Search results for ""Author "Demi"""

Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.

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At the time of its collapse in 2001, Enron was one of the largest companies in the world, boasting revenue of over $100 billion. During the 1990s economic boom, the Houston, Texas-based energy company had diversified into commodities and derivatives trading and many other ventures—some more legal than others. In the lead-up to Enron's demise, it was revealed that the company's financial success was sustained by a creatively planned and well-orchestrated accounting fraud. The story of Enron and its disastrous aftermath has since become a symbol of corporate excess and negligence, framed as an exceptional event in the annals of American business. With Risk and Ruin, Gavin Benke places Enron's fall within the larger history and culture of late twentieth-century American capitalism. In many ways, Benke argues, Enron was emblematic of the transitions that characterized the era. Like Enron, the American economy had shifted from old industry to the so-called knowledge economy, from goods to finance, and from national to global modes of production. Benke dives deep into the Enron archives, analyzing company newsletters, board meeting minutes, and courtroom transcriptions to chart several interconnected themes across Enron's history: the changing fortunes of Houston; the shifting attitudes toward business strategy, deregulation, and the function of the market among policy makers and business leaders; and the cultural context that accompanied and encouraged these broader political and economic changes. Considered against this backdrop, Enron takes on new significance as a potent reminder of the unaddressed issues still facing national and global economies. Published in cooperation with the William P. Clements Center for Southwest Studies at Southern Methodist University.

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THE MOST DANGEROUS WEAPON IS A PAST SCORNED Thomas Quinn is a sorcerer haunted by the memories of the things he's done over centuries of service to the Arcanum. From battling djinn to killing demigods and dragons, the scars and nightmares have left him a broken man. He has long retired from that life, running an occult shop in Philadelphia for the past several decades, wanting nothing more than to be left alone with his books and his whiskey and his shame. But when two detectives come to his door asking about a brutal ritual murder in his city, Quinn must reluctantly take up the mantle of a Sorcerer of the Arcanum once more, and face down those who would threaten the fragile peace between the human and magical worlds. His investigation takes him from the streets of Philadelphia to the court of a Faerie King as he races to stop the apocalypse. Thomas Quinn was prepared to fight rogue sorcerers and Fae monsters. But the greatest threat he faces may be his own inner demons. . . .

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In 1955, Ngo Dinh Diem organized an election to depose chief-of-state Bao Dai, after which he proclaimed himself the first president of the newly created Republic of Vietnam. The United States sanctioned the results of this election, which was widely condemned as fraudulent, and provided substantial economic aid and advice to the RVN. Because of this, Diem is often viewed as a mere puppet of the United States, in service of its Cold War geopolitical strategy. That narrative, Jessica M. Chapman contends in Cauldron of Resistance, grossly oversimplifies the complexity of South Vietnam's domestic politics and, indeed, Diem's own political savvy. Based on extensive work in Vietnamese, French, and American archives, Chapman offers a detailed account of three crucial years, 1953–1956, during which a new Vietnamese political order was established in the south. It is, in large part, a history of Diem's political ascent as he managed to subdue the former Emperor Bao Dai, the armed Hoa Hao and Cao Dai religious organizations, and the Binh Xuyen crime organization. It is also an unparalleled account of these same outcast political powers, forces that would reemerge as destabilizing political and military actors in the late 1950s and early 1960s. Chapman shows Diem to be an engaged leader whose personalist ideology influenced his vision for the new South Vietnamese state, but also shaped the policies that would spell his demise. Washington's support for Diem because of his staunch anticommunism encouraged him to employ oppressive measures to suppress dissent, thereby contributing to the alienation of his constituency, and helped inspire the organized opposition to his government that would emerge by the late 1950s and eventually lead to the Vietnam War.

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The democratic election of Nelson Mandela as president of South Africa in 1994 marked the demise of apartheid and the beginning of a new struggle to define the nation’s past. History after Apartheid analyzes how, in the midst of the momentous shift to an inclusive democracy, South Africa’s visual and material culture represented the past while at the same time contributing to the process of social transformation. Considering attempts to invent and recover historical icons and narratives, art historian Annie E. Coombes examines how strategies for embodying different models of historical knowledge and experience are negotiated in public culture—in monuments, museums, and contemporary fine art.History after Apartheid explores the dilemmas posed by a wide range of visual and material culture including key South African heritage sites. How prominent should Nelson Mandela and the African National Congress be in the museum at the infamous political prison on Robben Island? How should the postapartheid government deal with the Voortrekker Monument mythologizing the Boer Trek of 1838? Coombes highlights the contradictory investment in these sites among competing constituencies and the tensions involved in the rush to produce new histories for the “new” South Africa. She reveals how artists and museum officials struggled to adequately represent painful and difficult histories ignored or disavowed under apartheid, including slavery, homelessness, and the attempted destruction of KhoiSan hunter-gatherers. Describing how contemporary South African artists address historical memory and the ambiguities uncovered by the Truth and Reconciliation Commission, Coombes illuminates a body of work dedicated to the struggle to simultaneously remember the past and move forward into the future.

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The electric power industry has been transformed over the past forty years, becoming more reliable and resilient while meeting environmental goals. A big question now is how to prevent backsliding.Pollution, Politics, and Power tells the story of the remarkable transformation of the electric power industry over the last four decades. Electric power companies have morphed from highly polluting regulated monopolies into competitive, deregulated businesses that generate, transmit, and distribute cleaner electricity. Power companies are investing heavily in natural gas and utility-scale renewable resources and have stopped building new coal-fired plants. They facilitate end-use efficiency and purchase excess electricity produced by rooftop solar panels and backyard wind turbines, helping to reduce greenhouse-gas emissions.But these beneficial changes have come with costs. The once-powerful coal industry is on the edge of ruin, with existing coal-fired plants closing and coal mines shutting down. As a result, communities throughout Appalachia suffer from high unemployment and reduced resources, which have exacerbated a spiraling opioid epidemic. The Trump administration’s efforts to revive the coal industry by scaling back environmental controls and reregulating electricity prices have had little effect on the coal industry’s decline.Major advances therefore come with warning signs, which we must heed in charting the continuing course of sustainable electricity. In Pollution, Politics, and Power, Thomas O. McGarity examines the progress made, details lessons learned, and looks to the future with suggestions for building a more sustainable grid while easing the economic downsides of coal’s demise.

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'A hugely entertaining Victorian mystery' New York Times'I enjoyed this - properly creepy and Gothic' Ian Rankin1889. The Scottish Play is coming home.But before the darling couple of London theatre, Henry Irving & Ellen Terry, take their acclaimed Macbeth to the Edinburgh stage terror treads the boards. A grisly message found smeared across the cobbles in blood, foretelling someone's demise. As the bloody prophecies continue to appear Edinburgh's own beloved pair - Detective 'Nine-Nails' McGray & Inspector Ian Frey - enter the scene. Frey scoffs at this blatant publicity stunt, while McGray is convinced of supernatural affairs. As they scrutinise the key players, they discover that Terry, Irving, and his peculiar, preoccupied assistant (one Bram Stoker) all have reasons to kill, or be killed...But one thing is clear. By occult curse or human hand, death will take bow the night the curtain rises.Praise for the Frey & McGray series:'I enjoyed this - properly creepy and Gothic' Ian Rankin'A hugely entertaining Victorian mystery' New York Times'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch' Manda Scott'Fun to read and a fast page-turner. Love and murder - they go together like strawberries and cream' Independent'A brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written ... Everything you need in a mystery thriller' Crime Review'Fast-paced, well-researched and thoroughly spellbinding. The mismatched pair is as entertaining as Holmes and Watson at their best' Historical Novel Society

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Written from the perspective of a Technical Project Manager, this study presents a scenario for a complete “shift left” software development effort. It brings considerations for Test and Support as early as the Inception Stage. Based on an innovative model - Development Process Activity Cycles (DPAC) - this representation allows visualization of progress including recursive activities. The model is based on an interpretation of the Deming quality cycle of Plan Do, Check Act (PDCA). Periodic Management reports are generated using configuration management data generated during the Act phase of each iteration. There is no Test stage in the DPAC model; Test is represented in the back swing Check Phase of each iteration.This approach allows the user or Subject Mater Expert (SME) to contemplate the face of the system through several iterations of design and development, using the triad principle (“Power of Three”) matching a programmer, tester and member of the user community This approach incrementally reveals the best fit to the intent of the vision statement and iteratively uncovers the needs of the user while maintaining conceptual integrity. This book provides a holistic and comprehensible view of the entire development process including ongoing evolution and support, staffing, and establishment of a comprehensive quality engineering program. It describes activity inside the “belly of the beast.” By including support services as a part of the development model a complete return on investment (ROI) can be calculated and a value stream can be measured over the entire Application Life Cycle.You will· See how the various disciplines constituting the software development process come together· Understand where in the iterative development process progress can be measured and control exercised· Review how a quality engineering program will positively affect the quality of the development process· Examine how the quality of the development process profoundly affects the quality of the software systemWho this book is forIntended for a technical audience, this work should be of interest to all technical personnel including analysts, programmers, test and production, especially mid level managers and anyone familiar with the principles of a Lean, Agile approach to development.

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"A volume for a lifetime" is how The New Yorker described the first of Donald Culross Peatie's two books about American trees published in the 1950s. In this one-volume edition, modern readers are introduced to one of the best nature writers of the last century. As we read Peattie's eloquent and entertaining accounts of American trees, we catch glimpses of our country's history and past daily life that no textbook could ever illuminate so vividly. Here you'll learn about everything from how a species was discovered to the part it played in our country's history. Pioneers often stabled an animal in the hollow heart of an old sycamore, and the whole family might live there until they could build a log cabin. The tuliptree, the tallest native hardwood, is easier to work than most softwood trees; Daniel Boone carved a sixty-foot canoe from one tree to carry his family from Kentucky into Spanish territory. In the days before the Revolution, the British and the colonists waged an undeclared war over New England's white pines, which made the best tall masts for fighting ships. It's fascinating to learn about the commercial uses of various woods -- for paper, fine furniture, fence posts, matchsticks, house framing, airplane wings, and dozens of other preplastic uses. But we cannot read this book without the occasional lump in our throats. The American elm was still alive when Peattie wrote, but as we read his account today we can see what caused its demise. Audubon's portrait of a pair of loving passenger pigeons in an American beech is considered by many to be his greatest painting. It certainly touched the poet in Donald Culross Peattie as he depicted the extinction of the passenger pigeon when the beech forest was destroyed. A Natural History of North American Trees gives us a picture of life in America from its earliest days to the middle of the last century. The information is always interesting, though often heartbreaking. While Peattie looks for the better side of man's nature, he reports sorrowfully on the greed and waste that have doomed so much of America's virgin forest.

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Arthur Goodzeit AwardFor seven weeks in 1929, the Republic of China and the Soviet Union battled in Manchuria over control of the Chinese Eastern Railroad. It was the largest military clash between China and a Western power ever fought on Chinese soil, involving more that a quarter million combatants. Michael M. Walker's The 1929 SinoSoviet War is the first full account of what UPI's Moscow correspondent called 'the war nobody knew' a 'limited modern war' that destabilized the region's balance of power, altered East Asian history, and sent grim reverberations through a global community giving lip service to demilitarizing in the wake of World War I.Walker locates the roots of the conflict in miscalculations by Chiang Kaishek and Chang Hsuehliang about the Soviets' political and military power-flawed assessments that prompted China's attempt to reassert full authority over the CER. The Soviets, on the other hand, were dominated by a Stalin eager to flex some military muscle and thoroughly convinced that war would win much more than petty negotiations. This was in fact, Walker shows, a watershed moment for Stalin, his regime, and his still young and untested military, disproving the assumption that the Red Army was incapable of fighting a modern war. By contrast, the outcome revealed how unprepared the Chinese military forces were to fight either the Red Army or the Imperial Japanese Army, their other primary regional competitor. And yet, while the Chinese commanders proved weak, Walker sees in the toughness of the overmatched infantry a hint of the rising nationalism that would transform China's troops from a mercenary army into a formidable professional force, with powerful implications for an overconfident Japanese Imperial Army in 1937.Using Russian, Chinese, and Japanese sources, as well as declassified US military reports, Walker deftly details the war from its onset through major military operations to its aftermath, giving the first clear and complete account of a little known but profoundly consequential clash of great powers between the World Wars.

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Nothing could hold back the Mississippi that summer. Jackson Island, which jutted up out of the river as an overgrown sand bar, was completely submerged. The island, immortalized by Mark Twain, wasn't very big to begin with, though Huckleberry Finn and Jim found it to be plenty. Water was what people talked about, worried over, and watched. Upstream and downstream, levees busted by force and sabotage. The river's to blame. When you grow up on the banks in Hannibal, Missouri, you need an escape route. You never know when the water is going to rise and you have to run.Laura Brooks has come home to Hannibal: a place that ten years ago she couldn't wait to leave. Growing up she felt stifled in this town ruled by its past, its hokey devotion to everything Twain, the small-mindedness of its inhabitants, and the rich/poor divide that runs as deep as the Mississippi River. What really drove her away, though, was the complicated demise of her love affair with Sammy, that fateful 4th of July when the levees broke. Laura hasn't kept much in touch with Hannibal since she fled, and her family - her lottery-playing, chicken-keeping Mama, her sweet deadbeat brother Trey, and no-nonsense Aunt Betty, hairdresser and cookie-baker extraordinaire - don't know what to make of it when Laura turns up all but unannounced. Things haven't been going so well for Laura in her grown-up life in Florida, and while she claims she's just home for a brief trip to take in Hannibal's high school reunion, she's carrying way too much luggage for that: literal and metaphorical. As Laura gets embroiled in small-town goings-on once more - such as her godson's campaign to be crowned this year's Tom Sawyer- Laura starts to heal from recent wounds. But when Sammy reappears on the scene, a deeper wound threatens to reopen. Now, with the Mississippi rising, her high school reunion looming, and a second chance at love, Laura wonders if running away again might be the only answer.

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In a secluded valley high in the Andes Mountains, long before thetime of the Incas and the Aztecs, the empire of the Aymara rosefrom the shores of Lake Titicaca and flourished for nearly athousand years. The secrets of the Aymara civilization, one of thefirst great empires of the Americas, have only recently beendeciphered from the haunting ruins of their splendid temples, amongwhich their contemporary descendants still live and worktoday. In Valley of the Spirits, Alan Kolata takes us deep into themystical world of the Aymara, where past and present come togetherand the spirits of ancient ancestors still speak to shamans in thevoices of mountain springs. Kolata's unique knowledge of the Aymarais based on 17 years of research at the site of the ancientempire. Its crown jewel was the dazzling ancient capital of Tiahuanaco,whose gold and silver-appointed temples and "monumental stonesculptures intensified the mythic aura of the city, imbuing it witha quality of the supernatural." From A.D. 400-1100, it was thespiritual center of the Andean world. According to Aymara myth, thecreator god Viracocha brought man to life from the springs androcks of Tiahuanaco's sacred landscape. The city's rich symbolism linked man inextricably to the majesticplan--and the cyclical fates--of nature. Royal priests performedelaborate animal and human sacrifices and buried human trophy headsand the mummified remains of Aymara kings in lavish religiouspageants. So impressive was the legacy of Tiahuanaco that the Incarulers claimed descent from the Aymara kings more than 500 yearsafter the empire's mysterious catastrophic demise. Kolata deciphers the mysteries of the ancient monuments, from themassive Akapana pyramid, the symbol of sacred mountains, and offertility and abundance, to the imposing archway known as theGateway of the Sun, among the most exquisite artistic monuments ofthe ancient Americas. And he takes us into the contemporary worldof the Aymara as well, where shamans recite the names of ancestralspirits in a hypnotic protocol of remembrance and homage to LadyEarth and Lord Sky. "To anyone fascinated by the total experience of humans, to anyonewho wishes to go beyond the familiar world, to anyone wanting topush the envelope of their own perceptions, a sojourn into the mindand history of the Aymara is disturbing, exhilarating, andultimately unforgettable."--Alan Kolata, in his Introduction toValley of the Spirits

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The Drum Tower is Farnoosh Moshiri's fourth work of fiction concerned with the deleterious effects of the Iranian Revolution of 1979. This novel, told by a mentally ill, 16-year-old girl, depicts the fall of Drum Tower, the house of a family descended from generations of War Ministers. Rich in characters-Talkhoon, who struggles to control the winds she hears inside her head and who tells the story; Assad, a man made evil by his love for her; Anvar Angha, Talkhoon's grandfather who has devoted his life to writing a book about the Simorgh (the mythical bird of knowledge; the Persian Phoenix) but never completes it; Soraya, Talkhoon's mother, whom we never meet but about whom myriad and contradictory stories abound-and rich in family secrets, this novel chronicles the early days of the revolution, the ruthlessness and opportunism of the competing factions, the rise of the Revolutionary Guard, the chaos and murder in the streets of Tehran, the arrests and executions, as experienced by the members of this family. The Drum Tower may be compared, favorably, to Gone with the Wind. It has already won two Barbara Deming Memorial Fund Fiction Awards and a Black Heron Press Award for Social Fiction. It has been licensed to the United Kingdom's Sandstone Press which will publish the British Commonwealth edition simultaneous with the Black Heron Press edition.

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Anne Boleyn’s unconventional beauty inspired poets - and she so entranced Henry VIII with her wit, allure and style that he was prepared to set aside his wife of over twenty years and risk his immortal soul. Her sister had already been the king’s mistress, but the other Boleyn girl followed a different path. For years the lovers waited; did they really remain chaste? Did Anne love Henry, or was she a calculating femme fatale? Eventually replacing the long-suffering Catherine of Aragon, Anne enjoyed a magnificent coronation and gave birth to the future Queen Elizabeth, but her triumph was short-lived. Why did she go from beloved consort to adulteress and traitor within a matter of weeks? What role did Thomas Cromwell and Jane Seymour of Wolf Hall play in Anne’s demise? Was her fall one of the biggest sex scandals of her era, or the result of a political coup? With her usual eye for the telling detail, Amy Licence explores the nuances of this explosive and ultimately deadly relationship to answer an often neglected question: what choice did Anne really have? When she writes to Henry during their protracted courtship, is she addressing a suitor, or her divinely ordained king? This book follows Anne from cradle to grave and beyond. Anne is vividly brought to life amid the colour, drama and unforgiving politics of the Tudor court.

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'Rich and rewarding' Wall Street JournalIt is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair. In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. It's never been a relationship of equals: from Churchill's desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the world's greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fool's gold. And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationship's demise.

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The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyseés, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death—the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements. Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players—reporters, police detectives, doctors, and magistrates—who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France.

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Why Stories Matter is a powerful critique of the stories that feminists tell about the past four decades of Western feminist theory. Clare Hemmings examines the narratives that make up feminist accounts of recent feminist history, highlights the ethical and political dilemmas raised by these narratives, and offers innovative strategies for transforming them. Drawing on her in-depth analysis of feminist journals, such as Signs, Feminist Review, and Feminist Theory, Hemmings argues that feminists portray the development of Western feminism through narratives of progress, loss, and return. Whether celebrating the move beyond unity or identity, lamenting the demise of a feminist political agenda, or proposing a return to a feminist vision from the past, by advancing these narratives feminists construct a mobile “political grammar” too easily adapted for postfeminist agendas. Hemmings insists that it is not enough for feminist theorists to lament what is most often perceived as the co-optation of feminism in global arenas. They must pay attention to the amenability of their own stories, narrative constructs, and grammatical forms to broader discursive uses of gender and feminism if history is not simply to repeat itself. Since citation practices and the mobilization of affect are central to how the narratives of progress, loss, and return persuade readers to suspend disbelief, they are also potential keys to telling the story of feminism’s past, present, and future differently.

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The Southampton Speedway team was one of the founder members of the first speedway league in 1929. Indeed, it was the Southampton promoter at the time, George 'Jimmy' Baxter, who had the idea that dirt-track racing - as it was then called - needed competitive league racing, consisting of teams with which fans could identify, to remain popular. This collection of team groups, action photographs, portraits and other memorabilia compiled by Paul Eustace, charts the history of speedway at Banister Court Stadium from the pioneer days of 1928 to its sad demise in 1963. Special mention is made of Charlie Knott, the 'Guv'nor' as he was fondly known, who was the man behind Southampton Speedway. With his fellow directors and loyal workforce, he brought the best of speedway entertainment to the Hampshire Public. Many of speedway's biggest names wore the Saints' race jacket and are included in the book. Rider such as 'Sprouts' Elder, Jack and Norman Parker, Phil Bishop, Alec Stratham, Cordy Milne, Gus Kuhn, Dicky Smythe, Les Wotton, Dick Bradley, Brian Crutcher, 'Split' Waterman, Geoff Mardon, Bjorn Knutsson, Olle Nygren, Cyril Roger and Barry Briggs brought the thrills to thousands at Banister Court, as did many local favourites who are also featured. This book, with over two hundred illustrations and accompanying text, is sure to revive memories for Saints fans and will also be of great interest to all speedway enthusiasts.

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A CHOICE OUTSTANDING ACADEMIC TITLE The White Lotus War (1796–1804) in central China marked the end of the Qing dynasty’s golden age and the fatal weakening of the imperial system itself. What started as a local rebellion grew into a serious political crisis, as the central government was no longer able to operate its military machine. Yingcong Dai’s comprehensive investigation reveals that the White Lotus rebels would have remained a relatively minor threat, if not for the Qing’s ill-managed response. Dai shows that the officials in charge of the suppression campaign were half-hearted about the fight and took advantage of the campaign to pursue personal gains. She challenges assumptions that the Qing relied upon local militias to exterminate the rebels, showing instead that the hiring of civilians became a pretext for misappropriation of war funds, resulting in the devastatingly high cost of the war. The mishandled demilitarization of the militiamen prolonged the hostilities when many of the dismissed troops turned into rebels themselves. The war’s long-term impact presaged the beginning of the disintegration of the Qing in the mid-nineteenth century and eruptions of the Taiping Rebellion and other uprisings. The White Lotus War will interest students and scholars of late imperial and modern Chinese history, as well as history buffs interested in the warfare of the early modern world.

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Billy Wilder's Sunset Boulevard was a critical and commercial success on its release in 1950 and remains a classic of film noir and one of the best-known Hollywood films about Hollywood. Both its opening, with William Holden as the screenwriter Joe Gillis floating facedown in ageing star Norma Desmond's (Gloria Swanson) pool, and lines such as 'I am big, it's the pictures that got small' are some of the most memorable in Classical Hollywood cinema. Steven Cohan's study of the film draws on original archival research to shed new light on the film's production history, and the contribution to the film's success and meanings of director Wilder, stars Holden and Swanson but also supporting actors Erich von Stroheim, Nancy Olson (who plays Betty Schaefer), Cecil B. DeMille, and Hedda Hopper, as well as costumier Edith Head, and composer Franz Waxman. Cohan considers the film both as a 'backstudio' picture (a movie about Hollywood) and as a film noir, and in the context of McCarthyism, blacklisting and the Hollywood Ten. Cohan explores how the film was marketed, its reception and afterlife, tracing how the film is at once a product of its own particular historical moment as the movie industry was transitioning out of the studio era, yet one that still speaks powerfully to contemporary audiences, and speculates on the reasons for its enduring appeal.

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Among early Hollywood's most renowned film makers, Lois Weber was considered one of the era's three great minds" alongside D W Griffith and Cecil B DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber's remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema's power to engage topical issues for popular audiences. Her work grappled with the profound changes in women's lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female film makers who had played a part in early Hollywood's bid for respectability were in the end written out of that industry's history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early film making in Los Angeles, and women's contributions to American culture.

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'Superior crime fiction set in Iceland' The Times'As chilling as an Icelandic winter' S. J. BoltonWhen a shipowner is found dead, tied to a bed in one of Reykjavik's smartest hotels, Sergeant Gunnhildur sees no evidence of foul play. However, she still suspects things are not as cut and dried as they seem and, as she investigates the shipowner's untimely demise, she stumbles across a discreet bondage society whose members are being systematically exploited and blackmailed.But how does all this connect to a local gangster recently returned to Iceland after many years abroad, and the unfortunate loss of a government laptop containing sensitive data about various members of the ruling party? What begins as a straightforward case for Gunnhildur soon explodes into a dangerous investigation, uncovering secrets that ruthless men are ready to go to violent extremes to keep.The third dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates:'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir'A perfect book to curl up with in front of the fire' The Bookbag'Well written and absorbing' Woman's Way'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist'[A] crackling fiction debut ... palpable authenticity' Publishers Weekly'A superb new series' Eurocrime

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The railway lines of the heavily industrialised Black Country were of considerable commercial importance to the fortunes of the Great Western Railway and its successor, the Western Region of British Railways. Nevertheless, they received little attention from both photographers of the railway scene and contemporary railway publishers alike. Perhaps understandably, photographers, particularly in the post-war austerity years, chose to eschew the grimy industrial landscape of North West Worcestershire and South East Staffordshire and save their expensive film stock for more idyllic scenery elsewhere. The book seeks to redress that previous lack of attention, by presenting a significant selection of hitherto unpublished photographs, principally by locally based enthusiasts, accompanied by informative captions. Throughout the period from nationalisation to the ultimate demise of steam it follows the respective former GW routes through the region in a logical manner, depicting the wide variety of the locomotive power employed to haul the diverse traffic generated by the local industry, and the sidings and yards that served it. Coverage is also given to local locomotive running sheds and maintenance facilities. Most of the featured lines have now closed, as is also true of much of the heavy industry. A resident from the immediate post-war years would find the area unrecognisable, but it is to be hoped that the book will rekindle memories of a landscape now lost forever.

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Tempus Rerum Imperator: Time, Emperor of All Things1758. England is embroiled in a globe-spanning conflict that stretches from her North American colonies to Europe and beyond. Across the Channel, the French prepare for an invasion — an invasion rumored to be led by none other than Bonnie Prince Charlie. It seems the map of Europe is about to be redrawn. Yet behind these dramatic scenes, another war is raging - a war that will determine not just the fate of nations but of humanity itself...Daniel Quare is a journeyman in an ancient guild, The Worshipful Company of Clockmakers. He is also a Regulator, part of an elite network within the guild devoted to searching out and claiming for England's exclusive use any horological innovation that could give them an upperhand, whether in business or in war. Just such a mission has brought Quare to the London townhouse of eccentric collector, Lord Wichcote. He seeks a pocket watch rumoured to possess seemingly impossible properties that are more to do with magic than with any science familiar to Quare or to his superiors. And the strange timepiece has attracted the attention of others as well: the mysterious masked thief known only as Grimalkin, and a deadly French spy who stop at nothing to bring the prize back to his masters. Soon Quare finds himself on a dangerous trail of intrigue and murder that leads far from the world he knows into an otherwhere of dragons and demigods, in which nothing is as it seems . . . time least of all.

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Soundings was first published in 1969. It was intended as an ‘interim’ anthology of poetry for the Leaving Certificate until such time as a more permanent volume could be devised. Twenty six years later it was replaced. In the meantime it had passed through the hands of hundreds of thousands of students in Ireland. Soundings might have been replaced but it was never fully forgotten. Old copies ended up with an individual personality honed out of manual annotations and thoughts, not all of them provided by the teacher. Scrawls in biro or pencil testified to the thoughts and daydreams many users. A surprising number of copies ended up in attics only to be rediscovered with delight many years later and to be given treasured status in new homes. One former student recalled how Soundings was the first school book to treat her as an adult. It made no concessions to the ‘teenager’. It didn’t patronise. Its imagery was entirely in the poetry. The typography was appalling but the cover design still resonates. A decade after its demise, second hand copies of Soundings were fetching surprising prices. It was widely discussed in chat-rooms on the web. There were increasing demands for a reprint. So here is Soundings, in its original form just as you remember it. The same stony grey soil of Patrick Kavanagh’s Monaghan; T.S.Eliot’s same women who come and go talking of Michaelangelo. Please enjoy once more!

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The idea of the sword-wielding samurai, beholden to a strict ethical code and trained in deadly martial arts, dominates popular conceptions of the samurai. As early as the late seventeenth century, they were heavily featured in literature, art, theater, and even comedy, from the Tale of the Heike to the kabuki retellings of the 47 Ronin. This legacy remains with us today in the legendary Akira Kurosawa films, the shoguns of HBO's Westworld, and countless renditions of samurai history in anime, manga, and video games. Acknowledging these common depictions, this book gives readers access to the real samurai as they lived, fought, and served. Much as they capture the modern imagination, the samurai commanded influence over the politics, arts, philosophy and religion of their own time, and ultimately controlled Japan from the fourteenth century until their demise in the mid-nineteenth century. On and off the battlefield, whether charging an enemy on horseback or currying favor at the imperial court, their story is one of adventures and intrigues, heroics and misdeeds, unlikely victories and devastating defeats. This book traces the samurai throughout this history, exploring their roles in watershed events such as Japan's invasions of Korea at the close of the sixteenth century and the Satsuma Rebellion of 1877. Coming alive in these accounts are the samurai, both famed and ordinary, who shaped Japanese history.

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Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance. On 3 September 1984 a bloody uprising set the African townships of the Vaal Triangle aflame. Triggered by dissatisfaction over rent increases and a local government that was failing to provide any meaningful political power or social transformation to the black majority, it heralded the insurrectionary period that was to profoundly challenge the administrative and coercive capacities of the apartheid state and greatly contribute towards its demise. Led by a broad coalition of civic organisations, student bodies and trade unions, nationwide protests followed demanding a new political and social order. By the mid-1980s the ideological influence of the African National Congress (ANC) had established its hegemony among township activists and was regarded as the main force in the liberation struggle. Arguing that liberation from poverty and inequality played as significant role in driving the struggle against apartheid as political rights, Rueedi shows how the enactment of the ideals of the 1955 Freedom Charter during the insurrectionary period shaped how communities understood liberation and freedom, both during and after apartheid. She explores the ways in which the establishment and subsequent failure of the model townships was intertwined with struggles for social transformation and dignity; investigates the links between underground networks of the ANC and above ground community structures; and examines how increasing state repression fuelled militancy and political violence, leading to an impasse that signalled the beginning of the end of the apartheid regime.

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2023WINNER OF THE CUNDILL HISTORY PRIZE 2023SHORTLISTED FOR THE BRITISH ACADEMY PRIZE FOR NON-FICTION 2023A SUNDAY TIMES BOOK OF THE YEARA BBC RADIO 4 BOOK OF THE WEEKAn indelible exploration of the Cultural Revolution and how it shapes China today, Red Memory uncovers forty years of silence through the rarely heard stories of individuals who lived through Mao's decade of madness.'Very good and very instructive.' MARGARET ATWOOD'Written with an almost painful beauty.' JONATHAN FREEDLAND'Took my breath away.' BARBARA DEMICK'Haunting.' OLIVER BURKEMAN'A masterpiece.' JULIA LOVELLA 13-year-old Red Guard revels in the great adventure, and struggles with her doubts. A silenced composer, facing death, determines to capture the turmoil. An idealistic student becomes the 'corpse master' . . .More than fifty years on, the Cultural Revolution's scar runs through the heart of Chinese society, and through the souls of its citizens. Stationed in Beijing for the Guardian, Tania Branigan came to realise that this brutal and turbulent decade continues to propel and shape China to this day. Yet official suppression and personal trauma have conspired in national amnesia: it exists, for the most part, as an absence.Red Memory explores the stories of those driven to confront the era, who fear or yearn for its return. What happens to a society when you can no longer trust those closest to you? What happens to the present when the past is buried, exploited or redrawn? And how do you live with yourself when the worst is over?

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Nothing says more about a culture than the way it responds to deeply traumatic events. The Reign of Terror, America's Civil War, the Holocaust, Hiroshima and Nagasaki, the Kennedy assassination, September 11th-watershed moments such as these can be rich sounding boards for the cultural historian patient enough to tease out the traumatic event's complex cultural resonances. This book is about one such moment in the history of modern France. The so-called Terrible Year began with the French army's crushing defeat at Sedan and the fall of the Second Empire in September of 1870, followed by the Prussian occupation of France and first siege of Paris in the fall and winter of that year. But no event of the period proved so deeply traumatic as the Paris Commune of 1871 and the bloody reprisals that attended its demise. Commemorating Trauma engages the rich body of recent scholarly work on cultural trauma to examine a curious conundrum. Why do French literary, historical and philosophical texts written in the aftermath of the Paris Commune so often employ the trope of confusion (in both the phenomenal and cognitive senses of that term) to register and work through the historical traumas of the Terrible Year? And how might these representations of confusion both reflect and inflect the confusions inherent to an ongoing process of social upheaval evident in late nineteenth-century France-a process whose benchmarks include democratization and the blurring of social classes, a persistent and evolving revolutionism, radical reconfigurations of the city as lived environment, and the development of specifically capitalist logics of commerce? These are the two principal questions addressed in this important study of cultural memory.

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When Princeton anthropologist John Borneman arrived in Syria's second-largest city in 2004 as a visiting Fulbright professor, he took up residence in what many consider a "rogue state" on the frontline of a "clash of civilizations" between the Orient and the West. Hoping to understand intimate interactions of religious, political, and familial authority in this secular republic, Borneman spent much time among different men, observing and becoming part of their everyday lives. Syrian Episodes is the striking result. Recounting his experience of living and lecturing in Aleppo, Syria's second-largest city, John Borneman offers deft, first-person stories of the longings and discontents expressed by Syrian sons and fathers, as well as a prescient analysis of the precarious power held by the regime, its relation to domestic authority, and the conditions of its demise. Combining literary imagination and anthropological insight, the book's discrete narratives converge in an unforgettable portrait of contemporary culture in Aleppo. We read of romantic seductions, rumors of spying, the play of light in rooms, the bargaining of tourists in bazaars, and an attack of wild dogs. With unflinching honesty and frequent humor, Borneman describes his encounters with students and teachers, customers and merchants, and women and families, many of whom are as intrigued with the anthropologist as he is with them. Refusing to patronize those he meets or to minimize his differences with them, Borneman provokes his interlocutors, teasing out unexpected confidences, comic responses, and mutual misunderstandings. He engages the curiosity and desire of encounter and the possibility of ethical conduct that is willing to expose cultural differences. Combining literary imagination and anthropological insight, Syrian Episodes offers an unforgettable portrait of contemporary culture in Aleppo.

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Intellectuals since the Industrial Revolution have been obsessed with whether, when, and why capitalism will collapse. This riveting account of two centuries of failed forecasts of doom reveals the key to capitalism’s durability.Prophecies about the end of capitalism are as old as capitalism itself. None have come true. Yet, whether out of hope or fear, we keep looking for harbingers of doom. In Foretelling the End of Capitalism, Francesco Boldizzoni gets to the root of the human need to imagine a different and better world and offers a compelling solution to the puzzle of why capitalism has been able to survive so many shocks and setbacks.Capitalism entered the twenty-first century triumphant, its communist rival consigned to the past. But the Great Recession and worsening inequality have undermined faith in its stability and revived questions about its long-term prospects. Is capitalism on its way out? If so, what might replace it? And if it does endure, how will it cope with future social and environmental crises and the inevitable costs of creative destruction? Boldizzoni shows that these and other questions have stood at the heart of much analysis and speculation from the early socialists and Karl Marx to the Occupy Movement. Capitalism has survived predictions of its demise not, as many think, because of its economic efficiency or any intrinsic virtues of markets but because it is ingrained in the hierarchical and individualistic structure of modern Western societies.Foretelling the End of Capitalism takes us on a fascinating journey through two centuries of unfulfilled prophecies. An intellectual tour de force and a plea for political action, it will change our understanding of the economic system that determines the fabric of our lives.

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Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment.This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.

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The United States has struggled to define its approach to what has been termed the 'information battlefield' since the dawn of the information era. Yet with the outbreak of the war on terrorism, the United States is being violently challenged to take a position and react to militants' use of emerging information technology. Ideological demigods operating against the United States now have unprecedented channels by which to disseminate their message to those uncertain, sympathetic, or actively engaged in their philosophy. From the caves of southeastern Afghanistan to the streets of Baghdad, 'the message' has dominated the thinking of those who perpetrate horrific acts of violence, whether in the name of ideology, ethnic and sectarian partisanship, or religion. This book seeks to illuminate the uses of information in armed conflict by juxtaposing the views of those who engage in manipulating information against the historic context. The anthology is divided into four sections: geopolitical, strategic, operational, and tactical. The geopolitical perspective is that dominated by world politics, diplomacy, and the elements of national power excluding military force. The strategic view examines where the violence has begun and the military element of power that has become a major contributing factor. The operational perspective handles the campaigns to accomplish a specific purpose on the world stage - for example, the Iraq campaign. Finally, the tactical level takes into account the individual and the individual clashes within the campaigns at issue. Because the nexus of information conflict is most easily viewed in the world's contemporary violent confrontations, this anthology is heavily weighted toward military personnel who have managed these difficult issues.

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Looks at a young man, straight out of school, who fought in the East African campaign in 1916. It outlines the depiction of the equatorial environment and the health challenging conditions under which the war was fought. Is a gripping story of war, intrigue, romance, humour and spiritual awakening. The year is 1916, and, at age 19 Ritchie is launched into a world conflict that he doesn’t fully comprehend. It is a time when the opposing sides in World War 1 are European countries that have drawn on their colonies to assist in their continental dispute. Ritchie volunteers for service in East Africa, and, although excited by the prospects of a great adventure, soon begins to feel like a pawn in a game of chess that is being manipulated by external forces to their own advantage. The intolerable conditions of the East African campaign, where more soldiers died of dysentery and malaria than of battle wounds, revives memories of his traumatic experience as a 5-year old when he and his Irish-born mother were incarcerated in an Anglo Boer War British concentration camp. It was to be the strong bond between mother and son, along with her indomitable spirit that kept him alive in an environment of insurmountable human suffering, disease and hunger. But it was a bond that was to be sorely tested and ultimately broken by circumstances which come back to haunt him as he retreats inwards after a near-death experience during the war in German East Africa. On his return from the war, he sets out to discover the truth about his mother that leads him into a dangerous encounter with kidnappers and criminals, and a liaison with a woman who was indirectly responsible for his mother’s downfall and demise.

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Understanding associations in the Greco-Roman world enhances the study of the rise of early Christianity—whether at the micro-level of interpreting particular texts or at the macro-level of assessing the spread of Christ-devotion in the pre-Constantinian era. The twenty-five contributions contained within Greco-Roman Associations, Deities, and Early Christianity enlarge our perspectives on the extent to which Greco-Roman associations bring features of Christian origins into relief.Thematic studies include associational social reputation; women in associations; deities and devotion; financial strategies of group maintenance; care for the poor; varieties of group identity; refinements of terminological and conceptual apparatus; funerary practices; occupational groups; and the alleged role of Christianity in the demise of associations. Studies of particular phenomena include 1 Thessalonians, 1 Corinthians, Paul's Collection, Hebrews, a late first-century Christian family, 1 Clement, and Clement of Alexandria.While the essays cover a wide spectrum of topics, they retain a clear focus on aspects of corporate life within ancient associations as comparanda for the study of early Christ-groups within their social milieu. These essays, all kept to a disciplined length, represent the work of impressive scholars from a range of interdisciplinary, intergenerational, and international contexts. The volume's symposium of voices and lively scholarly exchange productively expand current conversations about Greco-Roman associations, deities, and early Christianity.

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001 - the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the ""platter,"" which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.

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In the reign of Edward I, when asked Quo Warranto - by what warrant he held his lands - John de Warenne, the 6th earl of Surrey, is said to have drawn a rusty sword, claiming 'My ancestors came with William the Bastard, and conquered their lands with the sword, and I will defend them with the sword against anyone wishing to seize them'. John's ancestor, William de Warenne, 1st Earl of Surrey, fought for William the Conqueror at the Battle of Hastings in 1066. He was rewarded with enough land to make him one of the richest men of all time. In his search for a royal bride, the 2nd earl kidnapped the wife of a fellow baron. The 3rd earl died on crusade, fighting for his royal cousin, Louis VII of France... For three centuries, the Warennes were at the heart of English politics at the highest level, until one unhappy marriage brought an end to the dynasty. The family moved in the highest circles, married into royalty and were not immune to scandal. Defenders of the Norman Crown tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III.

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The Schuylkill River flows more than 100 miles from the mountains of the Pennsylvania Coal Region to the Delaware River. It passes through five counties - Schuylkill, Berks, Chester, Montgomery, and Philadelphia - and its valley is home to more than three million people, yet few are aware of the hidden ruins and traces left by a pioneering 200-year-old inland waterway: the Schuylkill Navigation. Some of it is literally buried in their own backyards.Often called the Schuylkill Canal, this complex Navigation system actually boasted twenty-seven canals. The first of the anthracite-carrying routes in America, the 108-mile Navigation shadowed the Schuylkill River for nearly all its length. It once had more than thirty dams and slackwater pools, more than 100 stone locks, numerous aqueducts, and the first transportation tunnel in the nation. They were all built by hand starting in 1816.In the 1940s, as part of a massive environmental cleanup of the river, this important and influential infrastructure was largely dismantled - but not entirely. Two short sections of the watered canal get plenty of attention: the Oakes Reach at Schuylkill Canal Park near Phoenixville and the Manayunk Canal in Philadelphia. Both are popular recreational destinations. What happened to the rest of it?Photographer Sandy Sorlien resolved to find out. Over the course of seven years, she traveled upriver repeatedly to bushwhack along the riverbanks and to row and paddle in the river itself. Armed with camera and binoculars, loppers and trekking poles, nineteenth-century maps and modern satellite imagery, and abetted by local historians and an archaeologist, she found all sixty-one lock sites and explored most of the canal beds. Her photographs reveal a mysterious remnant landscape, evidence of a bold industrial innovation that spelled its own demise. The water pollution created by the coal industry and obstructive dams meant the end of a way of life for the towns that boomed along the canals, from Pottsville to Reading, Birdsboro to Phoenixville, Bridgeport to Philadelphia.Along with Sorlien's full-color plates and explanatory essays, Inland features a selection of historic images, rare historic Schuylkill Navigation Company maps, and early Philadelphia Watering Committee plans. The book also includes a foreword by renowned landscape scholar John R. Stilgoe, an essay on regional transportation history by Mike Szilagyi, Trails Project Manager for the Schuylkill River Greenways Natural Heritage Area, and an afterword by Karen Young, Director of the Fairmount Water Works Interpretive Center. A sweeping new Schuylkill River map by Morgan Pfaelzer connects it all. Inland is the first to present contemporary photographs from a survey of the entire Schuylkill Navigation, becoming an essential resource for future historians and a resonant visual history all its own.

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This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

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Max Geller: Target of the Kremlin, MI6, and the CIA Fired for bias against the U.S. president, ex-CIA Russia expert Max Geller gets a chance to redeem his reputation and make a fortune when he is hired to investigate the president’s incriminating ties to Moscow. Jill Rucker, an undercover CIA agent, is assigned to work with him—and she does—when she’s not pursuing her own conflicting goals. The search takes them to England, Russia, Panama, and Switzerland. Along the way, Max runs afoul of British intelligence by inadvertently compromising two of its operations. He gets help from an anti-Russian underground cell in Moscow, is assisted and threatened by the Russian mafia, exposes a massive Russian-American money laundering scheme in Panama, and uncovers a plot to protect the president from mounting accusations threatening his presidency. Close behind is Zabluda, a Kremlin assassin, who means to kill them and their sources and destroy evidence incriminating the president. Max discovers that he has been betrayed by his former boss, his current employer, and his girlfriend. Seeking revenge, he takes on a powerful Washington law firm, the CIA, and the Russians. Max Geller is the spy who went out in the cold—and no one wants him to come in and tell what he knows.Perfect for fans of Daniel Silva and Nelson DeMille The Publishing Sequence for this series is:The President’s Dossier The Blood of Patriots and Traitors (coming 2023)

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A Russian Defector—A Worldwide Dragnet—A Looming Assassination—Max Geller is back in Moscow Former CIA Russia expert Max Geller is recovering from an intense mission while lying low in Australia, enjoying his sudden wealth in the company of his new girlfriend. But his beachy bliss is short-lived when Max, while relaxing by the ocean, is ambushed by the CIA. He soon learns that his girlfriend, Vanessa, is being used as blackmail by his former CIA boss, Rodney, to convince Max to go to Moscow. His mission? Smuggle out a defector with knowledge of a secret Kremlin war plan. Max is wanted by the Russians, so the defector could be bait to lure him into the hands of his old enemy, FSB Colonel Zabluda. But it’s either Max or Vanessa who must go, so Max takes the bait and heads off. When Max is spotted in Moscow, Zabluda launches a manhunt, pursuing him and the defector across country lines. Max and the defector race to evade countless attacks and attempts at capture as they escape to the United States. Will they make it in time? And what happens when the defector reveals crucial information that indicates U.S. democracy could be in peril? Max must figure out a way to avoid capture and halt imminent attacks—before it’s too late.Perfect for fans of Daniel Silva and Nelson DeMille While the novels in the Max Geller Spy Thriller Series stand on their own and can be read in any order, the publication sequence is:The President’s Dossier The Blood of Patriots and Traitors

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A remarkable history of the powerful and influential social gospel movement. The global crises of child labor, alcoholism and poverty were all brought to our attention through the social gospel movement. Its impact on American society makes it one of the most influential developments in American religious history. Christopher H. Evans traces the development of the social gospel in American Protestantism, and illustrates how the religious idealism of the movement also rose up within Judaism and Catholicism. Contrary to the works of previous historians, Evans demonstrates how the presence of the social gospel continued in American culture long after its alleged demise following World War I. Evans reveals the many aspects of the social gospel and their influence on a range of social movements during the twentieth century, culminating with the civil rights movement in the 1950s and 1960s. It also explores the relationship between the liberal social gospel of the early twentieth century and later iterations of social reform in late twentieth century evangelicalism. The Social Gospel in American Religion considers an impressive array of historical figures including Washington Gladden, Emil Hirsch, Frances Willard, Reverdy Ransom, Walter Rauschenbusch, Stephen Wise, John Ryan, Harry Emerson Fosdick, A.J. Muste, Georgia Harkness, and Benjamin Mays. It demonstrates how these figures contributed to the shape of the social gospel in America, while arguing that the movement’s legacy lies in its profound influence on broader traditions of liberal-progressive political reform in American history.

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Returning to Ashok K. Banker’s brilliant epic fantasy world of the Burnt Empire, A Dark Queen Rises features Aqreen and Krushita, a mother and daughter on a quest to protect the innocent and bring down tyrantsQueen Aqreen of Aquila leaves her husband Jarsun and flees across the Red Desert. She is determined to keep her daughter from being used by Jarsun to stake his claim to the Burning Throne of Hastinaga, seat of the all-powerful Burnt Empire. But Jarsun is vengeful and can summon legions of demoniac forces at will. The Red Desert is vast, and the journey dangerous.Aqreen and Krushita’s caravan of ten thousand wagons will take several years to reach the only safe harbor, the queendom of Reygar. Jarsun’s pursuit is relentless and his vengeance terrible, but hope shines from the growing powers of little Krushita herself, along with the four-armed, twin-bodied Vanjhani wagon train leader and their band of valiant desert militia. Fierce battles are in store.There are other players in this great game of demigods and mortals, each pursuing their own agendas. The powerful seer-mage Vessa seeks to join Krushita’s talents with that of Drishya, an avatar destined to confront and kill Tyrak, Jarsun’s diabolical son-in-law. Ladislew the assassin aligns with Tyrak for her own reasons. All paths culminate in a feverish finale on the hot sands of Reygar, as father, mother, and daughter confront each other in one ultimate showdown.

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Everything you need to start and manage a non-profit Starting and Managing a Nonprofit Organization is written to help anyone who's just getting their toes wet in the sector get up to speed on the critical information needed to protect their nonprofit's tax-exempt status—and avoid the many legal traps out there that you probably didn't know exist. Packed with checklists and step-by-step guidance, Starting and Managing a Nonprofit Organization demystifies intricate legal issues with plain-English language explanations for non-legal professionals of the statutes, regulations, court opinions, and other rules comprising nonprofit law. Nonprofits must comply with stringent federal and state laws due to their special exempt status; the government's ultimate threat is revocation of a nonprofit's tax-exempt status, which usually means the nonprofit's demise. Written in plain English, not "legalese," this all-important guide provides essential guidance for those interested in starting nonprofits, as well as valuable advice for leaders of established organizations. Covers all aspects of federal and state nonprofit law Discusses significant contemporary issues, including commerciality, private benefit, governance, and unrelated business Provides summaries of current IRS ruling policies Includes procedures and a glossary of legal terms for fail-safe compliance Written by the country's legal leading authority on tax-exempt organizations, Starting and Managing a Nonprofit Organization is the reference you'll want to keep close by as you navigate your way through the world of nonprofit and the law.

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A panoramic history of Puritanism in England, Scotland, and New EnglandThis book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a "perfect reformation" in the New World.A breathtaking work of scholarship by an eminent historian, The Puritans examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America.

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In Germans to the Front , David Large charts the path from Germany's total demilitarization immediately after World War II to the appearance of the Bundeswehr, the West German army, in 1956. The book is the first comprehensive study in English of West German rearmament during this critical period. Large's analysis of the complex interplay between the diplomatic and domestic facets of the rearmament debate illuminates key elements in the development of the Cold War and in Germany's ongoing difficulty in formulating a role for itself on the international scene. Rearmament severely tested West Germany's new parliamentary institutions, dramatically defined emerging power relationships in German politics, and posed a crucial challenge for the NATO alliance. Although the establishment of the Bundeswehr ultimately helped stabilize the nation, the acrimony surrounding its formation generated deep divisions in German society that persisted long after the army took the field. According to Large, the conflict was so bitter because rearmament forced a confrontation with fundamental questions of national identity and demanded a painful reckoning with the past. |Regarded as the primary textbook and sourcebook for the teaching and practice of local journalism and newspaper publishing in the U.S., this book addresses the issues a small-town newspaper writer or publisher is likely to face, from why community journalism is important and distinctive; to hints for reporting, news writing, and feature writing with a ""community spin""; to handling design, production, photojournalism, and staff management. This edition includes a new ""Best Practices"" chapter for community newspapers.

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Physico-theology celebrated the observation of nature as a way toward the recognition of God as Creator and to demonstrate the compatibility of the biblical record with the new science. It was a crucial, albeit often underestimated element in the intellectual as well as socio-cultural establishment of the new science in western and central Europe beginning in the mid-seventeenth century. The importance of physico-theology in enhancing the acceptance of the new science among a broad educated public cannot be underestimated. Unfortunately, this insight has not yet received much attention in the history of early modern science, chiefly because the history of physico-theology tends to highlight the activities of virtuosi rather than well-known scientists. A contribution to the history of knowledge, this is the first monograph in English on physico-theology on the European scale. It concentrates on two genres, the argument from design, and the palaeontological argument regarding the role of the Deluge in the formation of fossils. It does so without neglecting practice (correspondence and collecting). It pays considerable attention to the historical context, above all to the new image of God as a wise, benevolent, rather than unpredictable being, which provided the practitioners of physico-theology (including clergy, physicians, lawyers, and philologists) with a new and powerful argument. It draws attention to the predominantly Protestant nature of the phenomenon and looks at the longevity of the argument from design in Britain and the Netherlands, where its demise came about as late as the first half of the nineteenth century.

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This is the first comprehensive biography in any language of Russia’s leading statesman in the period following the Revolution of 1905. Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians. In the twilight of Nicholas II’s reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin’s admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West. Lenin’s celebrated denunciation of Stolypin as “hangman-in-chief” set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him. Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin’s program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister’s attempts at fundamental reform and thus scuttled Imperial Russia’s last such attempt before its demise.

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