Search results for ""Author Spice"

By the time you finish this book, you'll have all the skills you need to achieve a striking likeness in a drawn portrait. From understanding and constructing the head and shaping the hair, to checking the relationships of the features and achieving a lifelike expression, every aspect of the portrait process is examined, along with advice on what materials to use and how to find a model. Learn to draw facial features Understand the angles of the head Develop textures for the skin Experiment with light and tone

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You Will Be Able to Draw by the End of this Book: Coloured Pencils is a combined tutorial and sketchbook that teaches you how to draw in colour, and allows you the space to practise on the page through guided exercises in mark-making and drawing. The book lays flat to allow you to draw comfortably and has an elastic band to keep your artwork safe. The clear instructions enable you to build your skills and develop an understanding of composition, colour and tone.

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This book is for anybody who wants to draw more, whether you are learning from scratch or developing existing skills. When you're learning to draw, the most important thing you'll own is a sketchbook, and this is a sketchbook with training wheels. Let go of your fear and unlock drawing skills that you never believed you could have with this expertly guided sketchbook. Not your ordinary art book, You Will be Able to Draw by the End of This Book is a combined tutorial and sketchbook that not only teaches you the fundamental steps required for you to be able to draw, but also allows you the space to practise on the page. The book lays flat to allow you to draw comfortably and has an elastic band to keep your artwork safe. Each exercise has an estimated completion time, so it doesn't matter whether you are at home, on your lunch break or even on the bus, you'll always find time to practise. Jake is like an ever-present companion who will guide you on your creative journey, with his friendly and practical tone. His lessons build in complexity as you work through the book, starting with the basics of line making and progressing to portraits and landscapes. His clever exercises will help you gain confidence and break you out of old habits as well as encouraging you to see things in a different way and relax. So pick up a pencil and discover the joy of drawing!

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Bioquímica. Detrás de los síntomas adopta un enfoque de aprendizaje basado en problemas (ABP) y se centra en la aplicación práctica de la bioquímica para lograr resultados clínicos óptimos. El contenido está estructurado en torno a síntomas comunes encontrados por profesionales de la salud, establece conexiones claras entre la ciencia fundamental y las manifestaciones clínicas, y guía al lector hacia diagnósticos seguros a lo largo de su trayectoria profesional. Cada capítulo explora los conceptos bioquímicos subyacentes a las causas y demuestra sus vínculos con los síntomas que se presentan a través de casos clínicos reales de pacientes. Las preguntas que lo acompañan fomentan el debate y orientan a los usuarios en la elaboración de diagnósticos diferenciales precisos. Este enfoque es ideal tanto para entornos de aprendizaje colaborativo entre alumnos como para estudio independiente, fortalece la aplicación de conocimientos fundamentales y asegura una retención a largo plazo, esencial para el éxito clínico.

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Biochemistry Behind the Symptoms takes a problem-based approach to understanding and applying biochemistry for superior clinical outcomes. Organized around the common symptoms encountered by clinicians, this engaging text clarifies the connections between foundational science and clinical manifestations to help users form confident diagnoses throughout their clerkship and beyond. Each chapter explores the biochemical concepts behind underlying causes and demonstrates their ties to presenting symptoms through 5 realistic patient cases. Accompanying questions encourage discussion and guide users in building accurate differential diagnoses. Ideal for peer-to-peer learning environments or independent study, this practical approach strengthens users’ application of fundamental knowledge and ensures the long-term retention essential to clinical success. 50 Patient Cases emphasize the biochemical concepts behind common patient symptoms through problem-based learning. Clinical Impression sections encourage critical thinking and train students step by step in building effective differential diagnoses. Basic Science Correlations in each Patient Case clarify the biochemical concepts underlying diagnosis with an engaging question-and-answer format. High-Yield Concepts summarized after each Patient Case reinforce students’ comprehension of essential chapter concepts. Digital Animations immerse students in biochemical processes to enrich their understanding and diagnostic confidence.

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This book asks what lies behind the friendly face of the entrepreneur. It challenges the widespread idea that entrepreneurship is a necessary and good thing, subjecting 'the entrepreneur' to critical analysis. Unmasking the Entrepreneur demonstrates the socially embedded nature of entrepreneurship and considers the history, ethics and politics of entrepreneurship. Drawing on a range of ideas from critical social theory and philosophy, it investigates entrepreneurship in unusual places such as among illegal immigrants and revolutionary France. Ultimately, this book offers a unique and powerful critique of the very idea of the entrepreneur.

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No subject has had more enduring appeal for artists than animals. And yet creating convincing animal sketches can be daunting and leave you wondering, where do I start?Let go of your fear and unlock drawing skills that you never believed you could have with this expertly guided sketchbook. You Will Be Able to Draw Animals by the End of This Book not only teaches you the fundamental steps required for you to be able to sketch animals, but also allows you the space to practise on the page, with pages laying flat to allow you to draw comfortably. Start with the essentials, such as basic mark making and tone, and move on to the key elements of anatomy, texture and expression that will take your drawings from good to great.So pick up a pencil and discover the joy of drawing animals!

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Learn to draw in just 30 easy and fun lessons, with a drawing course that anyone can follow.

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This book is for anybody who wants to become confident in drawing faces - whether you are a complete novice or a more experienced artist. From basic facial structures to finer details, the book teaches you the fundamentals of portraiture, and also allows you space to practise on the page. Learn how to:· Understand anatomy and form· Use light and shade· Sketch in profile and front on· Draw details such as hair and wrinkles· Capture likeness and expressionThe book lays flat to allow you to draw comfortably and has an elastic band to keep your drawings safe. It is also small and compact enough to fit inside your bag and each exercise has an estimated competition time, so it doesn't matter where you are, you'll always be able to find time and inspiration to practice.

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This concise introductory text provides a complete overview of biodiversity - what it is, how it arose, its distribution, why it is important, human impact upon it, and what should be done to maintain it. Timely overview of the serious attempts made to quantify and describe biodiversity in a scientific way Acts as an easy entry point into the primary literature Provides real-world examples of key issues, including illustrations of major temporal and spatial patterns in biodiversity Designed primarily with undergraduate students and course lecturers in mind, it will also be of interest to anyone who requires an overview of, and entry to, the vast literature on these topics. All the figures included in the book are downloadable from the Blackwell Publishing website

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This work describes the changes made to television broadcasting in New Zealand during the period 1984-1992. It examines the ways in which TVNZ, a division of the Broadcasting Corporation of New Zealand, was transformed into a commercialized state-owned enterprise.

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Biomaterials offer the potential to restore and supplement the function of tissues and organs following injury or disease. The use of inorganic materials in the clinic to date has been widespread, in the form of metallic joint replacements and ceramic dental and bone implants. Exciting new medical applications continue to emerge, enabled by innovative materials for neural interfaces and as anti-fouling agents. The Chemistry of Inorganic Biomaterials overviews the underlying chemistry behind the most common and cutting-edge inorganic materials in current use, or approaching use, in vivo. Framed from the context of the overarching material class/application, it provides a balanced and critical overview of the field by bringing together experts in both the fundamental inorganic and material chemistry, as well as key clinical considerations for biomedical applications. Written in an accessible style, this book will be of interest to advanced undergraduates, postgraduates and researchers in biomaterials, inorganic materials and materials chemistry.

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Financial Accounting for Managers gives the flexibility to emphasize or deemphasize debits and credits in an undergraduate or graduate course by providing a modular structure to fit different course lengths, approaches, and assignments that can be easily filtered to fit the needs of individual instructor teaching styles. Each business transaction throughout the text is illustrated with its effects on the balance sheet and income statement. The focus prepares students to be business managers who understand how accounting information reveals a company's profitability, risk, and efficiency of operations. When paired with Connect, it has student success resources that include auto-graded cases, Tableau Dashboard Activities, Integrated Excel, multiple video types, Guided Examples, General Ledger Problems, and SmartBook, an adaptive reading and practice tool for students. 

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This is an authoritative account of the career of Sydney Box, one of British cinema’s most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industryBox’s career was exceptionally varied and this study analyses the work of his company Verity Films which wartime produced over 100 short propaganda films during the Second World War, as well as Box’s work as a feature film producer and as managing director of Gainsborough Pictures (1946-49). It encompasses the difficulties he experienced as an independent producer in the 1950s and the formation of Sydney Box Associates, his role in early television history, and his imaginative if unsuccessful bids for British Lion and London Weekday Television in the early sixties.This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally.

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***'Figure Drawing is structured like an art school course and is every bit as rewarding.' Artists and IllustratorsInformative and instructive, this comprehensive guide will give you all the tools you need to draw the human figure, from life and from a screen. While many books focus on just one aspect of figure drawing, this manual unites the skills of observation, expression and understanding in one coherent approach. Beginning with the key principles of observation, Figure Drawing will help you to build a strong foundation of skills to make well-observed, proportionally accurate drawings. As the book progresses you will explore processes and exercises that move beyond the purely observed to express the gesture, form and substance of your model.Photographic and illustrative examples throughout the book support your learning at every step. Clear step-by-step tutorials provide a practical understanding of the key materials, skills and ideas in figure drawing. A comprehensive anatomical reference section, broken down into manageable zones, deepens your knowledge of the human form. The book is a Swiss-bound paperback, designed to lie flat when open and in use.

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Transactions of the Royal Historical Society is an annual collection of major articles representing some of the best historical research by some of the world's most distinguished historians. Volume 30 of the sixth series includes the following articles: 'Material turns in British history: III. Collecting: Colonial Bombay, Basra, Baghdad and the Enlightenment Museum'; 'The Edict of Pîtres, Carolingian defence against the Vikings, and the origins of the Medieval castle'; ''Acceptable Truths' during the French Religious Wars'; 'Monarchs, travellers and empire in the Pacific's Age of Revolutions'; 'Children against slavery: Juvenile agency and the sugar boycotts in Britain'; 'Unfinished business: Remembering the Great War between truth and reenactment'; and 'The 'Martyrdom of things': Iconoclasm and its meanings in the Spanish Civil War'.

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Sean Connery was one of cinema’s most iconic stars. Born to a working-class family in Edinburgh, he held jobs as a milkman and an artist’s model before making the move into acting. The role of James Bond earned him global fame, but threatened to eclipse his identity as an actor.This book offers a new perspective on Connery’s career. It pays special attention to his star status, while arguing that he was a risk-taking actor who fashioned an impressive body of work. Beginning with Connery’s early appearances on stage and television, including well-received performances in Shakespeare and Tolstoy, the book goes on to explore the Bond phenomenon and Connery’s long struggle to reinvent himself. An Oscar-winning performance in The Untouchables marked the beginning of a second period of stardom, during which Connery successfully developed the character of the father-mentor. Ten years after his retirement from acting, he was still rated as the most popular British star among American audiences.Exploring how Connery’s performances combine to form an all-encompassing screen legend, the book also considers how the actor embodied national identity, both on screen and through his public role as an activist campaigning for Scottish independence.

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This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are traditionally seen as providing. In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond. Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer's peer, John Ashbery.Through an emphasis on modernism as a space of generalized interference, the practice and trope of translation emerges as central to all of the writers concerned, while the book remains in constant dialogue with key recent works on transnationalism, transatlanticism, and modernism.

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Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940s and 1950s as a central figure in that burgeoning literary scene. "The Holy Forest", now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004.Blaser's passion for world making draws inspiration from the major poets and philosophers of our time - from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought, such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

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Gegenstand des zweisprachigen Bandes sind die Prozesse, in denen in Deutschland und auf den britischen Inseln aus der reformatorischen Bewegung Institutionen, von der Reformation geprägte Kirchen wurden, sowie die dabei wirksamen Faktoren. Nach einem Überblick über die englische und die schottische Reformationsgeschichte werden die Entwicklung der Predigt, des Singens, der Liturgie und ihres Raumes, der Familie, der Geschlechterrollen und des Rechts, die Herausbildung eines neuen Pfarrer- und Gemeindetyps sowie der Umgang mit religiösen Abweichlern behandelt, und dies in einem vergleichenden, die Vorgänge auf beiden Seiten des Kanals zueinander in Beziehung setzenden Zugriff. Abschließend kommen die theologischen und religiösen Deutungen in den Blick, die die an der Reformation Beteiligten selbst diesem Einschnitt in der Kirchengeschichte gaben. Mit Beiträgen von:Albrecht Beutel, Amy Burnett, Euan Cameron, Geoffrey Dipple, Susan Karant-Nunn, Thomas Kaufmann, Konrad Klek, John McCallum, Ashley Null, Martin Ohst, Wolf-Dietrich Schäufele, Andrew Spicer, Andreas Stegmann, Christopher Voigt-Goy, Alex Walsham, Kristen Walton, Dorothea Wendebourg

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Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.

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Este completo curso de dibujo, indicado tanto para principiantes como para artistas con experiencia, ha sido diseñado para ayudarte a integrar el dibujo en tu forma de vida.- Lecciones de eficacia comprobada que incluyen desde ejercicios de cinco minutos hasta sesiones especializadas de más de una hora.- Abarca cualquier sujeto y situación, desde naturalezas muertas a paisajes urbanos.- Planteada de un modo accesible, la teoría del dibujo vincula los conceptos técnicos con la práctica de campo.Sean cuales sean tus objetivos, el experto profesor de arte Jake Spicer te proporcionará la inspiración y el estímulo para dibujar más y seguir mejorando.Jake Spicer es artista y profesor de dibujo y reside en Brighton, Inglaterra. Es jefe de estudios en la escuela de dibujo independiente Draw, codirector de The Drawing Circus y organiza con frecuencia cursos de dibujo de retrato y figuras para el Camden Arts Centre y la National Portrait Gallery.

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Evidence gleaned from archaeology sheds dramatic new light on religious practices and identities between the later sixteenth and the nineteenth centuries. The post-medieval period was one of profound religious and cultural change, of sometimes violent religious conflict and of a dramatic growth in religious pluralism. The essays collected here, in what is the first book to focus onthe material evidence, demonstrate the significant contribution that archaeology can make to a deeper understanding of religion. They take a broad interdisciplinary approach to the spatial and material context of religious life, using buildings and landscapes, religious objects and excavated cemeteries, alongside cartographic and documentary sources, to reveal the complexity of religious practices and identities in varied regions of post-medieval Britain,Europe and the wider world. Topics covered include the transformation of religious buildings and landscapes in the centuries after the European Reformation, the role of religious minorities and immigrant groups in early modern cities, the architectural and landscape context of eighteenth and nineteenth-century nonconformity, and the development of post-medieval burial practices and funerary customs. Offering a unique perspective on the material remains ofthe post-medieval period, this volume will be of significant value to archaeologists and historians interested in the religious and cultural transformation of the early modern world. Contributors: Chris King, Duncan Sayer, Andrew Spicer, Philippa Woodcock, Matthias Range, Simon Roffey, Greig Parker, Jeremy Lake, Eric Berry, Peter Herring, Claire Strachan, Peter Benes, Diana Mahoney-Swales, Richard O'Neill, Hugh Willmott, Natasha Powers, Adrian Miles, Anwen Cedifor Caffell, Rachel Clarke, Rosie Morris

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“For too long the Left has tried to silence the Right through a war on words. Understanding their tactics and what we can do about it is crucial. Sam Sorbo lays it all out.” — Sean Spicer, Host of Spicer&Co In Words for Warriors, with her trademark wit and intelligence, Sam Sorbo shows exactly how radical left-wingers have manipulated language to fit their own socialistic and anti-freedom agenda. Sam Sorbo is on a mission to reclaim today’s hot button/culture war words for all freedom-loving Americans. After hearing all the hatred spewing from ideologues, mainstream media, social justice warriors, and political hacks, Sam Sorbo was fed up: “I’m tired of their games, so I’m calling BS on them. It’s time to set the record straight, especially for the folks who are just trying to enjoy the lives the Lord gave them and want a few things explained in easy-to-understand prose.” Arranged in an accessible “A-Z” glossary style, readers can dip in to discover the real meanings behind the acronyms, words, and phrases that the toxic liberal left loves to force on the rest of us. From Ad hominem, antifa, and anarchy… To woke, wonk, and zeitgeist Mixed with the newly-coined concepts like covidiot, pizzagate, and TERF… Words for Warriors is a treasure trove of linguistic gymnastics the Democrats and other toxic lefties employ to further their anti-American agenda. Arm yourself with Words for Warriors, and fight back against political correctness that squashes real debate, free speech, and prosperity.

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Rethinking the importance of Sigmund Freud’s landmark book The Interpretation of Dreams a century after its publication in 1900, this work brings together psychoanalysts, philosophers, cultural theorists, film and visual theorists, and literary critics from several continents in a compilation of the best clinical and theoretical work being done in psychoanalysis today. It is unique in convening both theory and practice in productive dialogue, reflecting on the encounter between psychoanalysis and the tradition of hermeneutics. Collectively the essays argue that Freud’s legacy has shaped the way we think about not only psychology and the nature of the self but also our understanding of politics, culture, and even thought itself. Contributors: Willy Apollon, Gifric; Karyn Ball, U of Alberta, Edmonton; Raymond Bellour, Centre National de la Recherche Scientifique; Patricia Gherovici, Philadelphia Lacan Study Group and Seminar; Judith Feher-Gurewich, New York U; Jonathan Kahana, New York U; A. Kiarina Kordela, Macalester College; Pablo Kovalovsky, Clinica de Borde; Jean Laplanche, U of Lausanne; Laura Marcus, U of Sussex; Andrew McNamara, Queensland U of Technology; Claire Nahon; Yun Peng, U of Minnesota; Gerard Pommier, Nantes U; Jean-Michel Rabaté, Princeton U; Laurence A. Rickels, U of California, Santa Barbara; Avital Ronell, New York U; Elke Siegel, Yale U; Rei Terada, U of California, Irvine; Klaus Theweleit, U of Freiburg-im-Breisgau; Paul Verhaege, U of Ghent, Belgium; Silke-Maria Weineck, U of Michigan. Catherine Liu is associate professor of comparative literature and film and media studies at the University of California, Irvine. John Mowitt is professor and chair of cultural studies and comparative literature at the University of Minnesota. Thomas Pepper is associate professor of cultural studies and comparative literature at the University of Minnesota. Jakki Spicer received her Ph.D. in cultural studies and comparative literature from the University of Minnesota.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan's collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gerard de Nerval, as well as the complete Structure of Rime and Passages series.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.

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Michael Snediker offers a much-needed counterpoint to queer theoretical discourse, which has long privileged melancholy, self-shattering, incoherence, shame, and the death drive. Recovering the forms of positive affect that queer theory has jettisoned, Snediker insists that optimism must itself be taken beyond conventional tropes of hope and futurity and reimagined as necessary for critical engagement. Through fresh, perceptive, and sensitive readings of the poetry of Emily Dickinson, Hart Crane, Jack Spicer, and Elizabeth Bishop, Snediker reveals that each of these poets demonstrated an interest in the durability of positive affects. Dickinson, Snediker argues, expresses joy and grace as much as pain and loss, and the myriad cryptic smiles in Hart Crane’s White Building contradict prevailing narratives of Crane’s apocryphal literary failures and eventual suicide. Snediker’s ambitious and sophisticated study, informed by thinkers such as Winnicott, Deleuze, and de Man, both supplements and challenges the work of queer theory’s leading figures, including Judith Butler, Leo Bersani, Eve Kosofsky Sedgwick, and Lee Edelman. Queer Optimism revises our understanding of queer love and affiliation, examining Spicer’s serial collusion with matinee idol Billy the Kid as well as the critically neglected force of Bishop’s epistolary and poetic reparations of the drowned figure of Hart Crane. In doing so, Snediker persuasively reconceives a theoretical field of optimism that was previously unavailable to scrupulous critical inquiry and provides a groundbreaking approach to modern American poetry and poetics.

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Pamela Butchart meets Sam Copeland - like if Charlie changed into a chicken AND NEVER REALISES IT, in this hilarious, fantastic debut by Bethany Walker. 10-year-old Freddy Spicer writes letters to his parents - who he believes are working at a Brussels-sprouts farm in Outer Castonga, with no internet or phone access. In fact, Freddy's parents are secret agents out of the country on a highly classified mission – but Freddy has NO IDEA! Throw in: Grandad’s X-Ray specs; A laser blaster that accidentally destroys the shed; A strange new neighbour flirting with grandad; and Suspicious goings-on at school . . . Laugh-out-loud, high energy, fully illustrated fun for young readers!

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“A true poet of modern classic culture in mid-twentieth century U.S.A.”—Allen Ginsberg“At their best the poems have an intensely oral, I would like to call it glossolalic, freedom, as if they captured the essence of what one might like to express in the moment of rapture.”—David RattrayBeginning in the 1950s until his untimely death at age 49, Stephen Jonas (1921-1970) was an influential if underground figure of the New American Poetry. A gay African-American poet of self-obscured origins, heavily influenced by Ezra Pound and Charles Olson, the Boston-based Jonas was a pioneer of the serial poem and an erudite mentor to such acknowledged masters as Jack Spicer and John Wieners, even as he lived a shadowy existence among drug addicts, thieves, and hustlers.Arcana: A Stephen Jonas Reader is the first selection of his work to appear in 25 years. With a biographical introduction and a postscript delving into recent discoveries concerning the poet's birthplace and background, Arcana is a crucial corrective to our understanding of post-war American poetry, restoring Jonas to his rightful place among the period’s vanguard. Featuring previously uncollected and unpublished work, a section of never-before-seen facsimiles from notebooks, and a generous selection from his innovative serial poem Exercises for Ear (1968), Arcana is a much-needed retrieval of an overlooked American poet, as well as a valuable contribution to African American and Queer literature.Praise for Arcana:"The work of Steve Jonas, though vital to many of his more illustrious contemporaries, has remained obscured far too long, particularly as we've become unaccustomed to the high stakes once involved in the life of poetry. Accompanied by a reprint of Joseph Torra’s invaluable introduction, as vital and fresh now as when it came out 25 years ago, along with David Rich’s extraordinary archaeological dig into genealogical records and biographical materials to clarify Jonas’s self-effaced origins, the publication of Arcana is an important event in our increasingly evanescent cultural history, evidence of what is real."––Ammiel Alcalay

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A Forest on Many Stems: Essays on the Poet’s Novel provides a unique entrance to the rare prose of many remarkable modern and contemporary poets including Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Fernando Pessoa, Rainer Maria Rilke, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting, and action. Contributors: Brian Blanchfield, Anne Boyer, John Keene, Mónica de la Torre, Cedar Sigo, and C. D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results. Kazim Ali on Fanny Howe Dan Beachy-Quick on W.G. Sebald Edmund Berrigan on Ted Berrigan Brian Blanchfield on Aaron Kunin Rachel Blau DuPlessis on Gertrude Stein Julia Bloch on Gwendolyn Brooks Anne Boyer on Elizabeth Barrett Browning Traci Brimhall on Hilda Hilst Vincent Broqua on Stacy Doris Brandon Brown on Kevin Killian Lee Ann Brown on Carla Harryman Angela Carr on Nicole Brossard Julie Carr on Lyn Hejinian Norma Cole on Emmanuel Hocquard Brent Cunningham on Laura Moriarty Mónica de la Torre on Martín Adán Marcella Durand on Robert Creeley Patrick Durgin on Tan Lin & Pamela Lu Norman Fischer on Phillip Whalen C.S. Giscombe on Audre Lorde Judith Goldman on Leslie Scalapino Carla Harryman on Gail Scott Jeanne Heuving on Theresa Hak Kyung Cha Laura Hinton on Alice Notley Daniel Katz on Jack Spicer John Keene on Fernando Pessoa Karla Kelsey on Barbara Guest Aaron Kunin on Lewis Carroll Sonnet L’Abbé on M. NourbeSe Philip Abigail Lang on Jacques Roubaud Kimberly Lyons on Mina Loy W. Jason Miller on Langston Hughes Mette Moestrup on Ingeborg Bachmann Laura Moriarty on Keith Waldrop Laura Mullen on Bhanu Kapil Denise Newman on Inger Christensen Aldon Lynn Nielsen on Amiri Baraka Geoffrey G. O’Brien on John Ashbery & James Schuyler Jena Osman on Thalia Field Julie Patton on Jean Toomer Elizabeth Robinson on Rosmarie Waldrop Jennifer Scappettone on H.D. Susan Scarlata on Forrest Gander Brandon Shimoda on Etel Adnan Cedar Sigo on Eileen Myles Sasha Steensen on Anne Carson Donna Stonecipher on Peter Waterhouse Brian Teare on Rainer Maria Rilke Tyrone Williams on Nathaniel Mackey C.D. Wright on Michael Ondaatje Lynn Xu on Ben Lerner Rachel Zolf on Juliana Spahr

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Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.

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Hilarious and timely, a 4-color illustrated book from the Onion satirizing the Trump administration, based on the “Trump Leaks”—hundreds of memos, emails, letters “leaked” from the White House—with 30 pages of additional new material. “Just wanted to let you know about a recent transgression of mine we might need to get out ahead of,” Vice-President Mike Pence alerts Chief-of-Staff Reince Preibus in one of the leaked administration e-mails that the Onion got hold of. “On Monday, Mrs. Pence and I went to Bloomingdales, and when she was off on her own I accidentally wandered through the juniors department, specifically the little girls section…I was only there for 30 seconds, and I don’t think anybody saw me, but I think we should have Spicer prepare a response…” Another leaked memo from Betsy DeVos to the Department of Education staff, marked urgent: “Our nation’s children are facing a grave and growing threat to their education, one that is nationwide in scope and is all but impossible for students to avoid: the rampant drawing of dongs in textbooks.” These are among hundreds of deliciously funny “leaks” collected in The Trump Leaks. The “leaks” range from a string of e-mails between the President and Boeing’s C.E.O., about Trump’s desired upgrades—marble everything—to Air Force One, three of the President’s idiosyncratic daily briefings, written on children’s placemats, and the correspondence of everyone from Jared Kushner to Sean Spicer to Steve Bannon. Out in time for the holidays, The Trump Leaks will be the gift for everyone on your list who needs to laugh through the pain of the current administration.

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RYAN STEGMAN (VANISH, Venom), KENNY PORTER (Superboy, The Flash), TYRELL CANNON (Beef Bros), MIKE SPICER (Beta Ray Bill), and JOHN J. HILL (Harley Quinn) team up for a new action/comedy series!Failing dentist Roger Dalton blames the world for his problems until he is body-swapped with the world’s greatest superhero. Can Roger save Earth and finally prove to his family he’s not a loser? Or are we doomed? Featuring cataclysmic clashes! Enraged parents! Outer space action! Tender Romance! Brutal fisticuffs! Tooth extractions! All this and more in one colossal collection. Collects THE SCHLUB #1-#6

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Highly original and insightful, Bearing Across explores the complex interrelationships between American literature and science in the 20th century. Steven Carter begins this unprecedented work by examining the influence that science and scientific thinking has had on the creative processes of several postmodern writers. Focusing on the literary works of Charles Olson, Robert Duncan and Jack Spicer, he investigates the philosophical impact that field and quantum theories have had on these imaginative writers. The second section of the book features radical re-readings of six of Hemingway's best-known short stories as it explores the features of an epistemological model that not only inform literature and science but art and philosophy as well. Carter's interdisciplinary approach allows him to offer a unique perspective that is sure to intrigue scholars seeking an innovative approach to understanding modern literature.

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Translation—from both a theoretical and a practical point of view—articulates differing but interconnected modes of circulation in the work of writers originally from different geographical areas of transatlantic encounter, such as Europe, Latin America, North America, and the Caribbean. After Translation examines from a transnational perspective the various ways in which translation facilitates the circulation of modern poetry and poetics across the Atlantic. It rethinks the theoretical paradigm of Anglo-American “modernism” based on the transnational, interlingual, and transhistorical features of the work of key modern poets writing on both sides of the Atlantic— namely, the Portuguese Fernando Pessoa; the Chilean Vicente Huidobro; the Spaniard Federico Garcia Lorca; the San Francisco–based poets Jack Spicer, Robert Duncan, and Robin Blaser; the Barbadian Kamau Brathwaite; and the Brazilian brothers Haroldo and Augusto de Campos.

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The first large-scale study of the music of Herbert Howells, prodigiously gifted musician and favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the VocalComposer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur. PHILLIP COOKE is Lecturer in Composition at theUniversity of Aberdeen. DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges. CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.

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