Search results for ""author kelly"

Questions of gender, race, class, and sexuality have largely been left unexamined in surveillance studies. The contributors to this field-defining collection take up these questions, and in so doing provide new directions for analyzing surveillance. They use feminist theory to expose the ways in which surveillance practices and technologies are tied to systemic forms of discrimination that serve to normalize whiteness, able-bodiedness, capitalism, and heterosexuality. The essays discuss the implications of, among others, patriarchal surveillance in colonial North America, surveillance aimed at curbing the trafficking of women and sex work, women presented as having agency in the creation of the images that display their bodies via social media, full-body airport scanners, and mainstream news media discussion of honor killings in Canada and the concomitant surveillance of Muslim bodies. Rather than rehashing arguments as to whether or not surveillance keeps the state safe, the contributors investigate what constitutes surveillance, who is scrutinized, why, and at what cost. The work fills a gap in feminist scholarship and shows that gender, race, class, and sexuality should be central to any study of surveillance. Contributors. Seantel Anaïs, Mark Andrejevic, Paisley Currah, Sayantani DasGupta, Shamita Das Dasgupta, Rachel E. Dubrofsky, Rachel Hall, Lisa Jean Moore, Yasmin Jiwani, Ummni Khan, Shoshana Amielle Magnet, Kelli Moore, Lisa Nakamura, Dorothy Roberts, Andrea Smith, Kevin Walby, Megan M. Wood, Laura Hyun Yi Kang

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A GRAZIA BOOK CLUB PICK, Ghost Girl, Banana is a powerful debut novel about the family secrets unearthed by a surprise inheritance. Set between Hong Kong in the 1960s and London in the 1990s, and revealing the hidden life of a mother to her daughter, it asks questions of identity, race and belonging.'A real nail-biter ... so winningly chronicled by Wharton' NEW YORK TIMES'Ambitious ... readers won't be disappointed as Wharton ultimately resolves many mysteries in the book' GUARDIAN'An astounding debut ... written with emotion and astuteness, this deserves to be on book prize lists' PRIMA1966: Sook-Yin is exiled from Kowloon to London with orders to restore honour to her family. As she strives to fit into a world that does not understand her, she realizes that survival will mean carving out a destiny of her own.1997: Sook-Yin's daughter Lily can barely remember the mother she lost as a small child. But when she is unexpectedly named in the will of a powerful Chinese stranger, she embarks on a secret pilgrimage to Hong Kong to discover the lost side of her identity and claim the reward. But she soon learns that the secrecy around her heritage has deep roots, and good fortune comes at a price.'Genuine and joyously written' Platinum'Brilliant' Hello!'A gripping and evocative tale of family secrets, courage, adversity and love. Sook-Yin and Lily's stories are beautifully told and truly unforgettable . . . such accomplished storytelling and gorgeous prose. Brilliant' Emma Stonex'An absolute wrecking ball of a novel. Ghost Girl, Banana is an enchanting, suspenseful journey through family, distance, money and betrayal. I loved it so much' Erin Kelly'A story of family, love, redemption and belonging, told with such heart and empathy. Essential and utterly unforgettable' Fíona Scarlett'Ghost Girl, Banana is an epic yet deeply intimate novel. I could feel the vibration of these women existing in the wider world; their stories are so skilfully shot through with the hum of change' Kate Sawyer, author of Costa prize-shortlisted The Stranding'An intriguing, beautifully written study of the stories we inherit. I loved being in Lily and Sook-Yin's heads, my heart breaking for them . . . I loved it!' Nikki May'Sparkling prose and a page-turning plot combined with wonderful storytelling . . . An absolutely dazzling debut' Julie Owen Moylan'From the first pages, I was drawn into the worlds of Lily and Sook-Yin and the stories that bind them together across the years. Wiz is a master storyteller, weaving Lily and Sook-Yin's stories of belonging together with elegance and wit' Ronali Collings'Fresh, funny, infuriating, heartbreaking - Ghost Girl, Banana is sure to be a massive hit. I adored it' Emily Koch'Captivating characters and lucid prose' Melissa Fu

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Single-mother Fran returns to her sleepy hometown to care for her dying father when a devastating bush fire breaks out. A heartbreaking, nail-biting disaster-noir thriller from the bestselling author of The Cry and Worst Case Scenario. ‘Urgent, angry, absolutely terrifying, yet suffused with the humanity and humour you expect from a Helen Fitzgerald novel’ Erin Kelly ‘Tantalisingly powerful’ The Times ‘Ash Mountain is the author at her masterly best … I loved it!’ Louise Candlish ________________ Fran hates her hometown, and she thought she’d escaped. But her father is ill, and needs care. Her relationship is over, and she hates her dead-end job in the city, anyway. She returns home to nurse her dying father, her distant teenage daughter in tow for the weekends. There, in the sleepy town of Ash Mountain, childhood memories prick at her fragile self-esteem, she falls in love for the first time, and her demanding dad tests her patience, all in the unbearable heat of an Australian summer. As past friendships and rivalries are renewed, and new ones forged, Fran’s tumultuous home life is the least of her worries, when old crimes rear their heads and a devastating bushfire ravages the town and all of its inhabitants… Simultaneously a warm, darkly funny portrait of small-town life – and a woman and a land in crisis – and a shocking and truly distressing account of a catastrophic event that changes things forever, Ash Mountain is a heart-breaking slice of domestic noir, and a disturbing disaster thriller that you will never forget… ________________ ‘A new novel from Helen Fitzgerald is always a major event, and Ash Mountain is magnificent’ Mark Billingham ‘There is plenty of human depravity in the plot but none of that is as terrifyingly overmastering as the fire’ Literary Review ‘Domestic life is rarely served up quite so dark as this – but that only makes you hungry for more’ The Sun ‘Dark, atmospheric and terrifying’ Ambrose Parry ‘Compelling’ Independent ‘A hugely entertaining writer, with lovingly constructed landscapes and so-real-you-can-actually-hear-it dialogue but the thing she does best of all is create a little warm and cosy microcosm of life, then throw in a bloody great firecracker of a detail that sends the whole thing off into a completely different direction’ Crime Fiction Lover Praise for Helen FitzGerald ***Worst Case Scenario was Shortlisted for the Theakston’s Old Peculier Crime Novel of the Year 2020*** ‘The plotting is intricate and beautifully handled, and the narrative pace is absolutely breakneck … a wonderful, energetic, hard-hitting and deeply funny novel’ The Big Issue ‘The main character is one of the most extraordinary you’ll meet between the pages of a book’ Ian Rankin ‘A dark, comic masterpiece which manages to be both excruciatingly tense and laugh out loud funny at the same time’ Mark Edwards ‘The classic thriller gets a hell of a twist’ Heat ‘FitzGerald writes like a more focused Irvine Welsh or a less misogynist Philip Roth’ Daily Telegraph ‘Domestic life is rarely served up quite so dark as this – but that only makes you hungry for more’ The Sun

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A collection which highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 [2010] The journal's hallmark of a broad chronological, geographic, and thematic coverage of the subject is underlined in this volume. It begins with an examination of the brief but fascinating career of an armed league of (mostly) commoners who fought to suppress mercenary bands and to impose a reign of peace in southern France in 1182-1184. This is followed by a thorough re-examination of Matilda of Tuscany's defeat of Henry IV in 1090-97. Two pieces on Hispanic topics - a substantial analysis of the remarkable military career of Jaime I "the Conqueror" of Aragon (r. 1208-1276), and a case study of the campaigns of a single Spanish king, Enrique II of Castile (r. 1366-79), contributingto the active debate over the role of open battle in medieval strategy - come next. Shorter essays deal with the size of the Mongol armies that threatened Europe in the mid-thirteenth century, and with a surprising literary description, dating to 1210-1220, of a knight employing the advanced surgical technique of thoracentesis. Further contributions correct the common misunderstanding of the nature of deeds of arms à outrance in the fifteenth century, and dissect the relevance of the "infantry revolution" and "artillery revolution" to the French successes at the end of the Hundred Years War. The final note explores what etymology can reveal about the origins of the trebuchet. Clifford Rogers is Professor of History, West Point Military Academy; Kelly DeVries is Professor of History, Loyola College, Maryland; John France is Professor of History at the University of Swansea. Contributors: John France, Valerie Eads, Don Kagay, Carl Sverdrup, Jolyon T. Hughes, L. J. Andrew Villalon, Will McLean, Anne Curry, Will Sayers

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'You hold in your hand a miracle. A book about a passion, and the hipsters, oddballs and old heads who share it, written by one of their number, albeit a ludicrously erudite one' - Danny Kelly A revival of interest in vinyl music has taken place in recent years - but for many of those from the 'baby boomer' generation, it never went away. Graham Sharpe's vinyl love affair began in the 1960s and since then he has amassed over 3000 LPs and spent countless hours visiting record shops worldwide along with record fairs, car boot sales, online and real life auctions. After leaving his job at William Hill, his retirement dream was to visit every surviving secondhand record shop across the world. Whilst Graham still has a little way to go on his travels, Vinyl Countdown follows his journey to over a hundred shops across the globe including the many characters he has encountered and the adventures he accrued along the way. From Amsterdam and Angus (Scotland), to Bedfordshire and Budapest and Tennessee and Wellington (NZ), always returning to his local record shop Second Scene in Bushey to report on progress. Vinyl Countdown seeks to reawaken the often dormant desire which first promoted the gathering of records, and to confirm the belief of those who still indulge in it, that they happily belong to, and should celebrate the undervalued, misunderstood significant group of music-obsessed vinylholics, who always want - need - to buy... just one more record. Vinyl Countdown is a mesmerising blend of memoir, travel, music and social history that will appeal to anyone who vividly recalls the first LP they bought and any music fan who derives pleasure from the capacity that records have for transporting you back in time.

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Crime perpetrated by healthcare professionals is increasingly pervasive in today’s hospitals and other healthcare settings. Patients, coworkers, and employers are vulnerable to exploitation, fraud, abuse, and even murder. Investigative journalist Kelly M. Pyrek interviews experts who provide accounts concerning the range of criminality lurking in the healthcare setting in Healthcare Crime: Investigating Abuse, Fraud, and Homicide by Caregivers. Examines the root causes and the opportunitiesThe book begins by offering perspectives on how the stressors inherent in the healthcare profession can contribute to aberrant behavior by medical practitioners. It then examines breaches of patient privacy, which can easily occur in today’s age of technology. Highlighting appalling cases of exploitation, the book also suggests guidelines to safeguard patient privacy. Identifies the victims most at risk, and those who are their greatest threats In a chapter on abuse and assault, the book cites psychological studies that explain the root causes of victimization. It highlights the patient populations most at risk: disabled, psychiatric, and elderly, and identifies the chief victimizers: physicians, psychiatrists, dentists, pediatricians, and nursing assistants and aides. The book also examines the types of financial fraud and theft that can be perpetrated against not only patients but also employers and government agencies, and provides expert insight on how to take preventative measures. Discusses notorious serial murders in the medical professionProviding accounts of well-known healthcare-related homicides and suspicious deaths, the book also presents insights from forensic and serial murder experts as to why these incidents occur, warning signs to watch out for, and how to conduct a proper investigation. The final chapter examines simple, straightforward strategies for improving the level of quality of care and safety provided by healthcare institutions. With greater accountability and oversight, patients can once again feel secure that their providers are embracing the maxim "Above all, do no harm."

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Killing at its Very Extreme takes the reader to the heart of Dublin from October 1917 to November 1920, effectively the first phase of Dublin's War of Independence. It details pivotal aspects at the outset, then the ramping up of the intelligence war, the upsurge in raids and assassinations. Vividly depicting mass hunger-strikes, general strikes, prison escapes, and ruthless executions by the full-time IRA ‘Squad’, amid curfews and the functioning of an audacious alternative government. Intensity builds as the reader is embedded into Commandant Dick McKee’s Dublin Brigade to witness relentless actions and ambushes. The authors' unprecedented access lays bare many myths about key players from both sides. The tempo escalates with deployment of the notorious Black and Tans and Auxiliaries, as well as a host of cunning political and propaganda ploys. Desperate plights and horrific reprisals are portrayed, the effects of mass sectarian pogroms and killings. Tthe sacking of Balbriggan, the killing of Seán Treacy, the death of Terence MacSwiney, and the capture and execution of teenager Kevin Barry. As in the authors' previous works the pulsating tension, elation, fear, desperation, hunger, the mercy and the enmity leap from the pages. The harrowing circumstances suffered by those whose sacrifices laid the bedrock for modern Ireland, and whose own words form the book’s primary sources, are recounted in unflinching detail.

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Weseretkau "Mighty of Kas," honours the life and career of Professor Cathleen "Candy" Keller, a truly extraordinary teacher, scholar, Egyptologist, and polymath. The contributors to this volume were Professor Keller's students, friends, and colleagues. Though much of the research presented here centers around the honoree's two primary passions--Egyptian art and the study of the village of Deir el-Medina--the range of topics reflects her broad Egyptological interests, including religious organization, artistic technique, museum collections, textual analyses, historical events, and archaeological studies at sites throughout Egypt.

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My Favourite Bible Stories: For Children Around the World takes the child through the most exciting adventures found in the Bible. Each illustrated story reveals the character and nature of a loving and active Father God. My Favourite Bible Storiesis written in a child friendly and dynamic way to encourage and support children in developing their relationship with God through the bible. At the end of each story they will enjoy the Have a Think, Have a Go and Have a Prayer sections to encourage exploration and prayers that will deepen the connection to the story, its characters and key message. Bringing together two highly gifted creatives, with the beautifully vibrant and animated illustrations of Kelly-Jade Nicholls, the stories come to life in an engaging way that all children can relate to. She captures the authenticity of where these stories are told through the characters like no other children’s bible. The stories, written by Sarah Fletcher, bring the child’s imagination to life with a fun and easy to read style, told in a way that will spark their interest to find out more. Containing over 50 stories from both the Old and New Testament, this new children’s bible will help children from diverse backgrounds get a fun, unique and engaging look at the world and its characters from Biblical times. Parents, teachers, pastors, and children will love My Favourite Bible Stories in this new and exciting visual and narrative presentation of the bible for children. · Contains 23 Old Testament Stories.· Contains 33 New Testament Stories. · Has Have a Think, Have a Go and Have a Pray sections at the end of each story.· Written in an easy-to-read style that parents and children will enjoy.· Full colour illustrations in a style that is dynamic and engaging. · Reveals the character and nature of a loving Father God.

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The Research Handbook of Comparative Employment Relations is an essential resource for those seeking to understand contemporary developments in the world of work, and the way in which employment relations systems are evolving around the world. Special consideration is given to the impact of globalization and the role of multinational corporations, including their consequences for the fate of workers' rights under existing national systems of employment relations (ER) regulation. This Handbook is unique in taking an explicitly comparative approach by discussing ER developments through a series of paired country comparisons. These chapters include a wide selection of countries from all regions, looking beyond those that are frequently discussed. The expert contributors also examine comparative issues from a range of perspectives, including industrial and employment relations, political economy, comparative politics, and cross-cultural studies. These impressive features make this important reference tool the most comprehensive of its kind. Academics and students in final-year undergraduate and postgraduate courses interested in employment relations will find this compendium enriching and insightful.Contributors include: M. Atzeni, L. Baccarro, M. Barry, D. Collings, F.L. Cooke, S. Cooney, T. Dundon, F. Duran, I. Forstenlechner, P. Gahan, P. Gunnigle, T. Jackson, E.H. Jung, B. Kaufman, J. Kelly, J. Lavelle, K. Mellahi, R. Mitchell, P. Pochet, T. Royle, A. Verma, N. Wailes, A. Wilkinson, G. Wood, S. Zalgermeyer

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Was it murder... or something even more sinister? ‘Sit back, crack open the book and get ready for the ride of your life.’ David Baldacci on Preston and Child Fifteen years ago, a group of young engineers took a winter trip to the New Mexico mountains. When they failed to return home, searchers uncovered a disturbing scene. The group’s tent had been slashed open from the inside, as if they had fled in terror. What could have been horrific enough to make nine adults risk their lives in a vicious blizzard? Despite a diligent FBI investigation, and the discovery of horrifically mutilated corpses, some of the expedition were never found – until now. Two bodies have been located in a remote cave, one bearing signs of a grisly end. The infamous case remains a job for the FBI, so Agent Corrie Swanson calls in archaeologist Nora Kelly to work with him on yet another macabre mystery. Will Dead Mountain shed its secrets – or live up to its name once more? The latest pulse-pounding thriller from #1 New York Times bestsellers Preston & Child, perfect for fans of Simon Toyne and David Baldacci. 'Excellent.' Publishers Weekly 'A first-rate thrill ride done in the indomitable style that has become Preston & Child's trademark.' Bookreporter

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The Research Handbook of Comparative Employment Relations is an essential resource for those seeking to understand contemporary developments in the world of work, and the way in which employment relations systems are evolving around the world. Special consideration is given to the impact of globalization and the role of multinational corporations, including their consequences for the fate of workers' rights under existing national systems of employment relations (ER) regulation. This Handbook is unique in taking an explicitly comparative approach by discussing ER developments through a series of paired country comparisons. These chapters include a wide selection of countries from all regions, looking beyond those that are frequently discussed. The expert contributors also examine comparative issues from a range of perspectives, including industrial and employment relations, political economy, comparative politics, and cross-cultural studies. These impressive features make this important reference tool the most comprehensive of its kind. Academics and students in final-year undergraduate and postgraduate courses interested in employment relations will find this compendium enriching and insightful.Contributors include: M. Atzeni, L. Baccarro, M. Barry, D. Collings, F.L. Cooke, S. Cooney, T. Dundon, F. Duran, I. Forstenlechner, P. Gahan, P. Gunnigle, T. Jackson, E.H. Jung, B. Kaufman, J. Kelly, J. Lavelle, K. Mellahi, R. Mitchell, P. Pochet, T. Royle, A. Verma, N. Wailes, A. Wilkinson, G. Wood, S. Zalgermeyer

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Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early twenty-first centuries. This book introduces his works to Anglophone readers, tracing his development from the early work on sociology in Morocco to his literary and aesthetic works championing transnationalism and multilingualism. The essays here both offer close analyses of Khatibi’s engagements with a range of issues, from Moroccan politics to Arabic calligraphy and from decolonisation to interculturality, and highlights the important contribution of his thinking to the development of Western postcolonial and modern theory. The book acknowledges the legacy of one of the greatest African thinkers of the last century, and addresses the lack of attention to his work in the field of postcolonial studies. More than a writer, a sociologist or a thinker, Khatibi was a leading figure and an eclectic intellectual whose erudite works can still inform and enrich current reflections on the future of postcolonialism and the development of intercultural and transnational studies. The book also includes translated excerpts from Khatibi’s works, thus offering a multilingual perspective on his writing.Contributors: Assia Belhabib, Jasmina Bolfek-Radovani, Dominique Combe, Rim Feriani, Charles Forsdick, Olivia C. Harrison, Jane Hiddleston, Debra Kelly, Khalid Lyamlahy, Lucy McNeece, Matt Reeck, Alison Rice, Nao Sawada, Andy Stafford, Edwige Tamalet Talbayev, Alfonso de Toro

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The meat-eating dinosaurs, or Theropoda, include some of the fiercest predators that ever lived. Some of the group's members survive to this day—as birds. The theropod/bird connection has been explored in several recent works, but this book presents 17 papers on a variety of other topics. It is organized into three parts. Part I explores morphological details that are important for understanding theropod systematics. Part II focuses on specific regions of theropod anatomy and biomechanics. Part III examines various lines of evidence that reveal something about theropods as living creatures.The contributors are Ronan Allain, Rinchen Barsbold, Kenneth Carpenter, Karen Cloward, Rodolfo A. Coria, Philip J. Currie, Peter M. Galton, Robert Gay, Donald M. Henderson, Dong Huang, James I. Kirkland, Yoshitsugu Kobayashi, Eva B. Koppelhus, Peter Larson, Junchang Lü, Lorrie A. McWhinney, Clifford Miles, Ralph E. Molnar, N. Murphy, John H. Ostrom, Gregory S. Paul, Licheng Qiu,J. Keith Rigby, Jr., Bruce Rothschild, Christopher B. Ruff, Leonardo Salgado, Frank Sanders, Julia T. Sankey, Judith A. Schiebout, David K. Smith, Barbara R. Standhardt, Kathy Stokosa, Darren H. Tanke, François Therrien, David Trexler, Kelly Wicks, Douglas G. Wolfe, and Lowell Wood.

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Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise. From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In Women as Weapons of War, Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to bare arms is a sign of freedom and progress. Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

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In recent years the popularity of service learning and study abroad programs that bring students to the global South has soared, thanks to this generation of college students' desire to make a positive difference in the world. This collection contains essays by undergraduates who recount their experiences in Togo working on projects that established health insurance at a local clinic, built a cyber café, created a microlending program for teens, and started a local writers' group. The essays show students putting their optimism to work while learning that paying attention to local knowledge can make all the difference in a project's success. Students also conducted research on global health topics by examining the complex relationships between traditional healing practices and biomedicine. Charles Piot's introduction contextualizes student-initiated development within the history of development work in West Africa since 1960, while his epilogue provides an update on the projects, compiles an inventory of best practices, and describes the type of projects that are likely to succeed. Doing Development in West Africa provides a relatable and intimate look into the range of challenges, successes, and failures that come with studying abroad in the global South.Contributors. Cheyenne Allenby, Kelly Andrejko, Connor Cotton, Allie Middleton, Caitlin Moyles, Charles Piot, Benjamin Ramsey, Maria Cecilia Romano, Stephanie Rotolo, Emma Smith, Sarah Zimmerman

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A practical and inspirational guide to textile folk art from cultures all around the world, accompanied by step-by-step projects. From samplers and quilts in Europe, to tribal and nomadic cloth further afield in Mongolia and China, folk and traditional designs have played a crucial part in the development of textile art and craft. In this book, Anne Kelly explores the traditional motifs used in textile folk art and shows you how contemporary textile artists use these in their work today. The beautifully illustrated guide is also packed with helpful step-by-step projects that demonstrate how to apply folk motifs to your own work. Drawing inspiration from the Far East to Scandinavia, artists and designers have often used folk art to influence their work. Beginning with the chapter 'Samplers in Stitch', Anne looks into handmade momentoes and souvenirs created in the UK and USA. Samplers as statement pieces are also explored and are contextualised within the role of women and children recording their personal histories and lives. 'Nordic Notes' then looks at Scandinavian traditional textile art, and how modern screen printing and embroidery have been used by contemporary makers. 'Silk Road' looks at the influence of nomadic cultures and textiles, including yurts in Mongolia and Miao folklore in China. Projects on how to make felt, pouched and jewellery are also covered. Lastly, 'Trees of Life' looks the motif of the tree in a variety of cultures. Anne also looks at traditional techniques from South Asia and how to create your own 'Family Tree' using photo transfers and appliqué. Featuring step-by-step projects as well as work from contemporary artists and makers throughout, this practical and beautiful guide shows how practitioners of all kinds can draw from folk art for making and inspiration.

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Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel.After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a daredevil pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and avoid risk at all cost. Following her mother's advice, and forgoing the magic of first love with a high school boyfriend who she thought too wild, Maggie married a good, dependable man. Together they had a son and found happiness in a conventional suburban life - until tragedy struck again. Now on her own, feeling a sense of adventure for the first time, Maggie decides to face her fears, setting off on a whirlwind trip from the US to Rome, Paris, London and Monaco. But when her travels reconnect her with the irresistible, thrill-seeking man she's spent thirty years trying to forget, Maggie is terrified that rushing into love and sharing his life may end in disaster. But while Maggie tries to outrun her fears and painful memories, fate will surprise her in the most astounding of ways, as she walks the tightrope between danger and courage, and between wisdom and love.

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Jack the Ripper's London...an eerily quiet dining room on the Titanic...and a series of murders that covers two decades.1912. Locked in an eerily quiet dining room on the Titanic, a mysterious man tells a young girl his life story as the ship begins to sink. It all starts in Whitechapel, London in 1888...In the small hours of the night in a darkened Whitechapel alley, young Mary Kelly stumbles upon a man who has been seriously injured and is almost unconscious in the gutter. Mary - down on her luck and desperate to survive - steals his bag and runs off into the night.Two days later, an American gentleman wakes in a hospital bed with no memory of who he is or how he got there. He has suffered a serious head injury, and with no one to help him remember who he is he starts to wonder how he will ever find his way home.One terrible truth links these two lost souls in the dark world of Victorian London - a truth that could ruin the name of the most influential man in the land...Back in 1912, as the Titanic begins its final shuddering descent to the bottom of the frozen, black Atlantic, one man is about to reveal the truth behind a series of murders that have hung like a dark fog over London for more than two decades...the identity of Jack the Ripper.

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Today there are more tools for communication than ever before, yet very little in the way of reflection on how these are being used and even less on what exactly is being conveyed. This issue of AD looks at how architecture is communicated from a cultural perspective. Do the identities of practices or their business-driven branding and promotional efforts resonate with the critical acclaim many architects seek? Has slick image-led media coverage sold the profession short? How is it possible to convey the less visual and haptic qualities of architecture? Can architects be more creative in their communication efforts, making these joyous on their own terms as Le Corbusier did so memorably? Is there really a need to succumb to the world of corporate marketing processes and managerial business jargon? The issue explores notions of editing and curating work in an age of data deluge, and discusses social media as a genuinely alternative space for communication rather than for just repurposing and regurgitating information relayed. The Identity of the Architect encourages the promotion of practices as an integral extension of the very culture they hope to engender through their work. Contributors: Stephen Bayley, Caroline Cole, Adam Nathaniel Furman, Gabor Gallov, Jonathan Glancey, Justine Harvey, Owen Hopkins, Crispin Kelly, Jay Merrick, Robin Monotti, Juhani Pallasmaa, Vicky Richardson, Jenny Sabin, and Austin Williams. Featured architects: Ian Ritchie, BIG, MVRDV, IF_DO and Zaha Hadid Architects

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By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, "Systems We Have Loved" shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century's most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art's embrace of the world as an information system, "Systems We Have Loved" breathes new life into the study of conceptual art.

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A proven, practical and motivational guide to the 10 psychological characteristics displayed by high achievers, that we can all develop in order to be more successful in life and work.'An inspiring and practical guide, showing how we can all use our strengths to achieve success' - Dame Kelly Holmes'A must-read for anyone interested in maximising their potential!' - Chrissie Wellington OBESport psychologist Dr Josephine Perry spends her life working with exceptional performers. She has identified ten psychological pillars that the ultra-successful have ingrained within their approach. And the good news is that we can all learn these mental building blocks.In this book you'll hear those who have excelled in their field discussing their route to success and learn how you can emulate them. A sense of belonging, mastery, autonomy, purpose, confidence, process, courage, optimism, internal insight or gratitude - all these skills can be vital in helping us overcome setbacks that can stand in the way of achieving our goals.From the double Olympic champion who is passionate about collaboration, to the James Bond Stuntman who has cultivated courage, to the Ironman athlete who harnessed the power of gratitude, each case study demonstrates how we can turn a pillar into a superpower. Illuminating and inspiring, The Ten Pillars of Success will give every reader a roadmap to reach their full potential.

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Finding your way is never a simple journey… Alice sees the worst in people. She also sees the best.She sees a thousand different emotions and knows exactly what everyone around her is feeling.Every. Single. Day. But it’s the dark thoughts.The sadness. The rage.These are the things she can’t get out of her head. The things that overwhelm her. Where will the journey to find herself begin? Everyone loves In a Thousand Different Ways… ‘Ahern makes Alice’s plight touchingly convincing . . . [her] pain is raw on the page’ The Times ‘An extraordinary and truly original story – a must read this month’ Prima ‘Stunning’ Irish Independent ‘Beautiful, moving and unexpected, In a Thousand Different ways is an unforgettable story. This is Cecelia Ahern at her very best’ Louise O’Neill ‘Utterly wonderful . . . Cecelia Ahern is a master storyteller at the absolute peak of her powers. Her heroine, Alice Kelly, is completely unique – beguiling, complicated, extraordinary – and she’ll change the way you see the world’ Clare Pooley ‘A novel that’s so wise and profound, there’s gold on every page’ Donal Ryan ‘A thoughtful, engrossing novel that’s a joy to read’ Sunday Express ‘So moving’ Heat ‘Ahern’s original talent for sensitive storytelling shines through in this novel’ Woman’s Weekly Cecelia Ahern's book In a Thousand Different Ways was a Sunday Times bestseller w/c 17-04-2023

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What does it mean to call something “contemporary”? More than simply denoting what’s new, it speaks to how we come to know the present we’re living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem.Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time.

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The epic story of the Boer War and Harry 'Breaker' Morant: drover, horseman, bush poet - murderer or hero?Most people have heard of the Boer War and of Harry 'Breaker' Morant, a figure who rivals Ned Kelly as an archetypal Australian folk hero. But Morant was a complicated man. Born in England and immigrating to Queensland in 1883, he established a reputation as a rider, polo player and poet who submitted ballads to The Bulletin and counted Banjo Paterson as a friend. Travelling on his wits and the goodwill of others, Morant was quick to act when appeals were made for horsemen to serve in the war in South Africa. He joined up, first with the South Australian Mounted Rifles and then with a South African irregular unit, the Bushveldt Carbineers.The adventure would not go as Breaker planned. In October 1901 Lieutenant Harry Morant and two other Australians, Lieutenants Peter Handcock and George Witton, were arrested for the murder of Boer prisoners. Morant and Handcock were court-martialled and executed in February 1902 as the Boer War was in its closing stages, but the debate over their convictions continues to this day.With his masterful command of story, Peter FitzSimons takes us to the harsh landscape of southern Africa and into the bloody action of war against an unpredictable force using modern commando tactics. The truths FitzSimons uncovers about 'the Breaker' and the part he played in the Boer War are astonishing - and finally we will know if the Breaker was a hero, a cad, a scapegoat or a criminal.

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SHORTLISTED FOR THE NED KELLY BEST CRIME FICTION AWARD 'B.M. Carroll is a wonderful writer' - LIANE MORIARTY 'A true page-turner, relentlessly fast-paced' - KATIE LOWE 'Well written and very, very clever' - A.J. PARK 'I absolutely loved it. Gripping and twisty' - SOPHIE FLYNN WOULD YOU SAVE THE MAN WHO DESTROYED YOUR LIFE? When paramedic Megan Lowe is called to the scene of an attempted murder, all she can do is try to save the victim. But as the man is lifted onto a stretcher, she realises she knows him. She despises him. Why should she save his life when he destroyed hers? Jess Foster is on her way home when she receives a text from Megan. Once best friends, the two women haven't been close for years, not since the night when they were just the teenage girls whom no-one believed; whose reputations were ruined. All Jess can think is, you had it coming. Now Megan and Jess are at the centre of a murder investigation. But what secrets are they hiding? Can they trust one another? And who really is the victim? Perfect for fans of C.L. Taylor, Lucy Foley and Lisa Hall, You Had It Coming is a thrilling tale of suspense and dark secrets.

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From the time, many years ago, when Michael Palin first heard that his grandfather had a brother, Harry, who died in tragic circumstances, he was determined to find out more about him.The quest that followed involved hundreds of hours of painstaking detective work. Michael dug out every bit of family gossip and correspondence he could. He studied every relevant official document. He tracked down what remained of his great-uncle Harry's diaries and letters, and pored over photographs of First World War battle scenes to see whether Harry appeared in any of them. He walked the route Harry took on that fatal, final day of his life amid the mud of northern France. And as he did so, a life that had previously existed in the shadows was revealed to him.Great-Uncle Harry is an utterly compelling account of an ordinary man who led an extraordinary life. A blend of biography, history, travelogue and personal memoir this is Michael Palin at his very finest.___________________________________________PRAISE FOR EREBUS:'Beyond terrific. I didn't want it to end.' BILL BRYSON'Magisterial . . . Palin brings energy, wit and humanity to a story that has never ceased to tantalise people.' THE TIMES'Everybody's talking about it . . . A brilliant book.' CHRIS EVANS'I absolutely loved it: I had to read it at one sitting.' LORRAINE KELLY

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'Wodehouse would have made an excellent sports writer' Sunday TimesAs Wodehouse’s biographer Frances Donaldson observed, it was vitally important to the boy Plum that he was ‘above average at games’. Luckily, he was known at school as ‘a noted athlete, a fine footballer and cricketer [and] a boxer’, and sport inspired much of his earliest writings, as well as some of his very finest and laugh-out-loud funniest. Wodehouse wrote with trademark wit on a rich range of games – and on cricket and golf, in particular – as well as anyone ever has, bringing a knowledge and a passion born of practice. English cricket inspired in Wodehouse what he himself long considered to be his favourite work; and yet America (which he first visited keenly and then came to call home) led him to the love of baseball, and golf – enthusiasms that drew him to new tales for new audiences, including the celebrated golf stories which John Updike described as ‘the best fiction ever done about the sport.’This rollicking anthology, selected, edited and introduced by the novelist Richard T. Kelly, offers a vivid picture of Wodehouse at play – in the ring, at the crease, on the tee – which is guaranteed to please any sporting crowd. Beginning with early journalism, taking in extracts from novels and short stories in their entirety, it all adds up to a medal-winning collection.

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'An excellent read' RACHEL ABBOTT'Like Nicci French, Kate Rhodes excels at character, pace and sense of place.' ERIN KELLY'The pace never lets up in Kate Rhodes' latest thriller' TAMAR COHEN'A riveting read' ALEX MARWOODClare Riordan and her son Mikey are abducted from Clapham Common early one morning. Hours later, the boy is found wandering disorientated. Soon after, a pack of Clare's blood is left on a doorstep in the heart of the City of London.Alice Quentin is brought in to help the traumatised child uncover his memories - which might lead them to his mother's captors. But she swiftly realises Clare is not the first victim... nor will she be the last.The killers are driven by a desire for revenge... and in the end, it will all come down to blood.WHAT READERS ARE SAYING:'I found myself reading long into the night - absolutely loved it!' 5*'Such an imagination! I was captivated by the suspense in this story' 5*'A fast paced story line with numerous possibilities as to the killers, keeps you guessing til the end' 5*'I LOVE this series. I will make it my mission to get everyone to read it' 5*'The story was so fresh and utterly different with characters and a plot that you really have deep feelings for' 5*'Kate Rhodes just gets better and better' 5*

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A poetry collection examining masculinity, aggression, and violence. In his fourth poetry collection, Matthew Minicucci examines masculinity and gun violence as he brings to life the grammatical concept of the dual, a number that is neither singular nor plural. Though now lost in English, the concept is present in other languages both extant and ancient. The poems’ forms fittingly include the elegy, palinode, and contrapuntal, which is both a single poem and two poems intertwined. They align contemporary moments with key texts from Western literature, including ancient Greek epics, in a way that helps us reconsider the aggression of young men. “The world kills kind boys,” Minicucci writes, and “we bury the bodies inside men.” Minicucci recategorizes our idea of “West,” the Western canon, and the Old West and its bullets, comparing them to modern-day landscapes in Utah, Oregon, Washington, California, and Hawai’i. Whether memorializing a woodworking grandfather or poets Brigit Pegeen Kelly and James Longenbach, Dual notes that loss has a double vision. While weighty in their subjects, Dual’s poems make room for unexpected moments of lightness, such as when the speaker compares the complications of love to “reading the Iliad and realizing, sure, there's anger, // but before that there’s just a lot of camping.” The book argues, in the end, that there is an unalienable dual between the observer and the observed, the self and the self as confessed to another.

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Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor’s writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor’s own progress as a critic.Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor’s most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism’s fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle’s depiction of women, Wet is a fascinating and informative collection.Complemented by over twenty illustrations, the essays in Wet reveal Schor’s remarkable ability to see and to make others see art in a radically new light.

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Stolen. Missing. Dead...Forensic psychologist Paul Maguire is up against the clock to stop a merciless killer in THE DEAD GROUND, the second novel in the highly acclaimed Paula Maguire series and the gripping follow up to The Lost. Claire McGowan's thrillers are sure to enthral readers of Michael Connelly and Karin Slaughter 'Fresh and accessible without ever compromising on grit or suspense' - Erin KellyForensic psychologist Paula Maguire, already wrestling with the hardest decision of her life, is forced to put her own problems on hold when she's asked to help find a baby taken from a local hospital.Then the brutal, ritualistic murder of a woman found lying on a remote stone circle indicates a connection to the kidnapping and Paula knows that they will have to move fast if they are to find the person responsible.When another child is taken and a pregnant woman goes missing, Paula finds herself caught up in a deadly hunt for a killer determined to leave no trace, and discovers every decision she makes really is a matter of life and death...What readers are saying about The Dead Ground:'Another gripping page-turner from a fabulous writer!''Every time you think you've got it all worked out there will be another twist to it. Definitely worth reading''A powerful read that touched nicely on women's rights and pro-choice in an Irish context. Cleverly done; I felt a great deal of empathy for all concerned. An excellent read'

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***ONE OF THE TIMES BEST CRIME BOOKS OF 2021*** *** WINNER OF THE NED KELLY AWARD FOR BEST CRIME NOVEL *** *** THE SUNDAY TIMES CRIME CLUB STAR PICK *** 'A superb chronicler of cop culture' - SUNDAY TIMES 'The greatness of Garry Disher' IAN RANKIN 'The equal of Joseph Wambaugh and James Lee Burke' - THE TIMES ________________________________________ SMALL CRIMES CAN HAVE TERRIBLE CONSEQUENCES Winter in Tiverton, and Constable Paul Hirschhausen has a snowdropper on his patch. Someone is stealing women's underwear, and Hirsch knows how that kind of crime can escalate. Then two calls come in: a child abandoned in a caravan, filthy and starving. And a man on the rampage at the primary school. Hirsch knows how things like that can escalate, too. An absent father who isn't where he's supposed to be; another who flees to the back country armed with a rifle. Families under pressure can break. But it's always a surprise when the killing starts. A hugely atmospheric police procedural set in the dust of the Australian outback. Perfect for readers of Jane Harper, Chris Hammer and Dervla McTiernan. ________________________________________ 'Disher is the gold standard for rural noir' - CHRIS HAMMER 'The Hirsch novels are Disher's finest work' - DOMINIC NOLAN 'This is a book that cannot be praised enough. Read it' - HERALD SUN 'Peter Temple and Garry Disher will be identified as the crime writers who redefined Australian crime fiction' - SYDNEY MORNING HERALD

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'The ending gave me shivers' Claire Douglas'A plot that tightens like a vice' Erin KellyIt all started to go wrong the day the Wrights moved in next doorMyles and Lana Butler live on a gorgeous new development in Wimbledon, leaning on a mortgage that is just within reach. When one of Myles' investments fails they are bound to lose everything.Gabriel and Holly Wright have just moved in next door. The Wrights are sophisticated, ambitious and apparently very wealthy. At an after-dinner drink with their new neighbours, Myles and Lana share their worries and a solution is suggested between the couples. Life Insurance fraud. For a cut of the pay out, the Wrights would help them.No one thought they were being serious. No one agreed they'd actually go through with it. And no one mentioned it would involve murder.Then, one night, Lana doesn't come home.Praise for The End of Us'Witty, dark, unpredictable. A book to be devoured in one sitting' Karen Hamilton'It reminded me of Hitchcock at his best. Tense, twisty, dark and so unpredictable' Claire Douglas 'The End Of Us is that rare book - beautifully written and impossible to put down' Fiona Cummins 'I loved it - easily Kiernan's best yet' Cara Hunter'Terrifically compelling. And that last line. Oh my. That is how a book should end' John Marrs'A superbly written tangled web of utter brilliance' Joanna Cannon

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'How it Happened is precise and thrilling with an offbeat charm. Koryta in his finest moments is reminiscent of Stephen King . . . Terrific' Metro'A remarkable achievement that rises high above the genre' Nelson DeMille'And that is how it happened. Can we stop now?'Kimberly Crepeaux is a notorious jailhouse snitch and opioid addict whose petty crimes are well known to the locals in her rural Maine community. So when she confesses to her role in the brutal murders of Jackie Pelletier and Ian Kelly, the daughter of a prominent local family and her sweetheart, few believe her story.Except FBI interrogation specialist Rob Barrett. He knows that Kimberly's story - a dope-fuelled hit and run followed by a violent stabbing - is how it happened. But one thing remains elusive: where are the bodies? Barrett stakes his name and reputation on the truth of Kimberly's confession, only to have the bodies turn up two hundred miles from where she said they'd be, shot in the back and covered in a different suspect's DNA. The case is quickly closed and Barrett forcibly reassigned. But for Howard Pelletier, the tragedy of his daughter's murder cannot be so easily forgotten. And for Barrett, whose career may already be over, the chance to help a grieving father may be the only one he has left.How It Happened is a frightening, tension-filled ride into the dark heart of rural America.

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Complicating Articulation in Art Cinema argues that art cinema draws attention to its disjointed, multi-parted form, but that criticism has too frequently sought to explain this complexity away by stitching the parts together in totalizing readings. This stitching together has often relied on the assumption that the solution to art cinema's puzzles lies in interpreting each film as the expression of a focalizing character's internal disturbance. This book challenges this assumption. It argues that the attempt to explain formal complexity through this character-centric approach reduces formal achievements and enigmatic characters to inadequate approximations of one another. Reference to character cannot fully tame unschematic and unpredictable combinations of - and collisions between - contradictory levels of narration, clashing styles, discontinuously edited shots, jarring allusions, dislocated genre signifiers, and intermedial elements. Through close analyses of films by Roberto Rossellini, Robert Bresson, Luis Buñuel, Terence Davies, Peter Greenaway, and Kelly Reichardt, Complicating Articulation in Art Cinema offers an ethics of criticism that suggests that the politics of art cinema's eccentric form are limited by character-centred readings. Each of the featured films presents inarticulate characters, whose emotional and intellectual lives are unknowable, further complicating the relationship between character and form. This book argues that, by acknowledging this resistance to interpretation, critics can think in new ways about art cinema's interrogation of the possibilities of knowledge.

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By turns hilarious, revelatory and desperately sad, here is the autobiography of the man whose TV and stage appearances such as Hello Dolly!, Some Mothers Do `Ave 'Em and The Phantom of the Opera have made him a national institution. The story of the true identity of his father, which is behind this book's title, leads into an evocative depiction of his tender childhood years. Whilst all the men were away at war, Crawford was surrounded by loving women. For him this was an idyllic wartime childhood, but the return of the men in peacetime signalled darker times to come. Crawford's infectious enjoyment of stage work illumines his account of his early struggles to make a name for himself in the theatre business, and his early failures with girls are lifted by his abiding sense of the absurd. Both in his private life and his work as a successful actor and TV comedian, he begins a lifetime's habit of pratfalls that he would later turn to good use in the character of Frank Spencer in smash hit 1970s TV comedy show Some Mothers Do`Ave 'Em. His talent for mimicry makes the great personalities in his life come alive on the page; people he has worked with, including Benjamin Britten who taught him to sing, John Lennon - with whom he shared a villa - and Oliver Reed, Michael Winner, Barbra Steisand, Gene Kelly and Frank Sinatra.

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Despite an expansive array of financial planning tools, advice, and gurus, putting real financial planning into practice is deeply personal-and incredibly difficult. More Than Money: Real-Life Stories of Financial Planning is a collection of surprising and inspiring true stories that reveal how real clients applied financial planning to derive tangible results that changed their lives. These stories by award-winning financial advisors feature people from all walks of life-young and old, those in debt and those with great wealth-and a wide variety of situations, from designing a desired lifestyle to dealing with catastrophe. They show how well-thought-out, personalized, and high-touch financial planning can truly impact lives for the better. These leaders in a growing industry remind us that financial planning is more than dollars and cents-it is about resourcing dreams and improving lives in the near-term and beyond. Financial planning is More Than Money. Contributions from: Elliott Appel, Michael H. Baker, Vincent R. Barbera, Jordan Benold, Todd Bessey, Todd A. Bryant, Marguerita Cheng, Kevin D. Christensen, Christopher Clepp, Cathy Curtis, Shanna Due, Jessica L. Fahrenholz, Brett K. Fellows, Matt Fizell, Steven Fox, Melissa Joy, Michael Kelly, David Kuzma, Douglas M. Lynch, Kevin Mahoney, Andrew Martz, Stephanie W. McCullough, Dana J. Menard, Amar Pandit, Matthew G. Ricks, Jeffrey J. Smith, Nicola Tomlin, Simon A. Tryzna.

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Ask guitar players about their instruments, and you’re likely to get a story—where the guitar came from, or what makes it unique, or why the player will never part with it. Most guitarists have strong feelings about their primary tool, and some are downright passionate about their axes. Chuck Holley is a professional photographer and writer who loves music and listening to musicians talk about their trade. For several years, he has been photographing guitarists with their prized instruments and collecting their stories. This beautifully illustrated book presents these stories in revelatory photographs and words.The guitarists included in this book range from high-profile performers, including Rosanne Cash, Guy Clark, Laurence Juber, Jorma Kaukonen, JD Souther, Bill Frisell, Dave Alvin, and Kelly Willis, to renowned studio musicians and band members. Holley’s beautifully composed photographs portray them with their favorite guitar, including detail shots of the instrument. Accompanying the photographs are the musicians’ stories about the Gibsons, Fenders, Martins, and others that have become the guitar in their lives, the one that has a special lineage or intangible qualities of sustain, tone, clarity, and comfort that make it irreplaceable. Several musicians talk about how the guitar chose them, while others recount stories of guitars lost or stolen and then serendipitously recovered. Together, these photographs and stories underscore the great pleasure of performing with an instrument that’s become a trusted friend with a personality all its own.

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When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the post-war period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of post-war British art and attitudes.

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Two developments that occurred over the course of the nineteenth century had a strong impact on Christian theology. The first was a deepening of the implications of historical consciousness, and the second was the impact of science on Christian self-understanding. Marx’s sociology of knowledge symbolizes the first; Darwin’s analysis of evolution symbolizes the second. These intellectual developments gave rise to various forms of process philosophy and theology. Within this context, a dialogue between Christian theology and evolution has yielded dramatically new convictions and practices in Christian spirituality, especially relative to ecology. For more than three decades Catherine Keller has been reflecting on the intellectual and practical effects that an internalization of the dynamic character of reality should have upon the practice of Christian life. Her text illustrates the basic framework of dynamic becoming that science demands, whether or not one is formally a process thinker. Pierre Teilhard de Chardin was an earlier figure who was more zeroed in on the phenomenon of evolution, which he encountered in a distinct way as a Christian scientist trained in geology and paleontology, as distinct from biology or genetics. Evolution explicitly informs his spirituality. These two different Christian writers, the one representing the imaginative framework of being as process and becoming, the other focused on how evolution affects intentional spiritual life, open new perspectives on the spiritual character of people’s active lives of work and creativity in the world that science presents to us.

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Singular and star-studded writings on America’s neon-lit playground At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country. Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright

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"Rebellion in Black and White" offers a panoramic view of southern student activism in the 1960s. Original scholarly essays demonstrate how southern students promoted desegregation, racial equality, free speech, academic freedom, world peace, gender equity, sexual liberation, Black Power, and the personal freedoms associated with the counterculture of the decade. Most accounts of the 1960s student movement and the New Left have been northern-centered, focusing on rebellions at the University of California, Berkeley, Columbia University, and others. And yet, students at southern colleges and universities also organized and acted to change race and gender relations and to end the Vietnam War. Southern students took longer to rebel due to the south's legacy of segregation, its military tradition, and its Bible Belt convictions, but their efforts were just as effective as those in the north. "Rebellion in Black and White" sheds light on higher education, students, culture, and politics of the American south. It is edited by Robert Cohen and David J. Snyder, the book features the work of both seasoned historians and a new generation of scholars offering fresh perspectives on the civil rights movement and many others. Contributors include: Dan T. Carter, David T. Farber, Jelani Favors, Wesley Hogan, Christopher A. Huff, Nicholas G. Meriwether, Gregg L. Michel, Kelly Morrow, Doug Rossinow, Cleveland L. Sellers Jr., Gary S. Sprayberry, Marcia G. Synnott, Jeffrey A. Turner, Erica Whittington, and Joy Ann Williamson-Lott.

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A Nation Rising chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian sovereignty movement. Scholars, community organizers, journalists, and filmmakers contribute essays that explore Native Hawaiian resistance and resurgence from the 1970s to the early 2010s. Photographs and vignettes about particular activists further bring Hawaiian social movements to life. The stories and analyses of efforts to protect land and natural resources, resist community dispossession, and advance claims for sovereignty and self-determination reveal the diverse objectives and strategies, as well as the inevitable tensions, of the broad-tent sovereignty movement. The collection explores the Hawaiian political ethic of ea, which both includes and exceeds dominant notions of state-based sovereignty. A Nation Rising raises issues that resonate far beyond the Hawaiian archipelago, issues such as Indigenous cultural revitalization, environmental justice, and demilitarization.Contributors. Noa Emmett Aluli, Ibrahim G. Aoudé, Kekuni Blaisdell, Joan Conrow, Noelani Goodyear-Ka'opua, Edward W. Greevy, Ulla Hasager, Pauahi Ho'okano, Micky Huihui, Ikaika Hussey, Manu Ka‘iama, Le‘a Malia Kanehe, J. Kehaulani Kauanui, Anne Keala Kelly, Jacqueline Lasky, Davianna Pomaika'i McGregor, Nalani Minton, Kalamaoka'aina Niheu, Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira, Jonathan Kamakawiwo'ole Osorio, Leon No'eau Peralto, Kekailoa Perry, Puhipau, Noenoe K. Silva, D. Kapua‘ala Sproat, Ty P. Kawika Tengan, Mehana Blaich Vaughan, Kuhio Vogeler, Erin Kahunawaika’ala Wright

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