Search results for ""author louise"

From all over the world, picture book illustrators sent original images and personal messages, in postcard form, for Migrations, an exhibition at the Biennial of Illustration, Bratislava, in 2017, curated by the University of Worcester's International Centre for the Picture Book in Society. Over fifty of the cards are reproduced in this very special book. The book is divided into themes of Departures, Long Journeys, Arrivals and Hope for the Future. The facsimile postcard text includes personal messages of hope from the illustrators, as well as quotes from writers including Emily Dickinson, WB Yeats, John Clare, and Anita Desai. Robert Macfarlane has written a poem specially for the postcard drawn by Jackie Morris. Illustrators include Christopher Corr, Marie-Louise Gay, Piet Grobler, Petr Horacek, Isol, Jon Klassen, Neal Layton, PJ Lynch, Roger Mello, Jackie Morris, Jane Ray, Chris Riddell, Axel Scheffler and Shaun Tan. In total, illustrators from 28 countries have contributed. Migrations carries a powerful message about human migration, showing how cultures, ideas and aspirations flow despite borders, barriers and bans.

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Bound together by social, demographic, and economic commonalities, the territory extending from East Texas to West Florida occupies a unique space in early American history. A masterful synthesis of two decades of scholarly work, F. Todd Smith's Louisiana and the Gulf South Frontier, 1500-1821 examines the region's history from the eve of European colonization to the final imposition of American hegemony.The agricultural richness of the Gulf Coast gave rise to an extraordinarily diverse society: development of food crops rendered local indigenous groups wealthier and more powerful than their counterparts in New England and the West, and white demand for plantation slave labor produced a disproportionately large black population compared to other parts of the country. European settlers were a heterogeneous mix as well, creating a multinational blend of cultures and religions that did not exist on the largely Anglo-Protestant Atlantic Coast.Because of this diversity, which allowed no single group to gain primacy over the rest, Smith's study characterizes the Gulf South as a frontier from the sixteenth century to the early years of the nineteenth. Only in the twenty years following the Louisiana Purchase did Americans manage to remove most of the Indian tribes, overwhelm Louisiana's French Creoles numerically and politically, and impose a racial system in accordance with the rest of the Deep South.Moving fluently across the boundaries of colonial possessions and state lines, Louisiana and the Gulf South Frontier, 1500-1821 is a comprehensive and highly readable overview of the Gulf Coast's distinctive and enthralling history.

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How does a novel entice or enlist us? How does a song surprise or seduce us? Why do we bristle when a friend belittles a book we love, or fall into a funk when a favored TV series comes to an end? What characterizes the aesthetic experiences of feeling captivated by works of art? In Hooked, Rita Felski challenges the ethos of critical aloofness that is a part of modern intellectuals’ self-image. The result is sure to be as widely read as Felski’s book, The Limits of Critique. Wresting the language of affinity away from accusations of sticky sentiment and manipulative marketing, Felski argues that “being hooked” is as fundamental to the appreciation of high art as to the enjoyment of popular culture. Hooked zeroes in on three attachment devices that connect audiences to works of art: identification, attunement, and interpretation. Drawing on examples from literature, film, music, and painting—from Joni Mitchell to Matisse, from Thomas Bernhard to Thelma and Louise—Felski brings the language of attachment into the academy. Hooked returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks are generated not just by critics, but also by the responses of captivated audiences.

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Black Freethinkers argues that, contrary to historical and popular depictions of African Americans as naturally religious, freethought has been central to black political and intellectual life from the nineteenth century to the present. Freethought encompasses many different schools of thought, including atheism, agnosticism, and nontraditional orientations such as deism and paganism.Christopher Cameron suggests an alternative origin of nonbelief and religious skepticism in America, namely the brutality of the institution of slavery. He also traces the growth of atheism and agnosticism among African Americans in two major political and intellectual movements of the 1920s: the New Negro Renaissance and the growth of black socialism and communism. In a final chapter, he explores the critical importance of freethought among participants in the civil rights and Black Power movements of the 1960s and 1970s.Examining a wealth of sources, including slave narratives, travel accounts, novels, poetry, memoirs, newspapers, and archival sources such as church records, sermons, and letters, the study follows the lives and contributions of well-known figures such as Frederick Douglass, Zora Neale Hurston, James Baldwin, and Alice Walker, as well as lesser-known thinkers such as Louise Thompson Patterson, Sarah Webster Fabio, and David Cincore.

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Much has been said about the relationship between globalization and culture and the political implications of that relationship. There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world. Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics. Among the essays are Celia Britton's reading of douard Glissant on languages in the globalized world; Mary Gallagher's comparison of Glissant's poetics of cultural diversity with the ethics of Emmanuel Levinas; David Palumbo-Liu's exploration of the ethics of postcolonial fiction in J.M. Coetzee's work; Mary Louise Pratt's critique, based on recent Latin American writing, of the prematurely celebratory nature of globalization; and Julia Kristeva's argument for the value of poetics and the ethics of hospitality. What emerges is an intricate discussion of the elusive relationship between the realms of ethics, poetics, and politics as they intersect in our changing world.

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'Honest, vulnerable and empowering' Angela Scanlon'Poignant, profound, and moving, I have no doubt that this beautifully written book will comfort anyone who is in the process of falling apart' Louise O'Neill'Liadán Hynes writes with so much heart. Her story will help shine a light during uncertain, painful times. After reading, you'll be ready to heal' Cecelia AhernWhen journalist and podcaster Liadán Hynes's marriage ended, it felt like a loss: of her best-friend, and of the happy ending she had envisaged on their wedding day. In the months that followed, she had to adjust to a different future - as a single mum juggling work and managing a home -- without someone to share the ups and downs of the everyday. Here, in this honest, poignant and beautifully written memoir, she gives an account of her experience. From navigating Friday-night dinner parties and Saturday nights alone on the couch, to counselling and having more gurus than is sensible, How to Fall Apart is a story of one woman who discovered the value of different kinds of love and, in doing so, found herself: single, stronger and surrounded by love.

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One woman's secret is her neighbour's opportunity.'Masterly' Louise Candlish'Incredible!' Lucy Atkins'Riveting' Clare Mackintosh'Extraordinary' Mark Edwards'Intelligent, twisty' OBSERVER'Accomplished and addictive' SUNDAY TIMESVerity Baxter has lived - quietly, carefully - in Trinity Fields all her life. Then Ailsa and Tom Tilson move in next door and everything changes. Can Verity trust what she hears through the walls?And what about the Tilsons: should they pity their eccentric neighbour and her messy house? Or should they fear her?Either way, like the ivy that creeps through their shared garden fence, their lives are entwined now. And the knots can only get tighter . . .'Seriously superior psychological thriller' Star pick, Sunday Times Crime Club'Stupendously addictive' Deborah Moggach'A smart, compelling and thoroughly haunting read' Mail on Sunday'Pace, place, characters, plot ... it's a masterclass' Gill Hornby'Hard to put down' EVENING STANDARD'The language is honed as sharp as a stiletto. The murder mystery is teased out to the very last compelling page' Star pick, Sunday Times Crime Club'You think you know what's going on in this brilliant read, then you realise you so don't!' FABULOUS'Deliciously sly and profoundly moving' JP Delaney'Elegant and astute' Louise O'Neill'A masterfully plotted page-turner' Erin Kelly'Engrossing, astute, disturbing and so believable' Sarah Hilary'I loved it' Sarah Vaughan'This well-paced, intelligent mystery benefits from finely-drawn characters and convincing psychological tension ... take a peek at the raging traumas behind the calm masks of suburban respectability' Daily Mail'A compelling read that strikes a chill straight into your heart' Dinah Jefferies'A delicious study in dark psychology with a narrator who constantly keeps you guessing. This tale serves up a real emotional punch' SUNDAY MIRROR'A taut thriller with layer upon layer of suspense and twists right to the very last page' Red'Sucks you in and keeps you wanting more. Just when you think you know someone, think again...' HEAT'One not to miss' WOMAN'Chilling' The I'Durrant builds a sense of menace and the ending is satisfying, with a believable twist' Good Housekeeping'Spine-tingling' Crime Monthly'Engrossing psychological crime' LITERARY REVIEW

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Essays employing close scrutiny of texts to clarify gender issues in feminist literary criticism. One of the major problems in feminist literary criticism is the tendency to generalise when exploring language and gender. This volume clarifies the issues involved and tests generalisations by specific analysis, and in the process defines a "feminist stylistics" - a fresh, practical approach which will serve as a model for future work in this area. The seven essays in the collection analyse widely varying literary texts, using the framework of linguistic theory to address feminist issues. The texts range from Shakespeare's As You Like It to present-day pop songs, and also cover poetry and contemporary fiction. The feminist critics whose approach is under examination include Cixous, Irigaray, Kristeva, Showalter, Woolf and a number of British feminists; and the linguistic models employed cover discourse analysis, politeness theory, lexicalisation and transitivity. Contributors: Clara Calvo, Lesley Jeffries, Marion Lomax, Sara Mills, Louise Sylvester, Anne Varty, Shan Wareing

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In this lively account of the rise of a commercial newspaper industry in imperial Russia, Louise McReynolds explores how the mass-circulation press created a forum for popular opinion advocating political change. From the Great Reforms of Tsar Alexander II in 1855 to the Bolsheviks' shut-down of the newspapers in 1917, she chronicles the exploits of publishers and editors, writers and readers. Arguing that this prosperous industry both expressed and shaped the development of ideas among new social groups, McReynolds provides insight into the growth in Russia of a fragile pluralism characteristic of modern societies. Her discussion of the relationship between communications and politics, which draws especially on Jurgen Habermas, combines a variety of interrelated ingredients: institutional histories of major newspapers, biographical sketches of journalists, the intellectual impact of the new language of newspaper journalism, the political ramifications of public opinion under the auspices of an autocratic government. Comparing the Russian press with independent commercial newspaper industries in the United States, England, and France, McReynolds examines the extent to which Russia was evolving according to Western political and socioeconomic patterns before the Bolshevik Revolution. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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New sculptures and installations that critically examine the formal, social and linguistic roles of live models Over the past three decades, Iranian-born, German-based artist Nairy Baghramian (born 1971) has created sculptures and installations that upend expected modes of presentation and challenge the architectural, social, political and historical contexts that inform them. The new works featured in this publication explore the provisional body as the site of trauma—drawing inspiration from the tradition of the “modèle vivant,” the French term for a live model in an art class. In her "ambivalently abstract" works, the artist takes unconventional approaches to materials associated with sculptural traditions of casting, including aluminum, lead, steel and wax. In conversation with sculptures from the Nasher’s permanent collection by Louise Bourgeois, Henri Matisse, Pablo Picasso and others, Baghramian’s works offer new ways to think about representations of bodies and the unseen labor of models, as well as the linguistic play afforded by different meanings of the word “model” and its linguistic relatives, such as “modulate” and “modify.”

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Entertaining, lyrical and informative, Art Life is a selection of essays by well-known contemporary art curator Lawrence Rinder, all written since 1991. Rinder's work is distinguished by a concern for art's role in reflecting and shaping daily life. Informed by history, philosophy and popular culture, these essays provide keys to understanding a broad range of contemporary practices--from painting and drawing to net art and video installation. In each of these texts, Rinder muses on how the intersection of material, image and idea creates meaning in some of the most compelling artworks of the past few decades. Among the many artists discussed are Luc Tuymans, Sophie Calle, Martin Creed, Ara Peterson, Jim Drain, Louise Bourgeois, Mark Lombardi, Jack Smith and Irit Batsry. All of the essays in Art Life are unified by Rinder's clear writing style--seamlessly interspersed with a selection of images--and his consistent engagement with the experience of art and art's relevance to our daily lives. Ideal for scholars and students alike.

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The twentieth edition of The Best American poetry series celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor. From the thousands of poems published or posted in one year, McHugh has chosen seventy-five that fully engage the reader while illustrating the formal and tonal diversity of American poetry. With new work by established poets such as Louise Glück, Robert Hass, and Richard Wilbur, The Best American Poetry 2007 also features such younger talents as Ben Lerner, Meghan O'Rourke, Brian Turner, and Matthea Harvey. Graced with McHugh's fascinating introduction, the anthology includes the ever-popular notes and comments section in which the contributors write about their work. Series editor David Lehman's engaging foreword limns the necessity of poetry. The Best American Poetry 2007 is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.

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In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality.Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today.Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere.

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In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny.Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.

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From Venison Grillades to Coconut Chili-Chocolate Tarts and much in between, Jay Ducote's Louisiana Outdoor Cooking features more than 150 recipes fun and easy enough to make in the backyard. It also tells the remarkable story of how this Baton Rouge-based chef achieved national culinary celebrity.

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Sunday Times Top-Ten Bestseller and Richard and Judy Book Club Choice. I'll risk my life for you. On 24 November Yasmin and her ten-year-old daughter Ruby set off on a journey across Northern Alaska. They're searching for Ruby's father, missing in the arctic wilderness. More isolated with each frozen mile they cover, they travel deeper into an endless night. And Ruby, deaf since birth, must brave the darkness where sight cannot guide her. She won't abandon her father. But winter has tightened its grip, and there is somebody out there who wants to stop them. Somebody tracking them through the dark. Praise for The Quality of Silence: 'There are many things to love about Lupton's third novel, not least its stunning evocation of the stark, beautiful Alaskan wilds. An elegant and icily unique thriller: you won't read anything like it this year' Observer 'Scary, suspenseful and so exquisitely, evocatively written. I found myself shivering as if I were there in Alaska with Ruby and her mother. Everything you want in a wonderful novel' Liane Moriarty, author of The Husband's Secret 'Ambitious and imaginative. Narrated in part by Ruby (her deafness is treated with great sensitivity), the landscape, wildlife and bitter climate of Alaska are powerfully drawn. Chilling in every sense, you won't want to step away from this story' Sunday Mirror 'A sophisticated thriller which brilliantly evokes the sublime and terrifying landscape of Alaska, the culture of the Inupiat people and the fragility of our planet' Sunday Telegraph 'Like a breath of icy air, this relentlessly tense thriller is also a child's-eye family drama like none other. Not since Miss Smilla's Feeling for Snow have I shivered like this' Emma Donoghue, author of Room 'Will have you gripped form start to finish' Cosmopolitan 'A taut psychological thriller, The Quality of Silence will have your heart thumping. Masterful pacing, riveting plotting. Absolutely gripping' Louise Penny 'A literary slow burn, whose focus is as much on human endurance and a mother's relationship with her deaf daughter as the mystery of her husband's disappearance. This is Lupton at the height of her storytelling powers' Daily Mail 'A beautifully written thriller, and the way in which Lupton used the tundra as a metaphor for grief and faith in stunning. The voice of Ruby and her compassionate exploration of a life without sound only adds to the richness of the book' Press and Journal 'A wonderful writer ...absolutely gripping' Jane Garvey, BBC Radio 2 Women's Hour 'The pressure is on to keep creating equally brilliant stores [and] Lupton has done that with The Quality of Silence' Red Magazine 'An elegant, chilling read from a writer who continues to stretch the bounds of suspense' William Landay, author of Defending Jacob

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Extraordinary . . . both a madcap crime caper and a savage state-of-the-nation novel . . . Anders Lustgarten writes like a man possessed: bursting with energy' The TimesAn electrifying wild ride of a debut novel from award-winning playwright Anders LustgartenMeet Cherry, a bandit queen on the run, driving a pink soft-top convertible through the badlands of South-East England. She''s never felt more Thelma & Louise in her life - except there are three of them in the car and one of them is dead.How did a head nurse and mother of two end up driving a handcuffed policeman and the corpse of a murdered refugee on a journey to find justice? Pursued by a racist, roid-raged, shaven-headed officer of the law - not to mention by her husband and daughter - what else can a woman with a conscience do in modern Britain?Thrilling, radical and darkly comedic, Anders Lustgarten''s open-hearted storm of a book explores pressing political concerns wi

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I was gripped' Louise Jensen''Riveting'' Diana WilkinsonFame, fortune, followers. Be careful what you wish forHeather thought she'd been left behind in life, until she won a place in the luxurious Triple F' lottery, where fame, fortune and followers await 12 lucky winners.The rules are simple: live the lifestyle of your dreams and win 5,000 a week for the rest of your life, plus six months of fame on the country's most popular app as long as you're not bottom of the rankings. Lose your followers, and you lose everything.But there's trouble in paradise.Too many winners are falling victim to tragedy: addiction, depression, even suicide. Someone, somewhere, seems to know their secrets, and is stirring up hatred online. And Heather has secrets of her own.Suddenly she's not worried about losing her lifestyle. She's afraid of losing her life.Perfect for fans of Lucy Foley, Freida McFadden and Love Island.Readers are GRIPPED by C.J. Parsons''A tense, twisty psychological thriller that will k

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A feminist thriller for anyone who's ever sworn revenge on an ex. Perfect for fans of How to Kill Your Family and The List.'Lively, shocking ... A fresh, modern take on the revenge story' THE GUARDIAN'Tense, topical and stylish' TM LOGANI want you to listen carefully to every word I say. Then I want you decide whether Lincoln Jackson should live or die.Thousands watch as Charlotte Goodwin streams live on Instagram.Her ex-boyfriend kneels before her, hands tied.As his past deeds are revealed, how will the viewers judge him?What would you decide? PRAISE FOR THE HIVE'An addictive read!' ALICE HUNTER'Dark and gripping' CASS GREEN'A gripping page-turner' NADINE MATHESON'Social media and sisterhood - what's not to like?' LIZZIE FRY'A read-in-one-go revenge thriller. Get it on your summer list' WILL CARVER'Pacy, original and addictive' LOUISE SWANSON'A terrific tale of a tortured soul' ROBERT SCRAGG

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Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.

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Accident? Dangerous game gone wrong? Or murder? DI Blackwell faces her toughest case yet. When the body of a young woman is discovered in a shipping container in Bristol, the police suspect she was an illegal immigrant whose death was a tragic accident. But their theory is shot down by two pieces of evidence: the container was due to ship out, not in; and, even more sinister, a video camera with a live feed was filming her from a hidden compartment. Someone watched her die. Slowly. DI Louise Blackwell is ten weeks pregnant, a fact she has largely kept to herself, and between bouts of morning sickness she now has a murder to investigate. While the docks offer few other clues, the discovery of more live feeds convinces Blackwell that there are other trapped women…and that some of them are still alive. As she scours historic missing-persons cases looking for a pattern to the abductions, Blackwell finds herself in a race against time to uncover the voyeuristic killer’s motive and stop any more women becoming caught in the cruel and deadly game. But with every step being closely monitored, can she outwit a murderer whose method means staying hidden?

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France and the United States have long shared a special relationship, defined both by occasional puzzlement and endless fascination. François Busnel, one of France's most prominent literary critics, seeks to bridge this gap with America, his journal of literature and politics, launched in the wake of the 2016 election and now available to English readers for the first time. In this collection of pieces from the magazine, Alain Mabanckou sketches the outlines of his Los Angeles, where he finds a sense of belonging far from his home country of the Republic of the Congo. Leïla Slimani considers the ways #MeToo is shaping a new discourse of consent on college campuses. Philippe Besson travels through the American heartland, driving from Chicago to New Orleans. Featuring interviews with Chimamanda Ngozi Adichie and Louise Erdrich and original work in English by Richard Powers and Colum McCann, America celebrates the enduring relationship between France and the United States and offers a testament to the essential power of literature to unite in times of division.

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'This brilliantly written and captivating story instantly drew us in and refused to let go. Fresh, funny and utterly fabulous, it’s the perfect holiday read' HeatMeet the residents of number 24 in the warm, witty and wonderful novel from bestselling author Juliet Ashton. When your marriage falls apart, the last place you'd want your husband to move to is downstairs. Unfortunately for Sarah, up in the eaves at number 24, her ex-husband now lives one floor beneath her with his new wife. Their happiness floats up through the floorboards, taunting her. A child psychologist, Sarah has picked up great sadness from the little girl, Una, who lives with her careworn mother three floors below, but is Sarah emotionally equipped to reach out? The Spring brings a new couple to the house. Jane and Tom's zest for life revives the flagging spirits, and Sarah can't deny the instant attraction to handsome Tom. Having seen at first hand what infidelity does to people, she'll never act on it ... but the air fizzes with potential. The sunshine doesn't reach every corner of number 24, however. Elderly Mavis, tucked away in the basement, has kept the world at bay for decades. She's about to find out that she can't hide forever. Juliet Ashton weaves a story of love, friendship and community that will move you to laughter and to tears. Think Cold Feet meets David Nicholls, with a dash of the joy of Jill Mansell added for good measure. 'This book delivered so much more than I expected. Emotion, laughs and mystery, I simply adored every minute of reading it' Netgalley reviewer 'Wow! Just a beautiful read, like a breath of fresh air. Very heart warming and easy to read. A great 5 Stars from me!' Netgalley reviewer 'This book is like wrapping yourself up in a blanket on the sofa and watching your favourite film. Warm, heart-felt and witty' Lara Marshall, Netgalley reviewer'The Woman at Number 24 is an absorbing story full of wonderful moments ...This was my first Juliet Ashton book to read and I really fell in love with her accurate, vivid and flowing writing' Netgalley reviewer 'This book was positively packed with intriguing storylines and plenty of twists and turns I did not see coming ... this was a really lovely story about community and seeing beauty in our fellow humans. Sarah was a truly genuine and caring character and I really enjoyed reading about her growing friendship with Mavis, her elderly neighbour. I really loved Jane as well- she added a special something to Number 24. This is the first Juliet Ashton book I have read and I will certainly be looking out for more books by this author!' Netgalley reviewer Praise for Juliet Ashton:'Funny, original and wise' KATIE FFORDE on The Valentine's Card ‘Gloriously and irresistibly romantic … It's like One Day with all the additional trials and tribulations of female friendship’ HANNAH BECKERMAN on These Days of Ours ‘Warm, witty and surprising’ Louise Candlish on These Days of Ours

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According to the great diarist, John Evelyn, Charles II was ‘addicted to women’, and throughout his long reign a great many succumbed to his charms. Clever, urbane and handsome, Charles presided over a hedonistic court, in which licence and licentiousness prevailed.Mistresses is the story of the women who shared Charles’s bed, each of whom wielded influence on both the politics and cultural life of the country. From the young king-in-exile’s first mistress and mother to his first child, Lucy Walter, to the promiscuous and ill-tempered courtier, Barbara Villiers. From Frances Teresa Stuart, ‘the prettiest girl in the world’ to history’s most famous orange-seller, ‘pretty, witty’ Nell Gwynn and to her fellow-actress, Moll Davis, who bore the last of the king’s fifteen illegitimate children. From Louise de Kéroualle, the French aristocrat – and spy for Louis XIV – to the sexually ambiguous Hortense Mancini. Here, too, is the forlorn and humiliated Queen Catherine, the Portuguese princess who was Charles’s childless queen. Drawing on a wide variety of original sources, including material in private archives, Linda Porter paints a vivid picture of these women and of Restoration England, an era that was both glamorous and sordid.

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As American astronauts were launched on death-defying missions, television cameras focused on the brave smiles of their wives. Overnight, these women were transformed from shy military spouses to American royalty: having tea with Jackie Kennedy, attending high society galas, and being featured on the cover of Life magazine. They quickly grew into fashion icons, donning sherbet-swirled Pucci dresses and lacquering their hair into extravagant rocket styles (to match their husbands' spaceships).Annie Glenn was the envy of the other wives, with her many magazine features; platinum-blonde bombshell Rene Carpenter was proclaimed JFK's favourite; homely Betty Grissom worried her husband was having affairs; Louise Shepard just wanted to be left alone to her card games; and licensed pilot Trudy Cooper arrived on base with a dirty secret. Together they rallied to form the Astronaut Wives Club, which has now turned into over 40 years of enduring friendship. Sexy and sophisticated, rich in melodrama, and set against the uniquely atmospheric backdrop of the Space Age, THE ASTRONAUTS' WIVES CLUB tells the real story behind some of the biggest heroes in American history, chronicling their romantic, domestic, and public dramas during the Mad Men era.

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**CHRISTINA DALCHER’S GRIPPING NEW THRILLER THE SENTENCE IS AVAILABLE NOW!** ‘Intelligent, suspenseful, provocative, and intensely disturbing – everything a great novel should be’ LEE CHILD ‘Extraordinary’ LOUISE O’NEILL ‘A truly compulsive novel’ STYLIST ‘The book of the moment!’ MARIE CLAIRE ‘This book will blow your mind’ PRIMA ‘A petrifying reimagining of The Handmaid’s Tale’ ELLE ‘A fast-paced, twisting thriller that left me speechless.’ DAILY MAIL ‘Terrifying’ RED ‘A novel ripe for the #MeToo era’ VANITY FAIR ‘A dazzling debut.’ GOOD HOUSEKEEPING ‘Thought-provoking and thrilling. I was left speechless!’ WOMAN & HOME Silence can be deafening. Jean McClellan spends her time in almost complete silence, limited to just one hundred words a day. Any more, and a thousand volts of electricity will course through her veins. Now the new government is in power, everything has changed. But only if you’re a woman. Almost overnight, bank accounts are frozen, passports are taken away and seventy million women lose their jobs. Even more terrifyingly, young girls are no longer taught to read or write. For herself, her daughter, and for every woman silenced, Jean will reclaim her voice. This is only the beginning… [100 WORD LIMIT REACHED]

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Two murders. Twenty years. Now the killer is back for more… DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more… A darkly compelling debut crime novel, this is the start of a brilliant series, perfect for fans of Louise Penny and Val McDermid. Praise for Michael Wood: ‘Crackling dialogue, dark wit and an exciting ending’ Mark Edwards ‘DCI Matilda Darke is going places’ James Oswald ‘I really enjoyed getting to know DCI Matilda Darke’ Robert Bryndza ‘A beautifully written book with a dark heart and a secret that impacts on generations’ Sarah Ward ‘A skilfully crafted and compelling debut that hooks from the off and will keep you guessing until the final page’ M.R. Hall ‘Gripping, sad and unexpected’ Alex Marwood

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The conventional history of art is one of great men making great paintings, and displaying their works to a predominantly male audience in male-run institutions. Women, however, have had a role, often working behind the scenes, out of sight or in resistance to prevailing attitudes and practices. And it is in these exceptions to the rules of the masculine world of art-making that women artists have been perceived as groundbreaking, defiant and even subversive. A compelling selection of more than 60 artists from the early Renaissance to the present day, among them Judith Leyster, Mary Cassatt, Frida Kahlo and Louise Bourgeois, Danger! Women Artists at Work explores the most intriguing and provocative aspects of art by women who shook up the art world. Through a lively introduction and six thematic chapters dealing with such subjects as the ways in which women have challenged the boundaries of expression and how they have viewed the human body, Debra N. Mancoff presents an absorbing tale of those who have struggled and triumphed in their efforts to transform the visual arts.

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The editors and contributors to Wildlife Crime examine topical issues from extinction to trafficking in order to understand the ecological, economic, political, and social costs and consequences of these crimes. Drawing from diverse theoretical perspectives, empirical and methodological developments, and on-the-ground experiences of practitioners, this comprehensive volume looks at how conservationists and law enforcement grapple with and combat environmental crimes and the profitable market for illegal trade. Chapters cover criminological perspectives on species poaching, unregulated fishing, the trading of ivory and rhino horns, the adoption of conservation technologies, and ranger workplaces and conditions. The book includes firsthand experiences and research from China, Indonesia, Kenya, Madagascar, Morocco, Peru, Russia, South Africa, Tanzania, and the United States. The result is a significant book about the causes of and response to wildlife crime. Contributors include: Johan Bergenas, Avi Brisman, Craig Forsyth, Meredith Gore, Georg Jaster, Alex Killion, Kasey Kinnard, Antony C. Leberatto, Barney Long, Nerea Marteache, Gohar Petrossian, Jonah Ratsimbazafy, Gary Roloff, Viviane Seyranian, Louise Shelley, Rohit Singh, Nicole Sintov, Nigel South, Milind Tambe, Daan van Uhm, Greg Warchol, Rodger Watson, Rob White, Madelon Willemsen, and the editor.

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Tsunamis are infrequent but terrifying hazards for coastal communities. Difficult to predict, they materialise with little warning, claiming thousands of lives and causing billions of dollars in damage. Recent mega-tsunamis in Japan and Indonesia claimed close to 250,000 lives, triggering wide-scale economic and social disruption. Developing countries cannot afford costly underwater cable systems, and governments and relief organisations have been forced to rely on flawed warning systems such as deep-sea buoys. Now, a ground-breaking new approach to tsunami detection and warning, which relies on low-cost underwater sensors and networks of smartphone communication, has changed the equation. Developed by an international, interdisciplinary team of researchers, this approach allows at-risk coastal communities to have an economically viable, scientifically sound means to protect themselves. Coeditors Louise K. Comfort and Harkunti P. Rahayu, accomplished experts in disaster preparedness, contend that it will give communities precious additional minutes to communicate warnings about imminent tsunamis to residents, potentially saving many lives. Chapters authored by a close group of collaborators present the science behind this new approach, describing conceptual design, computational models, and real-time testing of a prototype system in the warm equatorial waters of Indonesia’s Mentawai Sea. Introductory chapters explain the sociotechnical approach - how undersea sensors can transmit data to a network of electronic devices on land to alert residents to impending tsunami threats in near-real time. Subsequent chapters explore what this might look like: assessing communities at risk; designing interactive information systems for communication during an emergency; designing wireless networks for smartphone communication that can guide residents to safety; and designing community-based shelters. The book concludes with a thoughtful analysis of how these sociotechnical advances might be used for all coastal cities at risk of tsunamis, sea-level rise, storm surges, and other hazards. Hazardous Seas is an invaluable guide for policy makers and international NGOs looking to save lives from tsunamis and mitigate crippling damage to communities, and provides a comprehensive overview of tsunami detection and warning for students of engineering, computer science, planning, policy, and economic and environmental analysis.

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THE SUNDAY TIMES BESTSELLER AND FIRST EVER OFFICIAL BOOK BY LOUISE PENTLAND. Aloha Sprinklerinos! Imagine you are in one of those glorious vintage shops where every surface is laden with treasure. Cut glass, pill boxes, old cameras, pendants, chests of drawers and stacks and stacks of books. This book is like that. Each chapter is one of those gem-encrusted tins that you can open, peep inside and enjoy. You can either methodically wander the entire shop, looking at each individual item in order, or, you can dance around with wild abandon, opening and closing whatever you like, whenever you like.You can take in tiny bits of it at a time or you can devour it all in one go. I don't mind. I don't mind how you go about it; all that matters to me is that you take something from it.Divided into four sections: Glitz, Create, Need to Knowsand All About Love, you'll find all my little tips and tricks, stories and insights and nuggets of advice. I want you to walk away from this book feeling uplifted. I want you to feel as though you are equipped to deal with something in your life and deal with it in the best possible, positive way. I want to show you how I find so much joy and enrichment in my life and how you can do it too, with just a Sprinkle of Glitter...

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'Riveting and thrilling in equal measure. I didn't come up for air until the very last page' Patricia Gibney'Compelling and clever. They All Lied grips you from the opening page and doesn't let you go' Brian McGilloway 'MUM, LISTEN TO ME. DO EXACTLY AS I SAY, OR WE COULD BOTH END UP DEAD.'It seems like any other morning at Nadine Fitzmaurice's office job, until she receives a shocking phone call from her teenage daughter. Becca confesses to killing someone, saying she is now being held hostage. And Nadine must follow a series of mysterious instructions in order to keep her alive.Terrified but determined to save her daughter, Nadine finds herself dragged into the underworld of organised crime, lying to everyone in her life to protect Becca.But as Becca's captors increase their demands, secrets from Nadine's past rush to the surface, including memories of a teenager who went missing and never came home. Could there be a link to her disappearance and the danger Becca is in now? And if someone is out for revenge, can Nadine rescue her daughter before it's too late?'One of the most original and distinctive voices in Irish crime fiction.' Jane Casey'Cleverly plotted and deftly woven, with surprises at every turn.' Andrea Mara'An explosive thriller with brilliant twists.' Anthony Quinn'From the opening psychological dilemma to the breathtaking denouement, They All Lied is Louise Phillips' best yet' Sharon Dempsey

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Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

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Inspired by her own foremothers' legacies and the friendships formed throughout her life, Rozella Kennedy centres and celebrates the stories of 100 Black, Brown, Asian, and Indigenous women-both famous and little-known-who changed the course of US history. In the beautiful pages of Our Brave Foremothers, discover an intergenerational, intercultural bouquet of Black, Brown, Asian, and Indigenous women lifted into the significance that they deserve. From Etel Adnan to Mary Jones, Thelma Garcia Buchholdt to Pura Belpré to Zitkála-Šá, here are 100 women of colour who left a lasting mark on United States history. Including both famous and little-known names, the thoughtful profiles and detailed portraits of these women herald their achievements and passions. Following each entry is a prompt that asks you to connect your life to theirs, an inspiring way to understand their influence and the power of their stories. To consider on a deeper level the devotedness of Clara Brown, the fearlessness of Jovita Idár, the guts of Grace Lee Boggs, or the selflessness of Martha Louise Morrow Foxx. And to be as brave as we each can be-and then beyond that.

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For the first time in human history, there is food in abundance throughout the world. More people than ever before are now freed of the struggle for daily survival, yet few of us are aware of how food lands on our plates. Behind every meal you eat, there is a story. Hamburgers in Paradise explains how. In this wise and passionate book, Louise Fresco takes readers on an enticing cultural journey to show how science has enabled us to overcome past scarcities--and why we have every reason to be optimistic about the future. Using hamburgers in the Garden of Eden as a metaphor for the confusion surrounding food today, she looks at everything from the dominance of supermarkets and the decrease of biodiversity to organic foods and GMOs. She casts doubt on many popular claims about sustainability, and takes issue with naive rejections of globalization and the idealization of "true and honest" food. Fresco explores topics such as agriculture in human history, poverty and development, and surplus and obesity. She provides insightful discussions of basic foods such as bread, fish, and meat, and intertwines them with social topics like slow food and other gastronomy movements, the fear of technology and risk, food and climate change, the agricultural landscape, urban food systems, and food in art. The culmination of decades of research, Hamburgers in Paradise provides valuable insights into how our food is produced, how it is consumed, and how we can use the lessons of the past to design food systems to feed all humankind in the future.

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Two of the biggest musical-theatre stars working today answer questions submitted by the public on a wide range of theatrical topics. A message from Louise and Mark... This is the book for anyone who's seen a show and thought: 'That could be me...' That's what we used to think growing up, dreaming of working in musical theatre. Now, after years of hard work, we've been lucky enough to star in some amazing shows, including Wicked, The Book of Mormon, Ghost: The Musical, Evita and Cats. We've picked up lots of tips from other performers, and have developed our own strategies and solutions too. In this book, using this knowledge and our experiences, we want to draw back the curtain and shine a spotlight onto how you can follow in our footsteps. What makes our book really different (and useful) is that we asked our fans worldwide to submit questions – and thank you to the hundreds of you who did. Dozens of these questions are featured here, covering every aspect of the industry: 'What is it like training at drama school?' 'How can I improve my vocal range?' 'How do I prepare for an audition?' 'How should I find and select an agent?' 'How do I deal with rejection?' 'How can I progress from the ensemble to a leading role?' This is a tough and competitive business, but passion, determination, a clued-up approach – and this book – will help see you through. Read it to discover the secrets you need to know, and we hope that one day soon, up on stage, it will be you.

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Secrets. Suspicion. Survival. No one writes relationships better than B.A. PARIS'A rollercoaster ride, with plenty of twists' OBSERVER'The explosive start of this book sets up a compelling plot [...] written in well-executed super-edgy, short, sharp chapters and the description of her confinement is full of claustrophobic detail and menace' DAILY MAIL'Paris skilfully stitches together domestic noir with a kidnap thriller and the result is a gripping read' DAILY EXPRESS'Dark, immersive, and mysterious ... locks you quickly into its claustrophobic grip and doesn't let up till the last page' LOUISE CANDLISH THENAmelie has always been a survivor, from losing her parents as a child in Paris to making it on her own in London. As she builds a career for herself in the magazine industry, she meets, and agrees to marry, Ned Hawthorne.NOWAmelie wakes up in a pitch-black room, not knowing where she is. Why has she been taken? Who are her mysterious captors? And why does she soon feel safer here, imprisoned, than she had begun to feel with her husband Ned?In true B.A. Paris style, The Prisoner is a gripping survival story, a twisted tale of love and at its dark heart a thriller to keep you up all night.'Claustrophobic, menacing and relentlessly tense, this is a fiendishly plotted thriller with a great central twist' SARAH VAUGHAN'Gripping' DAILY MIRROR'Elegant, taut, ingeniously plotted and extremely addictive. Superb!' WILL DEAN'Book of the Month: chilling, intense and frightening in places, you'll be left wondering what is real and what isn't' WOMAN & HOME''Dark and compulsive ... B.A. Paris again conjures up the tense claustrophobia of BEHIND CLOSED DOORS and delivers yet another brilliant, unputdownable read' GILLY MACMILLAN'I loved the short chapters in part one, which really added to the rising tension. You will be rooting for Amelie!' PRIMA'Dark, daring and irresistible. B.A. Paris takes a clever, sinister survival story and further elevates it with her trademark style and heart. Truly impossible to put down' CHRIS WHITAKER'Wow! What a ride! A tantalising, taut, tense thriller' JANE CORRY'Pacy, gripping from the get-go, and with so many twists! I felt so strongly for Amelie and was rooting for her the entire book. The Prisoner is a brilliant addition to BA Paris's stella stable of thrillers' L.V. MATTHEWS'Intense and gripping, The Prisoner is suffused with intrigue and menace' EMMA HAUGHTON'Clever, twisty and unusual' LOUISE BEECH'Taut, suspenseful, loaded with twists and surprises, and the true definition of a just-one-more-chapter page-turner. It's another B.A. Paris triumph -- complex, compelling and absolutely impossible to resist. C.M. EWAN 'So utterly gripping I finished it in one heart-racing afternoon. Clobbered me from the first page and kept me hostage until I'd turned the last' EMMA BAMFORD'[T]his web of fear and lies is much more complex, satisfyingly so, than Room, involving many more characters, intricate plotting, and layers of subterfuge. Paris's fans won't be disappointed and readers new to the author will be hooked' FIRST CLUE'What if being kidnapped and kept in a dark room is preferable to your marriage? A tense and clever thriller - I loved it' CATHERINE COOPER

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In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women", a group of primarily urban middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of these famous new women active in journalism and the theatre, including Marguerite Durand, founder of the women's newspaper "La Fronde"; the journalists Severine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of "La Fronde" itself was such an act, because it demonstrated that women could write just as well about the same subjects as men - even about the volatile Dreyfus Affair. When female reporters for "La Fronde" put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated and persuasive, "Disruptive Acts" should be a major work not just for historians, but also for scholars of cultural studies, gender studies and the theatre.

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From backwoods bars and small-town dives to swampside dance halls and converted clapboard barns, Louisiana Saturday Night offers an anecdotal history and experiential guidebook to some of the Gumbo State's most unique blues, Cajun, and zydeco clubs. Music critic Alex V. Cook uncovers south Louisiana's wellspring of musical tradition, showing us that indigenous music exists not as an artifact to be salvaged by preservationists, but serves as a living, breathing, singing, laughing, and crying part of Louisiana culture. Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born in the house that now serves as Teddy's Juke Joint. Along the way, Cook ruminates on the cultural importance of the people and places he encounters, and shows their critical role in keeping Louisiana's unique music alive. A map, a journal, a snapshot of what goes on in the little shacks off main roads, Louisiana Saturday Night provides an indispensable and entertaining companion for those in pursuit of Louisiana's quirky and varied nightlife.

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'So perceptive and wise about the media, privilege, the differing but equally troubling pressures that women of all ages face, while still being moving, laugh out loud funny, and inspiring. I loved it.' Louise O'Neill, author of Idol'As she did with sex in her first novel, Insatiable, now Daisy Buchanan holds up a mirror to the changing way we work in the raw and relatable Careering' Red'This thought-provoking, emotionally intelligent, hilarious, sexy and always sharp novel is a fabulous ride.' Daily Mail'A witty tale of the toxic world of modern work' Independentcareering (verb) 1. working endlessly for a job you used to love and now resent entirely2. moving in a way that feels out of control *Imogen has always dreamed of writing for a magazine. Infinite internships later, Imogen dreams of any job. Writing her blog around double shifts at the pub is neither fulfilling her creatively nor paying the bills. Harri might just be Imogen's fairy godmother. She's moving from the glossy pages of Panache magazine to launch a fierce feminist site, The Know. And she thinks Imogen's most outrageous sexual content will help generate the clicks she needs.But neither woman is aware of the crucial thing they have in common. Harri, at the other end of her career, has also been bitten and betrayed by the industry she has given herself to. Will she wake up to the way she's being exploited before her protege realises that not everything is copy? Can either woman reconcile their love for work with the fact that work will never love them back? Or is a chaotic rebellion calling... Hilarious and unflinchingly honest, Careering takes a hard look at the often toxic relationship working women have with their dream jobs.*'The zeitgeisty read tackles the myth of the girl boss, with feelings of imposter syndrome, burnout and comparison rife throughout. Though entertaining - you can't help but cringe at some of the situations Imogen finds herself in - the novel takes a hard look at the very real challenges women still face in the workplace today. With the events of the last two years making many question what really matters in life, Buchanan leaves you with the reminder that whether you love or loathe your job, it doesn't define who you are or put a value on your self-worth.' Stylist'A great great book. Daisy Buchanan has that special something that makes a wonderful popular fiction writer - acute observational skills, huge empathy and a perfect balance of light and

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Featuring a brand new introduction from Alexandra Heminsley, talking about what Jackie and her books mean to her! ‘What radiates from all of her novels is a sense that women are just as capable of great things as men’ ALEXANDRA HEMINSLEY'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Al King, the rock-and-roll super stud who is everything any sex-crazed groupie ever imagined her hero to be; and Dallas, the beauty queen whose sky-high ambitions stem from a sordid secret-the type that tabloids tingle to tell. Together, they're on a wild ride from London to New York, from Hollywood to Rio and the steaming jungles of the Amazon-where all their dreams and nightmares are about to come true…LOVERS & GAMBLERS There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON ‘Jackie lived the Hollywood dream, but, she looked sideways at it, and then shared the dirt with her readers’ JULIET ASHTON

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The hilarious romantic comedy from NUMBER ONE BESTSELLING AUTHOR Sophie Kinsella . . . soon to be a major motion picture!Emma is like every girl in the world. She has a few little secrets.Secrets from her mother:1. I lost my virginity in the spare bedroom to Danny Nussbaum while Mum and Dad were downstairs watching TV.… From her boyfriend:2. I’m a size twelve. Not a size eight, like Connor thinks.3. I’ve always thought Connor looks a bit like Ken. As in Barbie and Ken.… From her colleagues:4. When Artemis really annoys me (which is pretty much every day), I feed her plant orange juice.5. It was me who jammed the copier that time. In fact, all the times.…Secrets she wouldn’t share with anyone in the world:6. My G string is hurting me.7. I faked my Maths GCSE grade on my CV.8. I have no idea what NATO stands for. Or even what it is……until she spills them all to a handsome stranger on a plane. After all, she’ll never see him again.But on Monday morning, Emma’s office is abuzz about the arrival of Jack Harper, the company’s elusive CEO. Suddenly Emma is face-to-face with the stranger from the plane, a man who knows every single humiliating detail about her. Things couldn’t possibly get worse... Until they do.***** EVERYBODY LOVES SOPHIE KINSELLA: *****'Funny, fast and farcical. I loved it' JOJO MOYES'I couldn’t put it down.' LOUISE PENTLAND (SprinkleofGlitter)'I almost cried with laughter' DAILY MAIL'Life doesn't get much better than a new Sophie Kinsella novel' RED'Hilarious . . . you'll laugh and gasp on every page' JENNY COLGAN

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'The Burning lights a fire in you - one that makes you want to fight for change and ignite sparks in others so the fire spreads and spreads.' - HOLLY BOURNE A rumour is like a fire. You might think you’ve extinguished it but one creeping, red tendril, one single wisp of smoke is enough to let it leap back into life again. Especially if someone is watching, waiting to fan the flames ... New school. Tick. New town. Tick. New surname. Tick. Social media profiles? Erased. There’s nothing to trace Anna back to her old life. Nothing to link her to the ‘incident’. At least that’s what she thinks … until the whispers start up again. As time begins to run out on her secrets, Anna finds herself irresistibly drawn to the tale of Maggie, a local girl accused of witchcraft centuries earlier. A girl whose story has terrifying parallels to Anna’s own… The compelling YA debut from Laura Bates, founder of the Everyday Sexism Project and bestselling author of Girl Up. PRAISE FOR THE BURNING: 'This is a book teen girls NEED to read' - Holly Bourne 'Bold, brutal & hugely important' - Abi Elphinstone 'Defiant and inspiring' – Katherine Webber 'Brilliant' – Stylist 'Essential reading for fans of Holly Bourne and Louise O'Neill' - The Observer PRAISE FOR GIRL UP: ‘A bracing love letter to today's teenage girls’ – Sunday Times 'Essential reading for young women and girls’ – Morning Star Online 'This no-nonsense guide to being a girl in 2016 is one all teen girls should read’ – Red magazine 'If you have a daughter or a niece or a younger sister or a goddaughter, buy it for them now' --The Pool PRAISE FOR EVERYDAY SEXISM: ‘This is an important book’ –Independent ‘A potent reminder of how far feminism has come and how far it has to go’ - Kirkus Reviews 'A game-changing book, a must-read for every woman' –Cosmopolitan 'Funny and clever' - Telegraph

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It is a truth universally acknowledged that girls just wanna have fun'If Bridgerton and Fleabag had a book baby, it would be Reputation. I inhaled it in one sitting' Sarra Manning'I had so much fun reading Reputation. It's a total blast' Louise O'NeillA classic romcom with a Regency-era twist, for fans of Mean Girls and Bridgerton.Abandoned by her parents in favour of a sea view, middle class Georgiana Ellers has moved to a new town to live with her dreary aunt and uncle. At a particularly dull dinner party, she meets the enigmatic Frances Campbell, a wealthy socialite and enchanting member of the in-crowd.Through Frances and her friends, Georgiana is introduced to a new world of wild parties, drunken debauchery, mysterious young men with strangely alluring hands, and the sparkling upper echelons of Regency society.But high society isn't all it's cracked up to be, and the price of entry might be more than Georgiana is willing to pay . . .Full of lavish parties, handsome men on horseback and laugh-out-loud humour, this is the summer read everyone's talking about.

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Madness and murder await you...Arthur Conan Doyle, renowned creator of Sherlock Holmes, arrives in New York with his wife Louisa ready to begin his first American tour. While he prepares his lectures, Louise becomes mesmerised by the vibrant and dangerous city. Especially when a woman's corpse is found in a Bowery alley and Louisa is convinced from the artist's sketch in the newspaper that she'd seen the victim in the hotel.Although Arthur is sceptical about her fantasies, when Louisa sprains her ankle and is forced to remain in the hotel she can't resist pursuing her intuitions. And when more bodies start appearing, she's convinced that she holds the key to the killings. With the help of the hotel detective and an ambitious female reporter, Louisa starts to piece together a story of madness, murder and depravity.A gripping historical mystery perfect for fans of Sherlock Holmes. And don't miss THE FRIGHTENED MAN - the first book in Kenneth Cameron's gripping Denton crime mysteries featuring an amateur sleuth you'll never forget.

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Sport has always been central to the movements of both the nation-state and the people who resist that nation-state. Think of the Roman Colosseum, Jesse Owens’s four gold-medal victories in the 1936 Nazi Olympics, Kareem Abdul-Jabbar’s protest at the 1968 Olympics, and the fallout Colin Kaepernick suffered as a result of his recent protest on the sidelines of an NFL game. Sport is a place where the body and the mind are the most dangerous because they are allowed to be unified as one energy.Bodies Built for Game brings together poems, essays, and stories that challenge our traditional ideas of sport and question the power structures that athletics enforce. What is it that drives us to athletics? What is it that makes us break our own bodies or the bodies of others as we root for these unnatural and performed victories? Featuring contributions from a diverse group of writers, including Hanif Abdurraqib, Fatimah Asghar, Reginald Dwayne Betts, Louise Erdrich, Toni Jensen, Ada Limón, Tommy Orange, Claudia Rankine, Danez Smith, and Maya Washington, this book challenges America by questioning its games.

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A gloriously romantic novel about fame, friendship and falling in love, from the No. 1 bestselling author and Queen of the Castle - perfect for fans of Jojo Moyes, Sophie Kinsella & Cecelia Ahern'Gloriously romantic' JILL MANSELL'Warm and romantic, this will brighten up your day' CLOSERSophie May has a secret.One that she's successfully kept for years. It's meant that she's had to give up her dreams of going to university and travelling the world to stay in her little village, living with her mum and working in the local teashop. But then Sophie unexpectedly meets the gorgeous Billy Buskin - a famous actor with ambitions to make it to the top. As they begin to grow closer, Sophie finds herself whisked away from the comfort of her life into Billy's glamorous - but ruthless - world.After years of shying away from attention, can Sophie handle the constant scrutiny that comes with being with Billy? How much is she prepared to give up along the way?And is their love strong enough to keep them together against the odds? Charming, heart-warming and utterly romantic, Billy and Me is an unforgettable story that will completely capture your heart.___________'Wonderfully warm and cosy. The perfect comfort read to curl-up with and enjoy' Ali McNamara'Tons of charm and genuine warmth' Star Magazine'A sweet and sparkling debut from a lovely lady. Sure to be a hit' Carole MatthewsOnly the most hard-hearted could fail to root for Sophie as she falls for A-lister Billy and must take on the mad, bad world of showbiz. This sweet debut reminded me of Last Night at Chateau Marmont' Louise Candlish'If you're looking for a romantic read and a summer treat that'll take you on a journey and leave you feeling like you've made a new friend, you'll love Billy and Me' Vanessa Greene'This is one juicy read' Now'Must read' Sunday Mirror

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Founded in 1869, the University of Nebraska was given the awesome responsibility of educating a new state barely connected by roads and rail lines. Established as a comprehensive university, uniting the arts and sciences, commerce and agriculture, and open to all regardless of “age, sex, color, or nationality,” it has as its motto Literis dedicata et omnibus artibus—dedicated to letters and all the arts. The University at first was confined to four city blocks and didn’t have a building until 1871. Cows grazed the campus. But soon the high aspirations of the state began to be realized. Nebraska boasted the first department of psychology west of the Mississippi River, and its faculty included national prominent scholars like botanist Charles Bessey and linguist A. H. Edgren (later a member of the Nobel Commission). Willa Cather, Roscoe Pound, Mari Sandoz, and Louise Pound ranked among its early graduates. And it developed a reputation for excellence in collegiate athletics. Written by a beloved member of the faculty, this history shows both why Robert E. Knoll is so devoted to the University as well as the tests such devotion must endure. Its history is hardly one of placid growth and unimpeded progress. Its regents, administration, faculty, and students have periodically fought one another: sometimes over matters as crucial as the University’s purpose, shape, and destination. More often, battles waged over personalities. It is to these personalities that Knoll directs most of his attention. The author focuses on the men and women who made a difference, for good or ill. He locates the University’s place in the changing intellectual and academic context of the United States and charts its passage through hard times and prosperity. He notes the contributions of the University to Nebraska, from the early experiments in sugar beet cultivation to the national fame of its football team. Most important, its education of generations of Nebraskans has lifted state goals and achievement, and its outreach has made the University an international community.

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