Search results for ""ideals""

Martin Luther King, Jr., may be America’s most revered political figure, commemorated in statues, celebrations, and street names around the world. On the fiftieth anniversary of King’s assassination, the man and his activism are as close to public consciousness as ever. But despite his stature, the significance of King’s writings and political thought remains underappreciated.In To Shape a New World, Tommie Shelby and Brandon Terry write that the marginalization of King’s ideas reflects a romantic, consensus history that renders the civil rights movement inherently conservative—an effort not at radical reform but at “living up to” enduring ideals laid down by the nation’s founders. On this view, King marshaled lofty rhetoric to help redeem the ideas of universal (white) heroes, but produced little original thought. This failure to engage deeply and honestly with King’s writings allows him to be conscripted into political projects he would not endorse, including the pernicious form of “color blindness” that insists, amid glaring race-based injustice, that racism has been overcome.Cornel West, Danielle Allen, Martha Nussbaum, Robert Gooding-Williams, and other authors join Shelby and Terry in careful, critical engagement with King’s understudied writings on labor and welfare rights, voting rights, racism, civil disobedience, nonviolence, economic inequality, poverty, love, just-war theory, virtue ethics, political theology, imperialism, nationalism, reparations, and social justice. In King’s exciting and learned work, the authors find an array of compelling challenges to some of the most pressing political dilemmas of our present, and rethink the legacy of this towering figure.

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"The Devil in History" is a provocative analysis of the relationship between communism and fascism. Reflecting the author's personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century's experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements - people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, Francois Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.

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Awarded the Nobel Prize for Literature in 1920, Knut Hamsun (1859–1952) was a towering figure of Norwegian letters. He was also a Nazi sympathizer and supporter of the German occupation of Norway during the Second World War. In 1943, Hamsun sent his Nobel medal to Third-Reich propaganda minister Joseph Goebbels as a token of his admiration and authored a reverential obituary for Hitler in May 1945. For decades, scholars have wrestled with the dichotomy between Hamsun’s merits as a writer and his infamous ties to Nazism. In her incisive study of Hamsun, Monika Zagar refuses to separate his political and cultural ideas from an analysis of his highly regarded writing. Her analysis reveals the ways in which messages of racism and sexism appear in plays, fiction, and none-too-subtle nonfiction produced by a prolific author over the course of his long career. In the process, Zagar illuminates Norway’s changing social relations and long history of interaction with other peoples. Focusing on selected masterpieces as well as writings hitherto largely ignored, Zagar demonstrates that Hamsun did not arrive at his notions of race and gender late in life. Rather, his ideas were rooted in a mindset that idealized Norwegian rural life, embraced racial hierarchy, and tightly defined the acceptable notion of women in society. Making the case that Hamsun’s support of Nazi political ideals was a natural outgrowth of his reactionary aversion to modernity, Knut Hamsun serves as a corrective to scholarship treating Hamsun’s Nazi ties as unpleasant but peripheral details in a life of literary achievement.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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Religious conversion is often associated with ideals of religious sincerity. But in a society in which religious belonging is entangled with ethnonational citizenship and confers political privilege, a convert might well have multilayered motives. Over the last two decades, mass non-Jewish immigration to Israel, especially from the former Soviet Union, has sparked heated debates over the Jewish state’s conversion policy and intensified suspicion of converts’ sincerity. When the State Winks carefully traces the performance of state-endorsed Orthodox conversion to highlight the collaborative labor that goes into the making of the Israeli state and its Jewish citizens.In a rich ethnographic narrative based on fieldwork in conversion schools, rabbinic courts, and ritual bathhouses, Michal Kravel-Tovi follows conversion candidates—mostly secular young women from a former Soviet background—and state conversion agents, mostly religious Zionists caught between the contradictory demands of their nationalist and religious commitments. She complicates the popular perception that conversion is a “wink-wink” relationship in which both sides agree to treat the converts’ pretenses of observance as real. Instead, she demonstrates how their interdependent performances blur any clear boundary between sincere and empty conversions. Alongside detailed ethnography, When the State Winks develops new ways to think about the complex connection between religious conversion and the nation-state. Kravel-Tovi emphasizes how state power and morality is managed through “winking”—the subtle exchanges and performances that animate everyday institutional encounters between state and citizen. In a country marked by tension between official religiosity and a predominantly secular Jewish population, winking permits the state to save its Jewish face.

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In his probing study of the role of death rites in the making of Islamic society, Leor Halevi imaginatively plays prescriptive texts against material culture and advances new ways of interpreting highly contested sources. His original research reveals that religious scholars of the early Islamic period produced codes of funerary law not only to define the handling of a Muslim corpse but also to transform everyday urban practices. Relying on oral traditions, these scholars established new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic rites from Christian, Jewish, and Zoroastrian rites and changed the way men and women interacted publicly and privately. In each chapter Halevi explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. In the process he analyzes the real and imaginary relationships between husbands and wives, prayer leaders and mourners, and even dreamers and the dead. He describes how Muslims wailed for the deceased, prepared corpses for burial, marched in funerary processions, and prayed for the dead, highlighting the specific economic and political factors involved in these rituals as well as key religious and sexual divisions. Offering a unique perspective on the making of Islamic social and religious ideals during this early period, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve out its own, distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.

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During and especially after the Second World War, a group of leading scholars who had been perilously close to the war's devastation joined others fortunate enough to have been protected by distance in an effort to redefine and reinvigorate Western liberal ideals for a radically new age. Treating evil as an analytical category, they sought to discover the sources of twentieth-century horror and the potentialities of the modern state in the wake of western desolation. In the process, they devised strikingly new ways to understand politics, sociology and history that reverberate still. In this major intellectual history, Ira Katznelson examines the works of Hannah Arendt, Robert Dahl, Richard Hofstadter, Harold Lasswell, Charles Lindblom, Karl Polanyi, and David Truman, detailing their engagement with the larger project of reclaiming the West's moral bearing. In light of their epoch's calamities these intellectuals insisted that the tradition of Enlightenment thought required a new realism, a good deal of renovation, and much recommitment. This array of historians, political philosophers, and social scientists understood that a simple reassertion of liberal modernism had been made radically insufficient by the enormities and moral catastrophes of war, totalitarianism, and holocaust. Confronting their period's dashed hopes for reason and knowledge, they asked not just whether the Enlightenment should define modernity, but which Enlightenment we should wish to have. Decades later, in the midst of a new type of war and reanimated discussions of the concept of evil, we share no small stake in assessing their successes and limitations.

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Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university - its stately buildings and beautiful grounds - forms an important part of its character. "Building Ideas: An Architectural Guide to the University of Chicago" explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university's founding in 1890 to its plans for the twenty-first century. When William Rainey Harper, the university's first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand - or explode - traditional ideals while redefining the contemporary campus. Full of panoramic photographs and exquisite details, "Building Ideas" features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Vinoly, Cesar Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.

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The Fuerza Aérea Revolucionaria (FAR), one of the most powerful and little-publicised air forces in the Americas, had Mikoyan-Gurevich (MiG) fighters as its main fighter aircraft, both in the defence of Cuban territory against the threat of US invasion and in support of Cuban leader’s efforts to export their revolutionary ideals.The book casts an unprecedented look at the introduction and utilisation of all MiG models in Cuban service, since their arrival before the Cuban Missile Crisis, to current times, going through all of the conflicts in which Cuba was involved, from incidents with the Dominican Republic (‘Operación Pico’) and the Bahamas, to its entanglements in wars in Vietnam, Syria, Guinea, Southern Yemen, Angola, Ethiopia and Nicaragua and the recent apprehension of ‘export goods’ to North Korea in the Panama Canal.The story of military aviation in Cuba before the arrival of the MiGs is also briefly presented, from the beginning of their air corps and its role in the political crises that affected the country, in Castro's Revolution and the ill-fated attempted invasion at the Bay of Pigs, contextualising the times when they happened.This is the result of extensive research using Cuban publications, documents, interviews with former pilots, historians and contributions by veteran Cuban airmen both in exile and residing in their homeland. The book is richly illustrated with over 170 photographs and colour profiles detailing the history of all twenty models of MiG fighters operated by Cuba from 1962 to the present.

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Emille Gallé was one of the great names of the Art Nouveau movement in France, and founder of the famous École de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases. Following the French tradition of furniture decoration known as marqueterie, his work is characterised by its meticulous decorative veneers, stained with subtle organic dyes; and panels inlaid with stunningly intricate country scenes and flowers. This important book outlines all of Galle's major works of furniture, from the pieces uniques that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time. Written by Decorative Arts specialist Alastair Duncan, Gallé Furniture documents the history of Gallé's furniture production from his favourite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Gallé Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Gallé's 'Notes to the Juries' of the World Expositions, this stunning publication will leave the reader captivated by this remarkable expression of the new art that changed the European aesthetic forever. Forthcoming: Gallé Lamps ISBN: 9781851496716

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Amid civil war, failing states, and terrorism, Arab liberals are growing in numbers and influence. Advocating a culture of equity, tolerance, good governance, and the rule of law, they work through some of the region’s largest media outlets to spread their ideals within the culture. Broadcasting Change analyzes this trend by portraying the intersection of media and politics in two Arab countries with seismic impact on the region and beyond. In Saudi Arabia, where hardline clerics silenced their opponents for generations, liberals now dominate the airwaves. Their success in weakening clerics’ grip over the public space would not only help develop the country; it would ensure that the birthplace of the prophet Muhammad exports a constructive understanding of Islam. In Egypt, home to a brutal government crackdown on Islamists and a bloodsport of attacks on Coptic Christians, local liberals are acting with courage on the ground and over the airwaves. Through TV talk shows, drama, and comedy, they play off the government’s anti-Islamist agenda to more thoughtfully advocate religious reform. Author Joseph Braude, himself a voice in Arabic-language broadcasts and publications, calls for international assistance to the region’s liberals, particularly in the realm of media. Local civic actors and some reform-minded autocrats welcome a new partnership with media experts and democratic governments in North America, Europe, and the Far East. Broadcasting Change argues that support for liberal reform through Arabic media should be construed as an international “public good” — on par with military peacekeeping and philanthropy.

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Equality is the endangered species of political ideals. Even left-of-center politicians reject equality as an ideal: government must combat poverty, they say, but need not strive that its citizens be equal in any dimension. In his new book Ronald Dworkin insists, to the contrary, that equality is the indispensable virtue of democratic sovereignty. A legitimate government must treat all its citizens as equals, that is, with equal respect and concern, and, since the economic distribution that any society achieves is mainly the consequence of its system of law and policy, that requirement imposes serious egalitarian constraints on that distribution. What distribution of a nation's wealth is demanded by equal concern for all? Dworkin draws upon two fundamental humanist principles--first, it is of equal objective importance that all human lives flourish, and second, each person is responsible for defining and achieving the flourishing of his or her own life--to ground his well-known thesis that true equality means equality in the value of the resources that each person commands, not in the success he or she achieves. Equality, freedom, and individual responsibility are therefore not in conflict, but flow from and into one another as facets of the same humanist conception of life and politics. Since no abstract political theory can be understood except in the context of actual and complex political issues, Dworkin develops his thesis by applying it to heated contemporary controversies about the distribution of health care, unemployment benefits, campaign finance reform, affirmative action, assisted suicide, and genetic engineering.

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In the late 1970s, at the close of the Cultural Revolution, a group of young, largely auto-didact artists in China endeavored to create artwork that would depart from present norms and reflect individual ideals. It was a period of hope for the future, full of energy permeating all levels of society. The artists came from a variety of backgrounds and had an even greater variety of artistic training and skill, but their ideas united them around a common goal. The first exhibition organized by the Stars group (Xingxing huahui, ???????⁊????) is one of the key outdoor shows and one of the most radical unofficial exhibitions following the end of the Cultural Revolution, representing for many scholars the beginnings of a Chinese avant-garde for a post-Mao China. It is a movement toward artistic democracy-a performance even-taking place over the course of three years and bringing an engaged group, with individual ideas, into the heart of the official art establishment. These Stars would set into motion the policies and norms that later generations of contemporary Chinese artists would build upon to expand their minds and artistic vocabularies. In the 40th anniversary of the founding of the Stars, Stars 79–80 collects the most significant writings, images and artworks of the Stars. It captures the youthfulness and vibrancy of a new ideological movement that swept through the capital with hurricane force.

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This compact travel guide and pictorial is the #1 selling travel book in Japan! Packed with cultural and historical information along with charming photographs, you can take a trip to Japan to always remember.Japan is a country shrouded in mystery, even now in the 21st century. The myriad facets that, when put together, compose the whole of this nation are impossible to capture fully. But in The Little Book of Japan, the dynamic photographer-writer team of Gorazd Vilhar and Charlotte Anderson do an admirable job of creating a celebration in words and images that encapsulates what makes this country so extraordinary.Small and easily portable, this Japan travel guide is organized in a series of 44 highlights with photographs contained within four chapters: Cultural Icons, Traditions, Places, and Spiritual Life. Under these four overarching ideals, Vilhar and Anderson explore a wide range of topics from Japanese cultural icons and traditions to Japan's spiritual life to its unique cities and villages. Broad enough to satisfy anyone with interest in the culture, art, and beliefs of this unique island nation, yet comprehensive enough for the true Japanophile, The Little Book of Japan is a stunning collection of photographs and thoughtful mini essays. With everything from Cherry Blossoms to Sushi, Calligraphy to Kimonos, Old Tokyo to Hiroshima, to intimate details of Buddhism and Pilgrimages, this book is a beautiful and enjoyable way to learn more about the fascinating island nation of Japan.

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Frederick Douglass (1818--1895) was a prolific writer and public speaker whose impact on American literature and history has been long studied by historians and literary critics. Yet as political theorists have focused on the legacies of such notables as W. E. B. Du Bois and Booker T. Washington, Douglass's profound influence on Afro-modern and American political thought has often been undervalued.In an effort to fill this gap in the scholarship on Douglass, editor Neil Roberts and an exciting group of established and rising scholars examine the author's autobiographies, essays, speeches, and novella. Together, they illuminate his genius for analyzing and articulating core American ideals such as independence, liberation, individualism, and freedom, particularly in the context of slavery. The contributors explore Douglass's understanding of the self-made American and the way in which he expanded the notion of individual potential by arguing that citizens had a responsibility to improve not only their own situations but also those of their communities. A Political Companion to Frederick Douglass also considers the idea of agency, investigating Douglass's passionate insistence that every person in a democracy, even a slave, possesses an innate ability to act. Various essays illuminate Douglass's complex racial politics, deconstructing what seems at first to be his surprising aversion to racial pride, and others explore and critique concepts of masculinity, gender, and judgment in his oeuvre. The volume concludes with a discussion of Douglass's contributions to pre-- and post--Civil War jurisprudence.

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In The Birth of Politics, Melissa Lane introduces the reader to the foundations of Western political thought, from the Greeks, who invented democracy, to the Romans, who created a republic and then transformed it into an empire. Tracing the origins of our political concepts from Socrates to Plutarch to Cicero, Lane reminds us that the birth of politics was a story as much of individuals as ideas. Scouring the speeches of lawyers alongside the speculations of philosophers, and the reflections of ex-slaves next to the popular comedies and tragedies of the Greek and Roman stages, this book brings ancient ideas to life in unexpected ways. Lane shows how the Greeks and Romans defined politics with distinctive concepts, vocabulary, and practices--all of which continue to influence politics and political aspirations around the world today. She focuses on eight political ideas from the Greco-Roman world that are especially influential today: justice, virtue, constitution, democracy, citizenship, cosmopolitanism, republic, and sovereignty. Lane also describes how the ancient formulations of these ideas often challenge widely held modern assumptions--for example, that it is possible to have political equality despite great economic inequality, or that political regimes can be indifferent to the moral character of their citizens. A stimulating introduction to the origins of our political ideas and ideals, The Birth of Politics demonstrates how much we still have to learn from the political genius of the Greeks and Romans.

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From literary icon Joyce Carol Oates, author of Blonde, now a major motion picture, comes a brand new collection of haunting and, at times, darkly humorous mystery and suspense stories. These are tales of psyches pushed to their limits by the expectations of everyday life – from a woman who gets lost on her drive back to her plush suburban home and ends up breaking into a stranger's house, to a first-person account of a cloned 1940s magazine pinup girl being sold at auction and embodying America's ideals of beauty and womanhood. Taken as a whole, the collection forms a poignant tapestry of regular people searching for their place in a social hierarchy, often with devastating and disastrous results. Rendered with stylish, fresh writing from an author who continues to push the envelope, the stories deftly weave in and out of a stream-of-consciousness to reflect the ways we process traumatic experiences and impart that uncertainty and uneasiness to the reader. The stories comprising Night, Neon showcase Oates' mastery of the suspense story and her relentless use of the form to conduct unapologetically honest explorations of American identity. 'Embracing the twists and turns of everyday American life, the author's latest short story collection is playful, gripping and disturbing.' Guardian Reviews for Joyce Carol Oates: 'Oates chillingly depicts the darkness lurking within the everyday.' Sunday Express 'Both haunting and sublime.' Literary Review 'Splendidly chilling.' Financial Times 'Visceral, psychologically involving, and socially astute.' Booklist

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Just as America was observed in French literary and political commentary, we find representations of America in French music, dance, and theatre which serve as the focus of this volume. Following the American Revolution, French authors often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with France's own Revolutionary ideals but in competition with lingering anti-American depictions of an inferior, untamed New World. The volume examines French imagining of America through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, homages to Washington, Franklin and Lafayette and negotiations of Francophone identity in New Orleans. The subject of race features prominently in paradoxical depictions of slavery, freedom, and revolution in the United States and French Caribbean colonies of 'Amérique' and in varied interpretations of American music and gendered identity. Essays consider French constructions of the Indigenous American and Black American 'exotic' that intersect with tropes of noble, pastoral savagery, menacing barbarism and the 'civilising' potency of French culture. Such French constructions reveal both a revulsion of racial alterity and an attraction to the expressive, even subversive, freedom of Americanness. Investigations of French conceptions of America extend to critiques of American orchestral music, Gottschalk's Louisianan-Caribbean Creole works, Buffalo Bill's spectacles and the cakewalk in Paris. With scholarly contributions on music, dance, theatre and opera, the volume will be essential reading for students and scholars of these disciplines.

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.The fifteen essays collected in Hard Reading argue, first, that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Both ideals shun the facilior lectio, the “easy reading”, but for different reasons and with different effects.The essays argue further that science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world. Each essay is further prefaced by an autobiographical introduction. These explain how the essays came to be written and in what ways they (often) proved controversial. They, and the autobiographical introduction to the whole book, create between them a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.

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A poignant account of everyday polygamy and what its regulation reveals about who is viewed as an "Other" In the past thirty years, polygamy has become a flashpoint of conflict as Western governments attempt to regulate certain cultural and religious practices that challenge seemingly central principles of family and justice. In Forbidden Intimacies, Melanie Heath comparatively investigates the regulation of polygamy in the United States, Canada, France, and Mayotte. Drawing on a wealth of ethnographic and archival sources, Heath uncovers the ways in which intimacies framed as "other" and "offensive" serve to define the very limits of Western tolerance. These regulation efforts, counterintuitively, allow the flourishing of polygamies on the ground. The case studies illustrate a continuum of justice, in which some groups, like white fundamentalist Mormons in the U.S., organize to fight against the prohibition of their families' existence, whereas African migrants in France face racialized discrimination in addition to rigid migration policies. The matrix of legal and social contexts, informed by gender, race, sexuality, and class, shapes the everyday experiences of these relationships. Heath uses the term "labyrinthine love" to conceptualize the complex ways individuals negotiate different kinds of relationships, ranging from romantic to coercive. What unites these families is the secrecy in which they must operate. As government intervention erodes their abilities to secure housing, welfare, work, and even protection from abuse, Heath exposes the huge variety of intimacies, and the power they hold to challenge heteronormative, Western ideals of love.

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Reworking Japan examines how the past several decades of neoliberal economic restructuring and reforms have challenged Japan's corporate ideologies, gendered relations, and subjectivities of individual employees. With Japan's remarkable economic growth since the 1950s, the lifestyles and life courses of "salarymen" came to embody the "New Middle Class" family ideal. However, the nearly three decades of economic stagnation and reforms since the bursting of the economic bubble in the early 1990s has intensified corporate retrenchment under the banner of neoliberal restructuring and brought new challenges to employees and their previously protected livelihoods. In a sweeping appraisal of recent history, Gagné demonstrates how economic restructuring has reshaped Japanese corporations, workers, and ideals, as well as how Japanese companies and employees have resisted and actively responded to such changes. Gagné explores Japan's fraught and problematic transition from the postwar ideology of "companyism" to the emergent ideology of neoliberalism and the subsequent large-scale economic restructuring. By juxtaposing Japan's economic transformation with an ethnography of work and play, and individual life histories, Gagné goes beyond the abstract to explore the human dimension of the neoliberal reforms that have impacted the nation's corporate governance, socioeconomic class, workers' subjectivities, and family relations. Reworking Japan, with its firsthand analysis of how the supposedly hegemonic neoliberal regime does not completely transform existing cultural frames and social relations, will shake up preconceived ideas about Japanese men and the social effects of neoliberalism.

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Stella, first published in 1859, is an imaginative retelling of Haiti’s fight for independence from slavery and French colonialism. Set during the years of the Haitian Revolution (1791-1804), Stella tells the story of two brothers, Romulus and Remus, who help transform their homeland from the French colony of Saint-Domingue to the independent republic of Haiti. Inspired by the sacrifice of their African mother Marie and Stella, the spirit of Liberty, Romulus and Remus must learn to work together to found a new country based on the principles of freedom and equality. This new translation and critical edition of Émeric Bergeaud’s allegorical novel makes Stella available to English-speaking audiences for the first time. Considered the first novel written by a Haitian, Stella tells of the devastation and deprivation that colonialism and slavery wrought upon Bergeaud’s homeland. Unique among nineteenth-century accounts, Stella gives a pro-Haitian version of the Haitian Revolution, a bloody but just struggle that emancipated a people, and it charges future generations with remembering the sacrifices and glory of their victory. Bergeaud's novel demonstrates that the Haitians—not the French—are the true inheritors of the French Revolution, and that Haiti is the realization of its republican ideals. At a time in which Haitian Studies is becoming increasingly important within the English-speaking world, this edition calls attention to the rich though under-examined world of nineteenth-century Haiti.

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Books about Mennonites have centered primarily on the East Coast and the Midwest, where the majority of Mennonite communities in the United States are located. But these narratives neglect the unique history of the multitude of Mennonites living on the West Coast. In California Mennonites, Brian Froese relies on archival church records to examine the Mennonite experience in the Golden State, from the nineteenth-century migrants who came in search of sunshine and fertile soil to the traditionally agrarian community that struggled with issues of urbanization, race, gender, education, and labor in the twentieth century to the evangelically oriented, partially assimilated Mennonites of today. Froese places Mennonite experiences against a backdrop of major historical events, including World War II and Vietnam, and social issues, from labor disputes to the evolution of mental health care. California Mennonites include people who embrace a range of ideologies: many are historically rooted in the sixteenth-century Reformation ideals of the early Anabaptists (pacifism, congregationalism, discipleship); some embrace twentieth-century American evangelicalism (missions, Billy Graham); and others are committed to a type of social justice that involves forging practical ties to secular government programs while maintaining a quiet connection to religion. Through their experiences of religious diversity, changing demographics, and war, California Mennonites have wrestled with complicated questions of what it means to be American, Mennonite, and modern. This book - the first of its kind - will appeal to historians and religious studies scholars alike.

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The Enneagram Collection is for anyone who wants to have a deeper understanding of their Enneagram type. The Enneagram Type 2: The Supportive Advisor is an interactive book that focuses on those who have a core desire to be loved and wanted. The book explores the unique motivations, longings, strengths, and weaknesses of a Type 2. The Enneagram Type 2: The Supportive Advisor is a great self-assessment resource for all spheres of life, including: Personal and professional relationships Faith communities Students and even pop culture Author Beth McCord teaches readers how to transform self-limiting behaviors into life-enhancing personal empowerment. Books from The Enneagram Collection are great for anyone newly interested in the Enneagram or longtime Enneagram enthusiasts. Inside readers will find: Space to journal about their uniqueness, goals for inner stability, and ideals for achieving peace of mind Teachings about the strengths, challenges, and opportunities that a Type 2 needs in order to build a more meaningful life, lasting relationships, and a deeper understanding of God and one's self A beautiful ribbon marker to mark your progress This ancient personality typing system identifies nine types of people and how they relate to one another. The system helps people discover what motivates them, their fears, and how best to interact with others.Not a Type 2 or want to learn about the other Enneagram types? Check out the rest of The Enneagram Collection by Enneagram coach, author, and speaker Beth McCord.

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Unprecedented in scope – like its companion volume on the High Renaissance, Mannerism – this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years’ War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome – Maderno, Cortona, Borromini and Bernini – and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters – above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter’s followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North – the Netherlands, Denmark, Sweden and Britain; the Divided Centre – the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South – the Iberian kingdoms and their dominions in southern Italy and the Americas.

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African American Muslims and South Asian Muslim immigrants are two of the largest ethnic Muslim groups in the U.S. Yet there are few sites in which African Americans and South Asian immigrants come together, and South Asians are often held up as a “model minority” against African Americans. However, the American ummah, or American Muslim community, stands as a unique site for interethnic solidarity in a time of increased tensions between native-born Americans and immigrants. This ethnographic study of African American and South Asian immigrant Muslims in Chicago and Atlanta explores how Islamic ideals of racial harmony and equality create hopeful possibilities in an American society that remains challenged by race and class inequalities. The volume focuses on women who, due to gender inequalities, are sometimes more likely to move outside of their ethnic Muslim spaces and interact with other Muslim ethnic groups in search of gender justice. American Muslim Women explores the relationships and sometimes alliances between African Americans and South Asian immigrants, drawing on interviews with a diverse group of women from these two communities. Karim investigates what it means to negotiate religious sisterhood against America's race and class hierarchies, and how those in the American Muslim community both construct and cross ethnic boundaries. American Muslim Women reveals the ways in which multiple forms of identity frame the American Muslim experience, in some moments reinforcing ethnic boundaries, and at other times, resisting them.

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Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.

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Holy War, Martyrdom, and Terror examines the ways that Christian theology has shaped centuries of conflict from the Jewish-Roman War of late antiquity through the First Crusade, the French Revolution, and up to the Iraq War. By isolating one factor among the many forces that converge in war—the essential tenets of Christian theology—Philippe Buc locates continuities in major episodes of violence perpetrated over the course of two millennia. Even in secularized or explicitly non-Christian societies, such as the Soviet Union of the Stalinist purges, social and political projects are tied to religious violence, and religious conceptual structures have influenced the ways violence is imagined, inhibited, perceived, and perpetrated. The patterns that emerge from this sweeping history upend commonplace assumptions about historical violence, while contextualizing and explaining some of its peculiarities. Buc addresses the culturally sanctioned logic that might lead a sane person to kill or die on principle, traces the circuitous reasoning that permits contradictory political actions, such as coercing freedom or pardoning war atrocities, and locates religious faith at the backbone of nationalist conflict. He reflects on the contemporary American ideology of war—one that wages violence in the name of abstract notions such as liberty and world peace and that he reveals to be deeply rooted in biblical notions. A work of extraordinary breadth, Holy War, Martyrdom, and Terror connects the ancient past to the troubled present, showing how religious ideals of sacrifice and purification made violence meaningful throughout history.

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The idea of finding a 'third way' in politics has become a focus of discussion across the world. Political leaders, in the US, Europe, Asia and Latin America claim to be following its principles. Yet the notion has also attracted much criticism. Some say it is an empty concept without any real content. Critics from the more traditional left argue that it is a betrayal of left-wing ideals. Anthony Giddens's The Third Way (Polity Press, 1998) is regarded by many as the key text of third way politics. Translated into twenty-five languages, it has shaped the development of the third way. In this new book Giddens responds to the critics, and further develops the ideas set out in his earlier volume. Far from being unable to deal with inequalities of wealth and power, he shows, third way politics offers the only feasible approach to these issues. The work is indispensable for anyone who wants to understand the most important political debate going on today. Anthony Giddens is the Director of the London School of Economics and Political Science. He is the author or editor of over thirty books. His previous works, especially Beyond Left and Right (Polity Press, 1994) have influenced debates about the future of social democracy in many countries across the world. Frequently referred to in the UK as Tony Blair's guru, Giddens has made a strong impact on the evolution of New Labour.

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A compelling history of the German ethnologists who were inspired by Prussian polymath and explorer Alexander von HumboldtThe Berlin Ethnological Museum is one of the world's largest and most important anthropological museums, housing more than a half million objects collected from around the globe. In Humboldt's Shadow tells the story of the German scientists and adventurers who, inspired by Alexander von Humboldt's inclusive vision of the world, traveled the earth in pursuit of a total history of humanity. It also details the fate of their museum, which they hoped would be a scientists' workshop, a place where a unitary history of humanity might emerge.H. Glenn Penny shows how these early German ethnologists assembled vast ethnographic collections to facilitate their study of the multiplicity of humanity, not to confirm emerging racist theories of human difference. He traces how Adolf Bastian filled the Berlin museum in an effort to preserve the records of human diversity, yet how he and his supporters were swept up by the imperialist currents of the day and struck a series of Faustian bargains to ensure the growth of their collections. Penny describes how influential administrators such as Wilhelm von Bode demanded that the museum be transformed into a hall for public displays, and how Humboldt's inspiring ideals were ultimately betrayed by politics and personal ambition.In Humboldt's Shadow calls on museums to embrace anew Bastian's vision while deepening their engagement with indigenous peoples concerning the provenance and stewardship of these collections.

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A firsthand look at efforts to improve diversity in software and hackerspace communitiesHacking, as a mode of technical and cultural production, is commonly celebrated for its extraordinary freedoms of creation and circulation. Yet surprisingly few women participate in it: rates of involvement by technologically skilled women are drastically lower in hacking communities than in industry and academia. Hacking Diversity investigates the activists engaged in free and open-source software to understand why, despite their efforts, they fail to achieve the diversity that their ideals support.Christina Dunbar-Hester shows that within this well-meaning volunteer world, beyond the sway of human resource departments and equal opportunity legislation, members of underrepresented groups face unique challenges. She brings together more than five years of firsthand research: attending software conferences and training events, working on message boards and listservs, and frequenting North American hackerspaces. She explores who participates in voluntaristic technology cultures, to what ends, and with what consequences. Digging deep into the fundamental assumptions underpinning STEM-oriented societies, Dunbar-Hester demonstrates that while the preferred solutions of tech enthusiasts—their “hacks” of projects and cultures—can ameliorate some of the “bugs” within their own communities, these methods come up short for issues of unequal social and economic power. Distributing “diversity” in technical production is not equal to generating justice.Hacking Diversity reframes questions of diversity advocacy to consider what interventions might appropriately broaden inclusion and participation in the hacking world and beyond.

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Much of what we know about life in the medieval Islamic Middle East comes from texts written to impart religious ideals or to chronicle the movements of great men. How did women participate in the societies these texts describe? What about non-Muslims, whose own religious traditions descended partly from pre-Islamic late antiquity?Coming of Age in Medieval Egypt approaches these questions through Jewish women’s adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969–1250). Using hundreds of everyday papers preserved in the Cairo Geniza, Eve Krakowski follows the lives of girls from different social classes—rich and poor, secluded and physically mobile—as they prepared to marry and become social adults. She argues that the families on whom these girls depended were more varied, fragmented, and fluid than has been thought. Krakowski also suggests a new approach to religious identity in premodern Islamic societies—and to the history of rabbinic Judaism. Through the lens of women’s coming-of-age, she demonstrates that even Jews who faithfully observed rabbinic law did not always understand the world in rabbinic terms. By tracing the fault lines between rabbinic legal practice and its practitioners’ lives, Krakowski explains how rabbinic Judaism adapted to the Islamic Middle Ages.Coming of Age in Medieval Egypt offers a new way to understand how women took part in premodern Middle Eastern societies, and how families and religious law worked in the medieval Islamic world.

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A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde cultureWomen Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century.Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used printmaking as a vehicle for technical innovation and sociopolitical commentary. She looks at the dynamic relationship between Marianne Werefkin and Gabriele Münter, whose different paths in life led them to the Blaue Reiter, a group of Expressionist artists that included Wassily Kandinsky and Paul Klee. Behr examines Nell Walden’s role as an influential art dealer, collector, and artist, who promoted women Expressionists during the First World War, and discusses how Dutch artist Jacoba van Heemskerck’s spiritual abstraction earned her the status of an honorary German Expressionist. She demonstrates how figures such as Rosa Schapire and Johanna Ey contributed to the development of the movement as spectators, critics, and collectors of male avant-gardism.Richly illustrated, Women Artists in Expressionism is a women-centered history that reveals the importance of emancipative ideals to the shaping of modernity and the avant-garde.

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Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film critics have paid little attention to the impact of performance styles on American romance, and have often treated "patriarchy," "sexuality," and the "couple" as monolithic and unproblematic concepts. Wexman, however, shows how these notions have been periodically transformed in close association with the appearance, behavior, and persona of the stars of films such as The Maltese Falcon, The Big Sleep, Way Down East, The Man Who Shot Liberty Valance, Sunset Boulevard, On the Waterfront, Nashville, House of Games, and Do the Right Thing. The author focuses first on the way in which traditional marriage norms relate to authorship (the Griffith-Gish collaboration) and genre (John Wayne and the Western). Looking at male and female stardom in terms of the development of "companionate marriage," she discusses the love goddess and the impact of method acting on Hollywood's ideals of maleness. Finally she considers the recent breakdown of the ideal of monogamous marriage in relation to Hollywood's experimentation with self-reflexive acting styles. Creating the Couple is must reading for film scholars and enthusiasts, and it will fascinate everyone interested in the changing relationships of men and women in modern culture.

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American evangelicalism often appears as a politically monolithic, textbook red-state fundamentalism that elected George W. Bush, opposes gay marriage, abortion, and evolution, and promotes apathy about global warming. Prominent public figures hold forth on these topics, speaking with great authority for millions of followers. Authors Stephens and Giberson, with roots in the evangelical tradition, argue that this popular impression understates the diversity within evangelicalism—an often insular world where serious disagreements are invisible to secular and religiously liberal media consumers. Yet, in the face of this diversity, why do so many people follow leaders with dubious credentials when they have other options? Why do tens of millions of Americans prefer to get their science from Ken Ham, founder of the creationist Answers in Genesis, who has no scientific expertise, rather than from his fellow evangelical Francis Collins, current Director of the National Institutes of Health?Exploring intellectual authority within evangelicalism, the authors reveal how America’s populist ideals, anti-intellectualism, and religious free market, along with the concept of anointing—being chosen by God to speak for him like the biblical prophets—established a conservative evangelical leadership isolated from the world of secular arts and sciences.Today, charismatic and media-savvy creationists, historians, psychologists, and biblical exegetes continue to receive more funding and airtime than their more qualified counterparts. Though a growing minority of evangelicals engage with contemporary scholarship, the community’s authority structure still encourages the “anointed” to assume positions of leadership.

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An impassioned call to restore the conditions of freedom and human dignity, ideals our civilization seems to have lost In the pages of this slim, powerful book Rob Riemen argues with passion that “nobility of spirit” is the quintessence of a civilized world. It is, as Thomas Mann believed, the sole corrective for human history. Without nobility of spirit, culture vanishes. Yet in the early twenty-first century, a time when human dignity and freedom are imperiled, the concept of nobility of spirit is scarcely considered.Riemen insists that if we hope to move beyond the war on terror and create a life-affirming culture, we must address timeless but neglected questions: What is a good society? Why art? Why culture? What is the responsibility of intellectuals? Why anti-Americanism? Why nihilism? Why the cult of death of fundamentalists? In a series of three essays, the author identifies nobility of spirit in the life and work of Baruch Spinoza and of Thomas Mann; explores the quest for the good society in our own time; and addresses the pursuit of truth and freedom that engaged figures as disparate as Socrates and Leone Ginzburg, a Jewish Italian intellectual murdered by Nazis.“The forces now aligned against humanistic values are manifold,” observes George Steiner in the foreword to the book. In this imaginative and compelling volume, Riemen addresses these forces and speaks to every reader who believes in the power of classical ideas to restore Western civilization’s highest values.

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In Picturing Space, Displacing Bodies, Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these “failures” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, Picturing Space, Displacing Bodies asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.

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In Picturing Space, Displacing Bodies, Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these “failures” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, Picturing Space, Displacing Bodies asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.

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The forms of liberal government that emerged after World War II are in the midst of a profound crisis. In I Am the People, Partha Chatterjee reconsiders the concept of popular sovereignty in order to explain today’s dramatic outburst of movements claiming to speak for “the people.”To uncover the roots of populism, Chatterjee traces the twentieth-century trajectory of the welfare state and neoliberal reforms. Mobilizing ideals of popular sovereignty and the emotional appeal of nationalism, anticolonial movements ushered in a world of nation-states while liberal democracies in Europe guaranteed social rights to their citizens. But as neoliberal techniques shrank the scope of government, politics gave way to technical administration by experts. Once the state could no longer claim an emotional bond with the people, the ruling bloc lost the consent of the governed. To fill the void, a proliferation of populist leaders have mobilized disaffected groups into a battle that they define as the authentic people against entrenched oligarchy.Once politics enters a spiral of competitive populism, Chatterjee cautions, there is no easy return to pristine liberalism. Only a counter-hegemonic social force that challenges global capital and facilitates the equal participation of all peoples in democratic governance can achieve significant transformation. Drawing on thinkers such as Antonio Gramsci, Michel Foucault, and Ernesto Laclau and with a particular focus on the history of populism in India, I Am the People is a sweeping, theoretically rich account of the origins of today’s tempests.

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This beautifully written memoir is composed of linked stories about growing up on a kibbutz in Israel in the 1950s and 60s, when children spent most of their time, from birth on, in a Children’s House. This memoir starts with a Prologue drawn from the diaries of Rachel Biale’s mother and the letters her parents exchanged while her father served in the British army. With excerpts from these documents, she describes how the long trials and tribulations that encompassed her parents dangerous escape from Eastern Europe to Israel – fleeing from the Nazis from Prague in 1939, five years of dangerous sea voyages, and long internments in British refugee camps. Throughout these ordeals, her parents socialist and Zionist values sustained them and eventually brought them to their kibbutz. The middle and main section of the memoir is devoted to Rachel's growing up as a kibbutz child. While Rachel's parents soon realized that no community can live up to its utopian ideals, Rachel's youth on kibbutz was a robust and buoyant one. Rachel pens 24 beautifully written and engaging stories about her kibbutz childhood -- from earliest memories at age three as part of a children's society, to her army service at age twenty. The stories focus on the world of children, but also offer a window into the lives of the adult kibbutz members, including Holocaust survivors. The book ends with a Postscript—as Rachel revisits her kibbutz and updates the stories of her childhood companions.

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Is there someone in your life who always seems to know the right thing to say, do and feel? Do you wish you could be more like that too? The truth is that you can, and this motivating and inspiring guide will show you how. Courage, compassion and wisdom are three companions that accompany us through our entire lives. Learning to unlock and harness their power, uniting them to act together in synergy, is the key to a happier life â not just for you, but for those around you too. Combining illuminating real-life stories from real-world people with expert, practical guidance consultant and executive coach, Dr Joan van den Brink takes you on a fascinating journey of reflection and realisation. Discover how courage, compassion and wisdom has a profound impact on everyday situations and recognise how your own three companions can help you: Behave in line with your ideals as you increase your self-insight Feel resilient and robust in difficult and challenging times Be more tolerant, patient and understanding of others' needs and behaviours Build your self-esteem, confidence and feelings of positivity Grow in humility and generosity towards others Develop stronger, more rewarding relationships at home and at work. As you learn to define, develop and display the virtues of the three companions, you'll feel empowered to live your whole life, and enable others to live theirs, with courage, compassion and wisdom.

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American Millennials-the generation born in the 1980s and 1990s-have been leaving organized religion in unprecedented numbers. For a long time, the Church of Jesus Christ of Latter-day Saints was an exception: nearly three-quarters of people who grew up Mormon stayed that way into adulthood. In The Next Mormons, Jana Riess demonstrates that things are starting to change. Drawing on a large-scale national study of four generations of current and former Mormons as well as dozens of in-depth personal interviews, Riess explores the religious beliefs and behaviors of young adult Mormons, finding that while their levels of belief remain strong, their institutional loyalties are less certain than their parents' and grandparents'. For a growing number of Millennials, the tensions between the Church's conservative ideals and their generation's commitment to individualism and pluralism prove too high, causing them to leave the faith-often experiencing deep personal anguish in the process. Those who remain within the fold are attempting to carefully balance the Church's strong emphasis on the traditional family with their generation's more inclusive definition that celebrates same-sex couples and women's equality. Mormon families are changing too. More Mormons are remaining single, parents are having fewer children, and more women are working outside the home than a generation ago. The Next Mormons offers a portrait of a generation navigating between traditional religion and a rapidly changing culture.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ART. One of the most iconic artists of the 20th century, Frida Kahlo’s bold, carefully crafted visual identity is in many respects an extension of her art, celebrating her Mexican heritage and countercultural ideals while defying traditional notions of female beauty. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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The Enneagram Collection is for anyone who wants to have a deeper understanding of their Enneagram type. The Enneagram Type 4: The Romantic Individualist is an interactive book that focuses on those who have a core desire to be unique, special, and their authentic self. The book explores the unique motivations, longings, strengths, and weaknesses of a Type 4. Type 4: The Romantic Individualist is a great self-assessment resource for all spheres of life, including: Personal and professional relationships Faith communities Students and even pop culture Author Beth McCord teaches readers how to transform self-limiting behaviors into life-enhancing personal empowerment. Books from The Enneagram Collection are great for anyone newly interested in the Enneagram or longtime Enneagram enthusiasts. Inside readers will find: Space to journal about their uniqueness, goals for inner stability, and ideals for achieving peace of mind Teachings about the strengths, challenges, and opportunities that a Type 4 needs in order to build a more meaningful life, lasting relationships, and a deeper understanding of God and one's self A beautiful ribbon marker to mark your progress This ancient personality typing system identifies nine types of people and how they relate to one another. The system helps people discover what motivates them, their fears, and how best to interact with others.Not a Type 4 or want to learn about the other Enneagram types? Check out the rest of The Enneagram Collection by Enneagram coach, author, and speaker Beth McCord.

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Paradise Undone, A Novel of Jonestown is a part real, part imagined retelling of the tragic events that led to the USA's biggest single loss of civilian life in the twentieth century. On November 18th 1978, nine hundred and nine people died in the Guyanese jungle. Published on the 45th anniversary, Annie Dawid’s compelling story of Jonestown explores the tragedy through the voices of four protagonists - Marceline Baldwin Jones and three other members of Peoples Temple. Drawing on extensive research and interviews, Annie Dawid blends fact and fiction, using real and composite characters to tell a story about the horrific mass murder/suicide that took place in the Guyanese jungle, all because of one man with a God complex. In the hostile racial environment of 1950s segregated America, Marceline Baldwin and Jim Jones promise to build a new Eden, based on ideals of fraternity and equality. But every Eden has its serpent. Having already made headlines as the first white couple in Indiana to adopt a black child, Marceline and Jim adopt five other non-white children and call themselves ‘the rainbow family’. Jones’ following grows: Peoples Temple gives hope to the poor, the miserable, alienated and disenfranchised. It soon outgrows Indiana and is uprooted to the jungle of Guyana. But when things start to fall apart, rampant egotist Jim Jones plans a mass-murder suicide mission. Where he goes, everyone must follow, even to the grave...

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To mark the 40th anniversary of John Paul II's encyclical on human work, published in 1981, a group of globally-recognized scholars presents the critical aspects of this document and its purpose. These original essays revisit John Paul II's approach to work in post-modern society and reconnect the dignity of the working person to a pursuit of holiness. These authors convey that only when it is truly Christian can humanism accomplish the lofty ideals it indicates. This book is a timely contribution to the field of scholarship that focuses on Catholic Social Thought and is ideally suited for graduate studies and the reader interested in more serious questions in Christian theology. Giulio Maspero, "The Bible and the Fathers of the Church on Work" Patricia Ranft, "Work Theology in the High Middle Ages" Angela Franks, "John Paul II's Metaphysics of Labor" Deborah Savage, "Confronting a Technocratic Future: Women's Work and the Church's Social Vision" Martin Schlag, "Contemplation at Work: A Theological Conversation Between John Paul II and Josemaría Escrivá" Richard Turnbull, "Laborem Exercens: A Protestant Appreciation" Michael Naughton, "Good Work: Insights from the Subjective Dimension of Work" Christopher Michaelson, "Subjects and Objects in Meaningful Work" Javier Ignacio Pinto Garay and Alvaro Pezoa Bissieres, "The Worker and the Transistor: The Dignity of Work and Business Ethics in Global Corporate Practices" Gonzalo Flores-Castro Lingán, "The Real Work: Making the Encyclical Laborem Exercens Operational" Geoffrey C. Friesen, "Laborem Exercens and the Subjective Dimension of Work in Economics and Finance"

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Marsilio Ficino (1433-99) directed the Platonic Academy in Florence, and it was the work of this Academy that gave the Renaissance in the 15th century its impulse and direction. During his childhood Ficino was selected by Cosimo de' Medici for an education in the humanities. Later Cosimo directed him to learn Greek and then to translate all the works of Plato into Latin. This enormous task he completed in about five years. He then wrote two important books, "The Platonic Theology" and "The Christian Religion", showing how the Christian religion and Platonic philosophy were proclaiming the same message. The extraordinary influence the Platonic Academy came to exercise over the age arose from the fact that its leading spirits were already seeking fresh inspiration from the ideals of the civilizations of Greece and Rome and especially from the literary and philosophical sources of those ideals. Florence was the cultural and artistic centre of Europe at the time and leading men in so many fields were drawn to the Academy: Lorenzo de'Medici (Florence's ruler), Alberti (the architect) and Poliziano (the poet). Moreover Ficino bound together an enormous circle of correspondents throughout Europe, from the Pope in Rome to John Colet in London, from Reuchlin in Germany to de Ganay in France. Published during his lifetime, "The Letters" have not previously been translated into English. Following the Pazzi Conspiracy of 1478, Florence was at war with both the Pope (Sixtus IV) and King Ferdinand of Naples. Prompted by the appalling conditions under which Florence suffered as a result of the war, Ficino wrote eloquent letters to the three main protagonists. In his three letters to Sixtus, who was the main architect of the war, Ficino states in magnificent terms the true work of the Pope - to fish in the "deep sea of humanity", as did the Apostles. King Ferdinand of Naples spent most of his life in intrigue, not only against other states, but also against his own barons. Yet, Ficino addresses him in the words of his father, the admirable King Alfonso. This extraordinary letter, written in the form of a prophesy, speaks of his son's destiny on Earth. "In peace alone a splendid victory awaits you..., in victory, tranquility; in tranquility, a reverence and worship of Minerva" (wisdom). Negotiations for peace were in fact begun about five months later. In his letter to Lorenzo de 'Medici, Ficino presented, with dramatic clarity, the two sides of Lorenzo's nature. The letter may have prompted Lorenzo's bold visit to King Ferdinand's court and the ensuing negotiations for peace. In insisting on the reality of unity and peace in the face of war and division, Ficino uses a number of analogies. He speaks in at least two letters of all the colours emerging from simple white light, just as all the variety of the universe issues from one consciousness. "For the Sun, to be is to shine, to shine is to see, and to illuminate is to create all that is its own and to sustain what it has created."

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American military bases encircle the globe. More than two decades after the end of the Cold War, the United States still stations its troops at nearly a thousand locations in foreign lands. These bases are usually taken for granted or overlooked entirely, a little-noticed part of the Pentagon’s vast operations. But in an eye-opening account, Base Nation shows that the worldwide network of bases brings with it a panoply of ills and actually makes the nation less safe in the long run. As David Vine demonstrates, the overseas bases raise geopolitical tensions and provoke widespread antipathy towards the United States. They also undermine American democratic ideals, pushing the United States into partnerships with dictators and perpetuating a system of second-class citizenship in territories such as Guam. They breed sexual violence, destroy the environment, and damage local economies. And their financial cost is staggering: though the Pentagon underplays the numbers, Vine’s accounting proves that the bill approaches $100 billion per year. For many decades, the need for overseas bases has been a quasi-religious dictum of U.S. foreign policy. But in recent years, a bipartisan coalition has finally started to question this conventional wisdom. With the United States withdrawing from Afghanistan and ending thirteen years of war, there is no better time to re-examine the tenets of our military strategy. Base Nation is an essential contribution to that debate.

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