Search results for ""ideals""

Mennonite German Soldiers traces the efforts of a small, pacifist, Christian religious minority in eastern Prussia-the Mennonite communities of the Vistula River basin-to preserve their exemption from military service, which was based on their religious confession of faith. Conscription was mandatory for nearly all male Prussian citizens, and the willingness to fight and die for country was essential to the ideals of a developing German national identity. In this engaging historical narrative, Mark Jantzen describes the policies of the Prussian federal and regional governments toward the Mennonites over a hundred-year period and the legal, economic, and social pressures brought to bear on the Mennonites to conform. Mennonite leaders defended the exemptions of their communities' sons through a long history of petitions and legal pleas, and sought alternative ways, such as charitable donations, to support the state and prove their loyalty. Faced with increasingly punitive legal and financial restrictions, as well as widespread social disapproval, many Mennonites ultimately emigrated, and many others chose to join the German nation at the cost of their religious tradition. Jantzen tells the history of the Mennonite experience in Prussian territories against the backdrop of larger themes of Prussian state-building and the growth of German nationalism. The Mennonites, who lived on the margins of German society, were also active agents in the long struggle of the state to integrate them. The public debates over their place in Prussian society shed light on a multi-confessional German past and on the dissemination of nationalist values.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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In 1995, an Okinawan schoolgirl was brutally raped by several U.S. servicemen. The incident triggered a chain of protests by women's groups, teachers' associations, labor unions, reformist political parties, and various grassroots organizations across Okinawa prefecture. Reaction to the crime culminated in a rally attended by some 85,000 people, including business leaders and conservative politicians who had seldom raised their voices against the U.S. military presence. Using this event as a point of reference, Inoue explores how Okinawans began to regard themselves less as a group of uniformly poor and oppressed people and more as a confident, diverse, middle-class citizenry embracing the ideals of democracy, human rights, and women's equality. As this identity of resistance has grown, however, the Japanese government has simultaneously worked to subvert it, pressuring Okinawans to support a continued U.S. presence. Inoue traces these developments as well, revealing the ways in which Tokyo has assisted the United States in implementing a system of governance that continues to expand through the full participation and cooperation of residents. Inoue deftly connects local social concerns with the larger political processes of the Japanese nation and the global strategies of the United States. He critically engages social-movement literature along with postmodern/structural/colonial discourses and popular currents and themes in Okinawan and Japanese studies. Rich in historical and ethnographical detail, this volume is a nuanced portrait of the impact of Japanese colonialism, World War II, and U.S. military bases on the formation of contemporary Okinawan identity.

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Building a New Educational State examines the dynamic process of black education reform during the Jim Crow era in North Carolina and Mississippi. Through extensive archival research, Joan Malczewski explores the initiatives of foundations and reformers at the top, the impact of their work at the state and local level, and the agency of southerners including those in rural black communities to demonstrate the importance of schooling to political development in the South. Along the way, Malczewski challenges us to reevaluate the relationships among political actors involved in education reform. Malczewski presents foundation leaders as self-conscious state builders and policy entrepreneurs who aimed to promote national ideals through a public system of education efforts they believed were especially critical in the South. Black education was an important component of this national agenda. Through extensive efforts to create a more centralized and standard system of public education aimed at bringing isolated and rural black schools into the public system, schools became important places for expanding the capacity of state and local governance. Schooling provided opportunities to reorganize local communities and augment black agency in the process. When foundations realized they could not unilaterally impose their educational vision on the South, particularly in black communities, they began to collaborate with locals, thereby opening political opportunity in rural areas. Unfortunately, while foundations were effective at developing the institutional configurations necessary for education reform, they were less successful at implementing local programs consistently due to each state's distinctive political and institutional context.

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Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance. On 3 September 1984 a bloody uprising set the African townships of the Vaal Triangle aflame. Triggered by dissatisfaction over rent increases and a local government that was failing to provide any meaningful political power or social transformation to the black majority, it heralded the insurrectionary period that was to profoundly challenge the administrative and coercive capacities of the apartheid state and greatly contribute towards its demise. Led by a broad coalition of civic organisations, student bodies and trade unions, nationwide protests followed demanding a new political and social order. By the mid-1980s the ideological influence of the African National Congress (ANC) had established its hegemony among township activists and was regarded as the main force in the liberation struggle. Arguing that liberation from poverty and inequality played as significant role in driving the struggle against apartheid as political rights, Rueedi shows how the enactment of the ideals of the 1955 Freedom Charter during the insurrectionary period shaped how communities understood liberation and freedom, both during and after apartheid. She explores the ways in which the establishment and subsequent failure of the model townships was intertwined with struggles for social transformation and dignity; investigates the links between underground networks of the ANC and above ground community structures; and examines how increasing state repression fuelled militancy and political violence, leading to an impasse that signalled the beginning of the end of the apartheid regime.

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The first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent culturesTogether with such figures as the scholar Taha Hussein, the playwright Tawfik al-Hakim, the short story writer Mahmoud Teymour and—of course—Naguib Mahfouz, Yahya Hakki belongs to that distinguished band of early writers who, midway through the last century, under the influence of Western literature, began to practice genres of creative writing that were new to the traditions of classical Arabic.In the first story in this volume, the very short ‘‘Story in the Form of a Petition,’’ Yahya Hakki demonstrates his ease with gentle humor, a form rare in Arabic writing. In the following two stories, ‘‘Mother of the Destitute’’ and ‘‘A Story from Prison,’’ he describes with typical sympathy individuals who, less privileged than others, somehow manage to scrape through life’s hardships. The latter story deals with the people of Upper Egypt, for whom the writer had a special understanding and affection. It is, however, for the title story (in fact, more of a novella) of this collection that the writer is best known. Recounting the difficulties faced by a young man who is sent to England to study medicine and who then returns to Egypt to pit his new ideals against tradition, ‘‘The Lamp of Umm Hashim’’ was the first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent cultures.

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Jim Crow’s Pink Slip exposes the decades-long repercussions of a too-little-known result of the Brown v. Board of Education decision: the systematic dismissal of Black educators from public schools.In 1954, the Supreme Court’s Brown decision ended segregated schooling in the United States, but regrettably, as documented in congressional testimony and transcripts, it also ended the careers of a generation of highly qualified and credentialed Black teachers and principals. In the Deep South and northern border states over the decades following Brown, Black schools closed and Black educators were displaced en masse. As educational policy and leadership expert Leslie T. Fenwick deftly demonstrates, the effects of these changes stand contrary to the democratic ideals of an integrated society and equal educational opportunity for all students.Jim Crow’s Pink Slip provides a trenchant account of how tremendous the loss to the US educational system was and continues to be. Despite efforts of the NAACP and other civil rights organizations, congressional hearings during the Nixon administration, and antiracist activism of the 21st century, the problems fomented after Brown persist. The book draws the line from the past injustices to problems that the educational system grapples with today: not simply the underrepresentation of Black teachers and principals, but also salary reductions, teacher shortages, and systemic inequality.By engaging with the complicated legacy of the Brown decision, Fenwick illuminates a crucial chapter in education history. She also offers policy prescriptions aimed at correcting the course of US education, supporting educators, and improving workforce quality and diversity.

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For almost three thousand years, Egypt and Mesopotamia were each ruled by the single sacred office of kingship. Though geographically near, these ancient civilizations were culturally distinct, and scholars have historically contrasted their respective conceptualizations of the ultimate authority, imagining Egyptian kings as invested with cosmic power and Mesopotamian kings as primarily political leaders. In fact, both kingdoms depended on religious ideals and political resources to legitimate and exercise their authority. Cross-cultural comparison reveals the sophisticated and varied strategies that ancient kings used to unify and govern their growing kingdoms. Experiencing Power, Generating Authority draws on rich material records left behind by both kingdoms, from royal monuments and icons to the written deeds and commissions of kings. Thirteen essays provocatively juxtapose the relationships Egyptian and Mesopotamian kings had with their gods and religious mediators, as well as their subjects and court officials. They also explore the ideological significance of landscape in each kingdom, since the natural and built environment influenced the economy, security, and cosmology of these lands. The interplay of religion, politics, and territory is dramatized by the everyday details of economy, trade, and governance, as well as the social crises of war or the death of a king. Reexamining established notions of cosmic and political rule, Experiencing Power, Generating Authority challenges and deepens scholarly approaches to rulership in the ancient world. Contributors: Mehmet-Ali Ataç, Miroslav Bárta, Dominique Charpin, D. Bruce Dickson, Eckart Frahm, Alan B. Lloyd, Juan Carlos Moreno Garcia, Ludwig D. Morenz, Ellen Morris, Beate Pongratz-Leisten, Michael Roaf, Walther Sallaberger, JoAnn Scurlock. PMIRC, volume 6

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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.The book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.

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NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 FINALIST FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023 SHORTLISTED FOR THE NERO BOOK AWARDS 2023 FROM THE WINNER OF THE BOOKER PRIZE Birnam Wood is on the move... Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice, on the sides of roads, in forgotten parks, and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, the enigmatic American billionaire, has snatched it up to build his end-times bunker - or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other? A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Birnam Wood is Shakespearean in its wit, drama and immersion in character. A brilliantly constructed consideration of intentions, actions, and consequences, it is an unflinching examination of the human impulse to ensure our own survival.

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Jesus through Medieval Eyes will take you on an exploration of medieval representations of Jesus in theology and literature.Who is Jesus? What is he like? And who am I, encountering Jesus? These questions were just as important to Christians in the Middle Ages as they are today.And yet—as C.S. Lewis noted—the modern church tends to forget that people of different cultures and times also thought carefully about who Jesus was; and sometimes their ideas and emphases were different.Medievalist scholar Grace Hamman believes that we can deepen our understanding and adoration of Christ by looking to the Christians of the Middle Ages. Medieval Europeans were also suffering through pandemics, dealing with political and ecclesial corruption and instability, and reckoning with gender, money, and power. But their concerns and imaginations are unlike ours. Their ideas, narratives, and art about Jesus open up paradoxically fresh and ancient ways to approach and adore Christ—and to reveal where our own cultural ideals about the Messiah fall short.Medieval representations of Jesus span from the familiar—like Jesus as the Judge at the End of Days, or Jesus as the Lover of the Song of Songs—to the more unusual, like Jesus as Our Mother. Through the words of medieval people like Julian of Norwich, St. Bernard of Clairvaux, Margery Kempe, and St. Thomas Aquinas, we meet these faces of Jesus and find renewed ways to love the Savior, in the words of St. Augustine, that "beauty so ancient and so new."

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A completely new way of looking at and understanding Surrealism, with a focus on the worldwide sweep of the movement“The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization.”—Peter Schjeldahl, New Yorker This groundbreaking book challenges conventional narratives of Surrealism, tracing its impact and legacy from the 1920s to the late 1970s in places as diverse as Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. In doing so, it presents a more inclusive and accurate understanding of the fundamentally international character and lasting significance of the revolutionary artistic, literary, and philosophical movement. Vibrantly illustrated with more than 300 works of art by both well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—and numerous underrepresented artists, this expansive book pushes beyond the borders of history, geography, and nationality to provocatively redraw the map of the Surrealist movement, investigating how its visual languages, ideals, theories, and practices were framed or reframed in contexts far from its Parisian origins. Contributions from more than 40 distinguished international scholars explore themes such as the channels used to transmit ideas; artists’ responses to the challenges of political oppression, social unrest, and the effects of colonialism; and experiences of displacement and exile in the twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 4, 2021–January 30, 2022)Tate Modern, London (February 25–August 29, 2022)

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The L.M. Montgomery Reader assembles significant rediscovered primary material on one of Canada's most enduringly popular authors throughout her high-profile career and after her death. Each of its three volumes gathers pieces published all over the world to set the stage for a much-needed reassessment of Montgomery's literary reputation. Much of the material is freshly unearthed from archives and digital collections and has never before been published in book form. The selections appearing in this first volume focus on Montgomery's role as a public celebrity and author of the resoundingly successful Anne of Green Gables (1908). They give a strong impression of her as a writer and cultural critic as she discusses a range of topics with wit, wisdom, and humour, including the natural landscape of Prince Edward Island, her wide readership, anxieties about modernity, and the continued relevance of "old ideals." These essays and interviews, joined by a number of additional pieces that discuss her work's literary and cultural value in relation to an emerging canon of Canadian literature, make up nearly one hundred selections in all. Each volume is accompanied by an extensive introduction and detailed commentary by leading Montgomery scholar Benjamin Lefebvre that trace the interplay between the author and the critic, as well as between the private and the public Montgomery. This volume - and the Reader as a whole - adds tremendously to our understanding and appreciation of Montgomery's legacy as a Canadian author and as a literary celebrity both during and beyond her lifetime.

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'For certain men the stronger their desire, the less likely they are to act.' With his first glimpse of Madame Arnoux, Frédéric Moreau is convinced he has found his romantic destiny, but when he pursues her to Paris the young student is unable to translate his passion into decisive action. He also finds himself distracted by the equally romantic appeal of political action in the turbulent years leading up to the revolution of 1848, and by the attractions of three other women, each of whom seeks to make him her own: a haughty society lady, a capricious courtesan, and an artless country girl. Flaubert offers a vivid and unsparing portrait of the young men of his generation, struggling to salvage something of their ideals in a city where corruption, consumerism, and a pervasive sense of disenchantment undermine all but the most compromised erotic, aesthetic, and social initiatives. Sentimental Education combines thoroughgoing irony with an impartial but unexpectedly intense sympathy in a novel whose realism competes with that of Balzac and whose innovations in narrative plot and perspective mark a turning-point in the development of literary modernism. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Imagine a world where no one gets hurt, a world where no one is teased or bullied, a world where there is no fear or anger. Six centuries before the birth of Jesus, in the faraway land of India, there lived a great spiritual teacher name Mahavira (which means "very brave"), who imagined just such a world. He showed kindness to every living being and emphasized the practice of nonviolence, compassion, and forgiveness. The religion of Mahavira was called Jainism. Mahavira was born a prince, but because he had such deep love and respect for all living creatures, he renounced his wealth and power to become a wandering monk. The Jain teachings of Mahavira became very popular. He taught three important lessons: that one should have love and compassion for all living things; that one should not be too prideful of one's own point of view because the truth has many sides; and that one should not be greedy and should avoid attachment to possessions. Today Jainism has more than 10 million adherents throughout the world. In following the example of Mahavira, Jains practice a vegetarian diet and are committed to sound ecological and environmental practices. Mahavira's lessons on nonviolence and compassion still have a profound impact around the globe, and he is credited with influencing Mahatma Gandhi, who in turn inspired Martin Luther King, Jr. Beautifully brought to life by the delicate paintings of Demi and the powerful yet simple narrative of nationally recognized writer, Manoj Jain, the story of Mahavira's life will provide a shining example of how one spiritual teacher's noble ideals can echo throughout the ages.

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From the gritty streets of nineteenth century London, the loyal and courageous Dr. Watson offers a tale unearthed after generations of lore: the harrowing story of Sherlock Holmes’s attempt to hunt down Jack the Ripper.As England’s greatest specialist in criminal detection, Sherlock Holmes is unwavering in his quest to capture the killer responsible for terrifying London’s East End. He hires an “unfortunate” known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper’s earliest victims; and he relies heavily on the steadfast and devoted Dr. John H. Watson. When Holmes himself is wounded in Whitechapel during an attempt to catch the savage monster, the popular press launches an investigation of its own, questioning the great detective’s role in the very crimes he is so fervently struggling to prevent. Stripped of his credibility, Holmes is left with no choice but to break every rule in the desperate race to find the madman known as “the Knife” before it is too late. A masterly re-creation of history’s most diabolical villain, Lyndsay Faye’s debut brings unparalleled authenticity to the atmosphere of Whitechapel and London in the fledgling days of tabloid journalism and recalls the ideals evinced by Sir Arthur Conan Doyle’s most beloved and world-renowned characters. Jack the Ripper’s identity, still hotly debated around the world more than a century after his crimes were committed, remains a mystery ripe for speculation. Dust and Shadow explores the terrifying prospect of tracking a serial killer without the advantage of modern forensics, and the result is a lightning-paced novel brimming with historical detail that will keep you on the edge of your seat.

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A feminist, an outspoken activist, a woman without a college education, Midge Costanza was one of the unlikeliest of White House insiders. Yet in 1977 she became the first female Assistant to the President for Public Liaison under Jimmy Carter, emerging as a prominent focal point of the American culture wars. Tasked with bringing the views of special interest groups to the president, Costanza championed progressive causes even as Americans grew increasingly divided on the very issues for which she fought. In A Feminist in the White House, Doreen Mattingly draws on Costanza's personal papers to shed light on the life of this fascinating and controversial woman. Mattingly chronicles Costanza's dramatic rise and fall as a public figure, from her initial popularity to her ultimate clashes with Carter and his aides. While Costanza challenged Carter to support abortion rights, gay and lesbian rights, and feminist policies, Carter faced increased pressure to appease the interests of the emerging Religious Right, which directly opposed Costanza's ideals. Ultimately, marginalized both within the White House and by her fellow feminists, Costanza was pressured to resign in 1978. Through the lens of Constanza's story, readers catch a unique perspective of the rise of debates which have defined the feminist movement and sexual politics to this very day. Mattingly also reveals a wider, but heretofore neglected, narrative of the complex era of gender politics in the late 1970's Washington--a history which continues to resonate in politics today. A Feminist in the White House is a must-read for anyone with an interest in sexual politics, female politicians, and presidential history.

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Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph. This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation. THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

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In Resisting Independence, Brad A. Jones maps the loyal British Atlantic's reaction to the American Revolution. Through close study of four important British Atlantic port cities—New York City; Kingston, Jamaica; Halifax, Nova Scotia; and Glasgow, Scotland—Jones argues that the revolution helped trigger a new understanding of loyalty to the Crown and empire. This compelling account reimagines Loyalism as a shared transatlantic ideology, no less committed to ideas of liberty and freedom than the American cause and not limited to the inhabitants of the thirteen American colonies. Jones reminds readers that the American Revolution was as much a story of loyalty as it was of rebellion. Loyal Britons faced a daunting task—to refute an American Patriot cause that sought to dismantle their nation's claim to a free and prosperous Protestant empire. For the inhabitants of these four cities, rejecting American independence thus required a rethinking of the beliefs and ideals that framed their loyalty to the Crown and previously drew together Britain's vast Atlantic empire. Resisting Independence describes the formation and spread of this new transatlantic ideology of Loyalism. Loyal subjects in North America and across the Atlantic viewed the American Revolution as a dangerous and violent social rebellion and emerged from twenty years of conflict more devoted to a balanced, representative British monarchy and, crucially, more determined to defend their rights as British subjects. In the closing years of the eighteenth century, as their former countrymen struggled to build a new nation, these loyal Britons remained convinced of the strength and resilience of their nation and empire and their place within it.

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This is a masterful study of the ways in which sex and law were inextricably intertwined in the elaboration of French rule in Algeria. Its great virtue is to demonstrate in careful detail, with an impressive range of material (from court records to novels), exactly how the conquest of Algeria repeatedly challenged the very ideals of the secular universalism in whose name colonization was carried out.― Joan Wallach Scott, author of Sex and Secularism During more than a century of colonial rule over Algeria, the French state shaped and reshaped the meaning and practice of Muslim law by regulating it and circumscribing it to the domain of family law, while applying the French Civil Code to appropriate the property of Algerians. In Sex, Law, and Sovereignty in French Algeria, 1830–1930, Judith Surkis traces how colonial authorities constructed Muslim legal difference and used it to deny Algerian Muslims full citizenship. In disconnecting Muslim law from property rights, French officials increasingly attached it to the bodies, beliefs, and personhood. Surkis argues that powerful affective attachments to the intimate life of the family and fantasies about Algerian women and the sexual prerogatives of Muslim men, supposedly codified in the practices of polygamy and child marriage, shaped French theories and regulatory practices of Muslim law in fundamental and lasting ways. Women's legal status in particular came to represent the dense relationship between sex and sovereignty in the colony. This book also highlights the ways in which Algerians interacted with and responded to colonial law. Ultimately, this sweeping legal genealogy of French Algeria elucidates how "the Muslim question" in France became—and remains—a question of sex.

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From teen pregnancy and gay sexuality to Communism and disability, the startling secrets that families kept during the Cold War era All families have secrets but the facts requiring secrecy change with time. Nowadays A lesbian partnership, a “bastard” son, an aunt who is a prostitute, or a criminal grandfather might be of little or no consequence but could have unraveled a family at an earlier moment in history. Margaret K. Nelson is interested in how families keep secrets from each other and from outsiders when to do otherwise would risk eliciting not only embarrassment or discomfort, but profound shame and, in some cases, danger. Drawing on over 150 memoirs describing childhoods in the period between the aftermath of World War II and the 1960s, Nelson highlights the importance of history in creating family secrets and demonstrates the use of personal stories to understand how people make sense of themselves and their social worlds. Keeping Family Secrets uncovers hidden stories of same-sex attraction among boys, unwed pregnancies among teenage girls, the institutionalization of children with mental and physical disabilities, participation in left-wing political activities, adoption, and Jewish ancestry. The members of ordinary families kept these issues secret to hide the disconnect between the reality of their own family and the prevailing ideals of what a family should be. Personal accounts reveal the costs associated with keeping family secrets, as family members lie, hurl epithets, inflict abuse, and even deny family membership to protect themselves from the shame and danger of public knowledge. Keeping Family Secrets sheds light not only on decades-old secrets but pushes us to confront what secrets our families keep today.

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A towering figure in twentieth-century theater in India, Habib Tanvir was an actor, director, and playwright, working in Hindi and Urdu. He founded the Naya Theater in 1959, through which he created remarkable works drawing on the history and traditions of the tribal folk of Chhattisgarh. This book brings together four plays, all translated into English for the first time. Agra Bazar (1954), set in the early nineteenth century amid the bustle of a colorful street market in the iconic North Indian city, is woven together by the wonderfully human voice of the poet Nazir, and examines some of important cultural and socioeconomic issues of the period, such as the declining influence of the Urdu language and the growing power of English in colonial India. Charandas Chor (1975), Tanvir’s most famous work, is the story of a typical folk hero who robs the rich much in the style of Robin Hood and evades the law until he comes up against one wall he cannot scale—his own commitment to the truth. In Bahadur Kalarin (1978), Tanvir reinvents an nearly forgotten Chattisgarh folk tale about a mother–son relationship in which he finds echoes of Oedipus, while in The Living Tale of Hirma (1985) he dramatizes a historical event in which a headstrong ruler of an Indian tribe clashes with a population who want to replace the tribal way of life with newfound ideals of democracy, leading to disastrous results. Enriched by introductory texts and an intensive interview with Tanvir that covers the milestones of his illustrious career, the book will be the perfect introduction to Tanvir’s work for English-language theater fans and scholars.

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War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images.As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship.While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.

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"How do we approach the study of masculinity in the past?" Ruth Mazo Karras asks. Medieval documents that have come down to us tell a great deal about the things that men did, but not enough about what they did specifically as men, or what these practices meant to them in terms of masculinity. Yet no less than in our own time, masculinity was a complicated construct in the Middle Ages. In Thou Art the Man, Karras focuses on one figure, King David, who was important in both Christian and Jewish medieval cultures, to show how he epitomized many and sometimes contradictory aspects of masculine identity. For late medieval Christians, he was one of the Nine Worthies, held up as a model of valor and virtue; for medieval Jews, he was the paradigmatic king, not just a remnant of the past, but part of a living heritage. In both traditions he was warrior, lover, and friend, founder of a dynasty and a sacred poet. But how could an exemplar of virtue also be a murderer and adulterer? How could a physical weakling be a great warrior? How could someone whose claim to the throne was not dynastic be a key symbol of the importance of dynasty? And how could someone who dances with slaves be noble? Exploring the different configurations of David in biblical and Talmudic commentaries, in Latin, Hebrew, and vernacular literatures across Europe, in liturgy, and in the visual arts, Thou Art the Man offers a rich case study of how ideas and ideals of masculinity could bend to support a variety of purposes within and across medieval cultures.

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Augustine, bishop of Hippo between 395 and 430, and his fellow bishops lived and worked through massive shifts in politics, society, and religion. Christian bishops were frequently asked to serve as intellectuals, legislators, judges, and pastors—roles and responsibilities that often conflicted with one another and made it difficult for bishops to be effective leaders. Expectations of Justice in the Age of Augustine examines these roles and the ways bishops struggled to fulfill (or failed to fulfill) them, as well as the philosophical conclusions they drew from their experience in everyday affairs, such as oath-swearing, and in the administration of penance. Augustine and his near contemporaries were no more or less successful at handling the administration of justice than other late antique or early medieval officials. When bishops served in judicial capacities, they experienced firsthand the complex inner workings of legal procedures and social conflicts, as well as the fallibility of human communities. Bishops represented divine justice while simultaneously engaging in and even presiding over the sorts of activities that animated society—business deals, litigations, gossip, and violence—but also made justice hard to come by. Kevin Uhalde argues that serving as judges, even informally, compelled bishops to question whether anyone could be guaranteed justice on earth, even from the leaders of the Christian church. As a result, their ideals of divine justice fundamentally changed in order to accommodate the unpleasant reality of worldly justice and its failings. This philosophical shift resonated in Christian thought and life for centuries afterward and directly affected religious life, from the performance of penance to the way people conceived of the Final Judgment.

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In 1631, when the Dutch tried to develop plantation agriculture in the Delaware Valley, the Lenape Indians destroyed the colony of Swanendael and killed its residents. The Natives and Dutch quickly negotiated peace, avoiding an extended war through diplomacy and trade. The Lenapes preserved their political sovereignty for the next fifty years as Dutch, Swedish, Finnish, and English colonists settled the Delaware Valley. The European outposts did not approach the size and strength of those in Virginia, New England, and New Netherland. Even after thousands of Quakers arrived in West New Jersey and Pennsylvania in the late 1670s and '80s, the region successfully avoided war for another seventy-five years. Lenape Country is a sweeping narrative history of the multiethnic society of the Delaware Valley in the seventeenth and early eighteenth centuries. After Swanendael, the Natives, Swedes, and Finns avoided war by focusing on trade and forging strategic alliances in such events as the Dutch conquest, the Mercurius affair, the Long Swede conspiracy, and English attempts to seize land. Drawing on a wide range of sources, author Jean R. Soderlund demonstrates that the hallmarks of Delaware Valley society—commitment to personal freedom, religious liberty, peaceful resolution of conflict, and opposition to hierarchical government—began in the Delaware Valley not with Quaker ideals or the leadership of William Penn but with the Lenape Indians, whose culture played a key role in shaping Delaware Valley society. The first comprehensive account of the Lenape Indians and their encounters with European settlers before Pennsylvania's founding, Lenape Country places Native culture at the center of this part of North America.

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Stem cell research has sparked controversy and heated debate since the first human stem cell line was derived in 1998. Too frequently these debates devolve to simple judgments—good or bad, life-saving medicine or bioethical nightmare, symbol of human ingenuity or our fall from grace—ignoring the people affected. With this book, Ruha Benjamin moves the terms of debate to focus on the shifting relationship between science and society, on the people who benefit—or don't—from regenerative medicine and what this says about our democratic commitments to an equitable society. People's Science uncovers the tension between scientific innovation and social equality, taking the reader inside California's 2004 stem cell initiative, the first of many state referenda on scientific research, to consider the lives it has affected. Benjamin reveals the promise and peril of public participation in science, illuminating issues of race, disability, gender, and socio-economic class that serve to define certain groups as more or less deserving in their political aims and biomedical hopes. Under the shadow of the free market and in a nation still at odds with universal healthcare, the socially marginalized are often eagerly embraced as test-subjects, yet often are unable to afford new medicines and treatment regimes as patients. Ultimately, Ruha Benjamin argues that without more deliberate consideration about how scientific initiatives can and should reflect a wider array of social concerns, stem cell research— from African Americans' struggle with sickle cell treatment to the recruitment of women as tissue donors—still risks excluding many. Even as regenerative medicine is described as a participatory science for the people, Benjamin asks us to consider if "the people" ultimately reflects our democratic ideals.

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The 15th century was a time of dramatic and decisive change for nuns and nunneries in Florence. In the course of that century, the city's convents evolved from small, semiautonomous communities to large civic institutions. By 1552, roughly one in eight Florentine women lived in a religious community. Historian Sharon T. Strocchia analyzes this stunning growth of female monasticism, revealing the important roles these women and institutions played in the social, economic, and political history of Renaissance Florence. It became common practice during this time for unmarried women in elite society to enter convents. This unprecedented concentration of highly educated and well-connected women transformed convents into sites of great patronage and social and political influence. As their economic influence also grew, convents found new ways of supporting themselves; they established schools, produced manuscripts, and manufactured textiles. Strocchia has mined previously untapped archival materials to uncover how convents shaped one of the principal cities of Renaissance Europe. She demonstrates the importance of nuns and nunneries to the booming Florentine textile industry and shows the contributions that ordinary nuns made to Florentine life in their roles as scribes, stewards, artisans, teachers, and community leaders. In doing so, Strocchia argues that the ideals and institutions that defined Florence were influenced in great part by the city's powerful female monastics. Nuns and Nunneries in Renaissance Florence shows for the first time how religious women effected broad historical change and helped write the grand narrative of medieval and Renaissance Europe. The book is a valuable text for students and scholars in early modern European history, religion, women's studies, and economic history.

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This volume introduces the reader to every important aspect of the society of Sparta, the dominant power in southern Greece from the seventh century BC and the great rival of democratic Athens in the fifth and fourth centuries. During this period Sparta evolved a unique social and political system that combined egalitarian structures, military ideals and brutal oppression, and permitted male citizens to focus on the practice of war. The system fascinated scholars at the time and has done so ever since: its outlines are clear, but because of the nature of the evidence almost all detailed aspects of Spartan social practices and constitutional affairs are open to debate. Michael Whitby introduces and presents some of the most outstanding contributions to the history of Sparta. Together they cover the key aspects of Spartan history and society: its problematic early history, social and economic organisation (especially the different categories of citizens and non-citizens), international relations and military achievements, religious practices and culture, the role of women, and sexual conduct and values. He has chosen them partly for their clarity and importance, and partly too for the questions they raise about the problems of studying Sparta - what evidence to consider, what precautions need to be observed in considering it, and what sorts of conclusions it is reasonable to draw. His intention is not to pretend that definitive answers can be offered to the main problems of Sparta but to encourage readers to formulate their own approaches and judgements with due respect for the limitations of the evidence and awareness of the benefits of informed speculation.

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A vivid look at China’s shifting place in the global political economy of technology production How did China’s mass manufacturing and “copycat” production become transformed, in the global tech imagination, from something holding the nation back to one of its key assets? Prototype Nation offers a rich transnational analysis of how the promise of democratized innovation and entrepreneurial life has shaped China’s governance and global image. With historical precision and ethnographic detail, Silvia Lindtner reveals how a growing distrust in Western models of progress and development, including Silicon Valley and the tech industry after the financial crisis of 2007–8, shaped the rise of the global maker movement and the vision of China as a “new frontier” of innovation.Lindtner’s investigations draw on more than a decade of research in experimental work spaces—makerspaces, coworking spaces, innovation hubs, hackathons, and startup weekends—in China, the United States, Africa, Europe, Taiwan, and Singapore, as well as in key sites of technology investment and industrial production—tech incubators, corporate offices, and factories. She examines how the ideals of the maker movement, to intervene in social and economic structures, served the technopolitical project of prototyping a “new” optimistic, assertive, and global China. In doing so, Lindtner demonstrates that entrepreneurial living influences governance, education, policy, investment, and urban redesign in ways that normalize the persistence of sexism, racism, colonialism, and labor exploitation.Prototype Nation shows that by attending to the bodies and sites that nurture entrepreneurial life, technology can be extricated from the seemingly endless cycle of promise and violence.Cover image: Courtesy of Cao Fei, Vitamin Creative Space and Sprüth Magers

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How creative freedom, race, class, and gender shaped the rebellion of two visionary artistsPostwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons.In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels.Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.

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In 1969, Princeton physicist Gerard O'Neill began looking outward to space colonies as the new frontier for humanity's expansion. A decade later, Eric Drexler, an MIT-trained engineer, turned his attention to the molecular world as the place where society's future needs could be met using self-replicating nanoscale machines. These modern utopians predicted that their technologies could transform society as humans mastered the ability to create new worlds, undertook atomic-scale engineering, and, if truly successful, overcame their own biological limits. The Visioneers tells the story of how these scientists and the communities they fostered imagined, designed, and popularized speculative technologies such as space colonies and nanotechnologies. Patrick McCray traces how these visioneers blended countercultural ideals with hard science, entrepreneurship, libertarianism, and unbridled optimism about the future. He shows how they built networks that communicated their ideas to writers, politicians, and corporate leaders. But the visioneers were not immune to failure--or to the lures of profit, celebrity, and hype. O'Neill and Drexler faced difficulty funding their work and overcoming colleagues' skepticism, and saw their ideas co-opted and transformed by Timothy Leary, the scriptwriters of Star Trek, and many others. Ultimately, both men struggled to overcome stigma and ostracism as they tried to unshackle their visioneering from pejorative labels like "fringe" and "pseudoscience." The Visioneers provides a balanced look at the successes and pitfalls they encountered. The book exposes the dangers of promotion--oversimplification, misuse, and misunderstanding--that can plague exploratory science. But above all, it highlights the importance of radical new ideas that inspire us to support cutting-edge research into tomorrow's technologies.

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American philanthropy today expands knowledge, champions social movements, defines active citizenship, influences policymaking, and addresses humanitarian crises. How did philanthropy become such a powerful and integral force in American society? "Philanthropy in America" is the first book to explore in depth the twentieth-century growth of this unique phenomenon. Ranging from the influential large-scale foundations established by tycoons such as John D. Rockefeller, Sr., and the mass mobilization of small donors by the Red Cross and March of Dimes, to the recent social advocacy of individuals like Bill Gates and George Soros, respected historian Olivier Zunz chronicles the tight connections between private giving and public affairs, and shows how this union has enlarged democracy and shaped history. Zunz looks at the ways in which American philanthropy emerged not as charity work, but as an open and sometimes controversial means to foster independent investigation, problem solving, and the greater good. Andrew Carnegie supported science research and higher education, catapulting these fields to a prominent position on the world stage. In the 1950s, Howard Pew deliberately funded the young Billy Graham to counter liberal philanthropies, prefiguring the culture wars and increased philanthropic support for religious causes. And in the 1960s, the Ford Foundation supported civil rights through education, voter registration drives, and community action programs. Zunz argues that American giving allowed the country to export its ideals abroad after World War II, and he examines the federal tax policies that unified the diverse nonprofit sector. Demonstrating that America has cultivated and relied on philanthropy more than any other country, "Philanthropy in America" examines how giving for the betterment of all became embedded in the fabric of the nation's civic democracy.

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Over the past 15 years, the project of advanced European integration has followed a complex secular and cosmopolitan agenda. As that agenda has evolved, however, so have various hard-line populist movements with goals diametrically opposed to the ideals of a harmonious European Union. Spearheaded by figures such as Jean-Marie Le Pen, the controversial leader of France's National Front party, these radical movements have become increasingly influential and, because of their philosophical affinities with fascism and national socialism--politically worrisome. In Integral Europe, anthropologist Douglas Holmes posits that such movements are philosophically rooted in integralism, a sensibility that, in its most benign form, enables people to maintain their ethnic identity and solidarity within the context of an increasingly pluralistic society. Taken to irrational extremes by people like Le Pen, integralism is being used to inflame people's feelings of alienation and powerlessness, the by-products of impersonal, transnational "fast-capitalism." The consequences are an invidious politics of exclusion that spawns cultural nationalism, racism, and social disorder. The analysis moves from northern Italy to Strasbourg and Brussels, the two venues of the European Parliament, and finally to the East End of London. This multi-sited ethnography provides critical perspective on integralism as a form of intimate cultural practice and a violent idiom of estrangement. It combines a wide-ranging review of modern and historical scholarship with two years of field research that included personal interviews with right-wing activists, among them Le Pen and neo-Nazis in inner London. Fascinating, provocative, and sobering, Integral Europe offers a rare inside look at one of modern Europe's most unsettling political trends.

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"Once again I repeat that I am not an impartial; objective critic. My judgments are nourished by my ideals, my sentiments, my passions. I have an avowed and resolute ambition: to assist in the creation of Peruvian socialism. I am far removed from the academic techniques of the university."—From the Author's NoteJose Carlos Mariátegui was one of the leading South American social philosophers of the early twentieth century. He identified the future of Peru with the welfare of the Indian at a time when similar ideas were beginning to develop in Middle America and the Andean region. Generations of Peruvian and other Latin American social thinkers have been profoundly influenced by his writings.Seven Interpretive Essays on Peruvian Reality (Siete ensayos de interpretación de la realidad peruana), first published in 1928, is Mariátegui's major statement of his position and has gone into many editions, not only in Peru but also in other Latin American countries. The topics discussed in the essays—economic evolution, the problem of the Indian, the land problem, public education, the religious factor, regionalism and centralism, and the literary process—are in many respects as relevant today as when the book was written.Mariátegui's thinking was strongly tinged with Marxism. Because contemporary sociology, anthropology, and economics have been influenced by Marxism much more in Latin America than in North America, it is important that North Americans become more aware of Mariátegui's position and accord it its proper historical significance.Jorge Basadre, the distinguished Peruvian historian, in an introduction written especially for this translation, provides an account of Mariátegui's life and describes the political and intellectual climate in which these essays were written.

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Theories of justice are haunted by a paradox: the more ambitious the theory of justice, the less applicable and useful the model is to political practice; yet the more politically realistic the theory, the weaker its moral ambition, rendering it unsound and equally useless. Brokering a resolution to this "judgment paradox," Albena Azmanova advances a "critical consensus model" of judgment that serves the normative ideals of a just society without the help of ideal theory. Tracing the evolution of two major traditions in political philosophy—critical theory and philosophical liberalism—and the way they confront the judgment paradox, Azmanova critiques prevailing models of deliberative democracy and their preference for ideal theory over political applicability. Instead, she replaces the reliance on normative models of democracy with an account of the dynamics of reasoned judgment produced in democratic practices of open dialogues. Combining Hannah Arendt's study of judgment with Pierre Bourdieu's social critique of power relations, and incorporating elements of political epistemology from Kant, Wittgenstein, H. L. A. Hart, Max Weber, and American philosophical pragmatism, Azmanova centers her inquiry on the way participants in moral conflicts attribute meaning to their grievances of injustice. She then demonstrates the emancipatory potential of the model of critical deliberative judgment she forges and its capacity to guide policy making. This model's critical force yields from its capacity to disclose the common structural sources of injustice behind conflicting claims to justice. Moving beyond the conflict between universalist and pluralist positions, Azmanova grounds the question of "what is justice?" in the empirical reality of "who suffers?" in order to discern attainable possibilities for a less unjust world.

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In 1941, the Jewish American writer and avant-garde icon Gertrude Stein embarked on one of the strangest intellectual projects of her life: translating for an American audience the speeches of Marshal Philippe Petain, head of state for the collaborationist Vichy government. From 1941 to 1943, Stein translated thirty-two of Petain's speeches, in which he outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with Nazi occupiers. Unlikely Collaboration pursues troubling questions: Why and under what circumstances would Stein undertake this project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Fay, Stein's apparent Vichy protector. Fay was director of the Bibliotheque Nationale during the Vichy regime and overseer of the repression of French freemasons. He convinced Petain to keep Stein undisturbed during the war and, in turn, encouraged her to translate Petain for American audiences. Yet Fay's protection was not coercive. Stein described the thinker as her chief intellectual companion during her final years. Barbara Will outlines the formative powers of this relationship, noting possible affinities between Stein and Fay's political and aesthetic ideals, especially their reflection in Stein's writing from the late 1920s to the 1940s. Will treats their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination. Her book forces a reconsideration of modernism and fascism, asking what led so many within the avant-garde toward fascist and collaborationist thought. Touching off a potential powder keg of critical dispute, Will replays a collaboration that proves essential to understanding fascism and the remaking of modern Europe.

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A country bitterly divided between two political parties. Populist mobs rising in support of a reactionary rabble-rouser. Foreign interference in the political process. Strained relations between Britain and Europe. These are not recent headlines they are from the year 1710, when Queen Anne ruled Britain.In her engagingly written Backlash, Rachel Carnell tells the fascinating and entertaining account of the reign of Queen Anne and the true story behind the fall of the Whig government imaginatively depicted in the 2018 film The Favourite. As Carnell shows, the truth was significantly different and in many ways more interesting than what the film depicted.The backlash began in 1709 when the Whigs arrested a popular female Tory political satirist and then impeached a provocative High Church clergyman for preaching a sermon repudiating the ideals of parliamentary monarchy and religious tolerance. The impeachment trial backfired, and mobs surged in the streets supporting the Tory preacher and threatening religious minorities. With charges dropped against the satirist, by 1710 she had written a best-selling sequel.Queen Anne was careful and diligent in her monarchical duties. She tried to run a government balanced between the parties, but finally torn between the Whigs (including her longtime friends the Duke and Duchess of Marlborough) and the proto-Brexiteer Tories, she dissolved Parliament and called for elections. This brought in a majority for the Tories, who swiftly began passing reactionary legislation. While the Whigs would return to power after Anne's death in 1714 and reverse the Tory policies, this little-known era offers an important historical perspective on the populist backlashes in the United States and United Kingdom today.

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This elegant treatise examines the nature of kindness through the fascinating lenses and contexts of ancient, medieval and contemporary philosophy, natural history, theories of mind, of natural selection, eco-psychology and sociobiology. It challenges the reader to consider the myriad potential consequences of human behaviour, examining various iconographic moments from the history of art and science as a precursor to the concept and vital potentials for ecological conversion. Focusing on the fundamental mechanisms of reciprocity among humans, other species, communities and nations, Tobias and Morrison lead readers on a remarkable journey whose itinerary, and the provocative questions explored, seek to affirm a pattern in evolution and in human thought that is emphatically oriented towards benevolence, not tyranny. Prosociality in all species - making others happy, kind gestures at any and every juncture of life - has, as a discipline of enquiry, enjoyed a social scientific renaissance during the last decade. Can natural selection move rapidly enough to meet that ultimate challenge? Can our species re-evolve in real time, moving from the ideas, to the ideals, to their applied engineering in a real world that is ecologically haemorrhaging? Which all the critical moral and cognitive changes in social communion such new human nature, as the Authors suggest, clearly requires? This ground-breaking work of ecological philosophy, with its roots in ancient Greek thought, represents a radical break with nearly every traditional scientific paradigm, in exploring the intuitive geography and dramatic questions of ourselves -- each and every one of us -- that will prove crucial to the survival of our species, and all those we co-habit this miraculous planet with.

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During the last two decades, numerous studies have been devoted to the Victorian fascination with King Arthur, however . the figure of King Alfred has received almost no attention. For much of the nineteenth century, Alfred was as important as Arthur in the British popular imagination. A pervasive cult of the king developed which included the erection of at least four public statues, the completion of more than twenty-five paintings, and the publication of over a hundred texts, by authors ranging from Wordsworth to minor women writers. By 1852, J.A. Froude could describe Alfred’s life as ‘the favourite story in English nurseries’; in 1901, a national holiday marked the thousandth anniversary of his death, organised by a committee including Edward Burne Jones, Arthur Conan Doyle and Thomas Hughes. England’s darling sets out to answer the questions that must arise in the face of such nineteenth-century enthusiasm for a long-dead king. It addresses a genuine gap in the literature on Victorian medievalism in particular and cultural history in general and argues that knowledge of the cult of Alfred is crucial to understanding the Victorian cultural map. The book examines the ways in which Alfred was rewritten by nineteenth-century authors and artists, and asks how beliefs about the Saxon king’s reign and achievements related to nineteenth-century ideals about leadership, law, religion, commerce, education and the Empire. The book concludes by addressing the most interesting enigma in Alfred’s reception history: why is the king no longer ‘England’s darling’?A fascinating study that will be enjoyed by scholars of history, cultural history, literature and art history.

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NEW YORK TIMES BESTSELLER It’s time for a black exit. Political activist and social media star Candace Owens addresses the many ways that Democrat Party policies hurt, rather than help, the African American community, and why she and many others are turning right.Black Americans have long been shackled to the Democrats. Seeing no viable alternative, they have watched liberal politicians take the black vote for granted without pledging anything in return. In Blackout, Owens argues that this automatic allegiance is both illogical and unearned. She contends that the Democrat Party has a long history of racism and exposes the ideals that hinder the black community’s ability to rise above poverty, live independent and successful lives, and be an active part of the American Dream. Instead, Owens offers up a different ideology by issuing a challenge: It’s time for a major black exodus. From dependency, from victimhood, from miseducation—and the Democrat Party, which perpetuates all three. Owens explains that government assistance is a double-edged sword, that the Left dismisses the faith so important to the black community, that Democrat permissiveness toward abortion disproportionately affects black babies, that the #MeToo movement hurts black men, and much more. Weaving in her personal story, which ushered her from a roach-infested low-income apartment to1600 Pennsylvania Avenue, she demonstrates how she overcame her setbacks and challenges despite the cultural expectation that she should embrace a victim mentality. Well-researched and intelligently argued, Blackout lays bare the myth that all black people should vote Democrat—and shows why turning to the right will leave them happier, more successful, and more self-sufficient.

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The stunning first volume in Janny Wurts’s epic tale of two half-brothers cursed to life-long enmity, now re-released with a striking new cover. Let each who reads determine the good and the evil for himselfAthera is besieged by the Mistwraith, which blights the land and dims the mysteries guarded by the last fugitives of the old bloodlines.But from a prophecy springs hope: the gifts of two brothers – one dark, one fair, raised on opposite sides of a relentless war – when paired may challenge the Mistwraith’s invasion, though at brutal cost…Arithon, Master of Shadow, musician and mage, commands the power of illusion and darkness. Taken prisoner in battle, his fate falls to his half-brother, Prince Lysaer – a man endowed with the gift of light through the mother they share. Lysaer is the legitimate son of a king who was betrayed by his queen’s choice to father Arithon by his mortal enemy but that does not save him:Vengeful fury drives the king to banish both Lysaer and Arithon from the world they know to the troubled realms of Athera beyond the Worldsend Gate.The two exiles are thrown together by hatred and spilled blood – then bound by destiny to champion Athera’s sundered heritage. The highest stakes ride the backlash of their conflict – they must reforge their adverse ideals into balance, or destroy the etheric grace of a culture all but lost to antiquity.A subtle and intricate tale of morality and difference, justice versus compassion, told with epic scope and real magic, Curse of the Mistwraith remains a modern classic of the fantasy genre.

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“Bisi Adjapon writes with incredible vividness and clarity. Her similes and attention to all of the senses are really extraordinary.”—Dave Eggers, author of The Monk of Mokha“Melding blistering humor with razor-sharp insight, The Teller of Secrets heralds a marvel of a writer, one capable of deftly balancing questions of sexuality, politics, and feminism in a novel that is a pure joy to read.”—Maaza Mengiste, author of The Shadow King, Shortlisted for the 2020 Booker PrizeIn this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women.Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father's adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways. Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa's most exciting literary talents.

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“I Know This to Be True is the basis for the Netflix documentary series Live to Lead created and directed by Geoff Blackwell and executive produced by The Duke and Duchess of Sussex.”  The I Know This to Be True series is a collection of extraordinary figures from diverse backgrounds answering the same questions, as well as sharing their compelling stories, guiding ideals, and insightful wisdom. The inimitable Ruth Bader Ginsburg, former associate justice of the US Supreme Court, embodied the power of persistence and integrity. Throughout her legal career, spanning nearly five decades, she was an unwavering force for progress and a leading voice for equality and justice. Here, she reflects on her many years of service to the law, as well as her family life and struggle with cancer. With disarming honesty, Ginsburg discusses everything from gender equality and fitness to literature and the importance of hard work. Strong, hopeful and wise, her words stand as a guide for budding feminists and those who fight for justice around the world. Inspired by Nelson Mandela's legacy and created in collaboration with the Nelson Mandela Foundation, I Know This to Be True is a global series of books created to spark a new generation of leaders. This series offers encouragement and guidance to graduates, future leaders, and anyone hoping to make a positive impact on the world. • Royalties from sales of the series support the free distribution of material from the series to the world's developing economy countries. • A highly giftable and lovely hardcover with vivid photographic portraits throughout.

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This book is the first ethnography of "comunero culture" in an agricultural community in the Coquimbo region of Chile. In this unforgiving environment of limited resources and cyclical drought, the comunidades agrícolas make use of indivisible communal land, democratic decision-making, cooperative relations of production and resource conservation, and diverse economic activities closely linked to changing environmental conditions. Based on fieldwork spanning several years, through vivid details of daily life in a peasant community the book brings to light a determined struggle to protect land and livelihood. One particular family's story is told to illustrate the extraordinary resiliency of these communities in response to the sometimes harsh natural, political, and economic development environments in which they are situated. Exploring the ways in which social behavior is shaped by environmental factors and focusing on the strength of cultural expression, this work challenges many conventional ideas about seemingly marginalized people living in marginal lands. Resiliency in Hostile Environments places these issues within the political economy of Chile's 'transition to democracy,' an era of significant interest to students and scholars of post-dictatorship Latin American societies. Although comunero democracy has been revitalized since the return of civilian rule after the Pinochet regime, the failure of some rural assistance programs is often attributed to the government's continued use of the dictatorship's model of economic development. While the state is more attentive to rural poverty in the post-dictatorship era, some programs and policies informed by a discourse of modernization and standardization conflict with local ideals and limit the flexibility of traditional livelihood strategies practiced by community members.

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Interdisciplinarity-or the interrelationships among distinct fields, disciplines, or branches of knowledge in pursuit of new answers to pressing problems-is one of the most contested topics in higher education today. Some see it as a way to break down the silos of academic departments and foster creative interchange, while others view it as a destructive force that will diminish academic quality and destroy the university as we know it. In Undisciplining Knowledge, acclaimed scholar Harvey J. Graff presents readers with the first comparative and critical history of interdisciplinary initiatives in the modern university. Arranged chronologically, the book tells the engaging story of how various academic fields both embraced and fought off efforts to share knowledge with other scholars. It is a story of myths, exaggerations, and misunderstandings, on all sides. Touching on a wide variety of disciplines-including genetic biology, sociology, the humanities, communications, social relations, operations research, cognitive science, materials science, nanotechnology, cultural studies, literacy studies, and biosciences-the book examines the ideals, theories, and practices of interdisciplinarity through comparative case studies. Graff interweaves this narrative with a social, institutional, and intellectual history of interdisciplinary efforts over the 140 years of the modern university, focusing on both its implementation and evolution while exploring substantial differences in definitions, goals, institutional locations, and modes of organization across different areas of focus. Scholars across the disciplines, specialists in higher education, administrators, and interested readers will find the book's multiple perspectives and practical advice on building and operating-and avoiding fallacies and errors-in interdisciplinary research and education invaluable.

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Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920—shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers—it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.

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So Little Time is a revolving door of political activism, spirituality, nature, and humanity. It is a call to action, where urgency meets poetry in no uncertain terms, and asks, What hour are we in? Edited by poet, Irish and U. S. citizen, and Vermont activist, Greg Delanty, it takes its cue from the grassroots sensibility of Vermont, stripping down decades of unwavering ideals to arrive at an interpretive look at what it means to be 'Green' in an evolving world. A work of education and art as invigorating as the poets, teachers, and activists who inspired it, So Little Time addresses what it means to take up action for something as simple as good, healthy, and clean living. It stands on a fundamental set of questions: What are we looking at? What are we seeing? What's really there? Then asks, What's actually there? So Little Time is more than a coffee table book; rather it is a visual platform, a reflection of a state of mind-clear and focused at the center-that becomes something else around the edges. With a Foreword from John Elder, and poems that feature the work of Greg Delanty and a range of poetry selections, along with quotes from such environmentalists, as BIll McKibben, So Little Time is an interactive and interpretive book that will inspire, enrich, and a call to action in an urgent plea to stop global warming. The book merges poetry and quotes with stunning black and white photography by such artists as Mariana Cook, the last surviving disciple of Ansel Adams.

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