Search results for ""author alex"

For the forager, the seashore holds surprising culinary potential. In this authoritative, witty book John Wright takes us on a trip to the seaside. But before introducing us to the various species to be harvested, he touches on such practicalities as conservation and the ethics of foraging; safety from tides, rocks and food poisoning; the law and access to the shore, our right to fish, landing sizes and seasons; and equipment such as nets, pots and hooks. Next comes the nitty-gritty: all the main British seashore species that one might be tempted to eat. The conservation status, taste and texture, availability, seasonality, habitat, collecting technique and biology of each species is covered; there are also quite a few gratuitous but fascinating diversions. The species covered include crustacea (brown shrimp, common crab, lobster, prawn, shore crab, spider crab, squat lobster, velvet swimming crab); molluscs (clams, cockle, dog whelk, limpet, mussel, oyster, razor clam, winkle); mushrooms; plants (alexanders, babbington's orache, fennel, frosted orache, marsh samphire, perennial wall rocket, rock samphire, sea beet, sea buckthorn, sea holly, sea kale, sea purslane, sea rocket, spear-leaved orache, wild cabbage, wild thyme); and seaweed (carragheen, dulse, gut weed, laver, pepper dulse, sea lettuce, sugar kelp, kelp). Finally, there are thirty brilliant recipes. Introduced by Hugh Fearnley-Whittingstall, Edible Seashore is destined to join the other handbooks in the series as an indispensable household reference.

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'Essential reading for anyone who has been through the sadness of a lost pregnancy' The Times'Sensitive and insightful' Sunday Times Style'This book will be a godsend to any woman going through the murky devastation that is called miscarriage but feels like something else entirely: the loss of a baby' Ariel Levy'A compassionate, nuanced book that does this very complicated grief justice' Pandora Sykes'This book will be the friend to hold your hand while you navigate your own pathway of grief. I'm so glad it's here' Elle WrightBeyond Grief also contains interviews with experts and other women who have experienced losses of their own, including Elizabeth Day, Leandra Medine Cohen, Melissa Odabash, Jools Oliver, Alexandra Stedman and Latham Thomas. Pippa Vosper tragically lost her son Axel in 2017, when she was five months pregnant, and has since written about miscarriage and baby loss online and in a series of pieces for Vogue. Beyond Grief: Navigating the Journey of Pregnancy and Baby Loss is the book she wishes had been available when her son died. It covers every aspect of pregnancy and baby loss at any stage, from the practical to the emotional, with advice from experts and stories from women who have been through it themselves. Beyond Grief offers both an inclusive perspective and a guiding hand to anyone who has experienced any kind of pregnancy loss, as well as those who are trying to support them through it.

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In recent years, short-term therapies have increasingly gained a following among therapists looking for innovative treatments for patients. At a time in which traditional, open-ended psychotherapy is attacked as costly and inefficient, short-term therapy has naturally found new followers. This collection of essays form an essential reference book for therapists who practice short-term therapy and those considering this form of treatment. The aim of this volume is to provide a way for therapists to consider short-term therapy, evaluate it for individual patients, and plan appropriate courses of treatment. The book is divided into four sections that highlight the characteristic elements of short-term dynamic therapy: brevity, focus, therapist activity, and patient selection. The book features papers by Franz Alexander; S. H. Budman and A. S. Gurman; James Mann; Mardi J. Horowitz; Gerald L. Klerman, Myrna M. Weissman, Bruce Rounsaville, and Eve S. Chevron; Eric Berne, Claude M. Steiner, and John M. Dusay; Thomas E. Schacht, Jeffrey L. Binder, and Hans H. Strupp; George A. Kelly; Aaron T. Beck and Ruth L. Greenberg; Allen Frances and Samuel Perry; Hans H. Strupp; Leston L. Havens; H. Davanloo; Robert Langs; D. M. Malan; P. E. Sifneos; Miguel A. Leibovich; Allen Frances and John F. Clarkin; David H. Malan, E. Sheldon Heath, Howard A. Bacal, and Frederick H. G. Balfour; Sigmund Freud; and D. W. Winnicott.

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Inwieweit kann innerhalb der Sapientia Salomonis von einer einheitlichen eschatologischen Konzeption gesprochen werden und wie lässt sich dies innerhalb des Umfeldes der Schrift verorten?Mareike Verena Blischke gibt zunächst einen Überblick über die Forschungsgeschichte und über die Geschichte des Diasporajudentums in Alexandria und klärt die wichtigsten Einleitungsfragen. Entgegen der vorherrschenden Meinung, die Sapientia Salomonis sei ein einheitliches Werk, dessen Spannungen und Brüche mit der Zuordnung zur Gattung der Protreptik erklärt werden können, führt eine detaillierte literarkritische Analyse zu einer Rekonstruktion des literarischen Wachstums der Schrift, die es ermöglicht, ihr eschatologisches Profil zu konturieren. Anschließend untersucht die Autorin innerhalb eines zweiten exegetischen Teils die ersten sechs Kapitel der Sapientia Salomonis nacheinander auf ihren Beitrag zum eschatologischen Profil hin, während sie die weiteren Kapitel entsprechend ihres eschatologischen Interesses summarisch behandelt. Innerhalb der Darstellung zentraler eschatologischer Topoi berücksichtigt sie die Profangräzität, das Zeugnis des Alten Testaments sowie des zeitgenössischen Judentums. In einem dritten Teil vertieft Mareike Verena Blischke die Darstellung eschatologischer Vorstellungen im Umfeld der Sapientia Salomonis am Beispiel der Schriften Philos und der jüdischen Grabinschriften aus Ägypten und Palästina. Sie untersucht beide Quellen umfassend und zieht sie, soweit möglich, zu einem Vergleich mit der Sapientia Salomonis heran.

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The “powerful” (Michelle Alexander) exploration of the harsh and harmful experiences confronting Black girls in schools, and how we can instead orient schools toward their flourishing On the day fifteen-year-old Diamond from the Bay Area stopped going to school, she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school. In a work that Lisa Delpit calls “imperative reading,” Monique W. Morris chronicles the experiences of Black girls across the country whose complex lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Painting “a chilling picture of the plight of black girls and women today” (The Atlantic), Morris exposes a world of confined potential and supports the rising movement to challenge the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures. At a moment when Black girls are the fastest growing population in the juvenile justice system, Pushout is truly a book “for everyone who cares about children” (Washington Post). Book cover photograph by Brittsense/brittsense.com.

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The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces from Paul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus and Joseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman. Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.

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Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their "survival plots," and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls "inscrutable belongings." Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience.

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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Declared dead some twenty-five years ago, the idea of freedom of contract has enjoyed a remarkable intellectual revival. In The Fall and Rise of Freedom of Contract leading scholars in the fields of contract law and law-and-economics analyze the new interest in bargaining freedom.The 1970s was a decade of regulatory triumphalism in North America, marked by a surge in consumer, securities, and environmental regulation. Legal scholars predicted the “death of contract” and its replacement by regulation and reliance-based theories of liability. Instead, we have witnessed the reemergence of free bargaining norms. This revival can be attributed to the rise of law-and-economics, which laid bare the intellectual failure of anticontractarian theories. Scholars in this school note that consumers are not as helpless as they have been made out to be, and that intrusive legal rules meant ostensibly to help them often leave them worse off. Contract law principles have also been very robust in areas far afield from traditional contract law, and the essays in this volume consider how free bargaining rights might reasonably be extended in tort, property, land-use planning, bankruptcy, and divorce and family law. This book will be of particular interest to legal scholars and specialists in contract law. Economics and public policy planners will also be challenged by its novel arguments.Contributors. Gregory S. Alexander, Margaret F. Brinig, F. H. Buckley, Robert Cooter, Steven J. Eagle, Robert C. Ellickson, Richard A. Epstein, William A. Fischel, Michael Klausner, Bruce H. Kobayashi, Geoffrey P. Miller, Timothy J. Muris, Robert H. Nelson, Eric A. Posner, Robert K. Rasmussen, Larry E. Ribstein, Roberta Romano, Paul H. Rubin, Alan Schwartz, Elizabeth S. Scott, Robert E. Scott, Michael J. Trebilcock

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Winner, Lambda Literary Award in LGBTQ AnthologyWinner, Judy Grahn Award for Lesbian Nonfiction, Publishing Triangle AwardsA Ms. magazine, Refinery29, and Lambda Literary Most Anticipated Read of 2021A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers, in the tradition of The New Press's perennial seller Words of FireAfrican American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century. Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic. Contributors include:Barbara SmithBeverly SmithBettina LoveDionne BrandCheryl ClarkeCathy J. CohenAngelina Weld GrimkeAlexis Pauline GumbsAudre LordeDawn Lundy MartinPauli MurrayMichelle ParkersonMecca Jamilah SullivanAlice WalkerJewelle Gomez

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Who's Who in Fashion captures the energy, drama, and excitement of the luminaries working in the world of fashion. This lushly illustrated book features profiles of fashion legends as well as newcomers and nonconformists—past and present—who make up the rich tapestry of the fashion industry. This new edition includes 382 profiles and 888 photographs, alphabetical tabs for easy access, pronunciation guides, and categorical icons to identify individuals. An updated timeline and awards listing (now including the British Fashion Awards) make this a current reference for fashion students, historians, costume curators, and fashion enthusiasts alike. New to this Edition ~ More than 400 new images and 70 new profiles including Joseph Altuzarra,Garance Doré, Riccardo Tisci, The Row (Mary Kate and Ashley Olsen), Carine Roitfeld, Prabal Gurung, and more ~ Expanded coverage to include more non-designers with category icons designating fashion designers, accessory designers, jewelry designers,fashion companies, makeup artists, costume designers, illustrators, photographers, writers, editors, journalists, and creative directors New Profiles Alice + Olivia, Joseph Altuzzara, Marianne Alvoni, Elizabeth Arden, Colleen Atwood, Band of Outsiders, Michael Bastian, Chadwick Bell, Chris Benz, Blonds, Alexey Brodovitch, Burberry, Cartier, Céline, Richard Chai, Eudon Choi, Grace Coddington, Cushnie et Ochs, Ann Demeulemeester, Garance Doré, Marc Ecko, Max Factor, Nina Garcia, Tim Gunn, Prabal Gurung, Richard Haines, Kevan Hall, John Hardy, Donwan Harrold, Hermès, Paul Iribe, Christopher Kane, Karl Kani, Naeem Khan, Steven Klein, Reed Krakoff, L.A.M.B. (Gwen Stefani), Lana, Byron Lars, Estée Lauder, Dion Lee, Isabel Marant, Pat McGrath, Rebecca Minkoff, Leslie Mobo, Condé Nast, Maki Oh, Duro Olowu, Sandy Powell, Preen (Thorton Bregazzi), Rag & Bone, Judith Ripka, Simone Rocha, Carine Roitfeld, The Row (Mary Kate and Ashley Olsen), Rachel Roy, Helena Rubinstein, Jonathan Saunders, Scott Schuman, Raf Simons, Christian Siriano, Walter Steiger, Brandon Sun, Three Asfour, Riccardo Tisci, Tiffany, Reuben Toldeo, Unconditional (Philip Stevens), Ella Von Unwerth, Harry Winston, Christina Yu (Ipa-Nima), David Yurman, and Izak Zenou. Ideal for courses such as Twentieth Century Fashion, Contemporary Fashion Designers, The History of Fashion, Introduction to Fashion, Fashion Forecasting, and a must-have for any fashion library. Instructor's Guide, Test Bank and PowerPoint presentations available.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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Prince Manfred and his mentor and bodyguard, the deadly warrior Erik, survived dangers and enemies both natural and supernatural, and if they thought that their new mission was going to be anything but more of the same, they soon gave up on that hope. Returning from Jerusalem, they and members of the knights of the Holy Trinity are escorting an envoy of II Khan Mongol to the lands of the Golden Horde — between the Black Sea and the Carpathians, which happen to be eastern bastion against their old enemies, the demon Chernobog, and his possessed puppet, the Jangellion. Unfortunately, what began as a diplomatic mission leads to Manfred and his knights being caught up in an inter-clan civil war, rescuing a fugitive woman and her injured brother, and becoming involved in the problems of Prince Vlad, Duke of Valahia. Manfred and Erik are forced into an alliance of convenience between the Golden Horde and the ancient magical forces of Valahia, as directed by the troubled Vlad. The magic calls for blood and Vlad is deathly afraid of it — and at the same time, is irresistibly drawn toward it... Much Fall of Blood is the sequel to The Shadow of the Lion and This Rough Magic in the Heirs of Alexandria series.

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In May 1947 Alexander Rubowitz, a Jewish teenager, was mysteriously abducted in Jerusalem. He was never seen again. Rubowitz was active in a Zionist underground group fighting British rule in Palestine. Witnesses said he was seized by British policemen. A grey felt hat found at the scene was traced to Major Roy Farran, a highly decorated ex-SAS officer leading a covert counter-terrorist squad.As evidence of murder grew Farran fled to Syria. He was persuaded to return and was acquitted after a sensational court martial. He came home to a hero''s welcome. But the Zionist underground swore vengeance. It had already penetrated British homeland security and now it sent its top man after Farran.Major Farran''s Hat explores the reasons why Britain lost Palestine, why its counter-insurgency strategy collided with its diplomacy, and why the tactics of the security forces were ill-judged, poorly executed, and futile. Setting Farran''s remarkable story in the context of

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Are you sceptical about the importance of arts and culture, especially about their possible impact on politics and the economy? This volume outlines a new framework for analysis of democratic participation and economic growth and explores how these new patterns work around the world. The new framework joins two past traditions; however, their background histories are clearly separate. Democratic participation ideas come mostly from Alexis de Tocqueville, while innovation/bohemian ideas driving the economy are largely inspired by Joseph Schumpeter and Jane Jacobs. New developments building on these core ideas are detailed in the first two sections of this volume. But these chapters in turn show that more detailed work within each tradition leads to an integration of the two: participation joins innovation. This is the main theme in the book's third section, the buzz around arts and culture organizations, and how they can transform politics, economics, and social life.

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Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of “Britishness.” Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, “Scotland” is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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This compact yet comprehensive history brings ancient Greek civilization alive, from its Stone Age roots to the fourth century B.C. "A highly readable account of ancient Greece."—Kirkus Reviews Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Thomas R. Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. Now in its second edition, this classic work now features new maps and illustrations, a new introduction, and updates throughout. “A limpidly written, highly accessible, and comprehensive history of Greece and its civilizations from prehistory through the collapse of Alexander the Great’s empire. . . . A highly readable account of ancient Greece, particularly useful as an introductory or review text for the student or the general reader.”—Kirkus Reviews “A polished and informative work that will be useful for general readers and students.”—Daniel Tompkins, Temple University

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'A remarkably honest memoir of a life spent pulling people back from death' - Adam KayIn these stories, Dr Jim Down brings us to the very heart of the intensive care unit - the section of the hospital where the sickest patients are brought to be cared for until their condition improves. With honesty, humility and a streak of dark humour, Dr Down describes the quietly heroic work of doctors and nurses on the ICU, a place which sits at the cutting edge of medical technology and where a split-second decision can make the difference between life and death. From headline-grabbing cases like that of Alexander Litvinenko, poisoned by Russian agents and admitted to Down's ward, to the appalling aftermath of a train crash, Life in the Balance offers an inside glimpse of intensive care medicine, its immense challenges, deleterious effects on doctors' mental health and enormous rewards. Its profundity will make you reconsider the fragility of life and reframe your understanding of what it means to care.

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Towards the middle of the third century BC, the Hellenistic kingdoms (the fragments of Alexander the Great's short-lived empire) were near their peak. In terms of population, economy and military power each individual kingdom was vastly superior to Rome, not to mention in fields such as medicine, architecture, science, philosophy and literature. Philip Matyszak relates how, over the next two-and-a half centuries, Rome conquered and took over these kingdoms while adopting so much of Hellenistic culture that the resultant hybrid is known as Graeco-Roman' Refreshingly, the story is largely told from the viewpoint of the Hellenistic kingdoms. At the outset, the Romans are little more than another small state in the barbarian west, and less of a consideration than the Scythians or Jews. Much of the narrative therefore focuses on the game of thrones' between the Hellenistic powers, a tale of assassinations, double crosses, dynastic incest and warfare. As the Roman threat grows, however, it belatedly becomes the primary concern of the kingdoms as the legions destroy them one by one.

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The great Persian poet Firdausi’s epic Shahnama, or ‘Books of Kings’, written at the turn of the eleventh century CE, is a seamless tapestry of historical and legendary material prominently featuring battles and individual struggles with fierce demons and enemy champions. The first known illustrations of the poem date to the early fourteenth century. The splendidly illustrated and illuminated late sixteenth-century Eckstein Shahnama (so called from a distinguished previous owner, Bernard Eckstein) is one of an important group of so-called ‘truncated’ Shahnamas which end Firdausi’s narrative with Alexander the Great. These manuscripts were long regarded as Persian, but new research suggests that, though the text is Persian and the style of the painting is apparently Persian, they were actually produced in imitation of Persian examples by Turkish workshops.This richly illustrated study confirms the Ottoman origin of this and other manuscripts in the group and demonstrates the Eckstein Shahnama in particular to be a representative example of Ottoman manuscript painting and to have had itself a significant influence on later production. This joins a series of outstanding publications on Islamic manuscripts by Sam Fogg.

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The GND has the potential of becoming one of the largest global campaigns of our times, and it started in Ann Pettifor's flat. In 2008, the first Green New Deal was devised by Pettifor and a group of English economist and thinkers, but was ignored within the tumults of the financial crash. A decade later, the ideas was revived within the democratic socialists in the US, forefront by Alexandria Ocasio Cortez. The Green New Deal demands a radical and urgent reversal of the current state of the global economy: including total de-carbonisation and a commitment to fairness and social justice. Critics on all sides have been quick to observe that the GND is a pipe dream that could never be implemented, and would cost the earth. But, as Ann Pettifor shows, we need to rethink the function of money, and how it works within the global system. How can we bail out the banks but not the planet? We have to stop thinking about the imperative of economic growth-nothing grows for ever. The program will be a long term project but it needs to start immediately.

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The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression.Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.

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WINNER OF THE OCM BOCAS PRIZE FOR CARIBBEAN LITERATURESHORTLISTED FOR THE RSL ONDAATJE PRIZE, THE GREEN CARNATION PRIZE, and the HISTORICAL WRITERS AWARD'Miller's storytelling is superb' SUNDAY TIMESOne April day in Augustown, Jamaica. Ma Taffy, old and blind, sits in her usual spot on the veranda. No matter how the world tilts around her, come hurricane or riot, she knows everything that goes on in this small community. Which is why, when her six-year-old nephew returns home from school with his dreadlocks shorn, she realises that trouble won't be far behind. And so she tells him the story of Alexander Bedward, the flying preacherman. She remembers what happened to the Rastaman and his helper, Bongo Moody; she thinks of Soft-Paw, the leader of the Angola gang, and what lies beneath her house. For trouble is brewing once more among the ramshackle lanes of Augustown, and as Ma Taffy knows, each day contains much more than its own hours, or minutes, or seconds. In fact, each day contains all of history...

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In retelling the story of the radical Alexander Hamilton, Parenti rewrites the history of early America and the global economy. For much of the twentieth century, Hamilton-sometimes seen as the bad boy of the founding fathers or portrayed as the patron saint of bankers-was out of fashion. In contrast his rival Thomas Jefferson, the patrician democrat and slave owner who feared government overreach, was claimed by all. But more recently, Hamilton has become a subject of serious interest again.He was a contradictory mix: a tough soldier, austere workaholic, exacting bureaucrat, sexual libertine, glory-obsessed romantic with suicidal tendencies-and pioneer of industrialisation. As Parenti argues, we have yet to fully appreciate Hamilton as the primary architect of American capitalism and the developmental state. In exploring his life and work, Parenti rediscovers this gadfly as a pathbreaking political thinker and institution builder. In this vivid portrait, Hamilton emerges as a singularly important historical figure: a thinker and politico who laid the foundation for America's ascent to global supremacy and mass industrialisation-for better or worse.

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The Greek historian Hecataeus of Abdera declared during the 4th century BCE that the Egyptian civilization was unsurpassed in the arts and in good governance, surpassing even that of the Greeks. During the Renaissance, several ecclesiastical nobles, including the Borgia Pope Alexander VI claimed their descent from the Egyptian god Osiris. In the 1920s, the discovery of Tutankhamun's tomb in the Valley of the Kings prompted one of the first true media frenzies in history. For thousands of years, the Pharaonic culture has been a source of almost endless fascination and obsession. But to what extent is the popular view of ancient Egypt at all accurate? In _Pyramidiots: How We Became Obsessed With Ancient Egypt_, Egyptologist Dr Nicky Nielsen examines the popular view of Egypt as an exotic, esoteric, mystical culture obsessed with death and overflowing with mummies and pyramids. The book traces our obsession with ancient Egypt throughout history and methodically investigates, explains and strips away some of the most popular misconceptions about the Pharaohs and their civilization

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A Romeo & Juliet tale for Hamilton! fans. In post-American Revolution New York City, Theodosia Burr, a scholar with the skills of a socialite, is all about charming the right people on behalf of her father—Senator Aaron Burr, who is determined to win the office of president in the pivotal election of 1800. Meanwhile, Philip Hamilton, the rakish son of Alexander Hamilton, is all about being charming on behalf of his libido. When the two first meet, it seems the ongoing feud between their politically opposed fathers may be hereditary. But soon, Theodosia and Philip must choose between love and family, desire and loyalty, and preserving the legacy their flawed fathers fought for or creating their own. Love, Theodosia is a smart, funny, swoony take on a fiercely intelligent woman with feminist ideas ahead of her time who has long-deserved centre stage. A refreshing spin on the Hamiltonian era and the characters we have grown to know and love. It’s also a heartbreaking romance of two star-crossed lovers, an achingly bittersweet “what if.” Despite their fathers’ bitter rivalry, Theodosia and Philip are drawn to each other and, in what unrolls like a Jane Austen novel of manners, we find ourselves entangled in the world of Hamilton and Burr once again as these heirs of famous enemies are driven together despite every reason not to be.

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A potent new book examines the overlap between our ecological crisis and video games Video games may be fun and immersive diversions from daily life, but can they go beyond the realm of entertainment to do something serious—like help us save the planet? As one of the signature issues of the twenty-first century, ecological deterioration is seemingly everywhere, but it is rarely considered via the realm of interactive digital play. In Playing Nature, Alenda Y. Chang offers groundbreaking methods for exploring this vital overlap.Arguing that games need to be understood as part of a cultural response to the growing ecological crisis, Playing Nature seeds conversations around key environmental science concepts and terms. Chang suggests several ways to rethink existing game taxonomies and theories of agency while revealing surprising fundamental similarities between game play and scientific work.Gracefully reconciling new media theory with environmental criticism, Playing Nature examines an exciting range of games and related art forms, including historical and contemporary analog and digital games, alternate- and augmented-reality games, museum exhibitions, film, and science fiction. Chang puts her surprising ideas into conversation with leading media studies and environmental humanities scholars like Alexander Galloway, Donna Haraway, and Ursula Heise, ultimately exploring manifold ecological futures—not all of them dystopian.

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Provide expert advice on cosmeceuticals and integrate them into your cosmetic practice Patients look to you for expert advice on topical skin care product, and cosmeceuticals are an important innovation. They want to know which products will work best for them. But new products seem to appear almost daily. How can you provide your patients with effective advice on how and when to use cosmeceuticals? In Cosmeceuticals and Cosmetic Practice, Dr Farris has invited leading experts, including cosmetic chemists, researchers and cosmetic dermatologists, to provide these answers. Together they have analysed and synthesized the evidence and combined it with their experience to provide you with best-practice advice on the most effective way to apply cosmeceuticals in your everyday practice. This book explains: • How cosmeceutical products are developed, tested and how they work • The most up-to-date key ingredients such as: Vitamin antioxidants Botanicals Peptides Growth factors Stem cells • How to use cosmeceuticals in practice Cosmeceuticals and Cosmetic Practice shows you how to improve the health and appearance of your patients’ skin. Titles of related interest Dermatologic Surgery: Step by Step Nouri (ed.); ISBN 978-1-4443-3067-0 Ethnic Dermatology: Principles and Practice Dadize, Petit, Alexis (eds); ISBN 978-0-470-65857-4 Diagnostic Dermoscopy: The Illustrated Guide Bowling; ISBN 978-1-4051-9855-4

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A history of capitalism in nineteenth‑ and twentieth‑century China and India that explores the competition between their tea industries “Tea War is not only a detailed comparative history of the transformation of tea production in the 19th and early 20th centuries, but it also intervenes in larger debates about the nature of capitalism, global modernity, and global history.”— Alexander F. Day, Occidental College Tea remains the world’s most popular commercial drink today, and at the turn of the twentieth century, it represented the largest export industry of both China and colonial India. In analyzing the global competition between Chinese and Indian tea, Andrew B. Liu challenges past economic histories premised on the technical “divergence” between the West and the Rest, arguing instead that seemingly traditional technologies and practices were central to modern capital accumulation across Asia. He shows how competitive pressures compelled Chinese merchants to adopt abstract industrial conceptions of time, while colonial planters in India pushed for labor indenture laws to support factory-style tea plantations. Characterizations of China and India as premodern backwaters, he explains, were themselves the historical result of new notions of political economy adopted by Chinese and Indian nationalists, who discovered that these abstract ideas corresponded to concrete social changes in their local surroundings. Together, these stories point toward a more flexible and globally oriented conceptualization of the history of capitalism in China and India.

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On September 1, 1814, under the command of Lt. Gen. Sir George Prevost, nearly 15,000 veteran British troops, fresh from victory over Napoleon, crossed the Canadian-American border—the largest foreign army ever to invade the United States. Opposing the British invasion were Gen. Alexander Macomb and his army of fewer than 5,000 men and the improvised fleet and brilliant strategy of thirty-year-old Lt. Thomas Macdonough. They were on the losing side of a devastating war. By the time the British and Americans clashed on the waters and surrounding shores of Lake Champlain on September 11, 1814, Macomb and Macdonough’s government, pursued by British troops, had fled from a burning Washington. Yet despite the odds, the Americans managed to thwart the world’s strongest naval power in one of the most decisive battles in American history. The source of the documentary film of the same name, The Final Invasion is based on primary research and original discoveries—including previously unknown private diaries and orders, missing since the war. Fair-minded, astute, and passionately engaged with his subject, Col. David G. Fitz-Enz brings to life the immediacy and immensity of the British threat, the bloody reality of naval warfare, and the far-reaching consequences of the American victory against tremendous odds.

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“...to be revisited again and again…The candy-colored pages and straightforward stories are hard to resist…” –The New York Times “Gorgeously illustrated...vibrant and comprehensive...will be brought down from the bookshelf again and again" –Evening Standard“Glorious celebration of 52 black heroes...big and bold...this is what young people of all races need to see." –The Independent“An essential book for inspiring even the tiniest children to face the world with boldness and self-belief.” –The Observer Meet 52 icons of colour from the past and present in this celebration of inspirational achievement – a collection of stories about changemakers to encourage, inspire and empower the next generation of changemakers. Jamia Wilson has carefully curated this range of black icons and the book is stylishly brought together by Andrea Pippins’ colourful and celebratory illustrations. Written in the spirit of Nina Simone’s song “To Be Young, Gifted, and Black,” this vibrant book is a perfect introduction to both historic and present-day icons and heroes. Meet figureheads, leaders and pioneers such as Martin Luther King Jr., Nelson Mandela and Rosa Parks, as well as cultural trailblazers and athletes like Stevie Wonder, Oprah Winfrey and Serena Williams. All children deserve to see themselves represented positively in the books they read. Highlighting the talent and contributions of black leaders and changemakers from around the world, readers of all backgrounds will be empowered to discover what they too can achieve. Strong, courageous, talented and diverse, these extraordinary men and women's achievements will inspire a new generation to chase their dream… whatever it may be. The 52 icons: Mary Seacole, Matthew Henson, Ava Duvernay, Bessie Coleman, Barack Obama, Michelle Obama, Chimamanda Ngozi Adichie, Cathy Freeman, George Washington Carver, Malorie Blackman, Harriet Tubman, Mo Farah, Jean-Michel Basquiat, Jesse Owens, Beyonce Knowles, Solange Knowles, Katherine Johnson, Josephine Baker, Kofi Annan, Langston Hughes, Toni Morrison, Brian Lara, Madam C.J. Walker, Yannick Noah, Maurice Ashley, Alexandre Duma, Martin Luther King, Jr., Maya Angelou, Nina Simone, Simone Biles, Stevie Wonder, Esperanza Spalding, Sidney Poitier, Oprah Winfrey, Pele, Nelson Mandela, Louis Armstrong, Rosa Parks, Naomi Campbell, Samuel Coleridge-Taylor, Muhammad Ali, Shirley Chisholm, Steve McQueen, Zadie Smith, Usain Bolt, Wangari Maathai, Mae Jemison, W.E.B. Du Bois, Nicola Adams, Serena Williams, Venus Williams, and Misty Copeland. If you like this book, check out Young, Gifted and Black Too, for 52 more inspiring icons! For younger readers, Baby Young Gifted and Black is perfect to introduce litte ones to these trailblazers who changed the world.

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The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Mónica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patrícia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Jürgen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof

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Individualism and holism, the concepts embedded in the title of this book, represent two key theoretical perspectives that have for many decades steered and shaped sociological thought. For over a century these two interpretative perspectives have also divided sociological theory into two camps, accompanied by a band of scholars trying to bridge this dualism. According to American sociologist Jeffrey C. Alexander, individualist theories derive their appeal and strength from their underlying assumption that humans make decisions as individual, free, autonomous, and rationally and morally consistent beings. A related belief is that they are able to express these qualities in their actions regardless of the situation in society or what economic or moral conditions prevail. Holistic, or collectivist, theories, unlike individualism, assign primacy to social entities. This perspective is important because it creates the basic precondition through which entities can become the subject of deliberate sociological analysis. However, there is a price for fulfilling this precondition. The emphasis it places on the collective, and on larger entities, logically means that the individual will and free human decision-making tends to be lost from the field of view. This book argues that these two perspectives, individualist and holistic, form the central dilemma of sociological thought. It provides an extensive review and critique of contemporary sociological approaches to this antinomy and examines attempts that have been made to overcome it and unite them. Moreover, the book proposes a new approach to solving this dilemma via the concept of 'critical reconfigurationism', arguing that the resolution of this dilemma is vital not just for sociological theory but also for empirical social research.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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A bitingly funny field guide to modern love from the woman who's dated them all. Through highly relatable anecdotes from a decade of dating, 20 Guys You Date in Your 20s dives into the joys, frustrations, and hilarity of swiping right on relationships. After a world-shattering breakup in her early twenties, comedian Gabi Conti logged thousands of hours on dating apps, conducting research and gathering intel on our behalf. Real and relatable, this dating guide is laugh-out-loud funny without being prescriptive or cynical. • Each chapter focuses on a different type of guy and offers advice on how to deal, from The Guy Who's Great on Paper to The Guy Who Texts "sup" at 2 a.m. • Includes charts, quizzes, "Boy Bingo," and a removable, foldout poster • Captures the frustrations, heartache, and hilarity of Tinder, Bumble, Hinge, OkCupid, and all other online dating apps For the modern, app-using woman, this hilarious dating guide profiles 20 stereotypical men, from their physical appearance and dating style to red flags, tips, and success stories. Filled with charts and quizzes, hysterical anecdotes, and helpful insight from therapists and dating coaches, these pages offer advice and humor in equal measure. • Perfect as a funny breakup gift for women or a gift for single friends • Offers sincere advice to cope with dating app horror stories • Great for fans of How to Date Men When You Hate Men by Blythe Roberson, Bye Felipe: Disses, Dick Pics, and Other Delights of Modern Dating by Alexandra Tweten and HEY, U UP? (For a Serious Relationship) by Emily Axford and Brian Murphy

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In 1957 Sputnik, the world’s first man-made satellite, dazzled people as it zipped around the planet. By the beginning of the twenty-first century, more than eight thousand satellites orbited the Earth, and satellite practices such as live transmission, direct broadcasting, remote sensing, and astronomical observation had altered how we imagined ourselves in relation to others and our planet within the cosmos. In Cultures in Orbit, Lisa Parks analyzes these satellite practices and shows how they have affected meanings of “the global” and “the televisual.” Parks suggests that the convergence of broadcast, satellite, and computer technologies necessitates an expanded definition of “television,” one that encompasses practices of military monitoring and scientific observation as well as commercial entertainment and public broadcasting.Roaming across the disciplines of media studies, geography, and science and technology studies, Parks examines uses of satellites by broadcasters, military officials, archaeologists, and astronomers. She looks at Our World, a live intercontinental television program that reached five hundred million viewers in 1967, and Imparja tv, an Aboriginal satellite tv network in Australia. Turning to satellites’ remote-sensing capabilities, she explores the U.S. military’s production of satellite images of the war in Bosnia as well as archaeologists’ use of satellites in the excavation of Cleopatra’s palace in Alexandria, Egypt. Parks’s reflections on how Western fantasies of control are implicated in the Hubble telescope’s views of outer space point to a broader concern: that while satellite uses promise a “global village,” they also cut and divide the planet in ways that extend the hegemony of the post-industrial West. In focusing on such contradictions, Parks highlights how satellites cross paths with cultural politics and social struggles.

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A small, hand-sized KJV Bible designed with clear Scripture text and elegant materials to honor God’s Word. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The KJV Compact Maclaren Series Bible is the perfect size to take with you wherever you go. Whether at home or on the go, this beautiful hand-sized edition of the Bible will keep you engaged in God’s Word.Enjoy the timeless King James Version in a traditional Scripture design formatted to help you quickly navigate through the Bible. The blue contrasting color for headings and verse numbers stand out while Thomas Nelson’s exclusive KJV Comfort Print® on quality Bible paper provides a smooth, thoroughly enjoyable reading experience. Features include: Classic 2-column verse-by-verse layout starts each verse on its own line so it’s easy to navigate the text Two double-faced satin ribbons help keep track of where you were reading Blue highlighted headings and book titles add an elegant touch to the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Line matched text for optimal clarity on the page Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk Clear and readable 7-point KJV Comfort Print About the Maclaren Series: Named for the noted Victorian-era preacher, Alexander Maclaren, this series of elegant Bibles feature regal blue highlights and verse numbers and clear, line-matched text.

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Propaganda is thousands of years old. But it came of age in the 20th century, when the development of mass media (and later multimedia communications) offered a fertile ground for its dissemination, and the century's global conflicts provided the impetus needed for its growth. Put simply, propaganda is the dissemination of ideas intended to convince people to think and act in a particular way and for a particular persuasive purpose. But it takes many forms, is fluid and indeed is constantly developing, most fervently in our own digital era. Terms such as 'fake news', 'post-truth', 'gate-keepers' and 'asymmetrical warfare' were unknown a decade ago yet today are now commonplace, and often cynically derided, in daily media communications. In this timely and fully international book, David Welch has selected fifty images to highlight the continuities and dis-continuities of mass-communication throughout history, be they via images, events, films or by 'propaganda by deed'. Such an approach demonstrates how changing technological innovations (such as television and the internet) have continued to shape the propaganda narrative but also demonstrate how tried and trusted forms of propaganda - such as the humble leaflet - can still prove highly effective. The fifty images included are not all necessarily the most striking - rather they have been chosen because they illustrate recurring themes and devices (such as humour) and different mediums employed by propagandists - from early Egyptian coins eulogizing Alexander the Great to the psychological warfare used in the war against terrorism following the destruction of the Twin Towers in New York, and the use of social media employed so widely in the current Covid pandemic.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for women, all written since the year 2000, by some of our most exciting dramatic voices. Playwrights featured in Contemporary Monologues for Women include Mike Bartlett, Alexi Kaye Campbell, Caryl Churchill, Helen Edmundson, debbie tucker green, Ella Hickson, Lucy Kirkwood, Rona Munro, Joanna Murray-Smith and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Royal Shakespeare Company, the Bush, Soho and Hampstead Theatres, Manchester Royal Exchange, the Traverse in Edinburgh, the Abbey in Dublin, and many on the stages of the Royal Court. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character’s objectives and keywords). Contemporary Monologues for Women also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. The result is the most comprehensive and useful contemporary monologue book now available. 'Sound practical advice for anyone attending an audition… a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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For fans of THE GIRL WITH ALL THE GIFTS, THE FIFTEEN LIVES OF HARRY AUGUST and ET.'A MOST UNUSUAL AND DELIGHTFUL BOOK' Alexander McCall SmithFunny, touching, charming, wise: a friendship novel that explores what it is to be human. Some time in the future:Ben Chambers wakes up to find an old robot - rusty and dazed- sitting underneath the willow tree in his garden. It's not a new android model, the type people now use for domestic chores around the house, but an antique one, no longer of any use. Refusing to throw it on the skip as his wife Amy advises, he brings it inside. He names it Tang. Tang turns out to be needy, he has a chronic oil leak and some inside parts don't work properly. As Ben - who has never wanted children or even a job - grows closer to his new friend, he and his wife, Amy, grow further apart.When Amy finally walks out, Ben begins to realise he has now alienated all the human beings in his life. But his new friend needs to be fixed, if he is to have a future. And so Ben decides to take Tang back to his maker, half way across the world, on a remote island in the Pacific ...Soon to be a major Warner Brothers Japan movie, starring Kazunari Ninomiya from ArashiREADERS LOVE IT TOO:There were so many funny parts in this book and i did not want it to end' 5 *****'A lovely book about friendship and discovery. Heartwarming' 4 ****'i knew nothing about this book when i started it and i could not put it down' 5 ****'Wonderful. i did not want it to stop' 5 ****'The characters are drawn with such tenderness' 5 ****

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“The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature,” wrote Alexis de Tocqueville in 1835. That’s largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent’s natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There’s much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that’s been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California’s sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent—drawing crucial early links between the environment and social justice, links we’re still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past—and of understanding what it can offer us for the present . . . and the future.

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Was the experience of poetry--or a cultural practice we now call poetry--continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.

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Blood Justice is the hotly anticipated sequel to Terry J. Benton-Walker's Most Anticipated debut Blood Debts.Praise for Blood Debts: A conjuring of magnificence. NIC STONE A force. ROSEANNE A. BROWN An extravaganza. CHLOE GONG Powerful. AYANA GRAY Sings with hope and rage. TJ KLUNE An unforgettable thrill ride. J. ELLE Steeped in magic. ALEXIS HENDERSON Crackles with mystery and ferocity. MARK OSHIROCristina and Clement Trudeau have conjured the impossible: justice. They took back their family's stolen throne to lead New Orleans' magical community into the brighter future they all deserve. But when Cris and Clem restored their family power, Valentina Savant lost everything. Her beloved grandparents are gone and her sovereignty has been revokedshe will never be Queen. Unless, of course, someone dethrones the Trudeaus again. And lucky for her, she's not the

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In 2014, Eric J. Wittenberg published “The Devil’s to Pay”: John Buford at Gettysburg. A History and Walking Tour, an award-winning study of Union cavalry delaying actions at Gettysburg. Fast-forward four years to 2018 and Wittenberg’s latest release, a companion Western Theater study entitled Holding the Line on the River of Death: Union Mounted Forces at Chickamauga, September 18, 1863. This volume focuses on the two important delaying actions conducted by mounted Union soldiers at Reed’s and Alexander’s bridges on the first day of Chickamauga. A cavalry brigade under Col. Robert H. G. Minty and Col. John T. Wilder’s legendary “Lightning Brigade” of mounted infantry made stout stands at a pair of chokepoints crossing Chickamauga Creek. Minty’s small cavalry brigade held off nearly ten times its number on September 18 by designing and implementing a textbook example of a delaying action. Their dramatic and outstanding efforts threw Confederate Gen. Braxton Bragg’s entire battle plan off its timetable by delaying his army’s advance for an entire day. That delay cost Bragg’s army the initiative at Chickamauga. Wittenberg brings his expertise with Civil War cavalry operations to bear with vivid and insightful descriptions of the fighting and places the actions in their full and proper historic context. This thoroughly researched and well-written book includes three appendices—two orders of battle and a discussion of the historic context of some of the tactics employed by the Union mounted force on September 18, and an epilogue on how the War Department and National Park Service have remembered these events. It also includes a detailed walking and driving tour complete with the GPS coordinates, a trademark of Wittenberg’s recent works. Complete with more than 60 photos and 15 maps by master cartographer Mark Anderson Moore, Holding the Line on the River of Death: Union Mounted Forces at Chickamauga, September 18, 1863 will be a welcome addition to the burgeoning Chickamauga historiography.

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The popularity of the musical, Hamilton, featuring the death of Alexander Hamilton in a duel with Aaron Burr, then Vice President of the United States, has revived interest in duelling, but also aroused incredulity that such events could ever have occurred. Where did the custom originate, and why did it spread so quickly all over Europe and the Americas? Duelling was once commonplace. Prime ministers and poets, artists and journalists, and even some ladies went out to the 'field of honour'. Casanova fought with a Polish nobleman in Warsaw, the Duke of Wellington duelled with an English earl in Hyde Park and the Russian poet Pushkin died in a duel in St Petersburg. There were many enigmas associated with the phenomenon. As well as displaying skills with the sword or the pistol, a duellist had to silence problems of conscience. Could duelling be squared with the commandment against killing one's neighbour? Did the fact that both parties were inspired by a gentlemanly code of Honour make the duel superior to a vulgar brawl? The moral justification of duelling intrigued thinkers and intellectuals. Dr Johnson returned to the issue several times, while Rousseau was baffled by the question. Duels added drama to mediocre novels or plays, but featured in the theatre of Shakespeare and later in the work of such masters as Walter Scott, Conrad, Chekhov and Pirandello. Duelling has been too long regarded as an embarrassing sideline in western culture, but for centuries it was an integral part of history. Joseph Farrell attempts to clarify what the duel actually was and why men ever behaved that way. Exploring the social and cultural forces that encouraged what now seems an extraordinary anachronism, he traces the international evolution of the duel - and its many representations in literature and art - from Renaissance Italy to the whole of Europe, including Britain, and onto the US.

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When his mother Joan was diagnosed with terminal cancer, Rory MacLean and his wife Katrin took her into their home. For five months, as their life fragmented and turned inward, they fought both to resist and to accept the inevitable. Each gave vent to their emotions in different ways, but all three kept a diary.Heartbreakingly honest and deeply moving, Gift of Time is the story of those days, in the words of a son, his wife and his mother. Woven together into a poignant meditation on life and death, they illuminate the courage and dignity of one woman who confronted what we all must face. Threaded through with wisdom and guilt, anger and acceptance, the story is punctuated by a family wedding and the hope of new life, by bin-bags of old letters and books rediscovered, by the end of winter and the first signs of spring.Powerful, raw and urgent, this slender volume is above all a celebration of life. Capturing every moment of beauty and pain it acknowledges that what survives all of us is love.Praise for Rory MacLean's previous titles:Stalin's Nose: 'The most extraordinary debut in travel writing since In Patagonia. A dark, sardonic and brilliant book which grows in stature with every page' William Dalrymple'A surreal masterpiece' Colin ThubronThe Oatmeal Ark: 'One of the most original and innovative travel books for years.' Alexander Frater'A truly astonishing performance' Jan Morris'Such a book as this rather marvellously explains why literature still lives.' John FowlesUnder the Dragon: 'I cannot imagine a better book on the beauty and terror of Burma. Read it. Read it. Read it.' Fergal Keane'It will make you cry and it will give you hope. ... It is astonishingly good.' Jeanette Winterson.Magic Bus: 'A disturbing, gripping and intensely passionate story' Esther Freud.

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Arranged in chronological order from the early Greek mathematicians, Euclid and Archimedes through to present-day Nobel Prize winners, 100 Science Discoveries That Changed the World charts the great breakthroughs in scientific understanding. Each entry describes the story of the research, the significance of the science and its impact on the scientific world. There is also a resume of each scientist’s career along with their other achievements, sometimes – in the case of Isaac Newton – in a completely unrelated field (laws of motion and the component parts of light). The book covers all branches of science: geometry, number theory, cosmology, the laws of motion, particle physics, electricity, magnetism, the laws of gasses, optical theory, cell biology, conservation of energy, natural selection, radiation, quantum theory, special relativity, superconductivity, thermodynamics, genomes, plate tectonics, and the uncertainty principal. Scientists include: Albert Einstein, Alessandro Volta, Alexander Fleming, Amedeo Avogrado, Andre Geim, Antoine Lavoisier, Antony van Leeuwenhoek, Archimedes, Benoit Mandelbrot, Carl Friedrich Gauss, Charles Darwin, Christian Doppler, Copernicus, Crick and Watson, Dmitri Mendeleev, Edwin Hubble, Enrico Fermi, Ernest Rutherford, Erwin Schrodinger, Euclid, Fermat, Frederick Sanger, Galileo Galilei, Georg Ohm, Georges Lemaitre, Heike Kamerlingh, Isaac Newton, Jacques Charles, James Clerk Maxwell, James Prescott Joule, Jean Buridan, Johanes Kepler, John Ambrose Fleming, John Dalton, John O’Keefe, Joseph Black, Josiah Gibbs, Lord Kelvin, Lord Rayleigh, Louis Pasteur, Marie Curie, Martinus Beijerinck, Michael Faraday, Murray Gell-Mann & George Zweig, Neils Bohr, Nicholas Steno, Peter Higgs, Pierre Curie, Ptolemy, Robert Boyle, Robert Brown, Robert Hooke, Roger Bacon, Rudolf Clausius, Seleucus, Shen Kuo, Stanley Miller, Tyco Brahe, Werner Heisenberg, William Gilbert, William Harvey, William Herschel, William Rontgen, Wolfgang Pauli.

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The fascinating untold story of how the ancients imagined robots and other forms of artificial life—and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life—and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements—and how these visions relate to and reflect the ancient invention of real animated machines.As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha’s precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth—and how science has always been driven by imagination. This is mythology for the age of AI.

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