Search results for ""author ian"

"Blade-sharp, whip-smart, and genuinely original — a thriller to refresh your faith in the genre, your belief that a story can still outpace and outsmart you."— A. J. Finn, #1 New York Times bestselling author of The Woman in The Window"Clever and surprising...The superb character-driven plot delivers an astonishing, believable jolt."—Publishers Weekly (starred review)"Deserves two big thumbs up. Readers will be gripped by this astonishing story in which one gasp-inducing twist follows on the heels of another. A unique page-turner that just begs to be turned into a movie." —Booklist (starred review)"Sly, sinister...a white-knuckled read. There are gasp-worthy surprises, of course, and the exquisite and lurid twists will reveal themselves in time."--Vanity FairA smart, witty, crackling novel of psychological suspense in which a girl from a hardscrabble small town meets a gorgeous Instagram influencer from the big city, with a murderous twist that will shock even the most savvy reader.On a beautiful October morning in rural Maine, a homicide investigator from the state police pulls into the hard-luck town of Copper Falls. The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life. "Both amusingly satirical and darkly bloody."—The Washington Post

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"Blade-sharp, whip-smart, and genuinely original — a thriller to refresh your faith in the genre, your belief that a story can still outpace and outsmart you."— A. J. Finn, #1 New York Times bestselling author of The Woman in The Window"Clever and surprising...The superb character-driven plot delivers an astonishing, believable jolt."—Publishers Weekly (starred review)"Deserves two big thumbs up. Readers will be gripped by this astonishing story in which one gasp-inducing twist follows on the heels of another. A unique page-turner that just begs to be turned into a movie." —Booklist (starred review)"Sly, sinister...a white-knuckled read. There are gasp-worthy surprises, of course, and the exquisite and lurid twists will reveal themselves in time."--Vanity FairA smart, witty, crackling novel of psychological suspense in which a girl from a hardscrabble small town meets a gorgeous Instagram influencer from the big city, with a murderous twist that will shock even the most savvy reader.On a beautiful October morning in rural Maine, a homicide investigator from the state police pulls into the hard-luck town of Copper Falls. The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life. "Both amusingly satirical and darkly bloody."—The Washington Post

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While faith in the Enlightenment was waning elsewhere by 1850, at the United States Military Academy at West Point and in the minds of academy graduates serving throughout the country, Enlightenment thinking persisted, asserting that war was governable by a grand theory accessible through the study of military science. Officers of the regular army and instructors at the military academy and their political superiors all believed strongly in the possibility of acquiring a perfect knowledge of war through the proper curriculum.A Scientific Way of War analyzes how the doctrine of military science evolved from teaching specific Napoleonic applications to embracing subjects that were useful for war in North America. Drawing from a wide array of materials, Ian C. Hope refutes earlier charges of a lack of professionalization in the antebellum American army and an overreliance on the teachings of Swiss military theorist Antoine de Jomini. Instead, Hope shows that inculcation in West Point’s American military curriculum eventually came to provide the army with an officer corps that shared a common doctrine and common skill in military problem solving. The proliferation of military science ensured that on the eve of the Civil War there existed a distinctly American, and scientific, way of war.

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The ‘Tableaux Parisiens’ (Paris Scenes) section of Les Fleurs du Mal contains eighteen poems which record a twenty-four-hour tour of the city: a type of Joycean journey from the point of view of a dandy Odysseus. Many of the poems in the sequence possess the sharpness and intensity of a dream, a dédoublement, enabling us to contemplate life in a manner that merges the fantastic and the sordidly realistic. These new translations are accompanied by artist Sally Castle’s responses prompted by the work of Constantin Guys, Baudelaire’s favourite ‘painter of modern life’. ‘These unblinking translations by Ian Brinton offer us a revival of Baudelaire’s offense against public morals. Hand-in-hand with the poet’s unquiet ghost, Brinton reminds us of the transparency of our contemporary mores so that we see through to Baudelaire’s genius, to his insistent sense of mortality in its Romantic eroticism and corruption. To understand the poet “tranced in envy” at the antics of these corpse-like erotics is to glimpse a form of compassion, of pity for the human condition. This strange and haunting quality is there at every turn of Brinton’s Baudelaire.’ — KELVIN CORCORAN

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Quizá sea Joy Division el grupo que más haya influido en la evolución del rock. Nacida de las cenizas del punk, y llevando su furia nihilista a terrenos más introspectivos y oscuros, la formación adquirió un estatus de culto. Cuando el éxito parecía estar cerca, tuvo lugar el trágico suicidio de Ian Curtis, shock al que tuvieron que sobreponerse los otros miembros de la banda para fundar New Order, uno de los grandes grupos de los ochenta, pioneros y maestros del pop electrónico. En estas apasionantes memorias, Bernard Sumner (guitarrista y fundador de Joy Division y líder de New Order) revela los secretos, vivencias y anécdotas que se esconden detrás de tantas canciones y discos memorables.

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Hay pocas fronteras restantes en nuestro planeta, pero quizás las más salvajes y menos entendidas son los océanos: demasiado grandes para la policía y sin una autoridad internacional clara, estas inmensas regiones de aguas traicioneras albergan la criminalidad y la explotación desenfrenadas. Aprovechando cinco años de investigación periodística peligrosos e intrépidos, a menudo a cientos de millas de la costa, Ian Urbina nos presenta a los habitantes de este mundo oculto. A través de sus historias de asombroso coraje y brutalidad, supervivencia y tragedia, descubre una red mundial de crimen y explotación que emana de las industrias pesquera, petrolera y naviera, y de la que dependen las economías del mundo. Tan apasionante como una historia de aventuras y con una sorprendente exposición.

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Did COVID-19 actually break out to kill 6 million people because of a leak from a Chinese laboratory? What are the links between QAnon and Russiagate, Alex Jones and Donald Trump? Why did our own MI5 try to block evidence about the death of Iraq weapons inspector Dr David Kelly and the radioactive poisoning of Alexander Litvinenko?Putin is a brute who lies as a matter of policy. Hitler tried to blame Poland for starting WWII. We live in a world of fake news and false flags, secret plots and unexplained deaths. But what on earth can you believe, when nothing's ever quite what it seems? In Conspiracy, Ian Shircore cuts through the fog and the fairy tales to deliver a balanced analysis of the stories that shape the times we live in. New evidence - from Freedom of Information requests, WikiLeaks files, deathbed confessions and declassified archives - has solved some classic mysteries. Yet it raises more questions than ever about the assassinations of the 1960s, the dirty secrets of the late 20th century and the deadly traumas of the last few years.Now fully updated with new cases, material and evidence.

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Science tells us that a new and dangerous stage in planetary evolution has begun the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our physical, social, and economic environment. Large parts of Earth will become uninhabitable, and civilization itself will be threatened. Facing the Anthropocene shows what has caused this planetary emergency, and what we must do to meet the challenge.Bridging the gap between Earth System science and ecological Marxism, Ian Angus examines not only the latest scientific findings about the physical causes and consequences of the Anthropocene transition, but also the social and economic trends that underlie the crisis. Cogent and compellingly written, Facing the Anthropocene offers a unique synthesis of natural and social science that illustrates how capitalism's inexorable drive for growth, powered by the rapid burning of fossil fuels that took millions of years to form, has driven our world to the brink of disaster.Survival in the Anthropocene, Angus argues, requires radical social change, replacing fossil capitalism with a new, ecosocialist civilization. "

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This book is in the same series and is a natural follow-up to the successful "Climbing Games". With the increase in the use of climbing walls more people are learning to lead indoors. This tends to be a more rapid progression than it may be outdoors, and also allows access to much steeper leading at a lower level of climbing experience. There is also an expectation that falling off is the norm, a complete reversal of early stages of leading outdoors on traditional climbs. Teaching leading indoors should be done progressively, the aim being to develop the climbing skills needed very thoroughly. Developing the skills for safe and efficient lead belaying is equally important. Ian Fenton has been involved in teaching leading outdoors and on indoor walls for a number of years. This has also involved evaluating and signing off other instructors to teach leading, at a number of climbing walls; both prior to the advent of the Climbing Wall Leading Award (CWLA), and now as a provider of the CWLA. In the past the teaching of leading has often been done haphazardly, with limited progression, poor route choice and inappropriate belaying. With the help of the exercises in this book it should be possible to design an appropriate progression to suit any individual, of any age or ability, who is learning to lead indoors and lead belay.

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Mountainous terrain, volcanic soils, innumerable microclimates, and an ancient culture of winemaking influenced by Greeks, Phoenicians, and Romans make Italy the most diverse country in the world of wine. This diversity is reflected in the fact that Italy grows the largest number of native wine grapes known, amounting to more than a quarter of the world's commercial wine grape types. Ian D'Agata spent thirteen years interviewing producers, walking vineyards, studying available research, and tasting wines to create this authoritative guide to Italy's native grapes and their wines. Writing with great enthusiasm and deep knowledge, D'Agata discusses more than 375 different native Italian grape varieties, from Aglianico to Zibibbo. D'Agata provides details about how wine grapes are identified and classified, what clones are available, which soils are ideal, and what genetic evidence tells us about a variety's parentage. He gives historical and anecdotal accounts of each grape variety and describes the characteristics of wines made from the grape. A regional list of varieties and a list of the best producers provide additional guidance. Comprehensive, thoroughly researched, and engaging, this book is the perfect companion for anyone who wants to know more about the vast enological treasures cultivated in Italy.

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This book explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. It contributes to the growing literature on 9/11, presenting an overview of some of the main texts that have represented the attacks and their aftermath. Focus on Don DeLillo: adds to the literature surrounding this major American novelist. Focus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayist. Man on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/11.

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Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. Key Features * Contributes to the growing literature on 9/11, presenting an over-view of some of the main texts that have represented the attacks and their aftermath * Focus on Don DeLillo: adds to the literature surrounding this major American novelist * Focus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayist * Man on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/11

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A charmingly corny book of Star Wars-inspired dad jokes, perfect for geeky fathers, pun lovers, and sci-fi fans of any age.What kind of stories do Wookiee parents tell at bedtime? Hairy tales. Why do the warriors of Mandalore leave their helmets on? It's Mandator-ian. A Jedi Master fights with a lightsaber, but a Jedi father wields the most powerful weapon of all: comedy. Fight the Sith with the knee-slapping, groan-inducing power of these Star Wars-inspired dad jokes or join the dark side and terrorize your family and friends with an army of bad puns. The perfect balance of hokey and wholesome, Star Wars: Dad Jokes is sure to slip through any defenses and have even the most serious of Padawans rolling their eyes. As Master Yoda might say: Laugh, you must! © & ™ 2023 Lucasfilm Ltd.FAMILY FUN: Star Wars is nothing if not a family drama—after all, it boas

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''Outrageous Jilly Cooperesque'' Sunday Times Style *Take a grand English country house, one (heartbroken) American divorcée, three rich wives, two tycoons, and one (bereaved) butler; put them all into the blender and out comes the impossibly funny Wives Like Us.Welcome to the rose-strewn county of Oxfordshire and the Cotswold villages of Little Bottom, Middle Bottom, Great Bottom, and Monkton Bottom, recently annexed by a glittering new breed of female: the Country Princess.Following a ghastly row about a missing suite of diamonds, Tata Hawkins has flounced out of Monkton Bottom Manor with her daughter, Minty, and Executive Butler Ian Palmer in tow, decamping to the Old Coach House to teach her husband, Bryan, a lesson.But things don't go to plan: Bryan disappears to Venice with a bikini designer; Selby Fairfax, the glamorous American divorcée who has inherited the beautiful estate next door, refuses Tata's neighborly overtures; and Tata's very be

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With its unique aroma and heady buzz - the perfect accompaniment to even the spiciest tacos - tequila has won its way into drinkers' hearts worldwide. There are few places on earth besides Mexico that have the climate and terrain to evolve the agave plant from which tequila is made, and there are even fewer people who have the patience to wait the seven years or more that it takes 'the tree of marvels' to grow. Tequila is a lively history of this potent and popular drink.Mayans, Olmecs and Aztecs fermented a drink called pulque from the sap of the agave. It was reserved for pregnant women and priests - and their sacrifices. Later the Mexicans began to use distillation to make tequila and mescal and since its humble beginnings as a local firewater, it has exploded into global popularity. Ian Williams visits countless tequila producers, distributors and connoisseurs to tell the story of how tequila started in the agave lands of Mexico, became an icon of youthful inebriation and then developed into a truly artisanal product which today draws the most discerning drinkers. Including recipes for cocktails, as well as advice on the buying, storing, tasting and serving of tequila, mescal and other agave spirits, this book will delight beverage aficionados and anyone interested in the history of Mexico and its unique drinking culture.

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Nothing compares to the Ashes. The Ashes is always coming, even when it is finished. The Ashes is where hope, expectation, magic and chagrin flourish in equal measure, and performance is permanently burnished.'The best cricket writer in the world' Guardian'The Bradman of cricket writing' Sunday Telegraph'The finest cricket writer alive' The Australian'Australia's finest writer on cricket' The Times'The most gifted cricket essayist of his generation' Richard Williams, GuardianIn On The Ashes, Gideon Haigh, today's pre-eminent cricket writer, has captured over a century and a half of Anglo-Australian cricket, from WG Grace to Don Bradman, from Bodyline to Jim Laker's 19-wicket match, from Ian Botham's miracle at Headingley to the phenomena of Patrick Cummins and Ben Stokes, today's Ashes captains.From over three decades of covering The Ashes, Gideon has brought together an enduring vision of this timeless contest between Australia and England - the world's oldest sporting rivalry - from the colonial era to the present day.

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The tenth book in the Sunday Times-bestselling Inspector McLean series, from one of Scotland's most celebrated crime writersWhen a member of the Police Scotland team fails to clock-in for work, concern for her whereabouts is immediate... and the discovery of her burnt-out car in remote woodland to the south of Edinburgh sets off a desperate search for the missing woman.Meanwhile, DCI Tony McLean and the team are preparing for a major anti-corruption operation - one which may raise the ire of more than a few powerful people in the city. Is Anya Renfrew's disappearance a co-incidence or related to the case?McLean's investigations suggest that perhaps that Anya isn't the first woman to have mysteriously vanished in these ancient hills. Once again, McLean can't shake the feeling that there is a far greater evil at work here... Praise for James Oswald:'The new Ian Rankin' Daily Record'Creepy, gritty and gruesome' Sunday Mirror'Crime fiction's next big thing' Sunday Telegraph

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Creepy as hell and kept me guessing to the very end' - Ian RankinA new home. A new start.It’s all the Lockwoods want.And on The Avenue, a leafy street in an Essex town near the sea, it seems possible.But what if what they want isn’t what they get?On their moving-in day they arrive to a media frenzy.A serial killer has struck in the woods behind The Avenue.The police are investigating.And the neighbours quite clearly have secrets.With their dream quickly turning into a nightmare, the Lockwoods are watching everyone.But who’s watching them?Praise for Fiona Cummins 'Trust me - Cummins is a keeper' - Lee Child'Head and shoulders above the rest' - Val McDermid'A crime novel of the very first order' - David BaldacciDark, intriguing and gripping' - Laura Marshall'What a storyteller' - Caz Frear'A nightmarishly addictive read' - CJ Tudor'Enthralled from beginning to end as each page drips with threat and menace' - Liz NugentThe Neighbour by Fiona Cummins is a twisting thriller about a quiet neighbourhood that's hiding a deadly secret.

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Here is a sumptuous banquet of the hospitality world's finest offerings in places to eat and drink. Tour more than 200 designer and boutique hotels from around the world, along with classics such as The Ritz in London, The Oriental Bangkok, the New York Palace Hotel, and the Hôtel Plaza Athénée in Paris. Top hotel and restaurant design firms from around the world are included, with industry leaders such as David Rockwell, Ian Schrager, Robert DiLeonardo, and Adam Tihany. Plus, there is work by design world icons Karl Lagerfeld, Pierre Court, Patrick Jouin, and Philippe Starck. The visual banquet includes classic European designs dripping in decorative molding and custom paneling, gold leaf and crystal chandeliers. There are starkly modern designs, fashionable Asian Fusion and eclectic settings, and tropical paradises, as well as playful and erotic designs. A resource guide provides contact information for design and architectural firms, as well as the beautiful establishments shown. This is an inspiring book for anyone planning or designing a place of hospitality and consumption.

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The Wolf's Lair was the most important German command post building during the Second World War. Orders sent from these secret headquarters would play a massive part in the outcome of the War. Ian Baxter looks in to the inner workings of Hitler's headquarters, highlighting the decisions that were made and analysing how they came about. Baxter not only utilises published works, unpublished records, military documents and archives on the subject, but also digs deep into the contemporary writings of Hitler's closest personal staff, seeking to disentangle the truth through letters written by wives, friends, adjutants, private secretaries, physicians, and of course his military staff. Baxter extensively examines life within the Fuhrerhauptquartiere, where from behind closed doors, inside the claustrophobic atmosphere of the bunkers Hitler planned and gossiped with his associates. However, as defeat loomed, Hitler surrounded himself not with his intimate circle of friends, but what he considered were illiterate soldiers. Baxter shows how Hitler's contempt for his war staff grew. It describes, during the onset of the traumatic German military reverses in Russia, how Hitler stood unbowed in the face of the enemy, and how he tried to infuse determination into his generals and friends, despite his rapid deterioration in health.

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BOND - JAMES BOND. He's a global literary and entertainment phenomenon. But few know there is a hidden, esoteric side to Bond and his creator, Ian Fleming - and all those secrets are revealed here. Using the celestial language of astrology, RA RISHIKAVI RAGHUDAS charts Bond's course from Fleming's interest in metaphysics and his life as a British intelligence agent, to the creation of the Bond novels and then through the entire Bond movie franchise. We learn about the origin of 007's codename, how Fleming may have tricked the Nazis using astrology, why James Bond is the ultimate Scorpio archetype, and why he's a hero who remains relevant even as times change. We even find that the charts of all the actors who have played Bond are cosmically tied together! THE ASTROLOGY OF BOND - JAMES BOND is a treasure house of insight and delight for Bond fans everywhere. Written with style, wit and clarity, it's suitable even for those with little or no astrological knowledge. It's the definitive astro-guide to 007!

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A study of one of the most significant medieval manuscripts containing music, and its owner, sheds light on many aspects of contemporary culture. Hermann Pötzlinger (+ 1469), the university-educated schoolmaster of the monastery of St Emmeram, Regensburg, was the creator of one of the largest and most intriguing collections of late-medieval polyphonic music to have survivedfrom Central Europe. His music book, the so-called 'St Emmeram Codex' (Munich, Bayerische Staatsbibliothek, Clm 14274), was compiled in the years immediately following his graduation from Vienna University in 1439. It contains aunique cross-section of polyphonic vocal music not only from the West but also from Central and Eastern Europe; moreover, it is only one among more than a hundred scholarly manuscripts that he copied or acquired during his career. This volume presents an in-depth study of the manuscript and of the professional networks and academic culture within which it was compiled; its context as part of one of the largest surviving personal libraries of its time is also explored. It will appeal to all those interested in early music and other aspects of late-medieval life and culture. Dr IAN RUMBOLD is an independent scholar; PETER WRIGHT is Professor of Music at the University of Nottingham.

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History is replete with instances of what might, or might not, have been. By calling something contingent, at a minimum we are saying that it did not have to be as it is. Things could have been otherwise, and they would have been otherwise if something had happened differently. This collection of original essays examines the significance of contingency in the study of politics. That is, how to study unexpected, accidental, or unknowable political phenomena in a systematic fashion. Yitzhak Rabin is assassinated. Saddam Hussein invades Kuwait. Hurricane Katrina hits New Orleans. How might history be different had these events not happened? How should social scientists interpret the significance of these events and can such unexpected outcomes be accounted for in a systematic way or by theoretical models? Can these unpredictable events be predicted for? Political Contingency addresses these and other related questions, providing theoretical and historical perspectives on the topic, empirical case studies, and the methodological challenges that the fact of contingency poses for the study of politics. Contributors: Sonu Bedi, Traci Burch, Jennifer L. Hochschild, Gregory A. Huber, Courtney Jung, David R. Mayhew, Philip Pettit, Andreas Schedler, Mark R. Shulman, Robert G. Shulman, Ian Shapiro, Susan Stokes, Elisabeth Jean Wood, and David Wootton

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Accustomed to being centre stage, international award-winning singer Ian Bostridge, like so many performers, spent much of 2020 and 2021 unable to take part in live music. It led him to question an identity previously defined by communicating directly with audiences.This enforced silence allowed Bostridge the opportunity to explore the backstories of some of the many works that he has performed - works such as Claudio Monteverdi's seventeenth-century masterpiece Il combattimento di Tancredi e Clorinda and Schumann's ever popular song cycle Frauenliebe und Leben. The complex world of a single song by Ravel from the Chansons madécasses has always haunted and unnerved Bostridge, while his immersion in Benjamin Britten's confrontations with death, in life and art, have given him much food for thought.Based on his Berlin Family Lectures, delivered at the University of Chicago in the Spring of 2020, Bostridge guides us on a fascinating journey beneath the surface of these iconic works. His underlying questions as a performer drive the narrative: what does it mean for audiences when a singer inhabits these roles? And what does a performer's own identity subtract from or add to the identities inherent in the works themselves?

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Why are some people more vulnerable to common mental disorders than others?What effects do genes and environments exert on the development of mental disorders?The Origins and Course of Common Mental Disorders describes the nature, characteristics and causes of common emotional and behavioural disorders as they develop across the lifespan, providing a clear and concise account of recent advances in our knowledge of the origins and history of anxious, depressive, anti-social, and substance related disorders.Combining a lifespan approach with developments in neurobiology, this book describes the epidemiology of emotional and behavioural disorders in childhood, adolescence and adult life. David Goldberg and Ian Goodyer demonstrate how both genes and environments exert different but key effects on the development of these disorders and suggest a developmental model as the most appropriate for determining vulnerabilities for psychopathology. Divided into four sections, the book covers:the nature and distribution of common mental disorders the biological basis of common disorders the human life cycle relevant to common disorders the developmental model. This highly readable account of the origins of emotional and behavioural disorders will be of interest to behavioural science students and all mental health professionals including psychiatrists, psychologists, social workers, nurses, and counsellors.

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The medieval church was founded on and governed by concepts of faith and trust--but not in the way that is popularly assumed. Offering a radical new interpretation of the institutional church and its social consequences in England, Ian Forrest argues that between 1200 and 1500 the ability of bishops to govern depended on the cooperation of local people known as trustworthy men and shows how the combination of inequality and faith helped make the medieval church.Trustworthy men (in Latin, viri fidedigni) were jurors, informants, and witnesses who represented their parishes when bishops needed local knowledge or reliable collaborators. Their importance in church courts, at inquests, and during visitations grew enormously between the thirteenth and fifteenth centuries. The church had to trust these men, and this trust rested on the complex and deep-rooted cultures of faith that underpinned promises and obligations, personal reputation and identity, and belief in God. But trust also had a dark side. For the church to discriminate between the trustworthy and untrustworthy was not to identify the most honest Christians but to find people whose status ensured their word would not be contradicted. This meant men rather than women, and—usually—the wealthier tenants and property holders in each parish.Trustworthy Men illustrates the ways in which the English church relied on and deepened inequalities within late medieval society, and how trust and faith were manipulated for political ends.

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Offers a unique comparative exploration of the role of tradition in Islam and Christianity. The idea of 'tradition' has enjoyed a variety of senses and definitions in Islam and Christianity, but both have cleaved at certain times to a supposedly 'golden age' of tradition from the past. In comparing the role of tradition in Islam and Christianity, key themes are explored: * The roles of authority * Fundamentalism * The use of reason * Ijtihad (independent thinking) * Original comparisons between Islamic Salafism and Christian Lefebvrism The author suggests there has been a chain of thinkers from classical Islam to the twentieth century who share a common interest in ijtihad (or independent thinking). Drawing on past and present evidence, and using Christian tradition as a focus for contrast and comparison, the author highlights the seemingly paradoxical harmony between tradition and itjihad in Islam. The author draws on a variety of primary and secondary sources including contemporary newspaper and journal articles, documents and letters, adding an immediacy to a lucid and stimulating text. Key Features * Proposes a new vocabulary for the articulation of Islam * Offers original comparisons between Salafism and Lefebvrism * Highlights the paradoxical harmony between tradition and itjihad in Islam * Articulates the yearning amongst today's Muslim and Christian traditionalists for a revival of a 'golden age' from whence, they believe, all good traditions derive

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Everyone knows that social media is free, millennials are all adept social media experts, that businesses always have to be available 24/7 and ultimately none of it really matters, as the digital space is full of fake news and online messaging is seen as inauthentic. Don't they? The use of social media as a business tool is dominated by falsehoods, fictions and fabrications. In Myths of Social Media, digital consultant Michelle Carvill and workplace psychologist Ian MacRae dismiss many of the most keenly-held misconceptions and instead, present the reality of social media best practice. Using helpful and instructive, sometimes entertaining and occasionally eye-watering examples of what you should and should not do, Myths of Social Media debunks the most commonly held myths and shows you how to use social media effectively for work and at work. About the Business Myths series... The Business Myths series tackles the falsehoods that pervade the business world. From leadership and management to social media, strategy and the workplace, these accessible books overturn out-of-date assumptions, skewer stereotypes and put oft-repeated slogans to the test. Entertaining and rigorously researched, these books will equip you with the insight and no-nonsense wisdom you need to succeed.

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What would bring a physician to conclude that sterilization is appropriate treatment for the mentally ill and mentally handicapped? Using archival sources, Ian Robert Dowbiggin documents the involvement of both American and Canadian psychiatrists in the eugenics movement of the early twentieth century. He explains why professional men and women committed to helping those less fortunate than themselves arrived at such morally and intellectually dubious conclusions. Psychiatrists at the end of the nineteenth century felt professionally vulnerable, Dowbiggin explains, because they were under intense pressure from state and provincial governments and from other physicians to reform their specialty. Eugenic ideas, which dominated public health policy making, seemed the best vehicle for catching up with the progress of science. Among the prominent psychiatrist-eugenicists Dowbiggin considers are G. Alder Blumer, Charles Kirk Clarke, Thomas Salmon, Clare Hincks, and William Partlow. Tracing psychiatric support for eugenics throughout the interwar years, Dowbiggin pays special attention to the role of psychiatrists in the fierce debates about immigration policy. His examination of psychiatry's unfortunate flirtation with eugenics elucidates how professional groups come to think and act along common lines within specific historical contexts.

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Can the British plan? Sometimes it seems unlikely. Across the world we see grand designs and visionary projects: new airport terminals, nuclear power stations, high-speed railways, and glittering buildings. It all seems an unattainable goal on Britain’s small and crowded island; and yet perhaps this is too pessimistic. For the British have always planned, and much of what they have today is the result of past plans, successfully implemented. Ranging widely, from London’s squares and the new city of Milton Keynes, to ‘High Speed One’, the motorways, and the secret first electronic computers, Ian Wray’s remarkable book puts successful infrastructure plans under the microscope. Who made these plans and what made them stick? How does this reflect the defining characteristics of British government? And what does that say about the individuals who drew them up and saw them through? In so doing the book casts refreshing new light on how big decisions have actually been made, revealing the hidden sources of drive and initiative in British society, as seen through the lens of ‘plans past’. And it asks some searching questions about the mechanisms we might need for successful ‘plans future’, in Britain and elsewhere.Includes foreword by the Right Honourable the Lord Heseltine CH.

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumiere brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain's most important early innovator in film, to his rightful place. From improving upon Edison's Kinetoscope to cocreating the first movie camera in Britain to building England's first film studio and launching the country's motion-picture industry, Paul played a key part in the history of cinema worldwide. It's not only Paul's story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siecle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

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"The Flights of Zarza", published in 1992, appeared in the decade in which democratic rule returned to Argentina after seven years of brutal dictatorship and state terror, a period which Kofman, a Jew, likened to Germany before and during the Second World War. The post-dictatorship years of the late 80s were characterised by their rampant consumerism and hyper-inflation, and in an environment that was becoming more and more like a US shopping mall, poetry seemed like one of the last bastions of the 'internal voice', no longer an escape from military repression but a refuge for the literary language of a whole society. For Kofman, however, as Andrew Graham-Yooll explains in his illuminating introduction to this book, this was not the end but a new beginning, and his poetry expresses the divide between the past and the need to move on, the break of the new poetry of the 90s with the politics of the 70s.Kofman's fourth published collection is very much part of this new expression as it follows the androgynous Zarza (here a pugnacious male, there a seductive female) in his/her travels the length and breadth of Argentina and beyond. Its images are strong and colourful, its narrative vigorous, and its language direct, all of which make for an exciting first encounter, in Ian Taylor's superb translation, with this outstanding Argentinean poet.

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This is a comprehensive study of the lost genre of Hong Kong documentary film. Does Hong Kong have a significant tradition in documentary filmmaking? Until recently, many film scholars believed not. Yet, when Ian Aitken and Michael Ingham challenged this assumption, they discovered a rich cinematic tradition, dating back to the 1890s. Under-researched and often forgotten, documentary film-making in Hong Kong includes a thriving independent documentary film movement, a large archive of documentaries made by the colonial film units, and a number of classic British Official Films. Case studies from all three categories are examined in this book, including The Battle of Shanghai, The Sea and the Sky, Rising Sun and The Hong Kong Case. In-depth discussion and analysis of more recent Hong Kong independent documentaries focuses on works such as Cheung King-wai's KJ: A Life in Music and films by Tammy Cheung and Evans Chan. With a particular focus on how these films address the historico-political dimension of their time, Hong Kong Documentary Film introduces students and scholars in Film Studies to this fascinating and largely unexplored cinematic tradition. It is based on original archival research. It explores the issue of colonial film-making. It explores the role of public service television documentary. It presents critical analysis of important films.

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If Pakistan is to preserve all that is good about its country - the generosity and hospitality of its people, the dynamism of its youth - it must face the deterioration of its social and political institutions. Sidestepping easy headlines to identify Pakistan's true dangers, this volume revisits the major turning points and trends of Pakistani history over the past six decades, focusing on the increasing entrenchment of Pakistan's army in its political and economic arenas; the complex role of Islam in public life; the tensions between central and local identities and democratic impulses; and the effect of geopolitical influences on domestic policy and development. While Ian Talbot's study centres on Pakistan's many failures - the collapse of stable governance, the drop in positive political and economic development, and, most of all, the unrealised goal of securing a separate Muslim state - his book unequivocally affirms the country's potential for a positive reawakening. These failures were not preordained, Talbot argues, and such a fatalistic reading does not respect the complexity of historical events, individual actors, and the state's own rich resources. While he acknowledges grave crises still lie ahead for Pakistan, Talbot's sensitive historical approach makes it clear that favourable opportunities still remain for Pakistan, in which the state has a chance to reclaim its priorities and institutions and re-establish political and economic sustainability.

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Ian Knight's Warriors in Scarlet is a comprehensive and stirring history of the Victorian army between 1837 to 1860, from the Battle of Bossendon Wood to the Crimean War, a period of seismic change.An acclaimed military historian, Knight draws on first-hand accounts to show us the reality of life for the British soldier in this era – the drudgery of peace-time service, the excitement and privations of posting overseas, the floggings and desertions, the regimental pride and comradeship. The rapid expansion of the empire saw the army fighting in small wars across the world and Knight reveals the brutal reality of this colonial conflict from both sides. British soldiers trained in tactics that had beaten Napoleon were forced to adapt when faced with warriors with very different skills fighting on their home ground.Knight vividly recreates the action, from bloody skirmishes in Southern Africa and siege warfare in New Zealand to disasters like the 1842 retreat from Kabul and Chillianwalla in the Punjab – but shows that in reality the army won more than four-fifths of the battles they fought in this era. He describes how, by 1860 with their redcoats increasingly replaced by khaki, the British army was a more professional, efficient and increasingly ruthless fighting force.'Impressively researched and highly readable analysis' – Tony Pollard, Professor of Conflict History and Archaeology, University of Glasgow

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Around the Coast in 80 Days is an indispensable guide to the very best of Britain’s diverse coastline. Whether you have just an afternoon, a whole day, a free weekend, or a whole week to explore our wonderful country, this book will guide you to 80 of the most interesting, fun and picturesque seaside spots our coast has to offer. Starting at Liverpool, one of the most fashionable tourist destinations in Europe, the book travels clockwise up to Scotland, down the east coast, across the southern shores, up through Wales and back to the northwest of England. It calls in at exciting seaside towns like Blackpool, Brighton and Newquay, and also invites you to explore the more tranquil coastal stretches, such as Balnakeil, Gower Peninsula and the Lizard. Covering nine coastal regions of Britain, chapters provide insights into the history, culture and key features of each place, how to get to there, where to eat – including the best places for fish and chips, and where to stay. Accompanied by beautiful photography and a handy map, and introduced with an entertaining and evocative Foreword by Ian McMillan, the book will delight families, couples and solo explorers of all ages and with all budgets. We all know there’s so much more to explore and enjoy in our beautiful country – this book will help you do just that.

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What makes photographs different from other kinds of documents that historians use to explain what happened in the past? What can photographic images do that other documents cannot? Can photography accurately depict labor? Contributors to this issue examine these questions with both fine art photography and visual archives of many kinds: state, corporate, family, trade union, ethnographic, photojournalistic, and environmental. They investigate the ways that photography has been central to both the expropriation and exploitation of labor and the potential of photography to enable new and radical approaches to historicizing the study of working peoples and labor. Articles showcase methodologically generative research that builds upon the recent boom in theoretical work in the fields of visual cultural studies and photography to reinvigorate historical studies of work. Contributors: Siobhan Angus, Ian Bourland, Oliver Coates, Kevin Coleman, Clare Corbould, Adrian De Leon, Rick Halpern, Daniel James, Tong Lam, Walter Benn Michaels, Jessica Stites Mor, Carol Quirke, Jayeeta Sharma, Erica Toffoli, Daniel Zamora

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Jamie Glover reads this gripping novelisation of a classic TV adventure for the First Doctor.The TARDIS materialises on a remote island, set in a sea of acid, on the planet Marinus. The Doctor, Susan, Ian and Barbara meet Arbitan, keeper of a vast computer which rules and balances the gentle life of Marinus. Yet peace on the planet is threatened by the sub-human Voord, who wish to take control of the Conscience.Arbitan enlists the travellers to find the five crucial Keys of Marinus in various locations across the planet. Thus begins a series of terrifying adventures for the Doctor and his friends, who must find the Keys if they wish to ever to see the TARDIS again.Jamie Glover, who played William Russell in the BBC TV drama 'An Adventure in Space and Time', reads Philip Hinchcliffe's novelisation of Terry Nation's 1964 TV serial. Reading produced by Neil Gardner at Ladbroke Audio Sound design by Simon Power Executive producer: Michael Stevens©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd

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Roads to Confederation surveys the way in which scholars from different disciplines, writing in different periods, viewed the Confederation process and the making of Canada. Recognizing that Confederation has been traditionally defined as a process affecting only British North America’s Anglophone and Francophone communities, Roads to Confederation offers a broader approach to the making of Canada, and includes scholarship written over 145 years. Volume 2 of this collection focuses on three major themes. It presents research from the perspective of Canada’s regions, with one chapter focusing exclusively on the competing understandings of 1867 from the perspective of Quebec. Next, it includes material pertaining to the geopolitical underpinnings of 1867 that addresses the relationship between Confederation, the U.S. Civil War and American expansionism, Great Britain and war in the European theatre. Also included is leading scholarship by Stanley B. Ryerson, Adele Perry, Fernand Dumond, Ian McKay and James W. Daschuk that questions whether Confederation itself was a formative event. Together with its companion volume, this is an invaluable resource for those who wish to deepen their understanding of the historical foundations on which Canada rests.

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The title ‘the Son of Man’ evokes the different aspects of the whole Christ: the humanity and divinity of Christ, his earthly ministry, his sacramental presence, and the eschatological consummation of his work. It is also a term of relationship, suggestive of both the relations constitutive of the life of the Holy Trinity, and also of the way that our knowing and loving the Son of Man is always an invitation to communion - with the Triune God, as the Body of Christ, and for the life of the world. Contributors to this collection explore some of the many registers of the mystery of Christ, both historically and thematically. Contributors include some of today’s leading theological thinkers, including N.T. Wright, Rowan Williams, Lydia Schumacher, Kallistos Ware and Oliver O’Donovan. With poetic reflections from Malcolm Guite. Chapters include: "Son of Man and the New Creation" (N.T. Wright), "The Son of Man in the Gospel of John" (John Behr), "Sound and Silence in Augustine’s Christological Exegesis" (Carol Harrison), "According to the Flesh?: The Problem of Knowing Christ in Chalcedonian Perspective" (Ian Mcfarland), "Christ and the Moral Life" (Oliver O'Donovan), "Christ and the Poetic Imagination" (Malcolm Guite)

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Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, "Switching Codes" brings together leading American and European scholars, scientists, and artists - including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers - to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. "Switching Codes" will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists alike.

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Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, "Switching Codes" brings together leading American and European scholars, scientists, and artists - including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers - to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. "Switching Codes" will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists alike.

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"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.

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Family life has undergone revolutionary changes in Western society in the last sixty years, posing both theological and ethical challenges for the contemporary church. This book responds with wide-ranging essays on sexuality, marriage, family life, singleness, same-sex relationships, violence against women, anthropology, gender and culture. These chapters are essential reading for anyone concerned with Christian teaching on marriage and the family. They balance a clear loyalty to the church’s historic and biblical teaching with a recognition that all doctrine is contextualized. There is a growing gap between the ethics of many Christians and those of wider society. So Christians have to be counter-cultural. But the church also has to be self-critical, differentiating between biblical revelation and cultural development. And it must know how to present unchanging Christian convictions to a constantly changing society. The contributors are Andy Angel, Daniel Block, Rosalind Clarke, Barry Danylak, Andrew Goddard, Stephen Holmes, David Instone Brewer, A. T. B. McGowan, Nicholas Moore, Onesimus Ngundu, Oliver O'Donovan, Ian Paul, Andrew Sloane, Katy Smith, Elaine Storkey and Sarah Whittle.

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It also incorporates revisions that Hardy made in his "study copy" of the novel and in his marked printer’s copy and page proofs for the Harper and Brothers "sixpenny edition" of 1901, whenever these revisions could be confidently judged to represent Hardy’s final deliberate intent. The resulting text includes revisions by Hardy which have never appeared before in a modern edition. The novel is fully annotated and is accompanied by Hardy’s map of Wessex and a simplified map of the landscape of Far from the Madding Crowd. "Textual Notes" include a list of emendations, examples of variant readings from the manuscript to the Wessex edition, and a discussion of the choice of copy text. The textual history of the novel is traced in extracts from studies by Richard Little Purdy and Simon Gatrell. "Backgrounds" includes substantial extracts from Hardy’s correspondence with Leslie Stephen and is followed by a selection of contemporary reviews. Twentieth-century "Criticism" is represented by Howard Babb, Roy Morrell, Alan Friedman, J. Hillis Miller, Michael Millgate, Penelope Vigar, Peter J. Casagrande, Ian Gregor, and Albert C. Schweik.

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Past interpreters of Kant’s thought seldom viewed his writings on politics as having much importance, especially in comparison with his writings on ethics, which (along with his major works, such as the Critique of Pure Reason) received the lion’s share of attention. But in recent years a new generation of scholars has revived interest in what Kant had to say about politics. From a position of engagement with today’s most pressing questions, this volume of essays offers a comprehensive introduction to Kant’s often misunderstood political thought. Covering the full range of sources of Kant’s political theory—including not only the Doctrine of Right, the Critiques, and the political essays but also Kant’s lectures and minor writings—the volume’s distinguished contributors demonstrate that Kant’s philosophy offers compelling positions that continue to inspire the best thinking on politics today.Aside from the editor, the contributors are Michaele Ferguson, Louis-Philippe Hodgson, Ian Hunter, John Christian Laursen, Mika LaVaque-Manty, Onora O’Neill, Thomas W. Pogge, Arthur Ripstein, and Robert S. Taylor.

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Erin was a good girl. But someone wanted her dead… ‘I love all Mel Sherratt’s books’ IAN RANKIN ‘An absolute masterpiece’ ANGELA MARSONS ‘Twists and turns and delivers a satisfying shot of tension’ RACHEL ABBOTT When sixteen-year-old Erin Ellis is attacked, she dies in the arms of her best friend Molly, just metres from her home. Molly is the surviving girl but says she easily could have been the victim – it was a random mugging gone wrong. With inconclusive evidence, DS Grace Allendale must dig deep within the tight-knit Stoke community for leads. And she soon finds that someone had a motive to kill Erin. As the investigation unfolds, Grace is reminded of a horrifying case she worked on earlier in her career. Is the past coming back to haunt her? And can she push through her fear to catch Erin’s killer before it’s too late? ** The million-copy bestseller Mel Sherratt is back with her most gripping and gritty novel yet! **

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The ninth book in the Sunday Times-bestselling phenomenon that is the Inspector McLean series, from one of Scotland's most celebrated crime writers.Her lifeless body is hidden in the dark corner of a basement room, a room which seems to have been left untouched for decades. A room which feels as cold as the grave. As a rowdy demonstration makes its slow and vocal way along Edinburgh's Royal Mile, Detective Chief Inspector Tony McLean's team are on stand-by for any trouble. The newly promoted McLean is distracted, inexplicably drawn to a dead-end mews street... and a door, slightly ajar, which leads to this poor girl's final resting place. But how long has she been there, in her sleep of death? The answers are far from what McLean or anyone else could expect. The truth far more chilling than a simple cold case... Praise for James Oswald:'The new Ian Rankin' Daily Record'Creepy, gritty and gruesome' Sunday Mirror'Crime fiction's next big thing' Sunday Telegraph

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