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Help Children Learn About God's World and OppositesYour family will love this unique board book! Using colorful, engaging artwork, Let There Be Light introduces little ones to the Creation story as a vehicle for understanding opposites, a crucial concept in early cognitive development.Children will delight in the imaginative illustrations and learn key opposites such as quiet/loud, light/dark, and above/below. These contrasting pairs are taught against the backdrop of Scripture chronicling God's creation of heaven and earth.You will appreciate the artistic design, theologically sound content, and helping your little one gain a greater understanding of the glory of God's world while mastering their opposites.***Baby Believer primers are designed to grow with children, from early infancy through elementary school. In addition to basic Bible theology, Baby Believer board books are filled with quotations from the Bible, creeds, hymns, church fathers, and other articles of faith to help reinforce the content and provide intellectual handholds for older children who possess a greater capacity for learning and memorization.

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The hardback of this first and authorised biography received very good reviews and immediately reprinted. It tells the story of one of the heroines of post-war British comedy, on radio, film and TV. Hattie Jacques is known as the billowing, imposing Matron in the Carry On films, as the star of such BBC radio classics as ITMA, Educating Archie and Hancock’ s Half Hour, and as the fictional sister of Eric Sykes in his long-running TV sitcom. But the formidable, frumpy galleon-in-full-sail screen persona could not have been more at odds with the real-life woman, as this biography reveals for the first time. She had a tempestuous wartime affair with an American officer, and then a strange marriage to the actor John le Mesurier (Corporal Wilson in Dad’ s Army) whose dissatisfactions she circumnavigated by moving her lover, a flashy Cockney car dealer, into the matrimonial home. But as well as being warm and sexy and generous she was also, owing to her lifelong struggle with her weight, needy and melancholic, and rueful that her size persistently typecast her and excluded her from many roles. This biography has been written with full co-operation from Hattie’ s son, and show business friends like Barbara Windsor, Clive Dunn, Galton and Simpson and Ian Carmichael.

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Iconic cars such as the 356's and the immortal 911's, extraordinary success stories in the classic endurance races, great champions and remarkable engineers. These are the principal ingredients of Porsche. The Golden Years, a book examining the full history of the legendary Stuttgart firm, with spectacular and previously unpublished images by the photographer Franco Villani. The Porsche 356 with both closed and open bodywork was the model that in 1948 officially inaugurated the catalogue of the celebrated Stuttgart firm. In that difficult period of reconstruction the Dr. Ferdinand Porsche, artificer of the car and founder of the marque, was already an undisputed authority in the automotive field for having designed the Volkswagen Beetle, the people's car. The Porsche 356's were "legitimate offspring" of the Beetle and soon found favour with the public: they were sporting cars that were easy to use in everyday life. This is the true Porsche "DNA", confirmed with the launch of the 901, or rather the 911 that first saw the light of day in 1963, a model that soon became a planetary success story, a car capable of traversing the decades while maintaining intact its appeal. The Porsche name also evokes the innumerable victories obtained in legendary endurance races such as the Le Mans 24 Hours and the Targa Florio, in the World Rally Championship and in the great African raids such as the Paris-Dakar, as well as in Formula 1 as an engine supplier to McLaren in the early `80s.

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The Victorians excelled at telling ghost stories. In an age of rapid scientific progress the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of them still retain their original power to surprise and unsettle. The editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection also emphasizes the key role played by women writers - Elizabeth Gaskell, Mrs Craik, Rhoda Broughton, and Charlotte Riddell, among many others - and offers one or two genuine rarities for the supernatural fiction enthusiast to savour. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. The editors also provide a fascinating introduction, detailed source notes, and a chronological list of ghost stories collections from 1850 to 1910.

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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986-the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler's tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects-from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden-Drexler's boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department's public and educational programs projected a culture of popular accessibility, offsetting MoMA's reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyses how MoMA became a touchstone for the practice and study of midcentury architecture.

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** THE NEW YORK TIMES BESTSELLER** The never-before-told, inside story of the Steele Dossier and the Trump-Russia investigation'The best procedural yet written about the discovery of Trump's Russia ties' New York TimesThe founders of the Washington-based intelligence firm Fusion GPS Glenn Simpson and Peter Fritsch were the first to uncover Trump's disturbing ties to the Kremlin and the crimes that have since plagued his presidency. Working with British former MI6 agent and Russia expert Christopher Steele, they produced the notorious dossier which disclosed that the Trump team was deeply compromised by a hostile foreign power bent on disrupting the West and influencing the US presidential election.In Crime in Progress, the authors chronicle their high-stakes investigation and desperate efforts to warn both the American and British governments, the FBI and the media - no matter the cost. When the dossier finally exploded onto the world stage after a leak, it led to the Mueller report and disrupted Trump's secret planned rapprochement with Putin's Russia. After years on his trail, the authors' inescapable conclusion is that Trump is an asset of the Russian government, whether he knows it or not.A real-life political thriller with the makings of a modern classic, Crime in Progress is the definitive story of the pursuit of the truth about Trump and one of the greatest betrayals in American history.'I've read all the books on this subject - this is the one you want to read . . . I feel fairly steeped in this matter and I learned something on every page' Rachel Maddow, MSNBC'You don't need to read John le Carré or Tom Clancy to find espionage thrills in Washington these days, turn over any stone in the Beltway's secret world and you'll observe the seething mass of conspiracy and subterfuge beneath . . . Take Glenn Simpson and Peter Fritsch, who have become central characters in a quite terrifying international spy thriller' Josh Glancy, Sunday Times

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Foreword by His Royal Highness Charles, Prince of Wales Hospital ships filled the harbour of Le Havre as the 75th Mississauga Battalion arrived on 13 August 1916. Those soldiers who survived would spend almost three years in a tiny corner of northeastern France and northwestern Belgium (Flanders), where many of their comrades still lie. And they would serve in many of the most horrific battles of that long, bloody conflict - Saint Eloi, the Somme, Arras, Vimy, Hill 70, Lens, Passchendaele, Amiens, Drocourt-Quéant, Canal du Nord, Cambrai, and Valenciennes. This book tells the story of the 75th Battalion (later the Toronto Scottish Regiment) and the five thousand men who formed it - most from Toronto - from all walks of life. They included professionals, university graduates, white- and blue-collar workers, labourers, and the unemployed, some illiterate. They left a comfortable existence in the prosperous, strongly pro-British provincial capital for life in the trenches of France and Flanders. Tommy Church, mayor of Toronto from 1915 to 1921, sought to include his city's name in the unit's name because of the many city officials and local residents who served in it. Three years later Church accepted the 75th's now heavily emblazoned colours for safekeeping at City Hall from Lieutenant-Colonel Colin Harbottle, who returned with his bloodied but successful survivors. The author pulls no punches in recounting their labours, triumphs, and travails. Timothy J. Stewart undertook exhaustive research for this first-ever history of the 75th, drawing from archival sources (focusing on critical decisions by Brigadier Victor Oldum, General Officer Commanding 11th Brigade), diaries, letters, newspaper accounts, and interviews.

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Dedicated to that ominous strain of horror that sends a shiver down your spine, this selection of masterful tales gathers the weird and wonderful from a rich tradition of genre writing. The sound of a sinister tread in an apparently abandoned house; mysterious crimes committed in the dead of night; a glimpse of a monstrous apparition through the murky gloom: all find their home here. This latest anthology in the popular series of Gothic Fantasy collections features new stories by contemporary authors alongside classic tales by E.T.A. Hoffmann, Robert Louis Stevenson, Edith Nesbit, Sheridan Le Fanu, Edith Wharton, M.R. James and more. The modern writers included are: Ramsey Campbell, P.G. Galalis, Kevin J.J. Gallivan, Ali Habashi, Maria Haskins, S.R. Masters, Damien Mckeating, John Moralee, Aeryn Rudel, David Schmidt, Cody Schroeder, Shana Scott, Anna Taborska, D.A. Watson, Nemma Wollenfang, and Anna Ziegelhof.

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Text in English & German. If laziness is the mother of all inventions, then the car is its masterpiece. The earliest means of locomotion was walking, followed by riding on horses or camels; finally, with the invention of the wheel, came the ability to use carriages, which not only made locomotion far more comfortable but also brought the transportation of goods to a whole new level. However, it then took millennia for carriages to go from being propelled by horses or oxen to engines, initially steam-driven, then propelled by internal combustion engines and early experiments with electric propulsion. Cars were initially the result of pure craftsmanship, and as passenger cars were based on the concept of the carriage. The assembly line had not entirely abandoned the carriage look, but already showed a typical automobile profile: equal-sized wheels, engine bonnet, passenger compartment. The predominant body colour of cars manufactured between 1910 and 1930 was black, while all makes of car had an almost uniform appearance. As manufacturers moved away from metal-panelled wooden frames to an all-steel design, they hesitantly ventured to adopt new forms. Improved undercarriages and higher engine performance were initially limited by air resistance, which above a speed of 60 kilometres per hour is the strongest of all driving resistances. This led to the development of new body shapes that offer less resistance to the airstream. Engineers still determined the form of the car, sometimes even achieving formal elegance. It was only rarely that members of other professions, such as the architects Le Corbusier or Walter Gropius, were commissioned to design a car. Between the two World Wars North America had the worlds largest fleet of cars; this also meant that their design became an increasingly important sales factor. Professsional automobile design was established. As they continued to develop technically, cars in the 1950s moved further and further away from the physically logical form of a moving body. One of the last and most outstanding examples of a form with optimum resistance to the airstream is the Citroën ID/DS of 1955. Others, indeed almost all, opted for the pure symbolism of speed and power, whose most important ingredients were tail fins and chrome. Today, with a global annual production of close to 100 million passenger cars, automotive style has come to be represented by a wide range of almost every imaginable form. Architect Hans-Ulrich von Mende has worked with partners in an independent practice since 1990. For 50 years his writings and drawings on automotive design have appeared in books, trade journals (mot, autobild) and the daily press (Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung).

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The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.

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MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise and the creators of the illustrated Jungle Book and Peter Pan, reimagine the beloved French fairy tale The Beauty and the Beast in this deluxe unabridged edition illustrated with stunning full-color artwork and nine 3-D interactive features-published to coincide with the release of the blockbuster Disney live-action musical film starring Emma Watson, Ian McKellen, Josh Gad, Ewan McGregor, and Emma Thompson. Generations of readers have been bewitched by the epic love story of a beautiful young girl imprisoned in the magical castle of a monstrous beast. Now, the classic fairy tale is brought to life in this spectacular illustrated edition as originally envisioned by Gabrielle-Suzanne Barbot de Villeneuve in 1740. The Beauty and the Beast is packed with specially commissioned, full-color artwork and nine exclusive interactive features, including: * a fold-out map of the rich French city where the Merchant (Beauty's father) and his family reside;* a fold out that reveals the interior of the Beast's enchanted palace;* a series of flaps (similar to an Advent calendar) that open to reveal different entertainments; available to Beauty in the Beast's palace;* a dial of the ring Beauty turns on her finger to return to the Beast. This unique gift edition takes readers on a captivating journey through a mystical land filled with enchanting inhabitants. MiniLima's imaginative artwork, exquisite detail, and engaging design recreate this timeless romantic adventure as never before in a lush unabridged gift edition sure to be cherished for years to come. Disney's live-action movie musical version of Beauty and the Beast, directed by Bill Condon (Twilight: Breaking Dawn, Dreamgirls), stars Harry Potter alumna Emma Watson as Belle, Dan Stevens as the Beast, Ewan McGregor as Lumiere, Luke Evans as Gaston, Emma Thompson as Mrs. Potts, Ian McKellen as Cogsworth, Josh Gad as Le Fou, Kevin Kline as Maurice, Stanley Tucci as Cadenza, and Audra McDonald as Garderobe.

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Set largely in locations near the French Riviera, these eleven short stories depict the harsh realities of life for the less-privileged inhabitants of this very privileged region. Distinguished French writer J. M. G. Le Clézio lends his voice to the dispossessed and explores his familiar themes of alienation, immigration, poverty, violence, indifference, the loss of beauty, and the betrayal of innocence.In one story an adolescent girl encounters the violence of a gang of masked bikers in a hostile and desolate housing project. In others a man stands by helplessly as a place of great beauty and deep childhood memory is slowly consumed and destroyed by a quickly developing city, an illegal immigrant desperate for work finds himself the prisoner of a ring trafficking in human beings, and two girls risk everything by running away from home and their dead-end factory jobs in search of a more meaningful life. At once tragic and evocative, these engrossing and beautifully crafted stories touch upon the loss of human values in a rapidly changing world.

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Without Nancy Tennant, Humphrey Waterfield's exquisite horticultural creations might never have existed. The two of them were life-long partners and together created 'the most beautiful small garden in England' at Hill Pasture in Essex and collaborated on the restoration of the gardens at Le Clos du Peyronnet, Menton, France. It was Nancy who kept Hill Pasture going during the Second World War, and this garden and subsequently Le Clos became their earthly paradise, publicly acclaimed works of art and a consolation for the loss and trauma of their pasts. The gardens were a smokescreen for their deepest feelings, but one day, the smoke would begin to clear and the truth of who and how they really loved would be plain to see. It wasn't what it appeared to be, at all. This challenging love story of paradise lost, found and lost again is set against the backdrop of the 20th century, the traumas of two world wars, polarised British politics, the changing position of women in society, and the transformative power of nature's beauty on the human heart.

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The Magickal Herb Oracle brings the precious secrets and ancient wisdoms of herbs for you to explore while immersing your soul, body and spirit in real nature magick. You will learn how to create powerful magick and rituals for everyday purposes, or you can consult the herbs within this deck to construct traditional oracle readings that will help you find divine answers, support and guidance. Thirty-six of the world’s most loved herbs, meticulously researched for their magickal, botanical, traditional and oracle uses by botanical expert and artist Cheralyn Darcey, are brought to you in stunningly beautiful botanical collages by artist Deer Dandy (Céline Le Nezet).

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In the tradition of Anthony Bourdain's Kitchen Confidential comes an insider's look into the cloistered world of classical music. Now a major Amazon.com TV series starring Gabriel Garcia Bernal.From her debut recital at Carnegie Hall to performing with the orchestras of Les Miserables and Miss Saigon, oboist Blair Tindall has been playing classical music professionally for over twenty-five years. She's also lived the secret life of musicians who survive hand to mouth, trading sex and drugs for low-paying gigs and the promise of winning a rare symphony position or a lucrative solo recording contract. In Mozart in the Jungle, Tindall describes her graduation from the North Carolina School of the Arts to the backbiting New York classical music scene, a world where Tindall and her fellow classical musicians often play drunk, high, or hopelessly hung-over, live in decrepit apartments, and perform in hazardous conditions. (In the cramped confines of a Broadway pit, the decibel level of one instrument is equal to the sound of a chain saw.)Mozart in the Jungle offers a stark contrast between the rarefied experiences of overpaid classical musician superstars and those of the working-class musicians. For lovers of classical music, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit.

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In Roland Barthes's eyes, Philippe Sollers embodied the figure of the contemporary writer forever seeking something new. Thirty-six years after Barthes produced his study Sollers Writer, Sollers has written a book on the man who was his friend and who shared with him a total faith in literature as a force of invention and discovery, as a resource and an encyclopaedia.They met regularly, exchanged many letters and fought many battles together, against every kind of academicism, every political and ideological regression. Barthes shed light on Sollers's work in a series of articles that are still of great relevance today. Sollers, in turn, assumed the role of Barthes's publisher at Le Seuil from the publication of his Critical Essays in 1964, and was left deeply shocked and saddened by Barthes's death in 1980. In short, they were very close to each other, despite their differences, and Sollers expresses here what this meant at the time and what it continues to represent, highlighting the themes that sustained their friendship.The book also contains some thirty letters from Barthes to Sollers, completing our image of one of the most extraordinary partnerships in French literary life.

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Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, José Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves.

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"This new edition ensures that the book will continue to be internationally acknowledged as the standard work on the development of modern architecture." -Walter Gropius"A remarkable accomplishment. . . one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. " -José Luis SertA milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Sigfried Giedion’s classic work, major sections have been added and there are 81 new illustrations.The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier’s only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death), which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jørn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post–World War II architectural concepts.A new essay, “Changing Notions of the City,” traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert’s Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.

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Coinciding with the 75th anniversary of the signing of the United Nations charter, this visually driven book tells the story of the special relationship between the UN and New York City through the interrelated lenses of architecture, real estate, and urban planning. It is fully illustrated with rare archival photographs and architectural drawings, as well as newly commissioned photographs. The book also includes written contributions from UN-affiliated individuals of note, including current and former UN secretaries-general, ambassadors to the UN, mayors, governors, historians, architecture critics, and other luminaries. The book begins by chronicling how New York came to be the permanent home of the UN, including the individuals, institutions, and other forces that helped the city secure the headquarters of the UN - among them the Rockefeller family, William Zeckendorf, and Robert Moses. The book then presents the architectural and urban design journey to create the iconic UN campus by a global team of architectural giants such as Wallace K. Harrison, Le Corbusier, and Oscar Niemeyer, with archival photos and architectural drawings and renderings. It also charts how the real estate needs of the UN evolved over time, leading to the creation of the United Nations Development Corporation (UNDC) and its commissioning of three architecturally significant buildings at UN Plaza that have helped keep the UN in New York City. Also included are sections on the $2 billion renovation and restoration of the UN campus and proposals past and present for additional architectural commissions. Additional sections document how New York City and the UN have helped shape each other over the years; and how both continue to change and evolve. Unique for its architectural and urbanistic focus, A Home to the World: The United Nations and New York City celebrates this important global organisation's many accomplishments past, present, and future.

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A comprehensive, easy-to-use guide to everything you need to know about selecting, butchering, preparing, and cooking every kind of meat, including beef, pork, lamb, poultry, and wild game.In SECRETS OF THE BUTCHER, author Arthur Le Caisne takes readers step-by-step through the ever-evolving and artisanal world of meat. Much more than just a book on how to butcher meat, SECRETS OF THE BUTCHER covers every aspect of selecting, preparing, and eating meat. Organized by type of protein--beef, veal, pork, lamb, poultry, and turkey--the book categorizes and describes the origin and characteristics of the best of each type. It explains all of the cuts and how they are best prepared, and offers tips and recipes for each. With full-color illustrations, Le Caisne includes over twenty breeds of each animal from Black Angus cows to Iberico pigs to Rhode Island Red chickens. From understanding the benefit of grass-fed beef to the locavore movement to the color of the cut, choosing meat will never feel daunting again. SECRETS OF THE BUTCHER also includes state-of-the-art information on techniques such as brazing, roasting, and grilling; what types of cooking oil to use and at what temperature; recommended salts, peppers, and other spices for every type of meat; and, of course, how to butcher every type of meat.Fully illustrated throughout with clear and useful four-color illustrations, SECRETS OF THE BUTCHER will be a stand-out package against photographic books in this growing category.

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Archaeological investigations were carried out by Oxford Archaeology between 2008 and 2016 within DP World London Gateway Port and Logistics Park near Stanford-le-Hope in Essex and on the site of a compensatory wildlife habitat on the Hoo Peninsula in Kent. Some 40 sites were the subject of some form of archaeological assessment, and of these, 16 contained significant archaeological remains or were otherwise important to the understanding of the area. The combined evidence paints a picture of life on the edge of the Thames Estuary from early prehistory to the 20th century.The discoveries show how the area has attracted settlers, farmers and traders since prehistory. People came to the marshes in Mesolithic and Neolithic times, perhaps on a seasonal basis, to hunt, and gather plants and seafood. In the late Bronze Age, Iron Age and Roman periods, people trapped seawater to extract salt, a valuable commodity used for food preservation. In the medieval period, the marshland offered unrivalled pasture for the sheep and cattle belonging to upland farms on the gravel terraces. Over time, the marshes were drained to increase the pasture and the value of the farming estates. The creeks that snaked through the marshes were a means of communication and trade. A timber wharf, built in the 16th century, was recorded on the edge of one such creek. In modern times, the sparsely populated area proved an ideal location for the establishment of oil refineries and other industries, positioning London Gateway at the heart of British trade. The area has also inspired artists, writers and filmmakers.This volume joins two others - London Gateway: Maritime Archaeology in the Thames Estuary and London Gateway: Iron Age and Roman Salt Making in the Thames Estuary - that explore the archaeology and heritage of the London Gateway site.

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Letters written by a clergyman during the late seventeenth century illuminate the religious turmoil of the period. This book provides an edition of the letters of George Davenport, an Anglican clergyman in the north of England whose adult career covered the period of the Interregnum and the Restoration. Many of the letters are to his former Cambridge tutor, William Sancroft, beginning from 1651 after Sancroft had been expelled from Cambridge, and continuing after the Restoration when Davenport replaced Sancroft as chaplain to John Cosin, bishop of Durham, later becoming Rector of Houghton-le Spring, Durham. They were written to keep Sancroft supplied with information about Durham, where he was a prebendary with license to be non-resident, needing to collect revenues from his living and then torebuild his prebendal house. The earlier letters reveal something about the life of an illegally (since episcopally) ordained young Anglican who, unlike many, did not go into exile but stayed largely in London supported by friends. Davenport eventually became a most conscientious resident parish priest and the letters throw considerable light on the Restoration settlement in the Durham diocese, from the `beautifying' of Houghton church to the catechisingof the people and the collection of tithes from a sometimes tardy flock. Davenport also helped Cosin to Catalogue his famous library and himself gave many manuscripts to it, of which a list is included here as an appendix. The letters are presented here with full introduction and elucidatory notes.

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Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

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VOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOODThe Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father.A GUARDIAN BOOK OF THE YEAR | AN OBSERVER GRAPHIC BOOK OF THE YEAR | A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR'I tore through it... The most enjoyable graphic novel I've read in a while' Zadie Smith'I joyously recommend this book to you' Mark Haddon'Riad Sattouf is one of the great creators of our time' Alain De Botton'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag MontefioreIn a striking, virtuoso graphic style that captures both the immediacy of childhood and the fervour of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation.Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.Translated by Sam Taylor.'ENGROSSING' New York Times'A PAGE TURNER' Guardian'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde

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A Certain Age is an unconventional, evocative work of history and a moving reflection on memory, modernity, space, time, and the limitations of traditional historical narratives. Rudolf Mrázek visited Indonesia throughout the 1990s, recording lengthy interviews with elderly intellectuals in and around Jakarta. With few exceptions, they were part of an urban elite born under colonial rule and educated at Dutch schools. From the early twentieth century, through the late colonial era, the national revolution, and well into independence after 1945, these intellectuals injected their ideas of modernity, progress, and freedom into local and national discussion. When Mrázek began his interviews, he expected to discuss phenomena such as the transition from colonialism to postcolonialism. His interviewees, however, wanted to share more personal recollections. Mrázek illuminates their stories of the past with evocative depictions of their late-twentieth-century surroundings. He brings to bear insights from thinkers including Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his youth in Prague, another metropolis with its own experience of passages and revolution. Architectural and spatial tropes organize the book. Thresholds, windowsills, and sidewalks come to seem more apt as descriptors of historical transitions than colonial and postcolonial, or modern and postmodern. Asphalt roads, homes, classrooms, fences, and windows organize movement, perceptions, and selves in relation to others. A Certain Age is a portal into questions about how the past informs the present and how historical accounts are inevitably partial and incomplete.

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In Creating Community-Led and Self-Build Homes, Martin Field explores the ways in which people and communities across the UK have been striving to create the homes and neighbourhood communities they want. Giving context to contemporary practices in the UK, the book examines ‘self-build housing’ and ‘community-led housing’, discussing the commonalities and distinctions between these in practice, and what could be learned from other initiatives across Europe. Individual methods and models of local practice are explored - including cohousing, cooperatives, community land trusts, empty homes and other intentional communities - and an examination is made of what has constrained such initiatives to date and how future policies and practice might be shaped.

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Nicky Cruz is known by millions through Run Baby Run, the dramatic book and film of his early life, which told of his transformation from New York's most feared gang leader into one of the world's most famous and effective evangelists.Soul Obsession presents a fascinating new insight into the Nicky Cruz of today. It tells stories of his family background and the people and experiences that have fundamentally shaped his faith and thinking, and explains how and why he is still totally devoted to God's calling.Nicky then asks whether YOU have what it takes to make a difference. Having a Soul Obsession requires: PASSION, for Jesus; MERCY, to see people through Jesus' eyes; and VISION, to know the purpose God has for your life.Soul Obsession is packed with miracles, passion, challenge and drama. It will excite and inspire all with a heart for Spirit-led evangelism.

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'The most screamingly funny living writer' Barry Humphries, Mail on Sunday From the bestselling and award-winning author of Ma'am Darling and One Two Three Four, a selection of Craig Brown's finest writing collected together for the first time. What is James Bond's middle name? How does Jacob Rees-Mogg's nanny set about cleaning him up in the morning? When did Piers Morgan introduce his special guest Kim Jong-Un as “the straight-talking boy from North Korea who grew up to become a global superstar”? All these important questions, and a great many more, are answered in Craig Brown's Haywire. Featuring handy household tips from Mary Berry (‘When eating a boiled egg be careful to remove the shell first, or it can be a little crunchy’) and historic admissions from Queen Elizabeth 1st to Oprah Winfrey concerning her mother's beheading (‘Thank you for having the courage to share that with us’), Haywire presents a survival guide to the 21st century. In one chapter, Brown writes about the influence of Blackpool on Sigmund Freud and Les Dawson. In another, he unearths the Historical Online Archive and discovers that the invention of the wheel in Mesopotamia in 4000 BC drew fierce criticism on social media. “My mate tried it, says it's total rubbish” wrote Brian from Sumeria. The acclaimed biographer of Princess Margaret and The Beatles delivers essays on such diverse figures as Ronald Searle, John Stonehouse, Bruce Springsteen, Richard Dawkins, Katie Price, Stanley Spencer, Harry and Meghan, Brian Epstein, Kenneth Williams, Ronald Reagan, Simon Dee and the Marx Brothers. With the full battery of the humourist's armoury – clerihews, tongue-twisters, whimsy, parody, farce, satire, social observation, nonsense – Brown skewers the passing fads and delusions of the contemporary world. ‘Our greatest living satirist’ Sunday Times ‘Exquisitely naughty and hilarious’ Guardian ‘Craig Brown’s humour will outlive his victims … his journalism is one of the few compensations for being British now’ Sunday Telegraph

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'Macklin recounts, with beautiful detail, the following years of Narcisse's life and his transformation . . . a great read for anyone interested in Australia and its overlooked history'Ronan Breathnach, Irish Examiner 'A truly remarkable account drawing upon a version Pelletier gave when he eventually returned to his native France and also on anthropological studies of the Daintree people.' Piers Akerman, Daily Telegraph, Sydney 'An unforgettable tale of transformation and upheaval.'Stuart McLean, Daily Telegraph, SydneyA young boy abandoned in an alien landscape thousands of miles from home is adopted by local people and becomes one of them, welcomed into their community, marrying a wife and raising a child. After seventeen years, he is stolen back to his 'real' life, where he has another family, but dreams constantly of what he has left behind.This is the remarkable true story of a French cabin boy Narcisse Pelletier who, after disembarking from his ship the Saint-Paul with the rest of its crew in search of drinking water, found himself separated from his shipmates and in the end abandoned on the north coast of Queensland, Australia. Narcisse was adopted by an Aboriginal group who welcomed him as one of their own for seventeen years, during which time he had a family of his own. In 1875, though, he was kidnapped by the brig John Bell and was returned eventually to his family in Saint-Gilles, France, where he became a lighthouse keeper. Robert Macklin makes skilful use of Narcisse's own memoir Chez les sauvages along with new research to tell this extraordinary story.Robert is a Queenslander so knows the terrain and the people of the area in which Narcisse was left behind. Through Noel Pearson's Cape York Institute, he has arranged to meet descendants of the people who took the French cabin boy in and who know the stories of his time in Australia. Robert has also had access to a great deal of material on the early history of the Cape through the Australian National Library. He has drawn on the significant resources of the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra on Aboriginal culture and history in Queensland and the Cape. In addition, he has made use of Narcisse Pelletier's own writings, including his account of his time in Australia, as well as several contemporaneous accounts of the Kennedy expedition to the area, including one from a member of the party. The author has made several trips to Cape York and one to Saint-Gilles and Saint-Nazaire in France.

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One of the most enduring and pervasive myths about modernist architecture is that it was white—pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism’s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.

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From the bestselling author of Operation Mincemeat, now a major film SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 'Engrossing as any thriller' Daily Telegraph 'Superb. Meticulously researched, splendidly told, immensely entertaining' John le Carré 'This is the most amazing book, full of fascinating and hair-raising true life adventures ... It would be impossible to recommend it too highly' Mail on Sunday _______ One December night in 1942, a Nazi parachutist landed in a Cambridgeshire field. His mission: to sabotage the British war effort. His name was Eddie Chapman, but he would shortly become MI5's Agent Zigzag. Dashing and suave, courageous and unpredictable, Chapman was by turns a traitor, a hero, a villain and a man of conscience. But, as his spymasters and many lovers often wondered, who was the real Eddie Chapman? Ben Macintyre weaves together diaries, letters, photographs, memories and top-secret MI5 files to create an exhilarating account of Britain's most sensational double agent.

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Nichts ist so umstritten im Denken von Leo Strauss und nichts ist so zentral für sein Verständnis wie das theologisch-politische Problem. Da es im Zentrum von Strauss' Politischer Philosophie steht, findet der Streit seinen Niederschlag in allen großen Kontroversen, die sein uvre umgeben. Heinrich Meiers theologisch-politisches Traktat ist die erste Schrift zu Strauss, die das Problem, von dem Strauss sagte, es sei das Thema seiner Untersuchungen gewesen, zu ihrem Thema macht. Neben dem programmatischen Vortrag "Das theologisch-politische Problem", der auf dem internationalen Leo Strauss Symposium in München im Juni 2002 große Beachtung fand, enthält sie den Kommentar "Zur Genealogie des Offenbarungsglaubens", der eine kühne genealogische Skizze von Strauss aus dem Nachlass zugänglich macht und argumentativ entfaltet, sowie den Text "Der Tod als Gott. Eine Anmerkung zu Martin Heidegger", der den Blick auf einen Philosophen richtet, auf dessen Denken das theologisch-politische Problem seinen langen Schatten geworfen hat, ohne dass es bei ihm jemals ein Thema von Gewicht war.

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Drawing The Motive Force of Architecture Focusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook’s delight and his wide-ranging, catholic tastes for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, William Heath Robinson, Le Corbusier and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group. For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which ‘hand drawing’ and the ‘digital’ are being eclipsed by new hybrids – injecting drawing with a fresh momentum. These ‘crossovers’ provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position or a single referential language. Featuring the likes of Toyo Ito, Perry Kulper, Izaskun Chinchilla, Kenny Kinugasa-Tsui, Ali Rahim, John Berglund and Lorène Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Maya® drawing is creatively contributing something different from a Rhinoceros® drawing, there is much to demand of future techniques.

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Imperial China’s dynastic legal codes provide a wealth of information for historians, social scientists, and scholars of comparative law and of literary, cultural, and legal history. Until now, only the Tang (618–907 C.E.) and Qing (1644–1911 C.E.) codes have been available in English translation. The present book is the first English translation of The Great Ming Code (Da Ming lu), which reached its final form in 1397. The translation is preceded by an introductory essay that places the Code in historical context, explores its codification process, and examines its structure and contents. A glossary of Chinese terms is also provided. One of the most important law codes in Chinese history, The Great Ming Code represents a break with the past, following the alien-ruled Yuan (Mongol) dynasty, and the flourishing of culture under the Ming, the last great Han-ruled dynasty. It was also a model for the Qing code, which followed it, and is a fundamental source for understanding Chinese society and culture. The Code regulated all the perceived major aspects of social affairs, aiming at the harmony of political, economic, military, familial, ritual, international, and legal relations in the empire and cosmic relations in the universe. The all-encompassing nature of the Code makes it an encyclopedic document, providing rich materials on Ming history. Because of the pervasiveness of legal proceedings in the culture generally, the Code has relevance far beyond the specialized realm of Chinese legal studies. The basic value system and social norms that the Code imposed became so thoroughly ingrained in Chinese society that the Manchus, who conquered China and established the Qing dynasty, chose to continue the Code in force with only minor changes. The Code made a considerable impact on the legal cultures of other East Asian countries: Yi dynasty Korea, Le dynasty Vietnam, and late Tokugawa and early Meiji Japan. Examining why and how some rules in the Code were adopted and others rejected in these countries will certainly enhance our understanding of the shared culture and indigenous identities in East Asia.

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Dive into the world of football with this mega book of everything to do with the beautiful game. Learn all the lingo; meet the greatest players, managers and teams from both the men’s and women’s games; take masterclasses with the pros; wander through the haircut hall of fame; learn the most iconic goal celebrations and more. Written by the team at MUNDIAL, the celebrated football lifestyle magazine, and filled with fun, colourful illustrations, The Big Book of Football by Mundial covers it all: The basics and the lingo that will have you talking like a football expert in no time. History of football, including how we got from playing with a ball made of feathers to using high-tech footballs, the greatest teams of all time and the evolution of football boots. The great players, including Paolo Maldini, Lev Yashin, Joy Fawcett, Franz Beckenbauer, Johan Cruyff, Michelle Akers, Sir Stanley Matthews and Marta Vieira da Silva. Legendary managers and how they did it – learn the favourite killer formations of greats like Rinus Michels and Sir Alex Ferguson. The big cups, with their histories and greatest players. The world’s most amazing stadiums, including Wembley, Melbourne Cricket Ground and San Siro. Kits hall of fame, from the USSR’s (now Russia) classic red sweatshirt with ‘CCCP’ written across the front to Mexico’s green home shirt with Aztec patterns and the giant face of the Aztec god of death. How to take the perfect shot like Ji So-yun, take the perfect set piece like David Beckham, take penalties like Matt Le Tissier, beat the offside trap like Fernando Torres, do the perfect attacking header like Didier Drogba and more. Weird and wonderful, from the way we describe things that happen in the game (a fox in the box) to the way we celebrate a goal (by pretending to be a robot) or do our hair (shaving it all off except for a triangle at the front). The culture and people surrounding the game, from traditional pre-game food to the referee, commentator and all-important crowd. This great big book is your essential guide to the wonderful world of football.

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Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. 'Humanist Wit' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled '"Serious" Humanists' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the 'minor' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: 'Rire est le propre de l'homme.'

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If I was asked to give my opinion as to the best all-round super-sports car ... I should, without hesitation whatever, say it was the 3.3 [T57] Bugatti. - Sir Malcolm Campbell, The Field, September 4th, 1937.The magnificent Type 57 was the final flowering of the genius of Ettore Bugatti and Jean Bugatti, and was the last truly new model from the Bugatti factory in Molsheim, France.Conceived as a fast, luxurious and exclusive touring car, the T57 was in production from 1934 to 1939, and was so successful that the model accounts for around 10 per cent of all Bugattis built at Molsheim.Not only a sales success, the T57 formed the basis of a Grand Prix model, a twice Le Mans-winning sports racing car and, in road-going form, wore some of the most beautiful bodies ever created by the great coachbuilders of the vintage period. See the work of Letourneur & Marchand, Graber, Gangloff, James Young, Corsica, Van Vooren & Saoutchik, Vanden Plas, Figoni & Falaschi, S

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Forty years after their first ground breaking work of feminist literary theory, The Madwoman in the Attic, award-winning collaborators Sandra M. Gilbert and Susan Gubar map the literary history of feminism’s second wave. From its stirrings in the midcentury—when Sylvia Plath, Betty Friedan and Joan Didion found their voices and Diane di Prima, Lorraine Hansberry and Audre Lorde discovered community in rebellion—to a resurgence in the new millennium in the writings of Alison Bechdel, Claudia Rankine and N. K. Jemisin, Gilbert and Gubar trace the evolution of feminist literature. They offer lucid, compassionate and piercing readings of major works by these writers and others, including Adrienne Rich, Ursula K. Le Guin, Maxine Hong Kingston, Susan Sontag, Gloria Anzaldúa and Toni Morrison. Activists and theorists like Nina Simone, Gloria Steinem, Andrea Dworkin, Eve Kosofsky Sedgwick and Judith Butler also populate these pages as Gilbert and Gubar examine the overlapping terrain of literature and politics in a comprehensive portrait of an expanding movement. As Gilbert and Gubar chart feminist gains—including creative new forms of protests and changing attitudes toward gender and sexuality—they show how the legacies of second wave feminists and the misogynistic culture they fought, extend to the present. In doing so, they celebrate the diversity and urgency of women who have turned passionate rage into powerful writing.

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Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.

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Following on from the phenomenal success of NECRONOMICON comes ELDRITCH TALES. Howard Phillips Lovecraft died at the age of 47, but in his short life he turned out dozens of stories which changed the face of horror. His extraordinary imagination spawned both the Elder God Cthulhu and his eldritch cohorts, and the strangely compelling town of Innsmouth, all of which feature within these pages. This collection gathers together the rest of Lovecraft's rarely seen but extraordinary short fiction, including the whole of the long-out-of-print collection FUNGI FROM YOGGOTH. Many of these stories have never been available in the UK!Stephen Jones, one of the world's foremost editors of dark fiction, will complete the Lovecraft story in his extensive afterword, and award-winning artist Les Edwards will provide numerous illustrations for this must-have companion volume to NECRONOMICON.

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