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In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.". Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This is the second and final volume of the annotated translation of a seminal Chinese legal text. The T'ang Code, written in 653 A.D., is the most important legal text in East Asian history. Not only is it China's earliest law code to survive in its entirety, influencing all subsequent Chinese law, but it has also served as a model for codes of law in other East Asian countries, including Japan, Korea, and Vietnam. This is the only translation of the T'ang code into a Western language. The first volume of the Code, published in translation in 1979, specifies the basic principles of T'ang law and explains the structural standards for applying these principles. Volume II describes acts that are punishable by law and enumerates their punishments. For contemporary readers, the T'ang Code is more than simply a legal document. Studying the 445 "specific articles" sheds considerable light on Chinese culture. The portrait that emerges has surprising resonances in present-day Chinese society--its emphasis on the preservation of the family and the interrelatedness of authority and responsibility, for example. As Western relations with the countries of East Asia continue to expand today, it is increasingly important that we understand the complexities of a legal system that has evolved over more than fifteen centuries. The availability of the complete T'ang Code in English is a significant contribution to this understanding. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of Georgia Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state. Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this provocative work, Gerald Scully develops and empirically tests a theory about how a nation's constitutional setting affects its economic growth. Modern growth theory links the rise in the standard of living to capital formation, both physical and human, and to technological progress, and development economists continue to believe that the transformation of the less developed world cannot occur without massive government control of the economy. Scully, on the other hand, maintains that material advancement is as much affected by the choice of the economic, legal, and political institutions under which people live and work as it is by resource endowment and technological progress. Nothing in the neoclassical theory of growth considers the "rules of the game" under which capital is accumulated and innovation is made. Redressing this neglect, Scully proposes ways of measuring the economic, civil, and political freedom within a society's institutional framework, and he reveals that freedom, or the lack thereof, powerfully and demonstrably influences not only economic progress but also income distribution. Politically open societies grow at nearly three times the rate of those where freedom is more circumscribed, and they also have a more equitable distribution of income. Finally, Scully measures the effect of the size of the state on economic progress, showing that the larger the amount of government expenditures out of gross domestic product, the lower the rate of economic progress. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The recent transformations in the USSR are nowhere more evident than in the Soviet military. Top-level military officers have been relieved of their positions, Gorbachev has warned of lean times for the military, the symbolic role of the armed forces has been downgraded, and the concept of "military sufficiency" points to major modifications in Soviet force structure. Contrary to some who see Gorbachev as a Sir Galahad out to slay the evil military high command, Dale Herspring concludes that the relationship between the highest Soviet political and military leaders is at the moment more symbiotic than conflictual. In this first in-depth study of the evolution of civil-military relations in the Soviet Union from 1967 to the present, he shows how the views of senior military officers have varied over time: currently, even if the members of the high command do not like all Gorbachev's changes, they understand the need for them and are prepared to live with them. As Herspring looks at the personalities and politics of eight top military figures, he reveals that the most important of them, Ogarkov, was the first senior Soviet military officer to understand the value of working with the political leadership. Ogarkov believed that the arms control and dtente processes, if carefully managed, could enhance the national security of the USSR. In Gorbachev, the Soviet military has found the type of individual that Ogarkov was seeking. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The work of Wallace Stevens has been read most widely as poetry concerned with poetry, and not with the world in which it was created; deemed utterly singular, it seems to resist being read as the record of a life and times. In this critical biography Alan Filreis presents a detailed challenge to this exceptionalist view as he traces two major periods of Stevens's career from 1939 to 1955, the war years and the postwar years. Portraying Stevens as someone whose alternation between cultural comprehension and ignorance was itself characteristically American, Filreis examines the poet's impulse to disguise and compress the very fact of his debt to the actual world. By actual world Stevens meant historical conditions, often in order to impugn his own interest in such externalities as the last resort of a man whose famous interiority made him feel desperately irrelevant. In light of events ranging from the U.S. entry into World War II to the Cold War, Filreis shows how Stevens was driven to make a "close approach to reality" in an effort to reconcile his poetic language with a cultural language. "Wallace Stevens and the Actual World is not only an impressive feat of historical recovery and analysis, but also a pleasure to read. It will be useful to anyone interested in the relationship between American politics and literature during World War II and the Cold War."--Milton J. Bates, Marquette University Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"There are no studies of a sacred grand style in the English Renaissance," writes Debora Shuger, "because even according to its practitioners it was not supposed to exist." Yet the grand style forms the unacknowledged center of traditional rhetorical theory. In this first history of the grand style, Professor Shuger explores the growth of a Christian aesthetic out of the Classical grand style, showing its development from Isocrates to the sacred rhetorics of the Renaissance. These rhetorics advocate a Christian grand style neither pedantically mimetic nor playfully sophistic, whose models include Tacitus and the Bible, as well as Cicero, and whose theoretical sources embrace not only Cicero and Quintilian, but Hermogenes and Longinus. This style dominates the best and most scholarly rhetorics of the period--texts written in Latin and, while ignored by most recent scholars, extensively used in England throughout the sixteenth and seventeenth centuries. These works are the first attempts since Augustine's pioneering revision of Ciceronian rhetoric to reground ancient rhetorical theory on Christian epistemology and theology. According to Professor Shuger, the Christian grand style is passionate, vivid, dramatic, metaphoric--yet this emotional energy and sensuousness is shaped and legitimated by Renaissance religious culture. Thus sacred rhetoric cannot be considered apart from contemporary theories of cognition, emotion, selfhood, and signification. It mediates between word and world. Moreover, these texts suggest the almost forgotten centrality of neo-Latin scholarship during these years and provide a crucial theoretical context for England's great flowering of devotional prose and poetry. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In a fresh reading of Montaigne's Essais, David Quint portrays the great Renaissance writer as both a literary man and a deeply engaged political thinker concerned with the ethical basis of society and civil discourse. From the first essay, Montaigne places the reader in a world of violent political conflict reminiscent of the French Wars of Religion through which he lived and wrote. Quint shows how a group of interrelated essays, including the famous one on the cannibals of Brazil, explores the confrontation between warring adversaries: a clement or vindictive victor and his suppliant or defiant captive. How can the two be reconciled? In a climate of hatred and obstinacy, Montaigne argues not only for the political necessity but also for the moral imperative of trusting and submitting to others and of extending mercy to them. For Quint, this ethical message informs other topics of the Essais: Montaigne's criticism of stoic models of virtue, his project to reform the cruel behavior of his noble class, his self-portrait that depicts his relaxed and unstudied nature, and his measuring of his own behavior against the classical virtue of Socrates. Quint's reading, attentive to Montaigne's verbal artistry and to his historical and cultural context, shows the essayist always aware of the other side of the issue. The moral thought of the Essais emerges as startlingly modern, both in the perennial urgency of Montaigne's concerns and in the self-questioning open-endedness of his doctrine. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure. Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In spite of a powerful tradition, more than two thousand years old, that in a valid argument the premises must be relevant to the conclusion, twentieth-century logicians neglected the concept of relevance until the publication of Volume I of this monumental work. Since that time relevance logic has achieved an important place in the field of philosophy: Volume II of Entailment brings to a conclusion a powerful and authoritative presentation of the subject by most of the top people working in the area. Originally the aim of Volume II was simply to cover certain topics not treated in the first volume--quantification, for example--or to extend the coverage of certain topics, such as semantics. However, because of the technical progress that has occurred since the publication of the first volume, Volume II now includes other material. The book contains the work of Alasdair Urquhart, who has shown that the principal sentential systems of relevance logic are undecidable, and of Kit Fine, who has demonstrated that, although the first-order systems are incomplete with respect to the conjectured constant domain semantics, they are still complete with respect to a semantics based on "arbitrary objects." Also presented is important work by the other contributing authors, who are Daniel Cohen, Steven Giambrone, Dorothy L. Grover, Anil Gupta, Glen Helman, Errol P. Martin, Michael A. McRobbie, and Stuart Shapiro. Robert G. Wolf's bibliography of 3000 items is a valuable addition to the volume. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Russell Lee is widely acclaimed as one of the most outstanding documentary photographers of the twentieth century. His images of American life during the Great Depression, created for the Farm Security Administration between 1936 and 1942, hold a preeminent place in one of history's best-known and most useful photographic collections. This famous body of work demonstrates Lee's extraordinary ability to reveal the humanity of his subjects and to become a part of the communities he photographed. It also displays Lee's superior technical ability—his legendary skill in using a flash enabled Lee to create some of the finest candids in the history of photography. Russell Lee Photographs is the first book to show the full range and quality of Lee's entire oeuvre beyond the FSA work, as well as the first major publication of his photographs since F. Jack Hurley's 1978 book, Russell Lee: Photographer (long out of print). The book contains over 140 images, 101 of which have never appeared in book publication. The photographs are grouped into suites of images that represent all of Lee's important, non-FSA subjects: early work from New York City and Woodstock; the Spanish-speaking people of Texas; the mentally and physically disabled; political campaigns, including the Kennedy-Johnson campaign of 1960; commercial work for chemical and other companies; a portfolio of images of Italy; and quintessential scenes of small-town life. Setting Lee's images in context are a foreword by John Szarkowski, one of America's leading photography curators and critics, and an introduction by Lee's friend and fellow photography educator J. B. Colson, who offers fascinating personal insights into Lee's life and career. Considering Russell Lee's stature in American photography, it is surprising that much of his post-FSA work is unknown to the public and has been seldom seen even in the photography community. By making these images readily available for the first time, this book gives long-overdue recognition to the full range and excellence of Lee's work. Russell Lee Photographs is the essential book on this major American photographer.

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The horned dinosaurs, a group of rhinoceros-like creatures that lived 100 to 65 million years ago, included one of the greatest and most popular dinosaurs studied today: Triceratops. Noted for his flamboyant appearance--marked by a striking array of horns over the nose and eyes, a long bony frill at the back of the head, and an assortment of lumps and bumps for attracting females--this herbivore displayed remarkable strength in its ability to fight off Tyrannosaurus rex. It was also among the last dinosaurs to walk the earth. In telling us about Triceratops and its relatives, the Ceratopsia, Peter Dodson here re-creates the sense of adventure enjoyed by so many scientists who have studied them since their discovery in the mid-nineteenth century. From the badlands of the Red Deer River in Alberta to the Gobi Desert, Dodson pieces together fossil evidence to describe the ceratopsians themselves--their anatomy, biology, and geography--and he evokes the human dimension of their discovery and interpretation. An authoritative survey filled with many original illustrations, this book is the first comprehensive presentation of horned dinosaurs for the general reader. Dodson explains first the fascinating ways in which the ceratopsians dealt with their dangerous environment. There follows a lesson on ceratopsian bone structure, which enables the reader quickly to grasp the questions that still puzzle scientists, concerning features such as posture, gait, footprints, and diet. Dodson evenhandedly discusses controversies that continue, for example, over sexual dimorphism and the causes of the dinosaurs' disappearance. Throughout his narrative, we are reminded that dinosaur study is a human enterprise. We meet the scientists who charmed New York high society into financing expeditions to Mongolia, home of Triceratops' predecessors, as well as those who used their poker winnings to sustain paleontology expeditions. Rich in fossil lore and in tales of adventure, the world of the Ceratopsia is presented here for specialists and general readers alike. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Jean-Paul Bertaud is the leading French authority on the army of the French Revolution, and La Revolution armee is the authortative treatment of the firest great national, patriotic, revolutionary, and mass army, engaged in what has been called the first total war: that between revolutionary France and the other European powers. The book is a successful attempt to integrate military history with social and political history and thereby to depict the army as a "school for the republic" that by subtle changes after 1795 made way for the Napoleonic regime. The distinguished historian R.R. Palmer presents the first translation of this work into English in a volume that will quickly become indispensable for French historians, historical sociologists, and political scientists interested in armies and revolutions.The theme of the book is suggested by its French title: "the Revolution armed." That is, the book is primarily about the Revolution, and specifically the Revolution in its relation to armed force. This revolution, and this army, activated the idea of the citizen-soldier exemplified by the ancient classical republics, and favored by Jean-jacques Rousseau and other eighteenth-century thinkers, but never before realized on so large and portentous a scale as in France in the 1790s. Jean-Paul Bertaud is Professor of Modern History at the University of Paris I (the Sorbonne). He has published widely in France on aspects of the French Revolution. R.R. Palmer is Professor Emeritus at Yale University and author of numerous books, including the two-volume The Age of the Democratic Revolution (1959 and 1964), Twelve Who Ruled (1941), and The Improvement of Humanity: Education and the French Revolution (1985), all published by Princeton University Press. He has translated many works from the French, most recently The Two Tocquevilles, Father and Son: Herve and Alexis de TOcqueville on the Coming of the French Revolution (Princeton, 1987).Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A revered classic of 1970s New York conceptualism, Bernadette Mayer’s Memory synthesizes writing and photography in this prescient “emotional science project” A New York Times Book Review 2020 holiday gift guide pick In July 1971, Bernadette Mayer embarked on an experiment: for one month she shot a roll of 35mm film each day and kept a journal. The result was a conceptual work that investigates the nature of memory, its surfaces, textures and material. Memory is both monumental in scope (over 1,100 photographs, two hundred pages of text and six hours of audio recording) and a groundbreaking work by a poet who is widely regarded as one of the most innovative experimental writers of her generation. Presaging Mayer’s durational, constraint-based diaristic works of poetry, it also evinces her extraordinary—and often unheralded—contribution to conceptual art. Mayer has called Memory “an emotional science project,” but it is far from confessional. This boldly experimental record follows the poet’s eye as she traverses early morning into night, as quotidian minutiae metamorphose into the lyrical, as her stream of consciousness becomes incantatory. In text and image, Mayer constructs the mercurial consciousness of the present moment from which memory is—as she says—“always there, to be entered, like the world of dreams or an ongoing TV show.” This publication brings together the full sequence of images and text for the first time in book form, making space for a work that has been legendary but mostly invisible. Originally exhibited in 1972 by pioneering gallerist Holly Solomon, it was not shown again in its entirety until 2016 at the Poetry Foundation in Chicago and then again in 2017 in New York City at the CANADA Gallery. The text was published without the photographs in 1975 by North Atlantic Books in an edition that has long been out of print. Bernadette Mayer (born 1945) is the author of over 30 books, including the acclaimed Midwinter Day (1982), a book-length poem written during a single day in Lenox, Massachusetts, The Desires of Mothers to Please Others in Letters (1994) and Work and Days (2016), which was a finalist for the National Book Critics Circle Award. Associated with the New York School as well as the Language poets, Mayer has also been an influential teacher and editor. In the art world, she is best known for her collaboration with Vito Acconci as editors of the influential mimeographed magazine 0 TO 9.

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Contributing to the ongoing excavation of the spiritual lifeworld of Dorothy Day—“the most significant, interesting, and influential person in the history of American Catholicism”—The Bread of the Strong offers compelling new insight into the history of the Catholic Worker movement, including the cross-pollination between American and Quebecois Catholicism and discourse about Christian antimodernism and radicalism. The considerable perseverance in the heroic Christian maximalism that became the hallmark of the Catholic Worker’s personalism owes a great debt to the influence of Lacouturisme, largely under the stewardship of John Hugo, along with Peter Maurin and myriad other critical interventions in Day’s spiritual development. Day made the retreat regularly for some thirty-five years and promoted it vigorously both in person and publicly in the pages of The Catholic Worker. Exploring the influence of the controversial North American revivalist movement on the spiritual formation of Dorothy Day, author Jack Lee Downey investigates the extremist intersection between Roman Catholic contemplative tradition and modern political radicalism. Well grounded in an abundance of lesser-known primary sources, including unpublished letters, retreat notes, privately published and long-out-of-print archival material, and the French-language papers of Fr. Lacouture, The Bread of the Strong opens up an entirely new arena of scholarship on the transnational lineages of American Catholic social justice activism. Downey also reveals riveting new insights into the movement’s founder and namesake, Quebecois Jesuit Onesime Lacouture. Downey also frames a more reciprocal depiction of Day and Hugo’s relationship and influence, including the importance of Day’s evangelical pacifism on Hugo, particularly in shaping his understanding of conscientious objection and Christian antiwar work, and how Hugo’s ascetical theology animated Day’s interior life and spiritually sustained her apostolate. A fascinating investigation into the retreat movement Day loved so dearly, and which she claimed was integral to her spiritual formation, The Bread of the Strong explores the relationship between contemplative theology, asceticism, and radical activism. More than a study of Lacouture, Hugo, and Day, this fresh look at Dorothy Day and the complexities and challenges of her spiritual and social expression presents an outward exploration of the early- to mid–twentieth century dilemmas facing second- and third-generation American Catholics.

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This volume contains Auden and Christopher Isherwood's dramatic extravaganzas The Dog Beneath the Skin, the Ascent of F 6, and On the Frontier. It also includes the two versions of Paid on Both Sides--which are so different as to constitute two works--and Auden's satiric revue The Dance of Death. Two plays appear in print for the first time, Auden and Isherwood's The Enemies of a Bishop and Auden's The Chase. Also included are Auden's prose and verse written for doucmentary films, a cabaret sketch, and an unpublished radio script. Many of the texts include poems by the young Auden that have never been published before. The extensive historical and textual notes trace the complex history of the production and revision of these plays, including full texts and rewritten scenes.During the years when these works were created, Auden moved from a "poetry of isolation" to more expansive and public writing. After he left Oxford at age twenty-one, during the summer of 1928, he wrote the tragicomic charade Paid on Both Sides. During the next ten years, until he left England for America, he created the increasingly ambitious works for stage, film, and broadcast that appear in this volume. The most important of these plays were written in collaboration with Isherwood. As the world political situation worsened, Isherwood and Auden's style combined the energy of popular entertainment with the urgency of sacramental ritual.Edard Mendelson is Professor of English and Comparative Literature at Columbia University and the author of Early Auden (Viking). He is the editor of two volumes of Aduen's poetry, Collected Poems (Random House) and The English Auden (Random House).Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This analysis of the writings of two major Victorian intellectuals examines the crucial place of gender in the larger Victorian debate about nature, religion, and evolutionary theory. Demonstrating the primacy of Herbert Spencer's influence on George Eliot's thought, Nancy Paxton discloses the continuous dialogue between this profoundly learned novelist and one of the most formidable and influential scientific authorities of her time. Using rarely cited first editions of Spencer's published works, Paxton reveals that Eliot and Spencer initially agreed in supporting several of the goals of early Victorian feminism when they met in 1851. Paxton surveys all of Spencer's writing to show when and why he repudiated his early feminism and demonstrates Eliot's determined resistance to the most conservative tendencies of evolutionary theory in her representation of female sexuality, motherhood, feminist ambition, and desire. In comparing Eliot's and Spencer's evolutionary "reconstruction of gender," the book draws on a wide variety of biographical, literary, and critical texts and on interdisciplinary scholarship about the relation between scientific and literary discourse in the nineteenth century. By thus reassessing Eliot's contribution to feminist thought, it presents a revolutionary reading of her novels which is informed by contemporary feminist criticism and the new historicism. "This is an important book because of the questions it raises, the issues it covers, and the illumination it brings to Eliot and Spencer and to crucial problems in the nineteenth century: Paxton looks at the ways scientific data get turned into arguments about the nature of women in society, about women and education, about women and sexuality. This work shows how truly current Eliot's novels are, no matter what their setting."--Barry Qualls, Rutgers University Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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When Charlotte Perkins Gilman's first nonfiction book, Women and Economics, was published exactly a century ago, in 1898, she was immediately hailed as the leading intellectual in the women's movement. Her ideas were widely circulated and discussed; she was in great demand on the lecture circuit, and her intellectual circle included some of the most prominent thinkers of the age. Yet by the mid-1960s she was nearly forgotten, and Women and Economics was long out of print. Revived here with new introduction, Gilman's pivotal work remains a benchmark feminist text that anticipates many of the issues and thinkers of 1960s and resonates deeply with today's continuing debate about gender difference and inequality. Gilman's ideas represent an integration of socialist thought and Darwinian theory and provide a welcome disruption of the nearly all-male canon of American economic and social thought. She stresses the connection between work and home and between public and private life; anticipates the 1960s debate about wages for housework; calls for extensive childcare facilities and parental leave policies; and argues for new housing arrangements with communal kitchens and hired cooks. She contends that women's entry into the public arena and the reforms of the family would be a win-win situation for both women and men as the public sphere would no longer be deprived of women's particular abilities, and men would be able to enlarge the possibilities to experience and express the emotional sustenance of family life. The thorough and stimulating introduction by Michael Kimmel and Amy Aronson provides substantial information about Gilman's life, personality, and background. It frames her impact on feminism since the Sixties and establishes her crucial role in the emergence of feminist and social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

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When the National Science Foundation funds research about the earth's crust and the Department of Energy supports studies on the disposal of nuclear wastes, what do they expect for their money? Most scientists believe that in such cases the government wants information for immediate use or directions for seeking future benefits from nature. Challenging this oversimplified view, Chandra Mukerji depicts a more complex interdependence between science and the state. She uses vivid examples from the heavily funded field of oceanography, particularly from recent work on seafloor hot springs and on ocean disposal of nuclear wastes, to raise questions about science as it is practiced and financed today. She finds that scientists act less as purveyors of knowledge to the government than as an elite and highly skilled talent pool retained to give legitimacy to U.S. policies and programs: scientists allow their authority to be projected onto government officials who use scientific ideas for political purposes. Writing in a crisp and jargon-free style, Mukerji reveals the peculiar mix of autonomy and dependency defined for researchers after World War II--a mix that has changed since then but that continues to shape the practical conduct of science. Scientists use their control over the scientific content of research to convince themselves of their autonomy and to achieve some power in their dealings with funding agencies, but they remain fundamentally dependent on the state. Mukerji argues that they constitute a kind of reserve force, like the Army or Navy reserves, paid by the government to do research only because science is politically essential to the workings of the modern state. This book is essential reading not only for sociologists and students of science and society, and for oceanographers, but also for every scientist whose work depends directly or indirectly on government support. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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From rare books, valuable sculpture and paintings, the relics of saints, and porcelain and other precious items, through stamps, textiles, military ribbons, and shells, to baseball cards, teddy bears, and mugs, an amazing variety of objects have engaged and even obsessed collectors through the ages. With this captivating book the psychoanalyst Werner Muensterberger provides the first extensive psychological examination of the emotional sources of the never-ending longing for yet another collectible. Muensterberger's roster of driven acquisition-hunters includes the dedicated, the serious, and the infatuated, whose chronic restlessness can be curbed--and then merely temporarily--only by purchasing, discovering, receiving, or even stealing a new "find." In an easy, conversational style, the author discusses the eccentricities of heads of state, literary figures, artists, and psychoanalytic patients, all possessed by a need for magic relief from despair and helplessness--and for the self-healing implied in the phrase "I can't live without it!" The sketches here are diverse indeed: Walter Benjamin, Mario Praz, Catherine the Great, Poggio Bracciolini, Brunelleschi, and Jean de Berry, among others. The central part of the work explores in detail the personal circumstances and life history of three individuals: a contemporary collector, Martin G; the celebrated British book and manuscript collector Sir Thomas Phillipps, who wanted one copy of every book in the world; and the great French novelist Honore de Balzac, a compulsive collector of bric-a-brac who expressed his empathy for the acquisitive passions of his collector protagonist in Cousin Pons. In addition, Muensterberger takes the reader on a charming tour of collecting in the Renaissance and looks at collecting during the Golden Age of Holland, in the seventeenth century. Throughout, we enjoy the author's elegant variations on a complicated theme, stated, much too simply, by John Steinbeck: "I guess the truth is that I simply like junk." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Recollections of Tartar Steppes, first published in 1863, is a lost classic of women's travel writing that remains one of the earliest and best examples of the genre. In February 1848 the erstwhile English governess Lucy Atkinson set off from Moscow with her new husband Thomas Witlam Atkinson on a journey that would eventually last almost six years and cover more than 40,000 miles through the unknown wastes of Siberia and Central Asia. To add to the challenge, Lucy found soon after setting off out that she was pregnant. Having barely ever ridden in her life, she spent her entire pregnancy on horseback, before giving birth to a son in a yurt in a remote corner of Central Asia. Remarkably, her child survived and for the next five years accompanied his parents wherever they travelled - through the Djungar Alatau Mountains on the borders with China, the Altai Mountains in southern Siberia and then thousands of miles east to Irkutsk, Lake Baikal and the Sayan Mountains. Lucy Atkinson was not simply a passive witness on this remarkable journey, but an active participant, handling horses and camels, organizing Cossack and local guides and learning to shoot for the pot. On several occasions she levelled a rifle to protect her husband when he was threatened by brigands. Throughout this book, based on diaries she kept, she brings to life her remarkable experiences, whether sharing a meal with a Kazakh chieftain, negotiating the hire of reindeer to carry her baby son, or setting off for two weeks in an open rowing boat onto the unpredictable waters of Lake Baikal. During the bitter winters, when the Atkinsons hunkered down in one of the scattered towns of Siberia to avoid the worst of the sub-zero temperatures, she was a sensation at the soirées and parties that punctuated the long, dark evenings. Through her connections to her former employer in St Petersburg she also met with many of the exiled Decembrists and their wives, including Princess Maria Volkonsky and Princess Katherine Troubetskoy. Out of print for many years, this new edition includes a detailed introduction by Nick Fielding and Marianne Simpson - a direct descendant of Lucy Atkinson's brother Matthew - which explains the background to Lucy's travels and the fascinating events that followed her return to London and her husband's death in 1861.

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This book is not only an explanation of the political dynamic that led to the Polish "revolution" and the birth of Solidarity in 1980 and 1981 but an extremely important analysis of postwar East Central Europe. Although intimately involved with various aspects of Solidarity's activities, Jadwiga Staniszkis maintains a detached and critical attitutde toward the movement. Dr. Saniszkis was one of seven advisers allowed in the Gdansk shipyard during the strikes of August 1980, negotiating on behalf of the workers. Offering interpretations of events made virtually as they were occurring, she is still able to weave these interpretations into an analytic scheme that is clearly the work of a profound and original sociologist.The author demonstrates how the authoritarian regime of Poland succeeded in incorporating and, as it were, domesticating developments that would be seen by a less astute observer (or by a traditional social scientist) as disruptive or threatening to the system's stability. Moving beyond analyses derived from totalitarian and interest group models for the study of "socialist" societies, she attempts to understand present-day Poland as a corporatist society. A sociologist of organizations, she clarifies the intricate system of mechanisms that compensates for the irrationalities produced by the ideological restrictions of Polish society. Sensitive to the symbolic manipulation in social control, she analyzes such phenomena as simulation of interest group representation and ritualization of the periodic crises of the regime. This work is a major contribution to our understanding of the so-called people's democracies.Jadwiga Staniszkis received her Ph.D. and habilitation (Docent) in sociology at the University of Warsaw. Her dissertation, "Pathologies of Organizational Structure," won the Polish Sociological Association Prize in 1976. Dr. Staniszkis visited the United States twice, as the fellow of the American Council of Learned Societies and as a recipient of the Eisenhower Fellowship, Jan T. Gross is the author of Polish Society under German Occupation (Princeton).Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book is not only an explanation of the political dynamic that led to the Polish "revolution" and the birth of Solidarity in 1980 and 1981 but an extremely important analysis of postwar East Central Europe. Although intimately involved with various aspects of Solidarity's activities, Jadwiga Staniszkis maintains a detached and critical attitutde toward the movement. Dr. Saniszkis was one of seven advisers allowed in the Gdansk shipyard during the strikes of August 1980, negotiating on behalf of the workers. Offering interpretations of events made virtually as they were occurring, she is still able to weave these interpretations into an analytic scheme that is clearly the work of a profound and original sociologist.The author demonstrates how the authoritarian regime of Poland succeeded in incorporating and, as it were, domesticating developments that would be seen by a less astute observer (or by a traditional social scientist) as disruptive or threatening to the system's stability. Moving beyond analyses derived from totalitarian and interest group models for the study of "socialist" societies, she attempts to understand present-day Poland as a corporatist society. A sociologist of organizations, she clarifies the intricate system of mechanisms that compensates for the irrationalities produced by the ideological restrictions of Polish society. Sensitive to the symbolic manipulation in social control, she analyzes such phenomena as simulation of interest group representation and ritualization of the periodic crises of the regime. This work is a major contribution to our understanding of the so-called people's democracies.Jadwiga Staniszkis received her Ph.D. and habilitation (Docent) in sociology at the University of Warsaw. Her dissertation, "Pathologies of Organizational Structure," won the Polish Sociological Association Prize in 1976. Dr. Staniszkis visited the United States twice, as the fellow of the American Council of Learned Societies and as a recipient of the Eisenhower Fellowship, Jan T. Gross is the author of Polish Society under German Occupation (Princeton).Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Two thousand years ago, according to the Bible, a star rose low in the east and stopped high above Bethlehem. Was it a miracle, a sign from God to herald the birth of Christ? Was there a star at all, or was it simply added to the Bible to fulfill the Old Testament prophecy concerning the birth of the Messiah? Or was the Star of Bethlehem an actual astronomical event? For hundreds of years, astronomers as prominent as Johannes Kepler have sought an answer to this last baffling question. In The Star of Bethlehem, Mark Kidger brings all the tools of modern science, years of historical research, and an infectious spirit of inquiry to bear on the mystery. He sifts through an astonishing variety of ideas, evidence, and information--including Babylonian sky charts, medieval paintings, data from space probes, and even calculations about the speed of a camel--to present a graceful, original, and scientifically compelling account of what it may have been that illuminated the night skies two millennia ago. Kidger begins with the stories of early Christians, comparing Matthew's tale of the Star and the three Magi who followed it to Bethlehem with lesser-known accounts excluded from the Bible. Crucially, Kidger follows the latest biblical scholarship in placing Christ's birth between 7 and 5 B.C., which leads him to reject various phenomena that other scientists have proposed as the Star. In clear, colorful prose, he then leads us through the arguments for and against the remaining astronomical candidates. Could the Star have been Venus? What about a meteor or a rare type of meteor shower? Could it have been Halley's Comet, as featured in Giotto's famous painting of the Nativity? Or, as Kidger suspects, was the Star a combination of events--a nova recorded in ancient Chinese and Korean manuscripts preceded by a series of other events, including an unusual triple conjunction of planets? Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces. Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chereau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imagination powered by the music. Sutcliffe, an opera critic for many years, argues that opera is theater plus music of the highest expressive quality, and as a result he has often sided with unconventional and novel theatrical interpretations. He believes that there is more to opera than meets the ear, and his aim is to further the process of understanding and interpretation of these important opera productions. No other book has attempted this kind of monumental survey. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Alabanza is a twenty-year collection charting the emergence of Martín Espada as the preeminent Latino lyric voice of his generation. "Alabanza" means "praise" in Spanish, and Espada praises the people Whitman called "them the others are down upon": the African slaves who brought their music to Puerto Rico; a prison inmate provoking brawls so he could write poetry in solitary confinement; a janitor and his solitary strike; Espada's own father, who was jailed in Mississippi for refusing to go to the back of the bus. The poet bears witness to death and rebirth at the ruins of a famine village in Ireland, a town plaza in México welcoming a march of Zapatista rebels, and the courtroom where he worked as a tenant lawyer. The title poem pays homage to the immigrant food-service workers who lost their lives in the attack on the World Trade Center. From the earliest out-of-print work to the seventeen new poems included here, Espada celebrates the American political imagination and the resilience of human dignity. Alabanza is the epic vision of a writer who, in the words of Russell Banks, "is one of the handful of American poets who are forging a new American language, one that tells the unwritten history of the continent, speaks truth to power, and sings songs of selves we can no longer silence." An American Library Association Notable Book of 2003 and a 2003 New York Public Library Book to Remember. "To read this work is to be struck breathless, and surely, to come away changed."—Barbara Kingsolver "Martín Espada is the Pablo Neruda of North American authors. If it was up to me, I'd select him as the Poet Laureate of the United States."—Sandra Cisneros "With these new and selected poems, you can grasp how powerful a poet Espada is—his range, his compassion, his astonishing images, his sense of history, his knowledge of the lives on the underbelly of cities, his bright anger, his tenderness, his humor. "—Marge Piercy "Espada's poems are not just clarion calls to the heart and conscience, but also wonderfully crafted gems."—Julia Alvarez "A passionate, readable poetry that makes [Espada] arguably the most important 'minority' U.S. poet since Langston Hughes."—Booklist"Neruda is dead, but if Alabanza is any clue, his ghost lives through a poet named Martín Espada."—San Francisco Chronicle

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This new edition of The Heart (out of print for nearly 30 years) is the flagship volume in a series of Dietrich von Hildebrand’s works to be published by St. Augustine’s Press in collaboration with the Dietrich von Hildebrand Legacy Project. Founded in 2004, the Legacy Project exists in the first place to translate the many German writings of von Hildebrand into English.While many revere von Hildebrand as a religious author, few realize that he was a philosopher of great stature and importance. Those who knew von Hildebrand as philosopher held him in the highest esteem. Louis Bouyer, for example, once said that “von Hildebrand was the most important Catholic philosopher in Europe between the two world wars.” Joseph Cardinal Ratzinger expressed even greater esteem when he said: “I am personally convinced that, when, at some time in the future, the intellectual history of the Catholic Church in the twentieth century is written, the name of Dietrich von Hildebrand will be most prominent among the figures of our time.”The Heart is an accessible yet important philosophical contribution to the understanding of the human person. In this work von Hildebrand is concerned with rehabilitating the affective life of the human person. He thinks that for too long philosophers have held it in suspicion and thought of it as embedded in the body and hence as being much inferior to intellect and will. In reality, he argues, the heart, the center of affectivity, has many different levels, including an eminently personal level; at this level affectivity is just as important a form of personal life as intellect and will. Von Hildebrand develops the idea that properly personal affectivity, far than tending away from an objective relation to being, is in fact one major way in which we transcend ourselves and give being its due. Von Hildebrand also developed the important idea that the heart “in many respects is more the real self of the person than his intellect or will.”At the same time, the author shows full realism about the possible deformities of affective life; he offers rich analyses of what he calls affective atrophy and affective hypertrophy. The second half of The Heart offers a remarkable analysis of the affectivity of the God-Man.

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Every one of the 12 cookbooks Arto der Haroutunian wrote became a classic; his thoughtful, erudite writing helped to explain to westerners the subtlety, complexity and diversity of Middle Eastern and North African cooking. In Vegetarian Dishes from the Middle East he collected together a treasury of recipes. The cooking of vegetables is treated with reverence in the in the lands that make up the rich and varied tapestry of the Middle East. The people depend on the grains and pulses, nuts, vegetables and fruits of the region for their daily food. Here are warm and spicy stuffed vegetables, cool and fragrant soups, delicate preserves, pilafs, breads, pickles, relishes and pastries. Arto der Haroutunian was born in Aleppo, Syria in 1940 and grew up in the Levant, but came to England with his parents as a child and remained here for most of his life. He studied architecture at Manchester University and established a career designing restaurants, clubs and hotels. In 1970, in partnership with his brother, he opened the first Armenian restaurant in Manchester which eventually became a successful chain of six restaurants and two hotels. Given his passion for cooking it was a natural progression that he should then begin to write cookery books as they combined his love of food with his great interest in the history and culture of the region. It was his belief that the rich culinary tradition of the Middle East is the main source of many of our Western cuisines and his books were intended as an introduction to that tradition. All the many cookbooks written by Der Haroutunian have now been out of print for many years and second hand copies fetch hundreds of pounds. He died in 1987 at the untimely age of 47. He is survived by his wife and son who still live in Manchester. As well as his passion for cooking, Arto der Haroutunian was a painter of international reputation who exhibited all over the world. His other interests included composing music and translating Turkish, Arab, Persian and Armenian authors. He was a true polymath.

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Commander Leighton is a psychiatrist and anthropologist who was assigned to go to the Japanese Relocation Center at Poston, Arizona, and "apply the methods of social science" to that community-find out in terms of human relationships what was working well and why, what was going wrong and why, and attempt to draw general principles from that experience. He fulfilled his mission brilliantly, and his manuscript account was immediately hailed by those who read it as one of the most thoughtful and truly literate government reports ever written. Under the sponsorship of the American Council, Institute of Pacific Relations, Commander Leighton has prepared this fascinating book from the material which went into his report. The first part, illustrated with striking photographs, is a dramatic yet genuinely "clinical" account of the strike at Poston and the attitudes tensions and frustrations of both administrators and administered. It inquires deeply into the motivations and reactions of the people who made up the Poston community. In the next section, general principles and recommendations are presented- and this material is drawn from other sources as well as Poston. The book thus appeals to a wide variety of readers: Army and Navy officers facing problems of civil administration, citizens interested in minority groups and race relations in the U.S., students of public opinion and of industrial relations in government, industry, and labor, sociologists, psychiatrists. Moreover, it is written with such skill, and is so rich in dramatic illustration of how man's mind works, that it is also unreservedly recommended to the general reader, whether or not he has any active concern either with Japanese-American problems or with "the governing of men." Originally published in 1945. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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At the height of the religious ferment of the 1970s, David Van Zandt studied firsthand the most vilified of the new radical religious movements--the Children of God, or the Family of Love. First feigning membership and later gaining the permission of the Family, the author lived full-time in COG colonies in England and the Netherlands. From that experience, he has produced an informed, insightful, and humane report on how COG members function in what seems at first to be a completely bizarre setting. The COG, an offshoot of the Jesus People movement of the late 1960s, was one of the first radical religious groups to be accused of "brainwashing." Led by the charismatic David Berg, known as Moses David, the group demands total commitment from its full-time members and proselytizes continuously. Until recently the COG used sex as a proselytizing tool, and it continues to encourage full sexual sharing among group members. Instead of examining the COG's ideology in the abstract, Van Zandt analyzes how its ideas are understood and used by ordinary members in their daily lives. For them the Family is its practical, day-to-day, and all-consuming activities, such as "litnessing" (the street sale of COG literature). This is a vivid eyewitness account that will fascinate anyone interested in life in modern radical communal religions, such as the Unification Church and the Hare Krishnas, as well as in other radical, Christian-based, total-commitment groups. Van Zandt's frank reflections on his near-conversion experience and on the ethics of his covert observation enrich our knowledge of doing research with such groups. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Timothy Sisk presents a new way of conceiving the transition to democracy in South Africa. Unlike authors such as Horowitz and Lijphart, who have sought to prescribe an ideal set of post-apartheid political institutions, Sisk asks what kinds of institutions show signs of actually emerging, given recent history and present realities. He treats the problem of constructing a democratic post-apartheid society in South Africa as part of a larger condition common to societies deeply divided by ethnic, religious, racial, or national discord. Though its profound cleavages of race and class make it a "least likely" candidate for conflict resolution through democratization, Sisk argues that the centripetal pull on moderate politicians of all parties was greater than the seemingly natural polarizing trend in a divided society. This centripetal pull led to the adoption of an interim constitution in 1993 after protracted negotiations. An American Fulbright scholar sent to South Africa after the end of the 21-year rupture of official scholarly exchanges between the two countries, Sisk analyzes the changes in the strategic calculations of the white minority government, the black liberation movement, and other parties over the course of negotiations since 1990. He concludes that intermittent upsurges of violence often reinforced, rather than reduced, the incentives of leaders on both sides to negotiate a settlement that would avoid mutually damaging outcomes. Drawing on extensive interviews with political figures, as well as other primary and secondary sources, Sisk finds reason for hope that a democratic social contract can evolve, balancing majority rule with minority representation and guaranteeing equal economic opportunity and social justice. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichir? Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In Suburbs under Siege Charles Haar argues passionately that all people--rich or poor, black or white--have a constitutional right to live in the suburbs and that a socially responsible judiciary should vigorously uphold that right. For various reasons, American courts have generally failed to question local zoning regulations that trap the urban poor in the squalor of inner cities, away from decent housing and jobs in the suburbs. No U.S. Supreme Court case, for instance, has confronted exclusionary zoning rules, as Brown v. Board of Education once attacked school segregation. Instead, judges at all levels have most often reinforced the residential segregation that may well destroy American society. In this provocative book on the landmark Mount Laurel cases, Haar shows how the N.J. state judiciary broke out of this pattern of judicial behavior. These courageous, innovative judges attracted nationwide attention by challenging the forces of affluence that ruled the suburbs (and the legislature) of their state. Furthermore, they based their reasoning on the N.J. state constitution in order to protect their rulings from invalidation by the U.S. Supreme Court. In the early 1970s, when the cases began, the plaintiffs, Ethel Lawrence and her daughter Thomasene, were barely making ends meet in the Philadelphia suburb of Mount Laurel, a town where their African-American ancestors had lived for seven generations. The Lawrences' dream was to live in a Mount Laurel garden apartment planned by a grassroots reform group as affordable housing: in their way stood a typical minimum acreage zoning ordinance. The eventual court victory of the Lawrences and their young public interest attorneys inspired other N.J. suits and a process of remediation that continues to this day, as judges, experts (special masters), the state legislature, and other citizens work to carry out the Mount Laurel principles. Haar's book is a bold attack on conventional doctrines of the separation of powers limitations on the judicial branch and a plea that judges across the country assume their proper responsibilities for fair housing before it is too late. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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As more and more people are questioning the assumptions of present U.S. foreign policy they are reexamining the roots of these policies in the diplomacy of the Cold War. This scrutiny has made the origins of the Cold War the most controversial issue in American diplomatic history. Now a complete new dimension has been added to the debate by the charges leveled by Robert James Maddox in The New Left and the Origins of the Cold War. How did the Cold War begin? Who or what was responsible? Could it have been avoided? Was it a temporary condition created by a combination of individual personalities and historical factors, or did it represent the clash of fundamentally irreconcilable political systems? The orthodox explanation of the Cold War is that it was "the brave and essential response of free men to Communist aggression." A number of scholars more or less identified with the New Left have challenged the conventional explanation by asserting that the U.S. bears the major responsibility for its onset. One group of revisionists sees this as the result of a failure of statesmanship on the part of Truman and the advisors around him, the other that the Cold War was the inevitable result of the American system as it developed over the years. Their conclusions have often been challenged in matters of interpretation. Robert Maddox, however, believes that an examination of the manner in which new interpretations are reached should precede dialogues over the ideas themselves. Consequently he has examined seven of the most prominent New Left works: The Tragedy of American Diplomacy by William Appleman Williams; The Cold War and Its Origins by D. F. Fleming; Atomic Diplomacy by Gar Alperovitz; The Free World Colossus by David Horowitz; The Politics of War by Gabriel Kolko; Yalta by Diane Shaver Clemens; and Architects of Illusion by Lloyd C. Gardner. After detailed comparisons of the evidence they present with the sources from which it was taken, he concludes that these books are based on pervasive misuse of the source materials and fail to measure up to the most elementary standards of good scholarship. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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With the publication of French Philosophy of the Sixties, Alain Renaut and Luc Ferry in 1985 launched their famous critique against canonical figures such as Foucault, Derrida, and Lacan, bringing under rigorous scrutiny the entire post-structuralist project that had dominated Western intellectual life for over two decades. Their goal was to defend the accomplishments of liberal democracy, particularly in terms of basic human rights, and to trace the reigning philosophers' distrust of liberalism to an "antihumanism" inherited mainly from Heidegger. In The Era of the Individual, widely hailed as Renaut's magnum opus, the author explores the most salient feature of post-structuralism: the elimination of the human subject. At the root of this thinking lies the belief that humans cannot know or control their basic natures, a premise that led to Heidegger's distrust of an individualistic, capitalist modern society and that allied him briefly with Hitler's National Socialist Party. While acknowledging some of Heidegger's misgivings toward modernity as legitimate, Renaut argues that it is nevertheless wrong to equate modernity with the triumph of individualism. Here he distinguishes between individualism and subjectivity and, by offering a history of the two, powerfully redirects the course of current thinking away from potentially dangerous, reductionist views of humanity. Renaut argues that modern philosophy contains within itself two opposed ways of conceiving the human person. The first, which has its roots in Descartes and Kant, views human beings as subjects capable of arriving at universal moral judgments. The second, stemming from Leibniz, Hegel, and Nietzsche, presents human beings as independent individuals sharing nothing with others. In a careful recounting of this philosophical tradition, Renaut shows the resonances of these traditions in more recent philosophers such as Heidegger and in the social anthropology of Louis Dumont. Renaut's distinction between individualism and subjectivity has become an important issue for young thinkers dissatisfied with the intellectual tradition originating in Nietzsche and Heidegger. Moreover, his proclivity toward the Kantian tradition, combined with his insights into the shortcomings of modernity, will interest anyone concerned about today's shifting cultural attitudes toward liberalism. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Thirty-five million years ago, a meteorite three miles wide and moving sixty times faster than a bullet slammed into the sea bed near what is now Chesapeake Bay. The impact, more powerful than the combined explosion of every nuclear bomb on Earth, blasted out a crater fifty miles wide and one mile deep. Shock waves radiated through the Earth for thousands of miles, shaking the foundations of the Appalachians, as gigantic waves and winds of white-hot debris transformed the eastern seaboard into a lifeless wasteland. Chesapeake Invader is the story of this cataclysm, told by the man who discovered it happened. Wylie Poag, a senior scientist with the U.S. Geological Survey, explains when and why the catastrophe occurred, what destruction it caused, how scientists unearthed evidence of the impact, and how the meteorite's effects are felt even today. Poag begins by reviewing how scientists in the decades after World War II uncovered a series of seemingly inexplicable geological features along the Virginia coast. As he worked to interpret one of these puzzling findings in the 1980s in his own field of paleontology, Poag began to suspect that the underlying explanation was the impact of a giant meteorite. He guides us along the path that he and dozens of colleagues subsequently followed as--in true scientific tradition--they combined seemingly outrageous hypotheses, painstaking research, and equal parts good and bad luck as they worked toward the discovery of what turned out to be the largest impact crater in the U.S. We join Poag in the lab, on deep-sea drilling ships, on the road for clues in Virginia, and in heated debates about his findings. He introduces us in clear, accessible language to the science behind meteorite impacts, to life and death on Earth thirty-five million years ago, and to the ways in which the meteorite shaped the Chesapeake Bay area by, for example, determining the Bay's very location and creating the notoriously briny groundwater underneath Virginia. This is a compelling work of geological detective work and a paean to the joys and satisfactions of a life in science. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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“Ducks in a stream, the bridge at St. Anthony Falls, streets of cities and towns, a fish in a net, the glittering lakes seen under low skies. The Face of Minnesota is a fresh, simple, unpretentious statement of a place and time by people who know what Minnesota is because they live there.” —Minor White, Aperture, 1958 “John Szarkowski is the single most important curator that photography has ever had. Looking at his photographs created over the last fifty years makes me want to weep. They are truly American pictures; one feels his desire to show not just what America was but what it still can be.” —Ingrid Sischy, Vanity Fair, 2005 Originally commissioned to commemorate Minnesota’s centennial in 1958 and out of print for nearly forty years, The Face of Minnesota is a lost masterpiece of photography and an eloquent tribute to the people and places of the North Star state. Republished in celebration of the state’s sesquicentennial, this beautifully produced edition includes contemporary essays about John Szarkowski’s impact on American photography and introduces his work to new generations of Minnesotans. Featuring more than 175 arresting photographs as well as essays filled with wit and affection, The Face of Minnesota opens with this statement: “This book is about Minnesota now. But as a mature man carries on his face and in his bearing the history of his past, so does the look of a place today show its past-what it has been and what it has believed in.” Though Minnesota has changed dramatically during the past fifty years, The Face of Minnesota reveals the simple beauty of the imprint of the past and its deep resonance today. John Szarkowski (1925–2007) was director of the photography program at the Museum of Modern Art in New York, where he transformed our understanding of the art of photography through influential exhibitions and books, including Looking at Photographs (1973). In 2005 his work was surveyed in a traveling exhibition, accompanied by the book John Szarkowski: Photographs. Verlyn Klinkenborg joined the editorial board of the New York Times in 1997. He is the author of several works, including The Rural Life. Richard Benson has worked as a photographer and printer since 1966. He teaches at Yale University and is the coauthor, with John Szarkowski, of A Maritime Album: 100 Photographs and Their Stories.

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This memoir of Woodrow Wilson is a long-neglected treasure, full of the candid and perceptive observations of Wilson's brother-in-law and close friend, Stockton Axson. A charming and talented scholar of English literature, Axson became one of the few people in whom the reticent Wilson confided freely. Axson and Wilson met in 1884, when Wilson was courting Axson's sister Ellen, while Axson was still a school boy. The friendship of the two men ended only with the president's death in 1924. Axson's fondness for his mentor, "Brother Woodrow," pervades this account, but he is frank in his analysis of Wilson's flaws. As one of only a few personal memoirs of Wilson, this book offers a uniquely intimate view of the "human side" of the introverted president--and a sensitive evocation of the social life of a bygone era. Axson begins with memories of Wilson's father and of Wilson's life as a young man, including his engagement and marriage to Ellen Axson and his early teaching posts. Wilson taught for twelve years at Princeton University before his accession to its presidency, and Axson also taught there during this period. After Wilson began his stormy career as president of Princeton, Axson's bachelor quarters were often a meeting place for the "Wilson faction." His lucid analysis of Wilson's successes and failures as Princeton's president is one of the highlights of the book--and probably the best record of these years of Wilson's life. The book ends with a look behind the scenes of Wilson's career as governor of New Jersey and president of the United States, and an analysis of the growing complexity of his personality. "It is Uncle Joseph [Wilson's father] in him," observed one relative of Wilson's seeming rigidity. From the standpoint of a loving family member, Axson offers a penetrating but sympathetic report on how Wilson changed as he bore the terrible burdens of World War I and its aftermath. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Offered here for the first time in English translation, Hasidism as Mysticism is a classic in its field. Using the tools of phenomenology, Rivka Schatz Uffenheimer places Hasidism squarely in the context of religious studies. Hasidism's theoretical texts have been largely ignored by historians of the movement, but Schatz Uffenheimer analyzes these materials fully, disclosing the mystical, quietistic tendencies that existed alongside Hasidism's more activist, popular elements. The author carefully reviewed this translation of her work; it includes a revised introduction with much new material, two new chapters, and an appendix containing a translation, history, and literary analysis of one of the few extant texts attributed to the Baal Shem Tov. Schatz Uffenheimer's inquiry covers the full gamut of Hasidic life and thought, embracing such topics as the emphasis on joy and the concomitant ban on sadness and regret in Hasidism, the focus on contemplative rather than petitionary prayer, the subordination of the mizvot (commandments) to the spiritualistic goal of devequt (attachment to God), and the anarchic elements of Hasidism's approach to life within society. Also discussed are the problematic role of Torah study resulting from this spiritualistic emphasis, the movement's neutralization or internalization of the traditional concept of a historical messiah, and the transformation within Hasidism of traditional concepts borrowed from Kabbalah. The author's illuminating hints as to the affinity between Hasidism and Christian Quietism should be of particular interest to scholars in the field. Rivka Schatz Uffenheimer (1927-1992) was the Edmonton Community Professor of Jewish Mysticism at the Hebrew University of Jerusalem. One of the outstanding students of Gershom Scholem, she forged her own path in the world of scholarship. Her research encompassed a wide range of areas: Zohar and Lurianic Kabbalah, Sabbatianism, Hasidism, and the typology of Jewish messianism. In addition, she was deeply involved in the ongoing discussion concerning the major spiritual and existential issues confronting contemporary Judaism and the State of Israel. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Surrealist writer Andre Breton praised hysteria for being the greatest poetic discovery of the nineteenth century, but many physicians have since viewed it as the "wastebasket of medicine," a psychosomatic state that defies attempts at definition and cure and that can be easily mistaken for other pathological conditions. In light of a resurgence of critical interest in hysteria, leading feminist scholar Elisabeth Bronfen reinvestigates medical writings and cultural performance to reveal the continued relevance of a disorder widely thought to be a romantic formulation of the past. Through a critical rereading, she develops a new concept of hysteria, one that challenges traditional gender-based theories linking it to dissatisfied feminine sexual desire. Bronfen turns instead to hysteria's traumatic causes, particularly the fear of violation, and shows how the conversion of psychic anguish into somatic symptoms can be interpreted today as the enactment of personal and cultural discontent. Tracing the development of cultural formations of hysteria from the 1800s to the present, this book explores the writings of Freud, Charcot, and Janet together with fictional texts (Radcliffe, Stoker, Anne Sexton), opera (Mozart, Wagner), cinema (Cronenberg, Hitchcock, Woody Allen), and visual art (Marie-Ange Guilleminot, Cindy Sherman). Each of these creative works attests to a particular relationship between hysteria and self-fashioning, and enables us to read hysteria quite literally as a language of discontent. The message broadcasted by the hysteric is one of vulnerability: vulnerability of the symbolic, of identity, and of the human body itself. Throughout this work, Bronfen not only offers fresh approaches to understanding hysteria in our culture, but also introduces a new metaphor to serve as a theoretical tool. Whereas the phallus has long dominated psychoanalytical discourse, the image of the navel--a knotted originary wound common to both genders--facilitates discussion of topics relevant to hysteria, such as trauma, mortality, and infinity. Bronfen's insights make for a lively, innovative work sure to interest readers across the fields of art and literature, feminism, and psychology. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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One of the BBC's '100 Novels that Shaped the World'Jean Rhys's spell-binding novel Wide Sargasso Sea, inspired by Jane Eyre and winner the Royal Society of Literature Award is beautifully repackaged as part of the Penguin Essentials range.'There is no looking glass here and I don't know what I am like now... Now they have taken everything away. What am I doing in this place and who am I?'If Antoinette Cosway, a spirited Creole heiress, could have foreseen the terrible future that awaited her, she would not have married the young Englishman. Initially drawn to her beauty and sensuality, he becomes increasingly frustrated by his inability to reach into her soul. He forces Antoinette to conform to his rigid Victorian ideals, unaware that in taking away her identity he is destroying a part of himself as well as pushing her towards madness.Set against the lush backdrop of 1830s Jamaica, Jean Rhys's powerful, haunting masterpiece was inspired by her fascination with the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.'Compelling, painful and exquisite' Guardian'Brilliant. A tale of dislocation and dispossession, which Rhys writes with a kind of romantic cynicism, desperate and pungent' The Times'Rhys turns a menacing cipher into a grieving, plausible young woman, and one whose story says whole worlds about global mixtures, about the misunderstandings between the colonized, the colonizers and the people who can't easily say which they are' TimeJean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother, and came to England when she was sixteen. Her first book, a collection of stories called The Left Bank, was published in 1927. This was followed by Quartet (originally Postures, 1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939). None of these books was particularly successful and with the outbreak of war they went out of print. Jean Rhys dropped from sight until nearly twenty years later she was discovered living reclusively in Cornwall. During those years she had accumulated the stories collected in Tigers are Better-Looking. In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. Jean Rhys died in 1979.

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Admissions and financial aid policies at liberal arts colleges have changed dramatically since 1955. Through the 1950s, most colleges in the United States enrolled fewer than 1000 students, nearly all of whom were white. Few colleges were truly selective in their admissions; they accepted most students who applied. In the 1960s, as the children of the baby boom reached college age and both federal and institutional financial aid programs expanded, many more students began to apply to college. For the first time, liberal arts colleges were faced with an abundance of applicants, which raised new questions. What criteria would they use to select students? How would they award financial aid? The answers to these questions were shaped by financial and educational considerations as well as by the struggles for civil rights and gender equality that swept across the nation. The colleges' answers also proved crucial to their futures, as the years since the mid-1970s have shown. When the influx of baby boom students slowed, colleges began to recruit aggressively in order to maintain their class sizes. In the past decade, financial aid has become another tool that colleges use to compete for the best students. By tracing the development of competitive admission and financial aid policies at a selected group of liberal arts colleges, Crafting a Class explores how institutional decisions reflect and respond to broad demographic, economic, political, and social forces. Elizabeth Duffy and Idana Goldberg closely studied sixteen liberal arts colleges in Massachusetts and Ohio. At each college, they not only collected empirical data on admissions, enrollment, and financial aid trends, but they also examined archival materials and interviewed current and former administrators. Duffy and Goldberg have produced an authoritative and highly readable account of some of the most important changes that have taken place in American higher education during the tumultuous decades since the mid-1950s. Crafting a Class will interest all readers who are concerned with the past and future directions of higher education in the United States. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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From the 1880s through the 1920s a motley collection of American scholars, soldiers of fortune, institutional bureaucrats, and financiers created the academic fields that give us our knowledge of the ancient Near East. Bruce Kuklick's new book begins with the story of the initial adventure of these determined investigators--a twelve-year dig near the Biblical Babylon, at Nippur, conducted at intervals from 1888 through 1900 and bankrolled by the Babylonian Exploration Fund. To unearth tens of thousands of cunneiform tablets, the leaders of this venture faced harsh living conditions in the desert and an academic war of each against all that was quickly begun at the site itself. As their knowledge increased, they risked their personal religious beliefs in the search for historical truth. Kuklick discusses their tribulations to illuminate two other contemporary developments: first, the maturation of the American university, particularly in contrast to its German counterpart; and second, the influence of religious-secular conflict on the ways in which Western scholarship appropriated or appreciated other cultures.The Nippur expedition spawned unseemly (and entertaining) fights among the University of Pennsylvania, Johns Hopkins, Yale, Harvard, and Chicago for leadership in the study of ancient Near East--not to mention disagreements with their own developing museums and an international scandal called the Hilprecht controversy. More significant than these quarrels was the concern for the meaning of history displayed in this period of Near Eastern scholarship. The field was linked to Biblical criticism and Judeo-Christian interests, and many of the orientalists originally possessed strong religious commitments--which some put aside as they struggled for objectivity. As recent critics have shown, "orientalism" was an example of the West's ability to appropriate the "other" for its own purposes. However, Kuklick's study demonstrates that the censure of orientalism hinges on modes of argumentation that scholars of the ancienet Near East helped to legitimate, and at no small cost to themselves.Bruce Kuklick is Killbrew Professor of History at the University of Pennsylvania. Among his books are To Every Thing a Season: Shibe Park and Urban Philadelphia, 1909-1976 (Princeton), Churchmen and Philosophers: Jonathan Edwards to John Dewey, and The Rise of American Philosophy: Cambridge Massachusetts, 1860-1930.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The nature of the military institution in Brazil, its relations with civilian governments up to 1964, and its use of power since the coup of that year are examined by Alfred Stepan. Throughout his study, while looking at the Brazilian experience, he tests and reformulates implicit and explicit models, propositions, and middle-range hypotheses in the literature of civil-military relations and in political development theory. Professor Stepan's analysis suggests that many of the expectations and hypotheses held by theoreticians and policymakers about the capabilities of the military in modernization need to be seriously qualified. His discussion of the socio-economic origins and career patterns of the officer corps and of the ideological changes within the Brazilian army makes extensive and systematic use of previously unexploited data: Brazilian military academy files, editorials, interviews with military and civilian leaders. Throughout, the experiences of Asian and African countries are compared to that of Brazil, thus providing a wide comparative framework. Contents: PART I: The Military in Politics: The Institutional Background. 1. Military Organizational Unity and National Orientation: Hypotheses and Qualifications. 2. The Size of the Military: Its Relevance for Political Behavior. 3. Social Origins and Internal Organization of the Officer Corps: Their Political Significance. PART II: The "Moderating Pattern" of Civil-Military Relations: Brazil, 1945-1964. 4. Civilian Aspects of the "Moderating Pattern." 5. The Functioning of the "Moderating Pattern"--A Comparative Analysis of Five Coups, 1945-1964. PART III: The Breakdown of the "Moderating Pattern" of Civil-Military Relations and the Emergence of Military Rule. 6. The Growing Sense of Crisis in the Regime, 1961-1964: Its Impact on the "Moderating Pattern." 7. The Impact of Political and Economic Crises on the Military: Growth of Institutional Fears, 1961-1964. 8. The Impact of Political and Economic Crises on the Military: The Escola Superior de Guerra and the Development of a New Military Ideology. 9. The Assumption of Power--The Revolution of 1964. PART IV: The Brazilian Military in Power, 1964-1968: A Case Study of the Political Problems of Military Government. 10. The Military in Power: First Political Decisions and Problems. 11. Military Unity and Military Succession: An Elite Analysis of the Castello Branco Government. 12. The Military as an Institution Versus the Military as Government. Index. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Palladian Way is the brainchild of Cotswold walker Guy Vowles. It was born out of a previous idea for a long distance walk between Oxford and Bath but was extended northwards to Buckingham where the author was educated nearby. The realization that there was a Palladian bridge at Prior Park outside Bath to match the one at Stowe suggested a suitable title and the discovery of many classical houses and large estates along the route has helped to make the trail more than just another long walk. The majority of this 200km (125m) trail passes through beautiful countryside and many interesting villages with a wealth of historical background so that walkers can discover parts of England they would not normally visit. THE MAKING OF A LONG DISTANCE TRAIL The inspiration for a new long distance walk can come from many sources. In my case it was a loan of a book. "The Wayfarers Journal" is an elaborate production describing a number of routes which a small, rather quirky group of men who called themselves the "Viators" (Latin for "the travellers") started walking in the 1950s. They researched their routes and kept records. Some 30 years later a chance meeting with a journalist one lunch time at a pub close to Hadrian's Wall, led eventually to publication. Many of their walks or "iters" had Roman connections and ITER XXXVI particularly interested me. The cover pages contain a map of a route "South Cotswolds-Bath to Oxford 108 miles" but unfortunately there is no descriptive text. The book is out of print but I managed to acquire a copy and transposed the route on to modern OS maps. One January I set off to walk the first three days from Oxford. Their route was quite convoluted and I soon decided that I could plan something more interesting. I started the first walk over with a good friend with whom I had walked the length of Scotland and England a few years previously. We left Oxford via the tow path of the Oxford canal which we found to be rather unattractive with some of the houseboats described by my friend as "sinking assetsA". He also enquired about the length of the intended new route which now fell short of the magic 100 mile mark. By coincidence, about the same time, I was talking to another friend about my old school, Stowe, and he commented that his own old school, Prior Park, also had a Palladian bridge in the grounds. This was an eye opener to me and set me thinking. Stowe is north of Oxford and a route via Woodstock and Blenheim would not only avoid the difficulties around Oxford but would also take the distance down to Prior Park and Bath to over the 100 mile distance.

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