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"Russell has complete mastery of his material, and the book's sweep is grand: a tour of the first five centuries of Christian intellectual history with the spotlight on the villain instead of the hero.... Satan is a valuable introduction to the theological portion of the Western Devil tradition."― Speculum Undeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil—the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era. Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil? Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since. Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

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Queen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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Christian Campbell takes us to dusk, what the French call l'heure entre chien et loup, the hour between dog and wolf, to explore ambiguity and intersection, danger and desire, loss and possibility. These poems of wild imagination shift shape and shift generation, remapping Caribbean, British and African American geographies: Oxford becomes Oxfraud; Shabba Ranks duets with Césaire; Sidney Poitier is reconsidered in an exam question; market women hawk poetry beside knock-off Gucci bags; elegies for ancestors are also for land and sea. Here is dancing at the crossroads between reverence and irreverence. Dusk is memory, dusk is dream, dusk is a way to re-imagine the past.Running the Dusk won the 2010 Aldeburgh First Collection Prize and was shortlisted for the 2010 Forward Poetry Prize for the Best First Book in the UK. It was also named a finalist for the Cave Canem Prize by Sonia Sanchez."Running the Dusk gives us a new voice for Caribbean arts and letters, and Christian Campbell is one of the few perfectly suited to accept this mantle. His poems don't address the obvious in a tumultuous, beautiful landscape of hearts and minds, personal and public rituals, but his voice dares to take a step beyond, to bridge the diaspora of the spirit. If you're holding Running the Dusk in your hands, you are lucky to be facing the gutsy work of a long-distance runner who possesses the wit and endurance, the staying power of authentic genius. This first collection is controlled beauty and strength, and the exhilaration of images and music encountered are necessary and believable. There's great celebration here."Yusef Komunyakaa, Pulitzer Prize-winning Poet and Global Distinguished Professor of English at NYU"A truly auspicious debut by a brilliant young writer of wide-open ear and versatile tongue. Campbell's imagery slices through fog; these poems are nourished by New World etymologies and old-school ways and wisdoms. His use of poetic form is drum-tight and yet these poems unfold like the infinity of a coast-line, sinuous and generous. In the black diaspora Campbell writes from and about, 'all angels have afros' and all poems are song. Running the Dusk is deep-souled, keen-eyed, knowing, honed, gorgeous. This is a heralding book we'll be talking about for a long time to come."Elizabeth Alexander, Obama's Inaugural Poet and Chair of African American Studies at Yale UniversityChristian Campbell studied at Oxford as a Rhodes Scholar. His poetry and essays have been published widely in the Caribbean, the United Kingdom and North America.

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It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefébure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh’s career. It traces the German photographer’s cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garçons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh’s respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaïa, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh’s reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh’s lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

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A visit to a physician these days is cold: physicians spend most of their time typing at computers, making minimal eye contact. Appointments generally last only a few minutes, with scarce time for the doctor to connect to a patient's story, or explain how and why different procedures and treatments might be undertaken. As a result, errors abound: indeed, misdiagnosis is the fourth-leading cause of death in the United States, trailing only heart disease, cancer, and stroke. This is because, despite having access to more resources than ever, doctors are vulnerable not just to the economic demand to see more patients, but to distraction, burnout, data overload, and their own intrinsic biases. Physicians are simply overmatched. As Eric Topol argues in Deep Medicine, artificial intelligence can help. Natural-language processing could automatically record notes from our doctor visits; virtual psychiatrists could better predict the risk of suicide or other mental health issues for vulnerable patients; deep-learning software will make every physician a master diagnostician; and we could even use smartphone apps to take our own medical "selfies" for skin exams and receive immediate analysis. . On top of that, the virtual smartphone assistants of today--Alexa, Siri, Cortana--could analyze our daily health data to reduce the need for doctor visits and trips to the emergency room, and support for people suffering from asthma, epilepsy, and heart disease. By integrating tools like these into their daily medical practice, doctors would be able to spend less time collecting and cataloging information, and more time providing thorough, intimate, and meaningful care for their patients, as no machine can.Artificial intelligence can also help remedy the debilitating cost of healthcare, both for individuals and the economy writ large. The medical sector now absorbs 20 percent of the US gross domestic product--it is largest sector by dollars and jobs. And it's very inefficient. Take the cost of medical scans: There are over 20 million medical scans performed in the US every day, and an MRI, for example, costs hundreds to thousands of dollars. AI could process 260 million medical scans (more than 2 weeks' worth) in less than 24 hours for a cost of only $1000. We pay billions and billions of dollars for the same work today.The American health care system needs a serious reboot, and artificial intelligence is just the thing to press the restart button. As innovative as it is hopeful, Deep Medicine ultimately shows us how we can leverage artificial intelligence for better care at lower costs with more empathy, for the benefit of patients and physicians alike.

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'OH MY GOSH, THIS BOOK! UN-PUT-DOWN-ABLE! . . . It's been a long time since a book brought me such joy!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'The perfect slice of vacation in book form' ROSIE DANANFor fans of Christina Lauren and Sally Thorne, escape with Shipped - the whipsmart and escapist romantic comedy that celebrates the power of second chances and the magic of new beginnings.'A fun and flirty read - fuels the desire for romance, travel and escapism!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Witty, romantic and perfect!!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review*What would you do if your actual dream man turned out to be real? Preorder Angie Hockman's next fresh and funny rom-com, Dream On, now!*...............................................................Two arch-rivals. One promotion. Can they resist falling for one another in paradise?Marketing manager Henley Evans barely has time for herself, let alone family, friends, or dating. But when she's shortlisted for her dream promotion, the sacrifices finally seem worth it. If only Graeme Crawford-Collins, the remote social media manager/bane of her existence, wasn't also up for the position. Although they've never met in person, their epic email battles are the stuff of office legend. The task: draft a proposal on how to boost bookings in the Galápagos. The catch? They have to go on a company cruise . . . together. But when they meet on the ship, Henley is shocked to discover that the real Graeme is nothing like she imagined - and the line between loathing and liking is thinner than a postcard. With her career dreams in sight and a growing attraction to the competition, Henley begins questioning her life choices. Because what's the point of working all the time if you never actually live?...............................................................'Witty, romantic, and completely addictive' LAUREN LAYNE'Shipped is a sweet, sunny getaway of a novel' SARAH HOGLE'Shipped is exactly what we all need right now: a rollicking rom-com with a conscience' KRISTIN ROCKAWAY'Enchanting, hilarious and a perfectly delightful escape! I loved every second of this enemies-to-lovers romance' NINA BOCCI'Flirty and fun, with a starring couple you'll fall in love with, Shipped is an eco-conscious rom-com with great characters, lots of laughs, and a stunning location . . . I'm sold!' SARAH MORGENTHALER'Angie Hockman sparkles in this unputdownable enemies-to-lovers romance!' MIRANDA LIASSON'Shipped is the hilarious rom-com we all need right now' KERRY WINFREY'Shipped is the most wonderful escape! In this sweet, enemies to lovers rom-com, Angie Hockman seriously delivers. I can't wait to see what she brings us next!' ALEXA MARTIN

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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Lord Alanbrooke was Churchill's right-hand man during World War II, and as Chief of the Imperial General Staff he had an integral part in shaping the strategy of Britain and the Allies. Despite this crucial role, he is very little known compared to military commanders such as Montgomery, Alexander, Slim, Mountbatten, Patton, or Eisenhower. This new biography of Lord Alanbrooke uses archival material and his diaries to trace his life, including his experiences in World War I and the development of his military career in the interwar years, with a focus on his post as the Chief of the Imperial General Staff during World War II.Voted the greatest Briton of the 20th century, Churchill has long been credited with almost single-handedly leading his country to victory in World War II. However without Brooke, a skilled tactician, at his side the outcome might well have been disastrous. Brooke more often than not served as a brake on some of Churchill's more impetuous ideas. However, while Brooke's diaries reveal his fury with some of Churchill's decisions, they also reveal his respect and admiration for the wartime prime minister. In return Churchill must surely have considered Brooke one of his most difficult subordinates but later wrote that he was "fearless, formidable, articulate, and in the end convincing".As CIGS, Brooke was integral to coordination between the Allied forces, and so had to wrestle with the cultural strategy clash between the British and Americans. Comments in his diaries offer up his opinions of both his British and American military colleagues – his negative assessments of Mountbatten’s ability, and acerbic comments on the difficult character of de Gaulle and the weaknesses of Eisenhower. Conversely he was clearly over-indulgent in the face of Montgomery's foibles. Brooke was often seen as a stern and humourless figure, but a study of his private life reveals an little-seen lighter side, a lifelong passion for birdwatching, and abiding love for his family. The two tragedies that befell his immediate family were a critical influence on his life. Sangster completes this new biography with a survey of the way various historians have assessed Brooke, explaining how he has lapsed into seeming obscurity in the years since his crucial part in the Allied victory in World War II.

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Examines the evolution of black nationalist thought from its earliest proto-nationalistic phase in the 1700s to the Garvey movement in the 1920s Recent years have seen a resurgence of interest in modern black nationalist leaders such as Stokely Carmichael and Malcolm X. But what of the ideological precursors to these modern leaders, the writers, and leaders from whose intellectual legacy modern black nationalism emerged? Wilson Jeramiah Moses, whom the Village Voice called one of the foremost historians of black nationalism, has here collected the most influential speeches, articles, and letters that inform the intellectual underpinnings of contemporary black nationalism, returning our focus to black nationalism at its inception. The goal of early black nationalists was the return of the African-American population to Africa to create a sovereign nation-state and to formulate an ideological basis for a concept of national culture. Most early black nationalists believed that this return was directed by the hand of God. Moses examines the evolution of black nationalist thought through several phases, from its proto-nationalisic phase in the late 1700s through a hiatus in the 1830s, through its flourishing in the 1850s, its eventual eclipse in the 1870s, and its resurgence in the Garvey movement of the 1920s. Moses provides us with documents that illustrate the motivations of both whites and blacks as they sought the removal of the black population. We hear from Thomas Jefferson, who held that it was self-evident that black and white populations could not intermingle on an equal basis or merge to form one happy society, and who toyed with the idea of a mass deportation of the black American population. We see that the profit motive is an important motive behind any nationalist movement in the letters between African American capitalists Paul Cuffe and James Forten. Among the more difficult selections to classify in this collection, Robert Alexander Young's Ethiopian Manifesto prophesied the coming of a prophetic liberator of the African race. The Christian nature of nineteenth century black nationalism is evident in Blyden's The Call of Providence. Moses rounds out the volume with contributions from more well- known voices such as those of Marcus Garvey, W.E.B. Dubois, and others. Classical Black Nationalism will serve as a point of departure for anyone interested in gaining a foundational knowledge of the disparate voices behind this often discussed but seldom understood movement.

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Voices from the Napoleonic Wars reveals in telling detail the harsh lives of soldiers at the turn of the eighteenth century and in the early years of the nineteenth - the poor food and brutal discipline they endured, along with the forced marches and bloody, hand-to-hand combat. Contemporaries were mesmerised by Napoleon, and with good reason: in 1812, he had an unprecedented million men and more under arms. His new model army of volunteers and conscripts at epic battles such as Austerlitz, Salamanca, Borodino, Jena and, of course, Waterloo marked the beginning of modern warfare, the road to the Sommes and Stalingrad. The citizen-in-arms of Napoleon's Grande Armée and other armies of the time gave rise to a distinct body of soldiers' personal memoirs. The personal accounts that Jon E. Lewis has selected from these memoirs, as well as from letters and diaries, include those of Rifleman Harris fighting in the Peninsular Wars, and Captain Alexander Cavalie Mercer of the Royal Horse Artillery at Waterloo. They cover the land campaigns of the French Revolutionary Wars (1739-1802), the Napoleonic Wars (1803-1815) and the War of 1812 (1812-1815), in North America. This was the age of cavalry charges, of horse-drawn artillery, of muskets and hand-to-hand combat with sabres and bayonets. It was an era in which inspirational leadership and patriotic common cause counted for much at close quarters on chaotic and bloody battlefields. The men who wrote these accounts were directly involved in the sweeping campaigns and climactic battles that set Europe and America alight at the turn of the eighteenth century and in the years that followed. Alongside recollections of the ferocity of hard-fought battles are the equally telling details of the common soldier's daily life - short rations, forced marches in the searing heat of the Iberian summer and the bitter cold of the Russian winter, debilitating illnesses and crippling wounds, looting and the lash, but also the compensations of hard-won comradeship in the face of ever-present death. Collectively, these personal accounts give us the most vivid picture of warfare 200 and more years ago, in the evocative language of those who knew it at first hand - the men and officers of the British, French and American armies. They let us know exactly what it was like to be an infantryman, a cavalryman, an artilleryman of the time.

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'A wonderful connecting of two women writers' stories more than a century apart.' Julia Kuehn, The University of Hong Kong The first-ever biography of the pioneering female journalist who fought to bring Japanese cherry trees to Washington, DC Every age has strong, independent women who defy the gender conventions of their era to follow their hearts and minds. Eliza Scidmore was one such maverick. Born on the American frontier just before the Civil War, she rose from modest beginnings to become a journalist who roamed far and wide writing about distant places for readers back home. By her mid-20s she had visited more places than most people would see in a lifetime. By the end of the nineteenth century, her travels were so legendary she was introduced at a meeting in London as “Miss Scidmore, of everywhere.” In what has become her best-known legacy, Scidmore carried home from Japan a big idea that helped shape the face of modern Washington: she urged the city's park officials to plant Japanese cherry trees on a reclaimed mud bank-today's Potomac Park. Though they rebuffed her suggestion several times, she finally got her way nearly three decades later thanks to the support of First Lady Helen Taft. Scidmore was a “Forrest Gump” of her day who bore witness to many important events and rubbed elbows with famous people, from John Muir and Alexander Graham Bell to U.S presidents and Japanese leaders. She helped popularize Alaska tourism during the birth of the cruise industry, and educated readers about Japan and other places in the Far East at a time of expanding U.S. interests across the Pacific. At the early National Geographic, she made a lasting mark as the first woman to serve on its board and to publish photographs in the magazine. Around the same time, she also played an activist role in the burgeoning U.S. conservation movement. Her published work includes books on Alaska, Japan, Java, China, and India; a novel based on the Russo-Japanese War; and about 800 articles in U.S. newspapers and magazines. Deeply researched and briskly written, this first-ever biography of Scidmore draws heavily on her own writings to follow major events of a half-century as seen through the eyes of a remarkable woman who was far ahead of her time.

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Thomas Graumann untersucht die Entstehung einer theologischen Denk- und Argumentationsform, die als Väterbeweis bezeichnet wird. Dabei geht es um eine Form der Berufung auf Tradition, die bestimmte Personen namentlich als Autoritäten ('Väter') benennt und ihr Denken durch explizite Zitate begründet. Beide Elemente tauchen erstmals im Zuge der trinitätstheologischen Kontroversen des 4. Jahrhunderts auf, genauer in der Auseinandersetzung zwischen Markell von Ankyra und Euseb von Caesarea. Während Markell diese Art der Argumentation der Gegner kritisch gegen die alleinige Autorität der Heiligen Schrift ausspielen will, entdeckt sie Euseb als ein Merkmal des 'Kirchlichen' und der zu fordernden Kontinuität von 'Theologie'. Thomas Graumann untersucht, wie in der Folgezeit durch die Berufung auf Väter theologische Einsichten verdeutlicht und begründet wurden und wie dabei zugleich die Frage nach einem eigenen kirchlichen Standort mitbeantwortet wurde. Kyrill von Alexandrien schließlich formt zu Beginn des 5. Jahrhunderts in der Kontroverse mit Nestorius diese Ansätze zu einem förmlichen Väterbeweis. Darum liegt ein weiterer Schwerpunkt in der Analyse des publizistischen Streits mit Nestorius und der detailgenauen Auswertung der Akten des Konzils von Ephesus. Die Bedeutung des Väterthemas für die Selbstwahrnehmung der Konkurrenten und für das Konzilsgeschehen erscheint so in einem neuen Licht. Auch die an das Konzil anschließenden Friedensverhandlungen stehen im Zeichen der Suche nach gemeinsamen Vätern. Das Konzil von Ephesus erweist sich als Knotenpunkt der vorherigen Entwicklung und Quellpunkt der weiteren Nutzung dieses Verfahrens, das spätestens mit dem Konzil von Chalcedon (451) zur 'normalen' theologischen Methode wird. In der Pflege gemeinsamer Vätererinnerung beschreibt das Väterdenken zugleich einen wesentlichen Ausschnitt des kirchlichen Selbstbewußtseins frühbyzantinischer Prägung und steht so gleichsam stellvertretend für eine (im Altertum) theoretisch nie formulierte östliche Ekklesiologie.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for two men, almost all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Mike Bartlett, Howard Brenton, Jez Butterworth, Alexi Kaye Campbell, Ella Hickson, Sam Holcroft, Anna Jordan, Rona Munro, Jack Thorne and Tom Wells, and the plays themselves were premiered at the very best theatres across the UK including the Manchester Royal Exchange, Watford Palace, the Almeida, Bush, Hampstead, Royal Court and Soho Theatres, and at the Edinburgh Festival Fringe. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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Henry II conquered the largest empire of any English medieval king. Yet it is the people around him we remember: his wife Eleanor, whom he seduced from the French king; his son Richard the Lionheart; Thomas Becket, murdered in his cathedral. Who was this great, yet tragic king? For fans of Dan Jones, George RR Martin and Bernard Cornwell. The only thing that could have stopped Henry was himself. Henry II had all the gifts of the gods. He was charismatic, clever, learned, empathetic, a brilliant tactician, with great physical strength and an astonishing self-belief. Henry was the creator of the Plantagenet dynasty of kings, who ruled through eight generations in command of vast lands in Britain and Europe. Virtually unbeaten in battle, and engaged in a ceaseless round of conquest and diplomacy, Henry forged an empire that matched Charlemagne’s. It was not just on the battlefield that Henry excelled; he presided over a blossoming of culture and learning termed ‘the twelfth century Renaissance’, pursued the tenets of reason over religious faith, and did more to advance the cause of justice and enforce the rule of law than any other English monarch before or since. Contemporaries lauded his greatness and described him as their ‘Alexander of the West’. And yet it is the people around him who are remembered: his wife Eleanor of Aquitaine, whom he seduced away from the French king; his sons Richard the Lionheart and John; Thomas Becket, murdered in his cathedral. Henry – so famed during his lifetime – has slipped into the shadows of history. King of the North Wind offers a fresh evaluation of this great yet tragic ruler. Written as a historical tragedy, it tells how this most talented of kings came into conflict with those closest to him, to become the most haunted.

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Syria has long been one of the most trouble-prone and politically volatile regions of the Near and Middle Eastern world. This book looks back beyond the troubles of the present to tell the 3000-year story of what happened many centuries before. Trevor Bryce reveals the peoples, cities, and kingdoms that arose, flourished, declined, and disappeared in the lands that now constitute Syria, from the time of it's earliest written records in the third millennium BC until the reign of the Roman emperor Diocletian at the turn of the 3-4th century AD. Across the centuries, from the Bronze Age to the Rome Era, we encounter a vast array of characters and civilizations, enlivening, enriching, and besmirching the annals of Syrian history: Hittite and Assyrian Great Kings; Egyptian pharaohs; Amorite robber-barons; the biblically notorious Nebuchadnezzar; Persia's Cyrus the Great and Macedon's Alexander the Great; the rulers of the Seleucid empire; and an assortment of Rome's most distinguished and most infamous emperors. All swept across the plains of Syria at some point in her long history. All contributed, in one way or another, to Syria's special, distinctive character, as they imposed themselves upon it, fought one another within it, or pillaged their way through it. But this is not just a history of invasion and oppression. Syria had great rulers of her own, native-born Syrian luminaries, sometimes appearing as local champions who sought to liberate their lands from foreign despots, sometimes as cunning, self-seeking manipulators of squabbles between their overlords. They culminate with Zenobia, Queen of Palmyra, whose life provides a fitting grand finale to the first three millennia of Syria's recorded history. The conclusion looks forward to the Muslim conquest in the 7th century AD: in many ways the opening chapter in the equally complex and often troubled history of modern Syria.

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THE TRUE STORY OF THE 41,000 BRITISH SOLDIERS WHO WERE LEFT BEHIND AFTER THE EVACUATION OF DUNKIRK, MAY 1940'Meticulously researched, very well written and deeply moving' Andrew Roberts'Few readers will be unmoved by Sean Longden's account' Dominic SandbrookAt 2am on the morning of the 3rd of June 1940, General Harold Alexander searched along the quayside, holding onto his megaphone and called "Is anyone there? Is anyone there?" before turning his boat back towards England. Tradition tells us that the dramatic events of the evacuation of Dunkirk, in which 300,000 BEF servicemen escaped the Nazis, was a victory gained from the jaws of defeat. For the first time, rather than telling the tale of the 300,000 who escaped, Sean Longden reveals the story of the 40,000 men sacrificed in the rearguard battles.On the beaches and sand dunes, besides the roads and amidst the ruins lay the corpses of hundreds who had not reached the boats. Elsewhere, hospitals full of the sick and wounded who had been left behind to receive treatment from the enemy's doctors. And further afield - still fighting hard alongside their French allies - was the entire 51st Highland Division, whose war had not finished as the last boats slipped away. Also scattered across the countryside were hundreds of lost and lonely soldiers. These 'evaders' had also missed the boats and were now desperately trying to make their own way home, either by walking across France or rowing across the channel. The majority, however, were now prisoners of war who were forced to walk on the death marches all the way to the camps in Germany and Poland, where they were forgotten until 1945.'Sean Longden is a rising name in military history, and is able to uncover the missing stories of the Second World War' Guardian

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'A definite must for all fans of comic fantasy' - ENIGMA'Wacky humour bubbles through the polished narrative ... Holt doesn't skimp on the flashes of brilliance' - SFXEver been offered a promotion that seems too good to be true? You know - the sort they'd be insane to be offering to someone like you. The kind where you snap their arm off to accept, then wonder why all your long-serving colleagues look secretly relieved, as if they're off some strange and unpleasant hook ...It's the kind of trick that deeply sinister companies like J.W. Wells & Co. pull all the time. Especially with employees who are too busy mooning over the office intern to think about what they're getting into. And it's why, right about now, Paul Carpenter is wishing he'd paid much less attention to the gorgeous Melze, and rather more to a little bit of job description small-print referring to 'pest' control ...Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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The key to our position in the whole Mediterranean lay in Malta. (Tedder) Two of the greatest strategic mistakes by Hitler involved failure to take control of two key locations, Gibraltar and Malta; between them these two were able to influence, and at times dominate, the Western Mediterranean area, and surrounding land masses. Malta, with its strategic partner, Alexandria (and Egypt) likewise dominated the Eastern Mediterranean and surrounding land masses. Malta only existed strategically for its ability to attack the enemy Lines of Communication between European bases (now stretching from France to Crete) and North Africa. Every piece of equipment, every man and all supplies had to move from Europe to North Africa, the majority by surface vessel, and had to be gathered at a limited number of port facilities in both locations, which made those locations key choke points and targets. Once in North Africa, everything had to move along the main coastal road from the supply ports to dumps and to units. Every campaign is to a greater or lesser extent one of logistics, the Desert War more so than most. It has often been called a war of airfields but it is more accurately described as a war of logistics , with airfields playing a major role in defending one s own supply lines whilst striking at the enemy s lines. If Malta could not attack, then it was a drain on resources; but in order to attack it had to protect the infrastructure and equipment needed for attack. The ability to take a pounding, shake it off and fight back was the key to survival. The Island required determined leadership, external support dedicated to supplying the Island, and the committed resilience of all those on the Island to ensure success. This is the story of how Malta rose to meet the challenges facing its defences during the Second World War; how it struck back and survived one of its darkest eras.

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Step back in time to an ancient world of mythical beasts, bow down to gods and goddesses, and take a trip to the first Olympics in this illustrated guide. Become an eyewitness to the glory of ancient Greece in this picture-led reference guide that will take you on a visual tour of what classical Greece was like. Children will be mesmerized by striking photography, maps, paintings, and lots of artefacts to help understand what life was like at this time.This illustrated guide lets kids aged 9+ experience the significance ancient Greece has had in transforming our world, in this detailed introduction to one of the world's founding nations. Learn why Greek pottery is so famous, discover how children played, and take a look at what people wore.Throughout the pages of this newly-revised book on Ancient Greece, you can expect to find: - A fresh new look; new photographs, updated information, and a new “eyewitness” feature.- Amazing facts, updated diagrams, statistics, and timelines.- Brand new eyewitness accounts from experts in the field.DK Eyewitness Ancient Greece is crammed full of fascinating information, statistics and facts. Meet a fierce minotaur, wage war with Alexander the Great, look inside a temple, and learn how the people of ancient Greece lived their lives. Find out about their religions, their hobbies, and their amazing impact on the rest of our history.So, what’s new? Part of DK’s best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new “eyewitness” feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Travel through the solar system with Eyewitness Space, discover the incredible world of creepy-crawlies in Eyewitness Insect, examine precious stones in Eyewitness Crystal & Gem or take a trip aboard the most famous ship in history with Eyewitness Titanic.

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Discover the astounding ancient architecture, the history of civilization, and the beauty of our planet in these Wonders of the World.Become an eyewitness to the fascinating architectural feats and natural treasures of the world in this picture-led reference guide that will take you on a visual tour of more than 50 wonders of the world. Children will be mesmerized by human-made landscapes such as the Statue of Liberty to record-breaking natural marvels like the River Nile. This unique, beautifully illustrated guide takes kids on an incredible journey around the world's most spectacular sights. Using striking full-color photographs and illustrations, discover the Pyramids of Giza, the Hanging Gardens of Babylon, the Temple of Artemis, the Statue of Zeus, the Mausoleum atHalicarnassus, the Colossus of Rhodes, and the Lighthouse of Alexandria and much more!Throughout the pages of this newly-revised book on Wonders of the World, you can expect to find: - A fresh new look, new photographs, updated information, and a new “eyewitness” feature- Amazing facts, diagrams, statistics, and timelines- Brand new eyewitness accounts from experts in the fieldEyewitness Wonders of the World introduces the ultimate guide to remarkable architecture and natural wonders. Children can learn about the most incredible natural and human-made wonders, through amazing facts, diagrams, and statistics to see them as never before. This all-emcompassing wonders of the world guide is a must-have for curious children aged 9+ with a thirst for learning, as well as teachers, parents and librarians.So, what’s new? Part of DK’s best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new “eyewitness” feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Journey down the River Amazon and explore the rainforest with Eyewitness Amazon, learn how to combat climate change with Eyewitness Climate Change or take a trip aboard the most famous ship in history with Eyewitness Titanic.

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Discover the astounding ancient architecture, the history of civilization, and the beauty of our planet in these Wonders of the World.Become an eyewitness to the fascinating architectural feats and natural treasures of the world in this picture-led reference guide that will take you on a visual tour of more than 50 wonders of the world. Children will be mesmerised by human-made landscapes such as the Statue of Liberty to record-breaking natural marvels like the River Nile.This unique, beautifully illustrated guide takes kids on an incredible journey around the world's most spectacular sights. Using striking full-colour photographs and illustrations, discover the Pyramids of Giza, the Hanging Gardens of Babylon, the Temple of Artemis, the Statue of Zeus, the Mausoleum atHalicarnassus, the Colossus of Rhodes, and the Lighthouse of Alexandria and much more!Throughout the pages of this newly-revised book on Wonders of the World, you can expect to find: - A fresh new look, new photographs, updated information, and a new "eyewitness" feature- Amazing facts, diagrams, statistics, and timelines- Brand new eyewitness accounts from experts in the fieldEyewitness Wonders of the World introduces the ultimate guide to remarkable architecture and natural wonders. Children can learn about the most incredible natural and human-made wonders, through amazing facts, diagrams, and statistics to see them as never before. This all-emcompassing wonders of the world guide is a must-have for curious children aged 9+ with a thirst for learning, as well as teachers, parents and librarians.So, what's new? Part of DK's best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new "eyewitness" feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Journey down the River Amazon and explore the rainforest with Eyewitness Amazon, learn how to combat climate change with Eyewitness Climate Change or take a trip aboard the most famous ship in history with Eyewitness Titanic.

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Table of Contents Preface and Acknowledgments Abbreviations KEYNOTE ADDRESS - Yannis HAMILAKIS, Time, Performance, and the Production of a Mnemonic Record: From Feasting to an Archaeology of Eating and Drinking I. FEASTS FOR THE GODS: FEASTING PRACTICES AND RELIGIOUS ASPECTS - Jennifer WILSON, What Were the Women Doing While the Men Were Eating and Drinking? The Evidence of the Frescoes - Anna SIMANDIRAKI, The Minoan Body as a Feast - Bernice JONES, Anthropomorphic Vessels at the Feast: Evidence for Dress or Ornament? - Brent DAVIS, Libation and the Minoan Feast - David COLLARD, Possible Alternatives to Alcohol: The Contextual Analysis of Poppy-shaped Jugs from Cyprus and the Aegean - Dora CONSTANTINIDIS, From Fields to Feasts: Interpreting Aegean Architecture and Iconography in Relation to Feast Preparations - Janice L. CROWLEY, In Honour of the Gods ' But Which Gods? Identifying Deities in Aegean Glyptic - Helene WHITTAKER, The Role of Drinking in Religious Ritual in the Mycenaean Period - Elizabeth SHANK, Decorated Dining Halls - Gullog NORDQUIST, Feasting: Participation and Performance II. FEASTS FOR THE HUMANS: COOKING, FOOD AND WINE - Sarah P. MORRIS, Wine and Water in the Bronze Age: Fermenting, Mixing and Serving Vessels - Thomas M. BROGAN and Andrew J. KOH, Feasting at Mochlos? New Evidence for Wine Production, Storage and Consumption from a Bronze Age Harbor Town on Crete? - Rachel FOX, Tastes, Smells and Spaces: Sensory Perceptions and Mycenaean Palatial Feasting - Bartlomiej LIS, Cooked Food in the Mycenaean Feast ' Evidence from the Cooking Pots - Julie HRUBY, You Are How You Eat: Mycenaean Class and Cuisine IIIa. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM CRETE - Philip P. BETANCOURT, David S. REESE, Louise L. VERSTEGEN, and Susan C. FERRENCE, Feasts for the Dead: Evidence from the Ossuary at Hagios Charalambos - Luca GIRELLA, Feasts in 'transition'? An overview of feasting practices during MM III in Crete - Loeta TYREE, Athanasia KANTA and Harriet Lewis ROBINSON, Evidence for Ritual Eating and Drinking: A View from Skoteino Cave - Judith REID, Dinnertime at Kato Zakro - Jan DRIESSEN, Alexandre FARNOUX and Charlotte LANGOHR, Favissae. Feasting Pits in LM III - Quentin LETESSON and Jan DRIESSEN, From 'Party' to 'Ritual' to 'Ruin' in Minoan Crete: The Spatial Context of Feasting IIIb. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM THE MAINLAND - Jennifer O'NEILL, Utility and Metaphor: The Design of The House of Tiles at Lerna - Kim S. SHELTON, Drinking, Toasting, Consumption and Libation: Late Helladic IIIA Pottery and a Cup for Every Occasion - Salvatore VITALE, Ritual Drinking and Eating at LH IIIA2 Early Mitrou, East Lokris. Evidence for Mycenaean Feasting Activities? - Gisela WALBERG and David S. REESE, Feasting at Midea IV. IMAGES OF THE FEAST: ICONOGRAPHY - Ingo PINI, Are there any Representations of Feasting in the Aegean Bronze Age? - Fritz BLAKOLMER, Processions in Aegean Iconography II: Who are the Participants? - Susan C. FERRENCE, Is There Iconography of the Minoan Feast? - Marcia NUGENT, Picturing the Feast ' Recipes as Art. Botanic Motifs of the Late Bronze Age Cycladic Islands V. FEASTS ABROAD: COMPARATIVE EVIDENCE FROM THE EASTERN MEDITERRANEAN - Jennifer M. WEBB and David FRANKEL, Fine Ware Ceramics, Consumption and Commensality: Mechanisms of Horizontal and Vertical Integration in Early Bronze Age Cyprus - Kathryn O. ERIKSSON, Feasting as Part of the Multiculturalism of Late Bronze Age Cyprus - Alison SOUTH, Feasting in Cyprus: a View from Kalavasos - Louise A. HITCHCOCK, Architectures of Feasting - Karen Polinger FOSTER, A Taste for the Exotic - Ann E. KILLEBREW and Justin LEV-TOV, Early Iron Age Feasting and Cuisine: an Indicator of Philistine-Aegean Connectivity? - Aren M. MAEIR, Aegean Feasting and other Indo-European Elements in the Philistine Household -Assaf YASUR-LANDAU, Hard to Handle: Aspects of Organization in Aegean and Near Eastern Feasts VI. FEASTS IN THE TEXTS: THE WRITTEN RECORD - John G. YOUNGER, Food Rations and Portions in Cretan Hieroglyphic Documents - Ioannis FAPPAS, The Use of Perfumed Oils during Feasting Activities: A Comparison of Mycenaean and Near Eastern Written Sources - Stavroula NIKOLOUDIS, Bulls and Belonging: Another Look at PY Cn 3 - Thomas G. PALAIMA, The Significance of Mycenaean Words Relating to Meals, Meal Rituals, and Food - Vassilis P. PETRAKIS, E-ke-ra2-wo A wa-na-ka: The Implications of a Probable Non-Identification for Pylian Feasting and Politics - Cynthia W. SHELMERDINE, Host and Guest at a Mycenaean Feast - Jorg WEILHARTNER, Some Observations on the Commodities in the Linear B Tablets Referring to Sacrificial Banquets AFTERTHOUGHT - Thomas G. PALAIMA, A New Linear B Inscription from the Land Down Under: AUS HO(ME) Bo 2008

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‘We must reveal the truth – it’s our duty. The world must know what is going on here … We have to carry on reporting. This is what keeps me going: reporting so that the world will never forget.’ – Asami Terajima, reporter for The Kyiv IndependentHow does a newsroom, made up of young journalists, find itself in a war zone overnight? How do you do your job as a correspondent when the conflict is literally on your doorstep?One member of The Kyiv Independent’s young editorial staff was covering the business world in Ukraine, another was reporting on entertainment, while a third was dealing with geopolitics, when the Russian army crossed the border. They made the choice to stay: to face head-on the uncertainty of living and working in an active war zone. The power cuts, threat to life, trips to shelters, lethal attacks – despite it all, they keep informing.In War Diary of the Ukrainian Resistance, they share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences.Everyone has a part to play in the resistance; reporting the truth is theirs. Their names are Alexander, Anastasiia, Anna, Artur, Asami, Daria, Daryna, Dinara, Francis, Igor, Illia, Iryna, Kostyantyn, Liza, Natalia, Oleg, Oleksiy, Olena, Olga, Thaisa, Toma, Veronika and Zakhar. Their lives will never be the same again. Nor will ours.

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The Great, the Pious, the Fair; the Wise, the Lame, the Mad. Imprisoned, deposed, exiled. Excommunicated, assassinated; devout, debauched; loved, loathed — the Middle Ages produced a fascinating array of monarchs. From Britain to Russia, from Scandinavia to Sicily, from the 9th century CE to the completion of the Reconquista of Spain in 1492, Kings & Queens of the Medieval World explores the captivating stories of monarchs from all across Europe. Arranged thematically, the book groups the kings and queens by their achievements – military leaders, law-makers, religious reformers, patrons of the arts. These are stories of monarchs leading their armies into battle to expand or defend their territory, and of kings – and queens – going on crusade – both within Europe and to the Holy Land. These, too, are stories of, on the one hand, countries united by marriage, and, on the other, sons scheming against fathers in an effort to gain – and maintain – power. And yet these are also the stories of the people who constructed beautiful cathedrals, who founded universities and supported artists, of religious kings who were later canonised, of kings who created more just legal systems, established parliaments and permanent armies, and laid the foundations for more modern governments and societies. Featuring the major European dynasties, Kings & Queens of the Medieval World is a lively account of monarchs from Charlemagne to Alexander Nevsky to Ferdinand and Isabella. Illustrated with 180 colour and black-and-white artworks, photographs and maps, this is a colourful, accessible history.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows: Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.

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Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants. This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

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Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.

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The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved motherBarbara Chase-Riboud has led a remarkable life. After graduating from Yale’s School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminaries—from Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker.I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother.

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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Ableism, a form of discrimination that elevates “able” bodies over those perceived as less capable, remains one of the most widespread areas of systematic and explicit discrimination in Western culture. Yet in contrast to the substantial body of scholarly work on racism, sexism, classism, and heterosexism, ableism remains undertheorized and underexposed. In this book, James L. Cherney takes a rhetorical approach to the study of ableism to reveal how it has worked its way into our everyday understanding of disability.Ableist Rhetoric argues that ableism is learned and transmitted through the ways we speak about those with disabilities. Through a series of textual case studies, Cherney identifies three rhetorical norms that help illustrate the widespread influence of ableist ideas in society. He explores the notion that “deviance is evil” by analyzing the possession narratives of Cotton Mather and the modern horror touchstone The Exorcist. He then considers whether “normal is natural” in Aristotle’s Generation of Animals and in the cultural debate over cochlear implants. Finally, he shows how the norm “body is able” operates in Alexander Graham Bell’s writings on eugenics and in the legal cases brought by disabled athletes Casey Martin and Oscar Pistorius. These three simple equivalencies play complex roles within the social institutions of religion, medicine, law, and sport. Cherney concludes by calling for a rhetorical model of disability, which, he argues, will provide a shift in orientation to challenge ableism’s epistemic, ideological, and visual components. Accessible and compelling, this groundbreaking book will appeal to scholars of rhetoric and of disability studies as well as to disability rights advocates.

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The Bromance Book Club was one of Bustle's '21 Rom-Coms To Give You Warm And Fuzzy Feelings'!If you love Ali Hazelwood, Sally Thorne and Helen Hoang, you'll LOVE Lyssa Kay Adams!Readers adore Undercover Bromance! ⭐ ⭐ ⭐ ⭐ ⭐ 'This series is one of the best I've EVER read''FAB-U-LOUS!!!''The kind of book I love to read after a hard day to make me smile'................................................................The first rule of book club:You don't talk about book club.Braden Mack thinks reading romance novels makes him an expert in love, but he'll soon discover that real life is better than fiction. Liv Papandreas has a dream job as a sous chef at Nashville's hottest restaurant. Too bad the celebrity chef owner is less than charming behind kitchen doors. After she catches him harassing a young hostess, she confronts him and gets fired. Liv vows revenge, but she'll need assistance to take on the powerful chef.Unfortunately, that means turning to Braden Mack. When Liv's blackballed from the restaurant scene, the charismatic nightclub entrepreneur offers to help expose her ex-boss, but she is suspicious of his motives. This is a job for the Bromance Book Club.Inspired by the romantic suspense novel they're reading, the book club assists Liv in setting up a sting operation to take down the chef. But they're just as eager to help Mack figure out the way to Liv's heart...even though she's determined to squelch the sparks between them before she gets burned.....................................................................Raves for The Bromance Book Club:'A you're-gonna-burn-dinner book because you will not want to put it down. Laugh out loud with tons of heart, this is an absolutely adorable must read' AVERY FLYNN'A delight! . . . I raced to finish this book, but still never wanted it to end!' ALEXA MARTIN'A delightful, fast-paced read with the perfect mix of laugh-out-loud and swoony moments - every town should have a Bromance Book Club' EVIE DUNMORE'It is the reading aloud in this story that ultimately wins my heart, and shows that everything worth knowing can be learned from romance' KC DYERDon't miss any of the charming and swoonworthy Bromance Book Club reads!The Bromance Book ClubUndercover BromanceCrazy Stupid BromanceIsn't It Bromantic?A Very Merry Bromance

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Towards the end of the 18th century the attention of mapmakers, explorers and travellers turned to the north of Scotland. The mountains that rise north of Stirling formed a formidable barrier for anyone wanting to visit the Highlands, and travellers to the Far North were even rarer: there were no roads at all into most of Sutherland, and Ross and Cromarty until the early years of the 19th century. Who did go there, and why? This book follows the early mapmakers who gradually revealed the area, including Timothy Pont and Alexander Bryce who published the first accurate map of the north coast. General Roy covered the whole of Scotland for his remarkable 'Great Map', and later, the indomitable and energetic General Colby dragged his reluctant Ordnance Survey team across much of the north, as documented by Robert Kearsley Dawson. Meanwhile, Culloden led to increased interest in the area, as is evident not only from the visit of Dr. Johnson, but also those from Thomas Pennant, Bishop Pococke and the Rev. Charles Cordiner, all of whom managed to reach the far north-west and leave fascinating accounts of what they found. The poverty that was apparent to these visitors from the south led to action from the British government, not least an important road-making scheme under Thomas Telford which is documented in this book using not only the official reports, but also an enthusiastic account left by the Poet Laureate of the time, Robert Southey. With the new roads came the tourists, flocking to sites like Loch Katrine, in search of signs of Sir Walter Scott's heroes and heroines. But it was only the bolder few who made it to the far north-west, men like the Rev. James Hall, 'making love' under the table at Caithness, or James Hogg, ever the ladies' man at Lochs Duich and Maree. The book follows this story, which has barely been mentioned in popular literature, and delights in choice anecdotes from all these accounts, touching on a number of disciplines: cartography, early geology and botany. But above all, it gives a picture of this unknown region, as it seemed to those exploring it, an area of astonishing beauty, with inhabitants that showed notable warmth and generosity in spite of their poverty. The book ends with an account of the Highlands Controversy, a debate that divided the geological community for much of the 19th century, culminating in discoveries that revealed that the area contained some of the most remarkable geology not just in Britain, but in the whole world. Thus recognition was at last achieved for a region that contains some of the most striking scenery in the United Kingdom.

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Boss of Black Brooklyn presents a riveting and untold story about the struggles and achievements of the first black person to hold public office in Brooklyn. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell. Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a fascinating era of black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little has been written to document his role in black history. Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, blacks made up only 4 percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push blacks out of the city. A very important and long-overdue book, Boss of Black Brooklyn not only explores black politics and black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: black fatherhood, relations between black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it.

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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A REESE'S BOOK CLUB PICKINSTANT NEW YORK TIMES BESTSELLER'I loved this book so much' REESE WITHERSPOON---In 1987, Mina Lee flies from Seoul to Los Angeles to start a new life.Thirty years later, Margot Lee speaks to her mother for the last time.Between these two moments extends a lifetime of secrets. These are stories of unexpected loves and devastating losses. Of choices made and those left behind. Of a mother and daughter who have always struggled to understand each other. These are stories waiting to be told, before it's too late.Reminiscent of Celeste Ng's page-turning meditations on identity, this searing mother-daughter story explores the diverse and unsettling realities of being an immigrant in America.---'Suspenseful and deeply felt... raises questions about the reality of the American dream and illuminates stories that often go untold' CHLOE BENJAMIN'Painful, joyous... A story that cries out to be told' LA TIMES'Carefully illuminates the two sides of the silence between a Korean immigrant mother and her Korean American daughter, a silence only too familiar to many of us - and emerges with a stunningly powerful and original novel' ALEXANDER CHEE'A timely, important novel... Fans of Celeste Ng won't be able to put down this heartfelt, cross-generational novel about the powerful bond and fragility of family and what it really means to strive for the "American dream"' POPSUGAR---Readers fell in love with Margot and Mina...'Beautifully rendered. Achingly sweet. Enjoyable story with wonderfully realistic characters that you want to follow''An emotionally gripping story of loss and belonging''I LOVED THIS BOOK''This book is filled with wonderful characters, a story to please and mouth-watering Korean food''It speaks to all women who have been marginalized by their families or society at large'

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A private printed, limited edition facsimile of Aldous Huxley's 1940 essay on the significance and power of words. An argument as timely as it is timeless, Aldous Huxley's Words and Their Meanings argues the significance and power of words. A less well-known work originally published by The Ward Ritchie Press in 1940, Huxley's essay arrived at the end of the Great Depression and coincided with U.S. entry into WWII, a time when global relations were heavily impacted by the craft and manipulation of language. Words and Their Meanings was selected as one ofthe Western Books of 1940, which was a celebration and recognition of fine printing. Huxley wrote that "words are magical in the way they affect the minds of those who use them" while displaying his insight and proficiency with language. He blends accessible elements of linguistic theory, semiotics and philosophy with his erudite style. Alvin Lustig is recognized for introducing principles of modern art to graphic design, with contributions tobook design, interior design, and typography. His abstract style and innovative approach to typeface design became a trademark of titles published by New Directions Publishing. RIT Press presents a privately printed, limited edition facsimile of this title. This fine edition has been produced in partnership with More Vang, Alexandria, Virginia and designed byAlvin Lustig. He is recognized for introducing principles of modern art to graphic design, with contributions to book design, interior design, and typography. ALDOUS HUXLEY was a novelist, poet, and philosopher who relocated from England to the U.S. in 1937. He lived in southern California where he initiallyworked as a Hollywood screenwriter, later achieving success with his short stories, poetry, essays, and novels, especially Brave New World (1932).

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It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. Paintings, Words and Music: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. Power, Politics and Intrigue: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. Trade and Commerce: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

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Uncover the fascinating history of virtual communities and how we connect to each other online. The Rise of Virtual Communities, explores the earliest online community platforms, mapping the technological evolutions, and the individuals, that have shaped the culture of the internet.Read in-depth interviews with the visionary founders of iconic online platforms, and uncover the history of virtual communities and how the industry has developed over time. Featuring never-before told stories, this exploration introduces new ideas and predictions for the future, explaining how we got here and challenging what we think we may know about building online communities.Readers will: Learn what a virtual community is and how it has become an integral part of modern society Review key insights into building virtual communities and platforms from the founders and pioneers who created them See what the current developments and the potential challenges are related to the future of virtual communities Who is this for:Community managers, company founders and those who want to know more about the origins and future of virtual communities.interviews Include: Randy Farmer & Chip Morningstar – Lucasfilm Games ‘Habitat’ and creators of the modern Avatar Howard Rheingold - Community expert and member of the WELL Stacy Horn - Founder of Echo NYC Jim Bumgardner - Founder of The Palace Philip Rosedale - Founder of Second Life Sampo Karjalainen - Co-founder of Habbo Hotel Lance Priebe - Co-Founder of Club Penguin Angelo Sotira - Co-Founder of Deviant Art Caterina Fake - Co-Founder of Flickr Alexis Ohanian- Founder of Reddit Kevin Rose – Co-Founder of Digg & PROOF Collective Jason Citron - Founder of Discord Trevor McFedries - Founder of FWB & Brud Cherie Hu - Founder of Water & Music Michelle Kennedy - Founder of Peanut

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Thanks to the First Amendment, Americans enjoy a rare privilege: the constitutional right to lie. And although controversial, they should continue to enjoy this right.When commentators and politicians discuss misinformation, they often repeat five words: "fire in a crowded theater." Though governments can, if they choose, attempt to ban harmful lies, propaganda, misinformation, and disinformation, how effective will their efforts really be? Can they punish someone for yelling "fire" in a crowded theater—and would those lies then have any less impact? How do governments around the world respond to the spread of misinformation, and when should the US government protect the free speech of liars?In Liar in a Crowded Theater, law professor Jeff Kosseff addresses the pervasiveness of lies, the legal protections they enjoy, the harm they cause, and how to combat them. From the COVID-19 pandemic to the 2016 and 2020 presidential elections and the January 6, 2021, insurrection on the Capitol building, Kosseff argues that even though lies can inflict huge damage, US law should continue to protect them. Liar in a Crowded Theater explores both the history of protected falsehoods and where to go from here.Drawing on years of research and thousands of pages of court documents in dozens of cases—from Alexander Hamilton's enduring defense of free speech to Eminem's victory in a lawsuit claiming that he stretched the truth in a 1999 song—Kosseff illustrates not only why courts are reluctant to be the arbiters of truth but also why they're uniquely unsuited to that role. Rather than resorting to regulating speech and fining or jailing speakers, he proposes solutions that focus on minimizing the harms of misinformation. If we want to seriously address concerns about misinformation and other false speech, we must finally exit the crowded theater.

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Historian Gary Marker traces the Russian veneration of St. Catherine of Alexandria from its beginnings in Kievan times through the onset of female rulership in the eighteenth century. Two narratives emerge. The first focuses on St. Catherine within Christendom and, specifically, within Russia. The second shifts attention to the second wife of Peter the Great, Catherine I, who became Russia's first crowned female ruler. Marker then explores the evolution of divine queenship and the Catherine cult through the reigns of Elizabeth and Catherine the Great. Russia's cult of St. Catherine diverged from the veneration of Catherine in Western Christendom in several ways, particularly in the evolution of the Bride of Christ theme. Also, while St. Catherine became a figure of personal intercession in the West, her persona in Russia took a different path, one that valorized her regal and masculine qualities—attributes that supported her emerging role as a patron saint of the women of the ruling family. The intersection of gender, power, and religion is a central theme of this study. Under Catherine I, the ruler's identification with St. Catherine, her name-day saint, became critical. In ever-widening cascades of public ceremonies, Catherine was lauded as her saint's living image, an affinity that ultimately provided the basis for establishing a distinctly female path to divinely chosen leadership. Imperial Saint draws upon extensive and often rare sources, including service books, saints' lives, sermons, public ceremonies, pilgrims' accounts, laws, and personal correspondence. It also calls attention to icons, iconostases, fireworks, processionals, and other visual evidence. For readers interested in saints, cults, the ritualization of power, and the relationship between gender and religion—as well as scholars who study St. Catherine—this stimulating study offers valuable insights.

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The currents of History run deep and often unseen beneath the everyday ripple of events. But now and again the current rises to the surface, and the events of a single day shed an exceptional light on the meaning of the past. Such events are the subject of Days that Changed the World. Some of the 50 days described here mark the end of an era; others the start of something new. Many are the dates of bloody battles or murders; others of momentous decisions or breathtaking discoveries. All are remembered as powerful symbols of their time. Our story begins almost 2500 years ago on 28 September 480 before the Christian Era, when the Athenian navy destroyed the Persian invasion fleet in the Bay of Salamis. Had the Persians won we might never have heard the names of Plato, Aristotle or Alexander, nor recognize the word democracy. Charting 50 such defining moments, concluding with 11 September 2001 and the destruction of New York's Twin Towers, Days that Changed the World is a unique and fascinating way to portray the story of world history. These 50 history-making days include: The Battle of the Salamis; The Assassination of Julius Caesar; The Crucifixion of Jesus Christ; The Dedication of Constantinople; The Death of Muhammad; The Coronation of Charlemagne; The Death of Genghis Khan; The Fall of Constantinople; The Defeat of the Spanish Armada; The Defenestration of Prague; The Fall of the Bastille; The Battle of Waterloo; Parliament Passing the Emancipation Act; The Battle of Sedan; The Boxer Rebellion; The First Day of the Somme; The Japanese Attack on Pearl Harbour; The Bombing of Hiroshima; Martin Luther King's 'I have a Dream'; The Breaching of the Berlin Wall; Nelson Mandela's Release from Prison; Nine Eleven.

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How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds draws on a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant’s behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

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The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Diaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis * draws on previously unpublished interviews with many of these writers *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

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‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. Hired as a dream auditor, he finds himself entering the dreams of white-collar workers to flag their anxieties for removal at night so they'll be more productive in the day. If Abernathy can at least appear competent, might he have a chance at a new life? As Abernathy tries to find his footing in this new gig, reality and morality begin to warp around him. Soon, the lines between life and work, right and wrong, and even sleep and consciousness, have blurred and Abernathy begins to wonder just what he might have signed away… Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB

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'The undisputed champion of South African crime. Meyer grabs you by the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson ***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters. Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland. Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him. The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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Beginning with a deceptively simple question—What do we mean when we designate behaviours, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalised young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.Shockley argues that a rigid notion of black aesthetics commonly circulates that is little more than a caricature of the concept. She sees the Black Aesthetic as influencing not only African American poets and their poetic production, but also, through its shaping of criteria and values, the reception of their work. Taking as its starting point the young BAM artists’ and activists’ insistence upon the interconnectedness of culture and politics, this study delineates how African American poets—in particular, Gwendolyn Brooks, Sonia Sanchez, Harryette Mullen, Anne Spencer, Ed Roberson, and Will Alexander—generate formally innovative responses to their various historical and cultural contexts.Out of her readings, Shockley eloquently builds a case for redefining black aesthetics descriptively, to account for nearly a century of efforts by African American poets and critics to name and tackle issues of racial identity and self-determination. In the process, she resituates innovative poetry that has been dismissed, marginalised, or misread because its experiments were not “recognisably black”—or, in relation to the avant-garde tradition, because they were.

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“Masterfully written and pitch perfect, Black Girls Must Be Magic is, simply, magic.”—Good Morning AmericaIn this highly anticipated second installment in the Black Girls Must Die Exhausted series, Tabitha Walker copes with more of life’s challenges and a happy surprise—a baby—with a little help and lots of love from friends old and new.For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant—after she was told she may not be able to have biological children—Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.When an unexpected turn of events draws Marc—her on and off-again ex-boyfriend—back into her world with surprising demands, and the situation at work begins to threaten her livelihood and her identity, Tabitha must make some tough decisions about her and her baby’s future. It takes a village to raise a child, and Tabitha turns to the women who have always been there for her.Bolstered by the fierce support of Ms. Gretchen, her grandmother’s best friend, the counsel of her closest friends Laila and Alexis, and the calming presence of her doula Andouele, Tabitha must find a way to navigate motherhood on her own terms. Will she harness the bravery, strength, and self-love she’ll need to keep “the village” together, find her voice at work, and settle things with Marc before the baby arrives?

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