Search results for ""author alex"

Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants. This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

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Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.

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The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved motherBarbara Chase-Riboud has led a remarkable life. After graduating from Yale’s School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminaries—from Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker.I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother.

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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Ableism, a form of discrimination that elevates “able” bodies over those perceived as less capable, remains one of the most widespread areas of systematic and explicit discrimination in Western culture. Yet in contrast to the substantial body of scholarly work on racism, sexism, classism, and heterosexism, ableism remains undertheorized and underexposed. In this book, James L. Cherney takes a rhetorical approach to the study of ableism to reveal how it has worked its way into our everyday understanding of disability.Ableist Rhetoric argues that ableism is learned and transmitted through the ways we speak about those with disabilities. Through a series of textual case studies, Cherney identifies three rhetorical norms that help illustrate the widespread influence of ableist ideas in society. He explores the notion that “deviance is evil” by analyzing the possession narratives of Cotton Mather and the modern horror touchstone The Exorcist. He then considers whether “normal is natural” in Aristotle’s Generation of Animals and in the cultural debate over cochlear implants. Finally, he shows how the norm “body is able” operates in Alexander Graham Bell’s writings on eugenics and in the legal cases brought by disabled athletes Casey Martin and Oscar Pistorius. These three simple equivalencies play complex roles within the social institutions of religion, medicine, law, and sport. Cherney concludes by calling for a rhetorical model of disability, which, he argues, will provide a shift in orientation to challenge ableism’s epistemic, ideological, and visual components. Accessible and compelling, this groundbreaking book will appeal to scholars of rhetoric and of disability studies as well as to disability rights advocates.

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This Festschrift in honor of Prof. Edward F. Wente contains contributions by forty-three of his colleagues and friends. Contents: Publications and Communications of Edward F. Wente ( C. E. Jones ); A Monument of Khaemwaset Honoring Imhotep ( J. P. Allen ); Feuds or Vengeance? Rhetoric and Social Forms ( J. Baines ); Theban Seventeenth Dynasty ( J. von Beckerath ); Inventory Offering Lists and the Nomenclature for Boxes and Chests in the Old Kingdom ( E. Brovarski ); A Case for Narrativity: Gilt Stucco Mummy Cover in the Graeco-Roman Museum, Alexandria, Inv. 27808 ( L. H. Corcoran ); Opening of the Mouth as Temple Ritual ( E. Cruz-Uribe ); A Letter of Reproach ( R. J. Demaree ); Creation on the Potter's Wheel at the Eastern Horizon of Heaven ( P. F. Dorman ); The Border and the Yonder Side ( G. Englund ); Enjoying the Pleasures of Sensation: Reflections on a Significant Feature of Egyptian Religion ( R. B. Finnestad ); Some Comments on Khety's Instruction for Little Pepi on His Way to School (Satire on the Trades) ( J. L. Foster ); On Fear of Death and the Three bwts Connected with Hathor ( P. J. Frandsen ); Two Inlaid Inscriptions of the Earliest Middle Kingdom ( H. Goedicke ); Historical Background to the Exodus: Papyrus Anastasi VIII ( S. I. Groll ); The Mummy of Amenhotep III ( J. E. Harris ); Fragmentary Quartzite Female Hand Found in Abou-Rawash ( Z. Hawass ); Two Stelae of King Seqenenre Djehuty-aa of the Seventeenth Dynasty ( H. Jacquet-Gordon ); A Marital Title from the New Kingdom ( J. J. Janssen ); Remarks on Continuity in Egyptian Literary Tradition ( R. Jasnow ); Ethnic Considerations in Persian Period Egypt ( J. H. Johnson ); The nfrw-Collar Reconsidered ( W. R. Johnson ); The Wealth of Amun of Thebes under Ramesses II ( K. A. Kitchen ); Wie jung ist die memphitische Philosophie auf dem Shabaqo-Stein? ( R. Krauss ); 'Listening' to the Ancient Egyptian Woman: Letters, Testimonials, and Other Expressions of Self ( B. S. Lesko ); Some Further Thoughts on Chapter 162 of the Book of the Dead ( L. H. Lesko ); Royal Iconography of Dynasty 0 ( T. J. Logan ); The Auction of Pharaoh ( J. G. Manning ); Semi-Literacy in Egypt: Some Erasures from the Amarna Period ( P. Der Manuelian ); Vinegar at Deir el-Medina ( N. B. Millet ); Observations on Pre-Amarna Theology during the Earliest Reign of Amenhotep IV ( W. J. Murnane ); Zum Kultbildritual in Abydos ( J. Osing ); Sportive Fencing as a Ritual for Destroying the Enemies of Horus ( P. A. Piccione ); An Oblique Reference to the Expelled High Priest Osorkon? ( R. K. Ritner ); The Ahhotep Coffins: The Archaeology of an Egyptological Reconstruction ( A. M. Roth ); A Litany from the Eighteenth Dynasty Tomb of Merneith ( D. P. Silverman ); Nag-ed-Deir Papyri ( W. K. Simpson ); O. Hess = O. Naville = O. BM 50601: An Elusive Text Relocated ( M. J. Smith ); Celibacy and Adoption among God's Wives of Amun and Singers in the Temple of Amun: A Re-examination of the Evidence ( E. Teeter ); New Kingdom Temples at Elkab ( C. C. Van Siclen III ); Menstrual Synchrony and the 'Place of Women' in Ancient Egypt (OIM 13512) ( T. G. Wilfong ); Serra East and the Mission of the Middle Kingdom Fortresses in Nubia ( B. B. Williams ); End of the Late Bronze Age and Other Crisis Periods: A Volcanic Cause? ( F. J. Yurco ).

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The highlight events of the months from October 1794 through March 1795, the period documented by Volume 17 of the Presidential Series, were the suppression of the Whiskey Insurrection in western Pennsylvania and the negotiation of the Jay Treaty with Great Britain.The volume opens with Washington, believing that his constitutional duty as commander in chief required his presence, en route to rendezvous with the troops called out to suppress the insurrection. After meeting with representatives from the insurgent counties and reviewing the troops, he concluded that serious resistance was unlikely, and, after penning a letter to Henry Lee on 20 October commending the troops and reminding them to support the laws, he returned to the capital. Still, regular letters from Alexander Hamilton, who remained with the expedition, kept him apprised of troop movements and activities. Washington devoted more than half of his annual address to discussion of the rebellion. After the submission of the rebellious counties, he also had to consider requests for pardons for the few individuals not included in a general pardon issued in November. Other domestic issues included a transition in Washington’s cabinet, as Hamilton and Henry Knox resigned the Treasury and War departments; supervision of the Federal City, where the commissioners sent a comprehensive statement of the affairs of the City to Washington in early 1795; and Indian affairs, which in the north involved the aftermath of the Battle of Fallen Timbers and treaty negotiations with the Iroquois and Oneida, and in the south involved news of the destruction of the Cherokee towns of Nickajack and Running Water as well as continuing concerns about Creek hostility in Georgia and the Southwest Territory. Washington also received an early report that the Yazoo land scheme threatened to increase tensions with the Creeks in Georgia. In addition to writing the State Department, John Jay kept Washington apprised of the progress of negotiations. Of particular note are his letters of 19 November, announcing the signing of the treaty, and 25 February, justifying his efforts. However, although notice of the treaty was received, the official copy did not arrive at Philadelphia by the adjournment of Congress, so consideration of the treaty would await a special session of the Senate. Meanwhile, Samuel Bayard had been dispatched to London to prosecute American claims in the British admiralty courts. Elsewhere, Thomas Pinckney was sent to Madrid as a special envoy to revive stalled negotiations with Spain. David Humphreys returned to the United States to discuss negotiations with the Barbary States, prompting Washington to ask Congress to authorise consuls for those states and to appoint Humphreys as minister plenipotentiary to negotiate with them. James Monroe sent one optimistic letter discussing his reception as minister to France. As for private concerns, Washington’s weekly correspondence with his Mount Vernon farm manager, largely suspended during his time with the troops, resumed upon his return to Philadelphia. He entertained offers about his lands in western Pennsylvania, on the Ohio River, and on Difficult Run in Virginia, and he paid taxes on and sought information about his land in Kentucky. Washington also corresponded with Tobias Lear about the Potomac Company’s development of the Potomac River.

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Before colonial Americans could declare independence, they had to undergo a change of heart. Beyond a desire to rebel against British mercantile and fiscal policies, they had to believe that they could stand up to the fully armed British soldier. Prelude to Revolution uncovers one story of how the Americans found that confidence. On April 19, 1775, British raids on Lexington Green and Concord Bridge made history, but it was an episode nearly two months earlier in Salem, Massachusetts, that set the stage for the hostilities. Peter Charles Hoffer has discovered records and newspaper accounts of a British gunpowder raid on Salem. Seeking powder and cannon hidden in the town, a regiment of British Regulars were foiled by quick-witted patriots who carried off the ordnance and then openly taunted the Regulars. The prudence of British commanding officer Alexander Leslie and the persistence of the patriot leaders turned a standoff into a bloodless triumph for the colonists. What might have been a violent confrontation turned into a local victory, and the patriots gloated as news spread of "Leslie's Retreat." When British troops marched on Lexington and Concord on that pivotal day in April, Hoffer explains, each side had drawn diametrically opposed lessons from the Salem raid. It emboldened the rebels to stand fast and infuriated the British, who vowed never again to back down. After relating these battles in vivid detail, Hoffer provides a teachable problem in historic memory by asking why we celebrate Lexington and Concord but not Salem and why New Englanders recalled the events at Salem but then forgot their significance. Praise for the work of Peter Charles Hoffer "This book more than succeeds in achieving its goal of helping students understand and appreciate the cultural and intellectual environment of the Anglophone world." (New England Quarterly, reviewing When Benjamin Franklin Met the Reverend Whitefield). "A synthetic essay of considerable grace and scope...An excellent overview of the field." (Journal of Legal History, reviewing Law and People in Colonial America).

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This is a unique book written by one of the leading scholars in the field. It uses detailed case studies to analyze the successes, failures and challenges of renewable energy initiatives in developing and emerging countries.Incorporating the insights and perspectives of researchers who come from the respective countries covered, the study compares some of the most exciting success stories, including: China's meteoric rise from near zero use of renewable energy to being the world leader in solar thermal, solar photovoltaic and wind energy; Brazil's success in becoming the world s top ethanol producer and exporter; and India's pioneering use of a hedge plant to produce biodiesel and its use of animal and human wastes for rural electrification. The book also describes Indonesia s disastrous palm oil program which cut down its forests and excavated its peat bogs. It concludes that good leadership is the largest factor in success, but that it is also critical to include public participation, training, transparency, environmental consideration, fair labor practices, protection against exploitation and enforcement.This book is designed to be helpful to other countries seeking to initiate renewable energy programs. It will appeal to local administrators and policymakers, field personnel from UN agencies and NGOs, and renewable energy funders, as well as to academic researchers.Contents: Preface Introduction 1. Case Studies of Renewable Energy in China with Chen Yitong, Long Xue and Zheyuan Liu 2. Nuclear Power in China: Successes and Challenges with Jingru Feng 3. Renewable Energy in the Philippines with Alvin K. Leong 4. Case Study of the Implementation of the Integrated Solar Combined Cycle Pilot Plant in Aïn Beni Mathar, Morocco with Alexis Thuau 5. Case Study of Biofuels in India with Sayan S. Das 6. Case Study of Renewable Energy in Brazil with Douglas S. Figueiredo and Lia Helena M.L. Demange 7. Case Study of Indonesia's Palm Oil-based Biodiesel Program with Christopher J. Riti 8. Case Study of Renewable Energy in Pakistan with Shakeel Kazmi 9. Conclusion Index

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Before colonial Americans could declare independence, they had to undergo a change of heart. Beyond a desire to rebel against British mercantile and fiscal policies, they had to believe that they could stand up to the fully armed British soldier. Prelude to Revolution uncovers one story of how the Americans found that confidence. On April 19, 1775, British raids on Lexington Green and Concord Bridge made history, but it was an episode nearly two months earlier in Salem, Massachusetts, that set the stage for the hostilities. Peter Charles Hoffer has discovered records and newspaper accounts of a British gunpowder raid on Salem. Seeking powder and cannon hidden in the town, a regiment of British Regulars were foiled by quick-witted patriots who carried off the ordnance and then openly taunted the Regulars. The prudence of British commanding officer Alexander Leslie and the persistence of the patriot leaders turned a standoff into a bloodless triumph for the colonists. What might have been a violent confrontation turned into a local victory, and the patriots gloated as news spread of "Leslie's Retreat." When British troops marched on Lexington and Concord on that pivotal day in April, Hoffer explains, each side had drawn diametrically opposed lessons from the Salem raid. It emboldened the rebels to stand fast and infuriated the British, who vowed never again to back down. After relating these battles in vivid detail, Hoffer provides a teachable problem in historic memory by asking why we celebrate Lexington and Concord but not Salem and why New Englanders recalled the events at Salem but then forgot their significance. Praise for the work of Peter Charles Hoffer "This book more than succeeds in achieving its goal of helping students understand and appreciate the cultural and intellectual environment of the Anglophone world." (New England Quarterly, reviewing When Benjamin Franklin Met the Reverend Whitefield). "A synthetic essay of considerable grace and scope...An excellent overview of the field." (Journal of Legal History, reviewing Law and People in Colonial America).

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The new edition of the popular survey of Near Eastern civilization from the Bronze Age to the era of Alexander the Great A Companion to the Ancient Near East explores the history of the region from 4400 BCE to the Macedonian conquest of the Persian Empire in 330 BCE. Original and revised essays from a team of distinguished scholars from across disciplines address subjects including the politics, economics, architecture, and heritage of ancient Mesopotamia and Egypt. Part of the Blackwell Companions to the Ancient World series, this acclaimed single-volume reference combines lively writing with engaging and relatable topics to immerse readers in this fascinating period of Near East history. The new second edition has been thoroughly revised and updated to include new developments in relevant fields, particularly archaeology, and expand on themes of interest to contemporary students. Clear, accessible chapters offer fresh discussions on the history of the family and gender roles, the literature, languages, and religions of the region, pastoralism, medicine and philosophy, and borders, states, and warfare. New essays highlight recent discoveries in cuneiform texts, investigate how modern Egyptians came to understand their ancient history, and examine the place of archaeology among the historical disciplines. This volume: Provides substantial new and revised content covering topics such as social conflict, kingship, cosmology, work, trade, and law Covers the civilizations of the Sumerians, Hittites, Babylonians, Assyrians, Egyptians, Israelites, and Persians, emphasizing social and cultural history Examines the legacy of the Ancient Near East in the medieval and modern worlds Offers a uniquely broad geographical, chronological, and topical range Includes a comprehensive bibliographical guide to Ancient Near East studies as well as new and updated references and reading suggestions Suitable for use as both a primary reference or as a supplement to a chronologically arranged textbook, A Companion to the Ancient Near East, 2nd Edition is a valuable resource for advanced undergraduates, beginning graduate students, instructors in the field, and scholars from other disciplines.

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Major edition revealing key ideas and events in the lives and work of the Pre-Raphaelite brotherhood and Victorian literary circles: 5,800 letters (including 2,000 previously unpublished letters) to 330 recipients. The best of these letters, flowing rapidly from his pen, radiate charisma and enthusiasm, warmth and care for his friends, and a total engagement with art and literature. BURLINGTON MAGAZINE [Julian Treuherz] 1835-1854: This nine-volume edition will represent the definitive collection of extant Rossetti correspondence, an outstanding primary witness to the range of ideas and opinions that shaped Rossetti's art and poetry. The largest collection ofRossetti's letters ever to be published, it features all known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 previously unpublished letters by Rossetti and selected letters to him. In addition to this, about 100 drawings taken from within letter texts are also reproduced. In its entirety the collection will give an invaluable and unparalleled insight into Rossetti's character and art, and will form a rich resource for students and scholars studying all aspects of his life and work. The correspondence has been transcribed from collections in sixty-four manuscript repositories, containing Rossetti's letters to his companions in the Pre-Raphaelite Brotherhood, Hunt and Stephens; friends such as Boyce and Bell Scott; his early patrons, Ellen Heaton and James Leathart; and his publisher friend, Alexander Macmillan. An additional twenty-two printed sources have also been accessed. Index; extensive annotations.WILLIAM E. FREDEMAN (1928-1999) was professor of English at the University of British Columbia from 1956-1991. His many books, articles and reviews on the Pre-Raphaelites and their followersinclude his important Pre-Raphaelitism: A Bibliocritical Study. He died in 1999 with this edition almost completed. An editorial committee chaired by Betty Fredeman has been formed to see it through the press.

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A milestone in U.S. historiography, Haunted by Empire brings postcolonial critiques to bear on North American history and draws on that history to question the analytic conventions of postcolonial studies. The contributors to this innovative collection examine the critical role of “domains of the intimate” in the consolidation of colonial power. They demonstrate how the categories of difference underlying colonialism—the distinctions advanced as the justification for the colonizer’s rule of the colonized—were enacted and reinforced in intimate realms from the bedroom to the classroom to the medical examining room. Together the essays focus attention on the politics of comparison—on how colonizers differentiated one group or set of behaviors from another—and on the circulation of knowledge and ideologies within and between imperial projects. Ultimately, this collection forces a rethinking of what historians choose to compare and of the epistemological grounds on which those choices are based.Haunted by Empire includes Ann Laura Stoler’s seminal essay “Tense and Tender Ties” as well as her bold introduction, which carves out the exciting new analytic and methodological ground animated by this comparative venture. The contributors engage in a lively cross-disciplinary conversation, drawing on history, anthropology, literature, philosophy, and public health. They address such topics as the regulation of Hindu marriages and gay sexuality in the early-twentieth-century United States; the framing of multiple-choice intelligence tests; the deeply entangled histories of Asian, African, and native peoples in the Americas; the racial categorizations used in the 1890 U.S. census; and the politics of race and space in French colonial New Orleans. Linda Gordon, Catherine Hall, and Nancy F. Cott each provide a concluding essay reflecting on the innovations and implications of the arguments advanced in Haunted by Empire.Contributors. Warwick Anderson, Laura Briggs, Kathleen Brown, Nancy F. Cott, Shannon Lee Dawdy, Linda Gordon, Catherine Hall, Martha Hodes, Paul A. Kramer, Lisa Lowe, Tiya Miles, Gwenn A. Miller, Emily S. Rosenberg, Damon Salesa, Nayan Shah, Alexandra Minna Stern, Ann Laura Stoler, Laura Wexler

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On a September afternoon in 1853, three African American men from St. Philip's Church walked into the Convention of the Episcopal Diocese of New York and took their seats among five hundred wealthy and powerful white church leaders. Ultimately, and with great reluctance, the Convention had acceded to the men's request: official recognition for St. Philip's, the first African American Episcopal church in New York City. In Faith in Their Own Color, Craig D. Townsend tells the remarkable story of St. Philip's and its struggle to create an autonomous and independent church. His work unearths a forgotten chapter in the history of New York City and African Americans and sheds new light on the ways religious faith can both reinforce and overcome racial boundaries. Founded in 1809, St. Philip's had endured a fire; a riot by anti-abolitionists that nearly destroyed the church; and more than forty years of discrimination by the Episcopalian hierarchy. In contrast to the majority of African Americans, who were flocking to evangelical denominations, the congregation of St. Philip's sought to define itself within an overwhelmingly white hierarchical structure. Their efforts reflected the tension between their desire for self-determination, on the one hand, and acceptance by a white denomination, on the other.The history of St. Philip's Church also illustrates the racism and extraordinary difficulties African Americans confronted in antebellum New York City, where full abolition did not occur until 1827. Townsend describes the constant and complex negotiation of the divide between black and white New Yorkers. He also recounts the fascinating stories of historically overlooked individuals who built and fought for St. Philip's, including Rev. Peter Williams, the second African American ordained in the Episcopal Church; Dr. James McCune Smith, the first African American to earn an M.D.; pickling magnate Henry Scott; the combative priest Alexander Crummell; and John Jay II, the grandson of the first chief justice of the Supreme Court and an ardent abolitionist, who helped secure acceptance of St. Philip's.

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For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed “overmined” and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air. Entering Die Sperrgebiet (“The Forbidden Zone”) is like entering an eerie ghost town, but Frank is surprised by the number of people willing—even eager—to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It’s a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames “Mr. Lester,” an evil tall-tale figure of mythic proportions. From the mining towns of Alexander Bay and Port Nolloth, through the “halfway” desert, to Kleinzee’s shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town. Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna’s famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands. Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank “reminds us that the world is a place of wonder if only we look” (Toby Muse).

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For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed “overmined” and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air. Entering Die Sperrgebiet (“The Forbidden Zone”) is like entering an eerie ghost town, but Frank is surprised by the number of people willing—even eager—to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It’s a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames “Mr. Lester,” an evil tall-tale figure of mythic proportions. From the mining towns of Alexander Bay and Port Nolloth, through the “halfway” desert, to Kleinzee’s shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town. Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna’s famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands. Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank “reminds us that the world is a place of wonder if only we look” (Toby Muse).

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At his death in 1878 William Cullen Bryant had been, for fifty-one years, the chief editor and a principal owner of the New York Evening Post. The paper had been started in 1801 by lawyer William Coleman in association with the Federalist political Alexander Hamilton. In 1826, Coleman hired Bryant as a reporter. Although Coleman may have engaged his services because of his growing distinction as a poet, Bryant was also by then an experienced writer of prose, having published more than fifty critical and familiar essays. He had been both editor of and most frequent writer for the monthly New York Review and the United State Review, and was known widely for his lectures on poetry before the New York Athenaeum. By the time he assumed the direction of the Evening Post after Coleman's death in 1829 he had proved himself, in three annual volumes of the holiday gift book The Talisman, to be proficient in a wit and irony soon reflected in his editorials. Bryant brought the conservative journal to the support of the Democratic Party of President Andrew Jackson, and held it thereafter to liberal principles, advocating free trade, free labor, and Free Soil. Except for the years from 1829 to 1836, Bryant held the editorial pen largely alone until after the Civil War. Occasional contributors formed a representative roster of leaders in many fields: Charles Francis Adams, Thomas Hart Benton, Francis P. Blair, Salman P. Chase, Thomas Cole, James Fenimore Cooper, Hamilton Fish, Parke Godwin (Bryant's son-in-law), Bret Harte, James K. Paulding, John Randolph, Samule J. Tilden, Martin and John Van Buren, Artemus Ward, Gideon Wlles, Walt Whitman, and Silas Wright. And now and then there were articles by British Parliamentarian Richard Cobden and artist-economist George Harvey, and the French critic Charles Sainte-Beuve. Bryant's editorials after 1860 suggest separate treatment. The present volume traces the growth of his political and social maturity as he made of a conservative, parochial, small-city newspaper into a national organ which Charles Francis Adams in 1850 called "the best daily journal in the United States."

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The Crown in Focus traces the remarkable relationship between the British Royal Family and photography over the course of nearly 200 years, from Queen Victoria and Prince Albert's enthusiastic adoption of the emerging technology in the mid-19th century to the use of Instagram by the modern monarchy. Today, photographs of the British Royal Family remain some of the most widely distributed images across the world. Featuring iconic formal portraits alongside little-known pictures from private collections, this fascinating book explores how each new development of the medium has been embraced to record royal life. Since its invention almost two centuries ago, photography has created an unprecedented intimacy between monarch and subject. Where previously royal painted portraiture allowed a degree of control and an element of creative licence and negotiation between artist and sitter, the development of the photographic image provided the public with a more personal window on to the lives of the people behind the pageantry. Over the years, the medium has helped to shape the role and purpose of the Royal Family - to the point where, in a rapidly changing society, the close connection between Crown and camera has ensured the continued survival and popularity of the British monarchy. The book also considers the art of royal photography through the monarchy's patronage of such major 20th-century photographers as Cecil Beaton and family members Lord Snowdon and Patrick Lichfield, and such contemporary photographers as Chris Jackson. Members of the Royal Family have always been keen photographers themselves. The Crown in Focus includes pictures from their private albums, and looks, too, at the publication of photographs by the royals, from Queen Alexandra to the Duchess of Cambridge, where the personal view has become the public image. Written by an expert curator from Historic Royal Palaces and published to coincide with a major new exhibition at Kensington Palace, the book combines an introductory essay with 200 extraordinary royal images and engaging extended captions that reveal the story behind each photograph.

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A private printed, limited edition facsimile of Aldous Huxley's 1940 essay on the significance and power of words. An argument as timely as it is timeless, Aldous Huxley's Words and Their Meanings argues the significance and power of words. A less well-known work originally published by The Ward Ritchie Press in 1940, Huxley's essay arrived at the end of the Great Depression and coincided with U.S. entry into WWII, a time when global relations were heavily impacted by the craft and manipulation of language. Words and Their Meanings was selected as one ofthe Western Books of 1940, which was a celebration and recognition of fine printing. Huxley wrote that "words are magical in the way they affect the minds of those who use them" while displaying his insight and proficiency with language. He blends accessible elements of linguistic theory, semiotics and philosophy with his erudite style. Alvin Lustig is recognized for introducing principles of modern art to graphic design, with contributions tobook design, interior design, and typography. His abstract style and innovative approach to typeface design became a trademark of titles published by New Directions Publishing. RIT Press presents a privately printed, limited edition facsimile of this title. This fine edition has been produced in partnership with More Vang, Alexandria, Virginia and designed byAlvin Lustig. He is recognized for introducing principles of modern art to graphic design, with contributions to book design, interior design, and typography. ALDOUS HUXLEY was a novelist, poet, and philosopher who relocated from England to the U.S. in 1937. He lived in southern California where he initiallyworked as a Hollywood screenwriter, later achieving success with his short stories, poetry, essays, and novels, especially Brave New World (1932).

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It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. Paintings, Words and Music: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. Power, Politics and Intrigue: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. Trade and Commerce: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

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Uncover the fascinating history of virtual communities and how we connect to each other online. The Rise of Virtual Communities, explores the earliest online community platforms, mapping the technological evolutions, and the individuals, that have shaped the culture of the internet.Read in-depth interviews with the visionary founders of iconic online platforms, and uncover the history of virtual communities and how the industry has developed over time. Featuring never-before told stories, this exploration introduces new ideas and predictions for the future, explaining how we got here and challenging what we think we may know about building online communities.Readers will: Learn what a virtual community is and how it has become an integral part of modern society Review key insights into building virtual communities and platforms from the founders and pioneers who created them See what the current developments and the potential challenges are related to the future of virtual communities Who is this for:Community managers, company founders and those who want to know more about the origins and future of virtual communities.interviews Include: Randy Farmer & Chip Morningstar – Lucasfilm Games ‘Habitat’ and creators of the modern Avatar Howard Rheingold - Community expert and member of the WELL Stacy Horn - Founder of Echo NYC Jim Bumgardner - Founder of The Palace Philip Rosedale - Founder of Second Life Sampo Karjalainen - Co-founder of Habbo Hotel Lance Priebe - Co-Founder of Club Penguin Angelo Sotira - Co-Founder of Deviant Art Caterina Fake - Co-Founder of Flickr Alexis Ohanian- Founder of Reddit Kevin Rose – Co-Founder of Digg & PROOF Collective Jason Citron - Founder of Discord Trevor McFedries - Founder of FWB & Brud Cherie Hu - Founder of Water & Music Michelle Kennedy - Founder of Peanut

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Thanks to the First Amendment, Americans enjoy a rare privilege: the constitutional right to lie. And although controversial, they should continue to enjoy this right.When commentators and politicians discuss misinformation, they often repeat five words: "fire in a crowded theater." Though governments can, if they choose, attempt to ban harmful lies, propaganda, misinformation, and disinformation, how effective will their efforts really be? Can they punish someone for yelling "fire" in a crowded theater—and would those lies then have any less impact? How do governments around the world respond to the spread of misinformation, and when should the US government protect the free speech of liars?In Liar in a Crowded Theater, law professor Jeff Kosseff addresses the pervasiveness of lies, the legal protections they enjoy, the harm they cause, and how to combat them. From the COVID-19 pandemic to the 2016 and 2020 presidential elections and the January 6, 2021, insurrection on the Capitol building, Kosseff argues that even though lies can inflict huge damage, US law should continue to protect them. Liar in a Crowded Theater explores both the history of protected falsehoods and where to go from here.Drawing on years of research and thousands of pages of court documents in dozens of cases—from Alexander Hamilton's enduring defense of free speech to Eminem's victory in a lawsuit claiming that he stretched the truth in a 1999 song—Kosseff illustrates not only why courts are reluctant to be the arbiters of truth but also why they're uniquely unsuited to that role. Rather than resorting to regulating speech and fining or jailing speakers, he proposes solutions that focus on minimizing the harms of misinformation. If we want to seriously address concerns about misinformation and other false speech, we must finally exit the crowded theater.

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Historian Gary Marker traces the Russian veneration of St. Catherine of Alexandria from its beginnings in Kievan times through the onset of female rulership in the eighteenth century. Two narratives emerge. The first focuses on St. Catherine within Christendom and, specifically, within Russia. The second shifts attention to the second wife of Peter the Great, Catherine I, who became Russia's first crowned female ruler. Marker then explores the evolution of divine queenship and the Catherine cult through the reigns of Elizabeth and Catherine the Great. Russia's cult of St. Catherine diverged from the veneration of Catherine in Western Christendom in several ways, particularly in the evolution of the Bride of Christ theme. Also, while St. Catherine became a figure of personal intercession in the West, her persona in Russia took a different path, one that valorized her regal and masculine qualities—attributes that supported her emerging role as a patron saint of the women of the ruling family. The intersection of gender, power, and religion is a central theme of this study. Under Catherine I, the ruler's identification with St. Catherine, her name-day saint, became critical. In ever-widening cascades of public ceremonies, Catherine was lauded as her saint's living image, an affinity that ultimately provided the basis for establishing a distinctly female path to divinely chosen leadership. Imperial Saint draws upon extensive and often rare sources, including service books, saints' lives, sermons, public ceremonies, pilgrims' accounts, laws, and personal correspondence. It also calls attention to icons, iconostases, fireworks, processionals, and other visual evidence. For readers interested in saints, cults, the ritualization of power, and the relationship between gender and religion—as well as scholars who study St. Catherine—this stimulating study offers valuable insights.

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The currents of History run deep and often unseen beneath the everyday ripple of events. But now and again the current rises to the surface, and the events of a single day shed an exceptional light on the meaning of the past. Such events are the subject of Days that Changed the World. Some of the 50 days described here mark the end of an era; others the start of something new. Many are the dates of bloody battles or murders; others of momentous decisions or breathtaking discoveries. All are remembered as powerful symbols of their time. Our story begins almost 2500 years ago on 28 September 480 before the Christian Era, when the Athenian navy destroyed the Persian invasion fleet in the Bay of Salamis. Had the Persians won we might never have heard the names of Plato, Aristotle or Alexander, nor recognize the word democracy. Charting 50 such defining moments, concluding with 11 September 2001 and the destruction of New York's Twin Towers, Days that Changed the World is a unique and fascinating way to portray the story of world history. These 50 history-making days include: The Battle of the Salamis; The Assassination of Julius Caesar; The Crucifixion of Jesus Christ; The Dedication of Constantinople; The Death of Muhammad; The Coronation of Charlemagne; The Death of Genghis Khan; The Fall of Constantinople; The Defeat of the Spanish Armada; The Defenestration of Prague; The Fall of the Bastille; The Battle of Waterloo; Parliament Passing the Emancipation Act; The Battle of Sedan; The Boxer Rebellion; The First Day of the Somme; The Japanese Attack on Pearl Harbour; The Bombing of Hiroshima; Martin Luther King's 'I have a Dream'; The Breaching of the Berlin Wall; Nelson Mandela's Release from Prison; Nine Eleven.

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How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds draws on a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant’s behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

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The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Diaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis * draws on previously unpublished interviews with many of these writers *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

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‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. Hired as a dream auditor, he finds himself entering the dreams of white-collar workers to flag their anxieties for removal at night so they'll be more productive in the day. If Abernathy can at least appear competent, might he have a chance at a new life? As Abernathy tries to find his footing in this new gig, reality and morality begin to warp around him. Soon, the lines between life and work, right and wrong, and even sleep and consciousness, have blurred and Abernathy begins to wonder just what he might have signed away… Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB

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'The undisputed champion of South African crime. Meyer grabs you by the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson ***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters. Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland. Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him. The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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Beginning with a deceptively simple question—What do we mean when we designate behaviours, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalised young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.Shockley argues that a rigid notion of black aesthetics commonly circulates that is little more than a caricature of the concept. She sees the Black Aesthetic as influencing not only African American poets and their poetic production, but also, through its shaping of criteria and values, the reception of their work. Taking as its starting point the young BAM artists’ and activists’ insistence upon the interconnectedness of culture and politics, this study delineates how African American poets—in particular, Gwendolyn Brooks, Sonia Sanchez, Harryette Mullen, Anne Spencer, Ed Roberson, and Will Alexander—generate formally innovative responses to their various historical and cultural contexts.Out of her readings, Shockley eloquently builds a case for redefining black aesthetics descriptively, to account for nearly a century of efforts by African American poets and critics to name and tackle issues of racial identity and self-determination. In the process, she resituates innovative poetry that has been dismissed, marginalised, or misread because its experiments were not “recognisably black”—or, in relation to the avant-garde tradition, because they were.

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“Masterfully written and pitch perfect, Black Girls Must Be Magic is, simply, magic.”—Good Morning AmericaIn this highly anticipated second installment in the Black Girls Must Die Exhausted series, Tabitha Walker copes with more of life’s challenges and a happy surprise—a baby—with a little help and lots of love from friends old and new.For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant—after she was told she may not be able to have biological children—Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.When an unexpected turn of events draws Marc—her on and off-again ex-boyfriend—back into her world with surprising demands, and the situation at work begins to threaten her livelihood and her identity, Tabitha must make some tough decisions about her and her baby’s future. It takes a village to raise a child, and Tabitha turns to the women who have always been there for her.Bolstered by the fierce support of Ms. Gretchen, her grandmother’s best friend, the counsel of her closest friends Laila and Alexis, and the calming presence of her doula Andouele, Tabitha must find a way to navigate motherhood on her own terms. Will she harness the bravery, strength, and self-love she’ll need to keep “the village” together, find her voice at work, and settle things with Marc before the baby arrives?

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'The undisputed champion of South African crime. Meyer grabs you but the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters.Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland.Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him.The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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"In his interdisciplinary review of material culture, Ian Woodward goes beyond synthesis to offer a theoretically innovative reconstruction of the field. It is filled with gems of conceptual insight and empirical discovery. A wonderful book." - Jeffrey C. Alexander, Yale University "A well-grounded and accessible survey of the burgeoning field of material culture studies for students in sociology and consumption studies. While situating the field within the history of intellectual thought in the broader social sciences, it offers detailed and accessible case studies. These are supplemented by very useful directions for further in-depth reading, making it an excellent undergraduate course companion." - Victor Buchli, University College London Why are i-pods and mobile phones fashion accessories? Why do people spend thousands remodelling their perfectly functional kitchen? Why do people crave shoes or handbags? Is our desire for objects unhealthy, or irrational? Objects have an inescapable hold over us, not just in consumer culture but increasingly in the disciplines that study social relations too. This book offers a systematic overview of the diverse ways of studying the material as culture. Surveying the field of material culture studies through an examination and synthesis of classical and contemporary scholarship on objects, commodities, consumption, and symbolization, this book: introduces the key concepts and approaches in the study of objects and their meanings presents the full sweep of core theory - from Marxist and critical approaches to structuralism and semiotics shows how and why people use objects to perform identity, achieve social status, and narrativize life experiences analyzes everyday domains in which objects are important shows why studying material culture is necessary for understanding the social. This book will be essential reading for students and researchers in sociology, anthropology, cultural studies, consumer behaviour studies, design and fashion studies.

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Men of Honor contains more than 100 official citations for bravery above and beyond the call of duty along with several eyewitness acounts such as the following excerpt: ... When we approached the area, Captain Pless asked the crew, "you all with me?" He knew the answer would be yes. As we flew on, we saw four U.S. personnel laying on the beach and around them, not less forty or fifty armed Viet Cong. They, the V.C., were beating the helpless personnel. As we flew over the group of people, one of the beach waved to us, and for his efforts got a rifle butt in the face. The V.C. were too close to the Americans to safely fire at them, but the V.C. were killing them anyway, so Captain Pless ordered the right door gunner, Gunnery Sergeant Poulson, to fire on them. It took only a short burst to send the V.C. running for cover. When Captain Pless saw this, he immediately rolled in hot with rockets and guns. The smoke from our W.P. rockets obscured the V.C. who were running when we started our attack, but Captain Pless continued to fire into the smoke, displaying the most remarkable airmanship I have ever seen in my eighteen months in country as an air crewman. As crewchief of the aircraft, and knowing its capabilities, I couldn't believe what he was making that belo do, but when the smoke started to clear, I saw bodies laying everywhere . . . Along with the above there are short biographies of all thirty-eight men, newspaper articles, and photographs. Men of Honor is a look at only a few of the many heroes of the United States Marine Corps: Kenneth D. Bailey, Harvey C. Barnum, John Basilone, Gregory Boyington, Martin L. Brandtner. Evans F. Carlson, Justice M. Chambers, Raymond G. Davis, Joseph Donovan, Merritt A. Edson, Wesley L. Fox, Robert Murray Hanson, John L. Hopkins, Louis R. Jones, Howard V. Lee, William G. Leftwich, Homer Litzenberg, Harry B. Liversedge, James E. Livingston, Joseph J. McCarthy, Frank N. Mitchell, Raymond G. Murphy, Raymond L. Murray, Steven Pless, Lewis B. Puller, Harold S. Roise, Carlton Robert Rouh, Webb D. Sawyer, James V. Shanley, Alan Shapley, David M. Shoup, Ray L. SMith, Alexander Vandegrift, Jay R. Vargas, Robert W. Vaupell, Kenneth A. Walsh, Lewis W. Walt, Stanley J. Wawrzyniak.

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Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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*AS READ ON BBC RADIO 4 'BOOK OF THE WEEK'*'Lip-lickingly, dance-around-the-living-room good... A smash hit' Observer'Unflinching and heartwarming' - Adam Kay'Tender, clever and as funny as it gets ... a heart-piercing joy' - Lauren Laverne'An exceptional coming-of-age story [...] Pete Paphides may very well have the biggest heart in Britain' - Marina Hyde'I ADORE this utterly wonderful coming-of-age memoir. Joyful, clever, and a bit heartbreaking' - Nina Stibbe'Heartfelt, hilarious and beautifully written, Broken Greek is a childhood memoir like no other' - Cathy Newman'So wonderfully written, such a light touch. Drenched in sentiment yet not in the least sentimental' - John Niven'It's brilliant. Sad, really funny and beautifully written ... just fantastic' - Alexis Petridis'A truly beautiful book' - James O'Brien'Intoxicating' - Kirsty Wark'Oh, how I love Pete Paphides and this book' - Daniel Finkelstein'A balm in these times' David Nicholls'Fantastic ... Can't recommend it highly enough' Tim Burgess__________'Do you sometimes feel like the music you're hearing is explaining your life to you?'When Pete's parents moved from Cyprus to Birmingham in the 1960s in the hope of a better life, they had no money and only a little bit of English. They opened a fish-and-chip shop in Acocks Green. The Great Western Fish Bar is where Pete learned about coin-operated machines, male banter and Britishness.Shy and introverted, Pete stopped speaking from age 4 to 7, and found refuge instead in the bittersweet embrace of pop songs, thanks to Top of the Pops and Dial-A-Disc. From Brotherhood of Man to UB40, from ABBA to The Police, music provided the safety net he needed to protect him from the tensions of his home life. It also helped him navigate his way around the challenges surrounding school, friendships and phobias such as visits to the barber, standing near tall buildings and Rod Hull and Emu.With every passing year, his guilty secret became more horrifying to him: his parents were Greek, but all the things that excited him were British. And the engine of that realisation? 'Sugar Baby Love', 'Don't Go Breaking My Heart', 'Tragedy', 'Silly Games', 'Going Underground', 'Come On Eileen', and every other irresistibly thrilling chart hit blaring out of the chip shop radio.Never have the trials and tribulations of growing up and the human need for a sense of belonging been so heart-breakingly and humorously depicted.*Listen along with Pete's BROKEN GREEK playlist on Spotify!*

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'Tom Holt's Doughnut presents a roller-coaster ride through the world of physics and the origins of the universe.' - Library Journal'One for physicists as well as Krispy Kreme-loving policemen.' - T3The doughnut is a thing of beauty. A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more. Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself. This is the tale of a man who had nothing and gave it all up to find his destiny - and a doughnut.From one of the best-loved comic writers in fantasy fiction comes another absurdly witty science fiction title - perfect for fans of Douglas Adams or Terry Pratchett.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Why federalism is pulling America apart—and how the system can be reformedFederalism was James Madison's great invention. An innovative system of power sharing that balanced national and state interests, federalism was the pragmatic compromise that brought the colonies together to form the United States. Yet, even beyond the question of slavery, inequality was built into the system because federalism by its very nature meant that many aspects of an American's life depended on where they lived. Over time, these inequalities have created vast divisions between the states and made federalism fundamentally unstable. In The Divided States of America, Donald Kettl chronicles the history of a political system that once united the nation—and now threatens to break it apart.Exploring the full sweep of federalism from the founding to today, Kettl focuses on pivotal moments when power has shifted between state and national governments—from the violent rebalancing of the Civil War, when the nation almost split in two, to the era of civil rights a century later, when there was apparent agreement that inequality was a threat to liberty and the federal government should set policies for states to enact. Despite this consensus, inequality between states has only deepened since that moment. From health care and infrastructure to education and the environment, the quality of public services is ever more uneven. Having revealed the shortcomings of Madison's marvel, Kettl points to possible solutions in the writings of another founder: Alexander Hamilton.Making an urgent case for reforming federalism, The Divided States of America shows why we must—and how we can—address the crisis of American inequality.

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SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION CROWN AWARDS 2022 ‘Compelling and often horrifying’ THE TIMES Best Paperbacks of 2022 The epic, moving stories of Britain's search to recover, identify and honour the missing soldiers of the First World War By the end of the First World War, the whereabouts of more than half a million British soldiers were unknown. Most were presumed dead, lost forever under the battlefields of northern France and Flanders. In The Searchers, Robert Sackville-West brings together the extraordinary, moving accounts of those who dedicated their lives to the search for the missing. These stories reveal the remarkable lengths to which people will go to give meaning to their loss: Rudyard Kipling's quest for his son's grave; E.M. Forster’s conversations with traumatised soldiers in hospital in Alexandria; desperate attempts to communicate with the spirits of the dead; the campaign to establish the Tomb of the Unknown Warrior; and the exhumation and reburial in military cemeteries of hundreds of thousands of bodies. It was a search that would span a century: from the department set up to investigate the fate of missing comrades in the war’s aftermath to the present day, when DNA profiling continues to aid efforts to recover, identify and honour these men. As the rest of the country found ways to repair and move on, countless families were consumed by this mission, undertaking arduous, often hopeless, journeys to discover what happened to their husbands, brothers and sons. Giving prominence to the personal battles of those left behind, The Searchers brings the legacy of war vividly to life in a testament to the bravery, compassion and resilience of the human spirit.

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Ragged Coast, Rugged Coves explores the untold story of cannery workers in Southeast Alaska from 1878, when the first cannery was erected on the Alexander Archipelago, through the Cold War. The cannery jobs brought waves of immigrants, starting with Chinese, followed by Japanese, and then Filipino nationals. Working alongside these men were Alaska Native women, trained from childhood in processing salmon. Because of their expertise, these women remained the mainstay of employment in these fish factories for decades while their husbands or brothers fished, often for the same company. Canned salmon was territorial Alaska’s most important industry. The tax revenue, though meager, kept the local government running, and as corporate wealth grew, it did not take long for a mix of socioeconomic factors and politics to affect every aspect of the lands, waters, and population. During this time the workers formed a bond and shared their experiences, troubles, and joys. Alaska Natives and Chinese, Japanese, and Filipino immigrants brought elements from their ethnic heritage into the mix, creating a cannery culture. Although the labor was difficult and frequently unsafe, the cannery workers and fishermen were not victims. When they saw injustice, they acted on the threat. In the process, the Tlingits and Haidas, clans of Southeast Alaska for more than ten thousand years, aligned their interests with Filipino activists and the union movement. Ragged Coast, Rugged Coves tells the powerful story of diverse peoples uniting to triumph over adversity.

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A political biography that reveals new sides to Helen Keller Several decades after her death in 1968, Helen Keller remains one of the most widely recognized women of the twentieth century. But the fascinating story of her vivid political life—particularly her interest in radicalism and anti-capitalist activism—has been largely overwhelmed by the sentimentalized story of her as a young deaf-blind girl. Keller had many lives indeed. Best known for her advocacy on behalf of the blind, she was also a member of the socialist party, an advocate of women's suffrage, a defender of the radical International Workers of the World, and a supporter of birth control—and she served as one of the nation's most effective but unofficial international ambassadors. In spite of all her political work, though, Keller rarely explored the political dimensions of disability, adopting beliefs that were often seen as conservative, patronizing, and occasionally repugnant. Under the wing of Alexander Graham Bell, a controversial figure in the deaf community who promoted lip-reading over sign language, Keller became a proponent of oralism, thereby alienating herself from others in the deaf community who believed that a rich deaf culture was possible through sign language. But only by distancing herself from the deaf community was she able to maintain a public image as a one-of-a-kind miracle. Using analytic tools and new sources, Kim E. Nielsen's political biography of Helen Keller has many lives, teasing out the motivations for and implications of her political and personal revolutions to reveal a more complex and intriguing woman than the Helen Keller we thought we knew.

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Building the Empire State examines the origins of American capitalism by tracing how and why business corporations were first introduced into the economy of the early republic. Brian Phillips Murphy follows the collaborations between political leaders and a group of unelected political entrepreneurs, including Robert R. Livingston and Alexander Hamilton, who persuaded legislative powers to grant monopolies corporate status in order to finance and manage civic institutions. Murphy shows how American capitalism grew out of the convergence of political and economic interests, wherein political culture was shaped by business strategies and institutions as much as the reverse. Focusing on the state of New York, a onetime mercantile colony that became home to the first American banks, utilities, canals, and transportation infrastructure projects, Building the Empire State surveys the changing institutional ecology during the first five decades following the American Revolution. Through sustained attention to the Manhattan Company, the steamboat monopoly, the Erie Canal, and the New York & Erie Railroad, Murphy traces the ways entrepreneurs marshaled political and financial capital to sway legislators to support their private plans and interests. By playing a central role in the creation and regulation of institutions that facilitated private commercial transactions, New York State's political officials created formal and informal precedents for the political economy throughout the northeastern United States and toward the expanding westward frontier. The political, economic, and legal consequences organizing the marketplace in this way continue to be felt in the vast influence and privileged position held by corporations in the present day.

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In Twenty Questions, one of America's finest poet-critics leads readers into the mysteries of poetry: how it draws on our lives, and how it leads us back into them. In a series of linked essays progressing from the autobiographical to the critical-and closing with a remarkable translation of Horace's Ars Poetica unavailable elsewhere-J. D. McClatchy's latest book offers an intimate and illuminating look into the poetic mind. McClatchy begins with a portrait of his development as a poet and as a man, and provides vibrant details about some of those who helped shape his sensibility-from Anne Sexton in her final days, to Harold Bloom, his enigmatic teacher at Yale, to James Merrill, a wise and witty mentor. All of these glimpses into McClatchy's personal history enhance our understanding of a coming of age from ingenious reader to accomplished poet-critic. Later sections range through poetry past and present-from Emily Dickinson to Seamus Heaney and W. S. Merwin-with incisive criticism generously interspersed with vivid anecdotes about McClatchy's encounters with other poets' lives and work. A critical unpacking of Alexander Pope's "Epistle to Miss Blount" is interwoven with compassionate psychological portrait of a brilliant poet plagued by both romantic longings and debilitating physical deformities. There are surprising takes on the literary imagination as well: a look at Elizabeth Bishop through her letters, and a tribute to the Broadway lyrics of Stephen Sondheim and the tradition of light verse. The questions McClatchy poses of poems prompt a fresh look and the last word. Free of scholarly pretension, elegantly and movingly written, Twenty Questions is a bright, open window onto a public and private experience of poetry, to be appreciated by poets, readers, and critics alike.

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From ruined Louisiana plantations to bustling, cosmopolitan New Orleans, Kate Chopin wrote with unflinching honesty about propriety and its strictures, the illusions of love and the realities of marriage, and the persistence of a past scarred by slavery and war. Her stories of fiercely independent women challenged contemporary mores as much by their sensuousness as their politics, and today seem decades ahead of their time. Now, The Library of America collects all of Chopin’s novels and stories as never before in one authoritative volume.The explosive novel At Fault (1890) centers on a love triangle between a strong-willed young widow, a stiff St. Louis businessman, and the man’s alcoholic wife. In the two story collections Bayou Folk (1894) and A Night in Acadie (1897), Chopin transforms the popular local color sketch into taut, perfectly calibrated tales that portray Louisiana bayou cultures with sympathetic insight and an eye to the unresolved conflicts of a South reeling from the Civil War.In The Awakening (1899), the novel that scandalized many of her contemporaries and effectively ended her public career as a writer, Chopin tells the story of Edna Pontellier, a restless, unsatisfied woman who embarks on a quixotic search for fulfillment. Rendered with masterful precision, detachment, and a suggestive ambiguity that defies easy judgments about Edna’s actions, The Awakening is the novel that restored Chopin to literary prominence after its rediscovery by critics in the 1960s and 1970s.The volume also includes all the stories not collected by Chopin, including those meant for A Vocation and a Voice, a projected volume that her publisher canceled in 1900; stories that Chopin never tried to publish, such as the erotically daring “The Storm”; and “Ti Frère,” “A Horse Story,” and “Alexandre’s Wonderful Experience,” three stories which were found in 1992 in a long-lost cache of Chopin’s papers.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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This is the first and only biography of Jeane Kirkpatrick, who became an iconic figure in the 1980s as Ronald Reagan's UN ambassador and the most forceful presence in the administration, outside of the President himself, in shaping the Reagan Doctrine and fighting the Cold War to a victorious conclusion. Political Woman traces the complex interlock between Kirkpatrick's personal and professional lives using her as yet unarchived private papers and extensive interviews with her and her family and with dozens of friends and associates. The portrait that emerges, filled with character and anecdote, is of an ambitious woman from the epicenter of middle America determined to break through the multi dimensional glass ceilings of her time and place. A pioneering feminist who would be hated by the feminist movement because of her association with Reagan and neo conservatism, she began her career in the post war period as an academic focusing on the subject of totalitarianism. She fell in love with a married man, Evron Kirkpatrick, who had been a close aide to "Wild Bill" Donovan in the wartime OSS and who would help form the CIA after the war. A leading professor at Georgetown, she also became an important Democratic Party activist. Dismayed by what she saw as McGovern's trashing of the Roosevelt coalition and by Carter's capitulation to Soviet advances, she led a group of Democratic liberals who felt homeless in the radicalized and "Blame America First" (a phrase from her famous 1984 Republican convention speech) Party into the Reagan administration. As Reagan's UN representative, Jeanette sharpened the spearpoint of a rearmed America ready to join the final battle of the Cold War, in the process staging dramatic battles with figures like Alexander Haig and George Schultz over policy toward the Soviets, the Cubans, and the Contras. This book tells this parallel story--the flight of centrist liberals out of the Democratic Party and into neoconservatism and the complex chess match of the end game of the Cold War--through the intimate story of a woman who was at the center of these interconnected dramas and who kept resurfacing until her death in 2006, most notably for posthumously breaking ranks with her fellow neoconservatives on the war in Iraq. It also shows the price she paid for her achievements in a private life filled with sorrow and loss as profound as her epic personal achievements.

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Chelsea Clinton introduces tiny feminists, mini activists and little kids who are ready to take on the world to thirteen inspirational women who never took no for an answer, and who always, inevitably and without fail, persisted. Throughout United States history, there have always been women who have spoken out for what's right, even when they have to fight to be heard. In this book, Chelsea Clinton celebrates thirteen American women who helped shape our country through their tenacity, sometimes through speaking out, sometimes by staying seated, sometimes by captivating an audience. They all certainly persisted. She Persisted is for everyone who has ever wanted to speak up but has been told to quiet down, for everyone who has ever tried to reach for the stars but was told to sit down, and for everyone who has ever been made to feel unworthy or unimportant or small. With vivid, compelling art by Alexandra Boiger, this book shows readers that no matter what obstacles may be in their paths, they shouldn't give up on their dreams. Persistence is power. This book features: Harriet Tubman, Helen Keller, Clara Lemlich, Nellie Bly, Virginia Apgar, Maria Tallchief, Claudette Colvin, Ruby Bridges, Margaret Chase Smith, Sally Ride, Florence Griffith Joyner, Oprah Winfrey, Sonia Sotomayor—and one special cameo.Praise for She Persisted:★ “[A] lovely, moving work of children’s literature [and a] polished introduction to a diverse and accomplished group of women.” —Publishers Weekly, starred review“Exemplary . . . This well-curated list will show children that women’s voices have made themselves emphatically heard.” —Booklist “[She Persisted] will remind little girls that they can achieve their goals if they don’t let obstacles get in the way.” —Family Circle “We can’t wait to grab a copy for some of the awesome kids in our lives . . . and maybe some of the grown-ups, too.” —Bustle “A message we all need to hear.” —Scary Mommy “This will be a great read for kids (especially young girls).” —Romper “We cannot wait for the launch of Smart Girl Chelsea Clinton’s new book to help remind kids everywhere that the fearlessness that characterizes the thirteen women in the book is what has emboldened us to constantly strive for progress and justice.” —Amy Poehler’s Smart Girls

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Rarely are we privileged to see the making of a saint, but it is just what this book gives us for John of Kronstadt (1829–1908), a major figure in the religious life of Late Imperial Russia. So popular was Father John during his years of ministry that Kronstadt became a pilgrimage site replete with peddlers selling souvenir photographs, postcards, and commemorative mugs. A Prodigal Saint follows Father John’s development from activist priest to venerated spiritual leader and, after his death, to his elevation to sainthood in 1990. We see both the inner life of an aspiring saint and the symbiotic relationship between a living icon and his followers. Father John represented a fundamentally new type of religious behavior and a new standard of sanctity in Late Imperial Russia. He ministered to the poor of Kronstadt, creating shelters and employment programs and participating in the temperance movement. In the process he acquired a reputation for prayerful intercession that soon spread beyond Kronstadt. When he was asked to minister to the dying Alexander III in 1894, his fame became international as he attracted correspondents from the United States and Europe. In his later years he allied himself increasingly with the radical right, which has had momentous implications for the Russian Orthodox Church in the twentieth century.Kizenko draws upon rich and virtually unknown documents from the Russian archives, including Father John’s diaries, thousands of letters he received from his followers, and the police reports on the sect that formed around him. John’s diaries are a truly unique source, for they document the making of a modern saint: his struggles with doubt, his ascetic practices, and his growing realization that others saw him as a saint. Kizenko explores the extent to which Father John collaborated in the formation of his own cult and how he himself was influenced by the expectations and desires of his audience. In the final chapter she follows Father John’s posthumous reputation (and the struggles over how to use that reputation) in Russia, the Soviet Union, and throughout the world. A Prodigal Saint is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series. It is a pioneering study that contributes to our understanding of lived religion, saints’ cults, and modern Russian history.

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