kong and Richard Wato from the National Archives of Kenya.

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and essays on Austin Osman Spare by Phil Baker, on Stephen Tennant by Philip Hoare and on Voodoo in Coastal Benin by Dr. Louise Fenton. Stephen Pochin of Jerusalem Press has curated a special selection of Spare’s singular art featuring animals. From cats and dogs, to eagles, owls, horses, and satyrs we have corralled a rich cross-section of fauna. From early drawings to late pastels in colour, this themed survey spans 50 years of this visionary London artist’s uncanny art. “Forgotten and famous at the same time, Austin Osman Spare (1886-1956) is now a cult figure, much mythologized since his death. Controversial enfant terrible of the Edwardian art world, Spare was hailed as a genius and a new Aubrey Beardsley, but instead, he fell out of the West End art scene and went underground, living in poverty and obscurity in South London. Absorbed in occultism and sorcery, voyaging into inner dimensions and surrounding himself with cats and familiar spirits, he continued to produce extraordinary art while developing a magical philosophy of pleasure, obsession, and the subjective nature of reality.” – Phil Baker

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The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam

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Computer Grrrlz brings together 23 international artistic positions that negotiate the complex relationship between gender and technology in past and present. The book deals with the link between women and technology from the first human computers to the current revival of techno-feminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present day. The publication presents artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and artificial intelligence, promoting an open and diversified Internet, and designing utopian technologies. The perspectives presented here address a broad range of topics: electronic colonialism, the place of minorities on the Internet, the sexist bias of algorithms, the dangerous dominance of white men in the development of artificial intelligence and digital surveillance, but also ideas on how we can change our traditional ways of thinking. Artists included: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanović, Louise Drulhe, Elisa Giardina Papa, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Roberte la Rousse, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang. Text in English and German.

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Covering a period that runs from the founding of the colony in the early seventeenth century to the conquest of 1760, People, State, and War under the French Regime in Canada is a study of colonial warriors and warfare that examines the exercise of state military power and its effects on ordinary people.Overturning the tendency to glorify the military feats of New France and exploding the rosy myth of a tax-free colonial population, Louise Dechêne challenges the stereotype of the fighting prowess and military enthusiasm of the colony’s inhabitants. She reveals the profound incidence of social divides, the hardship war created for those expected to serve, and the state’s demands on the civilian population in the form of forced labour, requisitions, and billeting of soldiers. Originally published posthumously in French, People, State, and War under the French Regime in Canada is the culmination of a lifetime of research and unparalleled knowledge of the archival record, including official correspondence, memoirs, military campaign journals, taxation records, and local parish records. Dechêne reconstructs the variegated composition and conditions of military forces in New France, which included militia, colonial volunteers, and regular troops, as well as Indigenous allies. The study offers an informed and ambitious comparison between France and other French colonies and shows that the mobilization of an unpaid, compulsory militia in New France greatly exceeded requirements in other parts of the French domain.With empathy, sensitivity to the social dimensions of life, and a piercing insight into the operations of power, Dechêne portrays the colonial condition with its rightful dose of danger and ambiguity. Her work underlines the severe toll that warfare takes on the individual and on society and the persistent deprivation, disorder, fear, and death that come with conflict.

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The forthcoming spring issue of the Los Angeles Review of Books Quarterly Journal features work by emerging, established, and award winning writers, including creative non-fiction, and poetry. This issue also features an original translation of work by short fiction writer Hisham Bustani, who has won accolades for bringing "a new wave of surrealism to [Arabic] literary culture." Essays range over the following topics: How did oranges become California's iconic fruit? Tom Zoellner dives into the untold story of the Golden State's early citrus industry in his essay "The Orange Industrial Complex." "If you've had sex, you have stories to tell about the people you've had sex with." Starting from this truism, journalist Amanda Fortini draws connections between stories by (and feminist storytelling techniques of) Susan Minot, Louise Wareham Leonard, and Debra Monro. What was America's impact on famed South African novelist J.M. Coetzee's fiction? Martin Woessner follows in Coetzee's footsteps to UT Austin's special collections (where Coetzee himself once studied) and looks for answers in Coetzee's personal papers. Occasioned by the death of influential historian and political scientist Benedict Anderson, Goenawan Mohamad writes a tribute to his friend and former teacher. Mohamad is the founder and editor of Tempo magazine, Indonesia's most-respected newsmagazine.

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THE NO. 1 SUNDAY TIMES BESTSELLER AND RICHARD & JUDY PICK FROM THE BESTSELLING AUTHOR OF THE COUPLE AT NO 9'I loved this twisty novel' RICHARD OSMAN'Clever. Gripping. Terrifically compelling. Kept me glued to the page' SARAH PEARSE'An unputdownable thriller. Spine-tingling mystery' GRAZIA BOOK CLUB'Eerie, spine-tingling. Douglas is a master storyteller. The perfect immersive read' JANICE HALLETT'Douglas is the queen of the unexpected twist, and this is her best wrongfooting yet' GILLIAN MCALLISTER'A cleverly plotted dark and twisty thriller that will keep you guessing until the end' ALICE FEENEY'A chillingly dark plot with a killer twist, I was totally gripped throughout' HEIDI PERKS_________THREE GIRLS MISSINGTwenty years ago: One rainy night, Olivia Rutherford is driving three friends home when a figure in the road causes her to swerve and crash. Regaining consciousness, she finds herself alone in the car - her friends have vanished.THEY ARE NEVER SEEN AGAINNow: Journalist Jenna Halliday visits the close-knit community of Stafferbury to persuade Olivia to talk and solve the mystery of the girls' disappearance. But Olivia won't speak.What happened?Is Olivia hiding something?Why are the people of Stafferbury so frightened?How many secrets can one small town hide? _________'A deliciously dark, captivating and twisty mystery from the Queen of Gripping Pageturners' CL TAYLOR'Clever . . . Adventurous . . . Fans of Douglas's bestseller, The Couple at No 9, will enjoy her particularly lively female characters and twisty plot' DAILY MAIL'Moody, menacing and gothic . . . A chillingly atmospheric thriller' JP DELANEY'Spine-chilling . . . A twisty plot and unnerving undertones make this an unforgettable read' CULTUREFLY'A fabulous book. Brilliantly plotted, heart-wrenchingly emotional, and with a central premise to die for. This delivered by the armful. I loved it!' GYTHA LODGE'I was hooked from the first page and turned the last with my head reeling at the fiendishly clever ending. Atmospheric, haunting and endlessly surprising, I loved it' EVE CHASE'Absorbing, atmospheric . . . A tense, spine-chilling mystery' GILLY MACMILLANREADERS ARE GRIPPED BY THE GIRLS WHO DISAPPEARED:'Totally gripping from start to finish, twists and turns galore' 5***** READER REVIEW'I was gripped from the very beginning' 5***** READER REVIEW'Another great keep-you-guessing read from a fabulous author' 5***** READER REVIEW'It's getting harder and harder for thrillers to shock, but this one hit the mark. Fantastic' 5***** READER REVIEW'A gripping story which kept me awake last night as I had to finish reading it!' 5***** READER REVIEW'Masterful' 5***** READER REVIEWPraise for Claire Douglas'Devotees of domestic noir will love the multiple perspectives and shifts in time that Claire Douglas uses to complicate her nervy narrative' Sunday Times Crime Club'Few people do psychological thrillers as claustrophobic and as creepy as Claire Douglas' Tim Weaver'A gripping page-turner' Jane Fallon'Smart and atmospheric' Gillian McAllister'Spine-chilling' Sunday Times'Intriguing. Twisting. Surprising. Touching' Dorothy Koomson'Twisty, nail-biting and utterly absorbing' Louise O'Neill'Claire is a mistress at weaving the reader into a web of domestic deceit' Jane Corry'The perfect gripping holiday read' Lesley Pearse'Perfect for fans of The Girl on the Train' Marie Claire*The Girls Who Disappeared: Featured on The Sunday TImes bestsellers list December 2022*

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Heritage occupies a privileged position within the built environment. Most municipalities in the United States, and nearly all countries around the world, have laws and policies to preserve heritage in situ, seeking to protect places from physical loss and the forces of change. That privilege, however, is increasingly being unsettled by the legacies of racial, economic, and social injustice in both the built environment and historic preservation policy, and by the compounding climate crisis. Though many heritage projects and practitioners are confronting injustice and climate in innovative ways, systemic change requires looking beyond the formal and material dimensions of place and to the processes and outcomes of preservation policy—operationalized through laws and guidelines, regulatory processes, and institutions—across time and socio-geographic scales, and in relation to the publics they are intended to serve. This third volume in the Issues in Preservation Policy series examines historic preservation as an enterprise of ideas, methods, institutions, and practices that must reorient toward a new horizon, one in which equity and sustainability become critical guideposts for policy evolution.With contributions from Lisa T. Alexander, Louise Bedsworth, Ken Bernstein, Robin Bronen, Sara C. Bronin, Shreya Ghoshal, Scott Goodwin, Claudia Guerra, Victoria Herrmann, James B. Lindberg, Randall Mason, Jennifer Minner, David Moore, Marcy Rockman, Stephanie Ryberg-Webster, A.R. Siders, Amanda L. Webb, and Vicki Weiner.

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WINNER OF THE SAPIR PRIZE 2022 ‘A mesmerising, disquieting tale of family estrangement … Unforgettable’ OBSERVER ‘A striking and memorable novel’ MEG WOLITZER ‘A stone-cold masterwork of psychological tension. Its final pages had me holding my breath’ NEW YORK TIMES ‘Hila Blum is my new favourite writer’ LOUISE KENNEDY ------------------------------------------- What damage do we do in the blindness of love? Thousands of miles from her home, a woman stands on a dark street, peeking through well-lit windows at two little girls. They are the daughters of her only daughter, the grandchildren she’s never met. At the centre of this mesmerising story is the woman’s quest to understand how a relationship that began in bliss – a mother besotted with her only child – arrived at a point of such unfathomable distance. Weaving back and forth in time, she unravels memories and long-buried feelings, retracing the infinite acts of parental care, each so mundane and apparently benign, that together may have undermined what she most treasured. With exquisite psychological precision, Blum traces the seemingly insignificant missteps and deceptions of family life, where it’s possible to cross the line between protectiveness and possession without even seeing it – and it’s uncertain whether, or how, we can find our way back. ------------------------------------------- 'When I read this book, I felt ... that a new and wonderful occurrence has transpired in Israeli literature' Neri Livne, Haaretz

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An incredible immersive novel in words and pictures by Brian Selznick, a love letter to the natural world. Big Tree follows two tiny sycamore seeds, Louise and Merwin, as they try to save the world while searching for a safe place to grow. In the spirit of such timeless classics as Charlotte's Web, The Wizard of Oz and Alice in Wonderland, Big Tree is a fast-paced epic adventure that takes readers on a mesmerizing journey from the prehistoric age to present day. It is filled with mystery and danger, humour, heart, and hope, and will captivate readers ages seven and up. Selznick creates a vivid fantastical world rooted in science, a cast of unforgettable original characters, and an exquisite escapade that takes readers on a mesmerising journey from prehistory through the meteoric transformation of Earth to present day. Big Tree is a tour de force from an ingenious creator at the top of his creative form. This story began as an original idea from film legend Steven Spielberg, and his production company has the film rights. A page-turning adventure with wonderful characters, about how even the smallest can make an impact and save our world Brian's first book, The Invention of Hugo Cabret, was the winner of the esteemed Caldecott Medal, the first novel to do so, as the Caldecott Medal is for picture books & made into a feature length film, HUGO, directed by Martin Scorsese and starring Jude Law

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The instant Sunday Times top ten bestsellerA Guardian Book of the YearAn Evening Standard Book of the YearAn Independent Book of the YearNetgalley's non-fiction Book of the YearA national treasure's journey to the brink and back.'Will I wake up?''There's a 50:50 chance.'Michael Rosen wasn't feeling well. Soon he was struggling to breathe, and then he was admitted to hospital, suffering from coronavirus as the nation teetered on the edge of a global pandemic.What followed was months on the wards: six weeks in an induced coma, and many more weeks of rehab and recovery as the NHS saved Michael's life, and then got him back on his feet. Throughout Michael's stay in intensive care, a notebook lay at the end of his bed, where the nurses who cared for him wrote letters of hope and support. Embarking on the long road to recovery, Michael was soon ready to start writing about his near-death experience.Combining stunning new prose poems by one of Britain's best loved poets and the moving coronavirus diaries of his nurses, doctors and wife Emma-Louise Williams, this is a beautiful book about love, life and the NHS. Featuring original illustrations by Chris Riddell, each page celebrates the power of community, the importance of kind gestures in dark times, and the indomitable spirits of the people who keep us well.

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'If you've ever felt like everyone else knows what they're doing when it comes to their baby while you struggle to change a nappy, then this hilarious and all-too relatable novel is for you!' Fabulous ----Emily is sure she's getting this baby stuff all wrong. Why does everyone else look like they're smashing motherhood when she's barely made it out of her maternity leggings and out of the house? Her other half tries to say all the right things (can't he just keep making her toast?). Her mum is brilliant (but on the other side of the country). Her two new mum-friends seem to feel like misfits too - but there's really just one person she wants to open up to . . . only Emily hasn't spoken to her for fifteen years. Lonely but not alone, Emily's about to discover that when you're starting a family, what you really need are your friends.Hilariously funny and excruciatingly relatable - perfect for fans of THE UNMUMSY MUM, Louise Pentland and Gill Sims.----Readers love the relatable, funny honesty of WINGING IT, giving it a 5-star recommendation:'A frank and funny look at motherhood' *****'I didn't want to put this down!' *****'From page one she had me hooked' *****'Loved, loved, loved this book' *****'It has been a long time since I laughed (and cried!) so much at a book' *****

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The Daleks rampage in this collection of vintage stories from Terry Nation’s Dalek Annuals of the 1970s. "Exciting sci-fi adventures in their own right...beautifully pitched sound design...this is a great piece of work from BBC Audio." Doctor Who Magazine "If you’re a Dalek fan of any description, then you need to get hold of this. Before the Daleks arrive…" scifibulletin.comUrgent message to all Anti-Dalek Force agents: the Daleks are coming! Defend yourself with The Dalek Audio Annual, packed with exciting tales of galactic terror, global invasion and the adventures of plucky human resistance fighters. Special ADF agents Nicholas Briggs, Louise Jameson and Matthew Waterhouse will read five stories of battlefield reportage — Terror Task Force, Exterminate! Exterminate! Exterminate!, Timechase, The Doomsday Machine and Report from an Unknown Planet — alongside factual updates on the Dalek War: Dalek Genius, Mark 7 Humanoid Robot, Special Report: Secret Meeting on Skaro and more. All material is authenticated from Terry Nation’s Dalek Annuals of the 1970s.Order your copy now. It is your duty to remain informed of progress in the ongoing battle between humans and Daleks! Duration: 2 hours 30 mins approx. Text © Terry Nation 1976-77Daleks as seen in the BBC TV series Doctor WhoTerry Nation’s Dalek Annuals first published by World Distributors by arranged with the BBCReadings produced by Neil Gardner at Ladbroke AudioSound design by David DarlingtonExecutive Producer: Michael StevensCover by Minty Design/images © BBC Studios 2018

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Flat World Navigation introduces the new future of work in the 'flattened world' of the new digital attention-based economy, where real connections can be made in seconds across departments, businesses, cultures and countries. Combining the best elements of networking, social media outreach and collaborative techniques, flat world navigation is an essential capability to build and maintain relationships between colleagues, customers and partners. Employees who can transform themselves into flat world navigators, experts in mediating these powerful relationships and bringing the customer into the conversation, will mean the difference between success and failure in business. Flat World Navigation includes exclusive insights and interviews with international business leaders who successfully use flat world navigation skills, such as the Emmy-winning former NBC and Wall Street Journal reporter Kare Anderson, Sandy Carter at IBM, Gordon Feller at CISCO Systems, Aria Finger at DoSomething.org, Louise Guido at ChangeCorp, Jeffrey A. Finkle at the International Economic Development Council and Carolyn Lawrence, CEO of Women of Influence. This book is grounded in real-world experience with insights and advice to build your skills base and empower the next generation of business people. Additionally, it is of great use to business owners and managers looking to effectively leverage the skills of these flat world navigators, whose critical role brings attention to ideas, products and services and, as such, must be part of a successful business strategy.

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The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces from Paul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus and Joseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman. Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Gluck, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.

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A study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and historical keyboardist Rebecca Cypess offers a broad overview of musical salons between 1760 and 1800, placing the figure of the salonnière at its center. Cypess then presents a series of in-depth case studies that meet the salonnière on her own terms. Women such as Anne-Louise Brillon de Jouy in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Angelica Kauffman in Rome, and Elizabeth Graeme in Philadelphia come to life in multidimensional ways. Crucially, Cypess uses performance as a tool for research, and her interpretations draw on her experience with the instruments and performance practices used in eighteenth-century salons. In this accessible, interdisciplinary book, Cypess explores women’s agency and authorship, reason and sentiment, and the roles of performing, collecting, listening, and conversing in the formation of eighteenth-century musical life.

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In the new Republic of Texas, guns are compulsory and nothing is forgiven. Blue Running is a gripping coming-of-age thriller set in post-secessionist Texas. For fans of Station Eleven and Thelma and Louise. Fourteen-year-old Bluebonnet Andrews is on the run across the Republic of Texas. An accident with a gun killed her best friend but everyone in the town of Blessing thinks it was murder. Even her father - the town's drunken deputy - believes she did it. Now, she has no choice but to run. In Texas, murder is punishable by death. There's no one to help her. Her father is incapable and her mother left the state on the last flight to America before the secession. Blue doesn't know where she is but she's determined to track her down. First she has to get across the lawless Republic and over the wall that keeps everyone in. On the road she meets Jet, a pregnant young woman of Latin American heritage. Jet is secretive about her past but she's just as determined as Blue to get out of Texas before she's caught and arrested. Together, the two form an unlikely kinship as they make their way past marauding motorcycle gangs, the ever watchful Texas Rangers, and armed strangers intent on abducting them - or worse. When Blue and Jet finally reach the wall, will they be able to cross the border, or will they be shot down in cold blood like the thousands who have gone before them? Some things are worth dying for.

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Covering a period that runs from the founding of the colony in the early seventeenth century to the conquest of 1760, People, State, and War under the French Regime in Canada is a study of colonial warriors and warfare that examines the exercise of state military power and its effects on ordinary people.Overturning the tendency to glorify the military feats of New France and exploding the rosy myth of a tax-free colonial population, Louise Dechêne challenges the stereotype of the fighting prowess and military enthusiasm of the colony’s inhabitants. She reveals the profound incidence of social divides, the hardship war created for those expected to serve, and the state’s demands on the civilian population in the form of forced labour, requisitions, and billeting of soldiers. Originally published posthumously in French, People, State, and War under the French Regime in Canada is the culmination of a lifetime of research and unparalleled knowledge of the archival record, including official correspondence, memoirs, military campaign journals, taxation records, and local parish records. Dechêne reconstructs the variegated composition and conditions of military forces in New France, which included militia, colonial volunteers, and regular troops, as well as Indigenous allies. The study offers an informed and ambitious comparison between France and other French colonies and shows that the mobilization of an unpaid, compulsory militia in New France greatly exceeded requirements in other parts of the French domain.With empathy, sensitivity to the social dimensions of life, and a piercing insight into the operations of power, Dechêne portrays the colonial condition with its rightful dose of danger and ambiguity. Her work underlines the severe toll that warfare takes on the individual and on society and the persistent deprivation, disorder, fear, and death that come with conflict.

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Demonstrates how visual art can work as a powerful technology of the self Asks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challenge Illustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the self Draws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise Bourgeois Demonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practice Starting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.

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The most impressive, thrilling and scenic ski runs from one of the world's leading ski experts.Long descents, big verts, challenging pistes and stunning scenery, Powder is the definitive guide to the best and most feared ski runs on the planet. Whether you're a serious off-piste skier or a novice with alpine ambitions, this visually stunning guide will undoubtedly inspire the winter Olympian in all of us. Along with classic runs in Chamonix, Whistler and Jackson Hole, Powder will also take you to offbeat and exotic locations such as the Himalayas, the Atlas Mountains and the 2014 Olympic destination of Sochi in Russia - places notable not only for the fantastic skiing and snowboarding, but also for their extraordinary scenery. Powder is the ultimate bucket list for any snowsports enthusiast, challenging beginners and experts alike to take on the most breathtaking runs the world has to offer. Contents include: Mt St Elias, Alaska; Whitehorn 2, Lake Louise, Canada; Inferno, Mürren, Switzerland; Tortin, Verbier, Switzerland; Aiguille Rouge, Les Arcs, France; Klein Matterhorn Descent, Cervinia, Italy; Lyngen Peninsula, Norway; Sochi Olympic Downhill, Rosa Khutor, Russia; Mizuno no Sawa, Niseko, Japan; Everest, Mt Everest, Nepal; The Motatapu Chutes, Treble Cone, New Zealand; Fast One, Mt Buller, Australia; Mt Vinson, Antarctica.

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'Sleepless has changed how I feel about sleep . . . I was captivated' The Times, Book of the Week'This book will inspire you to get up, light a candle, and experience your own Night Self' Financial TimesTHE NIGHT SELF IS: CREATIVE. CURIOUS. VULNERABLE. ENCHANTED. COURAGEOUS.In the winter of 2020, Annabel Abbs experienced a series of bereavements. As she grieved, she kept busy by day, but at night sleep eluded her. And yet her sleeplessness led to a profound and unexpected discovery: her Night Self. As the night transformed into a place of creativity and liberation, Annabel found she wasn't alone. From the radical fifteenth-century philosopher Laura Cereta and subversive artist Louise Bourgeois, to Virginia Woolf and the activist Peace Pilgrim, women have long found sanctuary, inspiration and courage in darkness.Drawing on the latest science, which shows we are more imaginative, open-minded and reflective at night, Annabel set out to discover the potential of her Night Self. Sleepless follows her journey, from midnight hikes to starlit swims, from Singapore, the brightest city on Earth, to the darkest corner of the Arctic Circle, and finally to that most elusive of places - sleep.A moving, revelatory voyage into the dark, Sleepless invites us to feel less anxious about our sleep, and to embrace the possibilities of the night.

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'Just the escapism we need right now' EVENING STANDARD'Hilarious and relatable' WOMAN'A perfect weekend read' GRAZIAJessica Bradley has it all: the perfect boyfriend; influential healthy-eating blog; successful PR company and wonderful daughter, Anna. Or at least that is what her thousands of followers believe.The truth is, her boyfriend just broke up with her in four words on a post-it; her zest for healthy-eating has all but disappeared; her PR success is all reliant on her now not-so-honest online-life and she just got caught eating her daughter's Coco-Pops. So as they say: fake it 'til you make it. A few little white lies and phoney smiling selfies and Jess can keep up appearances. But when her real-life starts to spiral out of control how can Jess tell the truth from the lies? And will she be able to seize real happiness when it is right in front of her?Hilarious, heart-warming and oh-so relatable, Everything Is Fine is perfect for fans of Louise Pentland, Anna Bell and Lindsey Kelk.'Funny and uplifting' BELLA'Hilarious, heartwarming and relatable' NEW! Magazine'Made me laugh out loud so many times!' Lucy Vine'Feel-good, funny, and very relatable' Anna Bell'Funny and honest' Elizabeth Buchan

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Jennifer Dupee''s debut novel is a delight...a story about discovering your authentic self when things get hard, and the joys you can find when you live from your heart. Louise MillerIs a lie of omission still a lie? Larisa Pearl didn''t think so and it got her into a heap of trouble.When Larisa Pearl returns to her small seaside hometown in Massachusetts to manage her beloved great aunt''s estate, she''s a bit of an emotional mess. She''s just lost her job and her boyfriend and she''s struggling to cope with her mother''s failing health. When she passes by the window of The Little French Bridal Shop, a beautiful ivory satin wedding gown catches her eye...Now, to the delight of everyone in town, Larisa is planning her wedding. She has her dress, made floral arrangements, and set the date. The only thing missing is the groom. How did this happen? All she did was try on a dress and let her fantasy take flight. But word about her upco

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Hilariously funny and excruciatingly relatable - NAILING IT is perfect for fans of THE UNMUMSY MUM, Louise Pentland and Gill Sims.---------------Faking it.Breaking it.Hating it.Loving it...This is motherhood. Emily is raising two tiny feminists, building her freelance career and navigating life as a newly single mum - and feels like she's failing horribly.Tania just wants her other half to do his fair share - as long as it's done her way. But being right isn't nearly as much as fun as being in it together...Helen has almost got family life sorted: a routine that suits them all, most days. Until her own mum turns up and turns calm into chaos.Sometimes being a mum is the hardest job in the world. So can these three friends fake it till they make it?---------------Reader reviews for Anna Jefferson's first book, WINGING IT:'A frank and funny look at motherhood' *****'I didn't want to put this down!' *****'From page one she had me hooked' *****'Loved, loved, loved this book' *****'It has been a long time since I laughed (and cried!) so much at a book' *****

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This book tells us how maps help us to understand where we are in the world in the same way that literature, whether realistic or experimental, attempts to explain our realities. "Maps of the Imagination" explores how writers and cartographers use many of the same devices for plotting and executing their work, making crucial decisions about what to include and what to leave out, in order to get us from here to there, without excess baggage or a confusing surplus of information.Turchi traces the history of maps, from their initial decorative and religious purposes to their later instructional applications. He describes how maps rely on projections in order to portray a three-dimensional world on the two-dimensional flat surface of paper, which he goes on to relate to what writers do in projecting a literary work from the imagination onto the page.Drawing from texts as varied as poetry by Louise Gluck, stories by Kate Chopin and Robert Coover, novels by Robert Louis Stevenson and Italo Calvino, the film "Memento", and Chuck Jones' "Roadrunner" cartoons, Turchi ranges across a wide literary geography, illustrating his argument with an array of maps and illustrations, which will be scattered throughout the text.

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THE MULTI-MILLION COPY BESTSELLERA BETWEEN THE COVERS PICKSelected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate until she was nine years old.At sixteen, to escape her father's radicalism and a violent older brother, Tara left home. What followed was a struggle for self-invention, a journey that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes, and the will to change it.'It will make your heart soar' Guardian 'Jaw-dropping and inspiring, everyone should read this book' Stylist 'Absolutely superb . . . so gripping I could hardly breathe' Sophie Hannah

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Nathaniel G. Moore follows up his 2014 ReLit Award win for Savage with a diverse collection of short fiction, his first, Jettison, featuring stories which dangle somewhere between horror and romance. "Jaws" explores a father's desire to over-share the erotic origins of his children's "Aunt" Louise; "Blade Runner" uncovers the darkest and most hilarious aspects of dating by delineating the psych ward politics surrounding a male mental patient with five girlfriends who takes apart his bed when they visit; in "A Higher Power," readers are introduced to a brave woman in recovery who shares a story about a time when all she could think about was Prime Minister Paul Martin and would do anything to crash charity dance-a-thons he might be attending; in "Son of Zodiac," Moore captures the ache of a life-spanning meltdown in the painfully polite confessions of a man who believes his father was the Zodiac Killer. Be grateful as you witness a portrait of vulgar torment when a young woman is given an English professor action figure for Christmas ("Professor Buggles"). Each of these stories is an all-inclusive getaway to hilarity and emotional atonement. Jettison is an all-you-can-eat buffet of literary invention: you'll be so glad you got an invite. Praise for Jettison: "wickedly fun to read" (Winnipeg Free Press)

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In 2012, fieldwork began at two large sites in the Beheira Province in the western Nile Delta: Kom al-Ahmer and Kom Wasit (ancient Metelis). Being close to the important ports of Thonis-Heracleion, Alexandria, and Rosetta meant that they had been ideally placed to take advantage of the trade between the Mediterranean and Egypt. The sites are being thoroughly investigated to reveal their archaeological significance. Kom al-Ahmer – Kom Wasit I Excavations in the Metelite Nome, Egypt presents the results of the Italian archaeological mission between 2012 and 2016. It provides details of the survey and excavation results from different occupation phases. A complete town beneath the Nile silt was revealed using a combination of modern scientific techniques. Hellenistic houses and a temple enclosure wall were investigated at Kom Wasit; while at Kom al-Ahmer, a Late Roman house, an amphora storage building, a cistern and an early Islamic cemetery were revealed. Dating from the Late Dynastic to the Early Islamic period, the remains found at Kom al-Ahmer and Kom Wasit demonstrate for the first time the rich archaeological heritage of this region. Edited by Mohamed Kenawi, this volume contains contributions by Cristina Mondin, Michele Asolati Louise Bertini, Audrey Eller, Urška Furlan, Ole Herslund, Israel Hinojosa Baliño, Marie-Caroline Livaditis, Giorgia Marchiori, Marcus Müller, Benjamin T. Pennington and Amy Wilson.

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'Even a seasoned art history buff will find new things to discover in this book.' - Hyperallergic 'Fascinating facts and illuminating anecdotes.' - The Art Newspaper The perfect miscellany for every art lover - an essential and engaging collection of facts, figures, and findings about art, artists, and the art world, past and present This extraordinary compendium of compelling facts, figures, and findings gathers and distils obscure and fascinating information about art, artists, and the art world. Fun, surprising, and compelling, in this covetable book you will learn: - which artist's work is stolen most often (Picasso) - names of artists' pets: Fat Fat & Cous-Cous (Louise Nevelson's cats), Giotto and Goya (John Baldessari's dogs) - artist couples (Nancy Rubins and Chris Burden; Niki de Saint Phalle and Jean Tinguely; Dorothea Tanning and Max Ernst) - things artists collect: prosthetic arms and legs (Sophie Calle), glass eyes (Hiroshi Sugimoto) - odd jobs and side hustles: telephone marketer (Tomma Abts), crop duster (James Turrell) - artists who were rejected from art school (Francisco Goya, Auguste Rodin) ... and hundreds of other miscellaneous details. Thoughtfully and thoroughly researched, this intriguing book offers refreshing and surprising perspectives on the world of art. The five page-turning chapters cover: - Artists - Art School - Art Studio - Art Museum - Art World

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Through individual case studies involving the professions of sculptor, painter, potter, printmaker, and architect, this book addresses the question about what it meant to be an artist in Japan from the seventh century to the twentieth. How did artists go about their business? What degree of control did they exercise over their metier? How were they viewed by society? How was the image of the artist fashioned in various periods? Throughout much of Japan’s past, artists’ thoughts about their activities have remained unrecorded. Some of the essays in this volume reveal how the machine of political discourse worked to invent different views of the same artist over time. Others explore cases of later artists manipulating the names of earlier ones for professional or cultural gain, while still other essays reconstruct some of the forces brought to bear on artistic reception by the makers' contemporaries. The activities of artists whose stories are told here required the collaboration of numerous skilled colleagues, often deployed in the hierarchical structure of the hereditary workshop; they had to fight hard to gain social and economic recognition. The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background? Contributors include Karen L. Brock, Louise Allison Cort, Julie Nelson Davis, Christine M. E. Guth, Donald F. McCallum, Jonathan M. Reynolds, and Melinda Takeuchi.

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Sidner Larson’s Captured in the Middle embodies the very nature of Indian storytelling, which is circular, drawing upon the personal experiences of the narrator at every turn. Larson teaches about contemporary American Indian literature by describing his own experiences as a child on the Fort Belknap Reservation in Montana and as a professor at the University of Oregon. Larson argues that contemporary Native American literary criticism is stalled. On one hand are the scholars who portray Indians stereotypically, assuming that the experiences of all tribal groups have largely been the same. On the other hand are those scholars who focus on the “authenticity” of the writer. In contrast, Larson considers the scholarship of Vine Deloria, Jr., who has a genuine understanding of the balance required in dealing with these issues. Two writers who have successfully redescribed many of the contemporary romantic stereotypes are James Welch and Louise Erdrich, both northern Plains Indians whose works are markedly different, their writing highlighting the disparate ways tribal groups have responded to colonization. Larson describes Indians today as postapocalyptic peoples who have already lived through the worst imaginable suffering. By confronting the issues of fear, suppression, and lost identity through literature, Indians may finally move forward to imagine and create for themselves a better future, serving as models for the similarly fractured cultures found throughout the world today.

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Perfect for fans of Louise Hare and Elizabeth Gilbert, On the Rooftop is a stunning story of ambition and sisterhood, dancing to the rhythm of Jazz Era San Francisco 'AN UTTERLY ORIGINAL AND BRILLIANT STORY' REESE WITHERSPOON Longlisted for the 2023 Joyce Carol Oates Prize Vivian's three daughters have been singing in harmony since before they could speak. Together they are The Salvations, the hottest jazz band in San Francisco. But Vivian wants more for her girls, and she won't stop until they've got their big break. When The Salvations receive a once-in-a-lifetime offer from a renowned talent manager, Vivian knows this is exactly what she's been praying for. But somewhere between the grind of endless rehearsals on the rooftop and the glamour of weekly gigs at the Champagne Supper Club, Ruth, Esther and Chloe grow up and start to imagine a life beyond their mother's reach. Dancing to the rhythm of Jazz Era San Fransisco, On the Rooftop is a stunning story of ambition, success, and three sisters determined to define their own future. 'It will get inside your heart, break it wide open and stay there for a long time.' Good Housekeeping

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One day you're broke. The next, you have all the money in the world. What would you do? A gripping, timely story about cold, hard cash and little white lies for fans of Jenny Valentine, Siobhan Dowd and Lara Williamson.'Great storytelling with a moral core' Sunday Times, Children's Book of the WeekFifteen-year-old Penny longs for something better. Better than a small, damp flat. Better than her bullying classmates and uninterested teachers. Better than misery and poverty day in day out. An unlikely friendship and a huge sum of money promise a whole lot of new chances for Penny, and she realises that not only can she change her life, she can change herself. But at what cost?Perfect for readers of 10+.'If you have a child between the ages of 9 and 13, and they're not reading Sarah Moore Fitzgerald's work, you're missing a trick. Her latest book is laced with her trademark compassion and kindness, as well as being a cracking good read on privilege, wealth and identity. Not to be missed.' Louise O'Neill, Irish Examiner

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Explores contemporary art that challenges deadly desires for mastery and dominion. Amid times of emboldened cruelty and perpetual war, Rosalyn Deutsche links contemporary art to three practices that counter the prevailing destructiveness: psychoanalytic feminism, radical democracy, and war resistance. Deutsche considers how art joins these radical practices to challenge desires for mastery and dominion, which are encapsulated in the Eurocentric conception of the human that goes under the name “Man” and is driven by deadly inclinations that Deutsche calls masculinist. The masculinist subject—as an individual or a group—universalizes itself, claims to speak on behalf of humanity, and meets differences with conquest. Analyzing artworks by Christopher D’Arcangelo, Robert Filliou, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, James Welling, and Krzysztof Wodiczko, Deutsche illuminates the diverse ways in which they expose, question, and trouble the visual fantasies that express masculinist desire. Undermining the mastering subject, these artworks invite viewers to question the positions they assume in relation to others. Together, the essays in Not-Forgetting, written between 1999 and 2020, argue that this art offers a unique contribution to building a less cruel and violent society.

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'Powerful and moving' RACHEL EDWARDS'Very compelling, told with real depth and passion' 5* Reader Review'Absolutely loved it' LUCY DIAMONDTwo families divided by hateA love that will not die.Sylvie and Donna travel on the same train to work each day but have never spoken. Their families are on different sides of the bitter Brexit divide, although the tensions and arguments at home give them much in common.What they don't know is that their eldest children, Rachid and Jodie, are about to meet for the first time and fall in love. Aware that neither family will approve, the teenagers vow to keep their romance a secret.But as Sylvie's family feel increasingly unwelcome in England, a desire for a better life threatens Rachid and Jodie's relationship. Can their love unite their families - or will it end in tragedy?'A powerful and thought-provoking triumph' MIKE GAYLE'Romeo and Juliet in post-referendum Yorkshire' SHELLEY HARRIS'Outstanding' SUSAN LEWIS'A love story in a world full of prejudice and bias' ANSTEY HARRIS'Original and powerful' LOUISE BEECH'This book broke my heart' CHARLOTTE DUCKWORTHPlease note this novel contains details of racial abuse and racially motivated violence.

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‘I love this book …’ - Louise Minchin 'The perfect companion for anyone who wants to swim outdoors.' - Your Healthy Living This is the ultimate practical guide to get you swimming outdoors, 365 days a year. Whether you want to take your first tentative dip in your local wild swimming spot or take on a long-distance swimming challenge, you’ll find everything you need to embrace outdoor swimming and enjoy the health and wellbeing benefits it offers. Have you ever wondered what kit you need for winter swimming or how to fall in love with the cold? This book includes dedicated information about each season, ensuring you have everything you need to make outdoor swimming something you can enjoy safely all year round. Discover how to overcome your outdoor swimming fears and why becoming an outdoor swimmer can help you cope better with the ups and downs of daily life. Find out the differences between swimming in oceans, rivers and lakes, learn how to become a stronger swimmer and how to design your own training plans. Featuring case studies from people with a wide range of backgrounds who have embraced the outdoor swimming lifestyle, including people living with physical disabilities and mental health challenges, this is the book for anyone who wants to swim outdoors.

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YOU SHOULD NEVER HAVE LET HER IN.A gripping and twisting psychological thriller with an ending you'll never forget, THE HOUSEMATE is perfect for fans of Louise Jensen, Jane Corry, Shari Lapena's THE COUPLE NEXT DOOR and Laura Marshall's FRIEND REQUEST.'Kept me on the edge of my toes...I never saw the ending coming. A fantastic read.' ***** Goodreads reviewerYOU LET A STRANGER INTO YOUR HOMEBest friends Megan and Chloe have finally found the perfect house.And when they meet Samantha, she seems like the perfect housemate.YOU DON'T KNOW WHAT SHE'S HIDINGBut Megan thinks there might be more to Samantha than meets the eye. Why is she so secretive? Where are her friends and family? And why is she desperate to get close to Chloe?YOU'RE ABOUT TO FIND OUTWhen strange things start happening in the house, Megan and Chloe grow more and more alarmed. They soon realise that letting a stranger into their home - and their lives - might be the worst idea they've ever had...READERS ARE HOOKED ON THE HOUSEMATE:'I really enjoyed this twisty page-turner...I was convinced I had it all worked out, but I got it sooo wrong!' ***** Goodreads reviewer'A fab and fast read that will spook anyone who's ever shared a house with strangers.' ***** Goodreads reviewer'I can so recommend this book....very gripping' ***** Goodreads reviewer

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First volume in the new series LAP Landscape and Architecture Projections an innovative series on architecture, urbanism, and landscape Climate change in the Andes is affecting the relation between urban development and the landscape. Design-led explorations are reframing landscape logics and urbanisation patterns within the Cachi River Basin of Ayacucho, Peru. A co-production of students, researchers and designers, the book suggests alternative futures, crossing scales of landscape systems to new settlement typologies. Urban Andes marks the start of the new series LAP on innovative design research in architecture, urbanism, and landscape. It is the result of a two-year collaboration (2018-2020), initiated by the CCA in cooperation with KU Leuven and various partners, including local organisations and the VLIR-UOS. Contributors: Basil Descheemaeker (KU Leuven / UCL-LOCI), Ward Verbakel (KU Leuven), Viviana d'Auria (KU Leuven), Margarita Macera Carnero (KU Leuven), Monica Rivera Munoz (KU Leuven), Louise Blancquaert (KU Leuven), Elisabeth De Clerq (KU Leuven), Thomas Hawer (KU Leuven), Willem Hubrechts (KU Leuven), Sigrid Vangeneugden (KU Leuven), Bruno De Meulder (KU Leuven), Bram Willems (CCA)

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Literature on the civil rights movement has long highlighted the leadership of ministerial men and young black revolutionaries, such as Reverend Martin Luther King, Jr., Stokely Carmichael, and Malcolm X. Recent studies have begun to explore female participation in the struggle for racial justice, but women continue to be relegated to the margins of civil rights history. In Our Minds on Freedom, Shannon Frystak explores the organizational and leadership roles female civil rights activists in Louisiana played from the 1920s to the 1960s. She highlights a diverse group of courageous women who fought alongside their brothers and fathers, uncles and cousins, to achieve a more racially just Louisiana.From the Depression through World War II and the postwar years, Frystak shows, black women in Louisiana joined and led local unions and civil rights organizations, agitating for voting rights and equal treatment in the public arena, in employment, and in admission to the state's institutions of higher learning. At the same time, black and white women began to find common ground in organizations such as the YWCA, the NAACP, and the National Urban League. Frystak explores how women of both races worked together to organize the 1953 Baton Rouge bus boycott, which served as inspiration for the more famous Montgomery bus boycott two years later; to alter the system of unequal education throughout the state; and to integrate New Orleans schools after the 1954 Brown decision.In the early 1960s, a new generation of female activists joined their older counterparts to work with the NAACP, the Congress of Racial Equality, and a number of local grassroots civil rights organizations. Frystak vividly describes the very real dangers they faced canvassing for voter registration in Louisiana's rural areas, teaching in Freedom Schools, and hosting out-of-town civil rights workers in their homes.As Frystak shows, the civil rights movement allowed women to step out of their prescribed roles as wives, mothers, and daughters and become significant actors, indeed leaders, in a social-change structure largely dominated by men. Our Minds on Freedom is a welcome addition to the literature of the civil rights movement and will intrigue those interested in African American history, women's history, Louisiana, or the U.S. South.

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