Search results for ""author francis"

Following the 1957 season, two of baseball’s most famous teams, the Brooklyn Dodgers and the New York Giants, left the city they had called home since the 19th century and headed west. The Dodgers went to Los Angeles and the Giants to San Francisco. Those events have entered baseball lore, and indeed the larger culture, as acts of betrayal committed by greedy owners Walter O’Malley of the Dodgers and Horace Stoneham of the Giants. The departure of these two teams, but especially the Dodgers, has not been forgotten by those communities. Even six decades later, it is not hard to find older Brooklynites who are still angry about losing the Dodgers. This is one side of the story. Baseball Goes West seeks to tell another side. Lincoln A. Mitchell argues that the moves to California, second only to Jackie Robinson’s debut in 1947, forged Major League Baseball (MLB) as we know it today. By moving two famous teams with national reputations and many well-known players, MLB benefited tremendously, increasing its national profile and broadening its fan base. This was particularly important following a decade that, despite often being described as baseball’s golden age, was plagued with moribund franchises, low wages for many players, and a difficult dismantling of the apartheid system that had been part of big league baseball since its inception.In the years immediately following the moves, the two most iconic players of the 1960s, Sandy Koufax and Willie Mays, had their best years, bringing even greater status and fame to their respective ball clubs. The Giants played an instrumental role in the first phase of baseball’s globalization by leading the effort to bring players from Latin America to the big leagues, while the Dodgers set attendance records and pioneered new ways to market the game. Sports historians, baseball fans, and historians of American culture on a broader scale will appreciate Mitchell’s reframing of baseball’s move west and his insights into the impacts felt throughout baseball and beyond.

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"[This book] deserves to be in everyone’s library. . . . It’s loaded with great information, and it can save your life or the life of someone you love."—Dr. Joseph Mercola "This book is life-changing for those trying to understand their own bodies, or those of loved ones, and it’s truly transformative in the hands of medical professionals, especially young doctors."—Foreword Reviews Thomas Cowan was a 20-year-old Duke grad—bright, skeptical, and already disillusioned with industrial capitalism—when he joined the Peace Corps in the mid-1970s for a two-year tour in Swaziland. There, he encountered the work of Rudolf Steiner and Weston A. Price—two men whose ideas would fascinate and challenge him for decades to come. Both drawn to the art of healing and repelled by the way medicine was—and continues to be—practiced in the United States, Cowan returned from Swaziland, went to medical school, and established a practice in New Hampshire and, later, San Francisco. For years, as he raised his three children, suffered the setback of divorce, and struggled with a heart condition, he remained intrigued by the work of Price and Steiner and, in particular, with Steiner’s provocative claim that the heart is not a pump. Determined to practice medicine in a way that promoted healing rather than compounded ailments, Cowan dedicated himself to understanding whether Steiner’s claim could possibly be true. And if Steiner was correct, what, then, is the heart? What is its true role in the human body? In this deeply personal, rigorous, and riveting account, Dr. Cowan offers up a daring claim: Not only was Steiner correct that the heart is not a pump, but our understanding of heart disease—with its origins in the blood vessels—is completely wrong. And this gross misunderstanding, with its attendant medications and risky surgeries, is the reason heart disease remains the most common cause of death worldwide. In Human Heart, Cosmic Heart, Dr. Thomas Cowan presents a new way of understanding the body’s most central organ. He offers a new look at what it means to be human and how we can best care for ourselves—and one another.

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Through close readings of the painted images in a major sixteenth-century illustrated manuscript, this book demonstrates the critical role that images played in ethnic identity formation and politics in colonial Mexico.The Relación de Michoacán (1539–1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relación was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relación remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P’urhépecha. However, much remains to be said about how the Relación’s colonial setting shaped its final form.By looking at the Relación in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Angélica Afanador-Pujol provides a new and fascinating account that situates the manuscript’s images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript’s production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relación, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.

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"We the Media, has become something of a bible for those who believe the online medium will change journalism for the better." - "Financial Times". Big Media has lost its monopoly on the news, thanks to the Internet. Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation. In "We the Media", nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make - and consume - the news. Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call to newsmakers - politicians, business executives, celebrities - and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And, he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant. Journalism in the 21st century will be fundamentally different from the Big Media oligarchy that prevails today. "We the Media" casts light on the future of journalism, and invites us all to be part of it. Dan Gillmor is founder of Grassroots Media Inc., a project aimed at enabling grassroots journalism and expanding its reach. The company's first launch is Bayosphere.com, a site "of, by, and for the San Francisco Bay Area." From 1994-2004, Gillmor was a columnist at the "San Jose Mercury News", Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the "Mercury News" after six years with the Detroit Free Press. Before that, he was with the "Kansas City Times" and several newspapers in Vermont. He has won or shared in several regional and national journalism awards. Before becoming a journalist, he played music professionally for seven years.

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This book explains the growing field of syndemic theory and research, a framework for the analysis and prevention of disease interactions that addresses underlying social and environmental causes. This perspective complements single-issue prevention strategies, which can be effective for discrete problems, but often are mismatched to the goal of protecting the public's health in its widest sense. "Merrill Singer has astutely described why health problems should not be seen in isolation, but rather in the context of other diseases and the social and economic inequities that fuel them. An important read for public health and social scientists." —Michael H. Merson, director, Duke Global Health Institute "Not only does this book provide a persuasive theoretical biosocial model of syndemics, but it also illustrates the model with a wide variety of fascinating historical and contemporary examples." —Peter J. Brown, professor of Anthropology and Global Health and director, Center for Health, Culture, and Society, Emory University "The concept of syndemics is Singer's most important contribution to critical medical anthropology as it interfaces with an ecosocial approach to epidemiology." —Mark Nichter, Regents Professor, Department of Anthropology, University of Arizona "Merrill Singer offers the public the most comprehensive work ever written on this key area of research and policy making." —Francisco I. Bastos, chairman of the graduate studies on epidemiology, Fundacao Oswaldo Cruz "Exquisitely describes how this new approach is a critical tool that brings together veterinary, medical, and social sciences to solve emerging infectious and non-infectious diseases of today's world." —Bonnie Buntain, MS, DVM, diplomate, American College of Veterinary Preventive Medicine "For too long the great integrative perspectives on modern biomedicine and public health disease ecology and social medicine-have remained more or less separate. In this innovative and provocative book, Merrill Singer develops a valuable synthesis that will reshape the way we think about health and disease." —Warwick H. Anderson, MD, PhD, professorial research fellow, Department of History and Centre for Values, Ethics, and the Law in Medicine, University of Sidney

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"...it’s the colorful photographs (over 500!) of one-of-a-kind Hopi and Moroccan-inspired mosaic pieces featured in her memoir, out in October, that truly command attention, from ammonite fossils and ivory animal renderings to stunning lapis, coral, and turquoise designs." — Natural Diamonds North African-born Eveli Sabatie had a long-time fascination with Native American culture and history. As a young woman, she left her home in Paris in 1968 to move to San Francisco, hoping to learn more. A chance encounter with a Hopi traditionalist led to an invitation to Arizona, where she apprenticed with a master Native American jewellery-maker. For her, this was the beginning of a new world. Art can never be fully divided from the artist’s voice, nor the natural world. When Eveli encountered red jasper while roaming the Arizona mountains, she knew she had to incorporate her local geology into her work. Yet raw materials are just one of many ways in which the world around Eveli shapes her art. This book is a direct and personal exploration of Eveli’s work, following her arc of growth, challenges and internal workings. Eveli’s jewellery is entirely created by her, from gathering material to fabricating the body of the piece, doing the lapidary work and finally adding stone settings and finishings. She works in a rustic, ancient environment, often choosing to use rudimentary and home-made tools over commercial techniques. This book explores her creative process through five sections: THE JOURNEY, a biographical overview of her time at the Hopi reservation in Northern Arizona, where she apprenticed under Charles Loloma; CLOUDS AND RAIN, exploring the influence of the Hopi and the desert on her work; BEING HOME, which talks in greater detail about Eveli’s relationship with the environment; BEING HUMAN, a philosophical study of humanity through jewellery; and BRANCHING OUT, which features Eveli’s other artworks, which are sought after by collectors from around the world. This is a profound reflection on the earth, through the medium of jewellery.

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Amnon Weinstein, an Israeli master luthier (violin maker), began a project more than years ago that may be one of the most creative, effective, and magnificent approaches to education on the topic of the Holocaust. Trained by three of the most revered Cremona, Italian luthiers of the twentieth century, Weinstein’s vision was to restore violins that survived the concentration camps and the ghettos, even when their owners often did not. To date, more than seventy violins have been restored to their highest playable condition. Following restoration, these hauntingly beautiful instruments have been used in performances by symphonies in Berlin, Cleveland, Istanbul, London, Quebec, Paris, San Francisco, and many other cities across the world. Purposefully, Weinstein makes certain that young musicians as well as members of some of the world’s most famed orchestras perform on them to packed concert halls. In doing so, it’s as if the past owners of the instruments return to fill the listener-observer’s mind and body.In Violins and Hope, Daniel Levin has made the most compelling and beautiful series of photographs documenting Weinstein’s collection of violins, his workshop in Tel Aviv, and his processes for restoration. This book is not a document of place, as much as it is a document of the ethereal. For what Weinstein has done with these lost violins has been to transform tragic loss into triumph in the most inciteful and powerful way imaginable. The care that Levin has taken to hone in on the idiosyncrasies of Amnon’s workshop, and his uncanny ability to celebrate the beauty of light, is nothing short of remarkable.The book’s foreword is written by arguably the most well-suited individual anywhere. Born in Austria, Franz Welser-Möst is one of the most acclaimed conductors of the twenty-first century. He has been Music Director of the Cleveland Orchestra since 2002, and, under his direction, The Cleveland, as it has been fondly named by The New York Times, has had twenty international tours, with shimmering reviews. All too aware of his ancestry, Welser-Möst takes on our mutual history as no one else could. And the book concludes with Levin’s interview with Assi Weinstein, Amnon’s wife, who talks about the Violins of Hope project and its enduring legacy.

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Leopold Kerney was one of the most influential diplomats of twentieth-century Irish history. This book presents the first comprehensive biography of Kerney's career in its entirety from his recruitment to the diplomatic service to his time in France, Spain, Argentina, and Chile. Barry Whelan’s work provides fascinating new perceptions of Irish diplomatic history at seminal periods of the twentieth century, including the War of Independence, the Irish Civil War, the Anglo-Irish Economic War, the Spanish Civil War, and World War II, from an eyewitness to those events. Drawing on over a decade of archival research in repositories in France, Germany, Britain, Spain, and Ireland, as well as through unique and unrestricted access to Kerney's private papers, Whelan successfully challenges previously published analyses of Kerney's work and debunks many of the perceived controversies surrounding his career. Ireland's Revolutionary Diplomat brings to life Kerney's connections with leading Irish figures from the revolutionary generation including Michael Collins, Ernest Blythe, George Gavan Duffy, Desmond FitzGerald, Arthur Griffith, and Seán T. O’Kelly, as well as his diplomatic colleagues in the service. More importantly, the book illuminates the decades-long friendship Kerney enjoyed with Éamon de Valera—the most important Irish political figure of the twentieth century—and shows how the "Chief" trusted and rewarded his friend throughout their long association. The book offers a fresh understanding of the Department of External Affairs and critically assesses the roles of Joseph Walshe, secretary of the department, as well as Colonel Dan Bryan, director of G2 (Irish Army Military Intelligence), who both conspired to destroy Kerney's reputation and career during and after World War II. Whelan sheds new light on other events in Kerney's career, such as his confidential reports from fascist Spain that exposed General Francisco Franco's crimes against his people. Whelan challenges other events previously seen by some historians as controversial, including Kerney’s major role in the Frank Ryan case, his contact with senior Nazi figures, especially Dr. Edmund Veesenmayer and German military intelligence, and his libel case against an acclaimed Irish historian Professor Desmond Williams. This book offers new observations on how Nazi Germany tried to utilize Kerney, unsuccessfully, as a liaison between the Irish government and Hitler’s regime. Captured German documents reveal the extent of this secret plan to alter Irish neutrality during World War II, which concerned both Adolf Hitler and the leading Nazis of his regime.

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The feel-good romantic comedy hit! Perfect for fans of Sophie Kinsella, Lindsey Kelk and Sophie Ranald.Readers can't stop raving about The Prenup! ⭐ ⭐ ⭐ ⭐ ⭐ 'Sweet, sassy, sparkling!''My absolute favourite''A perfect easy-reading, cheer-you-up, read''Lauren's books take you on a journey of love, laughter and unexpected twists''The sweetest and most amazing book''There are books that make you want to stay curled up until you finish them, and this is one of those'....................................................................LOVE WASN'T PART OF THE DEAL FOR THIS MARRIAGE...My name is Charlotte Spencer and, ten years ago, I married my brother's best friend. I haven't seen him since. Charlotte Spencer grew up on the blue-blooded Upper East Side of Manhattan but she never wanted the sit-still-look-pretty future her parents dictated for her. Enter Colin Walsh, her brother's quiet, brooding, man-bun-sporting best friend, and with him a chance to escape. He's far from Charlotte's dream guy but they need each other for one thing: marriage. One courthouse wedding later, Charlotte's inheritance is hers to start a business in San Francisco and Irish-born Colin has a Green Card. Ten years later, Colin drops a bombshell: the terms of their prenup state that before either can file for divorce, they have to live under the same roof for three months. Suddenly this match made in practicality is about to take on whole new meaning.......................................................................More raves for The Prenup!'Layne does it again with this sexy, sassy romantic comedy with all the feels!' JENNIFER PROBST'Utterly charming. With non-stop wit, this feel-good romance pays homage to the old-school rom-coms we all loved so much' RS GREY'Layne's best work yet' RACHEL VAN DYKEN'One beautifully written bundle of fun wit and real emotion' NOELLE ADAMS'Lauren Layne's voice sparkles in The Prenup. With its sharp humor, easy banter and toe-curling sexual tension, it's the ultimate LL experience' JESSICA LEMMONWant more fun, fresh, flirty and very sexy rom-com? Check out all of Lauren's books! Don't miss:You, AgainMade In ManhattanTo Sir, With LoveThe Central Park Pact seriesOxford seriesWedding Belles seriesI Do, I Don't seriesLove, Unexpectedly series

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In this fairy tale with a sexy twist, she’s a penniless San Francisco seamstress. He’s the king of Italian couture. Who’s got designs on whom? Boutique owner Kimber DiSanto has seen better days. She’s been dumped at the altar by Prince Charmless, her business went up in flames (literally), and now she’s stuck in Florence, Italy, with an ice-queen stepmother, to try to save her late father’s failing dress shop. Only one thing could make it worse: another man in her life. The arrogant Italian fashion tycoon offering to buy her father’s shop is as rich as he is sexy, and their attraction is off the charts. But Kimber’s not about to get burned again. Women don’t say no to Matteo Moretti—and certainly not with Kimber’s stinging precision. With all the heat and fury sparking between them, Matteo can’t resist baiting the gorgeous American. His plan? Win her over one scorching kiss at a time. Kimber tells herself it’s all just a game. That her broken heart isn’t in danger, and that Matteo’s touch does not make her Lady Land dance with joy. But sometimes it takes the fieriest of enemies to turn a fantasy into a real-life romance.

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There was no more polarizing manager in baseball than the hot-tempered, hard-drinking, risk-taking Billy Martin. Under absentee and apathetic owner Charlie Finley, there was not a more neglected baseball franchise on the verge of death than the Oakland A’s of the late 1970s. Martin was the firebrand everyone wanted and Finley was the owner A’s fans hated. But when Finley tapped the fifty-one-year-old Martin to manage his A’s in February 1980, it sparked a major-league renaissance in the San Francisco-Bay Area. Baseball’s two most colorful personalities had joined forces. So began the winning era of “Billy Ball,” Martin’s daring, unpredictable, base-stealing, aggressive style of play driven by young players like future superstar Rickey Henderson. Time magazine would feature Martin on the cover of its May 1981 issue. Billy Ball translated into wins and propelled the A’s to the top of the standings, eventually leading them to the American league West crown in 1981 before falling to the Yankees in the ALCS that season. But Billy Ball had made its mark in baseball lore. During a time of economic uncertainty and dying baseball interest in Oakland, Billy Ball filled the stands, rejuvenated fans, and saved professional baseball in the city.

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Lachlan Smith won widespread critical acclaim for his first novel in the Leo Maxwell series, Bear Is Broken, which won the Shamus Award for Best First PI Novel. In the tense and twist-filled third novel, Fox Is Framed, private attorney Leo Maxwell is forced to contend with a family drama that has haunted him--and his elder brother, Teddy--since childhood. Faced with evidence of stunning prosecutorial misconduct, a San Francisco judge has ordered a new trial for the Maxwell brothers' father, Lawrence, who has spent two decades in San Quentin for the murder of their mother. Teddy has always been convinced of their father's innocence, but Leo is less sure. The new case is almost derailed at the outset when a fellow inmate comes forward claiming that Lawrence confessed to the murder in prison. The snitch soon turns up dead, with Lawrence again the prime suspect. His doubts mounting, Leo teams up with hotshot attorney Nina Schuyler to defend Lawrence against murder charges both old and new. Working the streets while Nina handles the action in the courtroom, Leo must confront the darkness at the center of his life as he follows a trail of corruption and danger that leads to the very steps of City Hall.

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This is what we know, this is the truth: CSI is a global television phenomenon. It began in 2000 with "CSI: Crime Scene Investigation", a dark procedural drama about forensic science set within the neon escapism of Las Vegas, in which Grissom and his team search within the very vitals of the murder victims they investigate. Nearly 17 million viewers tuned in each week and "CSI: Crime Scene Investigation" fast became America's number one show. The success of the series moved it into franchise territory, continuing in 2002 with the body beautifuls and dismembereds of "CSI: Miami" (now the world's biggest television show) and again in 2004 extending the francise to the melancholic noir of post-9/11 New York with "CSI: NY". "Reading 'CSI'" pieces together the evidence in order to understand what the CSI shows mean to contemporary television culture, both in America and beyond. The varied, intellectually curious and often polemic responses to CSI from critics, journalists and industry professionals focus on a range of issues from the pornographic quality of the CGI effects, the relationship of characters to their narratives, and the reaction of the fans, to the semiotics of Horatio Caine's sunglasses. This in depth, compulsive read also includes a full episode guide.

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A gorgeously illustrated debut graphic memoir about belonging, identity, and making a home in the remote American West, by New Yorker cartoonist Navied Madhavian. Before Navied Mahdavian moved from San Francisco in November 2016 to an off-grid cabin rural Idaho, one of the most remote and wild areas of the American West, he had never fished, gardened, hiked, hunted, or lived in a snowy place. But there, he could own land and start a family - the millennial dream. Over the course of the next three years, he leaned into the wonders of the natural landscape and found himself adjusting to and enjoying a slower pace of living. But beyond the boundaries of his six acres, he was confronted with the realities of America's political shifts and forced to confront the question: Do I belong here? Funny, deeply perceptive, and attentive to the dynamics of culture, environment, and identity in America, Mahdavian's gorgeously self-illustrated and often hilariously written graphic memoir charts his growth and struggles as an artist, citizen, and new father. It celebrates his love of place and honors the relationships he makes in rural America, even as it articulates the difficult moments of racism and brutality he found there as a Middle Eastern American. With wit and compassion, Mahdavian's insider perspective offers a unique portrait of a place many people hear or know nothing about.

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Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)Under the stage name Lee Shaw, Brevard worked as a drag queen at Finocchio's, a San Francisco club, doing Marilyn Monroe impersonations. (Like Marilyn, she sought romance all the time and had a string of entanglements with men.) Later, she worked as a stripper in Reno and as a Playboy Bunny at the Sunset Strip hutch.After playing opposite Don Knotts in the movie The Love God, Brevard appeared in other films and broke into TV as a regular on the Red Skelton Show. She created the role of Tex on the daytime soap opera One Life To Live. As a woman, Brevard returned to teach theater at East Tennessee State, the same university she had attended as a boy.This memoir is a rare pre-Women's Movement account of coming to terms with gender identity. Brevard writes frankly about the degree to which she organized her life around pleasing men, and how absurd it all seems to her now.

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In 1885 Jane and Leland Stanford co-founded a university to honour their recently deceased young son. After her husband’s death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner’s jury, of strychnine poisoning. With her vast fortune the university’s lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford’s murder and its cover-up. Against a backdrop of the city’s machine politics, rogue policing, tong wars and heated newspaper rivalries, White’s search for the murderer draws us into Jane Stanford’s imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means...

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In 1885 Jane and Leland Stanford co-founded a university to honour their recently deceased young son. After her husband’s death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner’s jury, of strychnine poisoning. With her vast fortune the university’s lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford’s murder and its cover-up. Against a backdrop of the city’s machine politics, rogue policing, tong wars and heated newspaper rivalries, White’s search for the murderer draws us into Jane Stanford’s imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means...

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It is all too easy to assume that social service programs respond to homelessness, seeking to prevent and understand it. The Value of Homelessness, however, argues that homelessness today is an effect of social services and sciences, which shape not only what counts as such but what will?or ultimately won’t?be done about it. Through a history of U.S. housing insecurity from the 1930s to the present, Craig Willse traces the emergence and consolidation of a homeless services industry. How to most efficiently allocate resources to control ongoing insecurity has become the goal, he shows, rather than how to eradicate the social, economic, and political bases of housing needs. Drawing on his own years of work in homeless advocacy and activist settings, as well as interviews conducted with program managers, counselors, and staff at homeless services organizations in New York, Los Angeles, San Francisco, and Seattle, Willse provides the first analysis of how housing insecurity becomes organized as a governable social problem.An unprecedented and powerful historical account of the development of contemporary ideas about homelessness and how to manage homelessness, The Value of Homelessness offers new ways for students and scholars of social work, urban inequality, racial capitalism, and political theory to comprehend the central role of homelessness in governance and economy today.

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On his seventieth birthday in 1909, a slim man with a shock of white hair, a walrus mustache, and a spring in his step faced west from Park Row in Manhattan and started walking. By the time Edward Payson Weston was finished, he was in San Francisco, having trekked 3,895 miles in 104 days. Weston’s first epic walk across America transcended sport. He was “everyman” in a stirring battle against the elements and exhaustion, tramping along at the pace of someone decades younger. Having long been America’s greatest pedestrian, he was attempting the most ambitious and physically taxing walk of his career. He walked most of the way alone when the car that he hired to follow him kept breaking down, and he often had to rest without adequate food or shelter. That Weston made it is one of the truly great but forgotten sports feats of all time. Thanks in large part to his daily dispatches of his travails—from blizzards to intense heat, rutted roads, bad shoes, and illness—Weston’s trek became a wonder of the ages and attracted international headlines to the sport called “pedestrianism.” Aided by long-buried archival information, colorful biographical details, and Weston’s diary entries, Walk of Ages is more than a book about a man going for a walk. It is an epic tale of beating the odds and a penetrating look at a vanished time in America.

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American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.

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Neighbours is a novel of friendship, support, trust and love, and what it takes to bring people together, by the world’s favourite storyteller Danielle Steel.Meredith White was one of Hollywood’s most recognizable faces. But a personal tragedy cut her career short and alienated her from her family. For the last fifteen years, Meredith has shut herself away from the world, living in her San Francisco mansion.Then, on a late summer day, a devastating earthquake strikes, plunging the city into chaos. Without hesitation, Meredith invites her now homeless neighbours into her largely undamaged house as the recovery begins.From the respected doctor, to the beautiful young woman whose boyfriend views her as a rich man’s toy, to the brilliant concert pianist in his eighties, each has a story and a closely guarded secret that will slowly be revealed.Strangers become friends and relationships are forged as they support each other through not just the aftermath of the earthquake, but their own personal crises.As Meredith finds herself venturing back into the world she suddenly sees her isolation, her estranged family and even her career in a whole new light. And thanks to the suspicions of one of her new acquaintances, a shocking truth in her own life is exposed . . .

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Peru is a silent and mysterious world, a land of solemn and impressive landscapes, sometimes terrifying but in harmony with the forces of nature and the universe. It is also the land of the proud, often silent but always resolute descendants of the noble, ancient people who built a formidable civilisation: the Incas. Invincible warriors and able politicians, these new 'owners of the earth' founded their capital at Cuzco and, little by little, subjected the surrounding peoples, assimilating their culture and arts and expanding in all directions. Only the Spanish under Francisco Pizarro succeeded in severing their roots and consigning to oblivion the riches of El Dorado and the marvelous treasures hidden among the arid highlands and snowy peaks. Here, among the dense sub-equatorial forests on the eastern slopes that face toward the Amazonian basin, archaeological sites of great interest have been found, from early raw-brick pyramids to mysterious cities built of stone. Peru has the highest railway line in the world; it runs along the backbone of South America with stations perched at heights over 15,400 feet. It is also where the spirits of the Andes live, the apu, and the shamans of Peru with their ancient medicine, who still represent the strength of the ancient American people.

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'Simply put: nobody does it better.' Jeffrey Deaver'A writer with an unusual skill at thriller plotting.' Guardian'James Patterson is The Boss. End of.' Ian Rankin__________________________________The dynamics are simple in the Wolf family. They eat you if you let them.Joe Wolf has raised his children to have the same cut-throat mentality that built his own California business empire: kill or be killed.When Joe's body is discovered adrift in the San Francisco Bay, his daughter Jenny finds herself head of the Wolf empire.With her brothers trying to seize her newfound power and assets from under her, Jenny discovers that each of them has the means and motive to kill.Which of them is capable of murder?__________________________________Readers are loving House of Wolves'Lots of twists till the end''As usual a great read from James Patterson''Excellent read from start to finish''Unputdownable''Another great book from the master of fiction'__________________________________Praise for James Patterson:'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' Michael Connelly

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Military artists tend to paint the two extremes of the soldiers life; at one end the subject is rendered in his parade best uniform, pressed and spotlessly clean, and at the other extreme locked in heroic combat defeating his enemy. Friedrich Ludwig Scharf took the middle road, painting the troops as they looked going about their daily duties. Scharf, on one hand an artist, had also been a career Jäger enlisted man, rising to the rank of Offizierstellvertrater in 1918. He spent most of his wartime service on the Eastern front where he observed and fought with the Cavalry regiments, as well as the Reserve and Landsturm troops assigned to that front. In his paintings the uniform historian and military modeler will find accurate and sometimes amusing representations of what Scharf actually saw. The ill-equipped Landsturmers with outdated uniforms, the Cavalry still mounted dashing about the Russian front, Flamethrower troops, ski troops and even a Franciscan monk in military service were captured in his watercolors and linoleum block hand-colored prints. This book is a must for the serious student of the uniforms of the German forces from 1910-1939, portrayed in the unique style of Friedrich Ludwig Scharf, 1884-1965.

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The art book Lita Cabellut is the first monograph to be published on the impressive work of the highly talented artist. Among experts, Cabellut is now considered the third most valuable artist in Spain. Her importance to the art world becomes clear when one realises that she is the only living artist to have managed to be exhibited at the REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO (RABASF) in Madrid. Here her paintings are installed next to works by the old masters Francisco de Goya and Pablo Picasso, and anyone who looks at her large-format paintings will realise that she has earned this place. But Cabellut does not only paint; she is also a multidisciplinary artist who feels at home in many fields. She also stages operas and creates sculptures. Her fans love her fresco technique, which gives her paintings that very special authenticity and vulnerability. Now, at last, fans of Lita can bring her paintings home to them in the high-quality coffee table book Lita Cabellut. The beautifully crafted coffee table book shows the most important works of the Spanish artist, who now lives and works in the Netherlands. There, she was voted Artist of the Year in 2021. Text in English and German.

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As the main interpreter for Adolf Hitler during the key prewar moments, such as the Munich Agreement, the British Declaration of War and the surrender of France, Paul-Otto Schmidt was well placed to record his impressions of events from 1935 up to 1945. He was an interpreter working in the German foreign ministry where he served from 1923 to 1945, and being fluent in English and French he gained respect and was Hitler s usual first choice for the important meetings. During the war years he served as Hitler's interpreter during his meetings with Marshal Philippe Petain and Francisco Franco. After the 1942 Dieppe Raid resulted in thousands of Canadian soldiers captured, Schmidt was in charge of their interrogations. Schmidt s book is helpful in gaining an insight into the minutiae of Third Reich thinking and planning as much as planning went beyond Hitler s will. One classic nugget is from the early morning of 3 September 1939 when Britain issued its ultimatum to Germany, for it was Schmidt who had to hand the translation to Hitler: After an interval which seemed an age, he turned to Ribbentrop, who had remained standing by the window. What now? asked Hitler with a savage look, as though implying that his Foreign Minister had misled him about England s probable reaction. "

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After surviving nearly a decade of heroin abuse and hard living on the streets of San Francisco's Tenderloin District, Tracey Helton Mitchell decided to get clean for good.With raw honesty and a poignant perspective on life that only comes from starting at rock bottom, Tracey tells her story of transformation from homeless heroin addict to stable mother of three-and the hard work and hard lessons that got her there. Rather than dwelling on the pain of addiction, The Big Fix focuses on her journey of recovery and rebuilding her life, while exposing the failings of the American rehab system and laying out a path for change. Starting with the first step in her recovery, Tracey re-learns how to interact with men, build new friendships, handle money, and rekindle her relationship with her mother, all while staying sober, sharp, and dedicated to her future.A decidedly female story of addiction, The Big Fix describes the unique challenges faced by women caught in the grip of substance abuse, such as the toxic connection between drug addition and prostitution. Tracey's story of hope, hard work, and rehabilitation will inspire anyone who has been affected by substance abuse while offering hope for a better future.

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She knows he's no saint, but she has no idea she's dancing with the devil.Cole Blackwell values control. He's the hottest sculptor in San Francisco-wealthy, successful, and respected. His only weakness is the dark impulse he carefully conceals. In truth, he's not just an artist: he's a predator, and the city is his hunting ground.Mara Eldritch is a nobody. Broke and damaged, she works three jobs while creating paintings no one will ever see. When a chance encounter throws Mara into Cole's path, her escape from certain death fascinates Cole. More than that-it fixates him.He begins stalking her, discovering there's more to the struggling misfit than he would have guessed. She makes him feel things he never thought he could feel. Want things he thought he'd never want. He doesn't know if he should protect her at all costs or destroy her before she ruins him. He's losing control, breaking the rules that have kept his true nature hidden from the world.Mara knows he's dangerous, but Cole is the only person who's ever recognized her talent, and it leads her heart astray, straight into the dark.Cole can teach her to get what she wants...but what might this vicious killer want in return?

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'Simply put: nobody does it better.' Jeffrey Deaver'A writer with an unusual skill at thriller plotting.' Guardian'James Patterson is The Boss. End of.' Ian Rankin__________________________________The dynamics are simple in the Wolf family. They eat you if you let them.Joe Wolf has raised his children to have the same cut-throat mentality that built his own California business empire: kill or be killed.When Joe's body is discovered adrift in the San Francisco Bay, his daughter Jenny finds herself head of the Wolf empire.With her brothers trying to seize her newfound power and assets from under her, Jenny discovers that each of them has the means and motive to kill.Which of them is capable of murder?__________________________________Readers are loving House of Wolves'Lots of twists till the end''As usual a great read from James Patterson''Excellent read from start to finish''Unputdownable''Another great book from the master of fiction'__________________________________Praise for James Patterson:'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' Lee Child'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' Michael Connelly

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The year is 2024. Climate change has altered the world’s wave patterns. Drones crisscross the sky, cars drive themselves, and surfing is a new Olympic sport. Mafuri Long, UCSD marine biology grad, champion surfer, and only female to dominate a record eighty-foot wave, still has something to prove. Having achieved Internet fame, along with sponsorship from Google and Nike, she’s intent on winning Olympic gold. But when her father, a clinically depressed former Navy captain and widower, learns that his beloved supercarrier, the USS Hillary Rodham Clinton, is to be sunk, he draws Mafuri into a powerful undertow. Conflicts compound as Mafuri’s personal life comes undone via social media, and a vicious Aussie competitor levels bogus doping charges against her. Mafuri forms an unlikely friendship with an awkward teen, a Ferrari-driving professional gamer who will prove to be her support and ballast. Authentic, brutal, and at times funny, Mafuri lays it all out in a sprightly, hot-wired voice. From San Diego to Sydney, Key West, and Manila, That Crazy Perfect Someday goes beyond the sports/surf cliché to explore the depths of sorrow and hope, yearning and family bonds, and the bootstrap power of a bold young woman climbing back into the light.Michael Mazza is a San Francisco-area fiction writer whose stories have appeared in Other Voices, WORDS, Blue Mesa Review, TINGE, and ZYZZYVA. He is also an internationally acclaimed art and creative director working in the advertising industry. That Crazy Perfect Someday is his first novel.

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Jack Foley has been prominent in the San Francisco Bay Area poetry scene since the mid-1980s. The Light of Evening traces the arc of his life since his birth in New Jersey in 1940. Foley has spent his life in the pursuit of ways to continue writing poetry in a world in which the status of poetry has been seriously diminished. This candid autobiography offers a portrait of an artist who has continued to produce experimental as well as traditional work and who created theoretical underpinnings for that work. His exciting “choruses” – duets performed with his late wife Adelle – established him as a unique presenter of poetry in an area in which poets abound. Along with his creative work, Foley studied at Cornell with the brilliant and notorious deconstructionist critic Paul de Man. He lived through the 1960s in and around Berkeley, California, attending the university at the height of the Free Speech Movement. Following on the heels of Kenneth Rexroth, he has presented poetry on KPFA-FM, Berkeley’s radical radio station, for over thirty years. He produced a 1300-page history of Californian poetry from 1940 to 2005 that has been called “an oddball masterpiece ... the first adequate account of California's complex and contradictory literary life.” At eighty, Foley looks back at a life in which he managed to maintain himself as a contrarian poet who never resorted to the academy for sustenance and who never courted fame from the East Coast literary hegemony. The Light of Evening is the story of a complex, always-in-motion public intellectual for whom poetry was first, last, and always.

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Take the ultimate West Coast road trip this summer with The Best Coast—a full-color illustrated travel guide to all the must-visit roadside attractions, beloved landmarks, hidden histories, and offbeat delights on Washington, Oregon, and California’s historic highways, include the Pacific Coast Highway! From San Diego, California, all the way up to the Olympic Peninsula in Washington State, you'll find unusual facts, hidden history, epic Americana, and off-the-beaten-path adventures up and down the coast. This Road Trip Atlas Includes: Route Maps - the coastal route via historic Highways 101 and 1 (the PCH) and an inland route up Highway 99 City Guides - San Diego, San Francisco, Los Angeles, Sacramento, Portland, and Seattle 30+ Itineraries and Side Trips - Catalina Island, Joshua Tree National Park, Sequoia and Yosemite National Parks, wine country, Crater Lake National Park, the Columbia River Gorge, Mount Rainier National Park, the San Juan Islands, and Vancouver, BC. Travel Tips - safety, rules of the road, wise planning, and packing lists (for the traveler and for the car) Wildlife Checklists Index of places, parks and attractions Resources - navigational aids, travel information, passes and permits, books, websites and films Hit the road with this one-of-a-kind road trip travel guide through California, Oregon, and Washington that tells the story of the diversity and depth that created the West Coast we know and love today!

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In this second charming novel in the bestselling Skinny Bitch series surrounding the “clever and…mouth-watering story of a vegan chef with big dreams” (San Francisco Book Review), Clem Cooper juggles running her restaurant with planning the wedding to her carnivorous fiancé.For the second time in just a few short months, Clementine Cooper’s professional reputation hinges on one restaurant review. Clementine’s No Crap Café is poised to score the Holy Grail of publicity—a mention in the New York Times Sunday travel section—if Clem’s veggietastic lasagna can bowl over the food critic. Clem has no time for distractions. Or surprises. But when her meat-eating millionaire boyfriend Zach Jeffries shocks her with a sweet and romantic marriage proposal, of course she says yes! Now, she has to plan the most important menu of her life while fending off her domineering future mother-in-law’s extravagant plans for the wedding. As if there wasn’t enough on her plate, Clem decides to open a second restaurant on her parents’ farm—Clem’s No Crap Outpost—against Zach’s advice. Just when she needs his support the most, Zach grows distant. The only person who really seems to understand is Clem’s friend and biggest competition, the cute vegan chef Alexander Orr. Putting out fires in the kitchen is easy—but in her relationship? Suddenly, her time with Alexander feels…hotter…than usual, and Clem starts to wonder if the charming carnivore she’s engaged to is really the man she should spend her life with.

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In 1913, an unlikely friendship blossomed between Henry Ford and famed naturalist John Burroughs. When their mutual interest in Ralph Waldo Emerson led them to set out in one of Ford’s Model Ts to explore the Transcendentalist’s New England, the trip would prove to be the first of many excursions that would take Ford and Burroughs, together with an enthusiastic Thomas Edison, across America. Their road trips—increasingly ambitious in scope—transported members of the group to the 1915 Panama–Pacific International Exposition in San Francisco, the Adirondacks of New York and the Green Mountains of Vermont, finally paving the way for a grand 1918 expedition through southern Appalachia. In many ways, their timing could not have been worse. With war raging in Europe and an influenza pandemic that had already claimed thousands of lives abroad beginning to plague the United States, it was an inopportune moment for travel. Nevertheless, each of the men who embarked on the 1918 journey would subsequently point to it as the most memorable vacation of their lives. These travels profoundly influenced the way Ford, Edison, and Burroughs viewed the world, nudging their work in new directions through a transformative decade in American history. In American Journey, Wes Davis re-creates these landmark adventures, through which one of the great naturalists of the nineteenth century helped the men who invented the modern age reconnect with the natural world—and reimagine the world they were creating.

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* THE INSTANT NEW YORK TIMES BESTSELLER * * WINNER OF THE 2022 NEW ENGLAND BOOK AWARD FOR NON-FICTION * 'A heart on the sleeve, demons in check, eyes unblinking, unbearably sad, laugh-out-loud funny revelation' MARLON JAMES Isaac Fitzgerald has lived many lives. He's been an altar boy, a bartender, a fat kid, a smuggler, a biker, a prince of New England. But before all that, he was a bomb that exploded his parents’ lives – or so he was told. In Dirtbag, Massachusetts, Fitzgerald, with warmth and humour, recounts his ongoing search for forgiveness, a more far-reaching vision of masculinity, and a more expansive definition of family and self. Fitzgerald’s memoir-in-essays begins with a childhood that moves at breakneck speed from safety to violence, recounting an extraordinary pilgrimage through trauma to self-understanding and, ultimately, acceptance. From growing up in a Boston homeless shelter to bartending in San Francisco, from smuggling medical supplies into Burma to his lifelong struggle to make peace with his body, Fitzgerald strives to take control of his own story: one that aims to put aside anger, isolation and entitlement to embrace the idea that one can be generous to oneself by being generous to others. Gritty and clear-eyed, loud-hearted and beautiful, Dirtbag, Massachusetts is a rollicking book that might also be a lifeline. 'I felt more alive after reading these essays' ALEXANDER CHEE 'Isaac Fitzgerald will make you feel absolutely everything' ROXANE GAY 'This book will be a key in the lock of many hearts and minds' EMMA STRAUB

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Affective meditation on the Passion was one of the most popular literary genres of the high and later Middle Ages. Proliferating in a rich variety of forms, these lyrical, impassioned, script-like texts in Latin and the vernacular had a deceptively simple goal: to teach their readers how to feel. They were thus instrumental in shaping and sustaining the wide-scale shift in medieval Christian sensibility from fear of God to compassion for the suffering Christ. Affective Meditation and the Invention of Medieval Compassion advances a new narrative for this broad cultural change and the meditative writings that both generated and reflected it. Sarah McNamer locates women as agents in the creation of the earliest and most influential texts in the genre, from John of Fécamp's Libellus to the Meditationes Vitae Christi, thus challenging current paradigms that cast the compassionate affective mode as Anselmian or Franciscan in origin. The early development of the genre in women's practices had a powerful and lasting legacy. With special attention to Middle English texts, including Nicholas Love's Mirror and a wide range of Passion lyrics and laments, Affective Meditation and the Invention of Medieval Compassion illuminates how these scripts for the performance of prayer served to construct compassion itself as an intimate and feminine emotion. To feel compassion for Christ, in the private drama of the heart that these texts stage, was to feel like a woman. This was an assumption about emotion that proved historically consequential, McNamer demonstrates, as she traces some of its legal, ethical, and social functions in late medieval England.

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Most people in the United States have forgotten that tens of thousands of U.S. citizens migrated westward to California by way of Panama during the California Gold Rush. Decades before the completion of the Panama Canal in 1914, this slender spit of land abruptly became the linchpin of the fastest route between New York City and San Francisco—a route that combined travel by ship to the east coast of Panama, an overland crossing to Panama City, and a final voyage by ship to California. In Path of Empire, Aims McGuinness presents a novel understanding of the intertwined histories of the California Gold Rush, the course of U.S. empire, and anti-imperialist politics in Latin America. Between 1848 and 1856, Panama saw the building, by a U.S. company, of the first transcontinental railroad in world history, the final abolition of slavery, the establishment of universal manhood suffrage, the foundation of an autonomous Panamanian state, and the first of what would become a long list of military interventions by the United States. Using documents found in Panamanian, Colombian, and U.S. archives, McGuinness reveals how U.S. imperial projects in Panama were integral to developments in California and the larger process of U.S. continental expansion. Path of Empire offers a model for the new transnational history by unbinding the gold rush from the confines of U.S. history as traditionally told and narrating that event as the history of Panama, a small place of global importance in the mid-1800s. For more information about the United States in the World series, click here.

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From her perspective as both participant and observer, Barbara Epstein examines the nonviolent direct action movement which, inspired by the civil rights movement, flourished in the United States from the mid-seventies to the mid-eighties. Disenchanted with the politics of both the mainstream and the organized left, and deeply committed to forging communities based on shared values, activists in this movement developed a fresh, philosophy and style of politics that shaped the thinking of a new generation of activists. Driven by a vision of an ecologically balanced, nonviolent, egalitarian society, they engaged in political action through affinity groups, made decisions by consensus, and practiced mass civil disobedience. The nonviolent direct action movement galvanized originally in opposition to nuclear power, with the Clamshell Alliance in New England and then the Abalone Alliance in California leading the way. Its influence soon spread to other activist movements--for peace, non-intervention, ecological preservation, feminism, and gay and lesbian rights. Epstein joined the San Francisco Bay Area's Livermore Action Group to protest the arms race and found herself in jail along with a thousand other activists for blocking the road in front of the Lawrence Livermore Laboratory. She argues that to gain a real understanding of the direct action movement it is necessary to view it from the inside. For with its aim to base society as a whole on principles of egalitarianism and nonviolence, the movement sought to turn political protest into cultural revolution.

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CONTENTS:Preface by Anders Ahlqvist & Pamela O'NeillOld Irish no· by Anders AhlqvistIn Pursuit of the Hand of Madeleine de Valois: The European Marriage Negotiations of James V of Scotland I517-1536 by Lorna G. BarrowScottish Migration to Ulster during the 'Seven III Years' of the 1690s by Karen J. CullenIrish suide / -side 'the aforementioned' by Aaron GriffithThe Murder of the Archbishop of St Andrews and its Place in the Politics of Religion in Restoration Scotland and England by Marcus K. HarmesTwo Fragments of Auraicept na nÉces in the Irish Franciscan Archive: Context and Content by Deborah HaydenAn Examination of the Recent Reconceptualising of Woodlands in Scotland from the Last Ice Age to the Present by Sybil M. JackCelticity in the Works of William Shakespeare by Charles W. MacquarrieÓn and airliciud: Loans in Medieval lrish Law by Neil McLeod'What are you talking about?' Tochmarc Ailbe and Courtship Flytings by Daniel F. Melia'The Canny Scot' Rev. John Dunmore Lang and the Largs Controversy by Tessa MorrisonThe Meaning of Muirbolc: A Gaelic Toponymic Mystery by Pamela O'NeillWilliam Cobbett's Scotophobia by Gordon Pentland'The Original of the Portrait' Irish Gothic and the Painted Image by Julie-Ann RobsonFrom Synthetic to Analytic? The Changing Use of Diminutive Expressions in Welsh by Karolina RosiakThe Iconography of Sovereignty and Dynasty in Early Renaissance Britain by Katie StevensonLaoidh an Táilleir 'The Ballad of the Tailor': Sartorial Satire and Social Change in Eighteenth-Century Scotland by Natasha SumnerLost - and some Found: Scottish Gaelic Manuscripts in New South Wales by Alasdair & Brian TaylorSt Carthage in Australasia by Chris Watson

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“[Swamy’s] prose is so assured . . . The Archer dazzles as it asks: How does a woman remain an artist?” —The New York Times Book Review Recommended by: BuzzFeed * The Millions * Book Riot * Literary Hub * Bookmarks * Ms.* Bookish * Goodreads * Library Journal * San Francisco Chronicle FINALIST FOR THE CALIFORNIA BOOK AWARD FOR FICTION LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE In this original and transfixing novel, Vidya comes of age in 1960s- and 1970s-era Bombay, her childhood marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home. Restless, observant, and longing for connection with her brilliant and increasingly troubled mother, Vidya one day peeks into a classroom where girls are learning kathak, a dazzling, centuries-old dance form that requires the utmost discipline and focus. Her pursuit of artistic transcendence and escape through kathak soon becomes the organizing principle of her life, even as she leaves home for college and falls in complicated love with her best friend. As the uncertain future looms, she must confront the tensions between romance, art, and the legacy of her own imperfect mother. Lyrical and deeply sensual, Shruti Swamy’s The Archer is a bold portrait of a singular woman striving toward life as an artist while navigating desire, duty, and the limits of the body. It is also an electrifying and utterly immersive story about the transformative power of art, and the possibilities that love can open when we’re ready.

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Praise for Michael McClure: "Michael McClure shares a place with the great William Blake, with the visionary Shelley, with the passionate D.H. Lawrence."--Robert Creeley "McClure's poetry is a blob of protoplasmic energy."--Allen Ginsberg "Without McClure's roar there would have been no Sixties."--Dennis Hopper Michael McClure is a living legend. One of the poets who participated in the famous Six Gallery reading that featured the public debut of Allen Ginsberg's landmark poem Howl, he was immortalized by Jack Kerouac in his novel Big Sur. A central figure of the Beat Generation, McClure collaborated with Wallace Berman and Bruce Conner and was later associated with San Francisco's psychedelic counterculture. Originally self-published in 1964 and long out of print, Ghost Tantras is one of McClure's signature works, a book mostly written in "beast language." A mix of lyrical, guttural, and laryngeal sound, lion roars, and a touch of detonated dada, this is one of his best-known but least available books, a deep well from which decades of poetry have drawn. McClure's inspiration has always been the animal consciousness that still lives in mankind, and he has had a consistent message: "When a man does not admit that he is an animal, he is less than an animal." Ghost Tantras is his original and singular manifesto for a poetry that relies not on images and pictures, but on muscular, sensual, energetic sound. Michael McClure has received numerous awards and continues to reach new audiences through his poetry, plays, and performance.

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—A cross-country road rally of 100,000 automobiles —A continuous political parade from the Atlantic to the Pacific —A story about the famous Lincoln Highway in 1924 The political caravan highlighting the 1924 presidential campaign of Calvin Coolidge and his running mate, Charles G. Dawes, was a political masterpiece. This book is compiled from eyewitness accounts of the Coolidge-Dawes Lincoln Tour. It was documented by E. A. Seidel, who drove the lead vehicle and newspaper accounts along the route, all illustrated with 100 vintage photographs and political artifacts. Starting in Coolidge’s hometown of Plymouth, Vermont, the caravan wound its way down to New York City, then followed the Lincoln Highway across the country to San Francisco, then along the Pacific Coast. L Over five million people turned out to witness the caravan as it rolled along 6,500 miles — much of it still unpaved, ranging from dirt in good weather to mud in bad weather — and involving over 100,000 vehicles! Along the way local bands played, horns honked, most of the cars were decorated in red, white and blue, and two million campaign buttons were distributed. Civil War veterans who had voted for Abraham Lincoln were invited to sign a roster at the various stops and they turned out by the hundreds. National GOP dignitaries provided the rhetoric at the stops, making over 400 speeches promoting the re-election of Coolidge. The newspaper press along the route loved the event, proclaiming it “the largest continuous procession of any kind in all history.”

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A literary debut subverting classic sci-fi tropes set in gentrified Chicago, Silicon Valley, and across the vastness of the cosmos. From the streets of gentrified Chicago, to the tech boom corridors of Silicon Valley, This Weightless World follows a revolving cast of characters after alien contact upends their lives. We are introduced to Sevi, a burned-out music teacher desperate for connection; Ramona, his on-again, off-again computer programmer girlfriend; and Sevi’s cello protégé Eason, struggling with the closure of his high school; after a mysterious signal arrives from outer space. When the signal—at first seen as a sign of hope—stops as abruptly as it started, they are all forced to reckon with its aftermath. In San Francisco, Sevi fights to find meaning in rekindled love; and Ramona–determined to build an AI to prevent mankind’s self-destruction–begins to feel the weight of past mistakes. And in Chicago, Eason measures his commitment to an estranged childhood friend against the chance of escaping neighborhood troubles. A dazzling deconstruction of science-fiction tropes, This Weightless World looks to the past for a vision of the future. "It's precisely Soto's refusal to be 'weighted' down by decades of genre tradition, to instead turn the trope on its head and in doing so remind us that no-one but ourselves is coming to save us, that makes This Weightless World such an exciting and radical novel." —Ian Monde, Locus "Set in Silicon Valley and Chicago, This Weightless World considers questions of morality in a world where people feel powerless in the face of formidable systemic forces." —Laura Adamczyk, A.V. Club

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'Perfect, feel-good fiction' Sarah Morgan on The Lemon SistersIf you love Holly Martin, Jill Mansell and Debbie Macomber, you'll LOVE Jill Shalvis and her irresistible trademark gift for humour, warmth and romance! Jill's books are guaranteed to make you smile:'You can't go wrong with a Jill Shalvis book' 5* reader review'A heartwarming read with all the feels' 5* reader review'Another winner... I cannot wait for more' 5* reader review'A riveting and comforting romance' 5* reader reviewAfter a lifetime on the move, Ivy Snow is an expert in all things temporary. Now that she owns a successful taco truck in San Francisco and an apartment to call home, Ivy's reinvented life is on solid ground. She's guarded against anything that can rock it - like the realities of her past and a man like Kel O'Donnell. He might scream temporary, but his whispers are irresistible...Kel, an Idaho sheriff and ranch owner, is on vacation, but Ivy's a spicy reason to rethink his short-term plans. Best of all, she's a tonic for his untrusting heart, which is in repair. But when Ivy's past intrudes on a perfect romance, Kel fears that everything she's told him has been a perfect lie. Now, if only Ivy's willing to share, Kel will fight for a true love story.Want more warm, funny romance? Check out the other Heartbreaker Bay novels starting with Sweet Little Lies, visit stunning Wildstone, gorgeous Cedar Ridge, spellbinding Lucky Harbor or experience some Animal Magnetism in Sunshine, Idaho in Jill's other unforgettable series.

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'With originality and subtlety, Diarmuid Hester examines how the gay imagination deals with place and with displacement, allowing for mystery and a kind of magic' Colm Toibin'Hester is a fizzingly brilliant writer' Robert Macfarlane'Haunted and haunting - totally riveting' Chris KrausAt the turn of the century, in the shade of Cambridge's cloisters, a young E. M. Forster conceals his passion for other men, even as he daydreams about the sun-warmed bodies of ancient Greece. Under the dazzling lights of interwar Paris, Josephine Baker dances her way to fame and fortune and discovers sexual freedom backstage at the Folies Bergère. And on Jersey, in the darkest days of Nazi occupation, the transgressive surrealist Claude Cahun mounts an extraordinary resistance to save the island she loves, scattering hundreds of dissident artworks along its streets and shorelines.Nothing Ever Just Disappears brings to life the stories of seven remarkable figures and illuminates the connections between where they lived, who they loved, and the art they created. It shows that a queer sense of place is central to the history of the twentieth century, and powerfully evokes how much is lost when queer spaces are forgotten. From the lesbian London of the suffragettes to James Baldwin's home in Provence, to Jack Smith's New York, Kevin Killian's San Francisco and the Dungeness cottage of Derek Jarman, this is a thrilling new history and a celebration of freedom, survival and the hidden places of the imagination.

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AftŸer a long period of comparative neglect, starting almost immediately upon his death in 1900, John Ruskin began to attract, from the 1960s onwards, a remarkable degree of critical interest. Although the formidably ample Library Edition of Ruskin’s works will always constitute the primary basis for interpretation, there is also newly available source material, in the form of letters and (in part) diaries, as well as a scintillating body of modern comment to which the present study seeks to contribute.Ruskin had an extraordinary ability to bring together aesthetics, religion, ecology, and social issues in a unitary, overarching vision, all expressed in a prose style worthy of comparison with any in the English language. All Great Art is Praise focuses especially on the themes of art and religion, for Aidan Nichols takes the view that Ruskin’s writings on art cannot be appreciated without taking into account at many points his approach to religion. This volume offers an analytic account of Ruskin’s principal writings on art, viewed through the lens of Ruskin’s religious claims.For readers new to Ruskin, an opening chapter provides an overview of his work in the context of a life that combined public celebrity with private sorrow. Succeeding chapters consider his comments on art andreligion in broadly chronological order, ending with the highly innovative open letters to working men, and his moving autobiography which was leŸ unfinished at the time of his descent into madness and death.Ruskin’s evaluations of (among others) Turner and the Pre-Raphaelites, the Italian Primitives, and the artists of the high Renaissance, gave the Victorians eyes to see. But his writings call for comment not only from literary scholars and art historians but also from students of ideas since they address a wide range of issues in both theology and philosophy.The volume looks especially closely at Ruskin’s changing attitudes to Catholicism. The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskinfound it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist, and Franciscan-evangelical art and the program for living these contained or implied. The rumors in late life of his immanent conversion to Rome proved unfounded, but they were not implausible. All Great Art is Praise seeks to show why.

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Condensing centuries of history into one volume, "Cities of the World" traces the historic form and special character of the world's greatest cities through a breathtaking collection of maps and panoramic views. Peter Whitfield focuses on more than sixty cities - from Athens to Brasilia, Washington to Moscow, San Francisco to Saigon, and Venice to Lhasa. He presents an extremely wide range of maps, historic prints, and photographs from many periods that show how the architectural form and the social life of our cities have been shaped--not only by their geographical setting, but also by religion, royal power, commerce, social ideals, and occasionally artistic vision. These images illustrate the historic heart of the cities: the ancient harbors, the hilltop fortresses, the encircling walls, and the houses, churches, and palaces that have been added over the centuries. For the armchair traveler or anyone passionate about the history of human civilization, this beautiful, unique book captures the richness of the urban fabric and reflects the collective memory of each metropolis. Cities of the World demonstrates how the city was linked to the birth and progress of civilization itself, how it has acted as a focus for ideas and technologies, arts and sciences, and even religious devotion. It shows the ways that some cities grew slowly into haphazard, unplanned beauties, while others were shaped by the will of masterful individuals. Whitfield chose the cities featured here not only because they are richly and beautifully illustrated, but also because they demonstrate a notion of spirit--an outward and inward uniqueness. Many of these historic maps have a pictorial quality that vanished long ago from the functional town-plan. Depicting the classical city-state, the medieval fortress, the baroque capital, and the industrial metropolis, the sumptuous illustrations in this book chronicle how simple outlines found on Babylonian clay tablets evolved into the stylized pictures of medieval times and spectacular bird's-eye panoramic views, finally culminating in the highly functional mass-produced maps of the nineteenth and twentieth centuries. Wonderfully evocative of the places they depict and the artistic tastes of their time, these maps shed new light on civilization itself, with all of its contradictions, shortcomings, energy, and aspirations.

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Gasoline & Vestal Lady on Brattle is volume number 8 in the City Lights Pocket Series. "Open this book as you would a box of crazy toys, take in your hands a refinement of beauty out of a destructive atmosphere. These combinations are imaginary and pure, in accordance with Corso's individual (therefore universal) desire." --Allen Ginsberg "Gregory is a gambler. He suffers reverses, like every man who takes chances. But his vitality and resilience always shine through, with a light that is more than human: The immortal light of his muse." --William S. Burroughs "...A touch young kid from the Lower East Side who rose like an angel over the rooftops and sang Italian songs as sweet as Caruso and Sinatra, but in words...Amazing and Beautiful Gregory Corso, The one and only Gregory the Herald. Read slowly and see."--Jack Kerouac "[M]ore than fifty years on from when it was first published in 1958, Gasoline (City Lights, 1958) by Beat poet Gregory Corso is a seminal book in the birth of that particular literary generation." --Paul Stubbs, 3AM Magazine Gregory Corso's first book of poetry, The Vestal Lady on Brattle, was published by City Lights Press in 1955. Born in New York City and raised in Little Italy, Gregory Corso was an American Poet and the youngest of the iconic Beat Generation writers. Homeless and family-less, Corso was arrested at 13 for petty theft and larcenry and spent some time in New York's infamous jail "The Tombs." He was arrested again, but was admitted to Bellevue Hospital Center. On the night of his 18th birthday, he was arrested again and convicted as an adult, resulting in being detained in Clinton State Prison. Gasoline is dedicated to "the Angels of Clinton Prison..." Corso met Allen Ginsberg in 1951 and Ginsberg recognized Corso as "spiritually gifted." Together they traveled from New York to San Francisco to Paris where Corso wrote some of his most famous poems Bombs and Marriage. His journey to, in, and around Paris resulted in his third book of poetry which included poems The Happy Birthday of Death, Minutes to Go, The American Express, and Long LIve Man. He returned to New York in 1958 only to discover he and the other Beat writers had become famous literary figures. Corso and Ginsberg traveled to college campuses and read their famous works Howl and Bomb and Marriage. On January 17, 2001, Corso died from prostate cancer.

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