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Topics covered include the global middle ages and the constraints of Eurocentric periodization; disciplinary formation and the crisis of the humanities; Orientalism and medieval studies; white supremacist medievalism; and the use of modern critical theory in premodern histories. Contributors Shoshana Adler, Anne Le, Christopher Livanos, Sierra Lomuto, Mariah Min, Adam Miyashiro, Julie Orlemanski, Raha Rafii, Shokoofeh Rajabzadeh, Mohammad Salama, Michelle R. Warren, Elizabeth J. West

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Since its relaunch in 1979, Granta magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This new edition of The Granta Book of Reportage collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters - John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson - the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square and the aftermath of the American invasion of Iraq.

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Peter Eisenman’s architecture carries many layers and meanings; one question leads to the next and one conversation provokes another. Vladimir Belogolovsky’s new book highlights three separate conversations he had with the architect at his New York City studio. These conversations are part of the author’s ongoing interview project he initiated in 2002, discussing architecture with over 100 leading international architects. Peter Eisenman is in the bloodline of Palladio, Le Corbusier, and Robert Venturi, and in this book of brutally honest conversations between him and critic Vladimir Belogolovsky pithy assertions emerge, sometimes in contradiction, as Belogolovosky sympathetically questions this authority, one whose deep commitment to his art, over fifty years, has helped change contemporary architecture. (…) Eisenman bemoans the fact that celebrity architects have supplanted such authorities, that is, authors of a critical architecture that reflects on its own language. All art languages must do this, an important insight of semiotics in the 1960s when Eisenman first started critical practice.. (Charles Jencks).

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Offers an in depth study of the emerging French philosopher Quentin Meillassoux. In this expanded edition of his landmark 2011 work on Meillassoux, Graham Harman covers new materials not published at the time of the first edition. Along with Meillassoux's startling book on Mallarme's poem 'Un coup de des jamais n'abolira le hasard', Harman discusses several new English articles by Meillassoux, including his controversial April 2012 Berlin lecture with its critique of 'subjectalism'. Freshly called to a professorship at the Sorbonne, Meillassoux's star has continued to rise. This expanded edition of the first book on Meillassoux remains the best introduction to one of Europe's most promising thinkers.

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Bruce Lee's daughter illuminates her father's most powerful life philosophies, and how we can apply his teachings to our daily lives'Empty your mind; be formless, shapeless like water'Bruce Lee is a cultural icon, world renowned for his martial arts and film legacy. But Lee was also a deeply philosophical thinker, believing that martial arts are more than just an exercise in physical discipline - they are a perfect metaphor for personal growth.In Be Water, My Friend, Shannon Lee shares previously untold stories from her father's life along with the concepts at the core of his teachings. Each chapter reveals a lesson from Bruce Lee, expanding on the foundation of his iconic 'be water' philosophy to reveal a path to an enlightened way of being.This is an inspirational call to action to consider our lives with new eyes and a testament to Lee's unique power to ignite our imaginations and transform our lives.'A slender, potent book twining her father's timeless philosophies of living with her own reflections' Maria Popova

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The fascinating tale of how a bipartisan coalition worked successfully to lower the voting age “Let Us Vote!” tells the story of the multifaceted endeavor to achieve youth voting rights in the United States. Over a thirty-year period starting during World War II, Americans, old and young, Democrat and Republican, in politics and culture, built a movement for the 26th Amendment to the US Constitution, which lowered the voting age from twenty-one to eighteen in 1971. This was the last time that the United States significantly expanded voting rights. Jennifer Frost deftly illustrates how the political and social movements of the time brought together bipartisan groups to work tirelessly in pursuit of a lower voting age. In turn, she illuminates the process of achieving political change, with the convergence of “top-down” initiatives and “bottom-up” mobilization, coalition-building, and strategic flexibility. As she traces the progress toward achieving youth suffrage throughout the ’60s, Frost reveals how this movement built upon the social justice initiatives of the decade and was deeply indebted to the fight for African American civil and voting rights. 2021 marks the fiftieth anniversary of this important constitutional amendment and comes at a time when scrutiny of both voting age and voting rights has been renewed. As the national conversation around climate crisis, gun violence, and police brutality creates a new call for a lower voting age, “Let Us Vote!” provides an essential investigation of how this massive political change occurred, and how it could be brought about again.

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St. Augustine’s Confessions is heralded as a classic of Western culture. Yet when James Boyd White first tried to read it in translation, it seemed utterly dull. Its ideas struck him as platitudinous and its prose felt drab. It was only when he started to read the text in Latin that he began to see the originality and depth of Augustine’s work.In Let in the Light, White invites readers to join him in a close and engaged encounter with the Confessions in which they will come to share his experience of the book’s power and profundity by reading at least some of it in Augustine’s own language. He offers an accessible guide to reading the text in Latin, line by line—even for those who have never studied the language.Equally attuned to the resonances of individual words and the deeper currents of Augustine’s culture, Let in the Light considers how the form and nuances of the Latin text allow greater insight into the work and its author. White shows how to read Augustine’s prose with care and imagination, rewarding sustained attention and broader reflection.Let in the Light brings new life to a classic work, guiding readers to experience the immediacy, urgency, and vitality of Augustine’s Confessions.

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The seventh novel in the Ava Lee series finds Ava caught up in the election for the chairmanship of the Triad Societies.It’s been three months since Uncle’s passing, and Ava is finally ready to begin her new life as a partner with May Ling Wong and her sister-in-law Amanda in their Three Sisters venture capital firm. Ava travels to Shanghai to hear a pitch on a new investment possibility: the creation of a fashion line by Clark and Gillian Po. She also meets with the mysterious Xu, a young man Uncle had been mentoring and who is the head of the triad in Shanghai. Xu makes an audacious business proposal that she and May Ling are compelled to consider. Meanwhile, separately and privately, he confides to Ava that he intends to run for the chairmanship of the Triad Societies and attempts to recruit her as his adviser.Against her will, Ava becomes enmeshed in triad warfare and her future is threatened . . .

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In the latest installment of the Ava Lee novels, Ava must infiltrate the seedy world of the Chinese film industry to protect the woman she loves. Ava travels to Beijing for the premiere of Mao’s Daughter, the latest film starring her secret lover, Pang Fai. After the screening, a distraught Fai tells Ava that she is being blackmailed by senior officials of the China Movie Syndicate, who seek sexual favours in return for their continued support of Fai’s career and films. When Fai resists, the threats become increasingly menacing and include the release of scandalous videos of the young Fai that could end her career entirely.Working alongside Fai and several of her friends, Ava delves deep into the dark side of the Chinese film industry in an attempt to liberate her lover from the grasp of the Syndicate. But can Ava save Fai from her memories?

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Based on her bestselling book, The Battle Belongs to the Lord, Joyce Meyer delivers practical advice and Biblical wisdom to help you triumph over any obstacle you face. By learning to lean on God's power, you'll be able to leave your fear behind and develop a life-changing sense of confidence. This compact edition is perfect for taking God's assurance with you everywhere you go. Be encouraged that no situation is beyond repair and start living a life of joy and peace when you LET GOD FIGHT YOUR BATTLES.

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In 1916, Berenger Saunière, the enigmatic priest of the French village of Rennes-le-Château, created his ultimate clue: he went to great expense to create a model of a region said to be the Calvary Mount, indicating the 'Tomb of Jesus'. But the region on the model does not resemble the actual lay-out of Jerusalem. Did Saunière leave a clue as to the true location of his treasure? And what is that treasure? After years of research, André Douzet discovered this model, never collected from the model maker by Saunière, who had died just before the model's completion. Backed by evidence showing correspondence between Saunière and the model maker, Douzet also reveals much new evidence, including the revelation that Saunière spent large amounts of time and money in the city of Lyons, often on exotic and high tech photographic instruments. And for the first time, it is shown Saunière met some very interesting people from esoteric, in parti

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Englishman David Hobbs – `Hobbo’ to his friends and fans – is one of motor racing’s most remarkable all-rounders. In a 41-year driving career he raced in almost every imaginable category: endurance sports racers, touring cars, Formula 1, Formula 5000, Indycars, IMSA, Trans-Am, Can-Am and even NASCAR – he has done the lot. And on top of that he has been a television commentator in America for nearly 40 years, bringing wit and wisdom to the screen, presently as part of NBC’s Formula 1 team. Now, at last, he has put down all his experiences in this highly readable memoir that will be welcomed by racing enthusiasts on both sides of the Atlantic. Early racing years: from his mum’s Morris Oxford in 1959 to Jaguars and a Lotus Elite – and coming to the notice of the racing world. Sports car speciality: Le Mans in 1963 with the Lola Mk6 GT followed by Lola T70 drives and finally the big break; two Ford GT40 seasons with John Wyer’s mighty Gulf-sponsored team bring a win at Monza in 1968 and third place at Le Mans in 1969 – and then a Porsche 917 Le Mans drive in 1970. Single-seaters: coming close to a Formula 1 breakthrough with Honda in 1968, but Formula 5000 in America is where success comes, as 1971 champion. Westward bound: the USA becomes his focus, with early highlights including fifth place in the 1974 Indianapolis 500 with a McLaren and leading the Daytona 500 NASCAR classic in 1976. Criss-crossing the Atlantic: returning to old haunts to take up opportunities, including racing Jaguar’s famously fragile XJ coupé in 1976 and many more Le Mans outings, topped with another third place in 1984 driving a Porsche 956. Another championship title: ever versatile, he becomes Trans-Am Champion in 1983 driving a Chevrolet Camaro and winning four races. Sports cars galore: racing all the way to 1990, in all sorts of machinery but majoring on those all-conquering Porsches of the period – 935s, 956s and 962s.

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An interactive activity book for 9–12-year-olds on overcoming anxiety You can conquer your worries. The power is within you! We all experience anxiety from time to time. It can feel overwhelming and uncomfortable, and stops us from doing the things we enjoy – so what on earth can we do about it? Be the Change: Be Calm will show you how to shut down anxiety with fun and simple ways to calm your mind by listening to what your body is telling you. Ever tried the half-salamander exercise? You should! And have you ever performed a body scan? Thought not. These amazing activities along with many others will become your toolkit to a calmer and happier life. Award-winning author Marcus Sedgwick takes us on a fascinating journey to find out where anxiety comes from, looking at the power of storytelling in terms of training our brain to overcome worries. He also shows us what animals can teach us about dealing with stress AND introduces us to our second brain! Hello! It's time to make CALM your superpower. ARE YOU READY TO BE KIND TO YOUR MIND?

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Modern Architecture and the Sacred provides a timely reappraisal of the many ways in which architecture and the sacred have overlapped in the 20th century. A wide range of case studies are presented through 16 contributed chapters - including the work of iconic modernist architects such as Le Corbusier, Alvar Aalto and Mies van der Rohe - which together demonstrate how sacred and semi-sacred buildings are central phenomena in modernism. Such works have much to reveal to us about the deeper motivations and complexities at the core of the modernist project. The case material is not limited simply to discussions of explicitly religious buildings (churches, synagogues, etc), but looks outwards to invocations of the 'semi-sacred' within secular buildings too - museums, exhibition pavilions, and memorials - which can all make claims at times to a form of sacred space. This expansion of the notion of sacred space sets this collection apart, providing a deeper insight into the role that spirituality plays in modern architecture's philosophical foundations, whether explicitly religious or otherwise.

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Marcel Mauss' 'Essai sur le don' (1923--4) has become one of the central non-philosophical references of contemporary French philosophy. Deleuze (and Guattari) and Derrida, to cite only two, engage with the concept of the gift explicitly and repeatedly. Gerald Moore shows how the problematic of the gift drives and illuminates the last century of French philosophy. By tracing the creation of the gift as a concept, from its origins in philosophy and the social sciences, right up to the present, Moore shows its central importance for a poststructuralist understanding of the relation between philosophy and politics.

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ALICE BLOCH is Professor of Sociology in the Department of Sociology at City University London, UK. She is widely published in the fields of refugee studies and migrationthese areas and her books include The Developmental Potential of Zimbabweans in the Diaspora and The Migration and Settlement of Refugees in Britain.JOHN SOLOMOS is Professor of Sociology in the Department of Sociology atCity University London, UK. He has published widely in the areas of race, ethnicity and migration. Among his books are Racism and Society,Racialization: Studies in Theory and Practice (co-edited with Karim Murji) and Theories of Race and Racism: A Reader (co-edited with Les Back).

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The loss of British bombers over Occupied Europe began to reach alarming levels in 1941. Could it be that the Germans were using a sophisticated form of radar to direct their night fighters and anti-aircraft guns at the British bombers? British aerial reconnaissance discovered what seemed to be a rotating radar tower on a clifftop at Bruneval, near Le Havre. The truth must be revealed. The decision was taken to launch a daring raid on the Bruneval site to try and capture the technology for further examination. The planned airborne assault would be extremely risky. The parachute regiment had only been formed a year before on Churchill's insistence. This night raid would test the men to the extreme limits of their abilities. Night Raid tells the gripping tale of this mission from the planning stages, to the failed rehearsals when the odds seemed stacked against them, to the night of the raid itself, and the scientific secrets that were discovered thanks to the paras' precious cargo - the German radar. Its capture was of immense importance in the next stages of the war and the mission itself marked the birth of the legend of the 'Red Devils'.

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'Never before had the world seen four such giants co-existing. Sometimes friends, more often enemies, always rivals, these four men together held Europe in the hollow of their hands.' Four great princes - Henry VIII of England, Francis I of France, Charles V of Spain and Suleiman the Magnificent - were born within a single decade. Each looms large in his country's history and, in this book, John Julius Norwich broadens the scope and shows how, against the rich background of the Renaissance and destruction of the Reformation, their wary obsession with one another laid the foundations for modern Europe. Individually, each man could hardly have been more different ­- from the scandals of Henry's six wives to Charles's monasticism - but, together, they dominated the world stage. From the Field of the Cloth of Gold, a pageant of jousting, feasting and general carousing so lavish that it nearly bankrupted both France and England, to Suleiman's celebratory pyramid of 2,000 human heads (including those of seven Hungarian bishops) after the battle of Mohács; from Anne Boleyn's six-fingered hand (a potential sign of witchcraft) that had the pious nervously crossing themselves to the real story of the Maltese falcon, Four Princes is history at its vivid, entertaining best. With a cast list that extends from Leonardo da Vinci to Barbarossa, and from Joanna the Mad to le roi grand-nez, John Julius Norwich offers the perfect guide to the most colourful century the world has ever known and brings the past to unforgettable life.

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Mae Slow Ways yn fenter i greu rhwydwaith genedlaethol o lwybrau cerdded sy'n cysylltu holl drefi a dinasoedd Prydain Fawr yn ogystal a miloedd o bentrefi. Hyd yma, mae gwirfoddolwyr wedi rhannu dros 8,000 o lwybrau posib. Gallwch ein helpu yn rhwydd iawn, trwy gerdded ein llwybrau, rhannu eich profiadau ag eraill a phostio adolygiadau ar ein gwefan. Is e iomairt a th' ann an Slow Ways airson lionra naiseanta de shlighean coiseachd a chruthachadh, a tha a' co-cheangal bhailtean beaga is mora Bhreatainn a thuilleadh air na miltean de bhailtean-fearainn. Gu ruige seo, tha saor-thoilich air corr air 8000 slighe a tha comasach a cho-roinn. Faodaidh sibh cuideachadh le bhith direach a' coiseachd nan slighean, a' roinn ur fiosrachaidh le cach agus a' postadh ath-sgrudaidhean air an laraich-lin againn.

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Conduct Becoming examines a new genre of late medieval writing that focuses on a wife's virtuous conduct and ability of such conduct to alter marital and social relations in the world. Considering a range of texts written for women—the journées chrétiennes or daily guides for Christian living, secular counsel from husbands and fathers such as Le Livre du Chevalier de La Tour Landry and Le Menagier de Paris, and literary narratives such as the Griselda story—Glenn D. Burger argues that, over the course of the long fourteenth century, the "invention" of the good wife in discourses of sacramental marriage, private devotion, and personal conduct reconfigured how female embodiment was understood. While the period inherits a strongly antifeminist tradition that views the female body as naturally wayward and sensual, late medieval conduct texts for women outline models of feminine virtue that show the good wife as an identity with positive influence in the world. Because these manuals imagine how to be a good wife as necessarily entangled with how to be a good husband, they also move their readers to consider such gendered and sexed identities in relational terms and to embrace a model of self-restraint significantly different from that of clerical celibacy. Conduct literature addressed to the good wife thus reshapes how late medieval audiences thought about the process of becoming a good person more generally. Burger contends that these texts develop and promulgate a view of sex and gender radically different from previous clerical or aristocratic models—one capable of providing the foundations for the modern forms of heterosexuality that begin to emerge more clearly in the fifteenth and sixteenth centuries.

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Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism.By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.

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"With this book Barbara Rosenwein has made the emotions an essential component of our approach to the changing social history."― Jacques Le Goff Proposing that people lived (and live) in "emotional communities"—each having its own particular norms of emotional valuation and expression—Barbara H. Rosenwein here discusses some instances from the Early Middle Ages. Drawing on extensive microhistorical research, as well as cognitive and social constructionist theories of the emotions, Rosenwein shows that different emotional communities coexisted, that some were dominant at times, and that religious beliefs affected emotional styles even as those styles helped shape religious expression. This highly original book is both a study of emotional discourse in the Early Middle Ages and a contribution to the debates among historians and social scientists about the nature of human emotions. Rosenwein explores the character of emotional communities as discovered in several case studies: the funerary inscriptions of three different Gallic cities; the writings of Pope Gregory the Great; the affective world of two friends, Gregory of Tours and Venantius Fortunatus; the Neustrian court of Clothar II and his heirs; and finally the tumultuous period of the late seventh century. In this essay, the author presents a new way to consider the history of emotions, inviting others to continue and advance the inquiry. For medievalists, early modernists, and historians of the modern world, the book will be of interest for its persuasive critique of Norbert Elias's highly influential notion of the "civilizing process." Rosenwein's notion of emotional communities is one with which all historians and social scientists working on the emotions will need to contend.

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A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness “[Frampton] remains a formidable force in architecture . . . The Other Modern Movement offers an opportunity to re-examine the Western canon of 20th-century architecture—which Frampton himself was crucial in establishing—and delve deeper into the work of lesser-known practitioners.”—Josephine Minutillo, Architectural Record Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton’s account offers new insights into iconic buildings like Eileen Gray’s E-1027 House in France and Richard Neutra’s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond’s Tokyo Golf Club and Alejandro de la Sota’s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.

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AN ADRENALINE-FUELLED THRILLER FROM THE #1 BESTSELLING AUTHOR ‘Deadly conspiracies, bone-crunching action and a tormented hero with a heart . . . packs a real punch’ Andy McDermott Only one man can foil a plot set to change the course of history… Ex-SAS soldier Ben Hope is enjoying life at Le Val, the facility in Northern France where he trains others in the dangerous art of hostage rescue, until a chance incident forces him to take on the role of bodyguard to the Swiss billionaire Maximilian Steiner. The victim of a recent abduction attempt, Steiner believes that a neo-Nazi terror group are bent on seizing a prized document from his personal collection – one that could support claims that the Holocaust never happened. But what initially seemed like a straightforward VIP protection job is turned upside-down by the appearance of a mystery woman from Ben's past. Could he be right about her, or is he losing his edge? On a quest across Europe, Ben finds himself embroiled in a deadly kidnap intrigue and a sinister project that has lain dormant since 1944. The stakes are global – and this time Ben is also fighting to protect the people closest to him… The Ben Hope series is a must-read for fans of Dan Brown, Lee Child and Mark Dawson. Join the millions of readers who get breathless with anticipation when the countdown to a new Ben Hope thriller begins… Whilst the Ben Hope thrillers can be read in any order, this is the fifth book in the series.

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1952 was one of the most important years in Mercedes-Benz racing history; after a 13-year absence, it returned to motor sport competition with an automobile that rewrote the history of modern sports car racing. The 300 SL's debut was the culmination of a long, difficult road back to racing for Mercedes-Benz after a 13 year break. This book vividly depicts the 300 SL's performance in the five races in which it competed in 1952, and tells the story of how it became the most successful competition sports car of that year. Through dramatic photographs, and equally stirring text, one of the greatest years of sports car racing is brought to life, filled with automobiles often finished in national racing colours, prepared by great factory teams, driven by men who were national sporting idols, and raced under gruelling conditions unique to the age. From its Mille Miglia debut, through the Nurburgring, the Le Mans 24 Hours, to its greatest race, the Carrera Panamericana, the 300 SL's career from conception to retirement is presented, culminating with a detailed photographic essay illustrating restoration of the oldest 300 SL in existence.

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Over recent years, tabloid readers have become familiar with the concept of the "white working class", those thought to have been "left behind" by globalization, including immigration. Such sentiments were weaponized by politicians on all sides to fuel the anti-immigrant rhetoric of the Brexit campaign. And this racialized narrative has emerged repeatedly in mature democracies – in the political campaigns of Trump, Le Pen and others – and continues to gain traction in the guise of economic nationalism and populism. The need to understand the putative emergence of the white working class has become both intellectually significant and politically urgent. In Race and the Undeserving Poor, Robbie Shilliam does just this. He charts the development over the past 200 years of a shifting postcolonial settlement that has produced a racialized distinction between the "deserving" and "undeserving" poor, the latest incarnation of which is a distinction between a deserving, neglected white working class and "others" who are undeserving, not indigenous, and not white. Shilliam's analysis shows that the white working class are not an indigenous constituency, but a product of the struggles to consolidate and defend imperial order that have shaped British society since the abolition of slavery.

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THE BRITISH BOOK AWARDS NON-FICTION BOOK OF THE YEAR 2017SUNDAY TIMES TOP 10 BESTSELLERWhen he receives an invitation to deliver a lecture in the Ukrainian city of Lviv, international lawyer Philippe Sands begins a journey on the trail of his family's secret history. In doing so, he uncovers an astonishing series of coincidences that lead him halfway across the world, to the origins of international law at the Nuremberg trial. Interweaving the stories of the two Nuremberg prosecutors (Hersch Lauterpacht and Rafael Lemkin) who invented the crimes or genocide and crimes against humanity, the Nazi governor responsible for the murder of thousands in and around Lviv (Hans Frank), and incredible acts of wartime bravery, EAST WEST STREET is an unforgettable blend of memoir and historical detective story, and a powerful meditation on the way memory, crime and guilt leave scars across generations.* * * * * 'A monumental achievement: profoundly personal, told with love, anger and great precision' John le Carré'One of the most gripping and powerful books imaginable' SUNDAY TIMESWinner:Baillie Gifford Prize for Non-fictionJQ-Wingate Literary PrizeHay Festival Medal for Prose

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Join Bruno, France's favourite country cop, on his latest adventure as he fights to keep St Denis safe. Set in the beautiful Périgord region, The Dordogne Mysteries are the perfect combination of mystery and escapism.It is summer in St Denis and Bruno is busy organising the annual village concert. He's hired a local Périgord folk group, Les Troubadours, to perform their latest hit 'A Song for Catalonia'. But when the song unexpectedly goes viral, the Spanish government, clamping down on the Catalonian bid for independence, bans Les Troubadours from performing it.The timing couldn't be worse, and Bruno finds himself under yet more pressure when a specialist sniper's bullet is found in a wrecked car near Bergerac. The car was reportedly stolen on the Spanish frontier and the Spanish government sends warning that a group of nationalist extremists may be planning an assassination in France. Bruno immediately suspects that Les Troubadours and their audience might be in danger.Bruno must organise security and ensure that his beloved town and its people are safe - the stakes are high for France's favourite policeman.

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The stories behind the most glamorous houses on the French Riviera. In 1926 Barry Dierks, a young American architect, arrived in Paris and fell in love with France. With his partner, an ex-officer in the British Army, he built a white, flat-roofed Modernist masterpiece that rested on the rocks below the Esterel, with views across the Mediterranean. They called it Le Trident. From the moment it was built, it captivated the Riviera. As commissions for more villas flooded in, Barry Dierks and Eric Sawyer, 'those two charmers', flourished at the heart of Riviera society. Over the years, Dierks would design and build over 70 of the Riviera's most recognisable villas for clients ranging from Somerset Maugham's Villa Mauresque and Jack Warner's Villa Aujourd'hui to the Marquess of Cholmondeley's Villa Le Roc, and Maxine Elliott's Chateau de l'Horizon, later the home of Aly Khan and Rita Hayworth. Riviera Dreaming tells the dazzling story of the lives, loves and adventures that played out behind the walls of these glamorous houses and provides an unparalleled portrait of life on the Cote d'Azur at the height of the Jazz Age.

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'An utterly enjoyable voyage under Paris' - THE OLDIE'Delightful and diverting... Martin is the most unpretentious and companionable of guides; the book is great fun' - LITERARY REVIEW'An eclectic blend of engineering and travelogue, urban planning and anecdote... a sincere love letter' -THE ECONOMISTAndrew Martin has been described as 'the laureate of railways', having written many books with railway themes. But Andrew has always been obsessed with the Paris Metro, hence Metropolitain: An Ode to the Paris Metro, the first English history of the Metro for the general reader.Metropolitain is as stylish as the Metro itself and laced with cultural references. Andrew explains why Last Tango in Paris is a great Metro film, and what the Metro chase scene in the classic thriller, Le Samourai, says about Parisian culture. He describes how he came to appreciate the beauty of Guimard's sinuous green Metro entrances when he bought a lily of the valley and observed it flowering on his desk. We meet Andrew's half-English, half-French friend, Julian, who runs a society dedicated to Metro history. He tells Andrew, 'A Metro station is like the wine cellar of chateau, which is a very nice thing to be reminded of.'The book takes the reader on a constant tour of Paris, both underground and over. But Paris, and the Metro, is changing, undergoing a huge expansion. This, and the imminence of the Paris Olympics, make this a timely title.

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Let's be honest, the life you lead isn't what you've always dreamt. And maybe the person you've become isn't who you've always imagined. Sure, you can clean it up. You can work longer, love harder, and eat better. You can scrub the surface of your life until it gleams and still never address the fact that somehow you lost sight of who you really are and what you're living for. Is this the life you were meant to live? As the child of Nigerian immigrants in the UK, author and speaker Jo Saxton knows firsthand how quickly the world can cause us to doubt our dreams and question who we are. She understands how easily we can exchange our true child-of-God selves for an identity built on lies, guilt, and brokenness. In this powerful book, Jo examines Biblical figures and shares her personal story as she invites you to turn to the One who knows you intimately and loves you deeply. He sees all you've struggled to hide. He hears the voice inside you that others have silenced. He knows the potential and purpose that no one valued. He longs to redeem the story of your life and set you on the path to reclaim The Dream of You. Are you ready?

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Let Freedom Ring For Everyone: The Diversity of Our Nation provides students with selected readings that encourage a more fruitful, informative, and open dialogue about race, ethnicity, and immigration in the United States. The text explores the vast impact of immigrants to the economic, political, and social systems of the nation, as well as modern attitudes and perceptions toward ethnic and immigrant populations.The book features four distinct parts. Part I introduces the concepts of race, institutional racism, whiteness, and race and ethnic equality, then presents articles that examine these concepts from various perspectives. In Part II, students learn about tools of dominance and division, including stereotypes, the criminal justice system, the health care system, the political system, and educational structures. Parts III and IV contain readings regarding various minority groups that have immigrated to the United States. Students learn and read about Arab Americans, African Americans, Asian Americans, Brazilian Americans, Haitian Americans, Jewish Americans, Native Americans, and Nigerian Americans.Let Freedom Ring For Everyone is an enlightening and illuminating text that is well suited for courses in American history, American culture, black studies, and ethnic studies.

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Carol Loeb Shloss creates a compelling portrait of a complex relationship of a daughter and her literary-giant father: Ezra Pound and Mary de Rachewiltz, Pound’s child by his long-time mistress, the violinist Olga Rudge. Brought into the world in secret and hidden in the Italian Alps at birth, Mary was raised by German peasant farmers, had Italian identity papers, a German-speaking upbringing, Austrian loyalties common to the area and, perforce, a fascist education. For years, de Rachewiltz had no idea that Pound and Rudge, the benefactors who would sporadically appear, were her father and mother. Gradually the truth of her parentage was revealed, and with it the knowledge that Dorothy Shakespear, and not Olga, was Pound’s actual wife. Dorothy, in turn, kept her own secrets: while Pound signed the birth certificate of her son, Omar, and claimed legal paternity, he was not the boy’s biological father. Two lies, established at the birth of these children, created a dynamic antagonism that lasted for generations. Pound maneuvered through it until he was arrested for treason after World War II and shipped back from Italy to the United States, where he was institutionalized rather than imprisoned. As an adult, de Rachewiltz took on the task of claiming a contested heritage and securing her father’s literary legacy in the face of a legal system that failed to recognize her legitimacy. Born on different continents, separated by nationality, related by natural birth, and torn apart by conflict between Italy and America, Mary and Ezra Pound found a way to live out their deep and abiding love for one another. Let the Wind Speak is both a history of modern writers who were forced to negotiate allegiances to one another and to their adopted countries in a time of mortal conflict, and the story of Mary de Rachewiltz’s navigation through issues of personal identity amid the shifting politics of western nations in peace and war. It is a masterful biography that asks us to consider cultures of secrecy, frayed allegiances, and the boundaries that define nations, families, and politics.

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With a foreword by Lee Child.Andy Martin spent a year in the company of Lee Child, creator of tough-guy hero Jack Reacher. With Child is the diary of their adventures, tracking the publication and reception of Make Me, the writing of Night School at an apartment in Manhattan, the filming of Never Go Back in New Orleans, all the agony and ecstasy of the creative process and the sheer hard work of selling a bestseller. They go on the road together, from TV studios to bookstores, from Harvard to Stockholm, amid literary conferences and gunshows, rivalries and reviews ranging from adulatory to murderous. We meet fellow writers like Stephen King and David Lagercrantz and Karin Slaughter, and dissect the latest novel from Jonathan Franzen. But Martin also reaches out to Child’s legion of readers in America and around the world. He tracks down a woman in Texas whose name appears in the home invasion scene in Make Me; he goes up a mountain in Montana in search of the only reader who thinks Reacher is a “lightweight”; and he talks to obsessive fans from Europe to South Africa who find salvation or consolation in the colossal form of Jack Reacher. This compelling account of life on the road with Lee Child demonstrates that readers are just as important as writers in the making of modern fiction.

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The fascinating tale of how a bipartisan coalition worked successfully to lower the voting age “Let Us Vote!” tells the story of the multifaceted endeavor to achieve youth voting rights in the United States. Over a thirty-year period starting during World War II, Americans, old and young, Democrat and Republican, in politics and culture, built a movement for the 26th Amendment to the US Constitution, which lowered the voting age from twenty-one to eighteen in 1971. This was the last time that the United States significantly expanded voting rights. Jennifer Frost deftly illustrates how the political and social movements of the time brought together bipartisan groups to work tirelessly in pursuit of a lower voting age. In turn, she illuminates the process of achieving political change, with the convergence of “top-down” initiatives and “bottom-up” mobilization, coalition-building, and strategic flexibility. As she traces the progress toward achieving youth suffrage throughout the ’60s, Frost reveals how this movement built upon the social justice initiatives of the decade and was deeply indebted to the fight for African American civil and voting rights. 2021 marks the fiftieth anniversary of this important constitutional amendment and comes at a time when scrutiny of both voting age and voting rights has been renewed. As the national conversation around climate crisis, gun violence, and police brutality creates a new call for a lower voting age, “Let Us Vote!” provides an essential investigation of how this massive political change occurred, and how it could be brought about again.

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A unique look at the history, adventures, myths and realities of this most legendary and powerful of bands, it is a labour of love based on hours of first-hand and original interviews. What emerges is a compelling portrait of the four musicians themselves, as well as a fresh insight into the close-knit entourage that protected them, from Peter Grant to Richard Cole to Ahmet Ertegun, giant figures from the long-vanished world of 1970s rock.Featuring many rare and never before seen photographs, it is also the first book on Led Zeppelin to cover such recent events as their triumphant 2007 O2 Arena gig and Robert Plant's Grammy-winning resurgence of recent years.

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Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume Historique was in its day the most wide-ranging and incisive study of clothing ever attempted. Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail. This TASCHEN reprint presents Racinet’s exquisitely precise color illustrations, as well as his delightful descriptions and often witty commentary. Spanning everything from ancient Etruscan attire to French women’s couture, material is arranged according to Racinet’s original plan by culture and subject. As expansive in its reach as it is passionate in its research and attention to detail, Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style.

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Now fully updated: the ultimate, grade-boosting case companion to First Aid for the® USMLE® Step 1 Enhanced by 400 meticulously illustrated cases in a new single-page format, the fourth edition of First Aid® Cases for the USMLE® Step 1 is an integral part of any student’s USLME® Step 1 exam prep. Enabling test-takers to make connections between basic science principles and clinical situations, each case contains precise drawings or clinical images with Q&As that drive home main concepts. Chapters are keyed to Tao Le's First Aid for the® USMLE® Step 1, which allows students to simultaneously study cases and master high-yield facts. •Hundreds of instructive cases get students ready to ace the USMLE® Step 1•New full-color design, with each case self-contained in a single page for easy reference •Active recall questions and answers reinforce important concepts•A perfect companion to First Aid for the® USMLE® Step 1, with a similar organization that facilitates review

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Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united only under Attila's ten-year reign. Geary dismantles the nationalist myths about how the nations of Europe were born. Through rigorous analysis set in lucid prose, he contrasts the myths with the actual history of Europe's transformation between the fourth and ninth centuries--the period of grand migrations that nationalists hold dear. The nationalist sentiments today increasingly taken for granted in Europe emerged, he argues, only in the nineteenth century. Ironically, this phenomenon was kept alive not just by responsive populations--but by complicit scholars. Ultimately, Geary concludes, the actual formation of European peoples must be seen as an extended process that began in antiquity and continues in the present. The resulting image is a challenge to those who anchor contemporary antagonisms in ancient myths--to those who claim that immigration and tolerance toward minorities despoil "nationhood." As Geary shows, such ideologues--whether Le Pens who champion "the French people born with the baptism of Clovis in 496" or Milosevics who cite early Serbian history to claim rebellious regions--know their myths but not their history. The Myth of Nations will be intensely debated by all who understood that a history that does not change, that reduces the complexities of many centuries to a single, eternal moment, isn't history at all.

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This beautiful and visually immersive book charts the fascinating story of the institution of the Museum, from its origins to the present. Visited by millions around the world every year, museums are one of mankind’s most essential creations. They tell stories, shape cultural identities and hold valuable insight about the past and about the future. This captivating works charts a path from the very first collection through to the latest developments in cultural curation, interweaving Using examples of the greatest cultural institutions to shape the narrative, historian and academic Owen Hopkins draws on his deep knowledge of the field to outline the history of the museum movement. Tracking the evolution from princely collections in Europe and the Enlightenment’s classically inspired temples of curiosities, via the public museums of the late nineteenth century, on to today’s global era oficonic buildings designed by the world’s leading architects, this book is a vital work for anyone seeking to understand the development of the museum into what it is today. Over the course of five chapters filled with stunning imagery that highlights the beauty of these venerated buildings, the origins of key institutions are revealed, including: Louvre Metropolitan Museum of Art British Museum Tate Modern The Hermitage Guggenheim Smithsonian Institute Acropolis Museum Also outlined are the motivations of the architects, curators and patrons who have shaped how we experience the modern museum, a cast that includes names such as King George II, Napoleon, Henry Clay Frick, Peggy Guggenheim, Andrew Carnegie, Alfred Barr, Frank Lloyd Wright, Le Corbusier, Frank Gehry, Richard Rogers, Nicholas Serota and Zaha Hadid. By examining how these venues became intrinsic to our shared cultural experience, analysing the changing roles they play in society and questioning what the future holds in a digital age, this book is for anyone who has stood in awe at the spectacle of a museum.

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The Greek island sequence montaged by Laszlo Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in August 1933 when the elite of the European architectural and artistic avant-garde-in Greece for the 4th International Congress of Modern Architecture (CIAM)-took to the Aegean in a barely-seaworthy "nut shell" that would bring them close to the brink of disaster. The "motley crew" included Le Corbusier, Fernand Leger, Amedee Ozenfant, Sigfried Giedion, Cor van Eesteren, and Otto Neurath. Crucial to the success of the surreal odyssey were members of the Greek avant-garde. Drawing on previously unpublished material-Moholy's poetically ironic letter to his wife Sibyl, Ghika's candid Memoirs of Le Corbusier, and forensic examination of the architect's sketchbooks-the authors reconstruct the epiphanies, debates, and, inevitably, estrangements at this critical moment in European history.

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Journalist Marie Le Conte was born in 1991, the same year the World Wide Web was made publicly available. She had her first blog at 12, a successful music website at 16 and, at 31, has just under 100,000 followers on Twitter. She spent her formative years on MSN, MySpace, Tumblr and forums; like many people her age, she grew up online as the internet itself was growing up. It was a joy until it wasn't - where did it all go wrong?How did the internet go from a haven you hid in to escape real life to a place where real life is shaped? A space where you could be yourself and find like-minded people to a world sullied by bad algorithms, annoying brands and endless trolling? When did it become the place we're all trying to run away from?Escape is a fascinating exploration of the rise and demise of the internet. It's a look back on the people and platforms that came and went before everything started collapsing. It's an analysis of the lessons being online has taught us, and a celebration of the tools it gave us to feel less alone.

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Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to be added to the trilogy, the draft of the third version of Tête d'Or reveals a dialogue between the Old and New Testaments a theme that appears to be central to Claudel's entire corpus. Genet labored over La Mort for many years. At the conclusion of Saint Genet, comédien et martyr (1952), Sartre mentions this final work of Genet. Genet discussed his progress on La Mort in correspondence and even published Fragments of La Mort in the literary magazine Les Temps Modernes. While the project never came to fruition, it nevertheless remains an important means through which to understand Genets work. The aborted production of Fellinis Voyage de G. Mastorna has become a legend. After 8" and Giulietta degli spiriti, Fellini wrote a screenplay that he began to film but subsequently abandoned, much to the chagrin of producer Dino de Laurentiis who had already invested in sets and costumes. Fellini would often revisit this project, but never completed it. This book also examines additional dream projects taken from different art forms: poetry (Mallarmés Le Livre); literature (Vignys Daphné); painting (Monets Nymphéas); music (Schoenbergs Moses und Aron); and various films (Clouzots LEnfer, Viscontis La Recherche, Kubricks Napoleon, etc.).

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