Search results for ""Author Richard"

Honorable Mention for the 2023 Francis Richardson Keller-Sierra Prize2023 Judy Grahn Award-Publishing Triangle FinalistRestores queer suffragists to their rightful place in the history of the struggle for women's right to voteThe women's suffrage movement, much like many other civil rights movements, has an important and often unrecognized queer history. In Public Faces, Secret Lives Wendy L. Rouse reveals that, contrary to popular belief, the suffrage movement included a variety of individuals who represented a range of genders and sexualities. However, owing to the constant pressure to present a respectable public image, suffrage leaders publicly conformed to gendered views of ideal womanhood in order to make women's suffrage more palatable to the public. Rouse argues that queer suffragists did take meaningful action to assert their identities and legacies by challenging traditional concepts of domesticity, family, space, and death in both subtly subversive and radically transforma

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An Amazon Charts and Wall Street Journal bestseller. Dear Luke, First let me say—I love you…I didn’t want to leave you… Luke Richardson has returned home after burying Natalie, his beloved wife of sixteen years, ready to face the hard job of raising their three children alone. But there’s something he’s not prepared for—a blue envelope with his name scrawled across the front in Natalie’s handwriting, waiting for him on the floor of their suburban Michigan home. The letter inside, written on the first day of Natalie’s cancer treatment a year ago, turns out to be the first of many. Luke is convinced they’re genuine, but who is delivering them? As his obsession with the letters grows, Luke uncovers long-buried secrets that make him question everything he knew about his wife and their family. But the revelations also point the way toward a future where love goes on—in written words, in memories, and in the promises it’s never too late to keep.

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This comprehensive Handbook is aimed at both academic researchers and practitioners in the field of complexity science. The book?s 26 chapters, specially written by leading experts, provide in-depth coverage of research methods based on the sciences of complexity. The research methods presented are illustratively applied to practical cases and are readily accessible to researchers and decision-makers alike.The Handbook'?s wide range of research methods are clearly illustrated with case studies that demonstrate their practical application. They range from the regeneration of communities to musical performance; from complex governance networks to psychotherapy; from gender dynamics to agent-based modelling; and the appropriate response to pandemics. Some unusual research methods ? based on art, psychology and multi-level networks ? are also included. Furthermore, the book incorporates discussions on the philosophical aspect of research methods and explores important theoretical concepts, such as exaptation, emergence, self-organisation and co-evolution.This is an ideal resource for academics and researchers in the field seeking and exploring new research methods. For decision-makers and researchers trying to address complex challenges it will be an essential source of inspiration that will arm them with effective state-of-the-art research methods for the future.Contributors include: P. Allen, P. Andriani, S. Banerjee, Y. Bar-Yam, P. Beautement, C.R. Booth, J. Bromley, H.L. Brown, J. Burton, G. Carignani, B. Castellani, G.C. Crawford, C. Day, C.J. Dister, R. Durie, E.G. Eason, K.M. English, J. Fortune, M. Gabbay, J. Goldstein, J.K. Hazy, K. Hopkinson, N. Hupert, E.S. Ihara, H.J. Jensen, J. Johnson, D.G. Kelty-Stephen, W.G. Kennedy, L. Kuhn, B. Lichtenstein, C. Lundy, B. McKelvey, E. Mitleton-Kelly, S. Mockett, G. Morçöl, S. Mukherjee, S.K. Palit, A. Paraskevas, B. Pourbohloul, R. Rajaram, F.A. Razak, K.A. Richardson, J. Rowan Scott, Y. Shapiro, S. Kim, J. Stead, H. Stuteley, A. Tait, C.J. Tompkins, L. Varga, X. Wan, P.R. Wolenski, M.E. Wolf-Branigin, K. Wyatt

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Mental health nurses need to work within the law to ensure good, legal care for their patients, while at the same time being guided by appropriate values. This practical handbook for mental health nurses offers an accessible and invaluable guide to mental health law and values based practice. Written in an accessible and friendly way, the book covers the different stages of mental healthcare delivery in a range of healthcare settings. The book includes guidance on: The Human Rights Act The Mental Capacity Act 2005 The Deprivation of Liberty safeguards The revised Mental Health Act Admitting people to hospital Discharging people into the community Working with those in care homes Working with children and young peopleThe chapters include case studies based on real life, to show how nurses can deal with complex and daunting scenarios in practice. The book includes clear explanations of all relevant legislation as well as step-by-step guidance on how to deal with situations where mental health law applies. This book is suitable for those preparing to qualify as well as those already qualified and working in a range of healthcare settings. An essential text, this book will empower nurses to practise with confidence. "I welcome this book as its integration of values based practice and legislation into the complex world of decision making in mental health services clarifies many issues. This book is sure to become essential reading for students of mental health nursing."Ian Hulatt, Mental Health Advisor, Royal College of Nursing UK "This is an invaluable guide for all professionals working in mental health services, written by two people who have unparalleled understanding of mental health and mental capacity law. It should help practitioners understand both the intricacies of the law and how to retain a person-centred approach when applying it."Paul Farmer, Chief Executive, Mind "An impressive and enlightening book that spans law, ethics, values and practice. With the help of realistic scenarios it explains and applies the law with clarity and great practical understanding. It will inform and reassure those struggling with the often painful dilemmas confronted over the course of providing nursing care to service users with mental disabilities."Genevra Richardson, Professor of Law, King’s College London, UK

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The field of regional development is subject to an ever-increasing multiplicity of concepts and theories seeking to explain uneven competitiveness. In particular, economic geographers and spatial economists have rapidly developed the theoretical tools by which to approach such analyses. The aim of this Handbook is to take stock of regional competitiveness and complementary concepts as a means of presenting a state-of-the-art discussion of the advanced theories, perspectives and empirical explanations that help make sense of the determinants of uneven development across regions. Drawing on an international field of leading scholars, the book is assembled and organized so that readers can first learn of the theoretical underpinnings of regional competitiveness and development theory, before moving on to deeper discussions of key factors and principal elements, the emergence of allied concepts, empirical applications, and the policy context. International in its scope, including global empirical analysis, the book is a definitive resource in terms of providing access to some of the seminal research and thinking on regional competitiveness. This contemporary Handbook is an ideal reference for students and academics in the fields of economic geography and spatial economics. It will also appeal to policymakers and other stakeholders involved in regional economic development.Contributors include: K. Aiginger, P. Annoni, M.J. Aranguren, D. Audretsch, P.-A. Balland, R. Boschma, R. Camagni, R. Cellini, J. Crespo, P. Di Caro, L. Dijkstra, J. Fagerberg, M. Firgo, U. Fratesi, R. Harris, R. Huggins, J. Jansson, C. Ketels, I. Lengyel, E. Magro, E.J. Malecki, A. Mamtora, R. Martin, P. McCann, H. Menendez, P. Ni, R. Ortega-Argilés, I. Periáñez, A. Richardson, A. Rodríguez-Pose, L. Saez, J. Shen, M. Srholec, M. Storper, P. Sunley, M. Thissen, P. Thompson, G. Torrisi, I. Turok, F. van Oort, Y. Wang, A. Waxell, C. Wilkie, J.R. Wilson

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Until the appearance in 1870 of the Memoir written by her nephew J.E. Austen Leigh, very little was known about Jane Austen beyond what could be deduced from her major novels. This had been the family’s choice. Despite this lack of information Deidre Le Faye records that following the acceptance of Jane’s novel Susan for publication in 1803, “according to family tradition, she had composed the plot of another full-length novel”. This, Two Girls of Eighteen, never previously identified as Jane’s, was published in 1806 but at some point apparently suppressed. Only two copies are known to exist - one in the Deutsch Nationalbibliothek and the one from which the present text has been transcribed, which came from a house that Jane knew and is mentioned by her in A Collection of Letters. Two Girls of Eighteen has a divided structure, involving two sisters, Charlotte and Julia, each of whom is given her own story, the one a Romance partly based on Richardson’s Clarissa, the other a Gothic confection - both set in contemporary England. Jane appears to be testing in this the capabilities of such forms for expressing what she was trying to achieve. Through the character of Charlotte, who is attempting to write a novel, she deliberates at length the sort of thing that she herself might write. Her reflections on such subjects as medicine, law, the rights of women, etc take us below the glossy surface of the major novels and show us the complex web of thought that lies beneath.

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Daniel Defoe's bawdy tale of a woman's struggle for independence and redemption, Moll Flanders is edited with an introduction and notes by David Blewett in Penguin Classics.Born in Newgate prison and abandoned six months later, Moll Flanders' drive to find and hold on to a secure place in society propels her through incest, adultery, bigamy, prostitution and a resourceful career as a thief ('the greatest Artist of my time') before her crimes catche up with her, and she is transported to the colony of Virginia in the New World. If Moll Flanders is on one level a Puritan's tale of sin and repentance, through self-made, self-reliant Moll, Daniel Defoe's rich subtext conveys all the paradoxes and amoralities of the struggle for property and power in the newly individualistic society of Eighteenth-century England.Based on the first edition of 1722, this volume includes a chronology, suggestions for further reading, notes on currency and maps of London and Virginia in the late seventeenth century.Daniel Defoe (1660-1731) had a variety of careers including merchant, soldier, spy, and political pamphleteer. Over the course of his life Daniel Defoe wrote over two hundred and fifty books on economics, history, biography and crime, but is best remembered for the fiction he produced in late life, which includes Robinson Crusoe (1719), Moll Flanders (1722) and Roxana (1724). Defoe had a great influence on the development of the English novel and many consider him to be the first true novelist.If you enjoyed Moll Flanders, you might like Samuel Richardson's Pamela, also available in Penguin Classics.

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This book brings to light a mythic dimension of seventeen important eighteenth- and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original readings of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls "the myth of persecution and reparation," serves as a major vehicle for the early novel's preoccupation with the "mother," a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the topos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels—realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other "relational model" psychoanalytic theorists, and he thus also examines the psychosexual significance of the "mother." Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot—both tragic and comic plots - in the early novel.

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Winner, Evelyn Richardson Memorial Prize for Non-FictionWell-known naturalist and artist Linda Johns shares her woodland home with a menagerie of injured wild birds -- starlings, blue jays, pigeons, baby woodpeckers, a rose-breasted grosbeak, a semi-palmated sandpiper, and even a gannet. She and her "saner half," Mack, have gone so far as to transform their living room into an indoor forest, complete with two dead trees providing a variety of perches and a screened porch making do as a practise flyway. Johns nurses her feathered convalescents day and night, helping them to drink and bathe and hunt, and gaining deep insights into their highly individual personalities. Most she attempts to release back into the wild but a few, inevitably, move in to stay. Birds of a Feather: Tales of a Wild Bird Haven is a warm and funny account of eight months -- from May to December -- in the life of this caring wildlife rescuer. Fans of Johns's earlier wildlife books will relish her humorous descriptions of the antics of such irresistible characters as Blossom, the media-savvy chicken, and the goats Mower and Munch. Enhanced by line drawings of her avian housemates, this delightful collection of anecdotes in the tradition of James Herriot and Farley Mowat celebrates some of Nature's smallest and most awe-inspiring miracles.

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Gleaning Modernity shows how earlier eighteenth-century literary texts might have eased the way for Britain's increasing modernity. They allowed Modern scenarios to be played out imaginatively, as simulations for experimental, predictive ends. The process spoke to the needs and desires of readers in a world of rapid, managed change. It worked unobtrusively first because of the practice of recycling old forms, as Pope and Richardson did, for example, with Horatian and tragic models, respectively; and second because given texts offered different readers a range of interpretative options. Along with providing original readings of such major texts as Gulliver's Travels and Clarissa, this study enlarges our sense of the Modernizing process. It also shows how a consumer-driven Darwinian model of adaptive change, affecting literature and its readership, can help us understand the ways in which literature can have social efficacy.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.

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WINNER OF THE MILKWEED PRIZE FOR CHILDREN'S LITERATURE WINNER OF THE 2013 PATERSON PRIZE FOR BOOKS FOR YOUNG READERS ALA RAINBOW LIST RECOMMENDED BOOK AMELIA BLOOMER PROJECT LIST RECOMMENDED BOOK LAMBDA LITERARY AWARD FINALIST MINNESOTA BOOK AWARD FINALIST FOREWARD REVIEWS BOOK OF THE YEAR HONORABLE MENTION In the summer of 1926, sixteen-year-old Garnet Richardson is sent to a lake resort to escape the polio epidemic in the city. She dreams of indulging in ornithology and a visit to an amusement park--a summer of fun before she returns to a last year of high school, marriage, and middle-class homemaking. But in the country, Garnet finds herself under supervision of oppressive guardians, her father's wealthy cousin and the matron's stuck-up daughter. Only a job in a hat shop, an intense, secret relationship with a beautiful flapper, and a deep faith in her own heart can save her from the suffocation of traditional femininity in this coming-of-age story about a search for both wildness and security in an era full of unrest. It is the tale of a young woman's discovery of the science of risk and the art of rebellion, and, of course, the power of unexpected love.

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In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.

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NOW A MAJOR NETFLIX FILM STARRING HALEY LU RICHARDSONWho would have guessed that four minutes could change everything?Today should be one of the worst days of Hadley's life. Her father is getting married in London to a woman she's never even met, and she's just missed her flight.Hadley has never believed in destiny or fate before. But, stuck at the airport in New York, today is also the day she meets Oliver. He's British. He's cute. And he's on her new flight.Set over twenty-four hours, Hadley and Oliver's story will make you believe that true love finds you when you're least expecting it.Readers love The Statistical Probability of Love at First Sight'A warm and witty book about destiny, first loves, soul mates and perfect timing' 5* reader review'One of those books that you just want to keep reading and reading' 5* reader review'So amazing! A beautiful love story' 5* reader review

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The Scholar as Human brings together faculty from a wide range of disciplines—history; art; Africana, American, and Latinx studies; literature, law, performance and media arts, development sociology, anthropology, and Science and Technology Studies—to focus on how scholarship is informed, enlivened, deepened, and made more meaningful by each scholar's sense of identity, purpose, and place in the world. Designed to help model new paths for publicly-engaged humanities, the contributions to this groundbreaking volume are guided by one overarching question: How can scholars practice a more human scholarship? Recognizing that colleges and universities must be more responsive to the needs of both their students and surrounding communities, the essays in The Scholar as Human carve out new space for public scholars and practitioners whose rigor and passion are equally important forces in their work. Challenging the approach to research and teaching of earlier generations that valorized disinterestedness, each contributor here demonstrates how they have energized their own scholarship and its reception among their students and in the wider world through a deeper engagement with their own life stories and humanity. Contributors: Anna Sims Bartel, Debra A. Castillo, Ella Diaz, Carolina Osorio Gil, Christine Henseler, Caitlin Kane, Shawn McDaniel, A. T. Miller, Scott J. Peters, Bobby J. Smith II, José Ragas, Riché Richardson, Gerald Torres, Matthew Velasco, Sara Warner Thanks to generous funding from Cornell University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

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Professors Grear and Kotzé have masterfully fashioned a landmark work on human rights and the natural environment. This Research Handbook is more than just a library of current ideas about this important topic; it is an intellectual tour de force that stimulates new thinking on the place of social justice and moral responsibility in the Anthropocene.'- Benjamin J. Richardson, University of Tasmania, Australia'As the connections between human rights and the environment become deeper and broader, this Handbook offers an indispensable point of reference. A seriously impressive group of scholars addresses a seriously interesting range of themes that inform and challenge the totality of our understanding.'- Philippe Sands, University College London, UKBringing together leading international scholars in the field, this authoritative Handbook combines critical and doctrinal scholarship to illuminate some of the challenging tensions in the legal relationships between humans and the environment, and human rights and environment law.The accomplished contributors provide researchers and students with a rich source of reflection and engagement with the topic. Split into five parts, the book covers epistemologies, core values and closures, constitutionalisms, universalisms and regionalisms, with a final concluding section exploring major challenges and alternative futures.An essential resource for students and scholars of human rights law, the volume will also be of significant interest to those in the fields of environmental and constitutional law.Contributors: S. Adelman, U. Beyerlin, K. Bosselmann, D.R Boyd, P.D. Burdon, L. Code, L. Collins, S. Coyle, C.G Gonzalez, E. Grant, A. Grear, E. Hey, C.J. Iorns Magallanes, B. Jessup, A. Jones, A. A. Khavari, L.J. Kotzé, R. Lyster, K. Morrow, A. Philippopoulos-Mihalopoulos, W. Scholtz, P. Simons, S. Thériault, F. Venter

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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ONE OF THE WHITE REVIEW'S BEST BOOKS OF 2019Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy.'Hardwick's sentences are burned in my brain.' - Susan SontagSidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature. In her most virtuoso work of criticism, she explores the lives of the Brontës, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor.First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

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This 21st issue of Copper Nickel features poetry, fiction, and nonfiction, including work by National Book Award and National Book Critics Circle Award finalist James Richardson; Anisfield-Wolf Award recipient Martha Collins; Alice Fay Di Castagnola Award winner Jehanne Dubrow; Guggenheim Fellow Mark Halliday; NEA Fellows David Hernandez, Henry Israeli, and Kevin Prufer; PEN/O. Henry Prize recipient Polly Rosenwaike; James Laughlin Award winner Tony Hoagland; James Merrill Fellow Anna B. Sutton; Lambda Literary Award winner Julie Marie Wade; Lannan Foundation Fellow Ed Skoog; as well as a number of writers at earlier stages in their careers. The issue will also include three "Translation Folios" introducing and contextualizing for an American audience the Chinese poet Yi Lu, the Danish fiction writer Christina Hesselholdt, and three Uruguayan poets: Laura Cesarco Eglin, Circe Maia, and Karen Wild. The cover of Issue 21 features new work by renowned artist, musician, and composer Mark Mothersbaugh.

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In this collection brimming, with pared down imagery and crystal sharp language, we are invited to become the hollow bone, the small vessel with space for insight and reflection. Steeped in the natural world and sensitive to how each body interfaces with the world, Ian Marriott''s debut moves us from the quotidian to the mysterious found in the everyday and in the world''s wilderenesses. The poetry is alive with experiences of the forest, the mountains, the vastness of Antartica; the language meditative, spare and precise and the form follows breath - short lines that carry contemplative thought forward with fluid ease. Winner of the Cinnamon Press Debut Poetry Collection Award, adjudicated by outstanding eco-poet, Susan Richardson, The Hollow Bone is suffused with shamanic sensibilty that is communicated with elegance, from the title poem with it''s thoughfully hone sketches of birds alive and dead to the longer sequence of koan-like fragments in Terra Infirma, it takes the

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It's called "the Event." An unimaginable cataclysm in the 23rd century shatters 600 years of the Earth's timeline into jumbled fragments. Our world is gone: instantly replaced by a new one made of shattered remnants of the past, present and future, all existing alongside one another in a nightmare patchwork of different time "shards"-some hundreds of miles long and others no more than a few feet across. San Diego native Amber Richardson is stranded on a tiny fragment of 21st century Britain surrounded by a Pleistocene wilderness. She crosses paths with Cam, a young warrior of a tribe from Roman Brittania, and together they struggle to survive-only to be imprisoned by Cromwellian soldiers. One of their captives is a man who Amber calls "Merlin, and who claims to be the 23rd century scientist responsible for the Event. Together they must escape and locate Merlin's ship before the damage to the timeline is irreparable.

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*#1 NEW YORK TIMES BESTSELLER**#1 USA TODAY BESTSELLER*There''s a new couple in town . . . and they''re shaking things up. After thirty-five years as the Chief of Police on Nantucket, Ed Kapenash''s heart can no longer take the stress. But his plans to retire are thwarted when, with only three days left on the job, he receives a phone call. The Richardsons'' 22-million-dollar summer home has been burned to the ground. The couple are far from hurt - they were out on the water at one of their lavish yacht parties. But their dependable personal assistant has vanished. To solve the case, the Chief will have to contend with small town gossip for one final act of service to the community he knows and loves. A propulsive sun-soaked drama featuring some of Elin Hildebrand''s most beloved characters - and of course, the beautiful and timeless island of Nantucket itself.

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This collection of essays examines various representations of “the Jew” in British and American literature in the nineteenth and twentieth centuries. It analyzes in detail the literary racism and antisemitism of some of the most important and influential writers of this period, including Dickens, Trollope, James, Eliot, Pound, Joyce, Woolf, and Orwell, as well as such marginal figures as Dorothy Richardson, Stevie Smith, and Michael Gold. The contributors are all well-known Anglo-American literary, cultural, or feminist critics; some have written extensively on literary racism or antisemitism, others are working in this area for the first time. The collection does not impose a schema or new orthodoxy, but instead encourages a plurality of approaches to a difficult and always contentious issue that has been demarcated into broadly defined “politically correct” and “liberal humanist” positions. Liberal humanism asserts that the ameliorating western canon has, by definition, nothing to do with racism or antisemitism. Political correctness wishes to exclude from the academy any literary text deemed to reinforce oppressive stereotypes. This volume adopts neither position, arguing instead that these two supposedly antagonistic approaches are, in fact, mirror-images of each other.

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This book opens up the field of literary studies to the promise of a haptic oriented analysis. This book contends that the haptic sense - combining touch, kinaesthesis and proprioception - was first fully conceptualised and explored in the modernist period, in response to radical new bodily experiences brought about by scientific, technological and psychological change. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring about an existential crisis? If the body is made of divisible atoms, what work can it do to slow the fleeting moment of modernist life? The answers to all these questions and many more can be found in the work of four major writers of the modernist canon - James Joyce, Virginia Woolf, D. H. Lawrence and Dorothy Richardson. They suggest that haptic experience is at the heart of existence in the early twentieth century, and each displays a fascination with the elusive sense of touch. Yet these writers go further, undertaking formal experiments which enable their own writing to provoke a haptic response in their readers. By defining the haptic, and by looking at its role in the work of these major names of modernist writing, this book opens up the field of literary studies to the promise of a haptic oriented analysis, identifying a rich seam of literary work we can call 'haptic modernism'. It offers a coherent history of ideas of the haptic, tracing their impact on literary innovation. It analyses the transformations of haptic experience in the modernist period, and its roots in developments in mechanised transport, the cinema, contemporary science and the rapidly modernising city. It provides in depth studies of the work of Joyce, Woolf, Lawrence and Richardson from a new, haptic oriented perspective, shedding new light on familiar figures of the modernist avant garde. It also puts literary experiments with the haptic in the context of work on touch in other fields.

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Kara Richardson Whitely thought she could do anything. After all, she climbed Mount Kilimanjaro-three times! But now she's off the mountain and back home again, and there's one thing she just can't manage to do-lose weight. In many ways, Kara is living the life of everywoman, except that she's not everywoman because she weighs 300 pounds. Her weight is a constant source of conflict and shame, as the people from every corner of her life-from her daughter's pediatrician to her mother in law-judge Kara for the size of her body.In The Weight of Being, Kara shares the most intimate aspects of life as she experiences it as a fat woman, looking deep into the ways her body influences her marriage, her sex life, her children, her career, and her friendships. The stories she tells hit all kinds of nerves. Some are shocking, like the time she was shot with a BB gun by a neighbor's son who used her backside for target practice. Others are heartbreaking-when her pediatrician suggests that her daughter's weight isn't healthy, the mortification Kara feels is viscerally painful.Kara's story is one of living as a fat woman in America, where fat prejudice is rampant, despite our nation's pandemic of obesity. In this fresh, raw memoir, Kara reveals this epic contradiction, reminding us all that fat lives are deserving of esteem, dignity, and respect.

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This book is an introduction to the representation theory of quivers and finite dimensional algebras. It gives a thorough and modern treatment of the algebraic approach based on Auslander-Reiten theory as well as the approach based on geometric invariant theory. The material in the opening chapters is developed starting slowly with topics such as homological algebra, Morita equivalence, and Gabriel's theorem. Next, the book presents Auslander-Reiten theory, including almost split sequences and the Auslander-Reiten transform, and gives a proof of Kac's generalization of Gabriel's theorem. Once this basic material is established, the book goes on with developing the geometric invariant theory of quiver representations. The book features the exposition of the saturation theorem for semi-invariants of quiver representations and its application to Littlewood-Richardson coefficients. In the final chapters, the book exposes tilting modules, exceptional sequences and a connection to cluster categories.The book is suitable for a graduate course in quiver representations and has numerous exercises and examples throughout the text. The book will also be of use to experts in such areas as representation theory, invariant theory and algebraic geometry, who want learn about application of quiver representations to their fields.

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Today we consider privacy a right to be protected. But in 18th-century England, privacy was seen as a problem, even a threat. Women reading alone and people hiding their true thoughts from one another in conversation generated fears of uncontrollable fantasies and profound anxieties about insincerity. In "Privacy", Patricia Meyer Spacks explores 18th-century concerns about privacy and the strategies people developed to avoid public scrutiny and social pressure. She examines, for instance, the way people hid behind common rules of etiquette to mask their innermost feelings and how, in fact, people were taught to employ such devices. She considers the erotic overtones that privacy aroused in its suppression of deeper desires. And perhaps most important, she explores the idea of privacy as a societal threat - one that bred pretense and hypocrisy in its practitioners. Through inspired readings of novels by Defoe, Richardson, Fielding and Sterne, along with a penetrating glimpse into diaries, autobiographies, poems and works of pornography written during the period, Spacks ultimately shows how writers charted the imaginative possibilities of privacy and its social repercussions. Finely nuanced and elegantly conceived, Spack's new work should interest anyone who has relished concealment or mourned its recent demise.

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Aunque la sexualidad pasional y orgásmica proporciona una satisfacción momentánea, a la larga suele convertirse en una actividad rutinaria y mecánica que a muchas parejas les lleva a perder la pasión y el tiempo dedicado a su intimidad.Para Diana Richardson, el primer paso para reavivar una vida sexual monótona (o para hacer aún más placentera una sexualidad saludable) es conseguir que hacer el amor sea una decisión consciente y no un encuentro casual.Basado en el contacto visual, en las sensaciones sutiles y en la respiración profunda, el método que nos propone Diana en estas páginas despierta en el cuerpo humano su capacidad innata para el éxtasis, abriendo así las puertas a la sensibilidad, la sensualidad y la conciencia superior.Avalada por su amplia experiencia en el ámbito de la meditación, del tantra y de las relaciones de pareja, y partiendo de imágenes que ilustran las posturas más idóneas para hacer el amor, la autora explora el poder sanador y espiritual del sexo co

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Un manual práctico que revolucionará tu vida sexual y tu concepto del amor.Por qué con el paso de los años muchas parejas pierden la facultad de mantener renovada y fresca la llama del amor? Cómo podemos redescubrir sus deleites y conseguir que el amor y el placer sexual, en vez de disminuir, se incrementen con el tiempo?Después de muchos años de observación y estudio, Diana Richardson descubrió que la antigua filosofía oriental del tantra, con su sabia manera de interpretar el amor y la sexualidad en una aceptación total de la vida, tenía la propiedad de fortalecer las relaciones íntimas, haciendo más espiritual y profundo el amor.En Tantra: amor y sexo la autora ha realizado una adaptación práctica, amena y comprensible de los fundamentos del tantra a la mentalidad de los modernos amantes occidentales, y demuestra que la práctica sexual puede transformarse en una experiencia más sensual, amorosa y gratificante.Siguiendo los sencillos pasos y prácticos ejercicios que t

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REVISED AND UPDATED WITH BRAND NEW MATERIALThe acclaimed political thriller that first introduced the unforgettable Francis Urquhart MP and launched Michael Dobbs’ No 1 bestselling career – now updated with brand new material. Michael Dobbs’ entertaining tale of skulduggery and intrigue within the Palace of Westminster has been a huge hit with the public. Its scheming hero, Chief Whip Francis Urquhart, who uses fair means and foul to become Prime Minister, is one of the best-known characters of the last decade – the politician we all love to hate. Acclaimed for its authenticity and insights into a secret world – the result of many years working behind the scenes for the Conservative Party – it became a highly popular, award-winning BBC TV series, with Francis Urquhart memorably portrayed by Ian Richardson, and was followed by two further sequels, ‘To Play the King’ and ‘The Final Cut’, which also became top-rating TV series.

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Political Black Girl Magic explores black women’s experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor—and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities. Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official’s political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them. Contributors: Andrea Benjamin, Nadia E. Brown, Pearl K. Dowe, Christina Greer, Precious Hall, Valerie C. Johnson, Yolanda Jones, Lauren King, Angela K. Lewis-Maddox, Minion K.C. Morrison, Marcella Mulholland, Stephanie A. Pink-Harper, Kelly Briana Richardson, Emmitt Y. Riley, III, Ashley Robertson Preston, Taisha Saintil, Jamil Scott, Fatemeh Shafiei, James Lance Taylor, LaRaven Temoney, Linda Trautman, and the editor

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"Volume 38 of Studies in Symbolic Interaction" is devoted exclusively to the "Blue Ribbon Papers Series", which is under the intellectual leadership of Lonnie Athens. In this issue, Athens presents the autobiographies of scholars who have made significant contributions to symbolic interactionist approach over the 20th and 21st centuries, including David Altheide, Paul Atkinson, Kathy Chamaraz, Adele Clarke, Gary Cook, Carolyn Ellis, Martyn Hammersley, John Johnson, Joseph Kotarba, and Laurel Richardson. The contributors were all asked to address the question of how they got into their particular fields of study and later became interactionist? They were also prodded to reveal "who is the person behind the professional mask" by describing why and how they changed over the intellectual journeys that they took in becoming some of the best known and well-respected advocates of the symbolic-interactionist's approach in America and Great Britain. These autobiographic reflections and revelations not only shatter the popular stereotype of academics, but also the stereotype of scholars who subscribe to viewpoint of symbolic interactionism.

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The experience of motherhood is monumental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it?Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity. These texts disclose the often-invisible challenges of a literary life with little ones: the manuscript written with a baby sleeping in a carrier, missing a book launch for a bedtime, crafting a promotional tour around child care. But they also celebrate the systems that nurture writers who are mothers; the successes; the intricate, interconnected joys of these roles.Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers and asks how we can better support their work. Mothers have long been telling each other these vital stories in private. Good Mom on Paper makes them available to everyone who needs them.With contributions by Heather O'Neill, Lee Maracle, Jael Richardson, Carrie Snyder, Alison Pick, Meaghan Strimas, Sofia Mostaghimi, Rachel Giese, Lorri Neilsen Glenn, Erin Wunker, Jónína Kirton, Jennifer Whiteford, Teresa Wong, Nikkya Hargrove, S. Lesley Buxton, Amber Riaz, Adelle Purdham, Harriet Alida Lye, and Kellee Ngan.A portion of each sale will be donated to the Mothers Matter Centre: a not-for-profit organization dedicated to empowering isolated, at-risk mothers.

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Of the 17 million people in the U.S. who are involved directly or indirectly in sales, many repeatedly acknowledge facing four major challenges: No prior sales education or training Lack of formalized sales training, resources, and methodologies provided by their companies Due to the recession and downsizing era, lack of 12-18 month professional sales training for new hires provided by Fortune 500 companies A consistent struggle to keep their sales force, distributors, manufacturers reps and affiliates motivated and focused on effectively selling their products and services Mastering the World of Selling helps companies and entrepreneurs overcome these four major obstacles with candid advice and winning strategies from the leading sales trainers and training companies in the world: Acclivus*AchieveGlobal*Action Selling*Tony Allesandra*Brian Azar*Baker Communications, Inc.*Mike Bosworth*Ian Brodie*Ed Brodow*Mike Brooks*Bob Burg*Jim Cathcart*Robert Cialdini PhD*Communispond, Inc.*Tim Connor*CustomerCentric Selling*Dale Carnegie*Sam Deep*Bryan Dodge*Barry Farber*Jonathan Farrington*Jeffrey Fox*Colleen Francis*FranklinCovey Sales Performance Solutions*Thomas A. Freese*Patricia Fripp*Ari Galper*General Physics Corporation*Jeffrey Gitomer*Charles H. Green*Ford Harding*Holden International*Chet Holmes*Tom Hopkins*Huthwaite, Inc.*Imparta, Ltd.*InfoMentis, Inc.*Integrity Solutions*Janek Performance Group, Inc.*Tony Jeary*Dave Kahle*Ron Karr*Knowledge-Advantage, Inc.*Jill Konrath*Dave Kurlan*Ron LaVine*Kendra Lee*Ray Leone*Chris Lytle*Paul McCord*Mercuri International*Miller Heiman, Inc.*Anne Miller*Dr. Ivan Misner*Michael Macedonio*Sharon Drew Morgen*Napoleon Hill Foundation*Michael Oliver*Rick Page*Anthony Parinello*Michael Port*Porter Henry*Prime Resource Group, Inc.*Neil Rackham*Revenue Storm*Linda Richardson*Keith Rosen*Frank Rumbauskas*Sales Performance International, Inc.*Sandler Training*Dr. Tom Sant*Stephan Schiffman*Dan Seidman*Blair Singer*Terri Sjodin*Art Sobczak*Drew Stevens, PhD*STI International*The Brooks Group*The Friedman Group*The TAS Group*Brian Tracy*ValueSelling Associates*Wendy Weiss&*Jacques Werth*Floyd Wickman*Wilson Learning*Dirk Zeller*Tom Ziglar*Zig Ziglar

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As COVID-19 made inroads in the United States in spring 2020, a common refrain rose above the din: “We’re all in this together.” However, the full picture was far more complicated—and far less equitable. Black and Latinx populations suffered illnesses, outbreaks, and deaths at much higher rates than the general populace. Those working in low-paid jobs and those living in confined housing or communities already disproportionately beset by health problems were particularly vulnerable. The contributors to The Pandemic Divide explain how these and other racial disparities came to the forefront in 2020. They explore COVID-19’s impact on multiple arenas of daily life—including wealth, health, housing, employment, and education—while highlighting what steps could have been taken to mitigate the full force of the pandemic. Most crucially, the contributors offer concrete public policy solutions that would allow the nation to respond effectively to future crises and improve the long-term well-being of all Americans. Contributors. Fenaba Addo, Steve Amendum, Leslie Babinski, Sandra Barnes, Mary T. Bassett, Keisha Bentley-Edwards, Kisha Daniels, William A. Darity Jr., Melania DiPietro, Jane Dokko, Fiona Greig, Adam Hollowell, Lucas Hubbard, Damon Jones, Steve Knotek, Arvind Krishnamurthy, Henry Clay McKoy Jr., N. Joyce Payne, Erica Phillips, Eugene Richardson, Paul Robbins, Jung Sakong, Marta Sánchez, Melissa Scott, Kristen Stephens, Joe Trotter, Chris Wheat, Gwendolyn L. Wright

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As COVID-19 made inroads in the United States in spring 2020, a common refrain rose above the din: “We’re all in this together.” However, the full picture was far more complicated—and far less equitable. Black and Latinx populations suffered illnesses, outbreaks, and deaths at much higher rates than the general populace. Those working in low-paid jobs and those living in confined housing or communities already disproportionately beset by health problems were particularly vulnerable. The contributors to The Pandemic Divide explain how these and other racial disparities came to the forefront in 2020. They explore COVID-19’s impact on multiple arenas of daily life—including wealth, health, housing, employment, and education—while highlighting what steps could have been taken to mitigate the full force of the pandemic. Most crucially, the contributors offer concrete public policy solutions that would allow the nation to respond effectively to future crises and improve the long-term well-being of all Americans. Contributors. Fenaba Addo, Steve Amendum, Leslie Babinski, Sandra Barnes, Mary T. Bassett, Keisha Bentley-Edwards, Kisha Daniels, William A. Darity Jr., Melania DiPietro, Jane Dokko, Fiona Greig, Adam Hollowell, Lucas Hubbard, Damon Jones, Steve Knotek, Arvind Krishnamurthy, Henry Clay McKoy Jr., N. Joyce Payne, Erica Phillips, Eugene Richardson, Paul Robbins, Jung Sakong, Marta Sánchez, Melissa Scott, Kristen Stephens, Joe Trotter, Chris Wheat, Gwendolyn L. Wright

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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Those cupcaking geniuses, Karen Tack and Alan Richardson, are back, this time with bigger canvases and bolder creations. Everything that can be done with a cupcake can be done better with a cake - with a twelfth of the effort and loads more wow power, using everyday pans, bowls, and even measuring cups. Turn a round cake into Swiss cheese and Brie, and it's April Fool's! Simply press candy into frosting for an argyle pattern or use one of the easy new decorating techniques to produce wood grain for a guitar cake. Whether you're a kitchen klutz or a master decorator, you can transform a loaf cake into a retro vacuum cleaner for Mom or bake a cake in a bowl for a rag doll. Need a pinata for a birthday party? Bake the batter in a measuring cup. Or skip the baking altogether, buy a pound cake, and fashion it into a work boot for Dad or a high-top sneaker. You won't believe these creations aren't the real thing - and they're so stunning you'll have to make them!

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In the late 1960s the Richardson Torture Gang and the Kray Twins were removed from the London scene by ACC Gerry McArthur and Det. Supt. Nipper Read respectively. Predictably it was not long before the vacuum this left was being filled. With McArthur retired and Read moved on, who was to sort out the new gangland threat? Step forward Detective Chief Superintendent Bert Wickstead. Having cut his teeth on young desperadoes and neo-Nazis in North London and solved London's biggest post war bank robbery, Wickstead was well qualified to head up the Yard's Serious Crime Squad. First to fall were the Dixon brothers, followed by the Tibbs family. As his fame spread he took on the West End Maltese Syndicate specialising in prostitution and extortion. When he broke up the Norma Levy call-girl ring, two cabinet peers had to resign. Inevitably Wickstead's career was dogged by unproved allegations of malpractice but, as this riveting insider' account conclusively proves, he more than earned his sobriquet The Gangbuster'.

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'Unsentimental, truthful and wonderful' Beryl Bainbridge, Independent Books of the Year When Sam Richardson returns in 1946 from the 'Forgotten War' in Burma to Wigton in Cumbria, he finds the town little changed. But the war has changed him, broadening his horizons as well as leaving him with traumatic memories. In addition, his six-year-old son now barely remembers him, and his wife has gained a sense of independence from her wartime jobs. As all three strive to adjust, the bonds of loyalty and love are stretched to breaking point in this taut, and profoundly moving novel. 'An outstandingly good novel...utterly credible, utterly compelling, and very enjoyable' Allan Massie, Scotsman 'Deeply felt, beautifully realised' John Sutherland, Sunday Times 'The first Great War came alive in Faulks's Birdsong; the second Great War, and in particular the Burma campaign, comes very much alive in Melvyn Bragg's The Soldier's Return - wholly absorbing' John Bayley, Evening Standard 'Sympathetic, touching, infinitely believable...This is a highly accomplished novel' D.J. Taylor, Literary Review

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Cocktail marketers and male bartenders like to tell women what we want to drink,and it's usually fruity, frilly, fancy, and pink. In Drink Like a Woman, Jeanette Hurt shakes up barroom expectations, stirs up some new ideas, and pours a lively collection of feminist cocktails that are just as varied, flavorful, and strong as women are.Sharing basic techniques, cocktail classics, hangover cures, drinking games, and more, this spirited guide takes the misogyny out of mixology by offering fun and functional tips for the at-home barista who doesn't need a man to mix it up. She also exposes the surprisingly sexist history of cocktail culture, and offers more than 50 recipes, crafted by top women bartenders around the country, including:Anarchy AmarettoBloody Mary RichardsNelly Bly-TaiThe LBD (The Little Black Dress)Ruth's Pink TabooWoManhattanZeldatiniThe Suffragette SourRide, Sally RideCurie RoyaleWith feisty illustrations and original recipes that call for a generous splash of female empowerment, Drink Like a Woman is sure to subvert the patriarchy, one drink at a time.

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A rugged Texas cowboy gets into the Christmas spirit to prove himself to the woman he loves in this heartwarming fifth novel of the USA Todaybestselling series.Maverick Callahan lives up to his reputation as a freewheeling cowboy. But a year ago he fell head-over-heels for an extraordinary woman he met while on vacation, a woman he was convinced he'd never see again. So when she appears on his doorstep like a Christmas miracle, Maverick is determined not to waste his lucky break.Bridget O'Malley's world has flipped upside down. As the new guardian of her best friend's baby, she hasn't had a moment to think about the Texas rancher who broke her heart. He's just as sexy as ever, but she knows better than anyone that he's not the settling-down type. As the trees are trimmed and mistletoe hung, will some holiday magic help Bridget trust this carefree cowboy with her heart and her future?Includes a bonus novella, "Rocky Mountain Cowboy Christmas" by Sara Richardson!

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Francois Halard s first assignment, to photograph Yves Saint Laurent s legendary Paris apartment when he was 23, cemented his reputation as one of the most original photographic eyes of our era. More than thirty years later, Halard still captures our imagination with his breathtaking photographs of the glorious homes of the most important tastemakers, artists, and designers of the 20th century - including: Rick Owens (Paris), Dries van Noten (Belgium), Manolo Blanik (England). Giorgi Morandi House (Italy), De Menil House (Houston), Maya Hoffman House (Arles), Miquel Barcelo (Spain), Saul Leiter Apartment (New York), Glasgow Art School by Mackintosh, Raphael at the Vatican, Donald Judd (Marfa), John Richardson (New York). Many of these images were first published in Vogue and House and Garden, but many others will be seen here for the very first time. Like his first book, Francois Halard: A Visual Education, this follow-up volume will be a coveted, indispensible must-have visual resource for all lovers of interior style.

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Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers. Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things, but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Wall argues that the shift involved not just literary representation, but an evolution in cultural perception. In "The Prose of Things", Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, "The Prose of Things" is the first full account of the historic shift in the art of describing.

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Winner of the 2014 Evelyn Richardson Non-Fiction East Coast Literary AwardWhat Lies Across the Water recounts the events leading up to the arrest of the Cuban Five, five Cuban anti-terrorism agents wrongfully arrested and convicted of “conspiracy to commit” espionage against the United States. In response to decades of deadly attacks by Miami-based, anti-Cuban terrorist organizations, Cuba dispatched five agents – Gerardo Hernández, Ramón Labañino, Antonio Guerrero, Fernando González and René González – to Florida to infiltrate and report on the activities of these terrorist groups. Cuba even passed on information their agents learned about illegal activities to the FBI. But, instead of arresting the terrorists, the FBI arrested the Cuban Five on September 12, 1998. The five men would be illegally held in solitary confinement for seventeen months and sentenced to four life sentences in 2001. The terrorists these five men tried to stop remain free to this day.In light of America’s supposed post-9/11 zero tolerance policy toward countries harbouring terrorists, the story of the Cuban Five illustrates the injustice and hypocrisy of this case: why were these men who tried to prevent terrorist attacks against Cuba charged with espionage against the U.S? And why does the U.S. continue to protect and harbour known terrorists?

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From the WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2014, a 'humorous, bittersweet fiction, combin[ing] the fantastical realism of Marquez with the domestic comedy of Andrea Levy' INDEPENDENTIt all begins with the theft of Tessa Walcott's panties...After the hurricane of 1974, Jamaica is devastated. Imelda Richardson is sent to England, without a place to stay or a plan of what to do. Luckily sheis taken in by Purletta Johnson, a member of the ex-pat bourgeoisie who has decided to become more Jamaican than any Jamaican: sucking her teeth, sporting a gold tooth, and growing ganja on her balcony. But when her mother dies Imelda returns to Jamaica. When Tessa Walcott's panties are stolen, she and Imelda set up a Neighbourhood Watch. But they haven't counted on Pastor Braithwaite who denounces them in Church. The church-goers turn on Imelda, and when the river suddenly floods her home it is seen as a punishment from God. A Pentecostal fervour sweeps through the village of Watersgate, fuelled by Evangelist Millie. In her last great crusade, Miss Millie organises 'fire to burn their sins away', equipping the villagers with kerosene as they set about burning everything. Now they are marching on the gay man's house and only Imelda can save him.

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With 200 images, selected from the archives, portraying the city in a bygone age, we embark on an intriguing pictorial journey around Newcastle upon Tyne. The Tyne of course dominates the scene, new bridges are built and old ones demolished to cope with the changing demands of Newscastle transport and industry. The quayside, redeveloped after the great fire of 1854, was busy as a market and the commercial centre of the Great Northern Coalfield. The gap between the rich and the poor was wider then. Jesmond Towers, home to an entrepreneurial shipbuilder, and The Gables, home to the Richardson family, owners of Elswick leather works, contrast starkly with living conditions in the inner city area. During the 1930s the council rehoused 30,000 people in slum clearance projects. Leisure time was occupied in many and varied ways, sports such as rowing, bowling and curling were all enjoyed, along with football (naturally) - 1955 being a golden year for Newcastle FC. Alternatively, The Hoppings was a popular annual festival, earning the nickname 'the greatest show on earth' with its combination of freak shows, rides and entertainment. All this and much more is brought vividly to life through photographs and narrative, making for a fascinating and memorable read.

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