Search results for ""Author Gold"

'Perfect for the purse, the planet and simple to follow' - Evening StandardMake vegan eating easy with simple plant-based meals ready in 30 minutes or less.With over 100 quick & easy plant-based recipes using supermarket staples, along with hints and tips for making vegan meals in no time at all, Broke Vegan: Speedy will have you cooking delicious dishes time after time that save money and help the planet. With easy weekday lifesavers, dishes you can rustle up in 15 minutes and even more special dishes for when you want to impress, Broke Vegan: Speedy is the essential guide to serving plant-based meals on a budget - fast.Whether you're taking part in Veganuary for the first time, making the move from veggie to vegan or just trying to make your money go further, Broke Vegan: Speedy will bring variety and flavour to your meals in no time, without having to spend a fortune.CONTENTSChapter one: Weekday LifesaversIncluding Huev-no rancheros, Teriyako courgettes and Freezer-friendly burritosChapter two: Ready in FifteenIncluding Savoury French toast, Shredded rice noodle salad and Beetroot hummus rainbow wrapsChapter three: Hands-offIncluding Katsu curry soup, Aubergine & potato curry and Arrabbiata gnocchi bake Chapter four: A Little Bit Special Including BBQ corn ribs, Sloppy sweet potato chilli and Butternut squash carbonaraChapter five: Speedy SweetsIncluding Baked tahini bananas, Broke churros and Golden syrup steamed pudding

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Discover the secret method used to build the world...For millennia, humans have used one simple method to solve problems. Whether it's planting crops, building skyscrapers, developing photographs, or designing the first microchip, all creators follow the same steps to engineer progress. But this powerful method, the "engineering method", is an all but hidden process that few of us have heard of-let alone understand-but that influences every aspect of our lives.Bill Hammack, a Carl Sagan award-winning professor of engineering and viral "The Engineer Guy" on Youtube, has a lifelong passion for the things we make, and how we make them. Now, for the first time, he reveals the invisible method behind every invention and takes us on a whirlwind tour of how humans built the world we know today. From the grand stone arches of medieval cathedrals to the mundane modern soda can, Hammack explains the golden rule of thumb that underlies every new building technique, every technological advancement, and every creative solution that leads us one step closer to a better, more functional world. Spanning centuries and cultures, Hammack offers a fascinating perspective on how humans engineer solutions in a world full of problems.A book unlike any other, The Things We Make is a captivating examination of the method that keeps pushing humanity forward, a spotlight on the achievements of the past, and a celebration of the potential of our future that will change the way we see the world around us.

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Histories you can trust. The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans—and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

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The Great Railway Bazaar is Paul Theroux's classic and much-loved homage to train travel.The Orient Express; The Khyber Pass Local; the Delhi Mail from Jaipur; the Golden Arrow of Kuala; the Trans-Siberian Express; these are just some of the trains steaming through Paul Theroux's epic rail journey from London across Europe through India and Asia. This was a trip of discovery made in the mid-seventies, a time before the West had embraced the places, peoples, food, faiths and cultures of the East. For us now, as much as for Theroux then, to visit the lands of The Great Railway Bazaar is an encounter with all that is truly foreign and exotic - and with what we have since lost.Praise for Paul Theroux:'Theroux's work remains the standard by which other travel writing must be judged' Observer'One needs energy to keep up with the extraordinary, productive restlessness of Paul Theroux ... [He is] the most gifted, most prodigal writer of his generation' Jonathan Raban'Always a terrific teller of tales and conjurer of exotic locales, he writes lean prose that lopes along at a compelling pace' Sunday TimesPaul Theroux's books include Dark Star Safari, Ghost Train to the Eastern Star, Riding the Iron Rooster, The Great Railway Bazaar, The Elephanta Suite, A Dead Hand, The Tao of Travel and The Lower River. The Mosquito Coast and Dr Slaughter have both been made into successful films. Paul Theroux divides his time between Cape Cod and the Hawaiian islands.

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Included in this latest volume are: “A Structural Analysis of the Digressions in the Iliad and the Odyssey,” by Julia Haig Gaisser; “Bacchylides’ Ode 5: Imitation and Originality,” by Mary R. Lefkowitz; “Agamemnonea,” by Hugh Lloyd-Jones; “Euripides, Alcestis 1092–1098,” by Marylin A. Whitfield; “Ληκυθιον Απωλεσεν,” by Cedric H. Whitman; “Near Eastern Material in Hellenistic and Roman Literature,” by M. L. West; “Chrysalus and the Fall of Troy (Plautus, Bacchides 925–978),” by H. D. Jocelyn; “Symmetry and Sense in the Eclogues,” by Otto Skutsch; “Some Callimachean Influences on Propertius, Book 4,” by Hugh E. Pillinger; “Pliny the Procurator,” by Ronald Syme; “Seneca and Juvenal 10,” by Bernard F. Dick; “Theodosius the Great and the Regency of Stilico,” by Alan Cameron; “Architect and Engineer in Archaic Greece,” by R. Ross Holloway; and “A Terracotta Lamp in the McDaniel Collection,” by Sidney M. Goldstein.

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During William L. Dwyer's fifteen-year tenure as a U.S. District Court judge, he presided over many complex and groundbreaking cases. In one of his most controversial rulings, he engaged environmentalists and the timber industry in a heavily publicized and emotionally fraught battle over the territory of the northern spotted owl, ultimately approving the bird for “threatened species” status and forcing the Forest Service to substantially reduce logging in owl-habitat areas. Before his appointment to the district court in 1987, Dwyer had spent more than thirty years as a trial lawyer, never shying away from the most difficult cases. He argued the libel suit of accused Communist sympathizer John Goldmark; he represented newspaper employees in the contested proposal for a joint-operating agreement between the Seattle Times and Seattle Post-Intelligencer; and he brought a suit against baseball's American League that resulted in the return of the Mariners to Seattle. The fifteen speeches in this volume cover a span from 1978 to 2002 and reveal the breadth and scope of Dwyer's legal wisdom. He championed libraries as keepers of our language, ideas, and history; he taught students the history and philosophy of litigation; and he challenged members of the legal profession to do more pro bono work. His respect for the rule of law and his belief in the necessary contribution of lawyers to society come through clearly in his own words, whether he was speaking to the American Library Association, the Federal Bar Association, or first-year law students. The volume includes several speeches that express Dwyer's hopes for the American legal system. “If we use our heads,” Dwyer avers, “we have the collective ability to survive and to let the rest of life survive with us.”

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At once historically and theoretically informed, these essays invite the reader to think of religion dynamically, reconsidering American religious history in terms of practices that are linked to specific social contexts. The point of departure is the concept of "lived religion." Discussing such topics as gift exchange, cremation, hymn-singing, and women's spirituality, a group of leading sociologists and historians of religion explore the many facets of how people carry out their religious beliefs on a daily basis. As David Hall notes in his introduction, a history of practices "encompasses the tensions, the ongoing struggle of definition, that are constituted within every religious tradition and that are always present in how people choose to act. Practice thus suggests that any synthesis is provisional." The volume opens with two essays by Robert Orsi and Daniele Hervieu-Leger that offer an overview of the rapidly growing study of lived religion, with Hervieu-Leger using the Catholic charismatic renewal movement in France as a window through which to explore the coexistence of regulation and spontaneity within religious practice. Anne S. Brown and David D. Hall examine family strategies and church membership in early New England. Leigh Eric Schmidt looks at the complex meanings of gift-giving in America. Stephen Prothero writes about the cremation movement in the late nineteenth century. In an essay on the narrative structure of Mrs. Cowman's Streams in the Desert, Cheryl Forbes considers the devotional lives of everyday women. Michael McNally uses the practice of hymn-singing among the Ojibwa to reexamine the categories of native and Christian religion. In essays centering on domestic life, Rebecca Kneale Gould investigates modern homesteading as lived religion while R. Marie Griffith treats home-oriented spirituality in the Women's Aglow Fellowship. In "Golden- Rule Christianity," Nancy Ammerman talks about lived religion in the American mainstream.

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Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

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Here James O'Hara shows how the deceptive nature of prophecy in the Aeneid complicates assessment of the poem's attitude toward its hero's achievement and toward the future of Rome under Augustus Caesar. This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles often lead to untimely deaths or other disasters only darkly hinted at by the prophecies. O'Hara finds in these prophecies a persistent subtext that both stresses the human cost of Aeneas' mission and casts doubt on Jupiter's promise to Venus of an "endless empire" for the Romans. O'Hara considers the major prophecies that look confidently toward Augustus' Rome from the standpoint of Vergil's readers, who, like the characters within the poem, must struggle with the possibility that the optimism of the prophecies of Rome is undercut by darker material partially suppressed. The study shows that Vergil links the deception of his characters to the deceptiveness of Roman oratory, politics, and religion, and to the artifice of poetry itself. In response to recent debates about whether the Aeneid is optimistic or pessimistic, O'Hara argues that Vergil expresses both the Romans' hope for the peace of a Golden Age under Augustus and their fear that this hope might be illusory. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this warmhearted middle-grade novel, Oona and her brother, Fred, love their cat Zook (short for Zucchini), but Zook is sick. As they conspire to break him out of the vet’s office, convinced he can only get better at home with them, Oona tells Fred the story of Zook’s previous lives, ranging in style from fairy tale to grand epic to slice of life. Each of Zook’s lives has echoes in Oona’s own family life, which is going through a transition she’s not yet ready to face. Her father died two years ago, and her mother has started a relationship with a man named Dylan—whom Oona secretly calls “the villain.” The truth about Dylan, and about Zook’s medical condition, drives the drama in this loving family story. Praise for The Five Lives of Our Cat Zook STARRED REVIEW "Rocklin’s characters are fully developed: readers will be invested. Set in Oakland, readers are also treated to a refreshingly authentic child’s view of a diverse city. The only imperfection in this novel is that it ends." —Booklist, starred review “Oona’s character is a combination of Harriet the Spy in curiosity and Anastasia in spunk. Another emotionally satisfying outing from Rocklin; hanky recommended.” —Kirkus Reviews "Just as she did in One Day and One Amazing Morning on Orange Street, Rocklin intertwines her characters so smartly that the many coincidences and serendipitous events feel organic to the story. The story’s ending—bittersweet, inevitable, and true—offers much-needed catharsis for the family and for anyone who has ever loved a pet." —The Horn Book "This heartwarming family tale is filled with resilient and thoughtful characters who are willing to learn from their mistakes. Readers who enjoy the novels of Jeanne Birdsall and Leslie Crunch will appreciate this charming story." —School Library Journal "There is a strong sense of place in this loving story with the ending sure to generate some tears. This would make a strong library lesson extension activity." —Library Media Connection Awards SCBWI’s Golden Kite Award for Fiction - 2012 Dorothy Canfield Fisher Book Award Rebecca Caudill Young Readers’ Book Award

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In the nineteenth century, a small but dedicated group of European and American women rose to agitate for the inclusion of women in the medical profession. It is a historic tale that we have told and retold for decades, but it is far from where the story of women as physicians and healers begins. Stretching back into deepest antiquity, we possess accounts of women who were consulted by emperors and paupers alike for their medical expertise. They were surgeons, apothecaries, midwives, university lecturers, and medical researchers in correspondence with the most learned societies of their time. And then it all came crashing down. A History of Women in Medicine and Medical Research is the story of the women who participated in that early Golden Age, and of a medical establishment closing ranks against them so effectively that, by the early Victorian era, they not only were barred from practicing medicine, but from so much as stepping into a classroom where medical topics were being discussed. It is the story of that intrepid band of reformers and pioneers who built back the women's medical profession from the ashes and constructed a thriving new community of researchers and practitioners who within a century had retaken not only the ground that had been lost, but boldly advanced to levels of fame and achievement unimaginable to any previous era. Told through in-depth accounts of the lives of the pioneers and practitioners who built and rebuilt the women's medical movement, this title dives into the lives of not only legendary figures like Florence Nightingale, Gertrude Elion, Rosalyn Yalow, and Elizabeth Blackwell, but visits women the world over whose medical contributions broke down doors and advanced the cause of women's and world health, like the revolutionary medieval physician Trota of Salerno, the pioneering eighteenth century midwife and businesswoman Madame du Coudray, the microbiological research trailblazer Mary Putnam Jacobi, and the HIV researcher and world epidemic response coordinator Francoise Barre-Sinoussi. With over 140 stories spanning three millennia of global medicine, this book shines a light on the unknown heroes, towering discoveries, tragic missteps, and profound struggles that have accompanied the Rise, Fall, and Rebirth of the women's medical profession.

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A fiercely intelligent, hilarious, and deeply feminist collection of interrelated personal stories from Academy, Emmy, and Golden Globe Award–winning actress and director Christine Lahti.For decades, actress and director Christine Lahti has captivated the hearts and minds of her audience through iconic roles in Chicago Hope, Running on Empty, Housekeeping, And Justice for All, Swing Shift, Law & Order: Special Victims Unit, God of Carnage, and The Blacklist. Now, in True Stories from an Unreliable Eyewitness, this acclaimed performer channels her creativity inward to share her own story for the first time on the page.In this poignant essay collection, Lahti focuses on three major periods of her life: her childhood, her early journey as an actress and activist, and the realities of her life as a middle-aged woman in Hollywood today. Lahti’s comical and self-deprecating voice shines through in stories such as "Kidnapped" and "Shit Happens," and she takes a boldly honest look at the painful fissures in her family in pieces such as "Mama Mia" and "Running on Empty." Taken together, the collection illuminates watershed moments in Lahti’s life, revealing her struggle to maintain integrity, fight her need for perfection, and remain true to her feminist inclinations.Lahti’s wisdom and candid insights are reminiscent of Nora Ephron’s I Feel Bad About My Neck and Joan Rivers’s I Hate Everyone—and yet her experiences are not exclusive to one generation. The soul of her writing can be seen as a spiritual mother to feminist actresses and comedic voices whose works are inspiring today’s young women, including Amy Schumer, Lena Dunham, Amy Poehler, Caitlin Moran, and Jenny Lawson. Her stories reveal a stumbling journey toward agency and empowerment as a woman—a journey that’s still very much a work in progress.True Stories from an Unreliable Eyewitness is about the power of storytelling to affirm and reframe the bedrock of who we are, revealing that we’re all unreliable eyewitnesses when it comes to our deeply personal memories. Told in a wildly fresh, unique voice, and with the unshakable ability to laugh at herself time and again, this is Christine Lahti’s best performance yet.

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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A GLOBE & MAIL BEST BUSINESS BOOK OF 2021 The COVID-19 pandemic forced an unprecedented experiment that reshaped white-collar work and turned remote work into a kind of "new normal." Now comes the hard part. Many employees want to continue that normal and keep working remotely, and most at least want the ability to work occasionally from home. But for employers, the benefits of employees working from home or hybrid approaches are not so obvious. What should both groups do? In a prescient new book, The Future of the Office: Work from Home, Remote Work, and the Hard Choices We All Face, Wharton professor Peter Cappelli lays out the facts in an effort to provide both employees and employers with a vision of their futures. Cappelli unveils the surprising tradeoffs both may have to accept to get what they want. Cappelli illustrates the challenges we face by in drawing lessons from the pandemic and deciding what to do moving forward. Do we allow some workers to be permanently remote? Do we let others choose when to work from home? Do we get rid of their offices? What else has to change, depending on the approach we choose? His research reveals there is no consensus among business leaders. Even the most high-profile and forward-thinking companies are taking divergent approaches:Facebook, Twitter, and other tech companies say many employees can work remotely on a permanent basis. Goldman Sachs, JP Morgan, and others say it is important for everyone to come back to the office.Ford is redoing its office space so that most employees can work from home at least part of the time, and GM is planning to let local managers work out arrangements on an ad-hoc basis. As Cappelli examines, earlier research on other types of remote work, including telecommuting offers some guidance as to what to expect when some people will be in the office and others work at home, and also what happened when employers tried to take back offices. Neither worked as expected. In a call to action for both employers and employees, Cappelli explores how we should think about the choices going forward as well as who wins and who loses. As he implores, we have to choose soon.

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You are paying much more in tax than you think you are What Everyone Needs to Know About Tax takes an entertaining and informative look at the UK tax system in all its glory to show you just how much you pay, how the money is collected and how it affects ordinary people every day. Giving context to recent controversies including the Panama Papers, tax avoidance by multinationals, Brexit and more, this book provides a straightforward explanation of tax and the policy behind it for non-specialists — no accounting or legal knowledge is required. The system's underlying logic is illustrated through three 'golden rules' that explain many of the UK tax regime's oddities, and the discussion focuses on the way things are rather than utopian ideas about how they might be. Case studies show how the VAT on a plumber's bill all adds up; why fraudsters made a movie to throw HMRC off their scent; how a wealthy couple can pay so little tax on a six-figure income; and the way tracing the money you paid for your iPad sheds light why the EU is demanding Apple pay billions extra in tax. Ever the political battlefield, tax is too important for you to rely on media hype for information. It affects everyone, every day, and it pays for voters and taxpayers to know more. This book leaves aside technical detail and the arcana of the tax code to give you a real-world look at how tax works. Learn about the many ways that the tax system separates us from our money Discover how Brexit could change the way we pay taxes Understand how changing tax policy affects people's everyday lives See through the rhetoric surrounding controversies in the media With tax, we have to admit that there are no easy answers. No one enjoys paying them, but without them, the Government would shut down. Seeing through politicians' cant and superficial press coverage is critical for your ability to make the decisions that benefit you; What Everyone Needs to Know About Tax gives you the background and foundational knowledge you need to be a well-informed taxpayer.

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Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations.Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd.,Singin’ in the Rain, and The Truman Show.Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash.In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).

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Britain’s gardens are a vast, living landscape and the home to hundreds of species of birds. Learn to pay attention to these visitors to your own garden or local park and you’ll have a front-row seat to the unfolding drama that is the garden bird’s year. As dawn breaks across your back garden, if you were paying attention, you would notice that the robin and the blackbird are always the first birds to arrive. These ground hunters have large eyes, so don’t mind the dim light of the early morning. And that’s just the beginning of what you can learn watching your own back garden. Ornithologist Mike Toms has spent a year avidly observing his own garden, and the result is a comprehensive picture of the lives of garden birds.From the crowded yet quiet January garden populated by migratory fieldfares and bramblings, to the riotous gardens of spring, filled with songbirds competing for mates, the garden ecosystem changes throughout the year. Learn to spot these changes, to greet the arrival of the swifts in May and the new crop of fledgling goldfinches and blackbirds in June, and you’ll find a new world opening up to you.A Garden Bird’s Year is the perfect introduction to this world. Supremely readable, it explains biology and behaviour to paint a picture of the lives of common bird species, while also offering practical information for watching and feeding the birds in your own backyard. Toms details birds’ preferences for particular plants, seeds and feeders, so you can learn to attract different species to your own garden. He also charts fascinating recent adaptations – urban birds sleep later than their rural counterparts, probably because cities are on average a few degrees warmer, and they sing either earlier or later, to avoid competing with local traffic; and the balance of migratory birds to Britain is being affected by the world’s changing climate. Many species of garden birds are threatened, but there is much that each one of us can do to support them, to attract them, and to help them thrive through the year.

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Choice Magazine's Outstanding Academic Books for 2004The only book to cover the entire history of birth control and the intense controversies about reproduction rights that have raged in the United States for more than 150 years, The Moral Property of Women is a thoroughly updated and revised version of the award-winning historian Linda Gordon's classic history Woman's Body, Woman's Right, originally published in 1976.Arguing that reproduction control has always been central to women's status, The Moral Property of Women shows how opposition to it has long been part of the conservative opposition to gender equality. From its roots in folk medicine and in a campaign so broad it constituted a grassroots social movement at some points in history, to its legitimization through public policy, the widespread acceptance of birth control has involved a major reorientation of sexual values.Gordon puts today's reproduction control controversies--foreign aid for family planning, the abortion debates, teenage pregnancy and childbearing, stem-cell research--into historical perspective and shows how the campaign to legalize abortion is part of a 150-year-old struggle over reproductive rights, a struggle that has followed a circuitous path. Beginning with the "folk medicine" of birth control, Gordon discusses how the backlash against the first women's rights movement of the 1800s prohibited both abortion and contraception about 130 years ago. She traces the campaign for legal reproduction control from the 1870s to the present and argues that attitudes toward birth control have been inseparable from family values, especially standards about sexuality and gender equality.Highlighting both leaders and followers in the struggle, The Moral Property of Women chronicles the contributions of well-known reproduction control pioneers such as Elizabeth Cady Stanton, Margaret Sanger, and Emma Goldman, as well as lesser- known campaigners including the utopian socialist Robert Dale Owen, the three doctors Foote--Edward Bliss Foote, Edward Bond Foote, and Mary Bond Foote--the civil libertarian Mary Ware Dennett, and the daring Jane project of the 1970s, in which Chicago women's liberation activists performed illegal abortions.

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A Forest on Many Stems: Essays on the Poet’s Novel provides a unique entrance to the rare prose of many remarkable modern and contemporary poets including Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Fernando Pessoa, Rainer Maria Rilke, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting, and action. Contributors: Brian Blanchfield, Anne Boyer, John Keene, Mónica de la Torre, Cedar Sigo, and C. D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results. Kazim Ali on Fanny Howe Dan Beachy-Quick on W.G. Sebald Edmund Berrigan on Ted Berrigan Brian Blanchfield on Aaron Kunin Rachel Blau DuPlessis on Gertrude Stein Julia Bloch on Gwendolyn Brooks Anne Boyer on Elizabeth Barrett Browning Traci Brimhall on Hilda Hilst Vincent Broqua on Stacy Doris Brandon Brown on Kevin Killian Lee Ann Brown on Carla Harryman Angela Carr on Nicole Brossard Julie Carr on Lyn Hejinian Norma Cole on Emmanuel Hocquard Brent Cunningham on Laura Moriarty Mónica de la Torre on Martín Adán Marcella Durand on Robert Creeley Patrick Durgin on Tan Lin & Pamela Lu Norman Fischer on Phillip Whalen C.S. Giscombe on Audre Lorde Judith Goldman on Leslie Scalapino Carla Harryman on Gail Scott Jeanne Heuving on Theresa Hak Kyung Cha Laura Hinton on Alice Notley Daniel Katz on Jack Spicer John Keene on Fernando Pessoa Karla Kelsey on Barbara Guest Aaron Kunin on Lewis Carroll Sonnet L’Abbé on M. NourbeSe Philip Abigail Lang on Jacques Roubaud Kimberly Lyons on Mina Loy W. Jason Miller on Langston Hughes Mette Moestrup on Ingeborg Bachmann Laura Moriarty on Keith Waldrop Laura Mullen on Bhanu Kapil Denise Newman on Inger Christensen Aldon Lynn Nielsen on Amiri Baraka Geoffrey G. O’Brien on John Ashbery & James Schuyler Jena Osman on Thalia Field Julie Patton on Jean Toomer Elizabeth Robinson on Rosmarie Waldrop Jennifer Scappettone on H.D. Susan Scarlata on Forrest Gander Brandon Shimoda on Etel Adnan Cedar Sigo on Eileen Myles Sasha Steensen on Anne Carson Donna Stonecipher on Peter Waterhouse Brian Teare on Rainer Maria Rilke Tyrone Williams on Nathaniel Mackey C.D. Wright on Michael Ondaatje Lynn Xu on Ben Lerner Rachel Zolf on Juliana Spahr

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Works of art in enamel are among the most attractive, colourful and revealing objects of the Middle Ages and Renaissance. Enamel was employed to embellish a broad array of objects, including reliquary caskets, crosses, book-covers, croziers, censers and pyxes for the church and a wide range of tableware for the secular market. The Wyvern Collection comprises many pieces of prime importance from the twelfth to the sixteenth centuries. Among the highlights in this volume are two extremely rare Romanesque enamels of c. 1160-70 from the Meuse Valley: the celebrated reliquary triptych probably originally belonging to the Bishop of Liège, and a beautiful phylactery (a reliquary designed to be suspended) with scenes from the story of the True Cross, said to have come from the famous abbey of Lobbes. Limoges enamels of the twelfth and thirteenth centuries are particularly well represented, the 65 pieces making up what is undoubtedly now the finest and most comprehensive collection in private hands. The later painted enamels of Limoges, from the fifteenth and sixteenth centuries, include remarkable examples of the work of the principal enamellers, most notably Pierre Reymond, and the spectacular horn of St Hubert, dated 1538 and signed by Léonard Limosin, which once belonged to Horace Walpole at Strawberry Hill. The catalogue additionally includes other outstanding works of art such as an important Anglo-Carolingian chrismatory of the ninth century, a small group of enigmatic twelfth-century drinking-cups and sumptuous examples of German late medieval goldsmiths' work. Stained and painted glass roundels, Italian Renaissance ceramics, luxurious textiles and tapestries, and German and Italian armour are also catalogued. An appendix presents several important pieces, recently acquired, which supplement those published in the first two volumes. With more than 250 objects, all specially photographed, this is more than a handbook to an especially rich part of one of the greatest private collections. It is a detailed and authoritative guide to medieval and Renaissance enamels and other works of art, a stimulus to further research and a feast for the eyes.With 400 illustrations in colour

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For almost a century, movie fans have been riveted by the Academy Awards and the stars who have won Oscars. 50 Oscar Nights takes readers behind the scenes of Hollywood's most storied awards show through new and exclusive interviews with dozens of A-list actors, filmmakers, and craftspeople spanning sixty years of the Oscars. Here these artists reflect on their winning work and recount all the details of how they got ready, how they felt when they heard their name and got up on stage to accept their award, what they wore, how the entire experience impacted their life, and more.Some interviews bring to light fun stories like why Hilary Swank decided to celebrate her Academy Award at the Astro Burger in West Hollywood, or insight into the work as Elton John explains why he was convinced he won his Best Original Song award for the wrong tune. Other interviews illuminate why for some honorees, such as Julia Roberts, John Legend, and Octavia Spencer, the day remains a life highlight to be treasured, while for Marlee Matlin, Mira Sorvino, and Barry Jenkins, complex emotions cloud what most think would be a purely celebratory moment.Filled with more than 150 photos of red-carpet moments, emotional acceptances, and after-party play, 50 Oscar Nights is both a stunning record of cinema glamour and a must-read for any movie lover.Full list of interviewees: Nicole Kidman, Elton John, Jennifer Hudson, Steven Spielberg, Jane Fonda, Barry Jenkins, Halle Berry, J. K. Simmons, Julia Roberts, John Legend, Rita Moreno, Martin Scorsese, Marlee Matlin, Dustin Hoffman, Hannah Beachler, Cameron Crowe, Mira Sorvino, Kevin O'Connell, Sally Field, Kristen Anderson-Lopez and Robert Lopez, Eddie Redmayne, Lee Grant, Louis Gossett Jr., Hilary Swank, Clint Eastwood, Jessica Yu, Michael Douglas, Catherine Martin, Francis Ford Coppola, Allison Janney, Mel Brooks, Emma Thompson, Peter Jackson, Marcia Gay Harden, Mark Bridges, Sofia Coppola, Joel Grey, Glen Hansard and Markéta Irglová, Olivia Colman, Rob Epstein, Whoopi Goldberg, Alan Menken, Melissa Etheridge, Sissy Spacek, Keith Carradine, Estelle Parsons, Geoffrey Fletcher, Octavia Spencer, Aaron Sorkin, Meryl Streep

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W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes.Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died.John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946.The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME.Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.

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In the Shadow of Great Powers is the second volume of Christoph Baumer’s History of the Caucasus. It covers the period from the Seljuk domination of the Southern Caucasus around 1050 CE to the present day. After the Kingdom of Georgia’s golden age of independent power and cultural blossoming in the 12th and early 13th centuries, the Caucasus was overrun by the Mongols and soon disintegrated into innumerable smaller kingdoms, principalities and khanates. At the same time, an Armenian kingdom in exile maintained a precarious independence in Cilicia, today’s southern Turkey, by applying a three-way diplomatic policy balanced between the Mongol Il-Khanate, the Crusader states and, to a lesser degree, the Mameluke Empire. Then followed four centuries during which the highly fragmented polities of the North and South Caucasus became political pawns of the regional great powers, above all the Ottomans, Iran and Russia. In the wake of World War I the South Caucasus enjoyed a short-lived independence whereas its northern neighbours were engulfed by the Russian civil wars. But by 1921 the Soviet Union had re-established Russian dominance over the whole region and, from a Western perspective, the region ‘disappeared’ behind the Iron Curtain. Nevertheless, the Caucasian nations kept their pronounced identities even under Soviet rule, giving rise at the dissolution of the Soviet Union to a number of internecine conflicts. Whereas the Russian Federation managed to maintain its supremacy over the North Caucasus – albeit at the cost of bloody wars and insurrections – Armenia, Azerbaijan and Georgia succeeded in more or less gaining control over their destiny. Of these three republics, only Azerbaijan secured a wide-ranging independence thanks to its fossil fuel resources. Following Russian interference, Georgia lost control over two of its provinces while Armenia remains dependent on Russian support in the face of its notoriously antagonistic relations with neighbouring Azerbaijan and Turkey over the unresolved issue of Karabakh. In the Shadow of Great Powers includes some 200 full-colour images and maps which further bring the turbulent history of this region to light.

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'A compelling storyteller, with a striking talent for historical reconstruction' Mary BeardA.D. 165: The empire of Rome has reached its pinnacle. Pax Roma reigns from Britannia to Egypt, from Gaul to Greece. Emperor Marcus Aurelius oversees a golden age and the ancient Pinarius family of artisans embellish the greatest city on Earth with gilded statues and towering marble monuments. But history does not stand still. The years to come bring wars, plagues, fires, and famines. The best emperors in history are succeeded by some of the worst. Barbarians descend, eventually appearing before the gates of Rome itself. Chaos engulfs the empire.Through it all, the Pinarius family endures, thanks in no small part to the fascinum, a protective talisman older than Rome itself, handed down through countless generations.But on the fringes of society, a band of troublesome cultists disseminate dangerous and seditious ideas. They call themselves Christians. Some emperors deal with the Christians with toleration, others with bloody persecution. Then one emperor does the unthinkable. He becomes a Christian himself and the revolution he sets in motion will change the world forever.Spanning 160 years and seven generations, teeming with some of ancient Rome's most vivid figures, Saylor's epic brings to vivid life some of the most tumultuous chapters of human history, events which reverberate still.Praise for Steven Saylor: 'Saylor expertly weaves the true history of Rome with the lives and loves of its fictional citizens.' Daily Express'Saylor's scholarship is breathtaking and his writing enthrals' Ruth Rendell'With the scalpel-like deftness of a Hollywood director, Saylor puts his finger on the very essence of Roman history.' Times Literary Supplement'Readers will find his work wonderfully (and gracefully) researched... this is entertainment of the first order.' Washington Post'Saylor's scholarship is breathtaking and his writing enthrals' Ruth Rendell'The most reliably entertaining and well-researched novels about the ancient world [are] Steven Saylor's tales of the Roman proto-detective Gordianus the Finder. The Throne of Caesar brings the series to a satisfying conclusion [and offers] a new, compelling perspective on familiar historic events' Sunday Times

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'A compelling storyteller, with a striking talent for historical reconstruction' Mary BeardA.D. 165: The empire of Rome has reached its pinnacle. Pax Roma reigns from Britannia to Egypt, from Gaul to Greece. Emperor Marcus Aurelius oversees a golden age and the ancient Pinarius family of artisans embellish the greatest city on Earth with gilded statues and towering marble monuments. But history does not stand still. The years to come bring wars, plagues, fires, and famines. The best emperors in history are succeeded by some of the worst. Barbarians descend, eventually appearing before the gates of Rome itself. Chaos engulfs the empire.Through it all, the Pinarius family endures, thanks in no small part to the fascinum, a protective talisman older than Rome itself, handed down through countless generations.But on the fringes of society, a band of troublesome cultists disseminate dangerous and seditious ideas. They call themselves Christians. Some emperors deal with the Christians with toleration, others with bloody persecution. Then one emperor does the unthinkable. He becomes a Christian himself and the revolution he sets in motion will change the world forever.Spanning 160 years and seven generations, teeming with some of ancient Rome's most vivid figures, Saylor's epic brings to vivid life some of the most tumultuous chapters of human history, events which reverberate still.Praise for Steven Saylor: 'Saylor expertly weaves the true history of Rome with the lives and loves of its fictional citizens.' Daily Express'Saylor's scholarship is breathtaking and his writing enthrals' Ruth Rendell'With the scalpel-like deftness of a Hollywood director, Saylor puts his finger on the very essence of Roman history.' Times Literary Supplement'Readers will find his work wonderfully (and gracefully) researched... this is entertainment of the first order.' Washington Post'Saylor's scholarship is breathtaking and his writing enthrals' Ruth Rendell'The most reliably entertaining and well-researched novels about the ancient world [are] Steven Saylor's tales of the Roman proto-detective Gordianus the Finder. The Throne of Caesar brings the series to a satisfying conclusion [and offers] a new, compelling perspective on familiar historic events' Sunday Times

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‘After all this time Frankie Dettori still ranks amongst the all-time greats of the sport’ LESTER PIGGOTT ‘An autobiography as gripping as any Dick Francis thriller’ YORKSHIRE POST ‘Endearingly honest… a fastpaced, funny autobiography’ COUNTRY LIFE MAGAZINE Legendary jockey, Frankie Dettori, shares his remarkable life story in this astonishingly intimate autobiography. When Lanfranco ‘Frankie’ Dettori arrived on British shores in 1985, aged just 14, he couldn’t speak a word of English. Having left school just a year earlier and following in the footsteps of his father, he was eager to become a stable boy and apprentice jockey, willing to do everything it took to make it. This was his first, but certainly not his last, leap of faith. Despite his slight size, Frankie’s impact upon the British racing scene was immediate and significant. Brimming with confidence, charisma and personality, and with what was clearly a precocious talent, in 1990 he became the first teenager since Lester Piggot to win over 100 races in a single season. By 1996, Frankie was already established as a celebrity in the sport and an adopted national treasure, but it was his extraordinary achievement of winning all seven races in a single day at Ascot that cemented his reputation as the greatest rider of his generation. Nearly 25 years later, and having won the Longines World’s Best Jockey for three consecutive years running, Frankie has demonstrated an unparalled level of longevity at the pinnacle of his sport. But his story is not simply one of uninterrupted success, but also of personal anguish, recovery and restoration – both in and out of the saddle. Now, Frankie compellingly reveals the lows to his highs; the plane crash that nearly killed him, the drugs ban that nearly made him quit the sport, and the acrimonious split from Godolphin that threatened his future. But Leap of Faith is also a story of love – for the sport he continues to dominate to this day, the great horses of his era (Stradivarius, Golden Horn, and of course Enable), and most importantly for his family, who have supported him every step of the way. Heartfelt and poignant, this is not simply a memoir, but a celebration of perseverance and defying the odds.

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Video gaming: it’s a boy’s world, right? That’s what the industry wants us to think. Why and how we came to comply are what Carly A. Kocurek investigates in this provocative consideration of how an industry’s craving for respectability hooked up with cultural narratives about technology, masculinity, and youth at the video arcade.From the dawn of the golden age of video games with the launch of Atari’s Pong in 1972, through the industry-wide crash of 1983, to the recent nostalgia-bathed revival of the arcade, Coin-Operated Americans explores the development and implications of the “video gamer” as a cultural identity. This cultural-historical journey takes us to the Twin Galaxies arcade in Ottumwa, Iowa, for a close look at the origins of competitive gaming. It immerses us in video gaming’s first moral panic, generated by Exidy’s Death Race (1976), an unlicensed adaptation of the film Death Race 2000. And it ventures into the realm of video game films such as Tron and WarGames, in which gamers become brilliant, boyish heroes.Whether conducting a phenomenological tour of a classic arcade or evaluating attempts, then and now, to regulate or eradicate arcades and coin-op video games, Kocurek does more than document the rise and fall of a now-booming industry. Drawing on newspapers, interviews, oral history, films, and television, she examines the factors and incidents that contributed to the widespread view of video gaming as an enclave for young men and boys.A case study of this once emergent and now revived medium became the presumed enclave of boys and young men, Coin-Operated Americans is history that holds valuable lessons for contemporary culture as we struggle to address pervasive sexism in the domain of video games—and in the digital working world beyond.

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Sefer ha-Zohar (The Book of Radiance) has amazed and overwhelmed readers ever since it emerged in medieval Spain toward the end of the thirteenth century. Written in a unique, lyrical Aramaic, this masterpiece of Kabbalah exceeds the dimensions of a normal book; it is virtually a body of literature, comprising over twenty discrete sections. The bulk of the Zohar consists of a fascinating mystical commentary on the Torah, from Genesis through Deuteronomy. This sixth volume of The Zohar: Pritzker Edition completes the Zohar's commentary on the book of Exodus. Some of the volume focuses on the Dwelling (or mishkan) built by Moses and the Israelites in the Sinai Desert. The mishkan symbolizes Shekhinah, the feminine presence of God who "dwells" on earth. The construction of the mishkan is intended to ensure Her intimacy with the people—and especially with Moses, who is actually called Her husband. The dramatic episode of the Golden Calf receives special treatment. The worship of the calf is seen as a rejection of Shekhinah. Normally, She would have restrained the wrath of God's masculine aspect and prevented Him from striking Israel; but having been rejected, She instead departed, leaving the people vulnerable. Whereupon the blessed Holy One hinted to Moses that it was up to him to defend Israel from divine destruction. By invoking the three patriarchs, Moses pinned God's arms, as it were, and immobilized Him, saving his people. With the appearance of this volume, The Zohar: Pritzker Edition has reached its halfway point. The projected Volumes VII-IX will complete the Zohar's main commentary on the Torah. Volumes X-XII will include the Zohar's commentary on various other books of the Bible (such as Ruth and Song of Songs) as well as several independent compositions.

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Taking a "music first" approach, Gareth E. Roberts's From Music to Mathematics will inspire students to learn important, interesting, and at times advanced mathematics. Ranging from a discussion of the geometric sequences and series found in the rhythmic structure of music to the phase-shifting techniques of composer Steve Reich, the musical concepts and examples in the book motivate a deeper study of mathematics. Comprehensive and clearly written, From Music to Mathematics is designed to appeal to readers without specialized knowledge of mathematics or music. Students are taught the relevant concepts from music theory (notation, scales, intervals, the circle of fifths, tonality, etc.), with the pertinent mathematics developed alongside the related musical topic. The mathematics advances in level of difficulty from calculating with fractions, to manipulating trigonometric formulas, to constructing group multiplication tables and proving a number is irrational. Topics discussed in the book include Rhythm Introductory music theory The science of sound Tuning and temperament Symmetry in music The Bartok controversy Change ringing Twelve-tone music Mathematical modern music The Hemachandra-Fibonacci numbers and the golden ratio Magic squares Phase shifting Featuring numerous musical excerpts, including several from jazz and popular music, each topic is presented in a clear and in-depth fashion. Sample problems are included as part of the exposition, with carefully written solutions provided to assist the reader. The book also contains more than 200 exercises designed to help develop students' analytical skills and reinforce the material in the text. From the first chapter through the last, readers eager to learn more about the connections between mathematics and music will find a comprehensive textbook designed to satisfy their natural curiosity.

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“This startling, vital book deserves our attention.” —San Francisco Chronicle For fans of War Dogs and Bad Blood, an explosive look inside the rush to profit from the COVID-19 pandemic, from the award-winning ProPublica reporter who saw it firsthand.The United States federal government spent over $10 billion on medical protective wear and emergency supplies, yet as COVID-19 swept the nation, life-saving equipment such as masks, gloves, and ventilators was nearly impossible to find. In this brilliant nonfiction thriller, called “revelatory” by The Washington Post, award-winning investigative reporter J. David McSwane takes us behind the scenes to reveal how traders, contractors, and healthcare companies used one of the darkest moments in American history to fill their pockets. Determined to uncover how this was possible, he spent over a year on private jets and in secret warehouses, traveling from California to Chicago to Washington, DC, to interview both the most treacherous of profiteers and the victims of their crimes. Pandemic, Inc. is the story of the fraudster who signed a multi-million-dollar contract with the government to provide lifesaving PPE, and yet never came up with a single mask. The Navy admiral at the helm of the national hunt for additional medical resources. The Department of Health whistleblower who championed masks early on and was silenced by the government and conservative media. And the politician who callously slashed federal emergency funding and gutted the federal PPE stockpile. Winner of the Goldsmith Prize for Investigative Reporting, McSwane connects the dots between backdoor deals and the spoils systems to provide the definitive account of how this pandemic was so catastrophically mishandled. Shocking and monumental, Pandemic, Inc. exposes a system that is both deeply rigged, and singularly American.

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In the last two decades, innovation, data analysis and technology have driven a tectonic shift in the sports business. Game of Edges is the story of how sports franchises evolved, on and off the field, from raggedly run small businesses into some of the most systematically productive companies around. In today’s game, everyone from the owners to the marketing staff are using information—data—to give their team an edge. For analysts, an edge is their currency. Figuring out that bunting hurts your offence? That’s an edge. So is discovering metrics that can predict the career arc of your free agent shooting guard. Or combing through a decade of ticket-buying data to target persuadable fans. These small, incremental steps move a sports franchise from merely ordinary to the leading edge. Franchises today are more than just sports; they integrate a whole suite of other businesses—television and digital content, gambling and real estate, fashion and clothing, entertainment, catering and concessions and much more. But an optimised franchise has no room for error. Teams must do what the numbers say, reducing the element of chance, limiting those random moments of athletic heroism that make sports thrilling to watch. Optimisation also means the franchise’s main goal isn’t championships anymore; it’s keeping you, the viewer, engaged with the product. Drawing on extensive interviews with franchise owners, managers, executives and players, Bruce Schoenfeld introduces dynamic leaders who are radically reimagining the operations of these decades-old teams—and producing mind-boggling valuations. He joins the architects of the Golden State Warriors dynasty for an exclusive reception before tip-off. He stands among the faithful at Anfield, watching Liverpool’s analytics guru size up a prized midfielder. And he watches the president of the Chicago Cubs break ground on a new DraftKings gambling parlour at Wrigley Field, not ten miles from the site of the original Black Sox betting scandal. Essential reading for anyone interested in sports, business or technology Game of Edges explores a world where winning the game is only the beginning.

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You thought he was retired, even dead? No, he is back! At the age of 86, Mike Tomkies is back doing what he does best - observing our rarest and most dramatic wildlife, unsuspected and from close quarters, and writing about it with the kind of intimate detail that has earned high acclaim from critics and conservationists. Within days of arriving back from five years of studying bears, wolves and lynxes in Spain, he is up a wild cliff in Cornwall watching three peregrine falcon chicks from hatching to flying stage. We can follow his astounding adventures over the next ten years as he obsessively searches all through Britain for that elusive 'small wild paradise' so many of us would also like to find. He lives in, but finally loses, no less than six new homes in that time and the complications and reasons why are both hilarious and sad. Even more fascinating is his continual obsessive quest to get up close and personal with nesting goshawks, buzzards and ospreys, as well as mammals like fishing otters, a fox family and he even feeds wild badgers by hand. At one remote farmhouse in the Borders, he learns how to handle a bulldozer, digs out his own 70-yard lake and stocks it with trout. Over three years there he raises ten barn owl chicks and establishes three breeding pairs in areas where they had long been absent. It was the most successful barn owl release at the time. There are many amusing anecdotes such as when he dreaded taking some of Prince Harry's classmates to 'otter bay' and then saw far more otters than when he had gone there on his own! Transcending all are his new studies and descriptions of hunting and nesting golden eagles, during which he passed his 3,050th hour in one of his home-made 'invisible' hides, and a huge female allowed him to bring much-needed meat to her chicks in their eyrie. The book ends with triumphant filming of the magnificent white-tailed sea eagles on Mull, hunting and sailing into their high nest with prey and feeding their chicks. Mike also achieved valuable publicity for the pioneering public sea eagle hide project on Mull.

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Insight Guides RussiaTravel made easy. Ask local experts. Comprehensive travel guide packed with inspirational photography and fascinating cultural insights, now with free eBook.From deciding when to go, to choosing what to see when you arrive, this guide to Russia is all you need to plan your perfect trip, with insider information on must-see, top attractions like St Basil's, the Kremlin and Red Square, and cultural gems like wandering around Kizhi's magnificent churches, exploring the vast Lake Baikal and riding the epic Trans-Siberian Railway. Features of this travel guide to Russia:- Inspirational colour photography: discover the best destinations, sights and excursions, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Russia's rich history and culture, and learn all about its people, art and traditions- Practical full-colour maps: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- Editor's Choice: uncover the best of Russia with our pick of the region's top destinations- Key tips and essential information: packed full of important travel information, from transport and tipping to etiquette and hours of operation- The ultimate travel tool: download the free app and eBook to access this and bonus content from your phone or tablet- Covers: Moscow; The Golden Ring; St Petersburg; The European North; Southwest of Moscow; Along the Volga; The Urals; The European South; Siberia; Russian Far EastLooking for a specific guide to Moscow? Check out City Guide Moscow for a detailed and entertaining look at all the city has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps, as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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From 1989 through 2002 there was an unprecedented surge in American sitcoms featuring explicitly Jewish lead characters, thirty-two compared to seven in the previous forty years. Several of these—Mad About You, The Nanny, and Friends—were among the most popular and influential of all shows over this period; one program—Seinfeld—has been singled out as the “defining” series of the nineties. In addition, scriptwriters have increasingly created “Jewish” characters, although they may not be perceived to be by the show’s audience, Rachel Green on Friends being only one example.In Something Ain’t Kosher Here, Vincent Brook asks two key questions: Why has this trend appeared at this particular historical moment and what is the significance of this phenomenon for Jews and non-Jews alike? He takes readers through three key phases of the Jewish sitcom trend: The early years of television before and after the first Jewish sitcom, The Goldbergs’, appeared; the second phase in which America found itself “Under the Sign of Seinfeld”; and the current era of what Brook calls “Post- Jewishness.”Interviews with key writers, producers, and “showrunners” such as David Kohan, (Will and Grace), Marta Kauffman (Friends and Dream On), Bill Prady (Dharma and Greg), Peter Mehlman and Carol Leifer (Seinfeld), and close readings of individual episodes and series provoke the inescapable conclusion that we have entered uncharted “post-Jewish” territory. Brook reveals that the acceptance of Jews in mainstream white America at the very time when identity politics have put a premium on celebrating difference reinforces and threatens the historically unique insider/outsider status of Jews in American society. This paradox upsets a delicate balance that has been a defining component of American Jewish identity.The rise of the Jewish sitcom represents a broader struggle in which American Jews and the TV industry, if not American society as a whole, are increasingly operating at cross-purposes— torn between the desire to celebrate unique ethnic identities, yet to assimilate: to assert independence, yet also to build a consensus to appeal to the widest possible audience. No reader of this book will ever be able to watch these television programs in quite the same way again.

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Death is an inevitable fact of life. Throughout the centuries, humanity has sought to understand this sobering thought through art and ritual. The theme of memento mori informs medieval Danse Macabre, the Tibetan Book of the Dead, Renaissance paintings of dissected corpses and “anatomical Eves,” Gothic literature, funeral effigies, Halloween, and paintings of the Last Judgment. Deceased ancestors are celebrated in the Mexican Day of the Dead, while the ancient Egyptians mummified their dead to secure their afterlife. A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life. Each chapter begins with thought-provoking articles by curators, academics, and journalists followed by gallery spreads presenting a breathtaking variety of death-related imagery and artifacts. From skulls to the dance of death, statuettes to ex libris, memento mori to memorabilia, the majority of the images are of artifacts in the astonishing collection of Richard Harris and range from 2000 BCE to the present day, running the gamut of both high and popular culture. Essays: Death in Ancient and Present-Day Mexico, Eva Aridjis,The Power of Hair as Human Relic in Mourning Jewelry - Karen Bachmann, Medusa and the Power of the Severed Head, Laetitia Barbier, Anatomical Expressionism, Eleanor Crook, Poe and the Pathological Sublime, Mark Dery, Eros and Thanatos, Lisa Downing, Death-Themed Amusements, Joanna Ebenstein, The Nutshell Studies of Unexplained Death, Bruce Goldfarb, Theatre, Death and the Grand Guignol, Mel Gordon, Holy Spiritualism, Elizabeth Harper, Playing dead – A Gruesome Form of Amusement, Mervyn Heard, The Anatomy of Holy Transformation, Liselotte Hermes da Fonseca, Collecting Death, Evan Michelson, Art and Afterlife: Ethel le Rossignol and Georgiana Houghton, Mark Pilkington, The Dance of Death, Kevin Pyle, Art, Science and the Changing Conventions of Anatomical Representation, Michael Sappol, Spiritualism and Photography, Shannon Taggart, Playing with Dead Faces, John Troyer, Anatomy Embellished in the Cabinet of Frederik Ruysch, Bert van de Roemer 900 illustrations in color and black and white

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On July 4, 1939, Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium. There is, for now, no known, intact film of Gehrig's speech, but instead, just a swatch of the newsreel footage has survived, incorporating his opening and closing remarks: "For the past two weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of this earth," the last line, of course, having become one of the most famous, invoked, and inspiring, ever, anywhere. The New York Times account, the following day, called it "one of the most touching scenes ever witnessed on a ball field", that made even hard-boiled reporters "swallow hard." The scene and the story would likely have been largely lost to history, altogether, were it not for the film, Pride of the Yankees, best known for Gary Cooper, as the dying Lou Gehrig, movingly describing himself as "the luckiest man on the face of the earth," even as his body was being ravaged by the disease that was soon named after him. Here, now, in Pride of the Yankees and the Legend of Lou Gehrig by Richard Sandomir, New York Times sports columnist, is, for the first time, the full story behind the pioneering, seminal movie. Filled with larger than life characters and unexpected facts, Pride of the Yankees shows us how Samuel Goldwyn had no desire to making a baseball film but he was persuaded to make a quick deal with Lou's widow, Eleanor, not long after Gehrig had passed; Hollywood icon Cooper had zero knowledge of baseball and had to be taught to play; unknown parts of the screen treatment and screenplay that will be written about for the first time; and dishy letters to Eleanor from Christy Walsh, the pioneering business manager who represented the Gehrigs, from the Los Angeles set. Nostalgic, breezy and fun, Pride of the Yankees captures a lost time in film and sports history.

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"I wonder if you can help me." "Maybe I could, or maybe I couldn't," was the very Welsh reply. "What is it you are wanting?" "Would you happen to know of any boats for sale?" It was a question the young man had asked many times before, and always with the same result. Nothing suited. There was no shortage of boats, but every time there was a problem, either they were too big or too small or as one honest broker - and yes there is such a thing - remarked, "Don't buy her. She will kill you." It had been a long depressing catalogue of scrabbling about fusty old tore-outs (rotten timber gleaming with suspiciously fresh paint), ugly ducklings, and unspeakable lifeboat conversions. So there was no reason to suppose that this time would be any different. "What kind of boat is it you are looking for?" with barely concealed cupidity; for an outsider with money to burn in the wilds of the Isle of Anglesey was akin to manna from Heaven. "Something like that," said the innocent, pointing out a dainty white cutter on her mooring in Holyhead harbour. "Well," said he "I believe she may just be for sale." He may well have added - but this might just be imagining - "You had better be quick, she is not on the market yet." An Irish horse dealer could not have done it better. * * * * * So began, in 1973, Martin O'Scannall's love affair with 'Sauntress', voted in 2013 one of Classic Boat magazine's Top 250 Boats. Here, in a series of delightful, engaging episodes ranging from Anglesey to Galicia by way of the West Country, the East Coast, the Netherlands, Norway and south-west Ireland, is what it is like to restore and sail - and be possessed by - a modest yet glorious 28ft gaffer dating from the golden age of Edwardian yachting. 'For the Love of Sauntress' is illustrated with a gallery of outrageously beautiful photographs by Oscar Companioni, printed in monochrome and colour; these depict Sauntress in all her present-day glory, and were taken on a single, perfect August evening off the Galician coast during her annual match race with her local rival 'Abur'.

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The compelling biography of the beautiful, talented Garman sisters and the glittering, romantic era in which they lived. Each of the seven Garman sisters were strikingly beautiful, artistic and wild. Born around the turn of the nineteenth century, most of the siblings were to become involved in the radical literary and political circles of British life between the First and Second World Wars. Their morals were unconventional: bisexuality, unfaithfulness and illegitimate children were a matter of course. Nevertheless they were high-minded and intensely loyal. They were the last muses: women who were prepared to sideline their own talent, friendships, material comforts – even their own children – in order to beguile and inspire the men they loved. Cressida Connolly's family biography delves into the lives of three of the sisters in intense and revealing detail. Kathleen Garman, the father's favourite, ran away to London to study music. She was spotted by the American sculptor Jacob Epstein, who promptly fell in love with her, and remained his muse until his death. They had three children, she was shot in the shoulder by his first wife and she finally became Lady Epstein in 1955. Mary Garman came to London with Kathleen and studied art at the Slade. She married poet Roy Campbell, who was to become the scourge of the literary establishment by espousing General Franco's side during the Spanish Civil War. Finally there was Lorna Garman, the youngest and most beautiful of all the family. At sixteen she married the wealthy Ernest Wishart, a landowner, communist and founder of the socialist publishing house Laurence & Wishart, who spent most of his life turning a blind eye to his wife's infidelities. Lorna was the love of Laurie Lee's life and they had a daughter. Lucian Freud painted several pictures for her. Through Cressida Connolly’s skilfull retelling of these remarkable lives, we get an intimate portrait of a golden age of romance, passion and art that is an original, beguiling read.

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‘After all this time Frankie Dettori still ranks amongst the all-time greats of the sport’ LESTER PIGGOTT ‘An autobiography as gripping as any Dick Francis thriller’ YORKSHIRE POST ‘Endearingly honest… a fastpaced, funny autobiography’ COUNTRY LIFE MAGAZINE Legendary jockey, Frankie Dettori, shares his remarkable life story in this astonishingly intimate autobiography. When Lanfranco ‘Frankie’ Dettori arrived on British shores in 1985, aged just 14, he couldn’t speak a word of English. Having left school just a year earlier and following in the footsteps of his father, he was eager to become a stable boy and apprentice jockey, willing to do everything it took to make it. This was his first, but certainly not his last, leap of faith. Despite his slight size, Frankie’s impact upon the British racing scene was immediate and significant. Brimming with confidence, charisma and personality, and with what was clearly a precocious talent, in 1990 he became the first teenager since Lester Piggot to win over 100 races in a single season. By 1996, Frankie was already established as a celebrity in the sport and an adopted national treasure, but it was his extraordinary achievement of winning all seven races in a single day at Ascot that cemented his reputation as the greatest rider of his generation. Nearly 25 years later, and having won the Longines World’s Best Jockey for three consecutive years running, Frankie has demonstrated an unparalled level of longevity at the pinnacle of his sport. But his story is not simply one of uninterrupted success, but also of personal anguish, recovery and restoration – both in and out of the saddle. Now, Frankie compellingly reveals the lows to his highs; the plane crash that nearly killed him, the drugs ban that nearly made him quit the sport, and the acrimonious split from Godolphin that threatened his future. But Leap of Faith is also a story of love – for the sport he continues to dominate to this day, the great horses of his era (Stradivarius, Golden Horn, and of course Enable), and most importantly for his family, who have supported him every step of the way. Heartfelt and poignant, this is not simply a memoir, but a celebration of perseverance and defying the odds.

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A gripping mystery about a woman trying to find out the truth behind the death of her best friend and introducing a brilliant detective duo - perfect for fans of Peter James, Angela Marsons and James Oswald. A DEAD GIRLA vulnerable young woman, fresh out of the care system, is trying to discover the truth behind the sudden death of her best friend.A MURDERED POLICE OFFICERThe charred body of a policeman - currently the subject of an internal investigation - is found in the burnt-out-shell of his car on the Southend seafront.A CRIME WORTH KILLING FOR?To DS Frank Pearson and DC Catherine Russell of the Essex Police Major Investigation Team, the two events seem unconnected. But as they dig deeper into their colleague's murder, dark secrets begin to emerge.Can Pearson and Russell solve both cases, before more lives are destroyed?A twisty, gripping novel that introduces a brilliant new detective duo. If you like Peter James, Angela Marsons and James Oswald, then you'll love this crime debut. TRULY EVIL, the gripping second book in the series is out now. ****Praise for Burned and Broken:'Immensely impressive' The Times'The investigation into a copper's dramatic death in downbeat Southend scoops a cast of equally downbeat characters into its net, and tensions rise as their stories fold around each other. An accomplished debut' Sunday Times'Emotional, intelligent, sensual and with such a strong voice, Burned and Broken by Mark Hardie is a crime debut that deserves huge success' Harry Illingworth (Goldsboro Books)'I absolutely LOVED, LOVED, LOVED this book and I would recommend it to anybody. I can't wait to read more investigations led by DS Frank Pearson and DC Cat Russell' Amanda Oughton (Ginger Book Geek)'The story is easy to follow without being too simple, and the novel really manages to evoke a sense of atmosphere and reality within its pages. I didn't find myself becoming distracted whilst reading at all, and raced through it in hours. I will certainly be reading any future novels, particularly in this series which I wholeheartedly enjoyed' Laura Naz (Snazzy Books)

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The con is on! Prewitt Paltry used to be the best con artist in NYC. But fate has left him divorced, broke, his glory days behind him . . . And then a golden opportunity falls into his lap. Ranger du Courtemanche is the aging patriarch of the centuries-old French aristocratic Courtemanche family. Despite the filthy-rich faÇade, the family’s fortune is quickly dwindling and their ancestral chateau is secretly in ruins. Enter Prewitt, who cozies up to the reclusive family – Ranger and his two sisters - and warns them that their chateau and wealth have been targeted by an ancient secret society. Panicked and desperate, Ranger enlists Prewitt in the fight to defend his family’s honor and fortune. Et voila! The trap is set. With the help of an eccentric team of wacky French con artists, and three Corgies, Prewitt gets to work. But, the closer he gets, the more the con unravels. Ancient betrayals, priceless jewels, and forbidden loves . . . the Courtemanches turn out to be a lot more than Prewitt bargained for. "The reader is immediately drawn into the story . . . There is a thread of humor and amusement that runs through the length of the book" - ScreencraftFans of Now You See Me, Oceans 11, and American Hustle will love this "primed for a broad audience film adaptation" book (Screencraft).

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For fans of Minecraft and graphic novels, an epic, full-color adventure—Phoenix must save her village from the ghost of Herobrine.This full-color, graphic novel adventure, with over 750 color images, is created especially for readers who love the fight of good vs. evil, magical academies like Hogwarts in the Harry Potter saga, and games like Minecraft, Terraria, and Pokemon GO.The redstone dust has barely settled after Phoenix’s epic battle against the Defender when word of a new threat arises: the legendary ghost of Herobrine has been sighted in Phoenix’s village, and under cover of darkness, he’s terrorizing a new family each night.Phoenix and T.H. rush to the village, where they discover a tangled string of clues. Just as the friends-turned-sleuths are sure they’ve unraveled the mystery of Herobrine’s griefing, they uncover a secret that makes them question everything they’ve learned.And when a new, stronger enemy appears, their hunt for Herobrine is turned on its end once again. Can a ghost be in danger? And could Herobrine cease to be their enemy and instead become . . . their ally?Fans of Minecraft won’t want to miss this gripping, mysterious addition to the series that began with Quest for the Golden Apple!

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Medieval Kashmir in its golden age saw the development of some of the most sophisticated theories of language, literature, and emotion articulated in the pre-modern world. These theories, enormously influential on the later intellectual history of South Asia, were written at a time when religious education was ubiquitous among intellectuals, and when religious philosophies were hotly and publicly debated. It was also a time of deep interreligious influence and borrowing, when traditions intermixed and intellectuals pushed the boundaries of their own inheritance by borrowing ideas from many different places-even from their rivals. To Savor the Meaning examines the overlap of literary theory and religious philosophy in this period by looking at debates about how poetry communicates emotions to its readers, what it is readers do when they savor these emotions, and why this might be valuable. Focusing on the work of three influential figures-Anandavardhana [ca. 850 AD], Abhinavagupta [ca. 1000 AD], and the somewhat lesser known theorist Mahimabhatta [ca. 1050 AD]-this book gives a broad introduction to their ideas and reveals new, important, and previously overlooked aspects of their work and their debates. James D. Reich places these pre-modern intellectuals within the wider context of the religious philosophies current in Kashmir at the time, and shows that their ideas cannot be fully understood in isolation from this broader context.

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The phenomenal New York Times Number One bestseller about the unbreakable bond between a dog and their human. Now a major film starring Dennis Quaid.This is the remarkable story of one endearing dog's search for his purpose over the course of several lives. More than just another charming dog story, A Dog's Purpose touches on the universal quest for an answer to life's most basic question: Why are we here?Surprised to find himself reborn as a rambunctious golden-haired puppy after a tragically short life as a stray mutt, Bailey's search for his new life's meaning leads him into the loving arms of eight-year-old Ethan. During their countless adventures, Bailey joyously discovers how to be a good dog.But this life as a family pet is not the end of Bailey's journey. Reborn as a puppy yet again, Bailey wonders – will he ever find his purpose?Heartwarming, insightful, and often laugh-out-loud funny, W. Bruce Cameron's A Dog's Purpose is not only the emotional and hilarious story of a dog's many lives, but also a dog's-eye commentary on human relationships and the unbreakable bonds between man and man's best friend. This moving and beautifully crafted story teaches us that love never dies, and that every creature on earth is born with a purpose.

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In Perfect Wives, Other Women Georgina Dopico Black examines the role played by women’s bodies—specifically the bodies of wives—in Spain and Spanish America during the Inquisition. In her quest to show how both the body and soul of the married woman became the site of anxious inquiry, Dopico Black mines a variety of Golden Age texts for instances in which the era’s persistent preoccupation with racial, religious, and cultural otherness was reflected in the depiction of women. Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness. Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.

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Reza Zia-Ebrahimi revisits the work of Fath?ali Akhundzadeh and Mirza Aqa Khan Kermani, two Qajar-era intellectuals who founded modern Iranian nationalism. In their efforts to make sense of a difficult historical situation, these thinkers advanced an appealing ideology Zia-Ebrahimi calls "dislocative nationalism," in which pre-Islamic Iran is cast as a golden age, Islam is reinterpreted as an alien religion, and Arabs become implacable others. Dislodging Iran from its empirical reality and tying it to Europe and the Aryan race, this ideology remains the most politically potent form of identity in Iran. Akhundzadeh and Kermani's nationalist reading of Iranian history has been drilled into the minds of Iranians since its adoption by the Pahlavi state in the early twentieth century. Spread through mass schooling, historical narratives, and official statements of support, their ideological perspective has come to define Iranian culture and domestic and foreign policy. Zia-Ebrahimi follows the development of dislocative nationalism through a range of cultural and historical materials, and he captures its incorporation of European ideas about Iranian history, the Aryan race, and a primordial nation. His work emphasizes the agency of Iranian intellectuals in translating European ideas for Iranian audiences, impressing Western conceptions of race onto Iranian identity.

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Reading a range of Italian works, Rubini considers the active transmittal of traditions through generations of writers and thinkers. Rocco Rubini studies the motives and literary forms in the making of a “tradition,” not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but instead as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at prominent humanists in between—including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce—Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an expanse of writings to uncover deeper transhistorical continuities that span six hundred years. Whether reading work from the fourteenth century, or from the 1930s, Rubini elucidates the interplay of creation and the reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions that connect thinkers across time. Building on his award-winning book, The Other Renaissance, this will prove a valuable contribution for intellectual historians, literary scholars, and those invested in the continuing humanist legacy.

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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