Search results for ""author howard"

1966. The year of change. The year of division. The middle of the 1960s, the great dividing line between what America had been, and what it became. All of it, in all its color, glory, and ugliness, came symbolically together on a hot, humid weekend in Austin, Texas. The protagonist? None other John “Duke” Wayne, the larger-than-life movie hero of countless Westerns and war dramas; a swashbuckling, ruggedly macho idol of America; the very embodiment of what the United States had become—the new Rome: the most powerful military, political, and cultural empire in the annals of mankind. Wayne, like the nation itself, stood astride the world in Colossus style, talking tough. Taking no prisoners. In September 1966, John Wayne was in Texas filming War Wagon while the integrated Trojans of the University of Southern California arrived in Austin to do battle with a powerhouse of equal stature, the all-white Texas Longhorns. The Duke, a one-time pulling guard for coach Howard Jones at USC, was there, accompanied by sycophants, and according to rumor, with spurs on. Wayne arrived in Austin the night before the game. Dressed to the nines, he immediately repaired to the hotel bar. He had a full entourage who hung on his every word as if uttered from the Burning Bush. So it was when the Duke ordered his first whiskey. Thus surrounded by sycophants, John Wayne bellowed opinions, bromides, and pronouncements. What happened next is subject to interpretation, for this weekend and many other details of the Duke’s “Trojan wars” are revealed and expounded upon by longtime USC historian Steven Travers. This book is a fly-on-the-wall exploration of this wild weekend and an immersion into the John Wayne mythology: his politics, his inspirations, the plots to assassinate him, his connections to Stalin, Khrushchev, and Chairman Mao, and the death of the Western.

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Reflecting on his fifty-year effort to steer the Grand Old Party toward black voters, Memphis power broker George W. Lee declared, "Somebody had to stay in the Republican Party and fight." As Joshua Farrington recounts in his comprehensive history, Lee was one of many black Republican leaders who remained loyal after the New Deal inspired black voters to switch their allegiance from the "party of Lincoln" to the Democrats. Ideologically and demographically diverse, the ranks of twentieth-century black Republicans included Southern patronage dispensers like Lee and Robert Church, Northern critics of corrupt Democratic urban machines like Jackie Robinson and Archibald Carey, civil rights agitators like Grant Reynolds and T. R. M. Howard, elected politicians like U.S. Senator Edward W. Brooke and Kentucky state legislator Charles W. Anderson, black nationalists like Floyd McKissick and Nathan Wright, and scores of grassroots organizers from Atlanta to Los Angeles. Black Republicans believed that a two-party system in which both parties were forced to compete for the African American vote was the best way to obtain stronger civil rights legislation. Though they were often pushed to the sidelines by their party's white leadership, their continuous and vocal inner-party dissent helped moderate the GOP's message and platform through the 1970s. And though often excluded from traditional narratives of U.S. politics, black Republicans left an indelible mark on the history of their party, the civil rights movement, and twentieth-century political development. Black Republicans and the Transformation of the GOP marshals an impressive amount of archival material at the national, state, and municipal levels in the South, Midwest, and West, as well as in the better-known Northeast, to open up new avenues in African American political history.

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Listening for God proceeds from the author's belief that, across a wide spectrum of outlooks, people are attracted to religion, yet wary of it.

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Coping with Adversity addresses the question of why some metropolitan-area regional economies are resilient in the face of economic shocks and chronic distress while others are not. It is particularly concerned with what public policies make a difference in whether a region is resilient. The authors employ a wide range of techniques to examine the experience of all metropolitan area economies from 1978–2014. They then look closely at six American metropolitan areas to determine what strategies were employed, which of these contributed to regional economic resilience, and which did not. Charlotte, North Carolina, Seattle, Washington, and Grand Forks, North Dakota, are cases of economic resilience, while Cleveland, Ohio, Hartford, Connecticut, and Detroit, Michigan, are cases of economic nonresilience. The six case studies include hard data on employment, production, and demographics, as well as material on public policies and actions. The authors conclude that there is little that can done in the short term to counter economic shocks; most regions simply rebound naturally after a relatively short period of time. However, they do find that many regions have successfully emerged from periods of prolonged economic distress and that there are policies that can be applied to help them do so. Coping with Adversity will be important reading for all those concerned with local and regional economic development, including public officials, urban planners, and economic developers.

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ABLAZE is back again, adding to its bestselling line of UNCENSORED Robert E. Howard Cimmerian graphic novels, with The Cimmerian Volume 4! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! Vol 4 includes two complete stories, Beyond The Black River, and Hour of the Dragon, plus bonus material, including the original prose stories, in one epic hardcover collection! BEYOND THE BLACK RIVER: The Picte country is an obscure jungle where the border between civilization and barbarism is thin. Only one thing symbolizes it: the Black River, which it is claimed that no white man was able to cross and come back alive. None, except Conan. It is in the heart of this green hell that the Cimmerian meets Balthus, a young voluntary peasant whom he saves at the last minute from the clutches of fierce Pictish warriors. Together, they will try to lend a hand to the colonists who have established themselves here, on these hostile lands, in the last bastion of civilization. With a dozen men, they will have to find the powerful sorcerer Zogar Sag before he succeeds in uniting the clans and initiating his bloody invasion… HOUR OF THE DRAGON: Under the funeral vaults of the mausoleum belonging to the ancient and cruel Emperor Xaltotun of Python, three men devoured by ambition come to offer to the inert body of the deceased sovereign the heart of Ahriman, a source of immor-tality which once belonged to him. Taken away at the cost of his life. In exchange for this offering, the three men claim a single thing: the world. However, there is only one person able to stand in their way, a Cimmerian who seized the throne of Aquilonia: Conan!

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The Letters of Theodore Roosevelt constitute a major contribution to the field of American history and literature. At the same time, they present an autobiography of matchless candor and vitality. They are at once a mine of information for the historian, a case study in astute and vigorous political leadership, and a delight to the general reader. All the letters needed to reveal Roosevelt's thought and action in his public and private life are included, with appropriate editorial comment; and each is printed in its entirety.With the addition of this final installment, about 6,000 letters will have been published out of the 100,000 which Theodore Roosevelt wrote between 1868 (when he was 10) and the day of his death in January, 1919. During the last ten years of his life Roosevelt plunged into the African jungle; he visited Kaiser Wilhelm II; he led the Progressive Movement, and as a Bull Moose was defeated in 1912—permitting Woodrow Wilson to defeat William Howard Taft for the Presidency. Then, explorer once again, he escaped with his life from the wilds of Brazil, campaigned for United States' participation in World War One, and died peacefully as his cousin was on the threshold of a dynamic career.Theodore Roosevelt's letters are a treasury of information about the issues, the people, and the temper of his period. Here are available documents which tell of his thought and action in all the major and many of the minor undertakings of his public and private life. Each letter is printed in its entirety. Both in content and presentation, The Letters of Theodore Roosevelt constitute a contribution to the field of American history and literature whose value can hardly be exaggerated. At the same time they present an autobiography of matchless candor and vitality.

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Never Late for Heaven chronicles an odyssey in American art and social events beginning with the often-romanticized Harlem Renaissance and traveling through the Great Depression and beyond. Gwen Knight’s story reveals the life and the passion for painting of a young woman who was surrounded and supported by her community. Her formal education cut short by the Depression, Knight left Howard University and returned to Harlem, where her real art education began. For several years she participated in WPA apprenticeships and workshops, guided by her own independent mind and spirit. She and her fellow painters, including Jacob Lawrence (whom she later married), immersed themselves in a world that was creating its own narrative in history, literature, music, and theater. As New York was a mecca for artists of all stripes, Harlem was a singular world within that mecca. Knight recalls that everything was alive; that she lived so rigorously in the present that there was no thought about the future. Knight and Lawrence moved to Seattle in 1971, when Jacob accepted a teaching post in the art school at the University of Washington. Knight’s paintings, spanning more than sixty years in New York and Seattle, demonstrate one artist’s determination to make art. There was no career path or external motivation to drive her, only a belief that making art was a way of life. The skillful, intellectual, and emotionally sensitive works in this book pull the viewer into a world that is both controlled and fluid. Never Late for Heaven shows a painter whose long life and good fortune have delivered her to us, with her art work, right on time. Never Late for Heaven accompanied a 2003 exhibit at the Tacoma Art Museum featuring paintings from the Francine Seders Gallery in Seattle.

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From Taraji P. Henson, Academy Award nominee, Golden Globe winner, and star of the award-winning film Hidden Figures and the 2023 film The Color Purple, comes an inspiring and funny memoir—“a bona fide hit” (Essence)—about family, friends, the hustle required to make it in Hollywood, and the joy of living your own truth.With a sensibility that recalls her beloved screen characters, including Katherine, the NASA mathematician, Yvette, Queenie, Shug, and the iconic Cookie from Empire, Taraji P. Henson writes of her family, the one she was born into and the one she created. She shares stories of her father, a Vietnam vet who was bowed but never broken by life’s challenges, and of her mother who survived violence both at home and on DC’s volatile streets. Here, too, she opens up about her experiences as a single mother, a journey some saw as a burden but which she saw as a gift. Around the Way Girl is also a classic actor’s memoir in which Taraji reflects on the world-class instruction she received at Howard University and how she chipped away, with one small role after another, at Hollywood’s resistance to give women, particularly women of color, meaty significant roles. With laugh-out-loud humor and candor, she shares the challenges and disappointments of the actor’s journey and shows us that behind the red carpet moments, she is ever authentic. She is at heart just a girl in pursuit of her dreams in this “inspiring account of overcoming adversity and a quest for self-discovery, written with vitality and enthusiasm” (Shelf Awareness).

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Carlos Chavez (1899-1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chavez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style--diatonic, dissonant, contrapuntal--addressed both modernity and Mexico's indigenous past. Chavez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfonica de Mexico. Carlos Chavez and His World brings together an international roster of leading scholars to delve into not only Chavez's music but also the history, art, and politics surrounding his life and work. Contributors explore Chavez's vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York's modernist scene, Mexican symphonic music, portraits of Chavez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chavez's impact on El Colegio Nacional. A quantum leap in understanding Carlos Chavez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana Gonzalez Aktories, Anna Indych-Lopez, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julian Orbon, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Paya. Bard Music Festival 2015: Carlos Chavez and His World Bard College August 7-9 and August 14-16, 2015

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for one man and one woman, all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Howard Brenton, Jez Butterworth, Caryl Churchill, Sam Holcroft, Anna Jordan, Lucy Kirkwood, Rona Munro, Evan Placey, Jessica Swale and Jack Thorne, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, Manchester Royal Exchange, the Traverse in Edinburgh, Shakespeare's Globe, and the Almeida, Bush, Hampstead and Royal Court Theatres. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation. During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites. Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."

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No longer content with accepting whiteness as the norm, critical scholars have turned their attention to whiteness itself. In Critical White Studies: Looking Behind the Mirror, numerous thinkers, including Toni Morrison, Eric Foner, Peggy McIntosh, Andrew Hacker, Ruth Frankenberg, John Howard Griffin, David Roediger, Kathleen Heal Cleaver, Noel Ignatiev, Cherrie Moraga, and Reginald Horsman, attack such questions as: *How was whiteness invented, and why? *How has the category whiteness changed over time? *Why did some immigrant groups, such as the Irish and Jews, start out as nonwhite and later became white? *Can some individual people be both white and nonwhite at different times, and what does it mean to \u0022pass for white\u0022? *At what point does pride in being white cross the line into white power or white supremacy? *What can whites concerned over racial inequity or white privilege do about it? Science and pseudoscience are presented side by side to demonstrate how our views on whiteness often reflect preconception, not fact. For example, most scientists hold that race is not a valid scientific category -- genetic differences between races are insignificant compared to those within them. Yet, the \u0022one drop\u0022 rule, whereby those with any nonwhite heritage are classified as nonwhite, persists even today. As the bell curve controversy shows, race concepts die hard, especially when power and prestige lie behind them. A sweeping portrait of the emerging field of whiteness studies, Critical White Studies presents, for the first time, the best work from sociology, law, history, cultural studies, and literature. Delgado and Stefancic expressly offer critical white studies as the next step in critical race theory. In focusing on whiteness, not only do they ask nonwhites to investigate more closely for what it means for others to be white, but also they invite whites to examine themselves more searchingly and to \u0022look behind the mirror.\u0022

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The problem of "lost space," or the inadequate use of space, afflicts most urban centers today. The automobile, the effects of the Modern Movement in architectural design, urban-renewal and zoning policies, the dominance of private over public interests, as well as changes in land use in the inner city have resulted in the loss of values and meanings that were traditionally associated with urban open space. This text offers a comprehensive and systematic examination of the crisis of the contemporary city and the means by which this crisis can be addressed. Finding Lost Space traces leading urban spatial design theories that have emerged over the past eighty years: the principles of Sitte and Howard; the impact of and reactions to the Functionalist movement; and designs developed by Team 10, Robert Venturi, the Krier brothers, and Fumihiko Maki, to name a few. In addition to discussions of historic precedents, contemporary approaches to urban spatial design are explored. Detailed case studies of Boston, Massachusetts; Washington, D.C.; Goteborg, Sweden; and the Byker area of Newcastle, England demonstrate the need for an integrated design approach--one that considers figure-ground, linkage, and place theories of urban spatial design. These theories and their individual strengths and weaknesses are defined and applied in the case studies, demonstrating how well they operate in different contexts. This text will prove invaluable for students and professionals in the fields of architecture, landscape architecture, and city planning. Finding Lost Space is going to be a primary text for the urban designers of the next generation. It is the first book in the field to absorb the lessons of the postmodern reaction, including the work of the Krier brothers and many others, and to integrate these into a coherent theory and set of design guidelines. Without polemics, Roger Trancik addresses the biggest issue in architecture and urbanism today: how can we regain in our shattered cities a public realm that is made of firmly shaped, coherently linked, humanly meaningful urban spaces? Robert Campbell, AIA Architect and architecture critic Boston Globe

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The prevailing notion that the best government is achieved through principles of management and business practices is hardly new - it echoes the early twentieth-century "gospel of efficiency" challenged by Dwight Waldo in 1948 in his path-breaking book, "The Administrative State". Asking, "Efficiency for what?", Waldo warned that public administrative efficiency must be backed by a framework of consciously held democratic values. "Revisiting Waldo's Administrative State" brings together a group of distinguished authors who critically explore public administration's big ideas and issues and question whether contemporary efforts to "reinvent government", promote privatization, and develop new public management approaches constitute a coherent political theory capable of meeting the complex challenges of governing in a democracy. Taking Waldo's book as a starting point, the authors revisit and update his key concepts and consider their applicability for today. The book follows Waldo's conceptual structure, first probing the material and ideological background of modern public administration, problems of political philosophy, and finally particular challenges inherent in contemporary administrative reform. It concludes with a look ahead to "wicked" policy problems - such as terrorism, global warming, and ecological threats - whose scope is so global and complex that they will defy any existing administrative structures and values. Calling for a return to conscious consideration of democratic accountability, fairness, justice, and transparency in government, the book's conclusion assesses the future direction of public administrative thought. This book can stand alone as a commentary on reconciling democratic values and governance today or as a companion when reading Waldo's classic volume.

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The 2nd edition of this successful book provides a fully updated, succinct examination of the principles of agency law. The book explores the rules of attribution, the rights and obligations arising within the agency relationship, the impact of agency in the fields of contract and tort, and the termination of an agent's authority. Throughout the book, full consideration is given to the issues arising under the Commercial Agents (Council Directive) Regulations 1993. The discussion is informed not only by common law authority that constantly nourishes the development of agency law principle, but also by international soft law instruments and the Restatement of the Law, Third: Agency.

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Featuring new stories specially commissioned for the collection this offering of H.P. Lovecraft's shared universe is a thrilling immersion into the world of Old Ones and the Elder Gods, an ancient race of terrifying beings. In Lovecraft's vision we live in a deep, but fragile illusion, unable to comprehend the ancient beings, such as the Cthulhu who lies dead but dreaming in the submerged city of R'lyeh, waiting to rise then wreak havoc on our realm of existence. Lovecraft used the mythos to create a background to his fiction, and challenged many writer companions to add their own stories. Clark Ashton Smith, Robert E. Howard, Robert Bloch, Frank Belknap Long, Henry Kuttner were amongst the first but over the years many others such as Ramsey Campbell, Lin Carter and August Derleth added their voices to the many mythic cycles, developing themes and new fictional pathways for the town of Arkham, and the creatures Azathoth and Nyarlathotep. The Lovecraft Mythos is fertile ground for any writer of supernatural, horror, fantasy and science fiction, so for this edition we opened our submissions for brand new stories, many published here for the first time, to continue expanding the shared universe. New, contemporary and notable writers featured are: Hal Bodner, Evey Brett, Ramsey Campbell, Helen E. Davis, JG Faherty, Cody Goodfellow, Rachael K. Jones, Scott R. Jones, Caitlín R. Kiernan, Nancy Kilpatrick, N.R. Lambert, Victor LaValle, Thana Niveau, John Possidente, John Llewellyn Probert, Mark Samuels, William Browning Spencer, R.S. Stefoff, Jonathan Thomas, Donald Tyson and Douglas Wynne.

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The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster's famous "Paradise Gardens", his journey - of which "The Colorful Apocalypse" is a masterly chronicle - provides an unparalleled look into the lives and visionary works of some of Finster's contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy. With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists' works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms - one of today's finest young writers - gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories. In doing so, he weaves a true narrative as powerful as the art of its subjects, a work that is at once an enthralling travelogue, a series of revealing biographical portraits, and a profound meditation on the chaos of despair and the ways in which creativity can help order our lives.

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Edward Bulmer is a leading interior designer, architectural historian, and founder of the paint company Natural Paint based in Great Britain. He is perhaps best known for breathing new life into houses with a sympathy that is rooted in a deep understanding of their past, a particular skill that few interior designers possess. He can see where details are missing and unravel a mishmash of periods accumulated over centuries in a historical house. In this, his first book, Bulmer compiles the best from thirty years of work in some of Britain s most famous and grandest homes, including Castle Howard, Broughton Hall, Althorp, Goodwood, Pitshill, and many others. It also includes his work for private clients, highlighting his own stunning home, a laboratory for his practice, in a Queen Anne manor house built in 1700, which Bulmer and his family have spent the last twenty years renovating into a comfortable, practical home perfect for a modern lifestyle. He operates his paint company out of an old granary on the property that he converted into a studio. Bulmer has also revived the farm and turned it into a working organic farm. Written by Bulmer and featuring seventeen houses, among other projects, Bulmer takes readers through his creative and working process in each project, describing in detail how he renovated, decorated, and preserved the home, the problems he encountered and the decisions he and his clients made to solve them, all while sharing tips and secrets that readers can take away for their own home. Tours of these well-lived-in houses, rich with history, are conveyed through the gorgeous photography of Paul Whitbread.

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NOW A MAJOR SERIES 'GENIUS' ON NATIONAL GEOGRAPHIC, PRODUCED BY RON HOWARD AND STARRING GEOFFREY RUSHEinstein is the great icon of our age: the kindly refugee from oppression whose wild halo of hair, twinkling eyes, engaging humanity and extraordinary brilliance made his face a symbol and his name a synonym for genius. He was a rebel and nonconformist from boyhood days. His character, creativity and imagination were related, and they drove both his life and his science. In this marvellously clear and accessible narrative, Walter Isaacson explains how his mind worked and the mysteries of the universe that he discovered. Einstein's success came from questioning conventional wisdom and marvelling at mysteries that struck others as mundane. This led him to embrace a worldview based on respect for free spirits and free individuals. All of which helped make Einstein into a rebel but with a reverence for the harmony of nature, one with just the right blend of imagination and wisdom to transform our understanding of the universe. This new biography, the first since all of Einstein's papers have become available, is the fullest picture yet of one of the key figures of the twentieth century. This is the first full biography of Albert Einstein since all of his papers have become available -- a fully realised portrait of this extraordinary human being, and great genius.Praise for EINSTEIN by Walter Isaacson:- 'YOU REALLY MUST READ THIS.' Sunday Times 'As pithy as Einstein himself.’ New Scientist ‘[A] brilliant biography, rich with newly available archival material.’ Literary Review ‘Beautifully written, it renders the physics understandable.’ Sunday Telegraph ‘Isaacson is excellent at explaining the science. ' Daily Express

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'Paradise haunts gardens', writes Derek Jarman, 'and it haunts mine.' Jarman's public image is that of a film-maker of genius, whose work, dwelling on themes of sexuality and violence, became a byword for controversy. But the private man was the creator of his own garden-paradise in an environment that many might think was more of a hell than a heaven - in the flat, bleak, often desolate expanse of shingle that faces the Dungeness nuclear power station. Jarman, a passionate gardener from childhood, combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which combined the flints, shells and driftwood of Dungeness; sculptures made from stones, old tools and found objects; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. This book is Derek Jarman's own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden's complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman's life in Dungeness: walking, weeding, watering, or just enjoying life. Derek Jarman's Garden is the last book Jarman ever wrote. Like the garden itself, it remains as a fitting memorial to a brilliant and greatly loved artist who, against all odds, made a breathtakingly beautiful garden in the most inhospitable of places. It will appeal to all those who are themselves practising gardeners, as well as the legions of admirers of this extraordinary man.

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Contested, multiparty elections are conventionally viewed as either an indicator of the start of democracy or a measure of its quality. In practice, the role that elections play in the transition from authoritarian rule is much more significant. Using as a starting point Guillermo O'Donnell and Phillipe C. Schmitter's 1986 classic, Transitions from Authoritarian Rule, and Robert Dahl's original formulation of democratization as the outcome of increasing the costs of repression while decreasing the costs of toleration, this volume subjects to critical empirical tests the thesis that repeated elections positively affect democratic rights and processes. The first section uses global and quantitative regional studies based on new and unique data sets to present and rigorously evaluate the debate on the democratizing power of elections. The second section looks closely at specific electoral mechanisms and types of elections in Africa, post-Communist Europe and Eurasia, Latin America, the Middle East, and North Africa to uncover those that support the long-term institutionalization of a democratic transition. The concluding section develops and formalizes a theory of democratization by elections. Each chapter includes in-depth discussions of policy implications and a wealth of statistical information. Featuring contributions by leading scholars of democracy, original research, and worldwide and country-specific data on elections and democracy, this collaborative exploration of the effect of elections on democratic transitions represents the cutting edge of comparative democratization studies. Contributors: Jason Brownlee, Valerie J. Bunce, Larry Diamond, Axel Hadenius, Jonathan Hartlyn, Marc M. Howard, Staffan I. Lindberg, Jennifer L. McCoy, Bryon Moraski, Pippa Norris, Ellen Lust-Okar, Lise Rakner, Philip G. Roessler, Andreas Schedler, Jan Teorell, Nicolas van de Walle, Sharon L. Wolchik

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The Grapes of Wrath is generally considered Steinbeck’s masterpiece, but the short novel was the form he most frequently turned to and most consciously theorized about, and with constant experimentation he made the form his own. Much of the best—and the worst—of his writing appears in his short novels. This collection reviews what has been categorized as the “good” and the “bad,” looking beyond the careless labeling that has characterized a great deal of the commentary on Steinbeck’s writing to the true strengths and weaknesses of the works. The contributors demonstrate that even in the short novels that are most often criticized, there is more depth and sophistication than has generally been acknowledged.The essays examine the six most popular short novels—Tortilla Flat, The Red Pony, Of Mice and Men, The Moon Is Down, Cannery Row, and The Pearl—in addition to the three usually thought of as less successful—Burning Bright, Sweet Thursday, and The Short Reign of Pippin IV. Because most of Steinbeck’s short novels were adapted and presented as plays or screenplays, many of the essays deal with dramatic or film versions of the short novels as well as with the fiction. The collection concludes with a comprehensive checklist of criticism of the short novels.Contributors. Richard Astro, Jackson J. Benson, Carroll Britch, John Ditsky, Joseph Fontenrose, Warren French, Robert Gentry, Mimi Reisel Gladstein, William Goldhurst, Tetsumaro Hayashi, Robert S. Hughes Jr., Howard Levant, Clifford Lewis, Peter Lisca, Anne Loftis, Charles R. Metzger, Michael J. Meyer, Robert E. Morsberger, Louis Owens, Roy S. Simmonds, Mark Spilka, John Timmerman

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Whether man-made or naturally occurring, large-scale disasters can cause fatalities and injuries, devastate property and communities, savage the environment, impose significant financial burdens on individuals and firms, and test political leadership. Moreover, global challenges such as climate change and terrorism reveal the interdependent and interconnected nature of our current moment: what occurs in one nation or geographical region is likely to have effects across the globe. Our information age creates new and more integrated forms of communication that incur risks that are difficult to evaluate, let alone anticipate. All of this makes clear that innovative approaches to assessing and managing risk are urgently required. When catastrophic risk management was in its inception thirty years ago, scientists and engineers would provide estimates of the probability of specific types of accidents and their potential consequences. Economists would then propose risk management policies based on those experts' estimates with little thought as to how this data would be used by interested parties. Today, however, the disciplines of finance, geography, history, insurance, marketing, political science, sociology, and the decision sciences combine scientific knowledge on risk assessment with a better appreciation for the importance of improving individual and collective decision-making processes. The essays in this volume highlight past research, recent discoveries, and open questions written by leading thinkers in risk management and behavioral sciences. The Future of Risk Management provides scholars, businesses, civil servants, and the concerned public tools for making more informed decisions and developing long-term strategies for reducing future losses from potentially catastrophic events. Contributors: Mona Ahmadiani, Joshua D. Baker, W. J. Wouter Botzen, Cary Coglianese, Gregory Colson, Jeffrey Czajkowski, Nate Dieckmann, Robin Dillon, Baruch Fischhoff, Jeffrey A. Friedman, Robin Gregory, Robert W. Klein, Carolyn Kousky, Howard Kunreuther, Craig E. Landry, Barbara Mellers, Robert J. Meyer, Erwann Michel-Kerjan, Robert Muir-Wood, Mark Pauly, Lisa Robinson, Adam Rose, Paul J. H. Schoemaker, Paul Slovic, Phil Tetlock, Daniel Västfjäll, W. Kip Viscusi, Elke U. Weber, Richard Zeckhauser.

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When Preston Downs, Jr., alias Prez, slides down the emergency chute onto the frozen tarmac at the Montreal airport, little does he know that returning home to Washington D.C. or to his adopted city, Chicago, would now be impossible. Events had sped by after a dust-up with the Chicago police. With a new name and papers, he finds himself in a foreign city where people speak French and life is douce compared to the one he fled.Son of a World War II vet, Prez grows up in the 50s in D.C., a segregated Southern city, and learns early that black lives don't much matter. As a leader in the streets, his journey from boyhood to manhood means acquiring fighting skills to lead and unify long before losing his virginity. Smart and skeptical, but with a code of ethics, he, like every black kid, wants to be Malcolm, Martin or at least a "soul brother," which inspires fear among the powers that be.Spotted while an A student at Howard University in 1964, Prez is invited to do an interdisciplinary course with field work on Civil Rights in Chicago, a city as divided as Gettysburg was a hundred years earlier. Faced with police-state conditions, dubious armed gangs, spies and provocateurs, Prez and the young women and men he works with are propelled into a head-on fight with police. James Baldwin wrote that the blues began "on the auction block," others say it started with their kidnapping from Africa. Prez was born in exile, with the blues. Only someone who has lived through that period can write an enthralling and passionate story like Exile Blues. Gary Freeman has done so with insight and sensitivity.

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A groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer.“This is a captivating look at both the nitty-gritty preparation and emotional energy that ‘it takes [for artists] to stand up to that mic... reach down into their guts, and give everything they’ve got for the sake of the song.’ Its star power and up-close, revelatory detail will keep readers riveted from start to finish.” —Publishers Weekly, starred review “For all of the conversations we have about music, there is precious little talk about the art of communicating emotion and meaning via the human voice. The Singer's Talk remedies this by reaching out to a wide range of different singers, who speak insightfully about both the skill and the magic required to change minds and break hearts.” —Steven Hyden, author of Twilight of the Gods and other books These revelatory, frequently funny, and deeply engrossing in-depth interviews provide fans and aspiring singers a backstage pass to the challenges every vocalist faces onstage and in the studio. Packed with never-before-heard stories, The Singers Talk reveals a truly intimate side to these iconic personalities while offering a master class on how the best in their field keep their vocal cords in shape and protect themselves on the road—along with countless other tricks, techniques, strategies, and philosophies to help vocalists at every level perfect the craft of singing. “This is the most geeked out I’ve ever talked about my voice!” —Thom Yorke This historic roster of artists includes: Bryan Adams, Tony Bennett, Nick Cave, Chuck D, Roger Daltrey, Joe Elliott, Emmylou Harris, Brittany Howard, Chrissie Hynde, Norah Jones, Simon Le Bon, Geddy Lee, Willie Nelson, Stevie Nicks, Ozzy Osbourne, Steve Perry, Lionel Richie, LeAnn Rimes, Smokey Robinson, Robert Smith, Bruce Springsteen, Mavis Staples, Rod Stewart, Paul Stanley, Michael Stipe, Jeff Tweedy, Roger Waters, Dionne Warwick, Ann Wilson, Thom Yorke, and many more. Additionally, the book features conversations about legendary voices no longer with us, such as Butch Vig on Kurt Cobain, Clive Davis on Whitney Houston, Nile Rodgers on David Bowie, and Jimmy Iovine on Tom Petty. “Singing is so much more than hitting the right note. It’s about connecting with the audience, connecting with something divine to a certain degree. It’s connecting to your most primitive and deepest intuition, and to your nature as a human on this planet.” —Karen O. More than just an indispensable guide for singers of any level, The Singers Talk is an unforgettable read for music fans everywhere. All royalties from The Singers Talk will benefit the kids and families at St. Jude Children’s Research Hospital through their Music Gives to St. Jude Kids campaign.

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When a young man inherits a vast mansion from an estranged great-uncle, his apparent good fortune sours when unsettling things begin to happen … A terrifying psychological thriller cum gothic ghost story from the bestselling author of A Suitable Lie. ‘A beautifully written tale, original, engrossing and scary. It’s a wonderful mixture, a psychological thriller with a touch of a ghost story (sort of), a dollop of the supernatural (but not really) and murder (perhaps), told through the vision of a druggie poet who hasn’t taken his medicine and is therefore an unreliable witness (or is he?) … a dark joy’ The Times ‘A deeply satisfying read’ Sunday Times ‘A fine, page-turning thriller’ Daily Mail _________________ What you see isn’t always real… Ran McGhie’s world has been turned upside down. A young, lonely and frustrated writer, and suffering from mental-health problems, he discovers that his long-dead mother was related to one of Glasgow’s oldest merchant families. Not only that, Ran has inherited Newton Hall, a vast mansion that belonged to his great-uncle, who had been watching from afar as his estranged great-nephew grew up. Entering his new-found home, it seems Great-uncle Alexander has turned it into a temple to the written word – the perfect place for poet Ran. But everything is not as it seems. As he explores the Hall’s endless corridors, Ran’s grasp on reality appears to be loosening. And then he comes across an ancient lift; and in that lift a mirror. And in the mirror … the reflection of a woman. A terrifying psychological thriller with more than a hint of the gothic, House of Spines is a love letter to the power of books, and a reminder that lust and betrayal can be deadly… _________________ Praise for Michael J. Malone: ‘House of Spines is a gothic ghost story and psychological thriller all rolled into one. Brilliantly creepy, with a dash of Glasgow humour, I couldn’t turn the pages fast enough. A spine-tingling treat’ Lisa Gray, Daily Record ‘From the stunning opening chapter, I was hooked. House of Spines is an intriguing tale with a haunting, gothic quality that compels you to keep reading till the end’ Howard Linskey ‘At first it seems like a poet’s paradise, but something sinister lurks within the corridors … a MUST READ’ Daily Express ‘The story twists and feints, pulling us along with it at every turn, the edginess of its central character making every development even more unsettling … a chilling read, best savoured late on a dark night’ Herald Scotland ‘You might not want to be alone when you read this spine-chilling gothic thriller ... As he explores its endless corridors his grip on reality seems to be evaporating in this terrifying exploration of lust and betrayal’ Sunday Post ‘Prepare to have your marrow well and truly chilled by this deeply creepy Scottish horror … A complex and multi-layered story – perfect for a wintry night’ Sunday Mirror ‘Beautifully crafted and colourfully descriptive … keeps the reader gripped by an uneasy presence, a chill, literally, down the spine’ Undiscovered Scotland ‘Malone is a massive talent … get on board now so you can brag you were reading his books long before the rest of the world’ Luca Veste ‘Vivid, visceral and compulsive’ Ian Rankin ‘A terrific read … I read it in one sitting’ Martina Cole ‘A deeply personal thriller that will keep the reader turning those pages, with twists and turns designed to keep the heart pumping’ Russel D. McLean

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The second novel in Izzo’s acclaimed Marseilles trilogy is a touching tribute to the author’s beloved city, in all its colour and complexity. Fabio Montale is an unwitting hero in this city of melancholy beauty. Fabio Montale has left a police force marred by corruption, xenophobia, and greed. But getting out is not going to be so easy. When his cousin’s son goes missing, Montale is dragged back onto the mean streets of a violent, crime-infested Marseilles. To discover the truth about the boy’s disappearance, he infiltrates a dangerous underworld of mobsters, religious fanatics, crooked cops, and ordinary people whom desperation has driven to extremes.

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A lively account of how Darwin's work on natural selection transformed science and society and an investigation into the mysterious illness that plagued its author

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Attachment in Intellectual and Developmental Disability “Skillfully introduced and edited by Helen Fletcher and her colleagues, this long-needed collection of excellent chapters on attachment and disability reveals the vast wellspring of resilience that persons with disability possess – or can be helped to achieve. Readers will discover how best to support a family member, client or friend with a ‘disability’. A definitive resource for multiple disciplines, this book is surely required reading for all those working in the health professions aimed at addressing the needs of those with severe physical, mental or emotional impairments.” Professor Howard Steele, New School for Social Research “This informative, comprehensive text is unique, and is destined to become an invaluable national and international resource on attachment issues in the field of intellectual and developmental disabilities. Given the breadth and depth of this book, practitioners can use it both as a guide in practice and as a resource for research purposes. Both the editors and contributors are to be congratulated for introducing attachment theory to a wider audience, who will all, I am sure, appreciate the centrality and importance of this theoretical framework to their everyday practice.” Professor Bob Gates, University of West London This title in The Wiley Series in Clinical Psychology is the first to explore the role of attachment theory in understanding and helping children and adults with intellectual and developmental disabilities (IDD). There is a growing evidence base of interventions for IDD underpinned by attachment theory, including direct intervention and the application of attachment theory to understand the interactions and relationships that occur between individuals with IDD and those who support them. Attachment in Intellectual and Developmental Disability brings together leading clinicians and researchers to present and integrate cutting-edge models and approaches that have previously been accessible only to specialists. They discuss the role of attachment theory in clinical practice when working across the lifespan of people with IDD, the theoretical basis of attachment difficulties, and how these difficulties are presented. They also discuss practical approaches to assessment and intervention, using clear case studies to illustrate the applications of attachment theory to clinical work.

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In a world where web services can make real-time data accessible to anyone, how can the government leverage this openness to improve its operations and increase citizen participation and awareness? Through a collection of essays and case studies, leading visionaries and practitioners both inside and outside of government share their ideas on how to achieve and direct this emerging world of online collaboration, transparency, and participation. Contributions and topics include: *Beth Simone Noveck, U.S. Deputy Chief Technology Officer for open government, "The Single Point of Failure" *Jerry Brito, senior research fellow at the Mercatus Center at George Mason University, "All Your Data Are Belong to Us: Liberating Government Data" *Aaron Swartz, cofounder of reddit.com, OpenLibrary.org, and BoldProgressives.org, "When Is Transparency Useful?" *Ellen S. Miller, executive director of the Sunlight Foundation, "Disrupting Washington's Golden Rule" *Carl Malamud, founder of Public.Resource.Org, "By the People" *Douglas Schuler, president of the Public Sphere Project, "Online Deliberation and Civic Intelligence" *Howard Dierking, program manager on Microsoft's MSDN and TechNet Web platform team, "Engineering Good Government" *Matthew Burton, Web entrepreneur and former intelligence analyst at the Defense Intelligence Agency, "A Peace Corps for Programmers" *Gary D. Bass and Sean Moulton, OMB Watch, "Bringing the Web 2.0 Revolution to Government" *Tim O'Reilly, founder and CEO of O'Reilly Media, "Defining Government 2.0: Lessons Learned from the Success of Computer Platforms" Open Government editors: Daniel Lathrop is a former investigative projects reporter with the Seattle Post Intelligencer who's covered politics in Washington state, Iowa, Florida, and Washington D.C. He's a specialist in campaign finance and "computer-assisted reporting" -- the practice of using data analysis to report the news. Laurel Ruma is the Gov 2.0 Evangelist at O'Reilly Media. She is also co-chair for the Gov 2.0 Expo.

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Roger Ebert wrote the foreword to this collection of 35 in-depth interviews with the world's leading filmmakers and critics, from Fonda to Fassbinder, from Canby to Costa-Gavras, from Sarris to Sayles. Cineaste, America's leading magazine on the art and politics of the cinema, has become known for its in-depth interviews with filmmakers and film critics of international stature. The best of these interviews are now collected in this volume. The interviews: Constantin Costa-Gavras, Glauber Rocha, Miguel Littin, Bernardo Bertolucci, Ousmane Sembene, Elio Petri, Dusan Makavejev; Gillo Pontecorvo; Alain Tanner, Jane Fonda, Francesco Rosi, Lina Wertmuller, Roberto Rossellini, Tomas Gutierrez Alea, Gordon Parks, Rainer Werner Fassbinder, John Howard Lawson, Paul Schrader, Agnes Varda, Bertrand Tavernier, Andrew Sarris, Bruce Gilbert, Jorge Semprun, Vincent Canby, John Berger, Andrzej Wajda, John Sayles, Krzysztof Zanussi, Molly Haskell, Budd Schulberg, Satyajit Ray. The unique value of these interviews will be the comments by the filmmakers on the crucial artistic and political decisions confronted in the making of their films, many of which have become classics of their kind. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times. Mr. Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments. Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.S. to Poland; trends in criticism and auteur theory to feminism; the power of the reviewer.

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Written by the author of "The Art and Science of Negotiation", this title incorporates three strands of inquiry: individual decision analysis, judgmental decision making, and game theory.

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An unprecedented look at Nellie Mae Rowe’s art as a radical act of self-expression and liberation in the post-civil rights-era South A New York Times critics' pick | Best Art Books 2021 During the last 15 years of her life, Nellie Mae Rowe lived on Paces Ferry Road, a major thoroughfare in Vinings, Georgia, and welcomed visitors to her “Playhouse,” which she decorated with found-object installations, handmade dolls, chewing-gum sculptures and hundreds of drawings. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer. This book offers an unprecedented view of how Rowe cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, this publication is also the first to juxtapose her drawings with her art environment. Nellie Mae Rowe (1900–82) grew up in rural Fayetteville, Georgia. When her Playhouse became an Atlanta attraction, she began to exhibit her art outside of her home, beginning with Missing Pieces: Georgia Folk Art, 1770–1976, a traveling exhibition that brought attention to several Southern self-taught artists, including Rowe and Howard Finster. In 1982, the year she died, Rowe’s work received a new level of acclaim, as she was honored in a solo exhibition at Spelman College and included as one of three women artists in the Corcoran Gallery of Art’s landmark exhibition .

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Tortoises, those unmistakable turtles, evolved from a lineage that split off from the familiar pond turtles roughly 100 million years ago. Over time, these plant-eating land turtles spread around the world, growing to an enormous size (depending on the species) and living so long that they have become the stuff of legends. By most accounts, they are indeed the longest-lived of the turtles, with good records suggesting individuals may live as long as 180 years (anecdotal records suggest that some reach ages of 200 years or more). Providing the first comprehensive treatment of North America's tortoises, Biology and Conservation of North American Tortoises brings together leading experts to give an overview of tortoise morphology, taxonomy, systematics, paleontology, physiology, ecology, behavior, reproduction, diet, growth, health, and conservation. The contributors carefully combine their own expertise and observations with results from studies conducted by hundreds of other researchers. The result is a book that belongs in the library of every herpetologist. Contributors include: Gustavo Aguirre; L. Linda; J. Allison Matthew; J. Aresco Roy; C. Averill-Murray; Joan E. Berish; Kristin H. Berry; Dennis M. Bramble; K. Kristina Drake; Taylor Edwards; Todd C. Esque; Richard Franz; Craig Guyer; J. Scott Harrison; Sharon M. Hermann; J. Howard Hutchison; Elliott R. Jacobson; Valerie M. Johnson; Richard T. Kazmaier; Earl D. McCoy; Philip A. Medica; Robert W. Murphy; Henry R. Mushinsky; Kenneth E. Nussear; Michael P. O'Connor; Thomas A. Radzio; David C. Rostal; Lora L. Smith; James R. Spotila; Craig B. Stanford; C. Richard Tracy; Tracey D. Tuberville; Michael Tuma; and, Thane Wibbels.

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“A lighthearted, entertaining trip down Memory Lane” (Kirkus Reviews), Don’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps.The birth of America’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn’t believe in bathroom breaks. Now, decades later, Ratay offers “an amiable guide…fun and informative” (New York Newsday) that “goes down like a cold lemonade on a hot summer’s day” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot “land yachts,” oasis-like Holiday Inn “Holidomes,” “Smokey”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson’s ice cream, and the thrill of finding a “good buddy” on the CB radio. An “informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips” (Publishers Weekly), Don’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.

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A richly illustrated exploration of the impact of South Asian Miniature painting on contemporary art. This book tells the dynamic story of contemporary art’s engagement with the miniature painting traditions of South Asia from the sixteenth century onwards, and the role of Britain in these developments. This is the first publication to address this remarkable painting tradition on a transhistorical and transnational scale. Readers are invited to admire the formal, technical and conceptual innovations of some of the most exciting historic and contemporary artists from South Asia, while reflecting on questions of culture and power in the entangled histories of empire and globalization. Many of the greatest collections of South Asian paintings are held in Britain, and some of the pivotal encounters that shaped this story happened in London. The process of these acquisitions and their central role within British and South Asian art histories are explored in this book. The book also demonstrates how the traditions of South Asian miniature painting have been reclaimed and reinvented by modern and contemporary artists, exploding beyond the pages of illuminated manuscripts to experimental forms that include installation, sculpture and film. While miniature painting represented a strand of cultural resistance to colonial rule in the early twentieth century, artists continue to find contemporary relevance in the possibilities offered by this tradition. Beyond the Page is richly illustrated with historic works from the Victoria & Albert Museum, the British Library, the British Museum, the Ashmolean, the Bodleian Library and the Royal Collection Trust. It also features work by artists from different generations working in dialogue with the miniature tradition, including Hamra Abbas, David Alesworth, Nandalal Bose, Noor Ali Chagani, Lubna Chowdhary, Adbur Rahman Chughtai, Samuel Fyzee-Rahamin, N.S. Harsha, Howard Hodgkin, Ali Kazim, Bhupen Khakhar, Jess MacNeil, Imran Qureshi, Nusra Latif Qureshi, Mohan Samant, Nilima Sheikh, the Singh Twins, Shahzia Sikander and Abanindranath Tagore.

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In the tradition of Howard Zinn’s A People’s History of the United States, an engaging account of the last half-century of political discontent The history of the United States is a history of oppression and inequality, as well as raucous opposition to the status quo. It is a history of slavery and child labor, but also the protest movements that helped end those institutions. Protesters have been the driving force of American democracy, from the expansion of voting rights and the end of segregation laws, to minimum wage standards and marriage equality. In this exceptional new book, Dawson Barrett calls our attention to the post-1960s period, in which US economic, cultural, and political elites turned the tide against the protest movement gains of the previous forty years and reshaped the ability of activists to influence the political process. For much of the last half-century, policymakers in both major US political parties have been guided by the “pro-business” tenets of neoliberalism. Dubbed “casino capitalism” by its critics, this economy has ravaged the environment, expanded the for-profit war and prison industries, and built a global assembly line rooted in sweatshop labor, while more than doubling the share of American wealth and income held by the country’s richest 1 percent. The Defiant explores the major policy shifts of this new Gilded Age through the lens of dissent—through the picket lines, protest marches, and sit-ins that greeted them at every turn. Barrett documents these clashes at neoliberalism’s many points of impact, moving from the Arizona wilderness, to Florida tomato fields, to punk rock clubs in New York and California—and beyond. He takes readers right up to the present day with an epilogue tracing the Trump administration’s strategies and policy proposals, and the myriad protests they have sparked. Capturing a wide range of protest movements in action—from environmentalists’ tree-sits to Iraq War peace marches to Occupy Wall Street, #BlackLivesMatter, and more—The Defiant is a gripping analysis of the profound struggles of our times.

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I LOVED The Girl from Donegal. The storylines are so captivating and the sense of the secret that travels around the world is magical . . . unputdownable’ CATHY KELLY Can you ever forget your first love? Donegal, Ireland, 1939 As the world teeters on the brink of WWII, Eliza Lavery is alone in the world after her fiancé, Davey, was lost following the Irish War of Independence. But a fateful meeting on the wild beauty of Ballymastocker Bay could change everything. Hamilton, Bermuda, 2022 Eight decades later, troubled by her future, Saoirse O’Donnell walks on the pink sands of Bermuda’s Horseshoe Bay. When she uncovers a connection to Eliza, all those years before, she hears a story that promises to influence her own heart and her own choice – but that also reveals a long-buried secret. Two women must each make a choice between their past and their present in this sweeping, epic love story spanning two continents, three generations, and joy and tragedy over nearly a century. Praise for The Girl from Donegal ‘A timeless love story, beautifully told across eighty years and two continents . . . Carmel takes us on an emotional rollercoaster’ HAZEL GAYNOR ‘[The] characters are unforgettable and drawn with real heart – you’re rooting for them from the get-go and with them all the way’ CATHERINE RYAN HOWARD ‘A terrific read with fabulous historical detail and great characters. Thoroughly engrossing’ SHEILA O’FLANAGAN ‘A beautifully told international saga encompassing war and tragedy, life-changing decisions and love in its many facets’ ROISIN MEANEY ‘One of the best books of the year . . . it’s Carmel’s best book yet . . . I lost whole days of my life to this beautiful, sweeping story and I can confidently predict that readers everywhere will too’ CLAUDIA CARROLL ‘An atmospheric story, sweeping across 80 years, of two women who get a second bite at the cherry’ Sunday Independent

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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Linked stories expose generational conflicts, broken relationships and Jewish insecurity post-Holocaust. Darkly humorous, absurd, sometimes tragic and erotic.‘Verklempt’, Yiddish slang, means ‘choked with emotion.’ In his latest collection of stories, internationally best-selling author Peter Sichrovsky aggressively dismantles post-Holocaust Jewish identity. These are love stories where love is a bitter pill, a joke, a missed chance at happiness, a secret, a ghost, or a longing to be with a person one cannot even remember. Sichrovsky writes without embellishment, spare outlines of characters that feel familiar, and infuses them with dark humor and tragedy. With characteristic inquisitiveness and provocation, Sichrovsky delivers a delightful collection that entertains and inspires us to tears, laughter, revelations.Stories, among others:In “Prague,” an adolescent Jewish boy struggles when his Communist parents renounce their affiliations upon Soviet invasion of Czechoslovakia — just as he is about to land a date at the local Communist club.“The Love Schnorrer” follows a hapless, depressed man leaving his wife and children to secretly emigrate with a Jewish partner, but he is deceived by this new woman, who he most thought he could trust.In “The Sirens” a young couple in Israel — he a native Brooklynite and she an Israeli-born doctor—struggle to keep their marriage and family together under Saddam Hussein’s latest rocket attack.“Berlin,” “Holiday,” and “Pig’s Blood” have an autobiographical aspect. Interviews, interrogations, and captive audiences all reveal aspects of the author’s curious career and iconoclastic personality.In “Clearance Sale” a Jewish man married to the wrong woman for years — she’s German, with Nazi-sympathizing parents — consummates a brief affair with his Jewish secretary on a teddy bear, but only by passing backward through his life to a point of self-annihilation.“The Aunt” is a raunchy romp through an old people’s home, where the protagonist’s Aunt Martha is forced to share a room with an old Nazi.“Coffin Birth” finds the wealthy businessman and Holocaust survivor Herr Bernstein only able to reconcile his seventieth birthday with the conception that he will have an heir — by any means necessary — when he learns his daughter is a lesbian.Somewhere in every story there is a real person. These stories are based on facts. But they are not documentations. They reflect hopes, fears and indifference. Every story is true, as true as a story can be.—Author’s Preface to the English Edition

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Greatest of All Time: A Tribute to Muhammad Ali is not just a book; it is a testament to the extraordinary life of one of the world’s most famous athletes. GOAT delves into the intricate layers of Ali’s existence, tracing Cassius Marcellus Clay Jr.’s journey from his humble beginnings navigating segregation and financial hardship in Louisville, Kentucky, to his evolution into the legendary boxer Muhammad Ali. Essays by those closest to him reveal stories behind monumental fights like those with Sonny Liston, the Rumble in the Jungle against George Foreman, and Thrilla in Manila against Joe Frazier. The book also explores Ali’s signature fighting style, which, when paired with his rapper-style wit, positioned him as a charismatic figure inside and outside the ring.Beyond boxing, GOAT weaves together Ali’s historic moments with his resilience against discrimination and his determination to confront racial inequities. His triumph at the 1960 Rome Olympics was marred by hostility, underscoring the racial tensions he faced; Ali boldly challenged these prevailing biases. The boxer’s embrace of Islam became a cornerstone of his moral standards, guiding his principles against racism, inequality, and undue violence, with the latter informing his staunch opposition to the Vietnam War. Interspersed between these accounts are thousands of historical documents and images of Ali, including the boxer’s documentarian-turned-confidant Howard Bingham’s intimate snapshots, Neil Leifer and Flip Schulke’s iconic pictures, and Hank Kaplan’s archival contributions. Stills from Leon Gast's film ‘When We Were Kings’, which told the story of Ali’s pivotal 1974 fight, are also included in the volume.GOAT is a heartfelt homage to a boxing legend, exploring Muhammad Ali’s indomitable spirit and celebrating his enduring impact on civil rights, sports, and culture.

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Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment. When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details. In collaboration with a series of international exhibitions, starting with King Tut: Treasures of the Golden Pharaoh at the California Science Center in March 2018, this comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor. From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture—but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

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Winner of the An Post Irish Sports Book of the Year Award Longlisted for The William Hill Sports Book of the Year Award ‘Not only the sports book of the year, the book of the year.’ Paul Howard ‘Unputdownable,’ The Last Word, Today FM ‘You’ll go a long way to find a better autobiography. It’s raw, unfiltered honesty from start to finish, a captivating account of one man’s story that will resonate with so many more.’ The Irish Independent ‘The bravest book I've read in a long time. A really quality read written by a man who happened to be a footballer rather than a book necessarily about football.’ Damien O’Meara, RTÉ ‘Storytelling of the highest calibre. Richie Sadlier’s autobiography is a judiciously layered and thoughtful examination of how to live a life and develop as a person despite everything. It’s also relentlessly entertaining. A rare and precious example of a sports book that has both story and stories in abundance.’ Malachy Clerkin, The Irish Times ‘The kind of book to stop you in your tracks.’ The Irish Farmers Journal When a career-ending injury saw former Ireland and Millwall striker Richie Sadlier retire from football at age 24, his life spiraled out of control. Without structure or a sense of purpose, and fueled by a dependency on alcohol, he spent years running from the dark memories and feelings that had haunted him since childhood. Until one day, he hit rock bottom and decided to confront his demons. Now a successful soccer pundit, psychotherapist and mental-fitness teacher, Recovering is about a life shaped by efforts to escape, and how it is possible to rebuild a life, piece by piece, with the right help. Inspiring and groundbreaking, it is an important reflection on the need to move away from perceptions of shame in our discussions about mental health, sex, relationships and addiction.

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SHORTLISTED FOR TWO IRISH BOOK AWARDS'Something they don't tell you about getting older is that you fall. Oh, you hear about it in passing, of course, "She had a fall, poor thing". Falling is not something you ever think about as a younger woman. You think about falling in love . . .'At 20 Londoner Ann Ingle fell madly in love with an Irish fellow she met on holiday in Cornwall. At the church to arrange their shotgun wedding she discovered that he hadn't even told her his real name.Sixty-odd years later Ann looks back on that first glorious fall and in a series of essays considers what she has learned from the life that followed - bringing eight children into the world, their father's years of mental illness and tragic death at 40, being a cash-strapped single mother in 1980s Dublin, coming into her own in her middle years - going to college, working and writing, and continuing to evolve and learn into her ninth decade, even as she accepts the realities of being 'old'.Candid about everything that matters - love, sex, heartbreak, money, class, religion, mental health, rearing children (and letting them go), reading and writing, ageing - Open-Hearted is a compelling story about living life in a spirit of curiosity and delight and with a willingness to look for good in others._________________________________'By some distance the most courageous, most poignant, most life-affirming memoir I've read in the last twenty years and more' Paul Howard'Genuinely inspirational. I LOVE ANN INGLE' Marian Keyes'What a beautiful openhearted, at times broken-hearted memoir ... honest, funny, searingly direct, a wonderful voice ... remarkable' Joe Duffy'Really beautiful. Searingly honest, astonishingly frank and very, very funny' Maia Dunphy

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Academy Award-winning director Michael Curtiz (1886-1962) - whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) - was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks.In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for his explosive tantrums, his difficulty communicating in English, and his disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction.In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age.

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2022 Winner of the OIV Award in the Oenology categoryAn essential guide to the faults and flaws that can affect wine Written by the award-winning wine expert, Keith Grainger, this book provides a detailed examination and explanation of the causes and impact of the faults, flaws and taints that may affect wine. Each fault is discussed using the following criteria: what it is; how it can be detected by sensory or laboratory analysis; what the cause is; how it might be prevented; whether an affected wine is treatable, and if so, how; and the science applicable to the fault. The incidences of faulty wines reaching the consumer are greater than would be regarded as acceptable in most other industries. It is claimed that occurrences are less common today than in recent recorded history, and it is true that the frequency of some faults and taints being encountered in bottle has declined in the last decade or two. However, incidences of certain faults and taints have increased, and issues that were once unheard of now affect many wines offered for sale. These include ‘reduced’ aromas, premature oxidation, atypical ageing and, very much on the rise, smoke taint. This book will prove invaluable to winemakers, wine technologists and quality control professionals. Wine critics, writers, educators and sommeliers will also find the topics highly relevant. The wine-loving consumer, including wine collectors will also find the book a great resource and the basis for discussion at tastings with like-minded associates.ReviewsI read this book avidly from cover to cover. I’ll dip into it for future reference as required, which is how many will employ it. Meanwhile, I learned a great deal, and it now influences how I think about wine evaluation.I commend this excellent new book to you. Consider it an investment. Paul Howard, Wine Alchemy

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From the post room to the board room, everyone thinks they can be the manager. But how do you manage outrageous talent? What do you do to inspire loyalty from your players? How do you turn around a team in crisis? What’s the best way to build long-term success? How can you lead calmly under pressure? The issues are the same whether you’re managing a Premier League football team or a FTSE 100 company. Here, for the first time, some 30 of the biggest names in football management reveal just what it takes. With their every act, remark, and success or failure under constant scrutiny from the media and the fans, these managers need to be the most adroit of leaders. In The Manager they explain their methods, offer lessons they’ve learned along the way, and describe the decisions they make and the leadership they provide. Each chapter tackles a key leadership issue for managers in any walk of life and, in their own words, shows how the experts deal with the challenges they face in an abnormally high-pressure environment. Offering valuable lessons for business leaders and fascinating behind-the-scenes insights for football fans, The Manager is an honest, accessible and unprecedented look at the day-to-day work of these high-profile characters and the world of top-level football management. Featuring: Roy Hodgson, Carlo Ancelotti, Arsène Wenger, Sam Allardyce, Roberto Mancini, José Mourinho, Brendan Rodgers, Harry Redknapp, Sir Alex Ferguson, Walter Smith, Mick McCarthy, Gerard Houllier, Tony Pulis, Martin O’Neill, Neil Warnock, Howard Wilkinson, Kevin Keegan, Dario Gradi, Andre Villas-Boas, David Moyes, Alex McLeish, Hope Powell, Martin Jol, Glenn Hoddle, Chris Hughton, David Platt, Paul Ince, and George Graham.

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Howard P. Greenwald takes an incisive look at how class, race, sex, psychological state, type of health care, and available treatments affect one’s chance of surviving cancer. Drawing on a ten-year survival study of cancer patients, he synthesizes medical, epidemiological, and psychosocial research in a uniquely interdisciplinary and eye-opening approach to the question of who survives cancer and why. Scientists, health care professionals, philanthropists, government agencies, and the public all agree that significant resources must be allocated to fight this dreaded disease. But what is the most effective way to do it? Greenwald argues that our priorities have been misplaced and calls for a fundamental rethinking of the way the American medical establishment deals with cancer. He asserts that prevention and experimental therapy have only limited value, whereas the availability of conventional medical care has a greater influence on cancer survival. Class and race become strikingly significant in predicting who has access to health care and thus can obtain medical treatment in a timely, effective manner. Greenwald counters the popular notion that personality and psychological factors strongly affect survival, and he underscores the importance of early detection. His research shows that health maintenance organizations, while sometimes prone to delays, offer low-income patients a better chance of ultimate survival. Greenwald pleads for immediate attention to the inadequacies and inequalities in our health care delivery system that deter patients from seeking early medical care. Instead of focusing on research and the hope for a breakthrough cure, Greenwald urges renewed emphasis on ensuring available health care to all Americans. In its challenge to the thrust of much biomedical research and its critique of contemporary American health care, as well as in its fresh and often counterintuitive look at cancer survival, Who Survives Cancer? is invaluable for policymakers, health care professionals, and anyone who has survived or been touched by cancer. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

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