Search results for ""author gold"

A WATERSTONES BEST BOOK OF THE YEAR 2023 - SPORT 'A mesmerising, unforgettable journey around world rugby. ' Donald McRae – Twice Winner of the William Hill Sports Book of the Year ‘Magnificent… hugely intelligent and entertaining.’ Stuart Barnes, Sunday Times ‘Really enjoyed it.’ Will Carling ‘An absolutely marvellous book… Recommended heartily.’ Jonathan Drennan, Sydney Morning Herald CONTRASTING CHARACTERS, COLLIDING CULTURES, THE SAME OVAL-SHAPED BALL. A JOURNEY TO FIND THE RUGBY’S MOST REMARKABLE PEOPLE, TEAMS AND PLACES. What makes rugby special? Which individuals and teams have defined the modern game? Around the World in 80 Minutes charts the ‘golden era’ of global rugby union between 1973 and 2023 and goes in search of the sport’s most influential trailblazers. Robert Kitson, the Guardian’s long-time rugby union correspondent, assesses the game’s current health, tracks down the battered gladiators of yesteryear and asks some pertinent questions. Does rugby retain its old rugged charm? What does its future look like? And what, ultimately, constitutes rugby ‘greatness’? Observant, amusing and thought-provoking, the journey takes in some of the game's more prominent names – including David Campese, Brian O’Driscoll, Maggie Alphonsi, Sean Fitzpatrick, Eddie Jones and Sir Clive Woodward – to reflect on rugby’s intangible shared joy. Millions of fans continue to find rugby maddeningly irresistible and endlessly compelling. This book is for them, and for anyone else wondering where the appeal lies.

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Photographs Not Taken is a collection of photographers’ essays about failed attempts to make a picture. Editor Will Steacy asked each photographer to abandon the conventional tools needed to make a photograph—camera, lens, film—and instead make a photograph using words, to capture the image (and its attendant memories) that never made it through the lens. In each essay, the photograph has been stripped down to its barest and most primitive form: the idea behind it. This collection provides a unique and original interpretation of the experience of photographing, and allows the reader into a world rarely seen: the image making process itself. Photographs Not Taken features contributions by: Peter Van Agtmael, Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D’Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, and others.

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This book deals with traditional food and cooking in 25 authentic dishes. It is a glorious collection of enticing, healthy and delicious recipes to delight and inspire every cook. It features dishes from around the Greek Isles including skewered meats and shellfish grilled over a barbecue, refreshing salads dressed with luxurious amounts of olive oil and lemon juice, plus warming soups, baked fish with fragrant herbs and slow-roasted meat with golden potatoes. The introduction offers a concise overview of Greek cooking and eating traditions plus a guide to the classic ingredients of the country. Chapters include Soups and Appetizers; Main Meals; Vegetables and Side Dishes; and Desserts, Cakes and Bakes. It includes over 85 stunning photographs, showing key techniques and a perfect image of each finished dish. Complete nutritional information for every recipe is given to help with dietary planning. Greek cooks make clever use the abundance of local ingredients, cooking only the freshest available, creating genuine, uncomplicated dishes that show Greek cuisine at its best. From the season's new lamb, slow-cooked with vegetables and sun-drenched salads with herby marinades to hearty meat casseroles and sweet desserts oozing with honey, the recipes in this wonderful little book are sure to delight. It is the perfect introduction to this rich and ancient cuisine, and will enable you to create authentic regional dishes that capture the true essence of Greece.

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The Damned are forever in the history books as the first UK punk band to get an album out. Damned Damned Damned was a flamethrower of a record, led by the incendiary violence of “New Rose” (first UK punk single as well) and “Neat Neat Neat,” two shocking punk anthems that defined the golden era of the new wave more purely pogo-mad than anything outta The Clash or the Sex Pistols. And the mayhem never let up, with the band already breaking up and reforming (another first!) by 1979 for one of the greatest punk albums of all time, Machine Gun Etiquette (by the way, The Damned were also the first UK punk band to tour America). More punch-ups and gratuitous vandalism ensued as the band expanded its palette through the years. Popoff has wanted to write Lively Arts: The Damned Deconstructed for decades, and now that it’s finished, he’s been all over video and radio calling it his favourite and best book he’s ever done. For in it, Popoff got to analyse monastically — headphones and repeat button at the ready — every damned Damned song across all the albums and every EP and single. This herculean task represented a joy of an exercise from a penmanship point of view, but it was most satisfying in a proselytizing sense — Martin wants everybody joining him in poring over The Damned catalogue in minute detail. Let this long-suffering band of scrapping, scratching cats in a sack know how important and beloved they are before they’re all dead!

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Edited with an introduction by Daniel Hughes 'A restless shape-shifter from the mysterious Welsh Marches, Heseltine was as elusive in his idiosyncratic writing as in his extraordinary globetrotting life. It is good to have his work briefly pinned down in this groundbreaking collection for closer inspection.' - Professor M.Wynn Thomas Cariad County: a place of anarchy and farce, of the grotesque and the slapstick, of tragedy and violent comedy, where the local hunt is disrupted by a camel-riding hero, where the town hall burns down as the town cheers, a place haunted by grotesque revenants from the First World War. This is the world of Nigel Heseltine's short stories, fantastic fictions which lampoon and lament the slow decline of the once-powerful squires and landowners of mid-Wales, the very Montgomeryshire of which Heseltine (1916-1995) formed a part. Nigel Heseltine is a long-neglected member of Wales's 'Golden Generation' of English-language short story writers which included Dylan Thomas, Rhys Davies and Glyn Jones. His stories appeared alongside theirs in major magazines such as English Story and Penguin New Writing in the 1930s and 1940s. This volume re-prints for the first time since their initial publication the stories published in Heseltine's Tales of the Squirearchy (1946), alongside a substantial number of stories never previously collected. Ranging from the starkly surreal to the subtly moving, these tales reveal Nigel Heseltine as a singularly talented writer, the equal of his better-known contemporaries.

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T. E. Lawrence was one of the most charismatic characters of the First World War; a young archaeologist who fought with the Arabs and wrote an epic and very personal account of their revolt against the Turks in Seven Pillars of Wisdom. Yet this was not the first book to carry that iconic title. In 1914 the man who would become Lawrence of Arabia burnt the first Seven Pillars of Wisdom, a manuscript in which he described his adventures in the Middle East during the five years before the war. Anthony Sattin uncovers the story Lawrence wanted to conceal: the truth of his birth, his tortuous relationship with a dominant mother, his deep affection for an Arab boy, the intimate details of the extraordinary journeys he took through the region with which his name is forever connected and the personal reasons that drove him from being a student to becoming an archaeologist and a spy.Young Lawrence is the first book to focus on the story of T. E. Lawrence in his twenties, before the war, during the period he looked back on as his golden years. Using first-hand sources, museum records and Foreign Office documents, Sattin sets these adventures against the background of corrosive conflicts in Libya and the Balkans. He shows the simmering defiance of Arabs, Armenians and Kurds under Turkish domination, while uncovering the story of an exceptional young man searching for happiness, love and his place in the world until war changed his life forever.

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'Perfect for the purse, the planet and simple to follow' - Evening StandardMake vegan eating easy with simple plant-based meals ready in 30 minutes or less.With over 100 quick & easy plant-based recipes using supermarket staples, along with hints and tips for making vegan meals in no time at all, Broke Vegan: Speedy will have you cooking delicious dishes time after time that save money and help the planet. With easy weekday lifesavers, dishes you can rustle up in 15 minutes and even more special dishes for when you want to impress, Broke Vegan: Speedy is the essential guide to serving plant-based meals on a budget - fast.Whether you're taking part in Veganuary for the first time, making the move from veggie to vegan or just trying to make your money go further, Broke Vegan: Speedy will bring variety and flavour to your meals in no time, without having to spend a fortune.CONTENTSChapter one: Weekday LifesaversIncluding Huev-no rancheros, Teriyako courgettes and Freezer-friendly burritosChapter two: Ready in FifteenIncluding Savoury French toast, Shredded rice noodle salad and Beetroot hummus rainbow wrapsChapter three: Hands-offIncluding Katsu curry soup, Aubergine & potato curry and Arrabbiata gnocchi bake Chapter four: A Little Bit Special Including BBQ corn ribs, Sloppy sweet potato chilli and Butternut squash carbonaraChapter five: Speedy SweetsIncluding Baked tahini bananas, Broke churros and Golden syrup steamed pudding

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Discover the secret method used to build the world...For millennia, humans have used one simple method to solve problems. Whether it's planting crops, building skyscrapers, developing photographs, or designing the first microchip, all creators follow the same steps to engineer progress. But this powerful method, the "engineering method", is an all but hidden process that few of us have heard of-let alone understand-but that influences every aspect of our lives.Bill Hammack, a Carl Sagan award-winning professor of engineering and viral "The Engineer Guy" on Youtube, has a lifelong passion for the things we make, and how we make them. Now, for the first time, he reveals the invisible method behind every invention and takes us on a whirlwind tour of how humans built the world we know today. From the grand stone arches of medieval cathedrals to the mundane modern soda can, Hammack explains the golden rule of thumb that underlies every new building technique, every technological advancement, and every creative solution that leads us one step closer to a better, more functional world. Spanning centuries and cultures, Hammack offers a fascinating perspective on how humans engineer solutions in a world full of problems.A book unlike any other, The Things We Make is a captivating examination of the method that keeps pushing humanity forward, a spotlight on the achievements of the past, and a celebration of the potential of our future that will change the way we see the world around us.

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The Great Railway Bazaar is Paul Theroux's classic and much-loved homage to train travel.The Orient Express; The Khyber Pass Local; the Delhi Mail from Jaipur; the Golden Arrow of Kuala; the Trans-Siberian Express; these are just some of the trains steaming through Paul Theroux's epic rail journey from London across Europe through India and Asia. This was a trip of discovery made in the mid-seventies, a time before the West had embraced the places, peoples, food, faiths and cultures of the East. For us now, as much as for Theroux then, to visit the lands of The Great Railway Bazaar is an encounter with all that is truly foreign and exotic - and with what we have since lost.Praise for Paul Theroux:'Theroux's work remains the standard by which other travel writing must be judged' Observer'One needs energy to keep up with the extraordinary, productive restlessness of Paul Theroux ... [He is] the most gifted, most prodigal writer of his generation' Jonathan Raban'Always a terrific teller of tales and conjurer of exotic locales, he writes lean prose that lopes along at a compelling pace' Sunday TimesPaul Theroux's books include Dark Star Safari, Ghost Train to the Eastern Star, Riding the Iron Rooster, The Great Railway Bazaar, The Elephanta Suite, A Dead Hand, The Tao of Travel and The Lower River. The Mosquito Coast and Dr Slaughter have both been made into successful films. Paul Theroux divides his time between Cape Cod and the Hawaiian islands.

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On the campus of Yale University, in 1970, an "odd couple," Hillary Rodham and Bill ("Bubba") Clinton, came together at a Mark Rothko exhibit at the Yale Art Museum. Before the end of that rainy afternoon, they had formed an unbreakable bond forged while they rested on the seat of a Henry Moore sculpture. They were from completely different worlds-he, a populist from a poverty-stricken background in Arkansas; she, a former "Goldwater Girl" and conservative Republican gradually moving into the liberal camp. As he sat beside her, holding her hand, she gazed into the eyes of this 210-pound, orange-bearded "Viking," tall and scruffy looking, with an Elvis drawl. He'd later jokingly claim, "I identified with Elvis since both of us had hillbilly peckers." Freshly emerged from Wellesley College, with its "coven of lesbians," she was a budding feminist-pimply faced, wearing no makeup but with Mr. Magoo eyeglasses, and walking around on chubby legs. He had all the pretty women he wanted. What he was looking for was a woman with a "sense of strength and self-possession-all in all, that afternoon, I knew I'd found my Evita." He confided to her that since the age of seven, he had only one abiding ambition-and that was to be the President of the United States. He promised her, "If elected, I will pave the way for you to become the first woman president. You can follow after my administration." He held out the prospect of making her the most powerful woman on the planet. As she recalled, "I was giddy with emotion." It took a while, but he finally lured her to Arkansas, which she interpreted as "on the other side of the moon." Crossing the welcome mat at his Scully Street house, she came face to face with her future mother-in-law, Virginia Cassidy Blyth, Clinton, Dwire, Kelley. She stood in the kitchen in her stiletto heels evocative of a drag revue, wearing garish lipstick-"the brighter the better"-and a tight "Dinah Dors" sweater. As Virginia recalled, "It was an immovable object colliding with an irresistible force. I extended my hand to this Chicago carpetbagger with coke bottle glasses." "I'm going to marry this gal," Bubba announced. "She's going to become the First Lady of Arkansas." In the days ahead, Hillary was introduced to other members of this "white trash family" known for its divorces, violence, alcoholism, drug addiction, adultery, and promiscuity. He told her, "I'm a bastard. My father, William Jefferson Blythe, III, had not divorced his wife when he married mama. I took the last name of another husband, Roger Clinton." Before the end of the first day of her inaugural meeting with Hillary, Virginia warned her, "Put a lock on your lingerie. Otherwise, you'll find Bill dressing up in your finery after midnight." Their trail to the White House began in Arkansas, with Hillary helping direct her sex-crazed Bubba into the governor's seat. "With my back-up, he pursued his dream while I was also chasing a dream of my own. Women can dream harder than any man-in fact, being what they are, I don't understand why women don't turn lesbian." Through the tides of the wars to come, both Hillary and Bill learned that love was a creature of many faces, with ever-changing rules and compromises on the road to their horizon. Often threatening divorce, she remained at his side, interpreting his affairs as minor annoyances. On their stormy seas, they sailed through triumph and tragedy, setbacks and comebacks, the good years and the bad ones, bimbo eruptions, serial infidelities, near bankruptcy with crippling legal bills, impeachment, the stockpiling of post-Presidential millions, and surviving vitriolic scorn that rivaled that of Dr. Goebbels against the Jews. They faced maddening failures and stunning achievements, their love and loyalty enduring through hurricane winds. She was at his side as the sex-crazed Arkansas Bubba became the notorious "Slick Willie," eventually morphing into "The 21st Century's Greatest Living Elder Statesman." Hillary herself began her own road to the White House (actually, she had already been there for eight years as First Lady), with stints as a Senator from New York, a failed presidential candidate, and a globe-trotting Secretary of State. She also became one of the country's leading Democratic visionaries, admired by millions. Of course, that provoked Apocalyptic attacks from her enemies, Senator Mitch McConnell, Senior Republican Senator from Kentucky, trumpeting, "If given power in 2016, she'll lead us to the Gates of Hell." One night on Martha's Vineyard, Hillary had a candid talk with a former First Lady, Jackie Kennedy Onassis. "Bill is a charismatic politician, but also deeply flawed. He has such charm you can always forgive him." "I know of such men," Jackie said, no doubt recalling her own years with another charismatic president. "You had Marilyn Monroe to compete with. I have a lesser light-Sharon Stone. Bill was hopelessly gone when she crossed her legs in Basic Instinct." ***Hundreds of tantalizing anecdotes fill this book from a writing team already famous for its exposes of both the Kennedys and the Reagans. As Hillary stares into her uncertain future, she claims, "Before the arrival of the Grim Reaper, Bill and I will change history...for the better, of course." So This Is That Thing Called Love is not a treatise about politics. It's a love story probing the boundaries of a relationship between two people who are committed to each other despite the vagaries of life, come what may. What a ride it's already been, with more "Second Coming Headlines" looming in the years ahead. There will definitely be a second act for this pair. As a critic who despises Hillary, but only in private, First Lady Michelle Obama said, "Hillary's story won't be over until the Fat Lady sings."

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Academy Award-winning director Michael Curtiz (1886-1962) - whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) - was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks.In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for his explosive tantrums, his difficulty communicating in English, and his disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction.In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age.

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Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés. Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.

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Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés. Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.

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Exploring the profound differences between what the military services believe—and how they uniquely serve the nation.When the US military confronts pressing security challenges, the Army, Navy, Air Force, and Marine Corps often react differently as they advise and execute civilian defense policies. Conventional wisdom holds that these dynamics tend to reflect a competition for prestige, influence, and dollars. Such interservice rivalries, however, are only a fraction of the real story. In Four Guardians, Jeffrey W. Donnithorne argues that the services act instead as principled agents, interpreting policies in ways that reflect their unique cultures and patterns of belief. Chapter-length portraits of each service highlight the influence of operational environment ("nature") and political history ("nurture") in shaping each service's cultural worldview. The book also offers two important case studies of civil-military policymaking: one, the little-known story of the creation of the Rapid Deployment Joint Task Force in the early 1980s; the other, the four-year political battle that led to the passage of the Goldwater-Nichols Act in 1986. Donnithorne uses these cases to demonstrate the principled agent framework in action while amply revealing the four services as distinctly different political actors. Combining crisp insight and empirical depth with engaging military history, Four Guardians provides practical utility for civil-military scholars, national security practitioners, and interested citizens alike. This timely work brings a new appreciation for the American military, the complex dynamics of civilian control, and the principled ways in which the four guardian services defend their nation.

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'During downtime on the pottery throwdown Keith made my hair curl with some of his tales - he's a great raconteur and recounts his story in this book as he does in real life - with joy, charm & mischief.' - Sara Cox'Fans of Throw Down will enjoy this warm autobiography.' - Daily Mail'An engaging read by an endearing, unassuming man who has always stayed true to his passions.' - Daily MirrorBallet dancer. Front man in an almost famous band. Judge on The Great Pottery Throwdown. How did all that happen?By accident mostly. But I always say we make our own luck. What if an art teacher hadn't given me a lump of clay? What if the band had been really successful? What if I hadn't taken a photograph of a bowl to the buyer at Heals in London? What if she'd hated it? Or hadn't seen it... What if I hadn't agreed to dress up as Adele to make a crazy YouTube video? Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just a trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video.Sifting through half-forgotten memories, trying to pick out the golden nuggets from the stuff that is definitely dross has been a curious, and at times hilarious, sometimes sad, but definitely enlightening process. So here it is - my pottery life with some very loud music and some pretty good dancing. And a lot of throwing, fettling and firing. Oh ...and a good dose of anxiety.

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An elegant introduction to one of America's most complex and influential writers. From his childhood in a family of leading American intellectuals through his mature life as a major American man of letters, Henry James (1843-1916) created a unique body of fiction that represents one of the greatest achievements in the nation's literary history. James's transnational life in the US and England and his extraordinary siblings (the philosopher William James and diarist Alice James) made his life as complicated as the fictions he produced. In this elegant introduction to the work of Henry James, Susan L. Mizruchi places the notoriously difficult and obscure writings in their historical and biographical context. As James grew in confidence as a writer, his fictions evolved accordingly. These complex accounts of human experience engage with the vital issues of both James's era and our own. Among the works treated in this introduction are Washington Square, The Europeans, Daisy Miller, The Portrait of a Lady, The Golden Bowl, and The Turn of the Screw. Through his novels, as well as his journalistic and critical endeavors, James explores themes related to gender relations, human sexuality, the nature of modernity, the threat of relativism, the rise of mass culture, and the role of art. Since their creation, James's writings have been a consistent subject of both literary theory and popular culture, receiving a diverse array of theoretical treatments, from formalism, deconstruction, phenomenology, and pragmatism to Marxism, new historicism, and gender and queer theory. James's novels have been adapted into numerous films by directors including William Wyler, Peter Bogdanovich, Michael Winner, Merchant/Ivory, and Jane Campion. The impact of Henry James cannot be overstated.

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You’ve heard of farm to table; now learn how to grow your drinking game from the ground up in Garden to Glass! Garden to Glass: Grow Your Drinks From the Ground Up, written by expert mixologist, Mike Wolf focuses on the movement and philosophy illustrating how to incorporate the natural world into the drinks we love to make, drink, and share with friends. This book offers readers simple gardening tips and instructions on how to use those plants to make dynamic cocktails and delicious cordials and elixirs. Complete with recipes, striking photography, and detailed illustrations, Garden to Glass is as valuable a resource to bartenders and bar owners as it is to home bar enthusiasts. In Garden to Glass you will find tips and insights on: Preserving ingredients for winter Cocktail presentation Methods for making syrups, cordials, bitters, and more Foraging for ingredients Utilizing vegetables to make exciting cocktails Resourcing ingredients locally How to use smoke and flame to create flavors How to make the most of your terroir Drink styles from around the world And much more! We are in the heart of the second golden age of the cocktail in America. Now imbibers of all stripes can take the reins themselves and learn how to grow their own herbs and vegetables, harvest herbs to make their own teas and tinctures, and make cordials, bitters, and elixirs of all kinds, all while learning the basics of making drinks at home. There are cocktail programs in restaurants and bars all over the world that are adapting this local yet worldly approach to cocktails simply by paying more attention to the world around them. Bartenders can now study the micro-climates where their favorite spirits are made, and make use of the botanicals that grow all around them. From the mint in mojitos to the wild botanicals in regional styles of gin, this book will explore the way bartenders, growers and distillers alike are re-shaping the way cocktails are being made, presented and consumed.

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A sweeping history of Athens, telling the three-thousand-year story of the birthplace of Western civilization, from Runciman Award winner Bruce Clark 'A stunning retrospect and beautifully written overview of one of the world's greatest cities' Paul Cartledge 'Courageously grand in scale yet sensitive to the details that make Athens' extraordinary history come alive' Sofka Zinovieff 'Bruce Clark brings an eye for the quirky, human detail, a pithy turn of phrase, and an affection for his subject honed over many decades' Roderick Beaton 'Bruce Clark's enchantingly readable history revealed how little I knew' Literary Review Dominated by the pillars and pediments of the Parthenon, a temple dedicated to Athena, goddess of wisdom, the ancient Greek city of Athens is for many synonymous with civilization itself. Athens: City of Wisdom tells the tale of a city that occupies a unique place in the cultural memory of the West. Each of the book's twenty-one chapters focuses on a critical 'moment' in the city's long history, from the reforms of the lawmaker Solon in the sixth century BCE to the travails of early twenty-first-century Athens, as a rapidly expanding city struggles with the legacy of a global economic crisis. Bruce Clark has a rich and revealing sequence of stories to tell – not only of the familiar golden age of Classical Athens, of the removal from the Acropolis of the Parthenon marbles by agents of the 7th Earl of Elgin in the early nineteenth century, or of the holding of the first modern Olympic Games in 1896; but also of the less fêted later years of antiquity, when St Paul preached on the Areopagus and neo Platonists refounded the Academy that Sulla's legions had desecrated. He also delves into Athens' forgotten medieval centuries, unearthing jewels gleaming in the Byzantine twilight, and tales of Christian fortitude and erratic Turkish governance from the four centuries of Ottoman rule that followed. Few places have enjoyed a history so rich in artistic creativity and the making of ideas as Athens; or one so curiously patterned by alternating cycles of turbulence and quietness. Writing with scholarly rigour and undisguised affection, Bruce Clark brings three thousand years of Athenian history vividly to life.

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‘Shellac and Swing!’ tells the story of the gramophone’s ‘golden age,’ from 1900-1955, when it helped to shape Britain’s culture from the arts to warfare. The story focuses on the gramophone, the invention of Emile Berliner in the 1880s, but begins with a brief outline of the first attempts to record the human voice and of Edison’s invention of the cylinder and the phonograph. It uses primary evidence, images and interviews with DJs, fans, musicians and historians to explore this fascinating and often eccentric tale. Each chapter ends with ‘On the Record,’ a discussion of a record that relates to the chapter’s themes. Although the gramophone and its fragile shellac discs were vital to Britain’s music scene—opera and music hall, the Jazz Age, the crooners, early rock’n’roll—its impact was far more extensive. Its place in British history encompasses advertising and design, fraud and piracy, phallic symbols, talking books, the threat from radio and TV, the contrasting worlds of the Salvation Army and adult ‘party’ discs, the creation of a parliamentary insult, new political strategies and the seditious activity of the Mau Mau. From the establishment of the Gramophone Company in London in the late 1890s to the end of shellac record production in the 1950s, the British public bought the machines and the discs in their millions and the record labels made stars of performers like Caruso, Harry Lauder, Al Bowlly and Dame Nellie Melba. ‘Shellac and Swing!’ explores the ways in which the gramophone helped these singers to achieve stardom but it also explores in detail and for the first time many other stories of not-so-famous performers, of the gramophone in political electioneering and of forgotten technology: the first pirate radio broadcasters, the soldiers who took their ‘Trench Decca’ portables to the Western Front, the invention of the Flame-O-Phone, the People’s Budget recordings and the pioneering label owner and producer of ‘blue’ discs. The gramophone’s heyday ended with the rise of rock ’n ’roll, teenagers, the 45 rpm single, the LP and the record player, but it survives today as part of a vibrant contemporary music, fashion and lifestyle scene.

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RSPB Spotlight: Eagles is packed with eye-catching, informative colour photos and features succinct, detailed text written by a knowledgeable naturalist. Eagles are among the most impressive hunters of the animal world. Their predatory prowess and flying skills have imbued them with a romance and mystique that runs deep in our culture and has elevated them to emblems of freedom and power across the globe. At the same time, however, people have long seen eagles as competitors. Reviled by farmers and gamekeepers as snatchers of livestock, many species have been driven into decline by persecution and disturbance. Two species of eagle occur in Britain - among 60 worldwide - and are the focus of this book. The regal Golden Eagle is the definitive ‘true’ eagle and occurs in wilderness areas across the northern hemisphere; the even larger White-tailed Eagle, reintroduced to the UK after historic extinction, belongs to the separate ‘sea eagles’ genus. These two spectacular birds are both very rare – confined largely to the remote Scottish Highlands – and a sighting of either is one of the UK's most exciting and sought-after wildlife experiences. This highly readable study looks separately at both UK eagles, exploring how each is adapted as an apex predator in its own environment, and explores the relationship between the two. Separate chapters cover all aspects of the birds’ biology and lifestyle, from defending their vast territories to raising their young. Fascinating secrets are revealed, including the brutal truth behind ‘Cain and Abel’ syndrome. The book also takes a look at other eagles around the world, placing the two UK species within this broader context. Finally, it examines the complex relationship that humans have enjoyed with eagles since time immemorial, spanning both culture and conservation, and offers expert tips on where and how you can watch these magnificent birds for yourself. The Spotlight series introduces readers to the lives and behaviours of our favourite animals with eye-catching, colour photography and informative expert text.

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If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of.In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter.For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.

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As Americans flocked to the movies during the first part of the twentieth century, the guardians of culture grew worried about their diminishing influence on American art, education, and American identity itself. Meanwhile, Hollywood studio heads were eager to stabilize their industry, solidify their place in mainstream society, and expand their new but tenuous hold on American popular culture. Peter Decherney explores how these needs coalesced and led to the development of a symbiotic relationship between the film industry and America's stewards of high culture. Formed during Hollywood's Golden Age (1915-1960), this unlikely partnership ultimately insured prominent places in American culture for both the movie industry and elite cultural institutions. It redefined Hollywood as an ideal American industry; it made movies an art form instead of simply entertainment for the masses; and it made moviegoing a vital civic institution. For their part, museums and universities used films to maintain their position as quintessential American institutions. As the book delves into the ties between Hollywood bigwigs and various cultural leaders, an intriguing cast of characters emerges, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak and censor extraordinaire Will Hays, and philanthropist turned politician Nelson Rockefeller. Decherney considers how Columbia University's film studies program helped integrate Jewish students into American culture while also professionalizing screenwriting. He examines MoMA's career-savvy film curator Iris Barry, a British feminist once dedicated to stemming the tide of U.S. cultural imperialism, who ultimately worked with Hollywood and the U.S. government to fight fascism and communism and promote American values abroad. Other chapters explore Vachel Lindsay's progressive vision of movies as reinvigorating the public sphere through film libraries and museums; the promotion of movie connoisseurship at Harvard and other universities; and how the heir of a railroad magnate bankrolled the American avant-garde film movement. Amid ethnic diversity, the rise of mass entertainment, world war, and the global spread of American culture, Hollywood and cultural institutions worked together to insure their own survival and profitability and to provide a coherent, though shifting, American identity.

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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Explore and discover the beautiful places of Iceland with the most comprehensive and detailed guidebook to Iceland ever published. Featuring over 600 stunning images, and over 120 locations with detailed maps, sat-nav co-ordinates including what3words and smart phone scannable lat-long QR-codes. This beautiful travel and photo-location guidebook provides both inspiration and information to make your trip a reality. Including information on car rental, vehicle insurance and driving advice, suggested itineraries from a long weekend to several weeks, with essays on Iceland's cultural history, cuisine, flora & fauna and advice on how to photograph the Aurora Borealis/Northern Lights. All the classic locations around Reykjavik and along the ring road are covered from roadside attractions, to multi-day overnight hikes; covering glaciers, waterfalls, geysers, hot springs, lava fields, craters, volcanoes, mountains, coast, beaches and cliffs, towns, churches, cultural sites, harbours and wildlife from Arctic fox to orcas, puffins, seals, reindeer and the famed Icelandic horse. FEATURING THE SOUTH WEST including Reykjavik, The Golden Circle, the Blue Lagoon, THingvellir National Park and the Reykanes peninsula. THE SOUTH COAST featuring the Westman Islands, Seljalandsfoss & Gljufrabui waterfalls, Skogafoss waterfall, Reynisfjara Beach, Reynisdrangar sea stack, Vik i Myrdal village and Fjadrargljufur canyon. THE SOUTH EAST explore the Vatnajoekull ice cap and national park, Skaftafell Park & Svartifoss waterfall, Fjallsarlon & Joekulsarlon glacial lakes, Breidamerkursandur / Diamond Ice Beach, Stokksnes beach & Mount Vestrahorn THE EAST visit Seydisfjoerdur village, Egilsstadir town, the fjords, canyons, craggy mountains, remote villages and a beautiful coastline. THE NORTH including the Langanes Peninsula, Heimskautsgerdid / The Arctic Henge, Joekulsargljufur, Viti crater, Hverir / Hveraroend hot springs & Mount Namafjal, Myvatn, Grimsey Island, Godafoss waterfall, Akureyri and the Troellaskagi Peninsula WESTFJORDS Isafjoerdur and the remote fjords and coastline, including the Hornstrandir nature reserve home to arctic foxes. THE WEST & SNAEFELLSNES home to Orca & whale watching, Snaefellsjoekull volcano towers, Kirkjufell mountain, the Londrangar sea stack & Beserkjahraun lava field THE RING ROAD All you need to embark and enjoy this 1693km/1051mile circular route around Iceland.

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Insight Guides Pocket IndiaTravel made easy. Ask local experts.The definitive pocket-sized travel guide, now with free eBook and handy pull-out map.Compact, concise and packed full of essential information about where to go and what to do, this is the ideal on-the-move travel guide for exploring India. From top tourist attractions like the Taj Mahal, Kerala's backwaters and the Golden Temple, to cultural gems, including a once in a lifetime trip to Ajmer, trekking the rugged terrain in Ladakh and exploring Ranthambore, home to the Rajbut ruins and wild tigers, plan your perfect trip with this practical, all-in-one travel guide. Features of this travel guide to India:- Inspirational itineraries: discover the best destinations, sights and excursions, highlighted with stunning photography- Historical and cultural insights: delve into the country's rich history and culture, and learn all about its people, art and traditions- Practical full-colour map: with every major attraction highlighted, the pull-out map makes on-the-ground navigation easy- Key tips and essential information: from transport to tipping, we've got you covered- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: Dehli; The North; Rajasthan; The West; The East; The SouthLooking for a more detailed guide to India? Check out Insight Guides India for a comprehensive and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps, as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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***Read where it all began before watching Luther: The Fallen Sun, now on Netflix***Meet DCI John Luther in the prequel to the epic series Luther, starring Golden Globe winner Idris Elba. He's a murder detective. A near-genius. He's brilliant; he's intense; he's instinctive. He's obsessional. He's dangerous.DCI John Luther has an extraordinary clearance rate. He commands outstanding loyalty from friends and colleagues. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumours that DCI Luther is bad – not corrupt, not on the take, but tormented. Luther seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn't; things way beyond the limits of the law.The Calling takes us into Luther's past and into his mind. It is the story of the case that tore his personal and professional relationships apart and propelled him over the precipice.Beyond fury, beyond vengeance. All the way to murder . . .Praise for The Calling: ‘Gripping, taut fiction by a new master in the genre’ Guillermo del Toro ‘Quite literally bloody brilliant’ Metro 'Cross delivers a brooding piece of back-story for fans of the character inhabited by Idris Elba on screen. However, if you’re not already a DCI Luther convert, it also serves as a good jumping off point into his tortured world' Shortlist, top 20 crime novels of the year ‘Unsettling, lyrical . . . Cross has always dealt in darkness and been so adept at conjuring bogeymen from the catacombs of mythology that you start to see them everywhere’ Guardian ‘This story shares the editing technique and visual power of the screen version . . . Unapologetic, brutal and stunning – in the very real sense of that word... Cross is an amazing writer, capable of lyricism and pathos as well as some of the most traumatising scenes you're ever likely to experience in a mainstream crime novel’ Eurocrime ‘Luther, who is intelligent and almost freakishly intuitive, thus belongs not only to the Sherlock Holmes tradition but also to the newer crime-fiction model elaborated by Thomas Harris in his novels Red Dragon, The Silence of the Lambs and Hannibal’ New York Times ‘Gripping . . . eviscerating’ Observer

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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THROUGH THE DARK TIMES, THEY WILL HELP YOU FIND THE LIGHT . . .***'Dazzling, chilling, moving and original . . . I loved it' CHRIS WHITAKER'A captivating novel of love and loss and the lengths we will go to start again' SOPHIE WARD'A beautifully crafted mystery that asks if we ever truly get a second chance' CATRIONA SILVEY'Unique and utterly unforgettable' LOUISE BEECH'Full of mystery and tension, with clever twists and reveals, all building to a surprising yet satisfying ending' PHILIPPA EASTWelcome to Atlas. What would you do for a second chance?Summer 1982. Deep in the Adirondack Mountains, over three hundred people live off-grid in a secret community. Atlas is a refuge for broken souls who long for a different life. Founded by the enigmatic Sol, the group now prepares for their final ceremony: the opening of the Golden Door. They believe they will cross to another world, to a new life where their past decisions never ended in tragedy.James Morrow is a rookie New York City reporter intent on making his name with an exposé of the crazy cult in the woods. He secures an invitation to the camp on the condition he tell the world of its wonders, but James is a sceptic. He's sure there must be more to the mysterious leader and his endgame than his followers have signed up for.James soon finds there is a darker side to the cult beyond the prayers and yellow robes. A group of children are treated like gods, there are iron strips embedded in the earth, and nobody talks about what's behind the gates of Sol's private sanctuary. As James learns the stories of the members and how they came to be there, he begins to understand the desperate nature of their beliefs - a desperation he knows all too well.As the final ceremony draws near, James must ask himself: what will it cost them to reach this other life? And is that a price he's willing to pay?WHAT READERS ARE SAYING:'I would give this book ten stars if I could . . . Incredibly clever . . . Heartbreakingly perfect''This was an incredible read . . . I loved it''Beth Lewis never fails to grab my attention and hold it for every single bit of every single page of her books. This one was no different''A really interesting, gripping read'

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A rich portrait of a compelling, complex woman who emerged from a sheltered rural childhood into the fraught, often deadly world of the French royal court and Parisian high society—and who would come to rule them both.Married off at sixteen to a military officer she barely knew, Marie de Vignerot was intended to lead an ordinary aristocratic life, produce heirs, and quietly assist the men in her family rise to prominence. Instead, she became a widow at eighteen and rose to become the indispensable and highly visible right-hand of the most powerful figure in French politics—the ruthless Cardinal Richelieu. Richelieu was her uncle and, as he lay dying, the Cardinal broke with tradition and entrusted her, above his male heirs, with his vast fortune. She would go on to shape her country’s political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon in ways that reverberated across Europe, Africa, Asia, and the Americas. Marie de Vignerot was respected, beloved, and feared by churchmen, statesmen, financiers, writers, artists, and even future canonized saints. Many would owe their careers and eventual historical legacies to her patronage and her enterprising labor and vision. Pope Alexander VII and even the Sun King, Louis XIV, would defer to her. She was one of the most intelligent, accomplished, and occasionally ruthless French leaders of the seventeenth century. Yet, as all too often happens to great women in history, she was all but forgotten by modern times. La Duchesse is the first fully researched modern biography of Vignerot, putting her onto center stage in the histories of France and the globalizing Catholic Church where she belongs. In these pages, we see Marie navigate scandalous accusations and intrigue to creatively and tenaciously champion the people and causes she cared about. We also see her engage with fascinating personalities such as Queen Marie de Médici and influence French imperial ambitions and the Fronde Civil War. Filled with adventure and daring, art and politics, La Duchesse establishes Vignerot as a figure without whom France’s storied Golden Age cannot be fully understood.

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Included in this latest volume are: “A Structural Analysis of the Digressions in the Iliad and the Odyssey,” by Julia Haig Gaisser; “Bacchylides’ Ode 5: Imitation and Originality,” by Mary R. Lefkowitz; “Agamemnonea,” by Hugh Lloyd-Jones; “Euripides, Alcestis 1092–1098,” by Marylin A. Whitfield; “Ληκυθιον Απωλεσεν,” by Cedric H. Whitman; “Near Eastern Material in Hellenistic and Roman Literature,” by M. L. West; “Chrysalus and the Fall of Troy (Plautus, Bacchides 925–978),” by H. D. Jocelyn; “Symmetry and Sense in the Eclogues,” by Otto Skutsch; “Some Callimachean Influences on Propertius, Book 4,” by Hugh E. Pillinger; “Pliny the Procurator,” by Ronald Syme; “Seneca and Juvenal 10,” by Bernard F. Dick; “Theodosius the Great and the Regency of Stilico,” by Alan Cameron; “Architect and Engineer in Archaic Greece,” by R. Ross Holloway; and “A Terracotta Lamp in the McDaniel Collection,” by Sidney M. Goldstein.

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Hailed as “the slightly more well-adjusted offspring of Hunter S. Thompson and James Ellroy” (Los Angeles Times), Mark Haskell Smith returns with a wildly entertaining satire of corporate greed, sexual desire, and crime in the global financial services industry. Bryan LeBlanc worked his way up into a plum position on Wall Street as the boy genius of the foreign exchange desk. Surrounded by acolytes of the free market, the true believers, the U.S. Marines of capitalism—“the few, the proud, the completely full of themselves”—Bryan soon realizes that being honest at a dishonest job is not the path to success. He decides to give Wall Street a taste of its own medicine and hatches an intricate plan to disappear permanently with just enough misappropriated money—and sailing classes—to spend his golden years cruising the Caribbean. Bryan quickly learns that being a criminal, even a really smart one, is more complicated than he thought. He finds himself on the run in the Cayman Islands, wanted for murder. On his trail is an irresponsible team of investigators sent by his Wall Street firm, hellbent on reclaiming the millions before their clients notice its missing: his boss, Seo-yun Kim, who’s committed to not only clearing her name but escaping her suffocating fiancé and their pending nuptials; the investment bank’s collections agent, Neal Nathanson, depressed over a recent break-up with his boyfriend; and an ex-cop from Curaçao, Piet Room, who has traded in his badge for spouse spying as a private investigator. Their efforts are complicated by an Australian sailor begrudgingly circumnavigating the globe to fundraise for breast cancer awareness. Wickedly funny, ribald, and sharp-eyed, BLOWN starts as a simple case of embezzlement and explodes into a fatal high-stakes gamble for money and the pursuit of happiness.

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This title offers 20 charming ideas for creating beautiful displays shown in more than 130 step-by-step photographs. It is an inspiring craft book full of imaginative designs to dress up the humble egg. It contains 20 creative projects using skills such as traditional folk painting, modern dyeing techniques and classic gilding styles. How to make your own golden fairy-tale eggs, create glittery decoupage eggs or use leaves as stencils on natural eggs. Every project is shown in clear step-by-step photographs, making it easy to create your own stunning displays. It is a helpful introduction that contains a guide to the different types of egg, information on equipment and materials, and the basic techniques you will need to master. It includes over 130 specially commissioned photographs. Decorating eggs has become more and more popular in recent years, for all kinds of events, festivals and celebrations. It is a wonderful opportunity for family crafting, combining classic traditional folk with the potential for fun and simple ideas. Using hard-boiled or blown eggs as your canvas, you can paint, dye, scratch, cover and bleach to create stunning and original objects d'art - whether for an Easter table or a permanent display. The egg has been a powerful symbol of hope and new life in many different cultures throughout history. The purity and strength of its form have made it a classic shape and motif for design. Hen, duck, goose and quail eggs can all be decorated in countless ways, and this unique volume reveals a range of art techniques for embellishing eggs, such as simple dyeing, painting, gilding and sgraffito. From traditional to contemporary designs, the easy-to-follow projects provide enough inspiration to adorn a whole barnyard full of eggs.

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Manhattan, 1935. It was love at first sight the night J. Paul Getty walked into the exclusive club The New Yorker and saw Teddy onstage, a beautiful blue-blooded debutante, singing torch songs. In Alone Together, Teddy-now nearly 100 - tells the large-than-life true story of their three-decade long love affair and its aftermath, a sweeping saga of passion, adventure, danger, betrayal and tragedy. Moving from the glittering nightclubs of 1930s New York to Mussolini's Italy and California in the golden post-war years, Alone Together brings to life the dazzling time when the Algonquin and "Elmers" (EL Morocco) where the epicenters of New York's most fashionable and famous circles. Gaston recalls stories of hobnobbing with such legendary figures as Gypsy Rose Lee, Walter Winchell, and Dorothy Lamour. She recreates the drama of living in a fascist regime in the dark years of war in Mussolin's Italy where she was studying to become an opera singer - including her yearlong imprisonment with foreign journalists She shares the joy of new motherhood and the heartbreaking pain of loss-both the death of her twelve-year-old son, Timothy, and her husband's eventual abandonment - while living in sunny 1950s Malibu next to Marion Davies. With lively wit and tremendous compassion, Gaston offers a nuanced portrait of a difficult man - a skinflint who was richer than anyone in his time; a terrifically charismatic but neglectful companion; a driven businessman who refused to put his family first. Yet despite these vicissitudes, Teddy remained Getty's steadfast friend until his death in 1976. Fascinating and extraordinary, Alone Together is a remarkable look at the twentieth century through the lives of one of the century's most intriguing couples.

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Separate Paths: Lenapes and Colonists in West New Jersey is the first cross-cultural study of European colonization in the region south of the Falls of the Delaware River (now Trenton). Lenape men and women welcomed their allies, the Swedes and Finns, to escape more rigid English regimes on the west bank of the Delaware, offering land to establish farms, share resources, and trade. In the 1670s, Quaker men and women challenged this model with strategies to acquire all Lenape territory for their own use and to sell as real estate to new immigrants. Though the Lenapes remained sovereign and “old settlers” retained their Swedish Lutheran religion and ethnic autonomy, the West Jersey proprietors had considerable success in excluding Lenapes from their land. The Friends believed God favored their endeavor with epidemics of smallpox and other European diseases that destroyed Lenape families and communities. Affluent Quakers also introduced enslavement of imported Africans and Natives—and the violence that sustained it—to a colony they had promoted with the liberal West New Jersey Concessions of 1676-77. Thus, they defied their prior experience of religious persecution and their principles of peaceful resolution of conflict, equality of everyone before God, and the golden rule to treat others as you wish to be treated. Despite mutual commitment to peace by Lenapes, old settlers, and Friends, Quaker colonization had similar results to military conquests of Natives by English in Virginia and New England, and Dutch in the Hudson Valley and northern New Jersey. Still, in alliance with old settlers, Lenape communities survived in areas outside the focus of English colonization, in the Pine Barrens, upper reaches of streams, and Atlantic shore.

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If you are one of over 700 million passengers who will fly in America this year, you need to read this book. The Next Crash offers a shocking perspective on the aviation industry by a former United Airlines pilot. Weaving insider knowledge with hundreds of employee interviews, Amy L. Fraher uncovers the story airline executives and government regulators would rather not tell. While the FAA claims "This is the golden age of safety," and other aviation researchers assure us the chance of dying in an airline accident is infinitesimal, The Next Crash reports that 70 percent of commercial pilots believe a major airline accident will happen soon. Who should we believe? As one captain explained, "Everybody wants their $99 ticket," but "you don’t get [Captain] Sully for ninety-nine bucks." Drawing parallels between the 2008 financial industry implosion and the post-9/11 airline industry, The Next Crash explains how aviation industry risk management processes have not kept pace with a rapidly changing environment. To stay safe the system increasingly relies on the experience and professionalism of airline employees who are already stressed, fatigued, and working more while earning less. As one copilot reported, employees are so distracted "it’s almost a miracle that there wasn’t bent metal and dead people" at his airline. Although opinions like this are pervasive, for reasons discussed in this book, employees’ issues do not concern the right people—namely airline executives, aviation industry regulators, politicians, watchdog groups, or even the flying public—in the right way often enough. In contrast to popular notions that airliner accidents are a thing of the past, Fraher makes clear America is entering a period of unprecedented aviation risk.

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Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.

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The Biographical Dictionary of the Australian Senate covers the period 1901–1929, the period in which the Parliament operated from Melbourne. This first volume provides short articles on Australia's Senators during the first thirty years of the Federal Parliament. These entries place particular emphasis on the events of a Senator's parliamentary experience, contributions to debates, committee work, parliamentary positions as well as ministerial appointments.It provides also a window on the colonial and post-colonial societies in which these ninety-nine Senators and their three Clerks lived and worked. It explains how miners, merchants, constitutionalists, soldiers, printers, trade unionists, adventurers and pastoralists became Senators, and how, in an essentially egalitarian society, they melded together as Australia's first federal parliamentarians. It tells of their work as legislators during a period when Australia was making a unique contribution to democracy itself, and reveals the excitement felt by conservatives and non-conservatives alike as they shaped the beginnings of an Australian nation.The contribution of these Senators to Australian public life was immense. The Federationists, Richard Baker, John Downer, Thomas Playford, Richard O'Connor, James Walker, Henry Dobson, William Trenwith, Simon Fraser, Josiah Symon and William Zeal retain some elemens of notoriety. Others, such as the South Australian farmer, William Russell, or Charles Montague Graham, a tailor on the Western Australian goldfields, were soon forgotten, even in their own time.The Biographical Dictionary of the Australian Senate reveals to a new generation the influence and the significance of men who came from all sides of politics and the social spectrum, and were able parliamentarians and true representatives of the democratic process.This readable and authoritative work of reference will provide readers with a biographical account of all Australian senators, and a history of the Senate since 1901. It makes a scholarly contribution to historical and parliamentary knowledge and fills many gaps in our knowledge of less well-known senators whose careers have not been fully documented before.

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For 1930s Britain, the Queen Mary was a symbol of hope. Cunard had abandoned construction on what they had planned to be the grandest liner of all time (then known simply as Job 534) in the depths of the Depression. Her half-finished hull sat on the Clyde for years, but when Cunard announced they were going to complete her, it was a sign, perhaps, that the darkest days were over, that the country was emerging from economic disaster and that Britannia would soon rule the waves once again. The Queen Mary would go on to be one of the most famous ships in the world for all the right reasons. The first British ship to be over 1,000 feet in length, launched by her namesake (and for which the Clyde had to be artificially widened to allow such a large ship to pass through), she won the Blue Riband (the record for fastest Atlantic crossing) not once by twice – and when she won it the second time in 1938 she held it until 1952. After wartime service carrying up to 16,000 US troops to Europe at a time, she finally retired to Long Beach, California, in 1967. There she remains, a perfectly preserved reminder of a bygone era, and a celebration of the golden age of the transatlantic liner. In this book David Ellery, maritime historian, TV presenter and documentary maker, answers all the questions you might have about this glorious ship – and ones you might never have thought to ask too. This unique, accessible approach gives a fantastic introduction to the ship to anyone curious about her, but is also very detailed and comprehensive, covering everything from the ship’s design, construction, engineering and interior fittings to her naming, wartime service and more. Packed with archival photographs and other original material, this is a fascinating and illuminating guide to the Queen Mary, looking beneath the sheen of her appointments to explore how her fame is well deserved.

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"Cover me while I cut around that blue Mondeo and ambush the guy in the grey suit.” There are not many successful entrepreneurs who will enthusiastically break off in the middle of a multi-million pound deal to have a huge snowball fight in the car park with their finance director. But then Mark Mills is not just any successful entrepreneur. Whether organising one of his infamous Summer Christmas parties, flying to New York to find a new business idea or staying up all night to celebrate a successful deal, Mark Mills has always believed in the absolute importance of having fun in business. And not just for him, but for his employees, customers and suppliers too. His brilliantly unique approach has more than paid off. Mark’s infectious enthusiasm, relentless energy, can-do approach and spirit of adventure have powered him to the very pinnacle of entrepreneurial success, both in his own businesses and by helping others to do the same in theirs. Over the years he has won countless Entrepreneur of the Year Awards and been asked to give speeches at prestigious events around the world about his achievements. Making Your Mark tells the fascinating and entertaining story of Mark’s extraordinary success in business, from selling broken biscuits at the age of 8, through his early years selling everything from payphones to post boxes, to his outstanding success creating Cardpoint, the cash machine business he founded at the age of 29 which at its peak was valued at £170 million. But just as importantly, it also tells the story of Mark’s disasters along the way, about the times when things went badly wrong and when failure was more often the outcome than success. Along the way Mark shares his unique Golden Rules on how to achieve your own success in business, from learning how to think like an entrepreneur to creating a good business model, from understanding how to build a strong team to learning how to communicate effectively.

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This book presents and explores the Waddesdon Bequest, the name given to the Kunstkammer or cabinet collection of Renaissance treasures which was bequeathed to the British Museum by Baron Ferdinand de Rothschild, MP in 1898. The Bequest is named after Waddesdon Manor in Buckinghamshire, a fairy tale French chateau built by Baron Ferdinand from 1874 – 83, where the collection was housed during his lifetime. As a major Jewish banking family, the Rothschilds were the greatest collectors of the nineteenth century, seeking not only the finest craftsmanship in their treasures, but also demonstrating great discernment and a keen sense of historical importance in selecting them. Baron Ferdinand’s aim, often working in rivalry with his cousins, was to possess a special room filled with splendid, precious and intricate objects in the tradition of European courts of the Renaissance and Baroque periods. It was understood at the time that a collection of this quality could never be formed again, given the rarity and expense of the pieces, and the problems of faking and forgery of just this kind of material. The book will unlock the history and romance of this glorious collection through its exploration of some of its greatest treasures and the stories they tell. It will introduce makers and patrons, virtuoso craftsmanship, faking and the history of collecting from the late medieval to modern periods, as told through the objects. Treasures discussed will include masterpieces of goldsmiths’ work in silver; jewellery; hardstones and engraved rock crystal; astonishing microcarvings in boxwood, painted enamel, ceramic and glass; arms and armour and ‘curosities’: exotic treasures incorporating ostrich eggs, Seychelles nut, amber or nautilus shell. Scholarly catalogues have appeared for parts of this splendid collection but this book will open up the Bequest for the general reader. By looking at individual objects in detail, and drawing on new photography and research, the book will enable readers to see and understand the objects in a completely different light.

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Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming. To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed-and ultimately welcomed-his downfall. In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings. By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white cliches. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.

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‘James Crowden is Britain’s best cider writer … Cider Country is the book we’ve all been waiting for.’ Oz Clarke Join James Crowden as he embarks on a journey to distil the ancient origins of cider, uncovering a rich culture and philosophy that has united farmer, maker and drinker for millennia. LONGLISTED FOR THE 2021 ANDRE SIMON FOOD AND DRINK AWARD Cidermaking has been at the heart of country life for hundreds of years. But the fascinating story of how this drink came into existence and why it became so deeply rooted in the nation’s psyche has never been told. In order to answer these questions, James Crowden traces an elusive history stretching back to the ancient, myth-infused civilisations of the Mediterranean and the wild apple forests of Kazakhstan. Meeting cider experts, farmers and historians, he unearths the surprising story of an apple that travelled from east to west and proved irresistible to everyone who tasted it. Upon its arrival in Britain, monks, pirates and politicians formed a pioneering and evangelical fan base, all seeking the company of a drink that might guide them through uncertain times. But the nation’s love-affair with cider didn’t fully blossom until after the reformation, when the thirst for knowledge about the drink was at its peak. This infatuation with experimentation would lead to remarkable innovations and the creation of a ‘sparkling cider’, a technique that pre-dated Dom Pérignon's champagne by forty years. Turning to the present day, Crowden meets the next generation of cider makers and unearths a unique philosophy that has been shared through the ages. In the face of real challenges, these enterprising cider makers are still finding new ways to produce this golden drink that is enjoyed by so many. Spanning centuries and continents, Cider Country tells the story of our country through the culture, craft and consumption of our most iconic rural drink.

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As mentioned in The Times Travel Book Club 2020Award winning writer Paul Theroux embarks on a journey that, though closer to home than most of his expeditions, uncovers some surprising truths about Britain and the British people in the '80s in The Kingdom by the Sea: A Journey Around the Coast of Great Britain. Paul Theroux's round-Britain travelogue is funny, perceptive and 'best avoided by patriots with high blood pressure...'After eleven years living as an American in London, Paul Theroux set out to travel clockwise round the coast and find out what Britain and the British are really like. It was 1982, the summer of the Falklands War, the ideal time, he found, to surprise the British into talking about themselves. The result makes superbly vivid and engaging reading.'A sharp and funny descriptive writer. One of his golden talents, perhaps because he is American and therefore classless in British eyes, is the ability to chat up and get on with all sorts and conditions of British. . . Theroux is a good companion' The Times'Filled with history, insights, landscape, epiphanies, meditations, celebrations and laments' The New York Times'Few of us have seen the entirety of the coast and I for one am grateful to Mr Theroux for making my journey unnecessary. He describes it all brilliantly and honestly' Anthony Burgess, ObserverAmerican travel writer Paul Theroux is known for the rich descriptions of people and places that is often streaked with his distinctive sense of irony; his other non-fiction titles, Riding the Iron Rooster, The Happy Isles of Oceania, Sunrise with Seamonsters, The Tao of Travel, Ghost Train to the Eastern Star, The Old Patagonian Express, The Great Railway Bazaar, Dark Star Safari, Fresh-air Fiend, Sir Vidia's Shadow, The Pillars of Hercules, and his novels and collections of short stories, including the James Tait Black Memorial Prize winner The Mosquito Coast are available from Penguin.

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The visionary behind the bestselling phenomenon The Fourth Turning looks once again to America’s past to predict our future in this startling and hopeful prophecy for how our present era of civil unrest will resolve over the next ten years—and what our lives will look like once it has. Twenty-five years ago, Neil Howe and the late William Strauss dazzled the world with a provocative new theory of American history. Looking back at the last 500 years, they’d uncovered a distinct pattern: modern history moves in cycles, each one lasting roughly eighty to one hundred years, the length of a long human life, with each cycle composed of four eras—or “turnings”—that always arrive in the same order and each last about twenty years. The last of these eras—the fourth turning—was always the most perilous, a period of civic upheaval and national mobilization as traumatic and transformative as the New Deal and World War II, the Civil War, or the American Revolution. Now, right on schedule, our own fourth turning has arrived. And so Neil Howe has returned with an extraordinary new prediction. What we see all around us—the polarization, the growing threat of civil conflict and global war—will culminate by the early 2030s in a climax that poses great danger and yet also holds great promise, perhaps even bringing on America’s next golden age. Every generation alive today will play a vital role in determining how this crisis is resolved, for good or ill. Illuminating, sobering, yet ultimately empowering, The Fourth Turning Is Here takes you back into history and deep into the collective personality of each living generation to make sense of our current crisis, explore how all of us will be differently affected by the political, social, and economic challenges we’ll face in the decade to come, and reveal how our country, our communities, and our families can best prepare to meet these challenges head-on.

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The astonishing run of albums unleashed upon an unsuspecting public within the span of five years created the legend of Alice Cooper that lives on to this day. But we’re talking about the original Alice Cooper group here, a band called that with a lead singer also going by that name. In other words, the legend was built by Vincent “Alice Cooper” Furnier, Michael Bruce, Glen Buxton, Dennis Dunaway and “platinum god” Neal Smith. It is all of them working together — along with producer Bob Ezrin — that created the mystique of songs like “I’m Eighteen,” “Is It My Body,” “Desperado,” “Under My Wheels,” “Be My Lover,” “Elected” and “No More Mr. Nice Guy.” And it is all of them working together — along with crack management in Shep Gordon and Joe Greenberg—that created the shock rock buzz that kept the newspapers full of indignation about this band set out to destroy human civilization. Easy Action: The Original Alice Cooper Group tells the story in meticulous chronological detail, from the band’s early days in Phoenix as The Spiders, through being broke on the Sunset Strip, followed by a career-reviving relocation to a notorious party house on the outskirts of Pontiac, Michigan. Corroborating the improbable sequence of events is a plethora of stories from the band themselves, who explain how the original Alice Cooper group went from politely ignored pariahs in Los Angeles to international Public Enemies No. 1, 2, 3, 4 and 5. Listen to the guys and their good-natured explanations behind the mayhem, and it soon becomes apparent that the ghoulish makeup around the singer’s eyes and the boa constrictor around his neck — not to mention the head-choppings, the hangings and the hard rock — were all served up in good fun. Now it’s time for you, dear reader, to join in the fun and see why Alice Cooper was, for a golden moment in time fully 50 years ago now, the most feared and revered act in all of rock ‘n’ roll.

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'Alan's book is like his game: incisive, thoughtful, intelligent and consistently hits the target' Gary Lineker'A brilliant, articulate, thoughtful man with a wonderful sense of humour: Smudge encapsulates all he is and knows in this fantastic book that will capture the hearts of every football fan' Tony Adams'It was different back then, at least through Arsenal eyes. This was a young, exciting team full of hope and desire, led by a manager bristling with ambition . . .'Anfield '89. Copenhagen '94. Two of Arsenal's greatest triumphs in the modern era. Both matches defined by the goal-scoring prowess of one man - Alan 'Smudger' Smith.Smith's rise in football was vertiginous: playing for Alvechurch in the Southern League one year, competing in the top flight twelve months later. His first three years at Leicester were characterized by a successful partnership with Gary Lineker. When Lineker left for Everton, Smith stepped forward as the main goal-getter. It was Smith's move to Highbury, however, that enabled him to become the winner of two Golden Boots and one of the most highly-rated strikers in the game.Honest, insightful and authoritative, Heads Up reveals what it was like forging a career in the tough First Division of old before the glitz of the Premier League took hold; the ins and outs of playing for George Graham and rooming with Gazza; the truth behind Anfield '89; which team could easily have gone on to become the first 'Invincibles' had Chelsea not spoiled it one February afternoon; how the highs of the game can quickly be converted into morale-sapping lows; and how injury really does affect a career.After twenty years of writing for the Daily Telegraph, covering four World Cups, four European Championships and countless club games, Alan Smith has done what few ex-professionals are able to do - describe in his own words what it's really like to play the game . . .'Very enjoyable and typically honest account by my old mate on a fine career' Lee Dixon

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The con is on! Prewitt Paltry used to be the best con artist in NYC. But fate has left him divorced, broke, his glory days behind him . . . And then a golden opportunity falls into his lap. Ranger du Courtemanche is the aging patriarch of the centuries-old French aristocratic Courtemanche family. Despite the filthy-rich faÇade, the family’s fortune is quickly dwindling and their ancestral chateau is secretly in ruins. Enter Prewitt, who cozies up to the reclusive family – Ranger and his two sisters - and warns them that their chateau and wealth have been targeted by an ancient secret society. Panicked and desperate, Ranger enlists Prewitt in the fight to defend his family’s honor and fortune. Et voila! The trap is set. With the help of an eccentric team of wacky French con artists, and three Corgies, Prewitt gets to work. But, the closer he gets, the more the con unravels. Ancient betrayals, priceless jewels, and forbidden loves . . . the Courtemanches turn out to be a lot more than Prewitt bargained for. "The reader is immediately drawn into the story . . . There is a thread of humor and amusement that runs through the length of the book" - ScreencraftFans of Now You See Me, Oceans 11, and American Hustle will love this "primed for a broad audience film adaptation" book (Screencraft).

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