Search results for ""author franklin"

Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nation's history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelt's New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM 'kids' musicals of the late 1930sThe problems of independent production exemplified in King Vidor's 'Our Daily Bread'Cary Grant's success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King s College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University

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Specimens of 38 of the finest type families in the world are brought together in Typographic Specimens: The Great Typefaces, making it an invaluable reference tool for graphic designers, editors, art directors, production managers, desktop publishers, and students. Each type family is shown in display and text specimens with complete fonts including italic and bold variations; extended families such as Futura and Univers include additional type weights and widths. Each type family's section opens with a full-page experimental design, created by an outstanding graphic designer to demonstrate its potential. The specimens are accompanied by a concise discussion of each type family's origins, charactertistics, and usage. Typographic specimens provide an opportunity to study typefaces, to select and plan typography, and to increase one's knowledge of letterforms. Drawing and tracing specimens remain excellent ways to understand type and create logos and other typographic designs. Study of specimens aids in the selection of fonts to be purchased for the font library. Typographic specimens introduce unfamiliar typefaces in printed form and aid in the development of connoisseurship. Comparative analysis of similar faces in printed form becomes possible. Over one hundred prominent designers and design educators were sent a ballot listing all major typefaces and were asked to vote for the type families that best fulfilled their personal criteria for typographic excellence. The typefaces contained in this book represent the results of this poll, providing a compendium of excellent typefaces that have stood the test of time. Typographic Specimens: The Great Typefaces will provide information, inspiration, and a keener knowledge of typography. Akzidenz-GroteskAmerican TypewriterBaskervilleBemboBodoniBookmanCaledoniaCaslonCentaurCentury SchoolbookCheltenhamClarendonDidotFolioFranklin GothicFrutigerFuturaGalliardGill SansGaramondGoudy Old StyleHelveticaJansonKabelNews GothicOptimaPalatinoPerpetuaPlantinSabonSerifaStone SansStone SerifStymieTimes New RomanTrump MediaevalUniversZapf Book

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A Westerner’s travels among the persecuted and displaced Christian remnant in Iraq and Syria teach him much about faith under fire. Gold Medal Winner, 2018 IPPY Book of the Year Award Silver Medal Winner, 2018 Benjamin Franklin Award Finalist, 2018 ECPA Christian Book Award Inside Syria and Iraq, and even along the refugee trail, they’re a religious minority persecuted for their Christian faith. Outside the Middle East, they’re suspect because of their nationality. A small remnant of Christians is on the run from the Islamic State. If they are wiped out, or scattered to the corners of the earth, the language that Jesus spoke may be lost forever – along with the witness of a church that has modeled Jesus’ way of nonviolence and enemy-love for two millennia. The kidnapping, enslavement, torture, and murder of Christians by the Islamic State, or ISIS, have been detailed by journalists, as have the jihadists' deliberate efforts to destroy the cultural heritage of a region that is the cradle of Christianity. But some stories run deep, and without a better understanding of the religious and historical roots of the present conflict, history will keep repeating itself century after century. Andreas Knapp, a priest who works with refugees in Germany, travelled to camps for displaced people in the Kurdish region of northern Iraq to collect stories of survivors – and to seek answers to troubling questions about the link between religion and violence. He found Christians who today still speak Syriac, a dialect of Aramaic, the language of Jesus. The uprooted remnant of ancient churches, they doggedly continue to practice their faith despite the odds. Their devastating eyewitness reports make it clear why millions are fleeing the Middle East. Yet, remarkably, though these last Christians hold little hope of ever returning to their homes, they also harbor no thirst for revenge. Could it be that they – along with the Christians of the West, whose interest will determine their fate – hold the key to breaking the cycle of violence in the region? Includes sixteen pages of color photographs.

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A reader-friendly, how-to guide for reading EKGs – from basic to advancedEKG Core Curriculum is a basic, easy-to-understand introduction to interpreting EKGs. Written by a physician who is experienced in teaching EKG classes to students and residents, the book begins with basic concepts and progresses to more advanced lessons. Unlike competitive titles, this unique learning tool features fresh new approach to teaching EKGs, references for further reading, clinical vignettes, clinical tips, ladder diagrams, and self-tests at the end of each chapter.•Diagnostic Criteria appendix not found anywhere else•The author has taught the basics of EKGs for more than thirty years•Uses the popular “vector approach” to teaching

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As a Man Thinketh is James Allen's third book, first published in 1903. In it, he details how man is the creator and shaper of his destiny by the thoughts which he thinks. He rises and falls in exact accordance with the character of the thoughts which he entertains. His environment is the result of what he has thought and done in the past, and his circumstances in the future are being shaped and built by his present desires, aspirations, thoughts and actions. He therefore who chooses and pursues a particular line of thought, consciously builds his own destiny. Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, and it’s easier than any of us could have imagined. The title for the essay comes from the Bible: “As a man thinketh in his heart, so is he,” Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self healing to all who have encountered it. In this new edition of As A Man Thinketh, readers will be enthralled by James Allen’s thoughts and direction to take charge of their own destiny, as it has for over 100 years. In the series Classic Thoughts and Thinkers, explore some of the most influential texts of our time along with the inner workings of its greatest thinkers. With works from great American figures such as Theodore Roosevelt and Emily Dickinson and seminal documents including the Constitution of the Unites States, this series focuses on the most reflective and thought-provoking writings of the last two centuries. These beautiful hardcovers are the perfect historical perspective for meeting the challenges of the modern world. Other titles in this series include: Autobiography of Benjamin Franklin, Collected Poems of Robert Frost, Common Sense, Constitution of the United States with the Declaration of Independence, Helen Keller, Narrative of the Life of Frederick Douglass, Selected Poems of Emily Dickinson, and Theodore Roosevelt’s Words of Wit and Wisdom.

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A sweeping and groundbreaking treasury of the most essential presidential writings, featuring a mix of the beloved and the little-known, from stirring speeches and shrewd remarks to behind-the-scenes drafts and unpublished autobiographies.From the early years of our nation’s history, when George Washington wrote his humble yet powerful Farewell Address, to our current age, when Barack Obama delivered his moving speech on the fiftieth anniversary of the Selma-to-Montgomery marches, America’s presidents have upheld a tradition of exceptional writing. Now, for the first time, the greatest presidential writings in history are united in one monumental treasury: the very best campaign orations, early autobiographies, presidential speeches, postpresidential reflections, and much more. In these pages, we see not only the words that shaped our nation, like Abraham Lincoln’s Emancipation Proclamation and Franklin D. Roosevelt’s Infamy speech, but also the words of young politicians claiming their place in our history, including excerpts from Woodrow Wilson’s Congressional Government and Obama’s career-making convention speech, and the words of mature leaders reflecting on their legacies, including John Adams’s autobiography and Harry S. Truman’s Memoirs. We even see hidden sides of the presidents that the public rarely glimpses: noted outdoorsman Teddy Roosevelt’s great passion for literature or sunny Ronald Reagan’s piercing childhood memories of escorting home his alcoholic father. Encompassing notable favorites like Lincoln’s Gettysburg Address and John F. Kennedy’s Inaugural Address as well as lesser-known texts like Thomas Jefferson’s Notes on the State of Virginia and James Polk’s candid White House diary, The Best Presidential Writing showcases America’s presidents as thinkers, citizens, and leaders. More than simply a curation of must-read presidential writings, this unique collection presents the story of America itself, told by its highest leaders. Even the most famous speeches find new meanings or fresh connections when read in this sweeping context, making The Best Presidential Writing a trove full of insight and an essential historical document.

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Summer, 1941. Japan and the United States are locked in a battle of wills. President Franklin D. Roosevelt's economic sanctions are crippling Japan. Rice is being rationed. Consumer goods are limited. And oil shortages threaten the capabilities of Japan’s vast military machine. America's noose is tightening around Japan's neck—but the country's leaders refuse to yield to American demands. In this cauldron of boiling tensions – months before the Pearl Harbor attack – Joseph Grew, America's ambassador to Japan, offered many recommendations to break the deadlock. Having resided and worked in the elegant U.S. embassy in the heart of Tokyo for almost ten years, Grew understood what Roosevelt and his administration back home did not: that the Japanese would rather face annihilation than endure the humiliation of surrendering to American pressure. But the President and his administration saw little need to accept their ambassador’s recommendations. The administration’s policies, they believed, were sure to succeed. And so, with increasing urgency, Grew tried to explain to the President and his administration that Japan’s mindset could not be gauged by Western standards of logic and that the administration’s policies could lead Japan to embark on a suicidal war with the United States “with dangerous and dramatic suddenness.” Relying on Grew’s diaries, letters and memos, interviews with members of the families of Grew and his staff, and an abundance of other primary source materials, Lew Paper presents a gripping story of Ambassador Joseph Grew’s effort to halt the downward spiral of Japan’s relations with the United States. Caught in the middle of a life-or-death clash between East and West powers, Grew had to wrestle with an American government that would not listen to him – and simultaneously confront an increasingly hostile environment in Japan, where pervasive surveillance, arbitrary arrest, and even unspeakable torture by Japan's secret police were constant threats. In the Cauldron is a story filled with hope, fear, anger, and frustration. More than that, it is a story that has never been told. It is sure to cast a new light on Pearl Harbor and raise questions whether the Japanese attack could have been avoided.

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An examination of WASP culture through the lives of some of its most prominent figures. Envied and lampooned, misunderstood and yet distinctly American, WASPs are as much a culture, socioeconomic and ethnic designation, as a state of mind.From politics to fashion, their style still intrigues us. WASPs produced brilliant reformers—Eleanor, Theodore, and Franklin Roosevelt—and inspired Cold Warriors—Dean Acheson, Averell Harriman, and Joe Alsop. In such dazzling figures as Isabella Stewart Gardner, Edie Sedgwick, Babe Paley, and Marietta Tree they embodied a chic and an allure that drove characters like F. Scott Fitzgerald’s Jay Gatsby mad with desire. They were creatures of glamour, power, and privilege, living amid the splendor of great houses, flashing jewels, and glittering soirées. Envied and lampooned, they had something the rest of America craved. Yet they were unhappy. Descended from families that created the United States, WASPs felt themselves stunted by a civilization that thwarted their higher aspirations at every turn. They were the original lost generation, adrift in the waters of the Gilded Age. Some were sent to lunatic asylums or languished in nervous debility. Others committed suicide. Yet out of the neurotic ruins emerged a group of patriots devoted to public service and the renewal of society. In a groundbreaking study of the WASP revolution in American life, Michael Knox Beran brings the stories of Henry Adams and Henry Stimson, Learned Hand and Vida Scudder, John Jay Chapman and Gertrude Vanderbilt Whitney to life. These characters were driven by a vision of human completeness, one that distinguishes them from the self-complacency of more recent power establishments narrowly founded on money and technical know-how. WASPs shaped the America in which we live: so much so that it is not easy to understand our problems without a knowledge of their mistakes. They came to grief in Vietnam and through their own toxic blood pride, yet before they succumbed to the last temptation of arrogance, they struggled to fill a void in American life, one that many of us still feel. For all their faults, they pointed—in an age of shrunken lives and diminished possibility—to the dream of a new life.

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Contributors: Madeleine Brainerd, Joe Conway, Fraser Easton, Christopher GoGwilt, Shari Goldberg, Melanie D. Holm, Sarah Kay, Kaori T. Kitao, Holt V. Meyer, Isabel A. Moore, Fawzia Mustafa, Gavin Sourgen. Mocking Bird Technologies brings together a range of perspectives to offer an extended meditation on bird mimicry in literature: the way birds mimic humans, the way humans mimic birds, and the way mimicry of any kind involves technologies that extend across as well as beyond languages and species. The essays examine the historical, poetic, and semiotic problem of mimesis exemplified both by the imitative behavior of parrots, starlings, and other mocking birds, and by the poetic trope of such birds in a range of literary and philological traditions. Drawing from a cross-section of traditional periods and fields in literary studies (18th-century studies, romantic studies, early American studies, 20th-century studies, and postcolonial studies), the collection offers new models for combining comparative and global studies of literature and culture. Editors Christopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford, 2011), The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock (Stanford, 2000), and The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire (Stanford, 1995). Melanie D. Holm is Assistant Professor of the English Department and Graduate Program of Literature and Criticism at Indiana University of Pennsylvania. She also teaches in the university’s Women’s and Gender Studies program. Her scholarly focus is on eighteenth-century literature and skepticism. Contributors Madeleine Brainerd taught at Washington University in St. Louis and at Excelsior College. Since 2004 she has taught therapeutic yoga and medical qi gong in New York City, at the Integral Yoga Institute, Kenshikai Dojo, Gouverneur Hospital, and other venues. She studies histories of yoga’s intersections with ecological in/justice, animality, and affect theory. Joe Conway is an Assistant Professor of American Literature at the University of Alabama in Huntsville. His articles have appeared or are scheduled to appear in the journals Women’s Studies, Early American Literature, and Nineteenth-Century Contexts. He is currently at work on a monograph about the social life of antebellum money that charts how discourses of noneconomic phenomena such as medicine, race, nationalism, and aesthetics informed nineteenth-century debates about what constitutes good money. Fraser Easton is Associate Professor of English, University of Waterloo, Canada. A specialist in eighteenth-century literature, he has published on Jane Austen, Daniel Defoe, Maria Edgeworth, and Christopher Smart, as well as on newspaper records and historical accounts of passing women in the eighteenth century. Shari Goldberg is Assistant Professor of English at Franklin & Marshall College in Lancaster, Pennsylvania. She is the author of Quiet Testimony: A Theory of Witnessing from Nineteenth-Century American Literature (Fordham, 2013). She has also published essays on silence, politics, and personhood in American literature. Her current research focuses on late-nineteenth-century models of mind and person in narrative and psychological writing. Sarah Kay teaches French and Medieval Studies at New York University. She has written widely on medieval literature across languages, genres, and periods; her work combines the study of medieval texts, especially troubadour songs, with philosophical and theoretical inquiry. Her two most recent books are Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (2013) and Animal Skins and the Reading Self in Medieval Latin and French Bestiaries (2017). Kaori Kitao (William R. Kenan Jr. Professor of Art History, Emerita, Swarthmore College) taught art history at Swarthmore College from 1966 to 2001. She was born in Tokyo and studied architecture at UC Berkeley and art history at Harvard. Her main specialization is Italian renaissance and baroque art; she has also taught courses in cinema history, material culture, urban studies, and Japanese architecture. Holt V. Meyer is Professor of Slavic Studies at Erfurt University. He is the author of Romantische Orientierung (1995) and numerous articles and has co-edited the collections Juden und Judentum in Literatur und Film des slavischen Sprachraumes. Die geniale Epoche (1999), Inventing Slavia (2005), Schiller: Gedenken—Vergessen—Lesen (2010), and Gagarin als Archivkörper und Erinnerungsfigur (2014). He is co-editor of the new book series Spatio-Temporality. Practices—Concepts— Media (De Gruyter). He is currently working on a book about the official Stalinist Pushkin celebrations of 1949. Isabel (Annie) Moore completed her Ph.D. in comparative literature at the University of California–Irvine. From 2011 to 2013, she held a postdoctoral fellowship in English at the University of Victoria. She has published on Contemporary Irish and Canadian poetry, and her book project is titled The Ends of Lyric Life: A Theory of Biopoetics. Fawzia Mustafa is Professor of English and African and African American Studies at Fordham University. She also teaches in the university’s Comparative Literature and Women’s, Gender and Sexuality Studies Programs. The author of V. S. Naipaul (1995), she has published numerous articles on postcolonial literature and development. Gavin Sourgen is Visiting Assistant Professor of English at the Harriet L. Wilkes Honors College of Florida Atlantic University. He completed his D.Phil. at Balliol College (Oxford) in 2013, concentrating on the transitional poetics of Lord Byron’s verse, and has published on Byron, Coleridge, and romantic aesthetics in general.

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VOLUME IV includes original Letters from India; containing a narrative of a journey through Egypt, and the author’s imprisonment at Calicut by Hyder Ali. To which is added an abstract of three subsequent voyages to India by Mrs Elizabeth Fay.

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“A remarkable book.”—Malcolm Gladwell, San Francisco ChronicleDeaths of civilians at the hands of on-duty police are in the national spotlight as never before. How many killings by police occur annually? What circumstances provoke police to shoot to kill? Who dies? The lack of answers to these basic questions points to a crisis in American government that urgently requires the attention of policy experts. When Police Kill is a groundbreaking analysis of the use of lethal force by police in the United States and how its death toll can be reduced.Franklin Zimring compiles data from federal records, crowdsourced research, and investigative journalism to provide a comprehensive, fact-based picture of how, when, where, and why police resort to deadly force. Of the 1,100 killings by police in the United States in 2015, he shows, 85 percent were fatal shootings and 95 percent of victims were male. The death rates for African Americans and Native Americans are twice their share of the population.Civilian deaths from shootings and other police actions are vastly higher in the United States than in other developed nations, but American police also confront an unusually high risk of fatal assault. Zimring offers policy prescriptions for how federal, state, and local governments can reduce killings by police without risking the lives of officers. Criminal prosecution of police officers involved in killings is rare and only necessary in extreme cases. But clear administrative rules could save hundreds of lives without endangering police officers.“Roughly 1,000 Americans die each year at the hands of the police…The civilian body count does not seem to be declining, even though violent crime generally and the on-duty deaths of police officers are down sharply…Zimring’s most explosive assertion—which leaps out…—is that police leaders don’t care…To paraphrase the French philosopher Joseph de Maistre, every country gets the police it deserves.”—Bill Keller, New York Times“If you think for one second that the issue of cop killings doesn’t go to the heart of the debate about gun violence, think again. Because what Zimring shows is that not only are most fatalities which occur at the hands of police the result of cops using guns, but the number of such deaths each year is undercounted by more than half!…[A] valuable and important book…It needs to be read.”—Mike Weisser, Huffington Post

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This book is about the morality of groups. The author addresses the conflict and tensions that exist between impartiality and partiality within political philosophy, and ordinary thought and practice by relating theoretical arguments to pressing contemporary practical issues such as immigration and emigration policy.

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This selection of Times obituaries from 1872 to 2014 revisits the lives of 125 women who have all, in their own way, played an important part in women’s educational, professional, social, cultural and emotional journey over the best part of two centuries. The anthology starts with the obituary of 91-year-old pioneering mathematician and scientist Mary Somerville (d. 1872) and concludes with that of 110-year-old concert pianist and Holocaust survivor Alice Herz-Sommer (d. 2014). In between come a formidable trio of later scientists: the discoverer of radium Marie Curie; the unsung heroine of DNA, Rosalind Franklin; and the only British woman to win a Nobel Prize for science, Dorothy Hodgkin. Plus a further quintet of great pianists: Clara Schumann, Myra Hess, Eileen Joyce, Tatiana Nikolayeva and Moura Lympany. Among campaigners, there is nursing reformer Florence Nightingale (d. 1910), along with suffragists Emmeline, Christabel and Sylvia Pankhurst (d. 1928, 1958 and 1960), the 20th century’s best-known promoter of contraception (Marie Stopes, d. 1958), civil rights worker Rosa Parks (d. 2005), founder of the hospice movement Cicely Saunders (d. 2005), anti-apartheid campaigner Helen Suzman (d. 2009) and Nobel Prize-winning environmentalist Wangari Maathai (d. 2011). Interspersed are women prime ministers from Golda Meir of Israel (d. 1978) to Margaret Thatcher (d. 2013); actresses from Sarah Bernhardt (d. 1923) to Marilyn Monroe (d. 1962) and Elizabeth Taylor (d. 2011); novelists from George Eliot (d. 1880) to Doris Lessing (d. 2013); singers from Jenny Lind (d. 1887) to Joan Sutherland (d. 2010); plus aviators, a mountaineer, a Channel swimmer, war correspondents, ballerinas, sportswomen, botanists, US first ladies, iconic members of the British royal family, and more.

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Discover the inspiring voices that have changed our world, and started a new conversation. A sister title to Great Women’s Speeches (2021), and the pocket edition of Loud and Proud (2020), Great LGBTQ+ Speeches is a pioneering collection of over 40 empowering and influential speeches that chart the history of the LGBTQ+ movement. Photocollage portraits and enlightening commentaries accompany the words of Audre Lorde, Harvey Milk, Munroe Bergdorf, Sir Elton John and more. Together these speakers touch on all aspects of LGBTQ+ life from equal marriage to the AIDS crisis, bullying to parenthood, the first 19th century campaigns through to trans rights allyship today.We are stronger when we stand together, and this collection from award-winning activist Tea Uglow encourages us to do just that whilst celebrating the beauty of our differences. Pour through a pioneering collection of talks, declarations and lectures, from people whose voices have too often been marginalised and the allies that support them; Find over 40 empowering and influential speeches that chart the history of the LGBTQ+ movement up to the present day; Each speech is presented with a striking photographic portrait and an insightful introduction, offering essential context, fresh insights and a nuanced understanding that brings each character and their words to life. The voices: Audre Lorde; Harvey Milk; Munroe Bergdorf; Sir Elton John; Sir Ian McKellen; George Takei; Sylvia Rivera; Bayard Rustin; Elizabeth Toledo; Alison Bechdel; Loretta E. Lynch; Hanne Gaby Odiele; Vito Russo; Tammy Baldwin; Hillary Rodham Clinton; Barak Obama; Senator Karl Heinrich Ulrichs; Robert G. Ingersoll; Theodora Ana Sprungli; Franklin "Frank" Kameny; Sally Gearhart; Harry Hay; Sue Hyde; Mary Fisher; Essex Hemphill; Simon Nkoli; Urvashi Vaid; Eric Rofes; Justice Michael Kirby; Evan Wolfson; Paul Martin; Ian Hunter; Dan Savage and Terry Miller; Rabbi Kleinbaum; Penny Wong; Arsham Parsi; Anna Grodzka; Debi Jackson; Jóhanna Sigurðardóttir; Lee Mokobe; Ban Ki-moon; Geraldine Roman; Cecilia Chung; Olly Alexander.

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In her pioneering book Hard Core, Linda Williams put moving-image pornography on the map of contemporary scholarship with her analysis of the most popular and enduring of all film and video genres. Now, fifteen years later, she showcases the next generation of critical thinking about pornography and signals new directions for study and teaching. Porn Studies resists the tendency to situate pornography as the outer limit of what can be studied and discussed. With revenues totaling between ten and fourteen billion dollars annually—more than the combined revenues of professional football, basketball, and baseball—visual, hard-core pornography is a central feature of American popular culture. It is time, Williams contends, for scholars to recognize this and give pornography a serious and extended analysis.The essays in this volume move beyond feminist debates and distinctions between a “good” erotica and a “bad” hard core. Contributors examine varieties of pornography from the tradition of the soft-core pin-up through the contemporary hard-core tradition of straight, gay, and lesbian videos and dvds to the burgeoning phenomenon of pornography on the Internet. They explore, as examples of the genre, individual works as divergent as The Starr Report, the pirated Tommy Lee/Pamela Anderson honeymoon video, and explicit Japanese “ladies’ comics” consumed by women. They also probe difficult issues such as the sexualization of race and class and the relationship of pornography to the avant-garde. To take pornography seriously as an object of analysis also means teaching it. Porn Studies thus includes a useful annotated bibliography of readings and archival sources important to the study of pornography as a cultural form.Contributors. Heather Butler, Rich Cante, Jake Gerli, Minette Hillyer, Nguyen Tan Hoang, Despina Kakoudaki, Franklin Melendez, Ara Osterweil, Zabet Patterson, Constance Penley, Angelo Restivo, Eric Schaefer, Michael Sicinski, Deborah Shamoon, Maria St. John, Tom Waugh, Linda Williams

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The Imagery of Chess Revisited recovers a celebrated and extraordinary moment in art history: the 1944-45 exhibition The Imagery of Chess, held at the Julien Levy Gallery in New York City. The exhibit was a legend in its own time and has been considered a singular event in the history of art exhibitions ever since. The show's organizersthe influential art dealer Julien Levy, the Surrealist painter Max Ernst, and Dada leader Marcel Duchamp, himself a serious chess playerinvited a virtual "who's who" of artists and members of the cultural avant-garde to redesign the standard chess set or otherwise explore chess imagery and its symbolism in bold new ways. Participants included famous European expatriates and soon-to-be famous American modernists: Andre Breton, Duchamp, Alexander Calder, Ernst, Man Ray, Isamu Noguchi, and Yves Tanguy are among those who contributed chess sets; John Cage and Vittorio Rieti created original musical scores; and Dorothea Tanning, Arshile Gorky, David Hare, Man Ray, Matta, Robert Motherwell, and others produced pivotal chess-related paintings, sculptures, and photographic works. Featuring new color photographs as well as rarely seen archival images, recollections by participants and their descendants, and period reviews, The Imagery of Chess Revisited includes previously unpublished works. Among them are Andre Breton and Nicolas Calas's wine-glass chess set and Alexander Calder's chess set made of found materials, in addition to thirty-five of Calder's chess-related drawings. An essay by Larry List explores the chess designs as visual objects and pivotal creations in the context of participating artists' lives and work. Lowell Cross and Paul B. Franklin examine the two musical scores included in the show; and Ingrid Schaffner provides an introduction to the art-world milieu in which The Imagery of Chess took place. 50 illustrations in color, 80 in black and white.

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Nikki Sixx is one of the most respected, recognizable, and entrepreneurial icons in the music industry. As the founder of Motley Crue who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world.Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time in some ways and deeply troubled in others. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid-hunting, fishing, chasing girls, and playing football-but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle-the president of Capitol Records. But there was no short path to the top. He was soon on his own. There were dead-end jobs: dipping circuit boards, clerking at liquor and record stores, selling used light bulbs, and hustling to survive. But at night, Frank honed his craft, joining Sister, a band formed by fellow hard-rock veteran Blackie Lawless, and formed a group of his own: London, the precursor of Motley Crue. Turning down an offer to join Randy Rhoads' band, Frank changed his name to Nikki London, Nikki Nine, and, finally, Nikki Sixx. Like Huck Finn with a stolen guitar, he had a vision: a group that combined punk, glam, and hard rock into the biggest, most theatrical and irresistible package the world had ever seen. With hard work, passion, and some luck, the vision manifested in reality - and this is a profound true story finding identity, of how Frank Feranna became Nikki Sixx. And it's a road map to the ways you can overcome anything, and achieve all of your goals, if only you put your mind to it.

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Finalist, 2021 John Hope Franklin Prize, given by the American Studies Association Seeking ways to understand video games beyond their imperial logics, Patterson turns to erotics to re-invigorate the potential passions and pleasures of play Video games vastly outpace all other mediums of entertainment in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products. Instead, they seem to reflect the open and uncontaminated reputation of information technology. Video games are undeniably imperial products. Their very existence has been conditioned upon the spread of militarized technology, the exploitation of already-existing labor and racial hierarchies in their manufacture, and the utopian promises of digital technology. Like literature and film before it, video games have become the main artistic expression of empire today: the open world empire, formed through the routes of information technology and the violences of drone combat, unending war, and overseas massacres that occur with little scandal or protest. Though often presented as purely technological feats, video games are also artistic projects, and as such, they allow us an understanding of how war and imperial violence proceed under signs of openness, transparency, and digital utopia. But the video game, as Christopher B. Patterson argues, is also an inherently Asian commodity: its hardware is assembled in Asia; its most talented e-sports players are of Asian origin; Nintendo, Sony, and Sega have defined and dominated the genre. Games draw on established discourses of Asia to provide an “Asiatic” space, a playful sphere of racial otherness that straddles notions of the queer, the exotic, the bizarre, and the erotic. Thinking through games like Overwatch, Call of Duty 4: Modern Warfare, Shenmue II, and Alien: Isolation, Patterson reads against empire by playing games erotically, as players do—seeing games as Asiatic playthings that afford new passions, pleasures, desires, and attachments.

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The story of the Civil Rights icon and Black lawyer who fought racism and political oppression with uncommon devotion.There is no equal justice for Black people today; there never has been. To our everlasting shame, the quality of justice in America has always been and is now directly related to the color of one's skin as well as to the size of one's pocketbook."This quote comes from George W. Crockett Jr.'s essay, "A Black Judge Speaks" (Judicature, 1970). The stories of Black lawyers and judges are rarely told. By sharing Crockett's life of principled courage, "No Equal Justice" breaks this silence. The book begins by tracing the Crockett family history from slavery to George's admission into the University of Michigan Law School. He became one of the most senior Black lawyers in President Franklin Roosevelt's New Deal administration. Later, he played a central role fighting discrimination in the United Auto Workers union. In 1949, he became the only Black lawyer, in a team of five attorneys, defending the constitutional rights of the leaders of the U.S. Communist Party in United States v. Dennis, the longest and most dramatic political trial in American history. At the close of the case, Crockett and his defense colleagues were summarily sentenced to prison for zealously representing their clients. He headed the National Lawyers Guild office in Jackson, Mississippi, during 1964's Freedom Summer. In 1966, he was elected to Detroit's Recorder's Court—the court hearing all criminal cases in the city. For the first time, Detroit had a courtroom where Black litigants knew they would be treated fairly. In 1969, the New Bethel Church Incident was Crockett's most famous case. He held court proceeding in the police station itself, freeing members of a Black nationalist group who had been illegally arrested. In 1980, he was elected to the United States Congress where he spent a decade fighting President Reagan's agenda, as well as working to end Apartheid in South Africa and championing the cause to free Nelson Mandela. Crockett spent his life fighting racism and defending the constitutional rights of the oppressed. This book introduces him to a new generation of readers, historians, and social justice activists.

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"If we continue, we grow old, and this is how it could be for us," writes Renée Rose Shield in her candid and sympathetic account of life in one American nursing home. Drawing on anthropological methods and theory to illuminate institutional life, she probes the sources of the profound sense of unease she found at the place she calls "The Franklin Nursing Home." For fourteen months Shield participated in life at a nursing home in the northeastern United States. She got to know many of the people associated with the home—doctors, nurses, custodians, kitchen workers, administrators, social workers, visiting relatives, and above all, the residents, who emerge in this book as the individuals they are. Sections in which the residents speak poignantly in their own voices are woven throughout her richly detailed observations of everyday routines and events. We see them using guile and humor to get by, struggling to approach the end of their lives with a measure of autonomy and dignity, and we meet an often conscientious and caring staff constrained by conflicting professional perspectives and by the bureaucratic structure in which they work.There are no villains here. Rather, Shield explains how conditions in the nursing home create a difficult and uncomfortable "liminality"—the transition from an accustomed role to a new one-for the residents. In characterizing nursing-home existence, she goes beyond Erving Goffman's classic definition of the "total institution" to show how residents pass from adulthood to death without the comfort of ritual or community support common in rites of passage. In addition to the isolation created by this solitary passage, she finds restrictions on "reciprocity"—the old people are always recipients whose need and obligation to repay are seen as unnecessary and difficult to satisfy. The system encourages their passivity, which deepens their dependency and helps to explain why they are often perceived as children. Offering concrete suggestions for improving the quality of nursing-home life, Uneasy Endings will find a broad audience among those who work with the aged.

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Explore like never before a journey through one of the most famous revolutionary wars in history. Become an eyewitness to the American struggle for independence, from the events that sparked the war to the signing of the Constitution, this picture-led guide will take you on a visual tour through revolutionary America like never before. Discover how American soldiers won battles against the great British Empire, learn how soldiers were drilled, and go face-to-face with American revolutionaries including George Washington, Thomas Jefferson, John Hancock, John Adams, and Benjamin Franklin. Throughout the pages of this newly- revised incredible history book, you can expect to find: -Up to 20 per cent new images, including photography and updated diagrams-All information updated by expert consultants-Packed with amazing facts, infographics, statistics, and timelines-Includes brand new eyewitness accounts from experts in the fieldThis museum in a book uses striking full-colour photographs and illustrations of colonial weaponry, the notorious British red-coat uniform, deadly warships, the historic Declaration of Independence, and much more as well as amazing facts, infographics, statistics, and timelines to help bring this extraordinary war to life. The unique visual approach immerses curious children in every page, and the added wall chart is the perfect historical-themed accessory for the bedroom or classroom! A must-have volume for curious children aged 9+ with a thirst for knowledge and learning, alongside teachers, parents and librarians.So, what's new? Part of DK's best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 per cent new images, including photography and updated diagrams, updated information, and a new "eyewitness" feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Join the journey to combat climate change with Eyewitness Climate Change or take a trip aboard the most famous ship in history with Eyewitness Titanic.

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Poised between soil and sky, forest canopies represent a critical point of exchange between the atmosphere and the earth, yet until recently, they remained a largely unexplored frontier. For a long time, problems with access and the lack of tools and methods suitable for monitoring these complex bioscapes made canopy analysis extremely difficult. Fortunately, canopy research has advanced dramatically in recent decades. "Methods in Forest Canopy Research" is a comprehensive overview of these developments for explorers of this astonishing environment. The authors describe methods for reaching the canopy and the best ways to measure how the canopy, atmosphere, and forest floor interact. They address how to replicate experiments in challenging environments and lay the groundwork for creating standardized measurements in the canopy - essential tools for understanding our changing world.

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Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.”Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard

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Britain alone could not hope to defeat the might of Napoleonic France which, through enforced conscription, had become a nation in arms. But British leaders had a long history of forging alliances to counter their rivals and when revolution ravaged France in 1793 and a lev e en masse raised a huge patriotic army, it was through a coalition of monarchies that French ambitions were restrained - a coalition made possible by British gold and British industry. When Napoleon seized the reins of power in France, he too introduced conscription and, once again, it was a succession of British led and funded coalitions which eventually brought Napoleon to his knees. During the years 1793 to 1815, the British Government formed and underwrote seven coalitions that cost Britain 1,657,854,518 as the national debt tripled from 290,000,000 to 860,000,00\. Of that, British subsidies to around thirty allies amounted to 65,830,228, along with staggering amounts of war supplies mass produced by British factories and shipped to allies. Britain's leading role in Europe did not end with Waterloo. Immediately following the Sixth Coalition, and amidst the Seventh Coalition, Britain constructed, with the other great powers, a security system of cooperation and consultation called the Concert of Europe' that prevented a serious war among them for two generations. Britain's power to underwrite those coalitions came from a related series of revolutions - agrarian, mercantile, financial, technological, manufacturing, cultural, and political that developed over the proceeding century. For many reasons that happened in Britain and not elsewhere. Of them, cultural values may be most crucial. Constraints were fewer and incentives greater for enterprising Britons to invest, invent, buy, and sell in ways that enriched themselves and their nation more than elsewhere. During the eighteenth century, Britain's leaders mastered a virtuous power cycle of victorious wars, expanding production, captured territories and markets, and more income. During a speech before Congress in December 1940, President Franklin D. Roosevelt called on Americans to be an arsenal of democracy' to aid Britain and other countries threatened by the imperialistic fascist powers. Britain played exactly the same role during the Napoleonic era. The Coalitions Against Napoleon explores how Britain developed and asserted the financial, manufacturing, and military power to achieve that goal.

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International justice has become a crucial part of the ongoing political debates about the future of shattered societies like Bosnia, Kosovo, Rwanda, Cambodia, and Chile. Why do our governments sometimes display such striking idealism in the face of war crimes and atrocities abroad, and at other times cynically abandon the pursuit of international justice altogether? Why today does justice seem so slow to come for war crimes victims in the Balkans? In this book, Gary Bass offers an unprecedented look at the politics behind international war crimes tribunals, combining analysis with investigative reporting and a broad historical perspective. The Nuremberg trials powerfully demonstrated how effective war crimes tribunals can be. But there have been many other important tribunals that have not been as successful, and which have been largely left out of today's debates about international justice. This timely book brings them in, using primary documents to examine the aftermath of the Napoleonic Wars, World War I, the Armenian genocide, World War II, and the recent wars in the former Yugoslavia. Bass explains that bringing war criminals to justice can be a military ordeal, a source of endless legal frustration, as well as a diplomatic nightmare. The book takes readers behind the scenes to see vividly how leaders like David Lloyd George, Winston Churchill, Franklin Roosevelt, and Bill Clinton have wrestled with these agonizing moral dilemmas. The book asks how law and international politics interact, and how power can be made to serve the cause of justice. Bass brings new archival research to bear on such events as the prosecution of the Armenian genocide, presenting surprising episodes that add to the historical record. His sections on the former Yugoslavia tell--with important new discoveries--the secret story of the politicking behind the prosecution of war crimes in Bosnia, drawing on interviews with senior White House officials, key diplomats, and chief prosecutors at the war crimes tribunal for the former Yugoslavia. Bass concludes that despite the obstacles, legalistic justice for war criminals is nonetheless worth pursuing. His arguments will interest anyone concerned about human rights and the pursuit of idealism in international politics.

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From one of the country's most distinguished journalists, a revisionist and riveting look at the American politician whom history has judged a loser, yet who played a key part in the greatest social movement of the 20th century. During one sweltering week in July 1948, the Democratic Party gathered in Philadelphia for its national convention. The most pressing and controversial issue facing the delegates was not whom to nominate for president -the incumbent, Harry Truman, was the presumptive candidate -but whether the Democrats would finally embrace the cause of civil rights and embed it in their official platform. Even under Franklin Roosevelt, the party had dodged the issue in order to keep a bloc of Southern segregationists—the so-called Dixiecrats—in the New Deal coalition. On the convention's final day, Hubert Humphrey, just 37 and the relatively obscure mayor of the midsized city of Minneapolis, ascended the podium. Defying Truman's own desire to occupy the middle ground, Humphrey urged the delegates to "get out of the shadow of state's rights and walk forthrightly into the bright sunshine of human rights." Humphrey's speech put everything on the line, rhetorically and politically, to move the party, and the country, forward. To the surprise of many, including Humphrey himself, the delegates voted to adopt a meaningful civil-rights plank. With no choice but to run on it, Truman seized the opportunity it offered, desegregating the armed forces and in November upsetting the frontrunner Thomas Dewey, a victory due in part to an unprecedented surge of Black voters. The outcome of that week in July 1948—which marks its 75th anniversary as this book is published—shapes American politics to this day. And it was in turned shaped by Humphrey. His journey to that pivotal speech runs from a remote, all-white hamlet in South Dakota to the mayoralty of Minneapolis as he tackles its notorious racism and anti-Semitism to his role as a national champion of multiracial democracy. His allies in that struggle include a Black newspaper publisher, a Jewish attorney, and a professor who had fled Nazi Germany. And his adversaries are the white supremacists, Christian Nationalists, and America Firsters of mid-century America - one of whom tries to assassinate him. Here is a book that celebrates one of the overlooked landmarks of civil rights history, and illuminates the early life and enduring legacy of the man who helped bring it about.

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Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.”Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard

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The Gulf of Mexico: A Maritime History presents the first such narrative of the earth's tenth largest body of water. In this beautifully written and illustrated volume, John S. Sledge explores the people, ships, and cities that have made the Gulf's human history and culture so rich. Many famous figures who sailed the Gulf's viridian waters are highlighted, including Ponce de León, Robert Cavelier de La Salle, Francis Drake, Jean Laffite, Tyrone Power, Richard Henry Dana, Libbie Custer, Elizabeth Agassiz, Ernest Hemingway, and Franklin D. Roosevelt, as well as Charles Dwight Sigsbee, at the helm of the doomed Maine. But Sledge also introduces a fascinating and diverse array of people connected to maritime life in the Gulf, including Mesoamerican pyramid builders, Spanish conquistadores, French pirates, Creole women, Cajun fishermen, African American stevedores, British jack-tars, and Greek sponge divers.Gulf events of global historical importance are detailed, such as the only defeat of armed and armored steamships by wooden sailing vessels, the first accurate deep-sea survey and bathymetric map of any ocean basin, the development of shipping containers by a former truck driver frustrated with antiquated loading practices, and the worst environmental disaster in American annals.Occasionally shifting focus ashore, Sledge explains how people representing a gumbo of ethnicities built some of the world's most exotic cities--Havana, way station for conquistadores and treasure-filled galleons; New Orleans, the Big Easy, famous for its beautiful French Quarter, Mardi Gras, and relaxed morals; and oft-besieged Veracruz, Mexico's oldest city, founded in 1519 by Hernán Cortés. Throughout history the residents of these cities and their neighbors along the littoral have struggled with challenges both natural and human-induced--devastating hurricanes, frightening epidemics, catastrophic oil spills, and conflicts ranging from dockside brawls to pirate raids, foreign invasion, civil war, and revolution. In the modern era the Gulf has become critical to energy Production, fisheries, tourism, and international trade, even as it is threatened by pollution and climate change. The Gulf of Mexico: A Maritime History is a work of verve and sweep that illuminates both the risks of life on the water and the riches that come from its bounty.

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This comprehensive Handbook explores the role that economics plays in water resource use, management, and policy. The contributors cover a continuum of topics that individually and jointly represent the state of the art of water economics.Leading scholars demonstrate ways in which economic theory, tools, and analyses have been used to address a variety of water-related issues over the years and, subsequently, to create better-informed policy and management decisions. Acknowledging and building upon the seminal research related to water economics, this book offers a current and provocative exploration of a variety of topics, including: the role of institutions in developing sound water policy and water sustainability extraction, production, and use of surface water, groundwater, and recycled water, including the conjunctive use of these resources the use of water in industrial, residential, agricultural, and hydropower sectors as well as for the environment and ecosystems the role of experimental economics; methods to address climate change effects and adaptation; developments in the field of nonmarket valuation; approaches to nonpoint source pollution control and salinity pollution; issues related to water in the developing world; water and economic growth; and management of international water. The Handbook of Water Economics will prove to be an enlightening, thought-provoking, and practical read for PhD students, researchers in water economics and management, water-related agency staff, and professionals interested in water-related economic issues at the local, state, national, and international levels.Contributors: E. Ansink, K.A. Baerenklau, E.B. Barbier, R. Bark, H. Bejarano, K. Burnett, R.T. Carson, J. Connor, O.G. Dávila, A. Dinar, D.P. Dupont, B. Franklin, R.Q. Grafton, K. Hansen, F. Hernández-Sancho, H. Houba, B.H. Hurd, W.K. Jaeger, P.-O. Johansson, S. Kaplan, V. Kerry Smith, K.C. Knapp, P. Koundouri, B. Kriström, A. Loch, M. Molinos-Senante, S.K. Pattanayak, S. Pongkijvorasin, S. Renzetti, J. Roumasset, K. Schwabe, J. Shortle, V.K.Smith, D. Squires, Y. Tsur, C.A. Wada, J. Wang, F.A. Ward, S.A. Wheeler, D. Whittington, M.-Q. (Kent) Zhao, D. Zilberman

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Long-term care has emerged as an important issue in American society. The population of persons with chronic illnesses and disabilities, dependent upon supportive care, has grown rapidly and will increase sharply when Baby Boomers join the ranks of old age in the early part of the twenty-first century. Yet the financing and provision of adequate supportive care is becoming increasingly problematic for individuals, families, health care organizations, and governments. Drawing on a distinguished group of contributors, The Future of Long-Term Care looks at the full range of issues likely to affect planning and policy for this important facet of the health care system. Comprehensive and multidisciplinary in scope, it examines the developments that have brought long-term care to the forefront of nationwide concern, as well as the factors that will make it more pressing in the future. The chapters discuss the history of the issues; populations needing care and the challenges of providing it; the future of settings for care; and social and policy concerns. Health policy, gerontology, and geriatrics professionals will find this a useful book for reference, programming, and planning. Topics and contributors include: Issues Affecting the Future of Long-Term Care Robert H. Binstock, Leighton E. Cluff, and Otto von Mering The Evolution of Long-Term Care Martha Holstein and Thomas R. Cole Forecasting the Future of Long-Term Care Dennis Kodner Older People Dependency, and Trends in Supportive Care T. Franklin Williams and Helena Temkin-Greener Trends among the Younger Persons with Disability and Chronic Disease A. E. Benjamin The Role of Technology in Long-Term Care Leighton E. Cluff Care for Persons with Complex Chronic Illness Mathy D. Mezey Care in the Nursing Home Robert L. Kane Care in the Home and Other Community Settings James J. Callahan, Jr. The Financing and Organization of Long-Term Care Mark Meiners The Politics of Enacting Long-Term Care Insurance Robert H. Binstock Ethical Issues in Long-Term Care Nancy Neveloff Dubler American Culture and Long-Term Care Otto von Mering Forecasting the Future of Long-Term Care Dennis L. Kodner

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"My name will survive as long as man survives, because I am writing the greatest diary that has ever been written. I intend to surpass Pepys as a diarist."When John Frush Knox (1907-1997) wrote these words, he was in the middle of law school, and his attempt at surpassing Pepys—part scrapbook, part social commentary, and part recollection—had already reached 750 pages. His efforts as a chronicler might have landed in a family attic had he not secured an eminent position after graduation as law clerk to Justice James C. McReynolds—arguably one of the most disagreeable justices to sit on the Supreme Court—during the tumultuous year when President Franklin D. Roosevelt tried to "pack" the Court with justices who would approve his New Deal agenda. Knox's memoir instead emerges as a record of one of the most fascinating periods in American history.The Forgotten Memoir of John Knox—edited by Dennis J. Hutchinson and David J. Garrow—offers a candid, at times naïve, insider's view of the showdown between Roosevelt and the Court that took place in 1937. At the same time, it marvelously portrays a Washington culture now long gone. Although the new Supreme Court building had been open for a year by the time Knox joined McReynolds' staff, most of the justices continued to work from their homes, each supported by a small staff. Knox, the epitome of the overzealous and officious young man, after landing what he believes to be a dream position, continually fears for his job under the notoriously rude (and nakedly racist) justice. But he soon develops close relationships with the justice's two black servants: Harry Parker, the messenger who does "everything but breathe" for the justice, and Mary Diggs, the maid and cook. Together, they plot and sidestep around their employer's idiosyncrasies to keep the household running while history is made in the Court.A substantial foreword by Dennis Hutchinson and David Garrow sets the stage, and a gallery of period photos of Knox, McReynolds, and other figures of the time gives life to this engaging account, which like no other recaptures life in Washington, D.C., when it was still a genteel southern town.

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'Being mobile has become an ubiquitous modus operandi as the highly educated seek to advance, and take advantage of their human capital. Corcoran and Faggian's edited volume helps us to understand the causes and consequences of university graduates' choices to migrate or stay put. The selected contributions - situated in ten OECD countries - cover a wide spectrum of issues, from overeducation and wages to life-course linkages and impacts of the Great Recession. It is an insightful and timely account of the intellectual elite's sorting and redistribution in developed countries.'- Brigitte Waldorf, Purdue University, US'Graduates are key resources to economic development. ''Enlighted'' policy makers around the world spend effort and resources to attract and retain them. However, our understanding of the drivers and impacts of graduate mobility remains limited. This book offers invaluable insights into this debate by combining cutting-edge academic knowledge with a truly global coverage of examples and case studies.'- Riccardo Crescenzi, London School of Economics, UK This book aims to integrate and augment current state-of-the-art knowledge on graduate migration and its role in local economic development. Offering an international perspective, it is the first focused book of its kind on graduate migration, a recognised and critical component of the global pool of labour. Written by the key scholars working in the field, it draws together an international series of case studies. Each chapter describes empirically founded approaches to examining the role and characteristics of graduate migration in differing situational contexts, highlighting issues concerning government policy, data and methods. Crucially, it assesses the role highly educated individuals play in regional economic development and the determinants of graduate mobility, revealing the characteristics that attract and retain graduates. This unique book is an essential volume for scholars and researchers of geography, regional studies, labour and migration seeking an in-depth, international understanding of human-capital attraction and retention.Contributors include: R. Comunian, J. Corcoran, C. Détang-Dessendre, A. Faggian, R.S. Franklin, M. Haapanen, S. Iammarino, S. Jewell, H. Karhunen, N. Maldonado, E. Marinelli, K.B. Newbold, V. Piguet, R. Ramos, F. Rowe, V. Royuela, V.A. Venhorst, A. Zhi Rou Tang

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Originally published in 1979. American diplomacy during Franklin D. Roosevelt's presidency has received much attention, with one notable exception—the United States' relations with Latin America. Irwin Gellman's book corrects this past neglect through a perceptive analysis of FDR's "Good Neighbor" efforts in Latin America. Based on a fresh examination of State Department records and extensive manuscript sources (including an unprecedented use of Nelson Rockefeller's oral history archives), the book points out the complexities of Good Neighbor diplomacy and its intimate relationship to Roosevelt's global strategies. As background to his discussions of FDR's policies, Gellman looks first at how Latin American affairs were handled during the administrations of Harding, Coolidge, and Hoover, the three Republicans who preceded Roosevelt in office. Good Neighbor diplomacy, Gellman shows, was not a carryover from these administrations; it bore the distinctive mark of FDR's own making. He then describes how Roosevelt's policy of nonintervention worked, particularly how military force was superseded by more subtle diplomatic maneuverings. Turning to a discussion of economic relations with Latin America, Gellman focuses on how the United States' own situation—cut off from international trade by the Depression—encouraged regional expansion. And, finally, he looks at how Roosevelt parlayed the threat of war in Europe and the specter of Nazi penetration in the Americas to further solidify a hemispheric stand. Gellman's account vividly demonstrates that Good Neighbor diplomacy was as much the product of personality as it was of policy. In particular, it emerged out of the rivalries and alliances among three men: Roosevelt; his Secretary of State, Cordell Hull; and Assistant Secretary of State, Sumner Welles. Gellman (the first to have access to FBI files on Welles) characterizes FDR as an astute politician who saw an opportunity to use pan-Americanism to restore America to world prominence—yet could not handle the personality conflicts among those in his own ranks. Gellman shows how tenuous a government policy can be when so much of it depends on personal control and influence.

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Bobby Womack was born on 4 March 1944, and died on 27 June 2014, aged 70. In a career that spanned two centuries and seven decades, the soul singer, songwriter and guitarist carved a niche for himself that has rarely been equalled, and never surpassed. He is, quite simply, irreplaceable. A phenomenally gifted musician, his incredible talent helped him to escape the ghetto and become a star, with 30 million record sales to his name. Yet behind his beautiful music lay a life scorched by tragedy. Having trod the harsh edge of the music business for decades, he finally told his explosive story in Midnight Mover. From finding success with his family gospel group The Valentinos and being whipped into shape by James Brown and Jimi Hendrix on the chitlin circuit , to recording with Wilson Pickett, Eric Clapton and Elvis Presley, Womack s stellar career wove a colourful path through the history of soul, rock and R&B music. His collaborations with other musicians read like a roll of honour, from Aretha Franklin and Ray Charles to The Rolling Stones and Damon Albarn. Success came at a price, however. Womack lost his friend and mentor Sam Cooke when the soul star was gunned down in a motel. A doomed marriage to Cooke s widow followed, which severely damaged his reputation in the music business. Tragically, he lost two sons, one to suicide, as well as his brother Harry to a brutal murder. His escape was to turn to drugs. Years of riotous abuse took their toll on Womack and those closest to him including Janis Joplin, who spent her last night drinking with the singer. But Womack s talent, searing guitar and soulful voice always survived. Cited as an influence by myriad musicians, even in death he remains the epitome of cool. Honest, insightful and unflinching, this is the authentic voice of the Midnight Mover, a supremely talented legend of music whose every day was lived to the full.

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When Harry Truman was rescued from political obscurity to become Franklin Roosevelt’s running mate, black Americans were deeply troubled. Many believed that Truman, born and raised in former slave-holding Missouri, was a step back on civil rights from Henry Wallace, the liberal incumbent vice president. But by the end of his own presidency, black newspaper publishers cited Truman for having “awakened the conscience of America and given new strength to our democracy by his courageous efforts on behalf of freedom and equality.”In this first full-scale account of Truman’s evolving views on civil rights, Robert Shogan recounts how Truman outgrew the bigotry of his Jackson County upbringing to become the first president since Lincoln to attempt to redress the nation’s long history of injustice toward its black citizens—and in the process transformed the course of race relations in America. Shogan vividly demonstrates the full significance of the 33rd president’s contributions to that transformation. He ordered the integration of the armed forces and threw the weight of the Justice Department behind the long struggle against segregation in housing and education. And he used the platform of his presidency to relentlessly trumpet the cause of equal rights for those least favoured Americans, even making an unprecedented address to the NAACP. Going beyond other accounts of Truman, Shogan points out the political and personal factors that motivated the president and weighs the potential political costs and benefits of his civil rights actions. Shogan also explains Truman’s shift away from his formative racial prejudices by shedding light on the forces that shaped his character and leadership qualities. These included his political tutelage under “Boss Tom” Pendergast, which taught him the value of black voters, and the influence of populism, which fostered his support for underdogs such as black Americans. Illuminating how Truman became the first president to make racial injustice a political priority—and the first to denounce segregation as well as discrimination—Shogan’s book opens a new and provocative window on the struggle for civil rights in America.

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A laugh-out-loud story of artistic expression, told in direct speech and adorable manga-inflected illustrations by Charlotte Mei. Praise for Pippin! ''I love that this book talks about famous artists but ultimately Pippin finds his own way of creating. Perfect for budding artists''. -- Picturebook Playdate ''This is an ideal introduction to famous artists and some of their most celebrated works for young readers''. -- Library Girl and Book Boy ''This successful debut dips into artistic mediums, and shows that there is much fun and mileage to be had in imitating old masters, as well as managing to ace your own style''. -- Good Reads ‘’A great book for use in the classroom, either when children are drawing self-portraits or before studying different artists/creating art in the style of someone else’’. -- Reading Zone ''Charlotte Mei provides playful illustrations that contrast with the fine art at the heart of the book''. -- The Great British Bookworm ''This beautifully illustrated picture book will not only inspire children to want to create art but also feel confident and determined to do it''. -- School Reading List “Today I am going to paint a portrait. It is a portrait of someone very important. That someone is ME (it is a self-portrait). All famous artists paint pictures of themselves, and I am a famous artist. Or at least I will be when I’ve finished my portrait.” Pippin is painting his self-portrait, but his friends think he’s got a lot to learn about painting. They take him to see Angelique’s portrait, which takes inspiration from Cubism, Dudley’s portrait, which is inspired by the work of Chris Ofili, Momo’s portrait, which draws from the work of Yayoi Kusama, and Franklin and Aaliya’s portrait, which is a colour field painting in the style of Mark Rothko. Pippin is feeling very deflated, but his little friend Minky helps him to dig deep and find the artist inside himself. Packed with information about famous artists, their approaches and their mediums, this book simultaneously engages, informs and asks young readers to question how they themselves ‘read’ and create art.

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The Political Brain is a ground-breaking investigation into the role of emotion in determining the political life of the nation. For two decades Drew Westen, professor of psychology and psychiatry at Emory University, has explored a theory of the mind that differs substantially from the more "dispassionate" notions held by most cognitive psychologists, political scientists, and economists,and Democratic campaign strategists. The idea of the mind as a cool calculator that makes decisions by weighing the evidence bears no relation to how the brain actually works. When political candidates assume voters dispassionately make decisions based on "the issues," they lose. That's why only one Democrat has been re-elected to the presidency since Franklin Roosevelt,and only one Republican has failed in that quest. In politics, when reason and emotion collide, emotion invariably wins. Elections are decided in the marketplace of emotions, a marketplace filled with values, images, analogies, moral sentiments, and moving oratory, in which logic plays only a supporting role. Westen shows, through a whistle-stop journey through the evolution of the passionate brain and a bravura tour through fifty years of American presidential and national elections, why campaigns succeed and fail. The evidence is overwhelming that three things determine how people vote, in this order: their feelings toward the parties and their principles, their feelings toward the candidates, and, if they haven't decided by then, their feelings toward the candidates' policy positions. Westen turns conventional political analyses on their head, suggesting that the question for Democratic politics isn't so much about moving to the right or the left but about moving the electorate. He shows how it can be done through examples of what candidates have said,or could have said,in debates, speeches, and ads. Westen's discoveries could utterly transform electoral arithmetic, showing how a different view of the mind and brain leads to a different way of talking with voters about issues that have tied the tongues of Democrats for much of forty years,such as abortion, guns, taxes, and race. You can't change the structure of the brain. But you can change the way you appeal to it. And here's how,

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The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments. Contributors include David de Witt (Rembrandt House Museum), Stephanie Dickey (Queen's University), Pierre du Prey (Queen's University), David Ekserdjian (University of Leicester), David Franklin (Archive of Modern Conflict), Catherine Monbeig Goguel (Musee du Louvre), Franziska Gottwald (Amsterdam), Sharon Gregory (St Francis Xavier University), Sally Hickson (University of Guelph), Michel Hochmann (Ecole Pratique des Hautes Etudes), Cathleen Hoeniger (Queen's University), Charles Hope (Warburg Institute), Paul Joannides (Cambridge University), Casey Lee (Queen's University), James Mundy (Frances Lehman Loeb Art Center), Aimee Ng (Frick Collection), Sebastian Schutze (University of Vienna), Allison Sherman (Queen's University), Ron Spronk (Queen's University), Steven Stowell (Concordia University), Nicholas Turner (J. Paul Getty Museum), and Catherine Whistler (The Ashmolean).

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A New York Times bestseller The Great Deformation is a searing look at Washington's craven response to the recent myriad of financial crises and fiscal cliffs. It counters conventional wisdom with an eighty-year revisionist history of how the American state,especially the Federal Reserve,has fallen prey to the politics of crony capitalism and the ideologies of fiscal stimulus, monetary central planning, and financial bailouts. These forces have left the public sector teetering on the edge of political dysfunction and fiscal collapse and have caused America's private enterprise foundation to morph into a speculative casino that swindles the masses and enriches the few.Defying right- and left-wing boxes, David Stockman provides a catalogueue of corrupters and defenders of sound money, fiscal rectitude, and free markets. The former includes Franklin Roosevelt, who fathered crony capitalism Richard Nixon, who destroyed national financial discipline and the Bretton Woods gold-backed dollar Fed chairmen Greenspan and Bernanke, who fostered our present scourge of bubble finance and addiction to debt and speculation George W. Bush, who repudiated fiscal rectitude and ballooned the warfare state via senseless wars and Barack Obama, who revived failed Keynesian borrow and spend" policies that have driven the national debt to perilous heights. By contrast, the book also traces a parade of statesmen who championed balanced budgets and financial market discipline including Carter Glass, Harry Truman, Dwight Eisenhower, Bill Simon, Paul Volcker, Bill Clinton, and Sheila Bair.Stockman's analysis skewers Keynesian spenders and GOP tax-cutters alike, showing how they converged to bloat the welfare state, perpetuate the military-industrial complex, and deplete the revenue base,even as the Fed's massive money printing allowed politicians to enjoy deficits without tears." But these policies have also fueled new financial bubbles and favoured Wall Street with cheap money and rigged stock and bond markets, while crushing Main Street savers and punishing family budgets with soaring food and energy costs. The Great Deformation explains how we got here and why these warped, crony capitalist policies are an epochal threat to free market prosperity and American political democracy.

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What makes a good missionary makes a good American spy, or so thought Office of Special Services (OSS) founder "Wild" Bill Donovan when he recruited religious activists into the first ranks of American espionage. Called upon to serve Uncle Sam, Donovan's recruits saw the war as a means of expanding their godly mission, believing an American victory would guarantee the safety of their fellow missionaries and their coreligionists abroad.Drawing on never-before-seen archival materials, acclaimed historian Matthew Sutton shows how religious activists proved to be true believers in Franklin Roosevelt's crusade for global freedom of religion. Sutton focuses on William Eddy, a warrior for Protestantism who was fluent in Arabic; Stewart Herman, a young Lutheran minister rounded up by the Nazis while pastoring in Berlin; Stephen B. L. Penrose, Jr., who left his directorship over missionary schools in the Middle East to join the military rank and file; and John Birch, a fundamentalist missionary in China. Donovan chose these men because they already had the requisite skills for good intelligence analysis, espionage, and covert operations, skills that allowed them to seamlessly blend into different environments. Working for eternal rewards rather than temporal spoils, they proved willing to sacrifice and even to die for their country during the conflict, becoming some of the United States' most loyal secret soldiers.Acutely aware of how their actions conflicted with their spiritual calling, these spies nevertheless ran covert operations in the centers of global religious power, including Mecca, the Vatican, and Palestine. In the end, they played an outsized role in leading the US to victory in WWII: Eddy laid the groundwork for the Allied invasion of North Africa, while Birch led guerilla attacks against the Japanese and, eventually, Chinese Communists. After the war, some of them -- those who survived -- helped launch the Central Intelligence Agency, so that their nation, and American Christianity, could maintain a strong presence throughout the rest of the world.Surprising and absorbing at every turn, Double Crossedis an untold story of World War II spycraft and a profound account of the compromises and doubts that war forces on those who wage it.

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The 1850s offered the last remotely feasible chance for the United States to steer clear of Civil War. Yet fundamental differences between North and South about slavery and the meaning of freedom caused political conflicts to erupt again and again throughout the decade as the country lurched toward secession and war. With their grudging acceptance of the Compromise of 1850 and the election of Franklin Pierce as president in 1852, most Americans hoped that sectional strife and political upheaval had come to an end. Extremists in both North and South, abolitionists and secessionists, testified to the prevailing air of complacency by their shared frustration over having failed to bring on some sort of conflict. Both sets of zealots wondered what it would take to convince the masses that the other side still menaced their respective visions of liberty. And, as new divisive issues emerged in national politics-with slavery still standing as the major obstacle-compromise seemed more elusive than ever. As the decade progressed, battle lines hardened. The North grew more hostile to slavery while the South seized every opportunity to spread it. 'Immigrant Aid Societies' flourished in the North, raising money, men, and military supplies to secure a free soil majority in Kansas. Southerners flocked to the territory in an effort to fight off antislavery. After his stirring vilification of the institution of slavery, Massachusetts senator Charles Sumner was brutally attacked on the floor of the United States Senate. Congress, whose function was to peacefully resolve disputes, became an armed camp, with men in both houses and from both sections arming themselves within the capitol building. In October 1858, Senator William Henry Seward said that the nation was headed for an 'irrepressible conflict.' In spite of the progress ushered in by the decade's enormous economic growth, the country was self destructing. The Shattering of the Union: America in the 1850s is a concise, readable analysis and survey of the major ideas and events that resulted in the Civil War. The first scholarly synthesis of America's final antebellum decade to be published in more than twenty years, this essential overview incorporates methods and findings by recognized historians on politics, society, race relations, ideology, and slavery. This book is a fascinating look at one of the pivotal decades in U.S. history.

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From foremost experts, this authoritative work offers a framework for helping children overcome obsessive–compulsive disorder (OCD) using the proven techniques of cognitive-behavioral therapy (CBT). Therapists gain knowledge and tools to engage 6- to 18-year-olds and their parents and implement individualized CBT interventions, with a focus on exposure and response prevention. In a user-friendly, conversational style, the authors provide real-world clinical guidance illustrated with vivid case examples. Purchasers get access to a Web page where they can download and print the volume's reproducible handouts in a convenient 8 1/2" x 11" size. Building on the earlier OCD in Children and Adolescents: A Cognitive-Behavioral Treatment Manual (by John March and Karen Mulle), this book reflects two decades of advances in the field; most of the content is completely new.

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Hearing Assistive and Access Technology provides both fundamental and current information on hearing assistive technologies including FM systems, hearing loop systems, infrared systems, various short-range wireless device communications, as well as other auditory and visual access technologies for individuals who are deaf and hard of hearing. The authors present an overview of the World Health Organization's International Classification of Functioning, Disability and Health framework and how to incorporate concepts from this framework into a needs assessment for assistive and access technologies. This text is ideal for audiologists, rehabilitationists, speech-language pathologists, and disability specialists as it addresses topics such as legal information and product standards, acoustic issues in a variety of environments, telecommunications access, among others. Also provided is a thorough glossary and examples of setting up hearing assistive technologies.

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Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janácek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.

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This stunningly beautiful and informative book celebrates the Arctic, one of the last great wildernesses on the planet; a place where animals have survived for thousands of years protected only by fur and feathers. Humans also survive in the Arctic, but only those who have adjusted to the climate over millennia and who clad themselves in the skins of the animals they hunt. For the casual visitor, this is a place where survival for any extended period requires taking advantage of the best that modern technology can offer. But the rewards are immense: the Arctic can be harsh, but it is also stunningly beautiful - days during which the sun glints on ice, nights illuminated by the ethereal dancing light of the aurora and with a glimpse of some of the most remarkable animals on the planet. Many travel to the Arctic to see the animals, the land mammals, the whales and seals, and the birds. However, the Arctic also has an absorbing human history. The origins of the Inuit in North America, and the array of Eurasian northern peoples, from the Sami of Scandinavia to the Yuppik hunters from Asia's Bering Sea coast, are still debated, while the discovery, just a year or so ago, of the second ship of Franklin's doomed expedition to find the North-West Passage has reopened the arguments over exactly what did happen to more than 100 Royal Navy seamen. The Arctic provides not only an understanding of the formation of the Arctic but the science of snow and ice including the phenomena of aurora and parhelia, and the way in which the area's wildlife contends with the chilling harshness of its climate. This fascinating, magnificent area is now under severe threat. Global warming is causing the sea ice to shrink, in both area and volume. This allows easier access to its probable resources and, ironically, this access merely adds to the threats to the area and its wildlife. Due to feedback mechanisms, the Arctic warms about twice as fast as the Earth. The area therefore acts in the way that canaries once acted in coal mines, giving an early warning of danger: melting sea ice not only threatens the local wildlife but indicates the threat to the Earth as a whole. This is a truly remarkable book encompassing the diverse facets of this magnificent area and its vital importance as an indicator of the planet's health.

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The long, dark history of political violence in the United StatesViolence has been employed to achieve political objectives throughout history. Taking the life of a perceived enemy is as old as mankind. Antiquity is filled with examples of political murders, such as when Julius Caesar was felled by assassins in 44 BCE.While assassinations and assassination attempts are not unique to the American way of life, denizens of other nations sometimes look upon the US as populated by reckless cowboys owing to a “Wild West” attitude about violence, especially episodes involving guns.In this book, J. Michael Martinez focuses on assassinations and attempts in the American republic. Nine American presidents—Andrew Jackson, Abraham Lincoln, James A. Garfield, William McKinley, Harry S. Truman, John F. Kennedy, Richard Nixon, Gerald Ford, and Ronald Reagan—have been the targets of assassins. President-elect Franklin D. Roosevelt was also a target shortly before he was sworn into office in 1933. Moreover, three presidential candidates—Theodore Roosevelt, Robert F. Kennedy, and George Wallace—were shot by assailants. In addition to presidents and candidates for the presidency, eight governors, seven U.S. senators, nine U.S. House members, eleven mayors, seventeen state legislators, and eleven judges have been victims of political violence.Not all political assassinations involve elected officials. Some of those targeted, such as Joseph Smith, Malcolm X, and Martin Luther King Jr., were public figures who influenced political issues. But their cases are instructive because of their connection to, and influence on, the political process.No other nation with a population of over 50 million people has witnessed as many political assassinations or attempts. These violent episodes trigger a series of important questions. First, why has the United States—a country constructed on a bedrock of the rule of law and firmly committed to due process—been so susceptible to political violence? Martinez addresses these questions as he examines twenty-five instances of violence against elected officials and public figures in American history.

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In On the Edge of Freedom, David G. Smith breaks new ground by illuminating the unique development of antislavery sentiment in south central Pennsylvania—a border region of a border state with a complicated history of slavery, antislavery activism, and unequal freedom. During the antebellum decades every single fugitive slave escaping by land east of the Appalachian Mountains had to pass through the region, where they faced both significant opportunities and substantial risks. While the hundreds of fugitives traveling through south central Pennsylvania (defined as Adams, Franklin, and Cumberland counties) during this period were aided by an effective Underground Railroad, they also faced slave catchers and informers. “Underground” work such as helping fugitive slaves appealed to border antislavery activists who shied away from agitating for immediate abolition in a region with social, economic, and kinship ties to the South. And, as early antislavery protests met fierce resistance, area activists adopted a less confrontational approach, employing the more traditional political tools of the petition and legal action. Smith traces the victories of antislavery activists in south central Pennsylvania, including the achievement of a strong personal liberty law and the aggressive prosecution of kidnappers who seized innocent African Americans as fugitives. He also documents how their success provoked Southern retaliation and the passage of a strengthened Fugitive Slave Law in 1850. The Civil War then intensified the debate over fugitive slaves, as hundreds of escaping slaves, called “contrabands,” sought safety in the area, and scores were recaptured by the Confederate army during the Gettysburg campaign. On the Edge of Freedom explores in captivating detail the fugitive slave issue through fifty years of sectional conflict, war, and reconstruction in south central Pennsylvania and provocatively questions what was gained by the activists’ pragmatic approach of emphasizing fugitive slaves over immediate abolition and full equality. Smith argues that after the war, social and demographic changes in southern Pennsylvania worked against African Americans’ achieving equal opportunity, and although local literature portrayed this area as a vanguard of the Underground Railroad, African Americans still lived “on the edge of freedom.” By the 1920s, the Ku Klux Klan was rallying near the Gettysburg battlefield, and south central Pennsylvania became, in some ways, as segregated as the Jim Crow South. The fugitive slave issue, by reinforcing images of dependency, may have actually worked against the achievement of lasting social change.

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The shocking history of the espionage and infiltration of American media during WWI and the man who exposed it. A man who was not who he claimed to be...Russia was not the first foreign power to subvert American popular opinion from inside. In the lead-up to America’s entry into the First World War, Germany spent the modern equivalent of one billion dollars to infiltrate American media, industry, and government to undermine the supply chain of the Allied forces. If not for the ceaseless activity of John Revelstoke Rathom, editor of the scrappy Providence Journal, America may have remained committed to its position of neutrality. But Rathom emerged to galvanize American will, contributing to the conditions necessary for President Wilson to request a Declaration of War from Congress—all the while exposing sensational spy plots and getting German diplomats expelled from the U.S. And yet John Rathom was not even his real name. His swashbuckling biography was outrageous fiction. And his many acts of journalistic heroism, which he recounted to rapt audiences on nationwide speaking tours, never happened. Who then was this great, beloved, and ultimately tragic imposter? In The Imposter’s War, Mark Arsenault unearths the truth about Rathom’s origins and revisits a surreal and too-little-known passage in American history that reverberates today. The story of John Rathom encompasses the propaganda battle that set America on a course for war. He rose within the editorial ranks, surviving romantic scandals and combative rivals, eventually transitioning from an editor to a de facto spy. He brought to light the Huerta plot (in which Germany tied to push the United States and Mexico into a war) and helped to upend labor strikes organized by German agents to shut down American industry. Rathom was eventually brought low by an up-and-coming political star by the name of Franklin Delano Roosevelt. Arsenault tracks the rise and fall of this enigmatic figure, while providing the rich and fascinating context of Germany’s acts of subterfuge through the early years of World War I. The Imposter's War is a riveting and spellbinding narrative of a flawed newsman who nevertheless changed the course of history.

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