Search results for ""author gold"

The correspondence between Kamma Rahbek (1775-1829) and the writer and scholar Christian Molbech (1783-1857) is one of the most interesting human documents from the time of the Golden Age. Almost day by day we are witnessing an intense and conflict-ridden friendship that only lasted from the spring of 1813 to the end of 1814. The 302 letters throw light on the thoughts of two widely different personalities on life and on the individual at a critical time when Denmark was facing national bankruptcy and had lost Norway after the Napoleonic wars. Moreover, the correspondence is an important source of the history of a civilisation. The wise and witty letters from Kamma Rahbek are full of small vivid accounts of some of the days at Bakkehuset, a farmhouse that Kamma made into a rendezvous of the leading poets and public figures of that time. Oehlenschläger, Grundtvig and J P Mynster are just a few of the regular visitors. We are told of her literary interests, musical talents and her interest in flowers which mad

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Murder and scandal in the heat of 1950s Las Vegas: can Lily Jones stop a murder that happened before she was born?Lily Jones can't forget her incredible time-slip adventure back to the Golden Age of Hollywood and the friends she made there - especially a handsome barman by the name of Louis, with whom she felt such a strong connection.Back in 2020, life isn't going so well for her and Lily is idly googling when she is horrified to discover that Evelyn, Louis' ex-girlfriend, is brutally murdered in 1953.She is compelled to go back to the 1950s and try to save Evelyn's life, but this time it isn't just the gilded stars of Tinseltown she will have to contend with, but The Mob as she finds herself in the seedy glamour of Vegas and learns that Evelyn's future depends upon her first solving the murder of a Vegas showgirl.Thankfully she has Louis and his sister, Tilda, to help her, but her own life is in danger as she tries to find the killer an

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Winner of the New York Times Top 10 Best Illustrated Children’s Books of 2019. A book to promote interest in numbers and wonder at the scale they can represent, with lots to interrogate and talk about. -- School Library Association Potential goldmine of teaching ideas. -- School Reading List Double the numbers to go from 1 to 1,000,000 in 40 pages. A stunning visualization of numbers big and small. We start with a single tree; 1. As we turn the page, we are presented with a sum doubling the number on the page before it: 1+1 = 2; 2+2 = 4; 4+4 = 8. In this way, we reach a million (actually 1,048,576) within 44 pages. Each sum is brought to life with a simple graphic illustration in the distinctive style of Sven Völker. The dots form the back of a ladybird, the bubbles in a cup of soda and the water in a swimming pool. On each page, a single neon dot illustrates what one means in the context of the sum. Gloriously simple in its concept and execution, this is a book that will bring mathematics alive to parents as well as children and will also make a stunning gift book.

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On the evening of their engagement party, Maine Game Warden Investigator Mike Bowditch and Stacey Stevens witness what seems to be a hit-and-run speedboat crash on a darkened lake. When they arrive at the scene, their spotlight reveals a gruesome sight: a severed arm beneath the surface. As day breaks, the warden dive team recovers not one but two naked corpses: the dismembered man and the married woman with whom he was having an affair. Mike begins to suspect the swimmers' deaths were not a senseless accident but a coldly calculated murder. Meanwhile, the hunt is on for the mysterious boater. Suspects abound on the lake, nicknamed 'Golden Pond', and every discovery leads to a new mystery. Alone among his fellow officers, Mike begins to sense the involvement of a trained professional, smarter and more dangerous than any enemy he has faced. As Mike and Stacey get closer to identifying the killer, their own lives are suddenly put on the line, leading to a confrontation designed to silence them forever.

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It is said, and not without some justification, that a picture is worth a thousand words. As it happens Southwold, very nearly England's most easterly town, is endlessly written about. Its charm, grace and pure magic have captivated writers and journalists ever since Daniel Defoe visited in 1713. But this book tells the story of Southwold over the last 100 years in pictures. The photographers seized opportunities presented by the late Victorian and early Edwardian era - whcih also proved to be the golden age of the postcard - to capture Southwold on their glass plate negatives, and also on film. It is all here: the beach, the common, the sea, the town, the people, the wars and the special Southwold occasions. And of course there are some lovely pictures of the eccentric little railway that helped turn a town that lived mainly by fishing into a genteel holiday resort. This book will delight all those who love Southwold and understand its funny ways.

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** Order Shy, the Sunday Times number one bestseller from Max Porter, now **A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYWinner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.'Amazing and unforgettable.' THE TIMES'Dazzlyingly good.' ROBERT MACFARLANE'Unlike anything I've read before.' GUARDIANIn a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. This extraordinary debut, full of unexpected humour and emotional truth, marks the arrival of a thrilling and significant new talent.

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Robert Plant is one of the few genuine living rock legends. Frontman of Led Zeppelin, musical innovator and seller of millions of records, Plant has had a profound influence on music for over four decades. But the full account of his life has barely been told … until now. Robert Plant: A Life is the first complete and comprehensive telling of Plant’s story. From his earliest performances in folk clubs in the early 1960s, to the world’s biggest stages as Led Zeppelin’s self-styled ‘Golden God’, and on to his emergence as an emboldened solo star. The sheer scale of Zeppelin’s success is extraordinary: in the US alone they sold 70 million records, a figure surpassed only by the Beatles. But their success was marred by tragedy. These pages contain first-hand accounts of Plant’s greatest highs and deepest lows: the tragic deaths of his son Karac and his friend, Zeppelin drummer John Bonham. Told in vivid detail, this is the definitive story of a man of great talent, remarkable fortitude and extraordinary conviction.

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Having misused women, power and the life-energy of his followers, the Seeker must overcome his demons - not figuratively but literally - in the astral, etheric and physical dimensions of reality. But in order to face them, he must first cross the threshold to the spiritual world... Transforming Demons takes us on an astonishing journey - from contemporary Norway to Ancient Atlantis, to Ireland and India - where we encounter leprechauns, dragons, evil spirits, hallucinogenic drugs, and a mysterious golden cross with a red ruby at its heart. With hubris, arrogance and deceit, the Seeker has abused his magical powers in previous existences. If he is finally to resolve his knotted karma, he must first confront his misdeeds, and the demons that were created as a result. Then he must learn to transform those demons in order to free them - and him - from the weight of his past. This is a remarkable true memoir that crosses lifetimes, thousands of years and manifold dimensions. It is an authentic story of transformation and redemption on the path to self-knowledge, freedom and love.

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In the spring of 1945 a mother dies, leaving four children to fend for themselves in a Dublin tenement. Nancy, the oldest, lives in dread of the family being split up. The power to send them all to industrial schools such as Artane and Goldenbridge lies with the ‘Cruelty Men’. Their spy, the Pig Farmer, lives next door and holds a long term grudge against the family. Thankfully Nancy has loyal friends in Summerhill and the Diamond, among them Lilly, her brother Charlie Weaver, a Dublin newsboy, and their ma, Maggie. Through work, Nancy becomes friendly with Karla, a Jewish refugee from Prague. When Nancy accidentally betrays Charlie to the police, Charlie ends up in Artane industrial school. Desperate to keep her guilty secret and still help her friend, Nancy and Lilly come up with a plan to help Charlie escape on the boat to England. Just as her life begins to unravel, Karla steps in with a possible solution to Nancy's problems. Will Nancy succeed in keeping the family together? And at what cost?

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Another excellent historical adventure from Susanna Gregory featuring 17th-century spy Thomas Chaloner------------------------London in the spring of 1665 is a city full of fear. There is plague in the stews of St Giles, the Dutch fleet is preparing to invade, and a banking crisis threatens to leave Charles II's government with no means of paying for the nation's defence.Amid the tension, Thomas Chaloner is ordered to investigate the murder of Dick Wheler, one of the few goldsmith-bankers to have survived the losses that have driven others to bankruptcy - or worse. At the same time, a French spy staggers across the city, carrying the plague from one parish to another.Chaloner's foray into the world of the financiers who live in and around Cheapside quickly convinces him that they are just as great a threat as the Dutch, but their power and greed thwart him at every turn. Meanwhile, the plague continues to spread across the city, and the body count from the disease and from the fever of avarice starts to rise alarmingly . . .

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This is a golden treasury of over one hundred English folktales captured in the form they were first collected in past centuries. Read these classic tales as they would have been told when storytelling was a living art – when the audience believed in boggarts and hobgoblins, local witches and will-o’-the-wisps, ghosts and giants, cunning foxes and royal frogs. Find “Jack the Giantkiller”, “Tom Tit Tot” and other quintessentially English favourites, alongside interesting borrowings, such as an English version of the Grimms’ “Little Snow White” – as well as bedtime frighteners, including “Captain Murderer”, as told to Charles Dickens by his childhood nurse. Neil Philip has provided a full introduction and source notes on each story that illustrate each tale’s journey from mouth to page, and what has happened to them on the way. These tales rank among the finest English short stories of all time in their richness of metaphor and plot and their great verbal dash and daring.

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REVISED NOV 2017 Streetwise San Francisco Map is a laminated city center map of San Francisco, California. The accordion-fold pocket size travel map includes a BART map, MUNI lines, & bus routes. Scale: 1:30,000 Insets: Chinatown/Union Square, and regional Bay Area. Insets: Chinatown/Union Square, and regional Bay Area. +E39 In this "City by the Bay", you can navigate easily to the Fisherman's Wharf, Golden Gate Bridge, the famous Lombard Street and Coit Tower. This folded, laminated, indexed, street map of San Francisco, shows streets, parks, and public transportation at a scale of 1:30,000. Legend includes cultural sites, hotels, places of interest, and more. Also provides insets for Chinatown/Union Square and the regional Bay Area. For a more detailed look at this fabulous city, check out the Michelin Green Guide San Francisco, with its suggested itineraries, calendar of events and star-rated sites and attractions to plan your visit according to your own time and budget. And for a selection of the best restaurants in San Francisco, try the MICHELIN Guide San Francisco. For driving or to plan your trip to and from San Francisco, use the Michelin California/Nevada Road and Tourist Map No. 174.

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Named a Best Book of Summer by Refinery29, Bustle, and PopSugar “The best rom-com of the season…overflowing with charm and heart.” —Bustle “The perfect Summer read—smart, funny, escapist, and bursting with charm.” —PopSugar In the tradition of Good in Bed and The Assistants comes a funny and smart comedy about a young matchmaker balancing her messy personal life and the demands of her eccentric clients.Sasha Goldberg has a lot going for her: a recent journalism degree from NYU, an apartment with her best friend Caroline, and a relationship that would be amazing if her finance-bro boyfriend Jonathan would ever look up from his BlackBerry. But when her dream career falls through, she uses her family’s darkest secret to land a job as a matchmaker for New York City’s elite at the dating service Bliss. Despite her inexperience, Sasha throws herself into her new career, trolling for catches on Tinder, coaching her clients through rejection, and dishing out dating advice to people twice her age. She sets up a TV exec who wanted kids five years ago, a forty-year-old baseball-loving virgin, and a consultant with a rigorous five-page checklist for her ideal match. Sasha hopes to find her clients The One, like she did. But when Jonathan betrays her, she spirals out of control—and right into the arms of a writer with a charming Southern drawl, who she had previously set up with one of her clients. He’s strictly off-limits, but with her relationship on the rocks, all bets are off. Fresh, sweet, and laugh-out-loud funny, Playing with Matches is the addictive story about dating in today’s swipe-heavy society, and a young woman trying to find her own place in the world.

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At the 2007 Academy Awards' ceremony, an unprecedented number of Black performers received acting nominations, and two of the statues awarded that evening went to Forest Whitaker and Jennifer Hudson. Indeed, since 2000, more African Americans have received Oscars than in the previous century. While the last few years have seen more and more Black performers receive acknowledgment by the Academy, it hasn't always been that way. African Americans and the Oscar': Decades of Struggle and Achievement highlights the advancements Black performers have made on the silver screen and how those performances were honored by the Academy. In the Academy's first 40 years, less than ten African Americans were cited for their work on screen and only two, Hattie McDaniel and Sidney Poitier, received competitive awards before the 1980s. This book profiles all the nominees and recipients of the coveted award in the acting, writing, and directing categories, beginning with the first: McDaniel's Best Supporting Actress win for her role in Gone with the Wind (1939). Each entry, organized chronologically and by name, provides valuable information about how the role or film was viewed during its time and also places it in historical context by drawing connections to other related awards or events in film history. In the introduction, Mapp's overview of the nomination process helps explain the historically low percentage of African Americans who have been nominated or received the honor. Also, appendixes provide lists of non-acting/directing nominees and winners, overlooked performances, and performers of nominated songs. Highlighting the achievements of Sidney Poitier, Whoopi Goldberg, Halle Berry, Morgan Freeman, Spike Lee, Jamie Foxx, Denzel Washington and others, this volume provides an enlightening history of the Black experience in Hollywood and will fascinate fans of all ages.

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From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils of government, where Franklin D. Roosevelt and George Marshall held clear views about how much blood and gore Americans could stomach, to the command centers in London, Algiers, Naples, and Paris, where many reporters were stuck with the dreary task of reporting the war by communiqué. At the heart of this book is the epic journey of reporters like Wes Gallagher and Don Whitehead of the Associated Press, Drew Middleton of the New York Times, Bill Stoneman of the Chicago Daily News, and John Thompson of the Chicago Tribune; of columnists like Ernie Pyle and Hal Boyle; and of photographers like Margaret Bourke-White and Robert Capa. These men and women risked their lives on countless occasions to get their dispatches and their images back home. In providing coverage of war in an open society, they also balanced the weighty responsibility of adhering to censorship regulations while working to sell newspapers and maintaining American support for the war. These reporters were driven by a combination of ambition, patriotism, and belief in the cause. War Beat, Europe shows how they earned their reputation as America's golden generation of journalists and wrote the first draft of World War II history for posterity.

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What does the lawn want? To be watered, fertilised, mowed, admired, fretted over, ignored? This unusual question serves as a starting point for Civilising Grass: The Art of the Lawn on the South African Highveld, an unexpected and often disconcerting critique of one of the most common and familiar landscapes in South Africa. The lawn, Jonathan Cane argues, is not quite as innocent as we might think. Besides the fact that lawns suck up scarce water, consume chemicals, displace indigenous plants and reduce biodiversity, they are also part of a colonial lineage of dispossession and violence. They reduce the political problem of land to the aesthetic question of landscape, thereby obscuring issues of ownership, redress, belonging and labour. The question then becomes: Who takes care of whose lawn, in what clothes, under what conditions and for what reward?Civilising Grass offers a detailed reading of artistic, literary and architectural lawns between 1886 and 2017. The eclectic archive includes plans, poems, maps, gardening blogs, adverts, ethnographies and ephemera, as well as literature by Koos Prinsloo, Marlene van Niekerk and Ivan Vladislavić. In addition, the book includes colour reproductions of lawn artworks by David Goldblatt, Lungiswa Gqunta, Pieter Hugo, Anton Kannemeyer, Sabelo Mlangeni, Moses Tladi and Kemang Wa Lehulere. This book shows that even if the enchantment of a green, flat and soft lawn is almost universal, there are also unexpected moments when alternatives present themselves, occasions when people reject the politeness of the lawn, and situations in which we might glimpse a possible time after the lawn. Drawing on theory and conceptual tools from interdisciplinary fields such as ecocriticism, queer theory, art history and postcolonial studies, Civilising Grass offers the first sustained investigation of the lawn in Africa and contributes to the growing conversation about the complex relationships between humans and non-humans on the continent.

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A wry, unvarnished chronicle of a career in the rare book trade—now in paperback When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. He walked in as a psychiatric counselor and walked out as the store’s new owner. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota—the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he met along the way. Here we meet the infamous St. Paul Book Bandit, Stephen Blumberg, who stole 24,000 rare books worth more than fifty million dollars; John Jenkins, the Texas rare book dealer who (probably) was murdered while standing in the middle of the Colorado River; and the eccentric Melvin McCosh, who filled his dilapidated Lake Minnetonka mansion with half a million books. In 1990, with a couple of partners, Goodman opened St. Croix Antiquarian Books in Stillwater, one of the Twin Cities region’s most venerable bookshops until it closed in 2017. This store became so successful and inspired so many other booksellers to move to town that Richard Booth, founder of the “book town” movement in Hay-on-Wye in Wales, declared Stillwater the First Book Town in North America. The internet changed the book business forever, and Goodman details how, after 2000, the internet made stores like his obsolete. In the 1990s, the Twin Cities had nearly fifty secondhand bookshops; today, there are fewer than ten. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age.

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Kangchenjunga is the third highest mountain in the world and a notoriously difficult and dangerous mountain to climb. First climbed from the west in 1955 by a British team comprising Joe Brown, George Band, Tony Streather and Norman Hardie, it waited over twenty years for a second ascent. The third ascent, from the north, was made in 1979 by a four-man team including the visionary British alpinist Doug Scott.Completed before his death in 2020, and edited by Catherine Moorehead, Kangchenjunga is Doug Scott’s final book. Scott explores the mountain and its varied people – the mountain sits on the border between Nepal and Sikkim in north-east India – before going on to look at Western approaches and early climbing attempts on the mountain. Kangchenjunga was in fact long believed to be the highest mountain in the world, until in the nineteenth century it was demonstrated that Peak XV – Everest – was taller. Out of respect for the beliefs of the Sikkimese, no climber has ever set foot on the very top of Kangchenjunga, the sacred summit. Scott’s own relationship with the mountain began in 1978, three years after his first British ascent of Everest with Dougal Haston. The assembled team featured some of the greatest mountaineers in history: Scott, Joe Tasker, Peter Boardman and Georges Bettembourg. The plan was for a stripped-down expedition the following spring – minimal Sherpa support, no radios, largely self-financed. It was the first time a mountain of this scale had been attempted by a new and difficult route without the use of oxygen, and with such a small team. Scott, Tasker and Boardman summited on 16 May 1979, further consolidating their legends in this golden era. Kangchenjunga is Doug Scott’s tribute to this sacred mountain, a paean for a Himalayan giant, written by a giant of Himalayan climbing.

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Fleabag meets I Am Legend in this extraordinary novel of one woman's survival in the face of the end of the world . . . December 2023. The human race has fought a deadly virus and lost. The only things left from the world before are burning cities and rotting corpses.But in London, one woman is still alive.Although she may be completely unprepared for her new existence, as someone who has spent her life trying to fit in, being alone is surprisingly liberating.Determined to discover if she really is the last survivor on earth, she sets off on an extraordinary adventure, with only an abandoned golden retriever named Lucky for company.Maybe she'll find a better life or maybe she'll die along the way. But whatever happens, the end of everything will be her new beginning.***'A riotous, black-humoured tonic' Independent'A masterpiece of modern fiction' Sophie Cousens'Fresh, frank, funny' Elizabeth Kay'Brilliant. Creepy, witty, laugh-out-loud and shudder-inducing' Harriet Walker'Harrowing, unflinching and uplifting' Jennifer Saint'Original, brutal, funny and hugely addictive!' Emma Cooper***A 5 star read!'I LOVED this book. I scurried through it in one sitting, couldn't stop reading it for the life of me. Then at the end I cried because it was over' ⭐⭐⭐⭐⭐'It reads like a dream . . . with every single word perfectly plotted to create a story like no other. Sometimes I laughed, sometimes I cried, but I always related and I never wanted it to end' ⭐⭐⭐⭐⭐'From the very first page of this book I knew it was going to be a winner . . . This is a story of strength, determination and self discovery' ⭐⭐⭐⭐⭐'If I could have made a list of all the things that I'd want an apocalypse novel to include, this book would check off every single box' ⭐⭐⭐⭐⭐'Terrifying, appalling, gory, explicit, laugh out loud funny and practically every other known emotion. This book has it all' ⭐⭐⭐⭐⭐

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Praise for the exhibition ***** The Telegraph ***** The Times ***** Daily Telegraph **** The Evening Standard “Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts. The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing. Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.

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Amsterdam 1654: a dangerous secret threatens to destroy a young widow’s new life. Following the sudden death of her husband, twenty-five year old Catrin leaves her small village and takes a job as housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East. When a figure from her past threatens her new life, Catrin flees to Delft. There, her painting talent earns her a chance as a pottery painter. Slowly, the workshop begins to develop a new type of pottery to rival the coveted Chinese porcelain – and Delft Blue is born. But when tragedy strikes, Catrin has a hard choice to make. Rich and engrossing, Midnight Blue is perfect for fans of Tulip Fever and Girl with a Pearl Earring.

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The present volume in this distinguished series includes the essays “Homer as Oral Poet,” by Albert B. Lord; “Callimachus, Fragments 260–261,” by Hugh Lloyd-Jones and John Rea; “A King’s Notebooks,” by E. Badian; “Roman Policy in Spain before the Hannibalic War,” by G. V. Sumner; “The Proconsulate of Albus,” by G. W. Bowersock; “A Remark on Lachmann’s Law,” by J. Kuryłowicz; “Culex 59,” by O. Skutsch; “Maximianus a Satirist?” by Joseph Szövérffy; and other essays by Virginia Brown, R. D. Dawe, Sidney M. Goldstein, Mason Hammond, Nancy L. Hirschland, C. P. Jones, A. R. Littlewood, Charles E. Murgia, Carlo Pavese, and E. J. Weinrib.

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El león de Hollywood es el retrato tridimensional de un personaje apasionante.A comienzos del siglo XX, unos visionarios llegaron a un pueblo cerca de Los Ángeles y crearon al tiempo una gigantesca industria y el arte que definiría ese siglo. De entre esos pioneros del cine hay una figura que destaca por encima de las demás, por la fuerza de su personalidad y por los estudios cinematográficos que creó, paradigma del studio system del Hollywood de la edad de oro: Louis B. Mayer. Nacido en Rusia y llegado muy joven a Estados Unidos, Mayer fue un auténtico self-made man , y gracias a su incombustible energía y a su intuición creó la Metro Goldwyn Mayer y se convirtió en el hombre más poderoso de Hollywood, capaz de modelar la industria a su antojo. Produjo películas inolvidables como Ninotchka , Ben-Hur , El mago de Oz o Un americano en Parí s y lanzó a grandes estrellas:Garbo, Gable, Garland y decenas más. Asimismo, usó su influencia para elegir jueces, sobornar a la policía local

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"Believe in the unexpected" with this hilarious, heartwarming, and much-anticipated sequel to the New York Times bestseller The Fourteenth Goldfish!Ellie's grandpa Melvin is a world-renowned scientist . . . in the body of a fourteen-year-old boy. His feet stink, and he eats everything in the refrigerator--and Ellie is so happy to have him around. Grandpa may not exactly fit in at middle school, but he certainly keeps things interesting. When he and Ellie team up for the county science fair, no one realizes just how groundbreaking their experiment will be. The formula for eternal youth may be within their reach! And when Ellie's cat, Jonas Salk, gets sick, the stakes become even higher. But is the key to eternal life really the key to happiness? Sometimes even the most careful experiments yield unexpected--and wonderful--results.

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Midgard is a funeral pyre. RagnarÖk, the doom of the gods, has brought the Empire of the Heavens to ruin. For some, the harrowing promises a new beginning. Mother JÖrÐ will rise again, and new gods will return to the golden tables of old. But IÐunn Lind, keeper of the great World Tree Yggdrasil, no longer believes in ancient prophecy or the hand of fate. Across the veil, Churchwarden Michaels is stuck dealing with his own personal RagnarÖk - and just how to save his neck now that three Viking crosses have appeared overnight at St. Mary's. When the boundaries between realities fracture, the two guardians discover that the gods not only play dice with the Vikingverse, they are rolling snake-eyes. In this new chapter of the Vikingverse, the tapestry of time unfurls in deadly new ways.

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In his iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in global culture to a disturbing examination of Holocaust compensation settlements. It was not until the Arab-Israeli War of 1967, when Israel’s evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it has today.Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism’s victims comes from some of the very people who profess most passionately to defend it. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries and legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket

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The Meadows Museum, founded by Algur H. Meadows, boasts one of the finest collections of Spanish art outside Spain. This impressive handbook presents the breadth of the museum's holdings, which ranges from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris. Most of the art was created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera. Francisco de Goya is represented by several notable paintings, as are a number of late 19th and early 20th century Spanish artists working both within and beyond their native country's borders, such as Mariano Fortuny y Marsal, Raimundo de Madrazo, Joaquín Sorolla y Bastida, and Ignacio Zuloaga. Featuring beautiful illustrations and accessible text, this handbook offers an informative and engaging introduction to a truly remarkable collection.

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Blending the style of the past with the women of the present, this book is a first-of-its-kind celebration of modern black pin-up beauty. Black pin-ups existed during the “Golden Age of Pin-ups,” but like other black artists of the time, they often did not receive the same attention as their white contemporaries. Although still rare, modern black pin-up models are getting more attention thanks to models and photographers who understand that pin-up has evolved to include all backgrounds and ethnicities. This new book shines the spotlight on ten of today’s best pin-up photographers and their work with over 50 of today’s most beautiful black pin-up models. With images ranging from classic pin-up glamour to retro-inspired fetish photography, this collection of works shows the diversity of flavors found in contemporary black pin-up culture.

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Out running an errand, Valeria Cossati gives in to a sudden impulse - she buys a shiny black notebook. She starts keeping a diary in secret, recording her concerns about her daughter, the constant churn of the domestic routine and her fears that her husband will discover her new habit. With each entry Valeria plunges deeper into her interior life, uncovering profound dissatisfaction and restlessness. As she finds her own voice, the roles that have come to define her-as wife, as mother, as daughter-begin to break apart. Forbidden Notebook is a rediscovered jewel of Italian literature, published here in a new translation by the celebrated Ann Goldstein and with a foreword by Jhumpa Lahiri. A captivating feminist classic, it is an intimate, haunting story of domestic discontent in postwar Rome, and of one woman's awakening to her true thoughts and desires.

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A stunning full-color photographic field guide of 285 species of North American songbirds and warblers, captured in glorious life-sized detail and featuring concise descriptions, location maps, and useful facts for both experienced birdwatchers and armchair ornithologists alike. Birds such as the Acadian Flycatcher, Golden-crowned Kinglet, Indigo Bunting, Northern Mockingbird, Pyrrhuloxia, Rock Wren, Song Sparrow, Tree Swallow, and the Yellow Throated Warbler are known for their elaborate songs produced by their highly developed vocal organs. Warblers and Other Songbirds of North America is a breathtaking collection of 285 species of these beautiful, melodious creatures, the largest number of species in a single field guide about North American songbirds. Arranged by region and taxonomic order, every songbird is depicted life-sized; each photograph is accompanied by a short description with essential information on identification and the particular species, habits, and behavior. Every species entry also includes a map showing where the species can be found, as well as a fact grid listing key details such as common and scientific name, length, food, habitat, status, and voice. Inside you'll find fun facts, including: * Songbirds are members of the order Passeriformes, the most varied group of birds both in terms of numbers of species and diversity of appearance and habit preferences.* Songbirds have feet that allow them to perch with ease, with three toes pointing forward and one facing back.* Songbirds are extremely vocal; some male species are among the finest songsters in the bird world. Every photograph is gloriously detailed and chosen to show each species' unique identification features and typical postures. Packed in a convenient portable size, Warblers and Other Songbirds of North America is ideal for the experienced birdwatcher, the aspiring naturalist, and every bird lover.

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'Tell her I am called Fuer Grissa Ost Drauka – The Bringer of Death – and I am coming for her' The insatiable hunger of Golden Goddess... The irresistible power of a Witch's Oath... A fracture in the world of life... An opening in the world of death... To confront an apocalyptic nightmare, Richard Rahl must step... INTO DARKNESS. Into Darkness is the fifth episode – a blockbusting 688 pages – in Terry Goodkind's irresistibly intense new serial novel, The Children of D'Hara. 'I want to introduce everyone to THE CHILDREN OF D'HARA, a new series that continues the story of the lives of Richard and Kahlan. This is a journey that began 25 years ago with the 1994 release of WIZARD'S FIRST RULE, when Richard first met Kahlan that fateful day in the Hartland woods. After the 'The Sword of Truth' series ended, I knew there was more to Richard and Kahlan's story. Much more. A whole world more. For years, readers have asked me about Richard and Kahlan's lives after the Sword of Truth series . . . and importantly, about their children. While my masterwork, 'The Sword of Truth', concluded with WARHEART – 20 languages and 26 million books sold – I was burning to tell readers more about Richard and Kahlan. For that reason, this new series starts immediately after the 'Sword of Truth' books ended. Without skipping a beat, readers will plunge back into Richard and Kahlan's lives, with new episodes releasing every three months. So it is that I want to welcome you all back into the Sword of Truth world with many of the characters besides Richard and Kahlan, such as the Mord-Sith, that we have come to love. Learn what the star shift has done to their world and what monsters now lurk in shadows. I promise an arresting, beautiful, and sometimes tragic adventure that will keep you glued to this irresistible story.' —Terry Goodkind.

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During the next twenty years, as part of the largest transfer of wealth in history, more than $500 billion is expected to pour into the philanthropic sector. Some of it will come from retiring baby boomers, but even more will come from newly rich Silicon Valley billionaires. Since 2006, the appeal of "giving while living" has grown, so much so that many philanthropic donors now expect not just to give money during their lifetimes, but to create organizations or ventures-some for profit, others not for profit-whose missions are expected to be completed within the lifetime of the donors. The combination of these two trends has transformed the not-for-profit sector in scale and dynamism, attracting some skeptical scrutiny along the way. Philanthrocapitalism has acquired some of the trappings of financialization, and has the potential to deliver ever greater impact. But will it? And will the demand that the impact be quickly realized mean that longer-term institution-building missions will be neglected?Joel L. Fleishman is one of the wisest of wise men in philanthropy whose advice is routinely sought by organizations and individuals across the country. In Putting Wealth to Work, he tells the story of a uniquely American financial sector, all but created by Andrew Carnegie's example, that since 1995 has become more dynamic with every passing year. Staggering personal fortunes are made and given away, from Bill Gates to Mark Zuckerberg, as in no previous era since the golden age of American capitalism. America currently leads the world in this trend-of the 138 signers of the giving-while-living pledge, 110 were American-but the world is following in its footsteps. This movement of socially motivated capital is unprecedented and its consequences are potentially transformative for the American economy and the world at large.

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Supporting Online Students shows how effective and efficiently delivered support services improve academic success and course retention for online learners. Drawing on a decade's worth of research, Anita Crawley describes the scope of services from admissions and registration to advising and student engagement. The book includes guidelines and standards, planning and implementation, innovative practices, and describes specialized services needed by particular online student groups. "Effective student support is the single most important factor in sustaining high-quality online learning programs. Anita Crawley presents the most effective guide to achieving that success. Her book is a blueprint for building thriving online programs through comprehensive student support." —Ray Schroeder, director, Center for Online Learning, Research and Service, University of Illinois Springfield "As distance learning continues to grow, this book addresses the often neglected other side of the coin: online student services. This book provides a great introduction and overview of the research, literature, and innovative practices for planning, implementing, and evaluating support services for online learners." —George Steele, director, eStudent Services, OhioLearns "Anita Crawley has crafted a splendid volume on a topic of increasing importance in contemporary higher education. Her book promises to be the foundational piece for those who work with students in an online environment. Her thinking and analysis are superb and undoubtedly will provide the basis upon which to develop online programs and services in the future." —John H. Schuh, Distinguished Professor of Educational Leadership and Policy Studies Emeritus, Iowa State University "Bringing together extensive examples of innovative practices, summaries of current research, and a wealth of experience in student services, Anita Crawley's comprehensive guide to supporting online students is a rich resource for institutions with existing, growing, or new online programs. —Diane J. Goldsmith, former executive director, Connecticut Distance Learning Consortium

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Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, “Hedda Hopper’s Hollywood,” that appeared in the Los Angeles Times and other newspapers throughout Hollywood’s golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist. While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper’s gossip career and the public’s response to both her column and her politics, Hedda Hopper’s Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today. Read a review of the book from the Chronicle of Higher Education blog, Tenured Radical.

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With Wind Wizard, Siobhan Roberts brings us the story of Alan Davenport (1932-2009), the father of modern wind engineering, who investigated how wind navigates the obstacle course of the earth's natural and built environments--and how, when not properly heeded, wind causes buildings and bridges to teeter unduly, sway with abandon, and even collapse. In 1964, Davenport received a confidential telephone call from two engineers requesting tests on a pair of towers that promised to be the tallest in the world. His resulting wind studies on New York's World Trade Center advanced the art and science of wind engineering with one pioneering innovation after another. Establishing the first dedicated "boundary layer" wind tunnel laboratory for civil engineering structures, Davenport enabled the study of the atmospheric region from the earth's surface to three thousand feet, where the air churns with turbulent eddies, the average wind speed increasing with height. The boundary layer wind tunnel mimics these windy marbled striations in order to test models of buildings and bridges that inevitably face the wind when built. Over the years, Davenport's revolutionary lab investigated and improved the wind-worthiness of the world's greatest structures, including the Sears Tower, the John Hancock Tower, Shanghai's World Financial Center, the CN Tower, the iconic Golden Gate Bridge, the Bronx-Whitestone Bridge, the Sunshine Skyway, and the proposed crossing for the Strait of Messina, linking Sicily with mainland Italy. Chronicling Davenport's innovations by analyzing select projects, this popular-science book gives an illuminating behind-the-scenes view into the practice of wind engineering, and insight into Davenport's steadfast belief that there is neither a structure too tall nor too long, as long as it is supported by sound wind science.

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Professor Stephen Hawking is generally considered to have been one of the world's greatest thinkers. Here is his follow up to the phenomenal bestseller A Brief History of Time - illustrated to bring his theories to life in a clear, captivating and visually engaging way.'Brilliant and very readable!' -- ***** Reader review'I love Stephen Hawking - such an incredible mind' -- ***** Reader review'A must-read book for everybody' -- ***** Reader review'Keeps going back to it and back to it, keeps you so interested you don't wonder off' -- ***** Reader review'Thought provoking. A great read!' -- ***** Reader review'The Universe in a Nutshell is the best popular science book I have ever read' -- ***** Reader review******************************************************************************Stephen Hawking's A Brief History of Time was a publishing phenomenon and continues to captivate and inspire new readers every year. When it was first published in 1988 the ideas discussed in it were at the cutting edge of what was then known about the universe. In the intervening years there have been extraordinary advances in our understanding of the space and time. The technology for observing the micro- and macro-cosmic world has developed in leaps and bounds. During the same period cosmology and the theoretical sciences have entered a new golden age and Professor Stephen Hawking has been at the heart of this new scientific renaissance.Now, in The Universe in a Nutshell, beautifully illustrated with original artwork commissioned for this project, Stephen Hawking brings us fully up-to-date with the advances in scientific thinking.We are now nearer than we have ever been to a full understanding of the universe. In a fascinating and accessible discussion that ranges from quantum mechanics to time travel, black holes to uncertainty theory and the search for science's Holy Grail - unified field theory (or in layman's terms the 'theory of absolutely everything'), Professor Hawking once more takes us to the cutting edge of modern thinking.

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You know the Carnegie Institute and the Philadelphia Museum of Art, but have you ever visited the Toy Robot Museum in Adamstown or Bill's Old Bike Barn in Bloomsburg? The Tom Mix Museum in Mix Run? The Houdini Museum in Scranton? Pennsylvania's many small museums are easy to miss in an age of instant information and superhighways. After reading Therese Boyd's guide, however, you'll rush to get off the beaten track to find them. Pennsylvania's little wonders are as entertaining as they are educational. Unlike large museums, which display masterpieces of art and other "important" items, small museums feature objects that would otherwise be thrown away and forgotten—everything from spittoons to high button shoes and trolley cars. Some small museums, such as the Richard Allen Museum, serve a serious purpose; others are playful, even eccentric. All offer a fresh perspective on how people have lived and worked. Boyd, who has visited small museums throughout Pennsylvania, concentrates on the forty-two museums she considers most worth a detour. These range from Kready's Museum, where visitors can savor the simple pleasures of a country store, to the Vocal Groups Hall of Fame and Museum, where music fans can listen to "golden oldies" and pore over memorabilia (including sequined dresses once worn by the Supremes). Boyd's personal favorite is the museum in the home of Christian Sanderson, a man who collected literally hundreds of historical relics, not the least of which is the purse found in the apron pocket of Jennie Wade, the only civilian killed at the Battle of Gettysburg. Boyd's book is a comprehensive, illustrated guide to the best small museums in Pennsylvania. It weaves amusing anecdotes about Boyd's own visits to the museums along with descriptions of their histories and collections. Her guide provides travel directions as well as complete information about each museum's visiting hours, website, and contact information.

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The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's City of Sadness and Lou Ye's Summer Palace and novels such as Ye Zhaoyan's Nanjing 1937: A Love Story and Wang Xiaobo's The Golden Age collectively reimagine past horrors and give rise to new historical narratives. Michael Berry takes an innovative look at the representation of six specific historical traumas in modern Chinese history: the Musha Incident (1930); the Rape of Nanjing (1937-38); the February 28 Incident (1947); the Cultural Revolution (1966-76); Tiananmen Square (1989); and the Handover of Hong Kong (1997). He identifies two primary modes of restaging historical violence: centripetal trauma, or violence inflicted from the outside that inspires a reexamination of the Chinese nation, and centrifugal trauma, which, originating from within, inspires traumatic narratives that are projected out onto a transnational vision of global dreams and, sometimes, nightmares. These modes allow Berry to connect portrayals of mass violence to ideas of modernity and the nation. He also illuminates the relationship between historical atrocity on a national scale and the pain experienced by the individual; the function of film and literature as historical testimony; the intersection between politics and art, history and memory; and the particular advantages of modern media, which have found new means of narrating the burden of historical violence. As Chinese artists began to probe previously taboo aspects of their nation's history in the final decades of the twentieth century, they created texts that prefigured, echoed, or subverted social, political, and cultural trends. A History of Pain acknowledges the far-reaching influence of this art and addresses its profound role in shaping the public imagination and conception-as well as misconception-of modern Chinese history.

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Crazy Rich Asians meets Gossip Girl by way of Jenny Han in this knock-out debut about a Korean American teen who is thrust into the competitive, technicolor world of K-pop, from Jessica Jung, K-pop legend and former lead singer of one of the most influential K-pop girl groups of all time, Girls Generation. From internationally renowned K-pop legend Jessica Jung comes a fresh YA novel that peels back the curtain on the intense world of K-pop from the perspective of a Korean American girl, like Jessica, who is scouted off the street and thrust into an unknown world of competition, strict training and wild fame. What would you give for a chance to live your dreams? For eighteen-year-old Korean American Rachel Kim, the answer is almost everything. Six years ago, she was recruited by DB Entertainment – one of Seoul’s largest K-pop labels, known for churning out some of the world’s most popular stars. The rules are simple: Train 24/7. Be perfect. Don’t date. Easy right? Not so much. As the dark scandals of an industry bent on controlling and commodifying beautiful girls begin to bubble up, Rachel wonders if she’s strong enough to be a winner, or if she’ll end up crushed … Especially when she begins to develop feelings for K-pop star and DB golden boy Jason Lee. It’s not just that he’s charming, sexy and ridiculously talented. He’s also the first person who really understands how badly she wants her star to rise. Get ready as Jessica Jung, K-pop legend and former lead singer of Korea’s most famous girl group, Girls Generation, takes us inside the luxe, hyper-colour world of K-pop, where the stakes are high, but for one girl, the cost of success – and love – might be even higher. It’s time for the world to see: this is what it takes to SHINE.

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In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house.Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.

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In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house.Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.

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Both a fascinating account of Walt Disney’s own significant artistic creations, from the iconic Mickey Mouse to the groundbreaking Snow White in 1937, and an insightful history of the hugely successful entertainment behemoth he created, from Dumbo to Pixar’s Toy Story, as well as the hugely popular theme parks. But Disney’s dark side is also explored: his disputed parentage; industrial disputes; his work for the FBI; and his anti-Communist and allegedly racist and antisemitic views.The company Disney built is today stronger than ever, encompassing not only the ongoing legacy of Disney animation, but also acting as the guardian of other well-loved creative endeavours, such as Pixar, The Muppets, Marvel Comics and now Star Wars.Sections include ‘Before Mickey: The Road to the Mouse House’, covering from 1901 to 1945 – the creation of Mickey Mouse, the creation of the world’s first full-length animated feature film, the Golden Age of animation and Disney’s help for the American war effort, despite labour disputes; ‘Disney Studios: The Disney Genius’ – difficult times, theme parks and television, live-action movies, including Mary Poppins; ‘Animation’s Second Coming’, from the Lady and the Tramp to The Sword in the Stone, and Walt Disney’s death; ‘After Walt: The Disney Legacy’ – family attempts to keep the studio afloat, decline and the loss of lustre in the 1970s and 1980s; ‘Disney Resurgent’ – a triumphant rebirth under new management with Who Framed Roger Rabbit? The Lion King and other blockbuster hits; ‘From Eisner to Iger’ – the corporate battle for the soul of Disney; ‘Disney Goes Digital’ – from Pixar to Star Wars, via Marvel Comics and The Muppets, Disney buyy up other studios, themselves often enough inspired by the original.

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SHORTLISTED FOR THE FOLIO PRIZE 2022SHORTLISTED FOR THE GOLDSMITHS PRIZE 2021SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2022 SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021SHORTLISTED FOR THE BETTY TRASK PRIZE 2022LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2022'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021'Subtle, elegant, scorching' Vogue'Virtuosic, exquisite, achingly unique' Guardian'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine EvaristoCome of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart?'One of the most talked-about debuts of the year . . . You'll read it in one sitting' Sunday Times Style'Expertly crafted, remarkable, astonishing... A literary debut with flavours of Jordan Peele's Get Out' Bookseller, Editor's Choice'Virginia Woolf's Mrs. Dalloway meets Citizen by Claudia Rankine... As breathtakingly graceful as it is mercilessly true' Olivia Sudjic'Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society' Diana Evans 'This marvel of a novel manages to say all there is to say about Britain today' Sabrina Mahfouz

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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A fresh and unconventional approach to exploring 6,000 years of art history through 800 masterpieces from The Metropolitan Museum of Art Featuring more than 800 artworks from the collection of The Metropolitan Museum of Art, New York, this groundbreaking book — organized by thematic keywords — draws upon The Met's online Heilbrunn Timeline of Art History — offering fresh, unconventional ways of engaging with visual culture. Discover how artists see the world and inspire each other with common themes and sensibilities, materials and techniques. Flowers, for example, have been seen in art for millennia — from Tutankhamun to the Dutch Golden Age, from Van Gogh's still lifes to Georgia O'Keeffe's monumental close-ups. Seen side by side, Art = reveals new connections between artists of different times and places, offering a fresh perspective on beloved works. Beyond the wealth of 1,000 illustrations arranged by theme, dive deeper into art history with 160 engaging and enlightening essays written by experts at the museum, to create your own personal tour through this unsurpassed collection. A foldout, detachable timeline offering further perspective is also included.

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Ah, 55. Gateway to the golden years! Professional summiting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement. . . . Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old’s life in an 85-year-old’s malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat?all those burdens of running a household that still, all-too-often, fall to women. The Madwoman and the Roomba chronicles a roller coaster year for Loh, her partner, and her two teenage daughters in their ramshackle quasi-Craftsman, with a front lawn that’s more like a rectangle of compacted dirt and mice that greet her as she makes her morning coffee. Her daughters are spending more time online than off; her partner has become a Hindu, bringing in a household of monks; and she and her girlfriends are wondering over Groupon “well” drinks how they got here. Whether prematurely freaking out about her daughters’ college applications, worrying over her eccentric aging father, or overcoming the pitfalls of long-term partnership and the temptations of paired-with-cheese online goddess webinars, Loh somehow navigates the realities of what it means to be a middle-aged woman in the twenty-first century. Including a new epilogue hilariously recounting her family’s quarantine experience during the pandemic, The Madwoman and the Roomba is a “wildly funny” testament to Loh’s “brilliant wit and rock-solid resilience” (Henry Alford).

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Exploring the profound differences between what the military services believe—and how they uniquely serve the nation.When the US military confronts pressing security challenges, the Army, Navy, Air Force, and Marine Corps often react differently as they advise and execute civilian defense policies. Conventional wisdom holds that these dynamics tend to reflect a competition for prestige, influence, and dollars. Such interservice rivalries, however, are only a fraction of the real story. In Four Guardians, Jeffrey W. Donnithorne argues that the services act instead as principled agents, interpreting policies in ways that reflect their unique cultures and patterns of belief. Chapter-length portraits of each service highlight the influence of operational environment ("nature") and political history ("nurture") in shaping each service's cultural worldview. The book also offers two important case studies of civil-military policymaking: one, the little-known story of the creation of the Rapid Deployment Joint Task Force in the early 1980s; the other, the four-year political battle that led to the passage of the Goldwater-Nichols Act in 1986. Donnithorne uses these cases to demonstrate the principled agent framework in action while amply revealing the four services as distinctly different political actors. Combining crisp insight and empirical depth with engaging military history, Four Guardians provides practical utility for civil-military scholars, national security practitioners, and interested citizens alike. This timely work brings a new appreciation for the American military, the complex dynamics of civilian control, and the principled ways in which the four guardian services defend their nation.

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For decades, NGOs targeting world hunger focused on ensuring that adequate quantities of food were being sent to those in need. In the 1990s, the international food policy community turned its focus to the "hidden hunger" of micronutrient deficiencies, a problem that resulted in two scientific solutions: fortification, the addition of nutrients to processed foods, and biofortification, the modification of crops to produce more nutritious yields. This hidden hunger was presented as a scientific problem to be solved by "experts" and scientifically engineered smart foods rather than through local knowledge, which was deemed unscientific and, hence, irrelevant. In Hidden Hunger, Aya Hirata Kimura explores this recent emphasis on micronutrients and smart foods within the international development community and, in particular, how the voices of women were silenced despite their expertise in food purchasing and preparation. Kimura grounds her analysis in case studies of attempts to enrich and market three basic foods—rice, wheat flour, and baby food—in Indonesia. She shows the power of nutritionism and how its technical focus enhanced the power of corporations as a government partner while restricting public participation in the making of policy for public health and food. She also analyzes the role of advertising to promote fortified foodstuffs and traces the history of Golden Rice, a crop genetically engineered to alleviate vitamin A deficiencies. Situating the recent turn to smart food in Indonesia and elsewhere as part of a long history of technical attempts to solve the Third World food problem, Kimura deftly analyzes the intersection of scientific expertise, market forces, and gendered knowledge to illuminate how hidden hunger ultimately defined women as victims rather than as active agents.

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