Search results for ""author alex"

***A Best Book of 2022, The Times******Book of the Year, Spectator***A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspectiveHenrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother.Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign.The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II.It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable.'this is revisionist history at its absolute best' ANDREW ROBERTS'beautifully written and endlessly fascinating' ALEXANDER LARMAN'popular history of the finest kind' RONALD HUTTON

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Towards the middle of the third century BC, the Hellenistic kingdoms (the fragments of Alexander the Great's short-lived empire) were near their peak. In terms of population, economy and military power each individual kingdom was vastly superior to Rome, not to mention in fields such as medicine, architecture, science, philosophy and literature. Philip Matyszak relates how, over the next two-and-a half centuries, Rome conquered and took over these kingdoms while adopting so much of Hellenistic culture that the resultant hybrid is known as Graeco-Roman' Refreshingly, the story is largely told from the viewpoint of the Hellenistic kingdoms. At the outset, the Romans are little more than another small state in the barbarian west, and less of a consideration than the Scythians or Jews. Much of the narrative therefore focuses on the game of thrones' between the Hellenistic powers, a tale of assassinations, double crosses, dynastic incest and warfare. As the Roman threat grows, however, it belatedly becomes the primary concern of the kingdoms as the legions destroy them one by one.

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The great Persian poet Firdausi’s epic Shahnama, or ‘Books of Kings’, written at the turn of the eleventh century CE, is a seamless tapestry of historical and legendary material prominently featuring battles and individual struggles with fierce demons and enemy champions. The first known illustrations of the poem date to the early fourteenth century. The splendidly illustrated and illuminated late sixteenth-century Eckstein Shahnama (so called from a distinguished previous owner, Bernard Eckstein) is one of an important group of so-called ‘truncated’ Shahnamas which end Firdausi’s narrative with Alexander the Great. These manuscripts were long regarded as Persian, but new research suggests that, though the text is Persian and the style of the painting is apparently Persian, they were actually produced in imitation of Persian examples by Turkish workshops.This richly illustrated study confirms the Ottoman origin of this and other manuscripts in the group and demonstrates the Eckstein Shahnama in particular to be a representative example of Ottoman manuscript painting and to have had itself a significant influence on later production. This joins a series of outstanding publications on Islamic manuscripts by Sam Fogg.

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The GND has the potential of becoming one of the largest global campaigns of our times, and it started in Ann Pettifor's flat. In 2008, the first Green New Deal was devised by Pettifor and a group of English economist and thinkers, but was ignored within the tumults of the financial crash. A decade later, the ideas was revived within the democratic socialists in the US, forefront by Alexandria Ocasio Cortez. The Green New Deal demands a radical and urgent reversal of the current state of the global economy: including total de-carbonisation and a commitment to fairness and social justice. Critics on all sides have been quick to observe that the GND is a pipe dream that could never be implemented, and would cost the earth. But, as Ann Pettifor shows, we need to rethink the function of money, and how it works within the global system. How can we bail out the banks but not the planet? We have to stop thinking about the imperative of economic growth-nothing grows for ever. The program will be a long term project but it needs to start immediately.

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The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression.Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.

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WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURESHORTLISTED FOR THE RSL ONDAATJE PRIZE, THE GREEN CARNATION PRIZE, and the HISTORICAL WRITERS AWARD'Miller's storytelling is superb' SUNDAY TIMESOne April day in Augustown, Jamaica. Ma Taffy, old and blind, sits in her usual spot on the veranda. No matter how the world tilts around her, come hurricane or riot, she knows everything that goes on in this small community. Which is why, when her six-year-old nephew returns home from school with his dreadlocks shorn, she realises that trouble won't be far behind. And so she tells him the story of Alexander Bedward, the flying preacherman. She remembers what happened to the Rastaman and his helper, Bongo Moody; she thinks of Soft-Paw, the leader of the Angola gang, and what lies beneath her house. For trouble is brewing once more among the ramshackle lanes of Augustown, and as Ma Taffy knows, each day contains much more than its own hours, or minutes, or seconds. In fact, each day contains all of history...

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In retelling the story of the radical Alexander Hamilton, Parenti rewrites the history of early America and the global economy. For much of the twentieth century, Hamilton-sometimes seen as the bad boy of the founding fathers or portrayed as the patron saint of bankers-was out of fashion. In contrast his rival Thomas Jefferson, the patrician democrat and slave owner who feared government overreach, was claimed by all. But more recently, Hamilton has become a subject of serious interest again.He was a contradictory mix: a tough soldier, austere workaholic, exacting bureaucrat, sexual libertine, glory-obsessed romantic with suicidal tendencies-and pioneer of industrialisation. As Parenti argues, we have yet to fully appreciate Hamilton as the primary architect of American capitalism and the developmental state. In exploring his life and work, Parenti rediscovers this gadfly as a pathbreaking political thinker and institution builder. In this vivid portrait, Hamilton emerges as a singularly important historical figure: a thinker and politico who laid the foundation for America's ascent to global supremacy and mass industrialisation-for better or worse.

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The Greek historian Hecataeus of Abdera declared during the 4th century BCE that the Egyptian civilization was unsurpassed in the arts and in good governance, surpassing even that of the Greeks. During the Renaissance, several ecclesiastical nobles, including the Borgia Pope Alexander VI claimed their descent from the Egyptian god Osiris. In the 1920s, the discovery of Tutankhamun's tomb in the Valley of the Kings prompted one of the first true media frenzies in history. For thousands of years, the Pharaonic culture has been a source of almost endless fascination and obsession. But to what extent is the popular view of ancient Egypt at all accurate? In _Pyramidiots: How We Became Obsessed With Ancient Egypt_, Egyptologist Dr Nicky Nielsen examines the popular view of Egypt as an exotic, esoteric, mystical culture obsessed with death and overflowing with mummies and pyramids. The book traces our obsession with ancient Egypt throughout history and methodically investigates, explains and strips away some of the most popular misconceptions about the Pharaohs and their civilization

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Tel Miqne-Ekron is one of the largest and most significant Iron Age archaeological sites in Israel. Based on fourteen seasons of excavations, this volume in the Tel Miqne series documents remarkable finds from the late Iron Age II Philistine temple.Immediately before its destruction at the hands of the Neo-Babylonians, the biblical city of Ekron had reached its zenith as a vassal of the Neo-Assyrian empire. The remains from Temple Complex 650 mirror Ekron’s wealth and position at the crossroads between Neo-Assyrian, Phoenician, and Philistine cultural traditions. This archaeological report contains stratigraphic analyses; a discussion of the temple’s architectural features; analyses of small finds, including a remarkable trove of ivory objects; comprehensive documentation, including quantification analyses of the vast ceramic assemblage; and, importantly, a discussion of the Ekron Royal Dedicatory Inscription, considered one of Israel’s most noteworthy archaeological finds of the twentieth century. Together with the evidence from the other fields of excavation, Tel Miqne-Ekron 10/1 establishes the basis for defining Ekron as the type-site for Philistia in the Iron Age II.An essential resource for archaeologists, biblical scholars, and historians specializing in the ancient Near East, Tel Miqne-Ekron 10/1 is of vital importance for reconstructing the history of the Southern Levant in the Iron Age.In addition to the coauthors, the contributors include Eleanor F. Beach, David Ben-Shlomo, Baruch Brandl, Jeffrey R. Chadwick, Alexandra S. Drenka, Adi Erlich, Amir Golani, Edward F. Maher, Ianir Milevski, Alla Rabinovich, Christa SchŠfer-Lichtenberger, and Anna de Vincenz.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.

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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums). Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory. The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.

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To achieve justice and equal protection under the law, Latinos have turned to the U.S. court system to assert and defend their rights. Some of these cases have reached the United States Supreme Court, whose rulings over more than a century have both expanded and restricted the legal rights of Latinos, creating a complex terrain of power relations between the U.S. government and the country's now-largest ethnic minority. To map this legal landscape, Latinos and American Law examines fourteen landmark Supreme Court cases that have significantly affected Latino rights, from Botiller v. Dominguez in 1889 to Alexander v. Sandoval in 2001.Carlos Soltero organizes his study chronologically, looking at one or more decisions handed down by the Fuller Court (1888-1910), the Taft Court (1921-1930), the Warren Court (1953-1969), the Burger Court (1969-1986), and the Rehnquist Court (1986-2005). For each case, he opens with historical and legal background on the issues involved and then thoroughly discusses the opinion(s) rendered by the justices. He also offers an analysis of each decision's significance, as well as subsequent developments that have affected its impact. Through these case studies, Soltero demonstrates that in dealing with Latinos over issues such as education, the administration of criminal justice, voting rights, employment, and immigration, the Supreme Court has more often mirrored, rather than led, the attitudes and politics of the larger U.S. society.

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Published in the centenary year of the 1917 Russian Revolution, No Less Than Mystic is a fresh and iconoclastic history of Lenin and the Bolsheviks for a generation uninterested in Cold War ideologies and stereotypes. Although it offers a full and complete history of Leninism, 1917, the Russian Civil War and its aftermath, the book devotes more time than usual to the policies and actions of the socialist alternatives to Bolshevism - to the Menshevik Internationalists, the Socialist Revolutionaries (SRs), the Jewish Bundists and the anarchists. It prioritises Factory Committees, local Soviets, the Womens' Zhenotdel movement, Proletkult and the Kronstadt sailors as much as the statements and actions of Lenin and Trotsky. Using the neglected writings and memoirs of Mensheviks like Julius Martov, SRs like Victor Chernov, Bolshevik oppositionists like Alexandra Kollontai and anarchists like Nestor Makhno, it traces a revolution gone wrong and suggests how it might have produced a more libertarian, emancipatory socialism than that created by Lenin and the Bolsheviks.The book broadly covers the period from 1903 (the formation of the Bolsheviks and Mensheviks) to 1921 (the suppression of the Kronstadt rebellion) and explains why the Bolshevik Revolution degenerated so quickly into its apparent opposite, and continually examines the Leninist experiment through the lens of a 21st century, de-centralised, ecological, anti-productivist and feminist socialism. Throughout its narrative it interweaves and draws parallels with contemporary anti-capitalist struggles such as those of the Zapatistas, the Kurds, the Argentinean "Recovered Factories", Occupy, the Arab Spring, the Indignados and Intersectional feminists, attempting to open up the past to the present and points in between. We do not need another standard history of the Russian Revolution. This is not one.

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Even before its dissolution in 1991, the Soviet Union was engaged in an ambivalent struggle to come to terms with its violent and repressive history. Following the death of Stalin in 1953, entrenched officials attempted to distance themselves from the late dictator without questioning the underlying legitimacy of the Soviet system. At the same time, the Gulag victims to society opened questions about the nature, reality, and mentality of the system that remain contentious to this day.The Gulag Survivor is the first book to examine at length and in-depth the post-camp experience of Stalin's victims and their fate in post-Soviet Russia. As such, it is an essential companion to the classic work of Alexander Solzhenitsyn. Based on extensive interviews, memoirs, official records, and recently opened archives, The Gulag Survivor describes what survivors experienced when they returned to society, how officials helped or hindered them, and how issues surrounding the existence of the returnees evolved from the fifties up to the present.Adler establishes the social and historical context of the first wave of returnees who were "liberated" into exile in Stalin's time. She reviews diverse aspects of return including camp culture, family reunion, and the psychological consequences of the Gulag. Adler then focuses on the enduring belief in the Communist Party among some survivors and the association between returnees and the growing dissident movement. She concludes by examining how issues surrounding the survivors reemerged in the eighties and nineties and the impact they had on the failing Soviet system. Written and researched while Russian archives were most available and while there were still survivors to tell their stories, The Gulag Survivor is a groundbreaking and essential work in modern Russian history. It will be read by historians, political scientists, Slavic scholars, and sociologists.

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The forgotten story of a surprising anti-imperial, nationalist project at the turn of the twentieth century: a grassroots movement of Russian Jews to racialize themselves.In the rapidly nationalizing Russian Empire of the late nineteenth century, Russian Jews grew increasingly concerned about their future. Jews spoke different languages and practiced different traditions. They had complex identities and no territorial homeland. Their inability to easily conform to new standards of nationality meant a future of inevitable assimilation or second-class minority citizenship. The solution proposed by Russian Jewish intellectuals was to ground Jewish nationhood in a structure deeper than culture or territory—biology.Marina Mogilner examines three leading Russian Jewish race scientists— Samuel Weissenberg, Alexander El’kind, and Lev Shternberg—and the movement they inspired. Through networks of race scientists and political activists, Jewish medical societies, and imperial organizations like the Society for the Protection of the Health of the Jewish Population, they aimed to produce “authentic” knowledge about the Jewish body, which would motivate an empowering sense of racially grounded identity and guide national biopolitics. Activists vigorously debated eugenic and medical practices, Jews’ status as Semites, Europeans, and moderns, and whether the Jews of the Caucasus and Central Asia were inferior. The national science, and the biopolitics it generated, became a form of anticolonial resistance, and survived into the early Soviet period, influencing population policies in the new state.Comprehensive and meticulously researched, A Race for the Future reminds us of the need to historically contextualize racial ideology and politics and makes clear that we cannot fully grasp the biopolitics of the twentieth century without accounting for the imperial breakdown in which those politics thrived.

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When the US Constitution won widespread popular approval in 1788, it was the culmination of decades of passionate argument about legal and political first principles-a furious debate over the nature of government and the rights and duties of citizens that boiled over into Revolution. But ratification hardly ended America's constitutional conversation. For the next fifty years, both ordinary Americans and statesmen like George Washington, James Madison, Alexander Hamilton, and Thomas Jefferson continued to wrestle with weighty constitutional questions, from the halls of government to the pages of newspapers. Should the nation's borders be pushed beyond its original footprint? Should America allow slavery to spread westward? Where did Indian tribes fit into the picture? Women? Free blacks? What rule should the Constitution's then-weakest branch, led for more than thirty years by Chief Justice John Marshall, play in these resolving such questions? In The Words That Made Us, celebrated Constitutional scholar Akhil Reed Amar tells the story of America's constitutional conversation during its first eighty years-from its birth in 1760 through the 1830s, when the last of America's early leaders died and bequeathed this boisterous and sophisticated conversation to posterity. Amar traces the threads of Constitutional discourse, uniting history and law in a vivid and sweeping narrative that seeks both to reveal this history anew and to make clear who was right and who was wrong on the biggest legal issues confronting early America. Without proper popular understanding of the Constitution, America and the world suffer. In The Words That Made Us, Amar offers an essential history of the Constitution's formative decades and an indispensable guide for anyone seeking to understand America's Constitution and its relevance today.

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**CHOICE Outstanding Academic Title** In September 1814, the rulers of Europe and their ministers descended upon Vienna after two decades of revolution and war. Their task was to redraw continental borders following the collapse of the Napoleonic Empire. Inevitably, all of the major decisions were made by the leading statesmen of the five 'great powers'-Castlereagh, Metternich, Talleyrand, Hardenberg and Tsar Alexander of Russia. The territorial reconstruction of Europe marks only one part of this story. Over the next seven years, Europe witnessed unrest in Germany, Britain, and France, and revolution in Latin America, Spain, Portugal, Naples, Piedmont, Greece, and Romania. Against this backdrop, the Congress of Vienna was followed by an audacious experiment in international cooperation and counter-revolution, known as the 'Congress System'. This system marked the first genuine attempt to forge an 'international order' based upon consensus rather than conflict. The goal of the Congress statesmen was to secure long-term peace and stability by controlling the pace of political change through international supervision and intervention. The fear of revolution that first gave rise to the Congress System quickly became its exclusive concern, sowing division amongst its members and ironically ensuring its collapse. Despite this failure, the Congress System had a profound influence. The reliance on diplomacy as the primary means of conflict resolution; the devotion to multilateralism; the emphasis on international organization as a vehicle for preserving peace; the use of concerted action to promote international legitimacy - all these notions were by-products of the Congress System. In this book, Mark Jarrett argues that the decade of the Congresses marked the true beginning of our modern era. Based on original research and previously unseen sources, this book provides a fresh exploration of this pivotal moment in world history.

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Today complex numbers have such widespread practical use--from electrical engineering to aeronautics--that few people would expect the story behind their derivation to be filled with adventure and enigma. In An Imaginary Tale, Paul Nahin tells the 2000-year-old history of one of mathematics' most elusive numbers, the square root of minus one, also known as i. He recreates the baffling mathematical problems that conjured it up, and the colorful characters who tried to solve them. In 1878, when two brothers stole a mathematical papyrus from the ancient Egyptian burial site in the Valley of Kings, they led scholars to the earliest known occurrence of the square root of a negative number. The papyrus offered a specific numerical example of how to calculate the volume of a truncated square pyramid, which implied the need for i. In the first century, the mathematician-engineer Heron of Alexandria encountered I in a separate project, but fudged the arithmetic; medieval mathematicians stumbled upon the concept while grappling with the meaning of negative numbers, but dismissed their square roots as nonsense. By the time of Descartes, a theoretical use for these elusive square roots--now called "imaginary numbers"--was suspected, but efforts to solve them led to intense, bitter debates. The notorious i finally won acceptance and was put to use in complex analysis and theoretical physics in Napoleonic times. Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts and mathematical discussions, including the application of complex numbers and functions to important problems, such as Kepler's laws of planetary motion and ac electrical circuits. This book can be read as an engaging history, almost a biography, of one of the most evasive and pervasive "numbers" in all of mathematics.

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'How many recipes do you make from a typical cookbook? Three? Four? It's not often I come across a book where I want to cook every single one.' TONY TURNBULL, The Best Cookbooks of 2023, Times'The elegant simplicity and style of every word and picture in this book are a joy.' JEREMY LEE'An engaging and inspiring book of food that is a real pleasure.' CLAUDIA RODEN'I love the flavour-dense simplicity of Blanche's recipes, with the garden at their heart. This is exactly how I want to eat.' SARAH RAVEN'Seasonal, simple and sensational.' INDIA KNIGHT'Blanche Vaughan combines easy-to-achieve recipes with an inspiring voice that encourages experiment, whether you are cooking a simple supper for two or a special occasion feast. Her calm and reflective attitude to cooking is mirrored in the beautiful photographs, while her emphasis on seasonality truly makes it a book for all seasons.' ALEXANDRA SHULMAN'These are the recipes I cook at home, dishes that I turn to throughout the year because they answer a craving for a particular thing to eat at a particular time. The recipes evolved from ideas for what to cook and what I chose to include in the food pages of House & Garden each month: a reflection of our appetites, the food growing then, the weather, how we are living and eating each season.'BLANCHE VAUGHANA Year in the Kitchen, written and curated by Blanche Vaughan, Food Editor of House & Garden, shares more than 150 deliciously easy recipes inspired by the seasons. Recipes include:- Asparagus Carbonara (Spring)- Summer Greens & Soft-Cheese Pie (Summer)- Pumpkin Soup with Gruyère and Sage (Autumn)- Claudia Roden's Chicken with Sweet Wine and Grapes (Winter)

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Brought together for the first time in one volume are three books by the titan of chess, Jose Capablanca. ----- One of the greatest chess prodigies of all time, he evolved the most perfect chess technique seen on a chessboard. A former World champion, and one of the most successful tournament players in the history of the game, Capablanca's uncanny position judgment empowered him to produce games that were masterful pieces of position play, and that culminated often in combinations of startling brilliancy. ----- My Chess Career. Written one year before he became chess champion of the world, this book relives in Capablanca's own words 35 of his greatest games and those events of his life relevant to his chess career. The seminal work of the Cuban genius who repeated the exploits of Morphy, suddenly bursting onto the European scene and annihilating the great masters who had hitherto dominated the international arena. This book captures the magic of Capablanca's early victory at San Sebastian 1911 and his second place - bowing only to Lasker - at St Petersburg 1914. ----- Chess Fundamentals.Capablanca's classic instructional manual first appeared in 1921, the year he defeated Emanuel Lasker for the world championship title. This handbook is packed with timeless advice on different aspects of practical play and illustrated by Capablanca's own games. ----- A Primer of Chess. Capablanca's introduction to chess is an ideal first chess book for players of all ages. In systematic fashion, Capablanca lucidly explains the rules and basic principles of this fascinating game, and illustrates these with a wide range of practical examples. ----- After capturing the world championship in in 1921, Capablanca was for a time regarded as practically invincible. Although he surprisingly lost his title to Alexander Alekhine in 1927, Capablanca remained a leading player until his death in New York in 1942.

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Legend has it that the ocean can lure children and make them fall into the depths to never return . . .Martin, who has always been drawn to the ocean, moves his wife Alexandra and their two young children move to his family's idyllic summer cottage in the picturesque island village of Orust, on the west coast of Sweden. Martin begins to cultivate a mussel farm, where he soon runs into trouble with the locals.One January weekend, when Martin is distracted by a ringing phone, he discovers that in those few moments, his young son has gone missing and his little red bucket is bobbing in the waves. Though his body is never found, it's ruled an accidental drowning. Martin's grief is all-consuming as he falls into a deep depression, withdrawing from his family and community.When former police photographer Maya Linde arrives to Orust, she learns of the little boy's disappearance and decides to do some investigating of her own. Martin and Maya grow closer as they learn the hidden truths of this town and the locals who have always mythologized the ocean.Together they make a macabre discovery: other children have tragically died in the these waves, all on the same day in January, all in the exact same spot, though decades apart. Can it really be a coincidence, or is the ocean luring the children into its depths? As Maya and Martin grapple with a threat far greater than they ever imagined, they soon realize that the truth is actually much stranger than fiction . . .Set against a backdrop of the whispering ocean, Winter Water is an atmospheric and gripping suspense novel of the nature of grief and the many acts is can make us capable of.

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This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary complementing more than three hundred and fifty lavishly reproduced images the history of the blues comes musically and visually to life. What will astonish readers who thumb through these pages is the amazing range of ways that the blues have been represented whether via album covers, posters, flyers, 78 rpm labels, advertising, or other promotional materials. We see the blues as it was first visually captured in the highly colorful sheet music covers of the early twentieth century. We see striking and hard-to-find label designs from labels big (Columbia) and small (Rhumboogie). We see William Alexander's humorous artwork on postwar Miltone Records; the cherished ephemera of concert and movie posters; and Chess Records' iconic early albums designed by Don Bronstein, which would set a new standard for modern album cover design. What these images collectively portray is the evolution of a distinctively American art form. And they do so in the richest way imaginable. The result is a sumptuous book, a visual treasury as alive in spirit as the music it so vibrantly captures.

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Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into one of the most successful supermodels in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights. Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands. With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.Gisele is donating all her proceeds from the book to charity.

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When a police investigator is killed execution-style and Blix’s own daughter is targeted by the killer, he makes a dangerous decision, which could cost him everything. Blix & Ramm are back in a breathless, emotive thriller by two of Norway’s finest crime writers…‘Superb Nordic noir. Dark, intricate and extremely compelling. Contemporary Scandinavian fiction at its best’ Will Dean‘The most exciting yet’ The Times‘Blends a gripping storytelling structure with thrilling tension and heartfelt moments … if you’re a fan of writers like Lars Kepler, Stefan Ahnhem or Søren Sveistrup, you won’t want to miss this’ Crime by the Book––––––––––––––––––––When police investigator Sofia Kovic uncovers a startling connection between several Oslo murder cases, she attempts to contact her closest superior, Alexander Blix before involving anyone else in the department. But before Blix has time to return her call, Kovic is shot and killed in her own home – execution style. And in the apartment below, Blix’s daughter Iselin narrowly escapes becoming the killer’s next victim.Four days later, Blix and online crime journalist Emma Ramm are locked inside an interrogation room, facing the National Criminal Investigation Service. Blix has shot and killed a man, and Ramm saw it all happen. As Iselin’s life hangs in the balance, under-fire Blix no longer knows who he can trust … and he’s not even certain that he’s killed the right man…Two of Nordic Noir’s most brilliant writers return with the explosive, staggeringly accomplished, emotive third instalment in the international, bestselling Blix & Ramm series … and it will take your breath away.––––––––––––––––––––––––‘Short chapters, shifts in focus, and rapid changes in time frames kept me on my toes and high alert … The storytelling is just superb’ LoveReading‘Devilishly complex’ Publishers Weekly'An exercise in literary tag-teaming from two of Norway's biggest crime writers with a bold new take...’ Sunday Times ‘Hands down, the best book in the series so far and it will satisfy even the most demanding readers’ Tap the Line‘One of those jaw-dropping “what did you just do” kind of conclusions that will leave fans of the series reeling’ Jen Med’s Book Reviews‘Intense, dark, emotional and utterly outstanding!’ Karen ColePraise for the Blix & Ramm series'Grim, gory and filled with plenty of dark twists ... There's definitely a Scandinavian chill in the air with this fascinating read' Sun'Alongside Jo Nesbo's Knife, Smoke Screen is this summer's most anticipated read, and it doesn't disappoint' Tvedestrandsposten, Norway‘Masterly … surprises or shifts in subtle ways that are pleasing and avoid cliché’ New Books Magazine'A fast-moving, punchy, serial killer investigative novel with a whammy of an ending. If this is the first in the Blix and Ramm series, then here's to many more!' LoveReading'Now what happens when you put two of the most distinguished writers of Nordic noir in tandem? Death Deserved by Thomas Enger and Jørn Lier Horst suggests it was a propitious publishing move; a ruthless killer is pursued by a tenacious celebrity blogger and a damaged detective' Financial Times For fans of Will Dean, Jussi Adler-Olsen, Ragnar Jónasson, Harlan Coben, Eva Bjorg Aegisdottir and Katrine Engber

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How three white, non-elite American sailors turned their experiences of captivity into diverse career opportunities—and influenced America's physical, commercial, ideological, and diplomatic development.Winner of the John Lyman Book Award by the North American Society for Oceanic HistoryFrom 1784 to 1815, hundreds of American sailors were held as "white slaves" in the North African Barbary States. In From Captives to Consuls, Brett Goodin vividly traces the lives of three of these men—Richard O'Brien, James Cathcart, and James Riley—from the Atlantic coast during the American Revolution to North Africa, from Philadelphia to the Louisiana Territories, and finally to the western frontier. This first scholarly biography of American captives in Barbary sifts through their highly curated writings to reveal how ordinary individuals in extraordinary circumstances could maneuver through and contribute to nation building in early America, all the while advancing their own interests. The three subjects of this collective biography both reflected and helped refine evolving American concepts of liberty, identity, race, masculinity, and nationhood. Time and again, Goodin reveals, O'Brien, Cathcart, and Riley uncovered opportunities in their adversity. They variously found advantage first in the Revolution as privateers, then in captivity by writing bestselling captivity narratives and successfully framing their ordeal as a qualification for coveted government employment. They even used their modest fame as ex-captives to become diplomats, get elected to state legislatures, and survey the nation's territorial expansions in the South and West. Their successful self-interested pursuit of opportunities offered by the expanding American empire, Goodin argues, constitutes what he calls "the invisible hand of American nation building."Goodin shows how these ordinary men, lacking the genius of a Benjamin Franklin or Alexander Hamilton, depended on sheer luck and adaptability in their quest for financial independence and public recognition. Drawing on archival collections, newspapers, private correspondence, and government documents, From Captives to Consuls sheds new light on the significance of ordinary individuals in guiding early American ideas of science, international relations, and what it meant to be a self-made man.

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**A Jennette McCurdy book club pick** **Cosmopolitan, The 20 best books to look forward to in 2024** **An Independent Book of the Month** 'I loved it: the fast pace, the wry protagonist, and how Brody painfully examines the measures we take to find closure' Jennette McCurdy 'A brilliant, dark debut about grief and the way in which the internet can magnify mania' Mail on Sunday 'I fell down Rabbit Hole in an obsessive spiral' Kate Reed Petty 'A twisty, pacy crime thriller' independent.co.uk 'A mindblowing debut' Heather Darwent 'A gritty tale of grief, family secrets and addiction' Observer ________________________________ A deliciously dark and twisted debut about family secrets, true crime, and destructive obsession – by a striking new talent Teddy Angstrom is no stranger to morbid public interest in her family’s tragedies. And when her father dies suddenly, ten years to the day after her sister Angie’s disappearance, she intends to maintain as much privacy as she always has. Clearing out her father’s office, however, Teddy discovers her father’s double life: a decade-long investigation into wild conspiracies from a Reddit community of true crime fans fixated on Angie. Repelled and compelled in equal measure by this new online dimension, Teddy finds herself falling down that same rabbit hole. So when nineteen-year-old Mickey, a charming amateur internet sleuth, materialises in real life, Teddy determines that the two of them are going to team up to find out what really happened to Angie – and whether there’s any chance she might still be alive. But as she struggles to reconcile new information with old memories, Teddy doesn’t notice that her obsession is making her increasingly self-destructive. And she’s in way over her head before she’s realises that Mickey, too, is not all she seems… Noirish, haunting and razor-sharp, as compulsive as a late-night Reddit binge, Rabbit Hole is an unforgettable debut about violence, family and grief. 'A smart and edgy mystery that kept me turning pages from start to finish' Alexis Schaitkin ‘I absolutely loved this book … I couldn't put it down’ Ainslie Hogarth 'An unputdownable debut from a writer I would follow anywhere' Allie Rowbottom

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This NKJV Large Print Thinline Bible is inviting to pick up and hard to put down. Unique to this edition, the words of Christ are highlighted in a restful blue ink that’s easy to read and colorblind-friendly.The slim design of the NKJV Large Print Thinline Reference Bible means you can bring it along, wherever your day takes you. This large print edition features Thomas Nelson’s NKJV Comfort Print®, designed to provide a smooth reading experience of the accurate and beautiful New King James Version. And with features including extensive cross-references, concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: Presentation page to personalize this special gift by recording a memory or a note Words of Christ in blue quickly identify verses spoken by Jesus Double column provides a nice readable flow of the text End-of-page cross-references and translator notes allow you to find related passages quickly and easily Concordance for finding a word’s occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Durable Smyth-sewn binding lies flat in your hand or on your desk Two satin ribbon markers for you to easily navigate and keep track of where you are reading Elegant, gilded page-edge design Clear and readable 10-point NKJV Comfort Print About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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NOMINATED FOR THE RIBA INTERNATIONAL BOOK AWARD 2007. In this book Nili Portugali, presents her particular interpretation of the holistic-phenomenological worldview in theory and in practice, a worldview which stands in recent years at the forefront of the scientific discourse, and is tightly related to Buddhist philosophy. The purpose of architecture is first and foremost to create a human environment for human beings. The real challenge of current architectural practice is to make the best use of the potential inherent in our modern technological age. Yet, modern society has lost the value of man and thus created a feeling of alienation between man and the environment. Contemporary architecture sought to dissociate itself from the world of emotions and connect the design process to the world of ideas, thus creating a rational relation between building and man, devoid of any emotion. Portugali argues that in order to change the feeling of the environment and create places and buildings we really feel at home' and want to live in, what is needed is not a change of style or fashion, but a transformation of the mechanistic worldview underlying current thought and approaches. Based on Christopher Alexander's basic assumption that behind human architecture there are universal and eternal codes common to us all as human beings, and that there is absolute truth underlying beauty and comfort, Portugali demonstrates how this approach, as well as her unique planning process stemming from it (based on the way things actually exist already on site) generates that common spiritual experience people undergo in buildings endowed with soul, no matter where or from what culture they come from. That she demonstrates through a variety of her buildings and projects (with over 600 color illustrations and drawings), in relation to the physical, cultural and social reality of the place they were planned and built on, an Israeli reality which reflects a unique interface between the orient and the west, a cultural interface she personally represents. The book is valuable to architects, artists, scientists, philosophers and anyone who cares about the quality and beauty of the environment we live in.

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A Financial Times Economics Book of the Year A brilliant narrative of early capitalism's most famous scandal, a speculative frenzy that nearly bankrupted the British state during the hot summer of 1720 – and paradoxically led to the birth of modern finance. The South Sea Company was formed to trade with Asian and Latin American countries. But it had almost no ships and did precious little trade. Instead it got into financial fraud on a massive scale, taking over the government's debt and promising to pay the state out of the money received from the shares it sold. And how they sold. In the summer of 1720 the share price rocketed and everyone was making money. Until the carousel stopped, and thousands lost their shirts. Isaac Newton, Alexander Pope and others lost heavily. Thomas Levenson's superb account of the South Sea Bubble is not just the story of a huge scam, but is also the story of the birth of modern financial capitalism: the idea that you can invest in future prosperity and that governments can borrow money to make things happen, like funding the rise of British naval and mercantile power. These dreamers and fraudsters may have bankrupted Britain, but they made the world rich. Praise for Money For Nothing: 'A scholar who makes complicated and subtle matters not just accessible but fun. Utterly relevant to the 2008 financial crisis and 2020 pandemic' SIMON SEBAG MONTEFIORE 'Thoroughly researched and vibrantly written, Money For Nothing captures those heady, heartbreaking times, which still hold lessons for today' DAVID KAISER 'A gripping story of scientists and swindlers, all too pertinent to our modern world' JAMES GLEICK 'It's easy to look back and think of the South Sea bubblers, like the tulip-mad Dutch of the 1630s, as financially naive – until you remember how many people jumped in on various other more recent crazes (from Beanie Babies to Pets.com and Bitcoin). This is not a new tale, but Levenson tells it with a light touch' SPECTATOR

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A SUNDAY TIMES BEST BOOK OF 2023 She’s written the perfect romance . . . for someone else Greetings card copywriter Phoebe Chapman knows a good romantic line or two – and it makes her a fantastic Cupid. So when she lands in the Hollywood Hills – a place that proves film stars, golden beaches and secret waterfalls don’t just exist in the movies – she can’t resist playing matchmaker for her handsome neighbour, carpenter Ren. But you can’t hide from love in La La Land. And isn’t there something a little bit hot about Ren, her own leading man next door? EVERYONE ADORES LOVE ME DO ‘A total delight . . . captures all the sunny glamour of LA, but still so relatable and completely hilarious. You need this book in your suitcase this summer!’ BETH O’LEARY ‘My favourite LIndsey book yet, and her funniest . . . I loved it’ DAISY BUCHANAN ‘A new Lindsey book is the next best thing to going on holiday’ MHAIRI McFARLANE ‘A stunner of a summer read . . . Deliciously fun . . . Make sure this one’s on your summer reading list’ GLAMOUR ‘A vitamin D-infused delight’ STYLIST ‘Lindsey Kelk never leaves Phoebe without a quip. It’s all done with an engagingly light touch and plenty of jokes’ Times ‘A gorgeously warm and funny rom-com. A delight’ LOUISE O’NEILL ‘Delicious escapism at its very best. An utterly unforgettable, spirit-lifting summer rom com that’s full of soul, joy, laugh-out-loud moments and meaning. Flawless’ HELLY ACTON ‘Fabulous, feel-good and funny. I loved it! The perfect rom com to pack in your suitcase this summer’ ALEXANDRA POTTER ‘Fun, fizzy and utterly rom-com-tastic, Lindsey Kelk has knocked it out of the park yet again!’ MIKE GAYLE ‘Her books are my go-to comfort reads. Love Me Do transported me to California . . . I loved every minute’ SOPHIE COUSENS ‘Funny and summery and so, so delicious’ SOPHIE IRWIN ‘Blissfully funny’ The i ‘Told with all of Kelk’s trademark humour and warmth, Love Me Do is an essential holiday read’ Red ‘Lindsey’s books make the ideal summer read’ Woman & Home ‘A funny, heartwarming romcom … will whip you up into a feelgood frenzy, yearning for sunnier climes and a hot dalliance of your own’ Heat ‘A perfect summer read’ Closer

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*THE FIGURINE, the brand-new novel from Victoria Hislop, is available to order now.*'This is one of the most touching, gripping and inspiring books that I have ever read. Throughout the novel, Hislop seamlessly weaves an accurate history of a Greek island with a forbidden love story' Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐ INSPIRED BY TRUTH, THE STORY THAT HAS CAPTIVATED THE WORLD. This was not the start of a short trip to deliver supplies. It was the beginning of a one-way journey to start a new life. Life on a leper colony. Life on Spinalonga. Fifty years later, making a life-changing journey of her own, Alexis Fielding feels the pull of the abandoned island. A distant shadow off the coast of Crete, she knows it holds the secrets of her mother's past, buried for so long but surely not forgotten . . .Discover for yourself why 10 million readers and critics worldwide love Victoria Hislop's books . . .'Passionately engaged with its subject . . . meticulously researched' The Sunday Times'Hislop carefully evokes the lives of Cretans between the wars and during German occupation, but most commendable is her compassionate portrayal of the outcasts' Guardian'A page-turning tale that reminds us that love and life continue in even the most extraordinary of circumstances' Sunday Express'The story of life on Spinalonga, the lepers' island, is gripping and carries real emotional impact. Victoria Hislop . . . brings dignity and tenderness to her novel about lives blighted by leprosy' Telegraph'Vivid, moving and absorbing' Observer'A deeply moving, captivating, humane and beautiful story of enduring love, and life' Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐'The most powerful and gripping story I've ever read!' Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐'An intriguing and unusual story that keeps you turning the pages . . . The descriptions of Crete are beautiful, and you can just imagine yourself there with the blue sea and sun shining. It is a triumph in many ways, and a part of history I was unaware of' Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐'Victoria Hislop has created a collection of wholly believable characters woven around the factual history of Spinalonga . . . A gripping and moving tale' Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

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A rich portrait of a compelling, complex woman who emerged from a sheltered rural childhood into the fraught, often deadly world of the French royal court and Parisian high society—and who would come to rule them both.Married off at sixteen to a military officer she barely knew, Marie de Vignerot was intended to lead an ordinary aristocratic life, produce heirs, and quietly assist the men in her family rise to prominence. Instead, she became a widow at eighteen and rose to become the indispensable and highly visible right-hand of the most powerful figure in French politics—the ruthless Cardinal Richelieu. Richelieu was her uncle and, as he lay dying, the Cardinal broke with tradition and entrusted her, above his male heirs, with his vast fortune. She would go on to shape her country’s political, religious, and cultural life as the unconventional and independent Duchesse d’Aiguillon in ways that reverberated across Europe, Africa, Asia, and the Americas. Marie de Vignerot was respected, beloved, and feared by churchmen, statesmen, financiers, writers, artists, and even future canonized saints. Many would owe their careers and eventual historical legacies to her patronage and her enterprising labor and vision. Pope Alexander VII and even the Sun King, Louis XIV, would defer to her. She was one of the most intelligent, accomplished, and occasionally ruthless French leaders of the seventeenth century. Yet, as all too often happens to great women in history, she was all but forgotten by modern times. La Duchesse is the first fully researched modern biography of Vignerot, putting her onto center stage in the histories of France and the globalizing Catholic Church where she belongs. In these pages, we see Marie navigate scandalous accusations and intrigue to creatively and tenaciously champion the people and causes she cared about. We also see her engage with fascinating personalities such as Queen Marie de Médici and influence French imperial ambitions and the Fronde Civil War. Filled with adventure and daring, art and politics, La Duchesse establishes Vignerot as a figure without whom France’s storied Golden Age cannot be fully understood.

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Blood Justice is the hotly anticipated sequel to Terry J. Benton-Walker's Most Anticipated debut Blood Debts.Praise for Blood Debts: A conjuring of magnificence. NIC STONE A force. ROSEANNE A. BROWN An extravaganza. CHLOE GONG Powerful. AYANA GRAY Sings with hope and rage. TJ KLUNE An unforgettable thrill ride. J. ELLE Steeped in magic. ALEXIS HENDERSON Crackles with mystery and ferocity. MARK OSHIROCristina and Clement Trudeau have conjured the impossible: justice. They took back their family's stolen throne to lead New Orleans' magical community into the brighter future they all deserve. But when Cris and Clem restored their family power, Valentina Savant lost everything. Her beloved grandparents are gone and her sovereignty has been revokedshe will never be Queen. Unless, of course, someone dethrones the Trudeaus again. And lucky for her, she's not the

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CONTENTS: Abdol Rauh Yaccob, British policy on Arabia before the First World War: an internal argument; Adrian G. Parker &. Jeffrey I. Rose, Climate change and human origins in southern Arabia; Alexandrine Guérin & Faysal Abdallah al-Na’imi, Nineteenth century settlement patterns at Zekrit, Qatar: pottery, tribes and territory; Anthony E. Marks, Into Arabia, perhaps, but if so, from where?; Audrey Peli, A history of the Ziyadids through their coinage (203– 442/818–1050); Aurelie Daems & An De Waele, Some reflections on human-animal burials from pre-Islamic south-east Arabia (poster); Brian Ulrich, The Azd migrations reconsidered: narratives of ‘Amr Muzayqiya and Mālik b. Fahm in historiographic context; Christian Darles, Derniers résultats, nouvelles datations et nouvelles données sur les fortifications de Shabwa (Hadramawt); Eivind Heldaas Seland, The Indian ships at Moscha and the Indo-Arabian trading circuit; Fabio Cavulli & Simona Scaruffi, Stone vessels from KHB-1, Ja’lān region, Sultanate of Oman (poster); Francesco G. Fedele, Wādī al-Tayyilah 3, a Neolithic and Pre-Neolithic occupation on the eastern Yemen Plateau, and its archaeofaunal information; Ghanim Wahida, Walid Yasin al-Tikriti & Mark Beech, Barakah: a Middle Palaeolithic site in Abu Dhabi Emirate; Jeffrey I. Rose & Geoff N. Bailey, Defining the Palaeolithic of Arabia? Notes on the Roundtable Discussion; Jeffrey I. Rose, Introduction: special session to define the Palaeolithic of Arabia; Julie Scott-Jackson, William Scott-Jackson, Jeffrey Rose & Sabah Jasim, Investigating Upper Pleistocene stone tools from Sharjah, UAE: Interim report; Krista Lewis & Lamya Khalidi, From prehistoric landscapes to urban sprawl: the Masn’at Māryah region of highland Yemen; Michael J. Harrower, Mapping and dating incipient irrigation in Wadi Sana, Hadramawt (Yemen); Mikhail Rodionov, The jinn in Hadramawt society in the last century; Mohammed A.R. al-Thenayian, The Red Sea Tihami coastal ports in Saudi Arabia; Mohammed Maraqten, Women’s inscriptions recently discovered by the AFSM at the Awām temple/Mahram Bilqīs in Marib, Yemen; Nasser Said al-Jahwari & Derek Kennet, A field methodology for the quantification of ancient settlement in an Arabian context; Rémy Crassard, The “Wa’shah method”: an original laminar debitage from Hadramawt, Yemen; Saad bin Abdulaziz al-Rāshid, Sadd al-Khanaq: an early Umayyad dam near Medina, Saudi Arabia; Ueli Brunner, Ancient irrigation in Wādī Jirdān; Vincent Charpentier & Sophie Méry, A Neolithic settlement near the Strait of Hormuz: Akab Island, United Arab Emirates; Vincent Charpentier, Hunter-gatherers of the “empty quarter of the early Holocene” to the last Neolithic societies: chronology of the late prehistory of south-eastern Arabia (8000–3100 BC); Yahya Asiri, Relative clauses in the dialect of Rijal Alma’ (south-west Saudi Arabia); Yosef Tobi, Sālôm (Sālim) al-Sabazī’s (seventeenth-century) poem of the debate between coffee and qāt; Zaydoon Zaid & Mohammed Maraqten, The Peristyle Hall: remarks on the history of construction based on recent archaeological and epigraphic evidence of the AFSM expedition to the Awām temple in Mārib, Yemen

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In the decades between its debut performance in Paris in 1909 and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation not only in France but in London, New York and the other cities it toured. Attention has often been centred on the links between Diaghilev's troupe and modernist art and music, but there has been surprisingly little written concerning the Ballets' role in tastemaking and trendsetting. Ballets Russes Style reveals for the first time the full extent of the ensemble's influence on haute couture. The Ballets Russes' seasons were an exciting laboratory for ambitious cultural experiments, often grounded in the aesthetic confrontation of those great designers, artists and composers who travelled with the troupe from St Petersburg - Leon Bakst, Alexandre Benois and Igor Stravinsky among them - and Paris's avant-garde, which included Picasso, Satie, Matisse, Debussy and Ravel. The ensemble brought the stage and everyday life into creative contact with each other, most noticeably in the world of fashion. In its heyday, the Ballets Russes was a potent force in defining Paris Style, bringing the work of great designers such as Jeanne Paquin and Coco Chanel to the stage, and creating sensibilities that resonated in the collections of couturiers from Paul Poiret to Yves Saint Laurent and beyond. Beautifully illustrated and drawing on unpublished images and memorabilia, this book illuminates the ways in which innovations by the Ballets Russes in dance, music, sets and costume both mirrored and invigorated contemporary culture.

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Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada-often disparaged as derivative and uncouth-should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical-including Tennyson, Browning, Longfellow, and Hemans-and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.

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The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history.

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How can we best understand the major debates and recent movements in contemporary empirical political theory? In this volume, the contributors, including four past presidents of the APSA and one past president of the IPSA, present their views of the central core, methodologies and development of empirical political science. Their disparate views of the unifying themes of the discipline reflect different theoretical orientations, from behavioralism to rational choice, cultural theory to postmodernism, and feminism to Marxism. Is there a human nature on which we can construct scientific theories of political life? What is the role of culture in shaping any such nature? How objective and value-free can political theories be? These are only a few of the issues the volume addresses. By assessing where we have traveled intellectually as a discipline and asking what remains of lasting significance in the various theoretical approaches that have engulfed the profession, Contemporary Empirical Political Theory provides an important evaluation of the current state of empirical political theory and a valuable guide to future developments in political science.CONTRIBUTORS: Gabriel Almond, David Easton, Murray Edelman, J. Peter Euben, Bernard Grofman, John Gunnell, Russell Hardin, Edward Harpham, Nancy Hartsock, Jean Laponce, Theodore Lowi, Kristen Monroe, William Riker, Ian Shapiro, Alexander Wendt, Catherine Zuckert, Michael Zuckert This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.

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As America's longest-running fashion magazine, Harper's Bazaar has long been revered for its contributions to fashion, photography, and graphic design and has remained a prominent cultural icon since 1867 showcasing the visions of legendary editors, photographers, and stylists - as well as works by notable literary writers and serious journalists. Timed to coincide with an exhibition at the Musee des Arts Decoratifs in Paris, this volume traces the story of this celebrated publication from visionary founding editor, Mary Louise Booth, to Glenda Bailey, who has helmed the magazine for the last two decades and is known for commissioning dazzling visual features that frame fashion in the context of contemporary pop culture and aesthetics. Featuring groundbreaking work by all of the greats of fashion photography and designs by fashion luminaries from Madeleine Vionnet and Cristobal Balenciaga to Yves Saint Laurent and Christian Dior and up to the present with Karl Lagerfeld, Tom Ford, Alexander McQueen, and Marc Jacobs just to name a few, this book is a must have for anyone interested in fashion. The book goes on to profile a roster of eminent contributors who were instrumental in maintaining Bazaar's ongoing relevance and influence over the decades including Erte, Edward Steichen, Leon Bakst, Diana Vreeland, Jean Cocteau, Dali, Man Ray, Avedon, e.e. cumming, Marianne Moore, Truman Capote, Carson McCullers, and many other photographers, artists, and writers. Organized chronologically, the selections showcase the breadth of creativity and artistry that has been published in the pages of the magazine for more than a century and prove that Harper's Bazaar is more than just a fashion magazine.

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Ce volume réunit les cinq communications présentées dans le cadre des 9èmes «Conférences d'études iraniennes Ehsan et Latifeh Yarshater», organisées en 2018 par l'Unité Mixte de Recherche 7528 «Mondes iranien et indien» au Collège de France à Paris. Il présente une réflexion sur la nature de la narration dans la littérature persane classique, son rôle en tant que système de référence culturel central, et sur le lien que la production narrative peut entretenir avec les différents savoirs qui régissent l'expérience humaine du monde. En prenant comme cas d'étude un conte de la légende d'Alexandre, les cinq chapitres abordent en premier lieu les principaux outils et valeurs de la narration persane, puis le lien du récit avec la réflexion morale persane, l'absorption de notions scientifiques dans la texture des contes, la prise progressive de valeurs symboliques et mystiques, et enfin la diffusion des contes dans les domaines littéraires populaires en association avec diverses formes de savoirs folkloriques. This volume contains the text of the five Ehsan and Latifeh Yarshater Distinguished Lectures on Iranian Studies, organized by the Unité Mixte de Recherche 7528 "Mondes iranien et indien", and delivered in 2018 at the Collègue de France in Paris. It presents a reflection on the nature of narration in classical Persian literature, its role as a central cultural reference system, and the connection that narrative production may maintain with the different fields of knowledge that govern the human experience of the world. Taking a tale of the Alexander legend as a case study, the volume is structured in five chapters, with five main themes: first, the main tools and values of Persian narration; the link of story-telling with Persian moral reflection; the absorption of scientific notions into the fabric of tales; their gradual assumption of symbolic and mystical values; and finally the circulation of tales in popular literary domains alongside various forms of folk knowledge.

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In the early seventeenth century, in a backwater Dutch colony, there was a wide, muddy cow path that the settlers called the Brede Wegh. As the street grew longer, houses and taverns began to spring up alongside it. What was once New Amsterdam became New York, and farmlands gradually gave way to department stores, theaters, hotels, and, finally, the perpetual traffic of the twentieth century’s Great White Way. From Bowling Green all the way up to Marble Hill, Broadway takes us on a mile-by-mile journey up America’s most vibrant and complex thoroughfare, through the history at the heart of Manhattan. Today, Broadway almost feels inevitable, but over the past four hundred years there have been thousands who have tried to draw and erase its path. Following their footsteps, we learn why one side of the street was once considered more fashionable than the other; witness the construction of Trinity Church, the Flatiron Building, and the Ansonia Hotel; the burning of P. T. Barnum’s American Museum; and discover that Columbia University was built on the site of an insane asylum. Along the way we meet Alexander Hamilton, Emma Goldman, Edgar Allan Poe, John James Audubon, "Bill the Butcher" Poole, and the assorted real-estate speculators, impresarios, and politicians who helped turn Broadway into New York’s commercial and cultural spine. Broadway traces the physical and social transformation of an avenue that has been both the "Path of Progress" and a "street of broken dreams," home to both parades and riots, startling wealth and appalling destitution. Glamorous, complex, and sometimes troubling, the evolution of an oft-flooded dead end to a canyon of steel and glass is the story of American progress.

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The mighty epic of Masada tells of Jews who preferred liberty to life itself. Their story centers on the bleak fortress of Masada in the Judean Desert after the conquest of Jerusalem and the destruction of the Holy Temple by the Romans in 70 CE. Here, in a last stand, Pharisees, Sadducees, and Essenes laid aside the differences that had crippled their resistance to the Romans and united in their zeal for God and country. Their leader was Eleazar ben Ya’ir, one of the great freedom fighters of Jewish history. This story brings to vivid life people who might have taken part in this great episode of Jewish history. It tells of the bridal couple, Adin and Ohada, from distant Babylonia; the winsome Urzillah from Nabatea, child of the caravan trails of the East; and Justus from Alexandria in Egypt, with his faithful wife, Sara, a convert to Judaism. Survivors from Jerusalem may well have included boys such as Iddo, of the priestly tribe; his friend and rival Aviel; and little Yitzhak, orphaned by the Romans and protected by Hannah, his grandmother and only surviving relative. Faith and courage belonged to them all—as they held a mighty Roman army at bay for three years. Even in their extremity they practiced and treasured the rites of their religion—blessing the new moon, circumcising the newborn infant, bathing in the mikveh (the ritual bath), and reciting the daily prayers. When all hope was gone they resolved to die as free men, women, and children. In turning their swords against themselves they ultimately denied victory to the Romans and the general Flavius Silva, for their memory has prevailed over that of their oppressors.

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Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today continues to flourish in IMAX theaters and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel.Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples

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"If you inquire into the origins of the novel long enough," writes James Tatum in the preface to this work, "...you will come to the fourth century before our era and Xenophon's Education of Cyrus, or the Cyropaedia." The Cyrus in question is Cyrus the Great, the founder of the Persian empire celebrated in the Book of Ezra as the liberator of Israel, and the Cyropaedia, written to instruct future rulers by his example, became not only an inspiration to poets and novelists but a profoundly influential political work. With Alexander as its earliest student, and Elizabeth I of England one of its later pupils, it was the founding text for the tradition of "mirrors for princes" in the West, including Machiavelli's Prince. Xenophon's masterpiece has been overlooked in recent years: Tatum's goal is to make it fully meaningful for the twentieth-century reader. To accomplish this aim, he uses reception study, philological and historical criticism, and an intertextual and structural analysis of the narrative. Engaging the fictional and the political in a single reading, he explains how the form of the work allowed Xenophon to transcend the limitations of historical writing, although in the end the historian's passion for truth forced him to subvert the work in a controversial epilogue. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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*SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2023*The lives, loves, adventures and trailblazing musical careers of four extraordinary women from a stunning debut biographer.'Fabulous.' Sunday Times 'A rare gift.' Financial Times 'Passionate ... Vivid ... Timely.' Telegraph 'Readable and inspiring.' Guardian 'Compelling ... Ambitious ... Poignant.' Spectator 'Magnificent.' Kate Mosse 'Riveting.' Antonia Fraser 'A breath of fresh air.' Kate Molleson 'Fascinating.' Alexandra Harris 'Wonderful.' Claire Tomalin 'Splendid.' Miranda Seymour 'Remarkable.' Fiona Maddocks 'Pioneering.' Andrew Motion 'Brilliant' Helen PankhurstEthel Smyth (b.1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life socialite, intrepid traveller and committed Suffragette.Rebecca Clarke (b.1886): This talented violist and Pre-Raphaelite beauty was one of the first women ever hired by a professional orchestra, later celebrated for her modernist experimentation.Dorothy Howell (b.1898): A prodigy who shot to fame at the 1919 Proms, her reputation as the 'English Strauss' never dented her modesty; on retirement, she tended Elgar's grave alone.Doreen Carwithen (b.1922): One of Britain's first woman film composers who scored Elizabeth II's coronation film, her success hid a 20-year affair with her married composition tutor.In their time, these women were celebrities. They composed some of the century's most popular music and pioneered creative careers; but today, they are ghostly presences, surviving only as muses and footnotes to male contemporaries like Elgar, Vaughan Williams and Britten - until now.Leah Broad's magnificent group biography resurrects these forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars, Quartet revolutionises the canon forever.

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For ten years Gary McKinnon became the unwilling focus of Anglo-US diplomatic relations. A computer systems analyst living in London, he firmly believed that the US government was withholding vital information about the presence of UFOs. The unremarkable lives of he and his mother Janis changed dramatically one morning in March 2002 when Gary phoned to tell her that he had been arrested and spent four hours at his local police station being interviewed about hacking into US government computers. Paul J McNulty, the then U.S Attorney for Virginia, announced that Gary was indicted in Alexandria, Virginia on November 12th that year, and simultaneously announced that the United States intended to extradite him. Two years later, on 7 October 2004, the US government filed a request for Gary's extradition and on 7 June 2005 he was arrested. Extradition to the US seemed certain and so, fearing that Gary would take his own life rather than face being taken away to face seven counts of up to ten years each, Janis's extraordinary battle began. Janis Sharp spent the following ten years and seven months fighting her son's extradition. In October 2012 she finally won her battle and in December 2012 the Crown Prosecution Service announced that Gary would not face charges in the UK either. These two announcements were a spectacular victory for Janis and spoke volumes about her relentless fight to save Gary's life. Saving Gary McKinnon is the true story of a mother's fight to save her son from living out the rest of his life behind bars. The US judiciary had all the might of the world's greatest power. But it had not reckoned on Gary's mother.

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