Search results for ""author francis"

An exciting new collection from a poet whose debut was praised by Colorado Review as “a seduction by way of small astonishments”Nate Klug has been hailed by the Threepenny Review as a poet who is “an original in Eliot’s sense of the word.” In Hosts and Guests, his exciting second collection, Klug revels in slippery roles and shifting environments. The poems move from a San Francisco tech bar and a band of Pokémon Go players to the Shakers and St. Augustine, as they explore the push-pull between community and solitude, and past and present. Hosts and Guests gathers an impressive range: critiques of the “immiserated quiet” of modern life, love poems and poems of new fatherhood, and studies of a restless, nimble faith. At a time when the meanings of hospitality and estrangement have assumed a new urgency, Klug takes up these themes in chiseled, musical lines that blend close observation of the natural world, social commentary, and spiritual questioning. As Booklist has observed of his work, “The visual is rendered sonically, so perfectly one wants to involve the rest of the senses, to speak the lines, to taste the syllables.”

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An essential visual overview for students and readers with an interest in Sienese art, history and Renaissance culture. For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo. Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Siena’s system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints. An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.

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Celebrated the world over for his famous children's books, master illustrator and storyteller M. Sasek captured the essence of the world's major cities and brought them to life for an entire generation of young readers. Now comes a new edition from the master. Culled from the pages of M. Sasek's renowned series of illustrated children's books, This is America is a witty, urbane, and child-friendly introduction to some of the United States' most popular destinations. From east to west, this is an inspirational travelogue that introduces readers to the art, architecture, music, food, and traditions of multiple cities and states. From a rodeo in Texas to a subway car in New York City, with stops in Cape Canaveral and the Golden Gate Bridge, This is America is the perfect book for international travelers shopping for a gift to take home, and is also perfect for those looking for a nostalgic view on the history of the United States. This anthology includes excerpts from This is New York, This is Texas, This is San Francisco, This is Washington, D.C., and This is the Way to the Moon.

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The Zoological Guide to Crustacea opens by providing an update on the cave crustacean decapods from Mexico, because in the last thirty years several species have been described. Mexico has diverse cave environments according to cave origin, such as: karstic caves, volcano caves with freshwater habitats and anchialine caves with marine and brackish habitats. The following study focuses on a total of 2,700 Artemia franciscana collected at the Al Wathba Reserve between December 2017 and May 2018, which were examined for the presence of larval helminths by direct microscopy of glycerin mounted specimens. Of these, 341 (= 12.6%) specimens contained different species of the Hymenopepididae and Progynotaeniidae families. The penultimate study investigates whether the non-marine ostracod Heterocypris incongruens can detect and react to chemical compounds derived from a predator and from injured conspecifics. The closing study demonstrates the diversity of larval phases and their importance to lobster populations and fisheries, and provides a summary of larval developmental patterns and behaviors and their potential impacts on larval dispersal and lobster demographic connectivity.

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Fred Bower had a full adventurous life and wrote about it in his own vivid and racy idiom. He was born in Boston, Mass. in 1871. Brought up in Liverpool, he recalls a city of two camps, when it was a common sight to see gory battles on St Patrick's day and July 12th. His travels and his work took him to Donara, Edinburgh, Glasgow, Guelph, Ithaca, London, Manchester, New York, Peapack (NJ), Philadelphia, Pittsburgh, Titusville, Trenton, West Newton, not to mention time spent tramp steaming all the way to Australia and back. He combined the stonemason's craft with diverse activities: prospecting for gold, and working for the Labour Movement. His life the labour movement is interwoven with tales of Francisco Ferrer, Victor Grayson, Jim Larkin, Tom Mann, Philip Snowden and others. He tells you of that dreadful 'bloody Sunday' of 1911 in Liverpool and of his notorious DON'T SHOOT leaflet, inciting soldiers not to kill strikers. He left a secret message to posterity buried in the foundations of Liverpool Cathedral- a story that resurfaces in Liverpool papers. An autobiography of a Socialist, Syndicalist, Tramp, and Traveller. He died in 1942.

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Stephen Zeifman, artist and teacher of studio art and art history, and the founder of Mill Road Studio, discusses his unique approach to art. He talks about being an artist, and about the importance of having a focus driven not by commerce but rather by the challenges of engaging in a creative practice.The book takes the reader on a personal tour, like moving through a grand exhibition, each chapter a new hall of exploration and discovery. But this is not yet another dry academic explanation of art, instead Zeifman uses his museum visits in Toronto, San Francisco and London as catalysts for discussion and interpretation. By way of theory, history and anecdotes, he relates his experiences, describing the works being seen and his responses to them.He also outlines the steps a person might take if they wish to learn how to draw, as a furthering of intimately participating in the fine arts.Ultimately, Zeifman’s insights envelop the reader in the variety and texture, the exuberance and joy, and the constant challenges of living with one’s eyes wide open to the way of art.

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In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan. Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors—Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda—grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits and intellectual brilliance. The passionate relationships they formed reveal an intimate world of cross-cultural fascination and connection. Ten years later, they returned to Japan—a land grown foreign to them—determined to revolutionize women’s education. Based on in-depth archival research in Japan and in the United States, including decades of letters from between the three women and their American host families, Daughters of the Samurai is beautifully, cinematically written, a fascinating lens through which to view an extraordinary historical moment.

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'A truly unusual and strangely revealing lens through which to view music and history and the dark life of the sea' Brian Eno'As memorable, pleasurable and irrational as all the highest quests' John Higgs'A perfect example of the power and beauty of industrial music' Cosey Fanni TuttiWhat does the foghorn sound like?It sounds huge. It rattles. It rattles you. It is a booming, lonely sound echoing into the vastness of the sea. When Jennifer Lucy Allan hears the foghorn's colossal bellow for the first time, it marks the beginning of an obsession and a journey deep into the history of a sound that has carved out the identity and the landscape of coastlines around the world, from Scotland to San Francisco.Within its sound is a maritime history of shipwrecks and lighthouse keepers, the story and science of our industrial past, and urban myths relaying tales of foghorns in speaker stacks, blasting out for coastal raves.An odyssey told through the people who battled the sea and the sound, who lived with it and loathed it, and one woman's intrepid voyage through the howling loneliness of nature.

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A legendary hotel on the Pacific becomes a haven where dreams, love, and a beguiling mystery come alive. 1958. Kate Morgan, tethered to her family’s failing San Francisco restaurant, is looking for an escape. She gets her chance by honoring a cryptic plea from her grandfather: find the beautiful stranger. The search takes her to Hotel del Coronado, the beachfront landmark on the Southern California coast where filming is underway on the movie Some Like It Hot. For a movie lover like Kate, it’s a fantasy come true. So is the offer of a position at the glamorous hotel. And a new romance is making her heart beat just as fast. But as sure as she is that Coronado is her future, Kate discovers it’s also where the ghosts of the past have come to stay. Sixty years ago a guest died tragically, and she still haunts the hotel’s halls. As the lives of two women—generations apart—intertwine, Kate’s courageous journey could change more than she ever imagined. And with Coronado wending its way through her soul, she must follow her dreams…wherever they may lead.

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'Jennifer E. Smith always manages to make you fall in love' 5* reader reviewOwen lives in the basement. Lucy lives on the 24th floor. But when the power goes out in the midst of a New York heatwave, they find themselves together for the first time: stuck in a lift between the 10th and 11th floors. As they await help, they start talking...The brief time they spend together leaves a mark. And as their lives take them to Edinburgh and San Francisco, to Prague and to Portland they can't shake the memory of the time they shared. Postcards cross the globe when they themselves can't, as Owen and Lucy experience the joy - and pain - of first love.And as they make their separate journeys in search of home, they discover that sometimes it is a person rather than a place that anchors you most in the world.Praise for Jennifer E. Smith'Utterly romantic' Jenny Han'Jennifer E. Smith has a way of writing that makes falling in love as magical as it feels' 5* reader review'A gorgeous reminder of the power of fate' New York Times Book Review'Completely magical' 5* reader review

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.

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Oscar Wilde's stories for children display the lively wit and wisdom for which his famous plays are celebrated. This beautiful collection brings together six poignant tales of love, loss, riches, poverty, hope and happiness. It includes The Nightingale and the Rose, The Devoted Friend, The Remarkable Rocket, The Young King, The Happy Prince, and - of course - The Selfish Giant. Their bittersweet ambience ensures that these stories can be enjoyed by thoughtful children and adults alike. Specially retold by Nicola Baxter and with sumptuous illustrations by Jenny Thorne, this charming book is an ideal introduction to Wilde's work Oscar Wilde is best known for his plays, stories and poems, and for the amusing comments he made on a huge range of topics. Some readers may be surprised that this famous personality also wrote stories for children. His own mother, Jane Francisca Speranza Wilde, was a well known writer, too. Perhaps she told stories to her children when they were small, inspiring her son to entertain his children in turn. Wilde's stories for children are full of comedy, but they do not ignore the harsher side of life, and they have a moral message to impart.

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Patricia Harris began visiting Spain shortly after the death of dictator Francisco Franco and has witnessed the country's renaissance in art, culture, and cuisine as it rejoined Europe. Drawing on three decades of intimate acquaintance with the country, she leads readers along twisting mountain roads, down to the docks of fishing villages, into the shoe outlets of Elche, and out to the muddy saffron fields of La Mancha. She takes you down city streets of Barcelona, Madrid, Sevilla, and San Sebastian to dark flamenco clubs, sybaritic public baths, endlessly inventive tapas bars, design shops full of mantillas and fans, and into a brightly tiled chocolateria for hot chocolate and churros at 3 a.m. She explores the art from Velazquez to Picasso, architecture from the phantasmagorical vision of Antoni Gaudi's Sagrada Familia to the cool suspension spans of Santiago Calatrava. She tells the tales of some formidable Spanish women, from a fourth-century B.C. goddess to a queen who wrested Spain from the Moors, to the twenty-first-century winemakers who elevated Spain's Toro and Rueda onto the world stage. Literary, sexy, whimsical, and even spiritual, 100 Places in Spain Every Woman Should Go is for the smart and curious traveler who wants to see Spain, her way.

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No Place To Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, it is a marriage of urbanism, social narrative, and pop culture that shows the ways — momentous and mockable — public bathrooms just don't work. Like, for the homeless, who, faced with no place to go sometimes literally take to the streets. (Ever heard of a municipal poop map?) For people with invisible disabilities, such as Crohn's disease, who stay home rather than risk soiling themselves on public transit routes. For girls who quit sports teams because they don't want to run to the edge of the pitch to pee. Celebrities like Lady Gaga and Bruce Springsteen have protested bathroom bills that will stomp on the rights of trans people. And where was Hillary Clinton after she arrived back to the stage late after the first commercial break of the live-televised Democratic leadership debate in December 2015? Stuck in a queue for the women's bathroom.Peel back the layers on public bathrooms and it's clear many more people want for good access than have it. Public bathroom access is about cities, society, design, movement, and equity. The real question is: Why are public toilets so crappy?

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Historic Maps and Views of the Old South?is the newest edition to Black Dog's Maps and Views series, and celebrates the history and beauty of some of America's most beloved cities with 24 removable, frameable maps and images that are perfect for the home, classroom, office or dorm.Dating from the 1800s through the present and ready for framing in a custom format or in a standard 11? x 14? frame, the stunning and fascinating images from The Granger Collection showcase the beauty and history of the Old South, including midnight paddleboat races on the Mississippi, moss-covered oaks framing the Magnolia Cemetery in Charleston, a horse and carriage mmeandering on Bay Shell Road in Mobile, turn of the century Mardi Gras in New Orleans, and the gorgeous fountain in Forsyth Park, Savannah.Each image's original printing information is provided, as well as additional information that places it in historic context and further illuminates its qualities. Each image is exquisitely reproduced to show off its color and detail.The perfect gift for lovers of travel, history, or art.Other titles in this series include:Historic Maps and Views of San FranciscoHistoric Maps and Views of BostonHistoric Maps and Views of the ChicagoHistoric Maps and Views of New YorkHistoric Maps and Views of LondonHistoric Maps and Views of RomeHistoric Maps and View of Paris

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Raised as a socialite in San Francisco, Everly Brooks was groomed for a life of opulence and success, but no one told her how quickly those things could be taken away. So when she sees a farm for lease in the quiet town of Topaz Falls, CO, she jumps at the chance to leave her disastrous life behind. Champion bronc rider Mateo Torres is finally ready to put down roots after years on the competition circuit. When he finds the perfect plot of land to build his own personal training headquarters, he makes the current owner an offer he can't refuse. Fearing she'll lose her lease, Everly marches herself straight over to her new landlord's house. But she's shocked to find Mateo... a sexy, young rider. To Mateo, Everly Brooks is a welcome interruption. In a move of desperation, Mateo informed his parents that he'd gotten married so he didn't have to deal with their constant matchmaking. But they're coming to visit... and they want to meet his new wife. Seeing an opportunity, he strikes a deal with Everly. All she has to do is pretend to be his wife for two weeks and he will agree to allow her to keep her farm. It seems like the perfect deal... but no one told them that faking a relationship can sometimes feel like the real thing.

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Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

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Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

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In a career that has spanned a half-century, guitarist Jorma Kaukonen has been at the forefront of American music and culture. A pioneer of the 1960s San Francisco scene, Jorma is best known for co-founding psychedelic rock band The Jefferson Airplane. With his subsequent band Hot Tuna, formed with Jefferson Airplane bassist Jack Casady, Jorma solidified a fan base that has endured to this day. In this memoir, Jorma tells stories from his early life up to his present-day with reflections woven in. Jorma's story takes us around the globe, from meeting Jack in DC in the 50s to college to California to meeting Janis Joplin, Pigpen, Jerry Garcia, Bob Dylan, Phil Lesh and more. He tells all of the events of Jefferson Airplane's history and the story of his addiction and amazing recovery. Jorma continues to tour today while also running and teaching at Fur Peace Ranch Guitar Camp, which is considered one of the world's most unique centers for the study of guitar and other instruments. Perfect for fans of Robbie Robertson's Testimony and Deal by Bill Kreutzmann, Been So Long is the memoir for anyone who wants to hear stories about Jefferson Airplane, Hot Tuna, jam bands, and anyone interested in a national treasure who helped define 60s-70s rock.

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The black power movement helped redefine African Americans' identity and establish a new racial consciousness in the 1960s. As an influential political force, this movement in turn spawned the academic discipline known as Black Studies. Today there are more than a hundred Black Studies degree programs in the United States, many of them located in America's elite research institutions. In From Black Power to Black Studies, Fabio Rojas explores how this radical social movement evolved into a recognized academic discipline. Rojas traces the evolution of Black Studies over more than three decades, beginning with its origins in black nationalist politics. His account includes the 1968 Third World Strike at San Francisco State College, the Ford Foundation's attempts to shape the field, and a description of Black Studies programs at various American universities. His statistical analyses of protest data illuminate how violent and nonviolent protests influenced the establishment of Black Studies programs. Integrating personal interviews and newly discovered archival material, Rojas documents how social activism can bring about organizational change. Shedding light on the black power movement, Black Studies programs, and American higher education, this historical analysis reveals how radical politics are assimilated into the university system.

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When it was published twenty-five years ago, this book captured a huge audience of Vietnam War protesters, dropouts, and rebels - and their baffled elders. Theodore Roszak found common ground between 1960s student radicals and hippie dropouts in their mutual rejection of what he calls the technocracy - the regime of corporate and technological expertise that dominates industrial society. He traces the intellectual underpinnings of the two groups in the writings of Herbert Marcuse and Norman O. Brown, "Allen Ginsberg" and "Paul Goodman". In a new introduction, Roszak reflects on the evolution of counter culture since he coined the term in the sixties. Alan Watts wrote of "The Making of a Counter Culture" in the "San Francisco Chronicle" in 1969, 'If you want to know what is happening among your intelligent and mysteriously rebellious children, this is the book. The generation gap, the student uproar, the New Left, the beats and hippies, the psychedelic movement, rock music, the revival of occultism and mysticism, the protest against our involvement in Vietnam, and the seemingly odd reluctance of the young to buy the affluent technological society - all these matters are here discussed, with sympathy and constructive criticism, by a most articulate, wise, and humane historian.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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"And Living Roofs is landscape inspiration galore."—Living Magazines(Cheshire, Cotswolds, Essex, Hampshire, Hereford, Oxford and Wiltshire) A green paradise high above the city’s rooftops is something so many people dream of, including those living in cities and searching for peace and quiet. Whether it’s a communal garden for an entire building or an exclusive personal and private oasis, a colourful sea of flowers, home-grown vegetables or a pool, there are no limits when it comes to the imagination of amateur gardeners. This book of photographs showcases the most beautiful and varied urban rooftop terraces and exotic garden paradises from all around the world: from the Berlin country garden and the sprawling sundeck of the U Penthouse in Madrid to the enchanting rooftop expanse of the Willow House in Singapore. The featured locations, both unusual and individual, offer ample inspiration for your own dreams of a rooftop garden. Just sit back and enjoy this gorgeous book on your sundeck or in your cosy alcove. The following locations are included in the book: Milan, Italy (3) Mantua, Italy Madrid, Spain Athens, Greece London, UK (3) Antwerp, Belgium (2) Rotterdam, Netherlands Munich, Germany (2) Berlin, Germany Dresden, Germany Singapore (2) Ho Chi Minh City, Vietnam Sydney, Australia (2) New York City (8) Austin, Texas San Francisco, California Berkely, California Mill Valley, California Toronto, Canada (2)

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Dagoberto Gilb is an acknowledged master of the short story, the winner of the PEN/Hemingway Award, and a PEN/Faulkner finalist for his debut collection, The Magic of Blood, and was awarded a Guggenheim Fellowship for his fiction writing. His critically acclaimed collection Woodcuts of Women is now available in paperback and features ten moving and heartbreaking stories of lust, love, and longing among men and women struggling to find their way in the world. Written in Gilb's spare, humid language, each of these haunting stories is crafted with a poetic, aching beauty. At turns powerful and resonant, hopeful and humorous, Woodcuts of Women is a tour de force by one of America's foremost Latino writers. "The sheer intensity and bravado of [Gilb's] vision make this collection succeed." -- Jean Thompson, The New York Times Book Review "Lonely, tough stories -- stories that force us to confront what's difficult in us, and in the people we love." -- Adrienne Miller, Esquire "Gilb's stories read like verbal woodcuts deliberately unrefined and carefully unadorned, clear in their intent but without undue elaboration...." -- Sean Glennon, The Hartford Courant "...Gilb writes of the gritty passions of man for women, grand delusions and tender mercies...." -- Oscar C. Villalon, San Francisco Chronicle

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'Smart characters, shocking twists' Lisa Gardner'I couldn't turn the pages quick enough' Heidi Perks'Terrific, high-octane, really pacy' Jo Spain'A compelling read with great set pieces and, most of all, that charismatic cast of characters' Sun______________The Sunday Times bestsellerFour bodies are found in a luxury hotelThe first is a man who checked in under a false name. Two are in a room next door, full of surveillance equipment. And the fourth is the house maid, who saw too much.Detective Lindsay Boxer is sent in to investigate and hunt down an elusive and dangerous suspect. But when her husband Joe goes missing, she begins to fear that the suspect she is searching for could be him.As the case gets ever more complicated and personal, San Francisco is suddenly faced with an atrocity no one will ever forget.Sometimes secrets can be deadly . . .______________More praise for the Women's Murder Club'Fast-moving, intricately plotted . . . Boxer steals the show as the tough cop with a good heart' Mirror'I have never begun a Patterson book and been able to put it down' Larry King'Patterson and Paetro at their best.... A series that shows no signs of fatigue or flagging' BookReporter

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Thos. Moser Cabinetmakers has set the standard for fine woodworking and meticulously hand-crafted furniture for more than forty years. In this modern age of inexpensive mass production, Moser furniture stands out because every piece is hand-made by a master craftsman (or woman). Generally minimalist in style, the pieces are highly sophisticated in their construction. And though Moser has been influenced by Shaker and Japanese furniture makers, the elegant and graceful lines give each piece an aesthetic all its own. In Legacy in Wood, Thomas Moser reflects on his long career and offers his thoughts on creativity, inspiration, and his design aesthetic. It gives an intimate look into the life and work of a pioneering craftsman, whose example shows that you can build a career working with your hands the old-fashioned way. Thos. Moser remains an iconic Maine company and holds to its traditional Yankee origins. The shop remains a family-run and oriented company. All of Moser’s sons have worked in the shop, and all but one are still there as master craftsmen and designers. The other employees have been with the company an average of 20 years—a clear reflection of the value Moser puts on his workers and the respect and love for their work they give in return. Yet the timeless appeal of the furniture has given Moser nationwide recognition and allowed the company to open galleries and show rooms in Boston, Greenwich, New York, Philadelphia, and San Francisco.

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Pedro Sevilla nació en Arcos de la Frontera (Cádiz) en 1959. En 1989 la colección de cuadernos La Poesía más joven, dirigida por el poeta Francisco Bejarano, publicó sus primeros poemas. Al poco tiempo salió publicado Y era la lluvia, amor (Barro, 1990), así como un estudio-antología de la obra del poeta arcense Julio Mariscal Montes titulado Diez de Julio (Ayuntamiento de Arcos de la Frontera, 1990). Desde entonces han ido apareciendo otros poemarios como Septiembre negro (Renacimiento, 1992) y Sendero Luminoso (Cuadernos de la Moderna, 1994), este último dentro de la colección dirigida por el poeta José Mateos. En 1995 obtiene un accésit del Premio Internacional de Poesía Rafael Alberti con el libro La luz con el tiempo dentro, que viene publicado en el siguiente año bajo este mismo sello editorial. Pedro Sevilla además ha colaborado en numerosas revistas literarias y ha sido columnista de prensa. También ha publicado las novelas Extensión 114 y 1977, aparecidas en Quorum Libros Edit

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PRÁCTICAS DE DRAMATIZACIÓN es, sin duda, el libro de cabecera en cualquier biblioteca, bibliografía, maleta de viaje o mesilla de noche de toda persona, colectivo o institución que tenga algo que ver con la expresión, con la educación y con el teatro. Una base teórica sólida y experimentada en la praxis diaria de sus autores y los colectivos a los que pertenecen. Una sistemática clara, estructurada y definida para su uso bien por personas experimentadas, bien por noveles que se acercan al mundo de la expresión y su educación por primera vez. Una profusión de ejercicios, unos clásicos, otros novedosos, otros creados para la ocasión, perfectamente secuenciados para dar seguridad a quien utilice esta herramienta que, como los propios autores dicen, está 'por amar'. Tomás Motos y Francisco Tejedo han impartido juntos numerosos cursos de Postgrado y de formación del profesorado, elaborado cuantioso material didáctico, dedicado a la Dramatización, Teatro en Educación y Didáctica (Dinamizar t

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Najmudin Kubra, maestro sufí del siglo XII nacido en Uzbekistán y fundador de la orden Kubrawiya o de los Hermanos Mayores, reunió, bajo el nombre "Manifestaciones de la belleza y aromas de la Majestad" diversos escritos místicos dirigidos al viajero que recorre el camino espiritual: sus etapas, los elementos sensibles y característicos que va a encontrar, algunas experiencias contemplativas y las explicaciones, siempre singulares, de sus significados."Las palabras están en el corazónLa lengua es, solamente, el instrumentocon el que aquél atestigua".Najmudin Kubra"Una de las principales características de este gran maestro sufí es que tenía una misteriosa influencia sobre los animales.Los grabados le representan rodeado de pájaros. Domesticó a un perro salvaje sólo con la mirada, del mismo modo que san Francisco de Asís se dice que domó a un lobo en un conocido relato.Los milagros de Najmudin eran muy famosos en todo el Oriente, sesenta años antes del nacimiento

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San Pablo de la Cruz (1694-1775) es considerado como el más grande místico italiano del siglo XVIII. Su aportación principal consistió en haber purificado la mística de su tiempo de fuertes resabios quietistas, que habían desvirtuado la muerte mística, de tanta raigambre cristiana. Para él la verdadera mística consiste en la pasividad del alma en pleno cumplimiento de la voluntad de Dios que guía por la vivencia centrada en la Pasión de Cristo. San Pablo de la Cruz, formado en la escuela carmelitana y en la de San Francisco de Sales, halló su propio camino espiritual adentrándose en la mística renano-flamenca. Con San Juan de la Cruz y el Venerable Juan Taulero forma el tríptico más distinguido de los místicos de la Cruz, a los que podríamos añadir la santa doctora Edith Stein y Santa Gema Galgani. La familia religiosa de Pasionistas, fundada por San Pablo de la Cruz, cuenta con cinco santos canonizados, treinta y cuatro beatos y diez Venerables en dos siglos desde su fundación. Santa

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Jesús F. Salvadores (León, 1975) trabaja desde 1998 como fotoperiodista para diversos medios de comunicación como Diario de León, El País, El Mundo, Diario 16 o ABC. En los años 2006 y 2011 se alzó con el Primer Premio Francisco de Cossío de Fotoperiodismo de Castilla y León y en el año 2018 con el Premio Mingote de Fotografía del diario ABC. Este proyecto sintetiza su labor creativa desde 2005 hasta 2014 y se centra en el sentido de la huida como concepto. Parte de un homenaje sincero y emotivo a la fotografía analógica mediante el uso de la diapositiva, esa imagen de la luz, no seriada y pensada para una visión colectiva. Jesús F. Salvadores lleva al punto álgido el instante fotográfico de Henri Cartier?Bresson y alcanza una exquisita y sutil perfección en la construcción mental de la composición a partir de la anticipación e inmediatez intuitiva del momento. Maestro genuino en el uso del fuera de campo, crea evocaciones espaciales que incorporan al espectador en un juego atmosférico

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A mediados de diciembre de 2007 Gustavo Braudel y su hija Albertine, a quienes ya conocemos por anteriores obras de A. G. Porta, participan en la operación hsys (Hormigas Salvajes y Suicidas), según se desprende del relato que ésta ofrecerá al coronel Francisco Resano: A veces una no sabe, querido coronel, por qué echa de menos una época que en su momento no le pareció mejor que cualquier otra,pero a la que, sin embargo, le tiene un aprecio especial, posiblemente debido a las circunstancias que concurrieron en ella, a las personas que me rodeaban y, tal vez, a que pronto vayan a cumplirse cinco años y todavía no haya podido pasar página. Entonces le prometí un informe de la operación [?] en la que participaron el inspector de policía José Blaya y el también policía Lalo Lucena, ambos jubilados, sinque durante este tiempo haya conseguido escribir una sola palabra. La impresionante trama de personajes, construida minuciosamente con un profundo sentido narrativo, y el estilo depur

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La mayoría de libros liberales sobre la familia no tienen la salud mental de las verdades evidentes. Y la mayoría de los libros conservadores sobre la familia son aburridos, reforzando así la superstición que a Chesterton le encanta refutar, la idea de que la vida de familia es en cuanto tal aburrida y que la vida fuera de casa, ?en el mundo?, es más interesante y liberadora. Chesterton refuta este ridículo lugar común escribiendo sobre la familia con el vigor, colorido, vívido ingenio, y amor apasionado que el tema se merece. Es el poeta de la familia, el trovador de la familia, el San Francisco de la familia. [.] Este es uno de esos libros absolutamente necesarios. Nadie ha tenido una sabiduría práctica tan vigorosa y tan llena de sentido común como Chesterton. Este libro ha juntado a la familia y a GKC, al caballero andante que marcha para luchar por ella. Debería ser nuestro libro de texto para cambiar el estado de cosas y restaurar el sano juicio de siempre. Peter Kreeft (Boston C

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B. Traven, o Traven Torsvan, o Hal Croves, o Ret Marut, nació en Chicago el 3 de mayo de 1890, o en San Francisco el 25 de febrero de 1882, o en esta última fecha pero en Schwiebus, Alemania. Bruno Traven, que se fabricó una treintena de identidades y una media docena de nacionalidades, estuvo preso en varios países y llegó a robar para no morir de hambre. Fue actor, carbonero, recolector de algodón, guionista y, sobre todas las cosas, escritor. Siempre estuvo del lado de los menos favorecidos y denunció las atrocidades del capitalismo hace más de un siglo. Con una increíble lucidez anticipó la falta de autonomía de los medios de comunicación y resumió su postura política en la siguiente frase: No estoy afiliado a ningún partido, a ningún círculo político, porque ningún partido ni programa, ninguna proclama o decisión colectiva, podría protegerme del infortunio universal. La apasionante vida de Traven tiene sin duda visos de novela, y Golo hace de este libro una biografía excepcional p

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En septiembre de 1936 se reunieron, en un pequeño pueblo de Salamanca, los principales mandos del bando nacional para designar al jefe de todos los ejércitos en lucha contra la República. El elegido también se convertiría en el jefe del Estado por casi cuarenta años, Francisco Franco.Esta historia de la Guerra Civil Española, completamente novedosa en lo que a documentación se refiere, propone al lector una nueva lectura desde el prisma del principal artífice de la victoria franquista, el general Fidel Dávila Arrondo, comandante del Ejército del Norte, y triunfador en Asturias, Santander, Bilbao, el Ebro y Cataluña.Los entresijos del Estado Mayor, la preparación y el desarrollo de las campañas, los combates o las relaciones con los aliados italianos y alemanes se combinan con temas tan desconocidos como el de las reservas de oro y divisas o las decisivas reuniones al más alto nivel en las que se designó a Franco como la principal autoridad militar y política durante la contienda.

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In The Refugees, Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. The second piece of fiction by a major new voice, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

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After years on the road performing at sold-out venues, Tyson Motsenbocker returned home to the impending death of his 57-year-old hero and mother. He begged God to heal her, but she died anyway. When they buried her body, Tyson also buried the childhood version of his faith.Shortly before her death, however, Tyson became intrigued by the complicated legacy of Father Junipero Serra, the 18th-century Franciscan monk and canonized saint who dedicated his life to the idea that tragedy and suffering are portals to renewal. Father Serra built Missions up and down the California coast, spreading Christianity, as well as enabling and aiding in the oppression and colonization of the native Californians. Tyson discovered Serra's "El Camino Real," a 600-mile pilgrimage route up the California coast that had been largely forgotten for more than 200 years.Two days after they buried his mother, Tyson set out on a pilgrimage of sorts, intending to walk from San Diego to San Francisco along the El Camino, following in the footsteps of the saint. Tyson's journey takes him down smog-choked highways, across fog-laden beaches, past multi-million-dollar coastal estates, and along the towering cliffs of Big Sur. And as he walks, Tyson also wrestles with his faith, questioning the pat answers and easy prayers he once readily accepted, trying to understand how hope and tragedy can all be wrapped up in the same God. The people he meets along the way challenge his understanding of the meaning of security, of what it means to live a meaningful life, and of the legacies we all leave behind.Where the Waves Turn Back is both part journal and part spiritual memoir, and ultimately, a thrilling and deeply satisfying read that asks questions that will resonate with readers seeking meaning in an utterly disorienting age.

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A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and power Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles. Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey’s writings on his own and others’ work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

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From the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It’s the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world.In this new photographic journey, Massimo Listri travels to some of the oldest and finest libraries to reveal their architectural, historical, and imaginative wonder. Through great wooden doors, up spiraling staircases, and along exquisite, shelf-lined corridors, he leads us through outstanding private, public, educational, and monastic libraries, dating as far back as 766. Between them, these medieval, classical, baroque, rococo, and 19th-century institutions hold some of the most precious records of human thought and deed, inscribed and printed in manuscripts, volumes, papyrus scrolls, and incunabula. In each, Listri’s poised images capture the library’s unique atmosphere, as much as their most prized holdings and design details.Featured libraries include the papal collections of the Vatican Apostolic Library and the Trinity College Library, home to the Book of Kells and Book of Durrow. With meticulous descriptions accompanying each featured library, we learn not only of the libraries’ astonishing holdings—from which highlights are illustrated—but also of their often lively, turbulent, or controversial pasts. Like the Franciscan monastery in Lima, Peru, with its horde of archival Inquisition documents.At once a bibliophile beauty pageant, an ode to knowledge, and an evocation of the particular magic of print, this compact edition of our best-selling XXL-title is above all a cultural-historical pilgrimage to the heart of our halls of learning, to the stories they tell, as much as those they gather in printed matter along polished shelves.

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"A rip-roaring read."—NatureFresh out of college in the 1960s, Mary Guinan aspired to be an astronaut—until she learned that NASA's astronaut program wasn't recruiting women. Instead, Guinan went to medical school and became a disease detective with the Centers for Disease Control and Prevention's Epidemic Intelligence Service. Selected to join India's Smallpox Eradication program, Guinan traveled to remote villages to isolate smallpox cases and then vaccinate all uninfected persons within a ten-mile radius. By May 1975, the World Health Organization declared Uttar Pradesh smallpox-free.During her barrier-breaking career, Dr. Guinan met arms-seeking Afghan insurgents in Pakistan and got caught in the crossfire between religious groups in Lebanon. She was one of the first medical detectives on the ground in San Francisco at the start of the AIDS crisis. And she served as an expert witness in a landmark decision that still protects HIV patients from workplace discrimination. Randy Shilts's best-selling book on the epidemic, And the Band Played On, features her AIDS work, as does the HBO movie of the same name.In Adventures of a Female Medical Detective, Guinan weaves together twelve vivid stories of her life in medicine, describing her individual experiences in controlling outbreaks, researching new diseases, and caring for patients the world over. Occasionally heartbreaking, sometimes hilarious, Guinan's account of her pathbreaking career will inspire public health students and future medical detectives—and give all readers insight into that part of the government exclusively devoted to protecting their health.

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The Classics of Western Spirituality™series, which has inspired many less-successful imitations over the years, has fulfilled its promise and given us an invaluable resource of the soul. The Catholic Historical Review In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish and Islamic traditions have been critically selected, translated and introduced by internationally recognized scholars and spiritual leaders. ANGELA OF FOLIGNO-COMPLETE WORKS translated, with an introduction by Paul Lachance, O.F.M. preface by Romana Guarnieri Suddenly, a divine word sounded in my soul: "My love for you has not been a hoax." These words struck me a mortal blow. For immediately the eyes of my soul were opened and I saw that what he had said was true. I saw his acts of love, everything that the Son of God had done, all that he had endured in life and in death-this suffering God-man-because of his inexpressible and visceral love. Seeing in him all the deeds of true love, I understood the perfect truth of what he had said, that "his love for me had not been a hoax," but that he had loved me with a most perfect and visceral love. I saw, on the other hand, the exact opposite in myself, because my love for him had never been anything but playing games, never true. Angela of Foligno (c. 1248–1309) "The superabundant one," "the saint of the double abyss," "the queen of the explorers of the beyond," "the one who lies," "the bedded, swooning saint," "the teacher of theologians"—thus have various commentators characterized the Blessed Angela of Foligno, one of the most outstanding, yet still too little known, representatives of the Franciscan and Christian mystical tradition. The dramatic story of Angela's passionate love affair with the "suffering God-man," how she is transformed and led into the deep abysses of the Trinitarian life, is recorded in the Memorial, the first part of her Book, which she dictated to her Franciscan scribe and confessor, Brother Arnaldo. The searing intensity of her account is unmatched in mystical literature. After her immersion in the fathomless depths of the Trinity, Angela emerged as a spiritual mother, gathering around her a network of disciples. The second part of her Book, the Instructions, contains her teachings in the form of letters and exhortations to her spiritual progeny, along with accounts of further visions and locutions, a testament, and an epilogue. This is the first translation into English of Angela's Book in its entirety. The translation is based on the new critical edition of the Latin text. A comprehensive introduction sets it in the context of the times, and summarizes Angela's inner journey, spirituality, and influence. †

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Courageous artists working in conflict regions describe exemplary peacebuilding performances and groundbreaking theory on performance for transformation of violence. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I: Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia..

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The safe and continued functioning of critical infrastructures—such as electricity, natural gas, transportation, and water—is a social imperative. Yet the complex connections between these systems render them increasingly precarious. Furthermore, though we depend so heavily on interconnected infrastructures, we do not fully understand the risks involved in their failure. Emery Roe and Paul R. Schulman argue that designs, policies, and laws often overlook the knowledge and experiences of those who manage these systems on the ground—reliability professionals who have vital insights that would be invaluable to planning. To combat this major blind spot, the athors construct a new theoretical perspective that reveals how to make sense of complex interconnected networks and improve reliability through management, regulation, and political leadership. To illustrate their approach in action, they present a multi-year case study of one of the world's most important "infrastructure crossroads," the San Francisco Bay-Delta. Reliability and Risk advances our understanding of what it takes to ensure the dependability of the intricate—and sometimes hazardous—systems on which we rely every day.

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Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers who for over thirty years have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech surrealists Jan Švankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, they practice a design aesthetic influenced by Polish graphic artists such as Jan Lenica, Roman Cieslewicz, Franciszek Starowieyski and Henryk Tomaszewski. Since 1971, they have produced over forty-five moving images, including features, music videos, dance films, documentaries and signature personal works, and have designed sets and projections for opera, drama and concert performances. Published to accompany an exhibition at The Museum of Modern Art – the first presentation of the Quay Brothers work in all their fields of creative activity – this richly illustrated publication presents their betterknown films as well as previously unseen moving image works and a little-known body of works on paper, including graphic design, drawings, typography and notebooks for films.

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Many people crave a creative outlet, but more often than not, don't know where to start. In Black, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the most enigmatic colour of all, black.Black is a special colour: rich, glossy and elegant on the one hand; strict, sensible and solemn on the other. Throughout the book, Valentina and Francesca provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Francisco Goya, Jackson Pollock, Rembrandt and more, you will discover the many meanings of black and just some of the ways it can be used to express your creative passion.Black is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

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A unique history of the Beats, in the words of the movement's most central member, Allen Ginsberg, based on a seminal series of his lecturesIn 1977, twenty years after the publication of his landmark poem 'Howl', Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation - partly to preserve his own memories of those years. The Best Minds of My Generation presents the best of these candid, intimate and illuminating lectures, revealing Kerouac, Burroughs and the rest of the Beats as Ginsberg knew them: friends, confidantes, literary mentors and fellow visionaries in a group who started a revolution.'Marvellous ... spellbinding ... preserving intact the story of the literary movement Ginsberg led, promoted and never ceased to embody' The New York Times Book Review'An awesome exhaustive feat ... fascinatingly readable' Sunday Times'Astonishingly intimate ... Full of penetrating insight and fascinating literary gossip, the book is a major contribution to the core Beat canon ... situates the Beats in cultural history in a way that no other exploration of their work does' San Francisco Chronicle

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Following up on her celebrated first Salvage Secrets book, which Fine Homebuilding called “An invaluable first step in the salvage-for-design journey,” here salvage design guru Joanne Palmisano takes readers further, exploring a wealth of smaller-scale interior design and decor concepts. Bottle caps turned into a kitchen backsplash, old bed springs reinvented as candle holders, and a recycled shipping container-turned-guesthouse are just a few examples of the innovative repurposing of second-hand items that readers will discover. From retro and modern to classic, “cottage,” and urban chic, Palmisano takes readers on a sumptuous visual journey featuring unique salvage ideas in an eclectic array of styles, for every room in the house—kitchens and dining rooms, bedrooms and bathrooms, living rooms and dens, and entryways and outdoor areas. The journey continues with a sampling of cutting-edge retail spaces, hotels, cafes, and boutiques across the country that incorporate salvage into their designs, such as Industrie Denim in San Francisco, Stowe Mountain Lodge in Stowe, Vermont, and Rejuvenation in Portland. Profiles of thirteen “salvage success stories” are also included, showcasing the imaginative designs of creative homeowners. And lastly, fourteen easy, do-it-yourself projects are included at the back of the book (with step-by-step instructions), not to mention a comprehensive “Where to Find Salvage” resource section. Packed with over 350 color photos, Salvage Secrets Design & Decor offers a trove of salvage ideas to inspire, proving that you need look no further than your local rebuild center, architectural salvage shop, or flea market to transform your living space.

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San Francisco is changing. Tech consortium MORROW is buying up land, to make the city of the future; their peacekeeper robots loom on every corner. Wherever Morrow isn't, the local gangs are. Either way, it's getting harder and harder for regular people to live.Bibiana Lopez-Yang is changing too. The incident in Afghanistan that killed her platoon let her control electricity - and left her haunted by the ghosts of those she lost. With her new powers and some unlikely friends, Bibi builds a robot of her own to fight back against Morrow and save her city. But against an enemy this powerful, it won't be enough to be good. She'll have to be lucky.MELISSA FLORES and FRENCH CARLOMAGNO (Mighty Morphin Power Rangers, Magic: Master of Metal) bring you THE DEAD LUCKY, the latest superhero story from the universe of RADIANT BLACK and ROGUE SUN!The Dead LuckyVolume 1 is a new series in Image Comic's Massive-Verse. Collects THE DEAD LUCKY #1-6WHAT IS THE MASSIVE-VERSE?Kyle Higgins & Marcelo Costa's breakout hit Radiant Black took superhero storytelling to new heights. But Radiant Black isn't the only character inhabiting the MASSIVE-VERSE. There's a whole universe for readers to explore! Characters like Rogue Sun, Inferno Girl Red, The Dead Lucky and more yet to be revealed each of them has a different story to tell, different adversaries to face and they each occupy a very different corner of this shared universe. What are you waiting for? Now's the time to get into the MASSIVE-VERSE!

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