Search results for ""experiment""

Money and finance have been among the most potent tools of colonial power. This study investigates the Japanese experiment with financial imperialism—or “yen diplomacy”—at several key moments between the acquisition of Taiwan in 1895 and the outbreak of the Sino–Japanese War in 1937. Through authoritarian monetary reforms and lending schemes, government officials and financial middlemen served as “money doctors” who steered capital and expertise to Japanese official and semi-official colonies in Taiwan, Korea, China, and Manchuria.Michael Schiltz points to the paradox of acute capital shortages within the Japan’s domestic economy and aggressive capital exports to its colonial possessions as the inevitable but ultimately disastrous outcome of the Japanese government’s goal to exercise macroeconomic control over greater East Asia and establish a self-sufficient “yen bloc.” Through their efforts to implement their policies and contribute to the expansion of the Japanese empire, the “money doctors” brought to the colonies a series of banking institutions and a corollary capitalist ethos, which would all have a formidable impact on the development of the receiving countries, eventually affecting their geopolitical position in the postcolonial world.

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Robert Weinberg and Bradley Berman's carefully documented and extensively illustrated book explores the Soviet government's failed experiment to create a socialist Jewish homeland. In 1934 an area popularly known as Birobidzhan, a sparsely populated region along the Sino-Soviet border some five thousand miles east of Moscow, was designated the national homeland of Soviet Jewry. Establishing the Jewish Autonomous Region was part of the Kremlin's plan to create an enclave where secular Jewish culture rooted in Yiddish and socialism could serve as an alternative to Palestine. The Kremlin also considered the region a solution to various perceived problems besetting Soviet Jews. Birobidzhan still exists today, but despite its continued official status Jews are a small minority of the inhabitants of the region. Drawing upon documents from archives in Moscow and Birobidzhan, as well as photograph collections never seen outside Birobidzhan, Weinberg's story of the Soviet Zion sheds new light on a host of important historical and contemporary issues regarding Jewish identity, community, and culture. Given the persistence of the 'Jewish question' in Russia, the history of Birobidzhan provides an unusual point of entry into examining the fate of Soviet Jewry under communist rule.

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Winner of the American Historical Association’s 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press’s parallel fight for a multiracial democracy of equality, justice, and opportunity for all—a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii

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Computer simulation was first pioneered as a scientific tool in meteorology and nuclear physics in the period following World War II, but it has grown rapidly to become indispensable in a wide variety of scientific disciplines, including astrophysics, high-energy physics, climate science, engineering, ecology, and economics. Digital computer simulation helps study phenomena of great complexity, but how much do we know about the limits and possibilities of this new scientific practice? How do simulations compare to traditional experiments? And are they reliable? Eric Winsberg seeks to answer these questions in "Science in the Age of Computer Simulation". Scrutinizing these issues with a philosophical lens, Winsberg explores the impact of simulation on such issues as the nature of scientific evidence; the role of values in science; the nature and role of fictions in science; and the relationship between simulation and experiment, theories and data, and theories at different levels of description. "Science in the Age of Computer Simulation" will transform many of the core issues in philosophy of science, as well as our basic understanding of the role of the digital computer in the sciences.

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What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Sociologist Hannah Wohl draws on more than one hundred interviews and two years of ethnographic research in the New York contemporary art market to develop a rich sociological perspective of creativity. From inside the studio, we see how artists experiment with new ideas and decide which works to abandon, destroy, put into storage, or exhibit. Wohl then transports readers into the art world, where we discover how artists’ understandings of their work are shaped through interactions in studio visits, galleries, international art fairs, and collectors’ homes. Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige.

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Nearly every job application asks it: have you ever been convicted of a crime? For the hundreds of thousands of young men leaving American prisons each year, their answer to that question may determine whether they can find work and begin rebuilding their lives. The product of an innovative field experiment, Marked gives us our first real glimpse into the tremendous difficulties facing ex-offenders in the job market. Devah Pager matched up pairs of young men, randomly assigned them criminal records, then sent them on hundreds of real job searches throughout the city of Milwaukee. Her applicants were attractive, articulate, and capable - yet ex-offenders received less than half the callbacks of the equally qualified applicants without criminal backgrounds. Young black men, meanwhile, paid a particularly high price: those with clean records fared no better in their job searches than white men just out of prison. Such shocking barriers to legitimate work, Pager contends, are an important reason that many ex-prisoners soon find themselves back in the realm of poverty, underground employment, and crime that led them to prison in the first place.

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From Henry David Thoreau to Bill McKibben, critics and philosophers have long sought to demonstrate how a sufficient life—one without constant, environmentally damaging growth—might still be rich and satisfying. Yet one crucial episode in the history of sufficiency has been largely forgotten. Green Victorians tells the story of a circle of men and women in the English Lake District who attempted to create a new kind of economy, turning their backs on Victorian consumer society in order to live a life dependent not on material abundance and social prestige but on artful simplicity and the bonds of community. At the center of their social experiment was the charismatic art critic and political economist John Ruskin. Albritton and Albritton Jonsson show how Ruskin’s followers turned his theory into practice in a series of ambitious local projects ranging from hand spinning and woodworking to gardening, archaeology, and pedagogy. This is a lively yet unsettling story, for there was a dark side to Ruskin’s community as well—racist thinking, paternalism, and technophobia. Richly illustrated, Green Victorians breaks new ground, connecting the ideas and practices of Ruskin’s utopian community with the problems of ethical consumption then and now.

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This book presents a directory of varieties and how to cultivate them successfully. It is an illustrated gardener's guide to the different varieties of shoots, peas and beans, their history and cooking uses. It includes step-by-step instructions for preparing the soil, sowing under glass, and harvesting and storing. It offers practical advice on cultivating asparagus, celery, celeriac, globe artichokes, rhubarb, seakale, peas, runner beans, French (green) beans and broad beans. It includes helpful hints on how to avoid pests and diseases, and what to do when problems occur. Shoots, peas and beans are some of the choicest and most delicious of the many vegetable crops available to the kitchen gardener. In this book, the main types are described and illustrated, with useful information about the varieties that can be grown, their history, cultivation requirements and cooking uses. There is key advice on improving your soil, making compost and preparing the vegetable bed. A section on practical cultivation explains how to grow and care for each type of vegetable, from sowing to harvest.A must for the novice grower, the book also provides information for the experienced gardener who wants to experiment with new varieties.

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What is air? You don't think about air or even perceive it unless it has changed from its usual state. Air, that most ubiquitous of the four elements, was long the most inexplicable enigma, peopled by gods and their messengers, venerated as the abode of spirits or demons. Nowadays air has been 'deconsecrated' and almost entirely demystified by science. Its availability is crucial; it envelops us and our planet allows us to breathe and is anything but something to be taken for granted. The book addresses the question of what air is and approaches answering it from two angles. First, through a scientific explanation of its chemical and physical elements, their properties and the effect they have on our immediate environment. In parallel, air is traced as a phenomenon dealt with in art, architecture and design, all of which perceive, represent and creatively use air as a medium in entirely different ways. The focus is on the twentieth century to the present day. The juxtaposition of art, architecture, design and science generates an exciting dialogue on air. An imaginative experiment intended to stimulate all those who are seriously concerned about air as an element vital to our survival.

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The Northern Ireland experience of conflict and agreement presents a salutary warning to the international community against the fashionable view that there is an 'Irish model' which can be exported to cauterise ethnic troubles around the globe.The book draws on extensive archive research in London and Dublin on the 1970s power-sharing experiment, and on interviews with senior officials and political figures from the two capitals-as well as reconciliation practitioners-about the negotiation and chequered implementation of the Belfast agreement. It shows how stereotyped conceptions of the problem as a product of 'ancient hatreds', allied to solutions based on Realpolitik, have failed to transform Northern Ireland from a fragile peace, following the exhaustion of protracted paramilitary campaigns, to genuine reconciliation. The book concludes with practical proposals for constitutional reforms which would favour genuine power-sharing-rather than merely sharing power out-and set Northern Ireland on the road to the 'normal', civic society its long-suffering residents desire. It will be essential reading not only for academics and postgraduates interested in ethnic conflict but also for policy-makers who confront it in practice.

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Introduce children to nature in the Pacific Northwest through fun activities and hands-on science projects. With a wide range of habitats, plants, and animals, the Pacific Northwest is a wonderful region for getting outside and discovering nature. There is so much to see and appreciate—even in your backyard or at a nearby park. Teach your children to love and protect the great outdoors. This workbook by naturalist Dr. Robert Niese features more than 20 simple, fun introductions to astronomy, birds, geology, and more. Plus, over a dozen activities help kids to make hypotheses, experiment, and observe. The 19 hands-on science projects—such as raising native caterpillars, making mushroom spore prints, and attracting moths with an ultraviolet light—put students in control of their own learning! You never know what your children will uncover in their outdoor classroom. Every day is a little treasure hunt. If they keep good records and share what they find, their observations can even help scientists learn more about nature in the states of Oregon and Washington. So get the Backyard Science & Discovery Workbook: Pacific Northwest, and get started on a lifetime of discovery.

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Introduce children to geology through fun activities and hands-on science projects. From beaches to gravel roads, from prairieland to rugged terrain, rocks and minerals are all around us. They provide incredible opportunities for getting outside and discovering nature. There are so many kinds to see and appreciate—even in your backyard or at a nearby park. Teach your children to love and protect the great outdoors. This workbook by Dan R. Lynch features more than 20 simple, fun introductions to a variety of rocks and minerals, including granite, sandstone, gemstones, and more. Plus, over a dozen activities help kids to make hypotheses, experiment, and observe. The 19 hands-on science projects—such as starting a rock collection and testing the hardness of minerals—put students in control of their own learning! You never know what your children will uncover in their outdoor classroom. Every day is a little treasure hunt. If they keep good records and share what they find, their observations can even help scientists learn more about nature. So get the Rocks & Minerals Workbook, and get started on a lifetime of discovery.

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Observations on the new American republic by an early president of Georgetown University Father Giovanni Antonio Grassi was the ninth president of Georgetown University and pioneered its transition into a modern institution, earning him the moniker Georgetown’s Second Founder. Originally published in Italian in 1818 and translated here into English for the first time, his News on the Present Condition of the Republic of the United States of North America records his rich observations of life in the young republic and the Catholic experience within it. When Grassi assumed his post as president in 1812, he found the university, known then as Georgetown College, to be in a “miserable state.” He immediately set out to enlarge and improve the institution, increasing the number of non-Catholics in the school, adding to the library’s holdings, and winning authority from Congress to confer degrees. Upon his return to Italy, Grassi published his News, which introduced Italians to the promise and contradictions of the American experiment in self-governance and offered perspectives on the social reality for Catholics in America. This book is a fascinating work for historians of Catholicism and of the Jesuits in particular.

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Companies can't survive without innovating. But most put far more emphasis on generating Big Ideas than on executing them--turning ideas into actual breakthrough products, services, and process improvements. That's because "ideating" is energizing and glamorous. By contrast, execution seems like humdrum, behind-the-scenes dirty work. But without execution, Big Ideas go nowhere. In The Other Side of Innovation, Vijay Govindarajan and Chris Trimble reveal how to execute an innovation initiative--whether a simple project or a grand, gutsy gamble. Drawing on examples from innovators as diverse as Allstate, BMW, Timberland, and Nucor, the authors explain how to: * Build the Right Team: Determine who'll be on the team, where they'll come from, how they'll be organized, how much time they'll devote to the project, and how they'll navigate the delicate and conflict-rich partnership between innovation and ongoing operations. * Manage a Disciplined Experiment: Decide how team members can quickly test their assumptions , translate results into new knowledge, and measure progress. Give innovation leaders a tough but fair performance evaluation. Practical and provocative, this new book takes you step-by-step through the innovation execution process--so your Big Ideas deliver their full promise.

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Adobe Photoshop holds an incredible amount of power, which is sometimes locked behind a dizzying array of features and tools. Scott Valentine not only shows you the keys to unlocking that power, he also demonstrates how the keys work. You will get hands-on experience with experiments and examples as you explore new techniques for editing your images. Written for both professionals and hobbyists, this book presents essential techniques and discusses when and how to try innovative solutions. By focusing on two core capabilities blending modes and adjustment layers—you will discover how Photoshop gives you deep control over your images to address some of photography's most challenging problems. Photoshop users of all levels will find clear explanations and step-by-step procedures for expert techniques. Advanced users will enjoy exploring new ideas that can inform their own workflow. Through richly illustrated examples with clear explanations, The Hidden Power of Adobe Photoshop teaches you: Multiple approaches to problem solving and creative exploration How to see your images as data that you can control Underlying principles that drive industrial-strength techniques Instructions for building your own Photoshop experiment files

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If You Can Cut, You Can Collage is specially designed for people who feel like they can't make art. Want to know a secret? You can! You just need a little inspiration, instruction, and confidence. Collage is a wonderful creative outlet, particularly for people who want to make art, but don’t feel they have the skills or confidence for other endeavors. You can still explore and experiment with color, composition, and various themes and end up with exciting and often unexpected results. If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show you the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects. We’ll get you started with simple, focused, projects like making a collage with only circles, where you’ll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You’ll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time!

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"Eve’s brave and honest experiment reveals the shocking impact of the throwaway society we’ve become and at the same time showing small ways we can all do better.” —Rebecca Prince-Ruiz, founder of Plastic Free JulyYear of No Garbage is Super Size Me meets the environmental movement. In this book Eve O. Schaub, humorist and stunt memoirist extraordinaire, tackles her most difficult challenge to date: garbage. Convincing her husband and two daughters to go along with her, Schaub attempts the seemingly impossible: living in the modern world without creating any trash at all. For an entire year. And- as it turns out- during a pandemic. In the process, Schaub learns some startling things: that modern recycling is broken, and single stream recycling is a lie. That flushable wipes aren’t flushable and compostables aren’t compostable. That plastic drives climate change, fosters racism, and is poisoning the environment and our bodies at alarming rates, as microplastics are being found everywhere, from the top of Mount Everest to the placenta of unborn babies. If you’ve ever thought twice about that plastic straw in your drink, you’re gonna want to read this book.

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*WATERSTONES WELSH BOOK OF THE MONTH*My Family and Other Animals meets The Secret Life of Cows: this rediscovered gem tells the charming tale of how a baby llama transformed a Welsh farming family forever.Things llamas like:Snaffling cherry brandy, Easter eggs, and the Radio Times.Curling up in 'tea-cosy' position by the fire.Orbiting, helicoptering, and oompahing. Locking victims in the lavatory. Things llamas dislike:Being adopted mother to an orphaned lamb.Invitations to star on Blue Peter. Snowdonia's rainfall. The dark. Ruth Ruck's family live on a Welsh mountain farm, no strangers to cow pats on the carpet and nesting hens in the larder. When dark days strike, they embark on a farming experiment to cheer them all up - but raising a baby llama proves more of an adventure than expected .Reissued with a new foreword by John Lewis-Stempel, Along Came a Llama is a delightful 1970s farming classic: a charming, witty potrait of country life that will warm the hearts of animal lovers everywhere.'Full of soul ... One departs this book a convinced llama-lover ... It is a guide to the future. To a good life.' John Lewis-Stempel

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A New Scientist Best Book of 2023 Featuring two hundred color plates, this history of the craft of scientific inquiry is as exquisite as the experiments whose stories it shares. This illustrated history of experimental science is more than just a celebration of the ingenuity that scientists and natural philosophers have used throughout the ages to study—and to change—the world. Here we see in intricate detail experiments that have, in some way or another, exhibited elegance and beauty: in their design, their conception, and their execution. Celebrated science writer Philip Ball invites readers to marvel at and admire the craftsmanship of scientific instruments and apparatus on display, from the earliest microscopes to the giant particle colliders of today. With Ball as our expert guide, we are encouraged to think carefully about what experiments are, what they mean, and how they are used. Ranging across millennia and geographies, Beautiful Experiments demonstrates why “experiment” remains a contested notion in science, while also exploring how we came to understand the way the world functions, what it contains, and where the pursuit of that understanding has brought us today.

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Before yesterday's dream car became today's SUV, the reputation of Porsche as a manufacturer of fine sports cars was established. It started with the ideas of Dr Ferdinand Porsche, and a world best seller that spawned a revered line of sports cars. The Porsche 356 and 911 dominated their classes in international racing, leading to more specialized designs that brought glory to the marque, most famously at Le Mans. Porsche's success was based on excellent engineering. The firm's design consultancy has brought automotive innovation. Such excellence has been centered upon Weissach, the go to place for companies needing a high tech helping hand. Commercial achievement is based on image too. Here, Porsche has carefully chosen its models, and the way they have been sold and promoted. The result, is a unique position in public perception and media coverage. Even during the golden air-cooled era, Porsche wasn't afraid to experiment. The Square Porsche and front-engined coupes, all courted controversy. However, Zuffenhausen believed a Porsche was a Porsche, and soon others did too. The company's tremendous influence in design and engineering has even inspired artistic creation. Like the cars, they represent an inseparable combination of style and substance.

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A thrilling exploration of psychological disturbance and fear from the bestselling and prize-winning author of Measuring the World.*Now a major film starring Kevin Bacon and Amanda Seyfried*On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus. Intruding on that peace of mind, the demands of his four-year-old daughter splinter open long-simmering arguments with his wife. I love her, he writes in the notebook intended for his script. Why do we fight all the time?Guilt and expectation strain at his concentration, and strain, too, at the walls of the house. They warp under his watch; at night, looking through the window, he sees impossible reflections on the snow outside.Then the words start to appear in his notebook; the words he didn't write.Familiar and forbidding by turns, this is an electrifying experiment in form by one of Europe's boldest writers. The ordinary struggles of a marriage transform, in Kehlmann's hands, into a twisted fable that stays darkly in the mind.

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'This book is a chance to slow down and find stillness. Self-care in the most beautiful, creative ways.' – Fearne CottonFifty imaginative ideas for crafts that encourage a sense of joy and mindfulness. Includes a foreword by Melissa Hemsley.The Joy Journal For Grown-ups invites you to experiment, play and unlock your creative potential with a range of simple crafts that can bring a little more calm into your everyday life. Using store-cupboard ingredients and easily foraged supplies, this beautifully illustrated handbook includes new and inspiring ideas for adding a personal touch to celebrations, creating unique gifts, and making stunning keepsakes.Whether you are a beginner or confident crafter, bestselling author Laura Brand gently guides you through a host of delightful projects including beautiful flower-pressed candles, scented body butter, and origami hearts. She invites you to carve out 'me time' and enjoy shared creative experiences with friends that can help us to feel more connected and harness the freedom of play from childhood.Imaginative, engaging and easy to follow, this gorgeous, step-by-step guide features all the encouragement you need to find inspiration, awaken your creativity and brighten your mood.

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Some people live their entire lives without changing their perspective. For Allison Dennis, all it takes is 180 seconds… After a life spent bouncing from one foster home to the next, Allison is determined to keep others at arm’s length. Adopted at sixteen, she knows better than to believe in the permanence of anything. But as she begins her third year in college, she finds it increasingly difficult to disappear into the white noise pouring from her earbuds. One unsuspecting afternoon, Allison is roped into a social experiment just off campus. Suddenly, she finds herself in front of a crowd, forced to interact with a complete stranger for 180 seconds. Neither she, nor Esben Baylor, the dreamy social media star seated opposite her, is prepared for the outcome. When time is called, the intensity of the experience overwhelms Allison and Esben in a way that unnerves and electrifies them both. With a push from her oldest friend, Allison embarks on a journey to find out if what she and Esben shared is the real thing—and if she can finally trust in herself, in others, and in love.

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TLS BOOKS OF THE YEAR 2016FINANCIAL TIMES BOOKS OF THE YEAR 2015WINNER OF THE PUSHKIN HOUSE RUSSIAN BOOK PRIZE 2016 'Magisterial... reveals how much is at stake for world order in Ukraine and Syria.' Rachel Polonsky'As much as anything, World War I turned on the fate of Ukraine'The decision to go to war in 1914 had catastrophic consequences for Russia. The result was revolution, civil war and famine in 1917-20, followed by decades of communist rule. Dominic Lieven's powerful and original book, based on exhaustive and unprecedented study in Russian and many other foreign archives, explains why this suicidal decision was made and explores the world of the men who made it, thereby consigning their entire class to death or exile and making their country the victim of a uniquely terrible political experiment under Lenin and Stalin.Dominic Lieven is a Senior Research Fellow of Trinity College,Cambridge University, and a Fellow of the British Academy. His book Russia Against Napoleon (Penguin) won the Wolfson Prize for History and the Prize of the Fondation Napoleon for the best foreign work on the Napoleonic era.

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Quilt outside of your comfort zone! This must-have project book is designed to build your confidence as a dedicated or intermediate quilter and will inspire you to transfer your traditional blocks to beautiful modern quilts. Including step-by-step projects that combine fabrics from different lines and genres with clear guidelines to encourage mixing and matching, you'll no longer fear the play between fabrics and colors! For each pattern, there are four sidebar features to experiment with; Leap of Faith suggestions, Confidence Booster tips, alternative digital colorations, and Fearless Takeaways lists. From incorporating negative space to manipulating traditional blocks into modern settings, gain the skills to confidently choose, improvise, and embrace your own sense of style to apply to future projects. Written by an Aurifil designer, Sarah J. Maxwell is the perfect teacher to help you reach your fullest quilting potential! She is also a fabric and pattern designer for Studio 37 Fabrics with countless quilts to her credit. Her work is regularly featured in both McCall's Quilting and McCall's Quick Quilts for the past several years, as well as Make Modern, Simply Moderne, American Patchwork & Quilting, Quilts & More, and many other magazines.

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Few island nations have stirred the soul like Cuba. From Hemingway’s intoxicating Havana to Ry Cooder’s Buena Vista Social Club, outsiders have persistently been fascinated by Cuba for its music (jazz to rumba), its rich literature, its art and dance (danzón to mambo) and perhaps above all for its bold experiment of a socialist revolution in action. Antoni Kapcia shows how the thaw in relations between Cuba and the USA now makes a fresh appraisal of the country and its modern history essential. He authoritatively explores the ‘essence’ of the Cuban revolution, revealing it to be a maverick phenomenon tied not so much to socialism or Communism for their own sakes but instead to an idealistic vision of postcolonial nationalism. Reassessing the Cuban Missile Crisis of 1962, the author examines the central personalities: not just the famous trio of Che Guevara, Fidel and Raúl Castro in shaping the ideas of the revolution but, still further back, the visionary ideology of José Martí. Kapcia’s book reflects on the future of the revolution as Raúl and his government begin to cede power to a new generation.

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For visual artists or any creative person looking to push their art to thrive in unexpected ways, this beautifully illustrated guided journal challenges you to experiment both within and outside the box. Using the premise that the creative journey is nonlinear and subject to change at any given moment, The Opposite Is Also True presents pairs of advice that intentionally contradict themselves. Dedicate a workspace or work anywhere; learn from a mentor or teach yourself; make something every day or take a break. Divided into three sections--Pack Your Kit, Find Your Path, and Look Around--each tackles practicalities as well as the abstract in inspirational advice, quotes, and exercises to open your mind. Following each dual entry are two related pages with opposite calls to action and plenty of space to execute them--like making a tidy pencil sketch on one side or pouring your thoughts out in bold permanent marker on the other. Use this book when your usual process isn't working and you need a little nudge, or challenge a comfortable creative routine with alternate possibilities. The advice within can relate to a tiny brushstroke or the whole arc of your career.

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How to Leverage Talent You Don't Own Campbell Soup Company and PepsiCo seek advice from anthropologists to understand customer tastes and preferences. Google and Intel engage experts in social science and biomechanics to assess how people think about and use technology. Companies are gaining advantage through a new capability--strategic use of external experts--made possible by technology and the globalization of talent. Leaders everywhere recognize that "lean," "agile," and "fast" strategies require new ways to access and leverage--without owning--key talent to fill critical gaps. As managers seek nontraditional sources of strategic talent and experiment with fast, flexible ways of engaging these experts, they need a new roadmap. This book delivers that roadmap. It tells you how to assess, choose, attract, develop, support, and retain your external talent. Authored by thought leaders and bestselling authors in leadership and talent management who teach and consult globally, Agile Talent reveals how companies such as Apple, Uber, Airbnb, Google, IBM, and Bain Capital organize and manage new forms of talent in innovative ways. Supported by survey data and packed with tools and templates for applying these ideas, this book is the ultimate guide for winning the next war for talent.

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With essays by Pedro Alonso, Pedro Álvarez, Nicole Cristi, Francisca Espinosa, Mario Garcés, Michael Lemon, Eden Medina, Carlos Montes de Oca, Hugo Palmarola, Marian E. Schlotterbeck, Martin Tironi, Rita Torres, Camilo Trumper and Peter Winn. From 1970 to 1973 Chile carried out on a political experiment in which socialist change would occur peacefully and with respect for existing democratic institutions. This “Chilean road to socialism,” as it was often called, offered a unique political third way at the height of the Cold War – one that broke from the opposing models put forth by the United States and the Soviet Union. This short and abruptly ended period in Chilean history resulted in product and communication design that powerfully demonstrates how design can influence social behavior and identity and foster solidarity and cohesion. How to Design a Revolution documents this Chilean visual language born out of exceptional circum- stances. The publication broadens the study of influential and consequential visual languages of the social (protest) movements of the1960s and1970s, such as the Cuban Revolution, the Vietnam War and May 68, and illustrates how design came to reflect the dynamics of this political moment while also becoming a tool for political change.

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Financial stability is a pillar of well-functioning financial markets. After the last financial crisis, European policymakers harmonised banking regulation and revised the framework of banking resolution. The introduction of the bail-in legislation is a natural experiment to improve the understanding of banking resolution and how it affected the funding strategies of banks. This book assesses whether financial stability has been strengthened by the change in banks’ resolution policy with a focus on the bail-in. The book shows how banks changed their funding strategies, shrank their balance-sheets and relied more on deposits. The book will discuss inter-alia the mis-selling of bonds, which happened during 2012-2013, analysing whether the bond allocation changed after the bail-in launch. It discusses how the bail-in mechanism was deemed credible by equity holders and argues that the European case would have useful implications for third countries. Finally, the book relates this discussion to the possible collateral effects generated by the new resolution policy during and after the COVID-19 crisis, which will be of particular interest to researchers and policymakers in banking and financial institutions. ​

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"Growing up with risk" provides a critical analysis of ways in which risk assessment and management - now a pervasive element of contemporary policy and professional practice - are defined and applied in policy, theory and practice in relation to children and young people. Drawing on conceptual frameworks from across the social sciences, the book examines contrasting perspectives on risk that occur in different policy domains and professional and lay discourses, discussing the dilemmas of response that arise from these sometimes contested viewpoints - from playground safety to risks associated with youthful substance use. The contributors address issues of gender, ethnicity and socio-economic status which impact on definitions and responses to risk, and consider related concepts, such as 'risk-resilience', care-control' and 'dependence-autonomy'. Written in an accessible manner, each chapter provides a specific policy case study to illustrate the cross-cutting themes and issues that will make it a key text for researchers and students. It also offers policy makers and practitioners a valuable insight into the complexities of balancing responsibility for protecting the young with the benefits of risk taking and the need to allow young people to experiment.

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Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the façade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world’s finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.

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Filled with creative exercises, art prompts, templates, and step-by-step projects, The Little Book of Rock Painting encourages interactivity for immediate results, while teaching beginners the fundamentals of the medium in an engaging and fun way. In The Little Book of Rock Painting, aspiring artists will discover how to gather and prepare their rocks to create masterpieces that are truly one with nature. Written and illustrated by three talented rock-painting artists, the book features a range of contemporary designs to experiment with, from patterns and animals to mandalas and dots. The instructions are easy to follow and invite creativity and originality. Grab your colors, head outside, and start painting beautiful works of art on stones!The Little Book of ... series focuses on delivering fun, approachable, and interesting art instruction in a fresh, portable format. With its contemporary design, open practice pages, creative exercises, and prompts that encourage interactivity, beginning artists learn the fundamentals of their craft, often with immediate results. Also available from the series:The Little Book of Sketching, The Little Book of Lettering & Word Design, The Little Book of Manga Drawing, The Little Book of Cartooning & Illustration, and The Little Book of Drawing Dragons & Fantasy Characters.

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What does sovereignty sound like? Sonic Sovereignty considers how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of “sonic sovereignty” connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Liz Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks. Przybylski documents and reflects on shifts in both the music industry and political landscape over the course of a decade: as the ways in which people listen to, consume, and interact with popular music have radically changed, extensive public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures. Sonic Sovereignty encourages us to experiment with temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of normative time. Nonlinear storytelling practices from hip hop music and other North American Indigenous sonic practices inform these generative listenings. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.

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Why do people go to exhibitions, and what do they hope to gain from the experience? What would happen if people were encouraged to move freely through exhibition spaces, take photographs and be playful? In this book, Inge Daniels explores what might happen if people and objects were freed from the regulations currently associated with going to an exhibition. Traditional understandings of exhibitions place the viewers in a one-way communication form, where the exhibition and those behind its creation inform their audiences. However, motivations behind exhibition-going are multiple and complex and frequently the intentions of curators do not match the expectations of their visitors. Based on an in-depth ethnographic examination of the processes involved in the making and reception of one particular exhibition-experiment as well as a study that follows 'freed' objects into their new homes, this publication will not only shed light on what exhibitions are, but also what they could become in the future. Featuring over 175 colour illustrations and using practical examples, this is an important contribution for students and scholars of anthropology, museum studies, photography, design and architecture.

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Published by the American Geophysical Union as part of the Geophysical Monograph Series, Volume 132.Extending for more than 2000 kilometers from the islands of Novaya Zemlya in the north to the Aral Sea in the south, the Uralide orogen forms the geographical and geological divide between Europe and Asia. For more than a century the Uralides have been one of the key areas of geological research in Russia, and have provided much of its mineral and petroleum wealth for the last 50 years. Nevertheless, the geology and tectonic evolution of the Uralide orogen were relatively unknown in the international literature until recently, when EUROPROBE and GEODE (European Science Foundation scientific programmes) brought together Russian, European, and American earth scientists to work in the Uralides project and the Urals Mineral Province project, respectively. Much of the recent research has focused around two deep seismic surveys, Europrobe's Seismic Reflection Profiling in the Urals (ESRU) survey in the Middle Urals and the multicomponent Urals Seismic Experiment and Integrated Studies (URSEIS) survey in the South Urals. These experiments were accompanied by a large number of geological, geochemical, geochronological, and geophysical studies.

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Roy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love—his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.

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Bad Souls is an ethnographic study of responsibility among psychiatric patients and their caregivers in Thrace, the northeastern borderland of Greece. Elizabeth Anne Davis examines responsibility in this rural region through the lens of national psychiatric reform, a process designed to shift treatment from custodial hospitals to outpatient settings. Challenged to help care for themselves, patients struggled to function in communities that often seemed as much sources of mental pathology as sites of refuge. Davis documents these patients' singular experience of community, and their ambivalent aspirations to health, as they grappled with new forms of autonomy and dependency introduced by psychiatric reform. Planned, funded, and overseen largely by the European Union, this "democratic experiment," one of many reforms adopted by Greece since its accession to the EU in the early 1980s, has led Greek citizens to question the state and its administration of human rights, social welfare, and education. Exploring the therapeutic dynamics of diagnosis, persuasion, healing, and failure in Greek psychiatry, Davis traces the terrains of truth, culture, and freedom that emerge from this questioning of the state at the borders of Europe.

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For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers—Keats, Proust, Nabokov, Ashbery—have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scrutinized for insights and the shape of an ideal artwork is pieced together. These writers, voracious in their appetite for any knowledge that will further their goal, find help in unlikely places. The logic of totalitarian regimes, the phenomenology of music, the pathology of addiction, and global commodity exchange furnish them with tools and models for arresting neurobiological time. Reading central works of the past two centuries in light of their shared ambition, Clune produces a revisionary understanding of some of our most important literature.

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The incredible true story of living as a modern-day nomad.Bored, broke and struggling to survive in one of the most expensive cities on earth, Paul Carr realises that it would actually be cheaper to live in a hotel in Manhattan than in his one-bedroom London flat. Inspired by that possibility, he decides to sell most of his possessions, abandon his old life and spend a year living entirely without commitments.Thanks to Paul's highly developed blagging skills, what begins as a one-year experiment soon becomes a permanent lifestyle - a life lived in luxury hotels and mountain-top villas. A life of fast cars, Hollywood actresses and Icelandic rock stars. And, most bizarrely of all, a life that still costs less than surviving on cold pizza in London. Yet, as word of Paul's exploits starts to spread - first online, then through a newspaper column and a book deal - he finds himself forced to up the stakes in order to keep things interesting. With his behaviour spiralling to dangerous levels, he is forced to ask the question: is there such a thing as too much freedom?

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The acute economic pressures of the 1980s have forced virtually all of Latin America and Africa and some countries in Asia into painful austerity programs and difficult economic reforms. Scholars have intensively analyzed the economics of this situation, but they have given much less attention to the political forces involved. In this volume a number of eminent contributors analyze the politics of adjustment in thirteen countries and nineteen governments, drawing comparisons not only across the full set of cases but also within clusters selected to clarify specific issues. Why do some governments respond promptly to signs of economic trouble, while others muddle indecisively for years? Why do some confine their response to temporary macroeconomic measures, while others adopt broader, even sweeping, programs of reform? What leads some countries to experiment with heterodox approaches, while most, however reluctantly, pursue orthodox courses? Why, confronted with intense political protest, have some governments persisted while others have altered or abandoned course? The answers to these questions are political, not economic, and they are examined here by Thomas M. Callaghy, Stephan Haggard, Miles Kahler, Robert R. Kauman, Joan M. Nelson, and Barbara Stallings.

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'I perhaps owe it to flowers', wrote Claude Monet (1840-1926), ‘that I became a painter.’ One of the leading figures of the Impressionist movement and perhaps the most celebrated landscape painter of his age, Monet dedicated his life to capturing the subtleties of the natural world. Trees – willows enveloped in the eerie mists of the Seine, palm trees beneath the bright Mediterranean sun or poplars heavily laden with snow – became a significant motif in his work, and he used them to experiment with an extraordinary variety of tones and colours. Ralph Skea’s account is split into five main chapters, each focusing on a different theme: Monet’s earliest drawings and paintings of trees; his atmospheric use of rivers and coastlines, from the English Channel to the Italian Riviera; the fields, farmlands and orchards of France; parks and gardens in both the city and the countryside, including his series of paintings featuring trees reflected in his water-lily pond; and his muted depictions of trees in winter. The result is a succint and highly accessible exploration of some of the best-loved landscapes in art.

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A comparative investigation of Afro-Cuban ritual and Western science that aims to challenge the rationality of Western expert practices. Inspired by the exercises of Father Lafitau, an eighteenth-century Jesuit priest and protoethnographer who compared the lives of the Iroquois to those of the ancient Greeks, Stephan Palmié embarks on a series of unusual comparative investigations of Afro-Cuban ritual and Western science. What do organ transplants have to do with ngangas, a complex assemblage of mineral, animal, and vegetal materials, including human remains, that serve as the embodiment of the spirits of the dead? How do genomics and “ancestry projects” converge with divination and oracular systems? What does it mean that Black Cubans in the United States took advantage of Edisonian technology to project the disembodied voice of a mystical entity named ecué onto the streets of Philadelphia? Can we consider Afro-Cuban spirit possession as a form of historical knowledge production? By writing about Afro-Cuban ritual in relation to Western scientific practice, and vice versa, Palmié hopes to challenge the rationality of Western expert practices, revealing the logic that brings together enchantment and experiment.

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In this path-breaking new history, Maja and Reuben Fowkes introduce outstanding artworks and major figures from across central and eastern Europe to reveal the movements, theories and styles that have shaped artistic practice since 1950. They emphasize the particularly rich and varied art scenes of Poland, Czechoslovakia, Hungary and Yugoslavia, extending their gaze at intervals to East Germany, Romania, the Baltic states and the rest of the Balkans. While politics in the region have been marked by unstable geography and dramatic transitions, artists have forged a path of persistent experiment and innovation. This generously illustrated overview explores the richness of their singular contribution to recent art history. Tracing art-historical changes from the short-lived unison of the socialist realist period to the incredible diversity of art in the post-communist era, the authors examine the repercussions of political events on artistic life – notably the uprisings in Hungary and Czechoslovakia, the Solidarity movement in Poland, and the collapse of the communist bloc. But their primary interest is in the experimental art of the neo-avant-garde that resisted official agendas and engaged with global currents such as performance art, video, multimedia and net art.

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"The landscape and architecture of a city like Berlin possess a great deal of under-track information. Inexplicable, yet perceptible, sometimes barely whispered." - Vincenzo Castella Vincenzo Castella went to Berlin for the first time between August and September 1989, without imagining that an epochal turning point was preparing in that city, with the imminent fall of the Wall, on 9th November 1989. The volume publishes for the first time the shots of that residency. A photographic cycle which, although presenting itself as a 'digression, an experiment with open outcomes' as explained by Frank Boehm in his text, with respect to the themes of his research at the time is fully inserted in a wider reflection on landscape, understood as a context built and modified by man, which is also the common thread of all of Castella's oeuvre. For today's readers, this is not just an unpublished visual document that, through a silent and essential revival, gives us a glimpse of how the city looked before history intervened to cut its boundaries, but also a crucial element to approach and deepen the work of one of the most appreciated masters of contemporary photography. Text in English, German and Italian.

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Through a decade of friendship, sharing the same environs and being active collectors, Sonja Graber and Christian Graber are inextricably connected to the photographer Annelies Strba, the jewellery and object artist Bernhard Schobinger and the painter Adrian Schiess. A far cry from thoughts of prestige and conjecture, one of the most extensive collections from all genres of the three Swiss artists has now emerged out of artistic and personal esteem. In the collectors, the artists and the Kunsthaus Zug, like-minded people have come together in the most indiscriminate appreciation of fine and applied art. To mark the occasion of the donation of the Graber collections to the museum, the three internationally renowned artists along with hitherto largely unpublished works are now united in one publication. Contents: Art is an Experiment for Us by Matthias Haldemann; Supporting the Artists: Building the Graber Collection by Marco Obrist; Things, Art ... Art Things by Felix Philipp Ingold; Undine's Song by Ildegarda Scheidegger; The Year's Production from 1981, the Start of Painting by Ulrich Loock; The Graber Collection at Kunsthaus Zug; artists' biographies. Text in English and German.

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Jean Otth (1940-2013) was a pioneer of video art in Switzerland. Even while studying art history and philosophy at the University of Lausanne and art at the Ecole cantonale d'art de Lausanne in the early 1960s he began to experiment with the then very new medium, making full use of its visual potential. Right from the beginning, Otth's artistic trajectory, which still was influenced by the practice of painting, became closely tied to the emergence of new technologies. His works were soon exhibited in Switzerland as well as at major international shows, such as the 1973 Biennale São Paulo, the 1976 Venice Biennale, and the Documenta 6 in Kassel in 1977. Throughout his career he mixed immaterial video projection with material reality, exploring their interaction. While constantly questioning the media he used, Otth produced borderline works that test the observer and provoke desire through covering-up, reframing, and shifting. This new monograph, the first book ever available in English on this remarkable artist, features photographic and filmed works as well as his drawings from all periods of his career. Text in English and French.

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In this daring experiment in ethnographic place-writing, cultural geographer James Riding aims to get at the heart of post-conflict Bosnia showing the past alongside the present it created via a series of journeys, and through the retelling of memories. The juxtaposition between the siege of Sarajevo and supersonic metal, the refugee journey and the aid-worker travelling in the other direction, the desperation and fury to change the present yet being stuck with many of the ethno-nationalist politicians and politics of the past -- it is a journey to Bosnia as it is understood today in popular discourse, a war-torn place defined by ethnic conflict, yet also a journey to deconstruct and reveal more than ancient ethnic hatreds portrayed on television screens across the globe from 1992 to 1995. Heavy with the weight of history on the one hand, and an inspirational place with radical emancipatory politics on the other, it is only through innovative storytelling that one can attempt to give a sense of what Bosnia itself is like in words for those who have never been, and -- most importantly -- for those who are from there.

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