Search results for ""out of print""

Calle’s first artist’s book documents her pursuit of one man through the streets of Venice After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. Over the course of almost two weeks in Venice, Calle notates, in time-stamped entries, her surveillance of Henri B., as well as her own emotions as she seeks, finds and follows him through the labyrinthine streets of Venice. Her investigation is both methodical (calling every hotel, visiting the police station) and arbitrary (sometimes following a stranger—a flower delivery boy, for instance—hoping someone might lead her to him). This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition. Printed on Japanese paper with a die-cut cover and gilded edges, this beautiful new Siglio edition allows readers to devour this crucial and compelling work. Sophie Calle (born 1953) is an internationally renowned artist whose controversial works explore the tensions between the observed, the reported, the secret and the unsaid. She has mounted solo shows at major museums around the world and represented France at the Venice Biennale in 2007. Her most recent US exhibition was the acclaimed Rachel, Monique at the Episcopal Church of the Heavenly Rest in Manhattan in 2014.

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Iannone’s image–text works celebrate a joyful sexuality and spirituality For over five decades, Dorothy Iannone has been making exuberantly sexual and joyfully transgressive image–text works. Karen Rosenberg wrote of her in The New York Times: “High priestess, matriarch, sex goddess: the self-taught American artist Dorothy Iannone has been called all these things and more. Since the early 1960s she has been making paintings, sculptures and artist’s books that advocate ‘ecstatic unity,’ most often achieved through lovemaking.” Beginning with the famous “An Icelandic Saga,” in which Iannone narrates her journey to Iceland (where she meets Dieter Roth and leaves her husband to live with him), this singular volume traces Iannone’s search for “ecstatic unity” from its carnal beginnings in her relationships with Roth and other men into its spiritual incarnation as she becomes a practicing Buddhist. Reproducing several previously unpublished or long-out-of-print works in their entirety (such as Danger in Düsseldorf, The Whip, “An Explosive Interlude”), as well as longer excerpts from rarely-seen works like A Cookbook and Berlin Beauties, this volume gives readers the chance to read her work with sustained attention, and enjoy the sophistication of the stories she tells and the visual–textual embellishments that make them so irresistible. Associated with Fluxus through her close friendships with Emmett Williams, Robert Filliou and Ben Vautier, as well as most well-known for her relationship with Dieter Roth, Dorothy Iannone (born 1933) nevertheless has her own distinct aesthetic style and substantive concerns. Her first major museum show in the U.S. came when she was 75 in 2008 at the New Museum, shortly after her “orgasm box” titled “I Was Thinking of You” was included in the Whitney Biennial in 2006, and she has recently attained more recognition with solo shows at the Camden Arts Centre, Palais de Tokyo and the Berlinischer Galerie.

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Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting his relationship with the confessional teaching of the late medieval church provided the crucial impelling force behind his entire enterprise. As Flint follows Columbus to the New World and back, she constantly relates his reports both to modern reconstructions of what he really saw and to the visual and literary sources he knew. She argues that he declined passively to accept authoritative pronouncements, but took an active part in debate, seeking to prove and disprove theses that he knew to be controversial among his contemporaries. Flint's efforts to take Columbus seriously are so convincing that his belief that he had approached the site of the earthly Paradise seems not quaint but eminently sensible on his own terms. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this colorful depiction of daily political life in Baroque Rome, Laurie Nussdorfer argues that the lay persons managed to sustain a civic government under the increased papal absolutism of Urban VIII (1623-1644), who oversaw both sacred and secular life. Focusing on the S.P.Q.R. (the Senate and the Roman People), which was ministered from the capitoline Hill, she shows that it provided political representation for lay members of the urban elite, carried out the work of local government, and served as a symbol of the Roman voice in public life. Through a detailed study of how civic authorities derived their sense of legitimacy and how lay subjects maneuvered in informal and disguised ways to block or criticize the papal regime, the author advances a new way of conceiving politics under an absolute ruler.As Nussdorfer analyzes the complex interactions between the lay administration and Urban VIII and his family, the papal administration, and Romans of the upper and lower classes, she also provides fresh insights into the actual practice of early modern government. She takes the plague threat of the early 1630s, the War of Castro (1641-1644), and the interregnum following the pope's death as important test cases of the state's power in times of crisis.Laurie Nussdorfer is Assistant Professor of History and Letters at Wesleyan University.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Published under a pseudonym, A E Ellis, and appearing in 1958 to considerable acclaim, The Rack is a novel about the ordeal of being deathly ill. A young English student, Paul, is sent to a Swiss sanatorium just after the end of the second world war. At a time when effective medication for tuberculosis was unknown, Paul undergoes an unimaginable regime of regimented medical intervention, both physical and mental. His fellow patients fare no better. Yet, as the poet Edwin Muir wrote in his original review in the Observer: 'The Rack does not deal obviously with disease and suffering; it describes, sometimes very amusingly, the life of the sanatorium: the sardonic professional kindness of the doctors, liable suddenly to break under pressure, the badness of the food, the endless pre-occupation of the patients with their symptoms, and the sexual promiscuity...Behind the book one has the impression of an unusual and powerful mind.' Graham Greene considered it a masterpiece; the Times Literary Supplement believed 'the book exercises a complete fascination...a deeply impressive performance', and Time and Tide hailed The Rack as '...terrific. To read it is itself an experience.' Penelope Mortimer wrote: 'It is often glibly said that a work of art is an experience - The Rack is one of the rare instances of this actually being so. It is a book which must, inevitably, have a permanent effect on the reader. In this case the usual terms of praise become almost meaningless. So powerful is Mr Ellis's inspiration, so driven by the urgent necessity of expression, that one is not so much conscious of having read a account of an ordeal as of having lived through two years of unbearable physical and mental agony - and survived.' Long out of print, the original Heinemann and Penguin editions cut out some 60,000 words of the author's original text. Elliott & Thompson's Gold Edition will restore the complete text to provide today's reader with a chance to discover the definitive edition of one of the great English novels of the last century.

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Making Peace provides a fresh context for understanding gender relations in interwar Britain, seeing in the emergence of a powerful ideology of motherhood and a reemphasis on separate spheres for men and women a corollary to the political and economic restructuring designed to reestablish social order after World War I. The war had often been explained and justified to the British public by means of images that portrayed women as hostile or frightening—or as victims of sexual assault, as in the Belgian atrocity stories. These sexualized interpretations of war then shaped postwar understandings of gender, as psychiatrists, psychologists, and sexologists drew on metaphors of war to talk about relationships between men and women, likening any conflict between the sexes to the terrible chaos of the war years.Drawing on materials from posters to popular songs, from government reports to journalistic accounts, from memoirs and novels to diaries and letters, Making Peace is a penetrating analysis of how gendered and sexualized depictions of wartime expereinces compelled many Britons to seek in traditional gender arrangements the key to postwar order and security. In the interwar period, many feminists compromised their earlier positions in an effort to contribute to postwar recovery, and justified their demands—for birth control and family endowment, for example—in conservative terms that ultimately hampered their movement.Susan Kingsley Kent is Associate Professor of History at the University of Colorado at Boulder. She is also the author of Sex and Suffrage in Britain, 1860-1914 (Princeton).Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers.These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries.Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The subject of personal identity is one of the most central and most contested and exciting in philosophy. Ever since Locke, psychological and bodily criteria have vied with one another in conflicting accounts of personal identity. Carol Rovane argues that, as things stand, the debate is unresolvable since both sides hold coherent positions that our common sense, she maintains, is conflicted; so any resolution to the debate is bound to be revisionary. She boldly offers such a revisionary theory of personal identity by first inquiring into the nature of persons.Rovane begins with a premise about the distinctive ethical nature of persons to which all substantive ethical doctrines, ranging from Kantian to egoist, can subscribe. From this starting point, she derives two startling metaphysical possibilities: there could be group persons composed of many human beings and muliple persons within a single human being. Her conclusions supports Locke's distinction between persons and human beings, but on altogether new grounds. These grounds lie in her radically normative analysis of the condition of personal identity, as the condition in which a certain normative commitment arises, namely, the commitment to achieve overall rational unity within a rational point of view. It is by virtue of this normative commitment that individual agents can engage one another specifically as persons, and possess the distinctive ethical status of persons.Carol Rovan is Associate Professor of Philosophy at Yale University.Originally published in 1997.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This is a probing narrative of the history which came to its climax at Pearl harbor; an account of the attitudes and actions, of the purposes and persons which brought about the war between the United States and Japan. It is full and impartial. Though written as an independent and private study, records and information of an exceptional range and kind were used in its making. These give it authority. They include all the pertinent State Department papers; the American official military records in preparation; selections from the Roosevelt papers at Hyde Park; the full private diaries of Stimons, Morgenthau, and Grew; the file of the intercepted "Magic" cables; and equivalent collections of official and private Japanese records. The author was at the time in the State Department (as Adviser on International Economic Affairs) and thus in close touch with the men and matters of which he writes. In telling how this war came about, this book tells much of how other wars happen. For it is a close study of the ways in which officials, diplomats, and soldiers think and act; of the environment of decision, of the ambitions of nations, of the clash of their ideas, of the way sin which fear and mistrust affect events, and of the struggle for time and advantage. The narrative follows events in a double mirror of which one side is Washington and the other Tokyo, and synchronizes the images. Thus it traces the ways in which the acts and decisions of this country influenced Japan and vice versa. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The interpreter of Marx's writings faces the task of reconciling, on the one hand, Marx's frequent explicit condemnations and criticisms of morality and, on the other, the obvious way in which his world-view reflects substantive moral judgments. In this book R. G. Peffer tackles the challenges of finding in Marx's work an implicit moral theory, of answering claims that Marxism is incompatible with morality, and of developing the outlines of an adequate Marxist moral and social theory. Peffer analyzes the moral components of Marx's thought and considers all the major interpretations of his moral perspective; he concludes that Marx is a mixed deontologist who is most committed to a maximum system of equal freedoms, both positive and negative. He then utilizes contemporary metaethical theory to show that Marxism is compatible with morality in general and with the concepts of justice and rights in particular. Peffer proposes a radically egalitarian theory of social justice (which subsumes Marx's own moral theory) and a minimal set of Marxist empirical theses, which together entail the Marxist's basic normative political positions. This book demonstrates that contemporary analytic political philosophy is invaluable for coming to terms with Marxism and that it is only Marx's less abstract empirical theories about classes and class struggle, the dysfunctions of capitalism, and the possibility of creating democratic, self-managing postcapitalist societies that are needed for the development of an adequate Marxist moral and social theory. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In the middle of the nineteenth century, a stable relationship between American religious organizations and the state was taken for granted. Concord prevailed between the Christian (and largely Protestant) "establishment" on one side and governmental bodies on the other. Here a preeminent scholar of American religious history shows what happened when that settled relationship was tested and challenged. The decades from 1880 to 1920 were marked by an unprecedented influx of immigrants (many of whom were Catholics and Jews), increasing conflicts between public and private school systems, excitement over imperialism, the growth of progressivism in politics, the rise of the social gospel, and the impact of World War I. Providing an overview of how these developments affected church-state relationships, Robert Handy's work is fascinating as a view of this period and as a clue to the tensions in American church-state relations today. Handy shows that the movement from a Protestant America to an explicit pluralism was well under way during these years, even though this change was not clearly recognized at the time it was occurring. Both governmental and religious institutions were transformed, and the difficult process of sorting out ways to relate them has been going on ever since. This book will be an invaluable aid in that task, for students of church-state relations and for a broader readership concerned with American culture in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fiction and in more focused discussions of particular compositional details in individual novels. The translations were produced by pioneers in the study of this form of fiction criticism in the West: Shuen-fu Lin, Andrew H. Plaks, David T. Roy, John C. Y. Wang, and Anthony C. Yu. Four introductory essays by Andrew H. Plaks and the editor address the historical background for this type of criticism, its early development, its formal features, recurrent terminology, and major interpretive strategies. A goal of this volume is to aid in the rediscovery of this traditional Chinese poetics of fiction and help eliminate some of the distortions encountered in the past by the imposition of Western theories of fiction on Chinese novels. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Here James O'Hara shows how the deceptive nature of prophecy in the Aeneid complicates assessment of the poem's attitude toward its hero's achievement and toward the future of Rome under Augustus Caesar. This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles often lead to untimely deaths or other disasters only darkly hinted at by the prophecies. O'Hara finds in these prophecies a persistent subtext that both stresses the human cost of Aeneas' mission and casts doubt on Jupiter's promise to Venus of an "endless empire" for the Romans. O'Hara considers the major prophecies that look confidently toward Augustus' Rome from the standpoint of Vergil's readers, who, like the characters within the poem, must struggle with the possibility that the optimism of the prophecies of Rome is undercut by darker material partially suppressed. The study shows that Vergil links the deception of his characters to the deceptiveness of Roman oratory, politics, and religion, and to the artifice of poetry itself. In response to recent debates about whether the Aeneid is optimistic or pessimistic, O'Hara argues that Vergil expresses both the Romans' hope for the peace of a Golden Age under Augustus and their fear that this hope might be illusory. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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At the end of the sixteenth century, when painters, writers, and scientists from all over Europe flocked to Rome for creative inspiration, the city was also becoming the center of a vibrant and assertive Roman Catholic culture. Closely identified with Rome, the Counter-Reformation church sought to strengthen itself by building on Rome's symbolic value and broadcasting its cultural message loudly and skillfully to the European world. In a book that captures the texture and flavor of this rhetorical strategy, Frederick McGinness explores the new emphasis placed on preaching by Roman church leaders. Looking at the development of a sacred oratory designed to move the heart, he traces the formation of a long-lasting Catholic worldview and reveals the ingenuity of the Counter-Reformation in the transformation of Renaissance humanism. McGinness not only describes the theory of sermon-writing, but also reconstructs the circumstances, social and physical, in which sermons were delivered. The author considers how sermons blended spirituality with pious legends--for example, stories of the early martyrs--and evocative metaphors to fashion a respublica christiana of loyal Catholics. Preachers projected a "right" view of history, social relationships, and ecclesiastical organization, while depicting a spiritual topography upon which Catholics could chart a path to salvation. At the center of this topography was Rome, a vast stage set for religious pageantry, which McGinness brings to life as he follows the homiletic representations of the city from a bastion of Christian militancy to a haven of harmony, light, and tranquility. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"In the Greek romances," writes David Konstan, "sighs, tears, and suicide attempts are as characteristic of the male as of the female in distress; ruses, disguises, and outright violence in defense of one's chastity are as much the part of the female as of the male." Exploring how erotic love is represented in ancient amatory literature, Konstan points to the symmetry in the passion of the hero and heroine as a unique feature of the Greek novel: they fall mutually in love, they are of approximately the same age and social class, and their reciprocal attachment ends in marriage. He shows how the plots of the novels are perfectly adapted to expressing this symmetry and how, because of their structure, they differ from classical epic, elegy, comedy, tragedy, and other genres, including modern novels ranging from Sidney to Harlequin romances. Using works like Chaereas and Callirhoe and Daphnis and Chloe, Konstan examines such issues as pederasty, the role of eros in both marital and nonmarital love, and the ancient Greek concept of fidelity. He reveals how the novelistic formula of sexual symmetry reverses the pattern of all other ancient genres, where erotic desire appears one-sided and unequal and is often viewed as either a weakness or an aggressive, conquering power. Konstan's approach draws upon theories concerning the nature of sexuality in the ancient world, reflected in the work of Michel Foucault, David Halperin, and John Winkler. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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One of the most prominent mathematicians of the twentieth century, Abraham Robinson discovered and developed nonstandard analysis, a rigorous theory of infinitesimals that he used to unite mathematical logic with the larger body of historic and modern mathematics. In this first biography of Robinson, Joseph Dauben reveals the mathematician's personal life to have been a dramatic one: developing his talents in spite of war and ethnic repression, Robinson personally confronted some of the worst political troubles of our times. With the skill and expertise familiar to readers of Dauben's earlier works, the book combines an explanation of Robinson's revolutionary achievements in pure and applied mathematics with a description of his odyssey from Hitler's Germany to the United States via conflict-ridden Palestine and wartime Europe. Robinson was born in Prussia in 1918. As a boy, he fled with his mother and brother Saul to Palestine. A decade later he narrowly escaped from Paris as the Germans invaded France. Having spent the rest of World War II in England, at the Royal Aircraft Establishment in Farnborough, he began his teaching career at the Royal College of Aeronautics. Subsequently he moved to universities in Canada, Israel, and finally the United States. A joint appointment in mathematics and philosophy at UCLA led to a position at Yale University, where Robinson served as Sterling Professor of Mathematics until his untimely death at the age of fifty-five. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Anyone interested in the entire sweep of political thought over the last hundred years will find in Norberto Bobbio's Ideological Profile of Twentieth-Century Italy a masterful, thought-provoking guide. Home to the largest communist party in a democratic society, Italy has been a unique place politically, one where Christian democrats, liberals, fascists, socialists, communists, and others have co-existed in sizable numbers. In this book, Bobbio, who himself played an outstanding role in the development of Italian civic culture, follows each of the major ideologies, explaining how they developed, describing the key actors, and considering the legacies they left to political culture. He wrote Ideological Profile in 1968 to explain from a personal perspective the history behind that decade's tumultuous politics. Bobbio's defense of democracy and critique of capitalism are among the themes that will particularly interest American readers of this updated edition, the first to appear in English. Beginning in the late nineteenth century with positivism and Marxism, Bobbio next presents the ideological currents that developed before the outbreak of the First World War: Catholic, socialist, irrational and anti-democratic thought, the reaction against positivism, and the thinking of Benedetto Croce. After discussing the impact of the war, the author turns to the revolutionary-reactionary polarization of the postwar period and the ideology of fascism. The final chapters consider Croce's opposition to fascism and the ideals of the resistance and conclude with the post-Second World War "Years of Involvement." Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual.Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature.The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression.Janet A. Walker is Associate Professor of Comparative Literature at Livingston College, Rutgers University.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This is the second volume of a two-volume collection of over 100 articles spanning half a century of work by the late Soviet scientist Yakov Borisovich Zeldovich. The breadth and depth of Zeldovich's work is staggering. Author of over twenty books and more than 500 scientific articles, he made fundamental contributions in chemical catalysis and kinetics, combustion and the hydrodynamics of explosive phenomena, nuclear chain reactions and nuclear energy, the physics of elementary particles, and the large-scale structure of the universe and cosmology. The importance of this collection lies not only in its documentary value as a collection of key scientific works by a man of genius. Zeldovich himself considered his most valuable role to be that of a teacher, to convey to young scientists the how of science. The author of several excellent textbooks on topics ranging from elementary mathematics to advanced methods of mathematical physics, he saw this collection of works, enlarged from the original Russian edition, as a contribution to that end. Commentaries by the author and the editors are included with each paper serving to enhance both the historical and the pedagogical value of this edition. The passing of Yakov Borisovich Zeldovich in December, 1987, was a loss felt deeply by scientists all over the world. This collection of his works serves as a tribute to him as a man, a scientist, and, above all, a teacher. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art. In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists.Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. The identities so formed resemble the shifting, irregular shapes of postmodernist landscapes—but Hussein and the Jordanian people are also beginning to use a classically modernist linear narrative to describe themselves. Layne maintains, however, that even with this change Jordanian identities will remain resistant to all-or-nothing descriptions.Linda L. Layne is Alma and H. Erwin Hale Teaching Professor of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Classic crime fiction's 'Indiana Jones' Tony Medawar unearths more unpublished and uncollected stories from the Golden Age of suspense, including John Bude, John Dickson Carr, Dorothy L. Sayers and Julian Symons. ‘Five books in, and the selection here might well be the strongest yet. This series continues to delight with the high standard of forgotten gems that Medawar uncovers, and there’s sufficient range to ensure that all fans of the genre will find something to enjoy. Book 6 can’t come soon enough.’ Jim Noy, author of The Red Death Murders The end of the First World War saw the rise of an insatiable public appetite for clever and thrilling mystery fiction and a new kind of hero – the modern crime writer. As the genre soared in popularity, so did the inventiveness of its best authors, ushering in a “Golden Age” of detective fiction – two decades of exemplary mystery writing: the era of the whodunit, the impossible crime and the locked-room mystery, with stories that have thrilled and baffled generations of readers. The Golden Age still casts a long shadow, with many of the authors who were published at that time still hugely popular today. Aside from novels, they all wrote short fiction – stories, serials and plays – and although many have been republished in books over the last 100 years, Bodies from the Library collects the ones that are impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author’s archive when they died . . . Complete with fascinating biographies by Tony Medawar of all the featured authors, this latest volume in the annual Bodies from the Library series once again brings into the daylight the forgotten, the lost and the unknown, and is an indispensable collection for any bookshelf.

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A comic masterpiece that has never been out of print since it was first published in 1889, Jerome K. Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.Jerome K. Jerome (1859-1927) was born in Walstall, Staffordshire, and educated at Marylebone Grammar School. He left school at fourteen to become a railway clerk, the first in a long line of jobs that included actor, teacher and journalist. His first book, On Stage and Off, a collection of humorous pieces about the theatre, was published in 1885, and was followed the year after with the more commercially-successful The Idle Thoughts of an Idle Fellow; but it was with Three Men in a Boat (1889) that Jerome achieved lasting fame. He later went on to become one of the founders of the humorous magazine, The Idler, and continued to write articles and plays. If you enjoyed Three Men in a Boat, you might like Stella Gibbons's Cold Comfort Farm, also available in Penguin Classics.

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It is now more than 40 years since "Fighters over the Desert" was published, and nearly as long since this was followed by "Fighters over Tunisia". Both volumes have long been out of print and collectors' items, but, despite much prompting, Christopher Shores has resolutely refused to permit their reprinting until he amassed so much more information. He has also long nursed a desire to expand the coverage to encompass the operations of the other types of aircraft involved in this interesting and important theatre of war - the bombers, reconnaissance aircraft and maritime units. Further, it is his intention to extend the period covered to include the later operations over Sicily, Italy, the Aegean area, the Balkans and Southern Europe. This then represents the first volume of a seminal series dealing with all these aspects and areas, which will also tie in with the earlier 'Grub Street' volumes which he and his collaborators have produced. Thus a full coverage of all aspects of aerial operations throughout the whole of the Mediterranean area will be the ultimate result. Further, these volumes will link appropriately and directly with his other works of this nature, dealing both with the Far East and the war in Europe. Readers will then be able to follow the wartime careers of units and personnel involved from volume to volume throughout the war. Operations directly over the main battlefronts will be dealt with as previously, on a daily basis. However, to allow a clearer view to be obtained of operations elsewhere in the theatre, or of a different nature, separate chapters will deal specifically with the night bombers, the air defence of the base areas, and the naval co-operation activities. Wide use of maps will be made throughout this and subsequent volumes together with a considerable number of photographs integrated into the text. Long awaited by many, if any work can be said to be comprehensive and definitive, this is it.

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PHILADELPHIA, the 1840s: a corrupt banker disowns his dissolute son, who then reappears as a hardened smuggler in the contraband slave trade. Another son, hidden from his father since birth and condemned as a former felon, falls in with a ferocious street gang led by his elder brother and his revenge-hungry comrade from Cuba. His adopted sister, a beautiful actress, is kidnapped, and her remorseful black captor becomes her savior as his tavern is engulfed in flames. Vendetta, gang violence, racial tensions, and international intrigue collide in an explosive novella based on the events leading up to an infamous 1849 Philadelphia race riot. The Killers takes the reader on a fast-paced journey from the hallowed halls of academia at Yale College to the dismal solitary cells of Eastern State Penitentiary and through southwest Philadelphia's community of free African Americans. Though the book's violence was ignited by the particulars of Philadelphia life and politics, the flames were fanned by nationwide anxieties about race, labor, immigration, and sexuality that emerged in the young republic. Penned by fiery novelist, labor activist, and reformer George Lippard (1822-1854) and first serialized in 1849, The Killers was the work of a wildly popular writer who outsold Edgar Allan Poe and Nathaniel Hawthorne in his lifetime. Long out of print, the novella now appears in an edition supplemented with a brief biography of the author, an untangling of the book's complex textual history, and excerpts from related contemporaneous publications. Editors Matt Cohen and Edlie L. Wong set the scene of an antebellum Philadelphia rife with racial and class divisions, implicated in the international slave trade, and immersed in Cuban annexation schemes to frame this compact and compelling tale. Serving up in a short form the same heady mix of sensational narrative, local color, and impassioned politics found in Lippard's sprawling The Quaker City, or The Monks of Monks Hall, The Killers is here brought back to lurid life.

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In an examination of Southern slave law between 1810 and 1860, Mark Tushnet reveals a structured dichotomy between slave labor systems and bourgeois systems of production. Whereas the former rest on the total dominion of the master over the slave and necessitate a concern for the slave's humanity, the latter rest of the purchase by the capitalist of a worker's labor power only and are concerned primarily with economic interest. Focusing on a wide range of issues that include contract and accident law as well as criminal law and the law of manumission, he shows how Southern slave law had to respond to the competing pressures of humanity and interest.Beginning with a critical evaluation of slave law, the author develops the conceptual framework for his own perspective on the legal system, drawing on the works of Marx and Weber. He then examines four appellate court cases decided in three different states, from civil-law Louisiana to commonlaw North Carolina, at widely separated times, from 1818 to 1858.Professor Tushnet finds that the cases display a continuing but never wholly successful attempt at distinguish between law and sentiment as modes of regulating social interactions involving slaves. Also, the cases show that the primary method of accommodating law and sentiment was an attempt to use rigid categories to confine the law of slavery to what was thought its proper sphere.Mark Tushnet is Professor of Law at the University of Wisconsin.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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From household gossip to public beatings, this social history explores the many channels through which Athenian maintained public order. Virginia Hunter draws mostly on Attic court proceedings, which allowed for a wide range of evidence, including common rumors about a defendant's character and testimony, obtained under torture, of slaves against their masters. She describes Athenian "policing" as a form of social control that took place across a range of private and public levels. Not only does policing appear to have a collective enterprise, but its methods were embedded in a variety of social institutions, resulting in the blurring of the line between state and society.Hunter's inquiry into topics such as household authority, disputes among kin, the presence of slaves in the house, gossip in the home and neighborhood, and forms of public punishment reveals a continuum extending from self-regulation among kn and punititve actions enforced by the state. Recognizing the bias of legal documents toward the wealthy, Hunter concentrates on exposing the voices of the less powerful and less privileged members of society, including women and slaves. In so doing she is among the first to address systematically such important issues as the authority of women, self-help, and corporal punishment.Virginia J. Hunter is Professor of History at York University. She is author of Past and Process in Herodotus and Thucydides (Princeton) and Thucydides, the Artful Reporter (Toronto).Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In a wide-ranging interpretation of French thought in the years 1670-1789, Daniel Gordon takes us through the literature of manners and moral philosophy, theology and political theory, universal history and economics to show how French thinkers sustained a sense of liberty and dignity within an authoritarian regime. A penetrating critique of those who exaggerate either the radicalism of the Enlightenment or the hegemony of the absolutist state, his book documents the invention of an ethos that was neither democratic nor absolutist, an ethos that idealized communication and private life. The key to this ethos was "sociability," and Gordon offers the first detailed study of the language and ideas that gave this concept its meaning in the Old Regime. Citizens without Sovereignty provides a wealth of information about the origins and usage of key words, such as societe and sociabilite, in French thought. From semantic fields of meaning, Gordon goes on to consider institutional fields of action. Focusing on the ubiquitous idea of "society" as a depoliticized sphere of equality, virtue, and aesthetic cultivation, he marks out the philosophical space that lies between the idea of democracy and the idea of the royal police state. Within this space, Gordon reveals the channels of creative action that are open to citizens without sovereignty--citizens who have no right to self-government. His work is thus a contribution to general historical sociology as well as French intellectual history. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Catherine the Great's treatment of the Russian nobility has usually been regarded as dictated by court politics or her personal predilections. Citing new archival sources, Robert Jones shows that her redefinition and reorganization of the Russian nobility were in fact motivated by reasons of state. In 1762, Peter III had "emancipated" the nobility from obligatory state service, and in the early years of her reign Catherine attempted to govern Russia through a bureaucratic administration. Although this threatened the provincial nobles with social and economic decline, the government was oblivious to their plight until the peasant revolt of 1773-1775 convinced Catherine that she could not provide Russia with a government capable of defending and promoting the national interest without them. This realization led to the formation of a new alliance between the state and the nobility, based on a mutual fear of peasant revolt and expressed first in the provincial reforms of 1775 and finally in Catherine's Charter to the Nobility of 1785. In the 1760's Catherine had hoped to forestall peasant uprisings by improving the lot of the serfs and limiting the authority of the serf-owners. But faced with the choice between controlling the serfs in a way open to abuses and eliminating abuses in a way that might lead to loss of control, Catherine chose the former. Her Charter committed the state to the preservation of serfdom and the reactionary ancien regime. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The tumult of the Cultural Revolution after 1966 is often blamed on a few leaders in Beijing, or on long-term egalitarian ideals, or on communist or Chinese political cultures. Lynn White shows, however, that the chaos resulted mainly from reactions by masses of individuals and small groups to three specific policies of administrative manipulation: labeling groups, designating bosses, and legitimating violence in political campaigns. These habits of local organization were common after 1949 and gave the state success in short-term revolutionary aims, despite scarce resources and staff--but they also drove millions to attack each other later. First, measures accumulated before 1966 to give people bad or good names (such as "rightist" or "worker"); these set a family's access to employment, education, residence, and rations--so they gave interests to potential conflict groups. Second, policies for bossism went far beyond Confucian patronage patterns, making work units tightly dependent on Party monitors--so rational individuals either pandered to local bosses or (when they could) deposed them. Third, the institutionalized violence of political campaigns both mobilized activists and scared others into compliance. These organizational measures were often effective in the short run before 1966 but accumulated social costs that China paid later. The book ends with comparisons to past cases of mass urban ostracism in other countries, and it suggests how such tragedies may be forecast or prevented in the future. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity. Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films. In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The poems in Rachel Hadas's new book are united by a common preoccupation with passage--passage variously construed. In Section I, the four seasons are glimpsed in turn through the lenses of several types of personal associations, especially parenthood. As spring gives way to fall and winter, separation looms; diverse kinds of temporary and permanent renewal come with spring, and the fifth poem in this section steps outside this cycle. In Section II, the phrase "pass it on" recalls the game "telephone," in which a word is whispered by one speaker to another. Here the poems focus on tradition, primarily as it is transmitted through teaching, but also through art and again parenthood. Thoughts on teaching specific texts (the Iliad, Dickinson's poems, Sophocles' Philoctetes) alternate with more personal moments of contemplation. Finally, in Section III "pass it on" comes to signify transition--whether between spring and summer, city and country, youth and age, presence and absence, or life and death. From "Three Silences": Of all the times when not to speak is best, mother's and infant's is the easiest, the milky mouth still warm against her breast. Before a single year has passed, he's well along the way: language has cast its spell. Each thing he sees now has a tale to tell. A wide expanse of water-cean. Look! Next time, it seems that water is a brook. The world's loose leaves, bound up into a book. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A major figure in the history of twentieth-century American radicalism, William Z. Foster (1881-1961) fought his way out of the slums of turn-of-the-century Philadelphia to become a professional revolutionary as well as a notorious and feared labor agitator. Drawing on private family papers, FBI files, and recently opened Russian archives, this first full-scale biography traces Foster's early life as a world traveler, railroad worker, seaman, hobo, union activist, and radical journalist, and also probes the origins and implications of his ill-fated career as a top-echelon Communist official and three-time presidential candidate. Even though Foster's long and eventful life ended in Moscow, where he was given a state funeral in Red Square, he was, as portrayed here, a thoroughly American radical. The book not only reveals the circumstances of Foster's poverty-stricken childhood in Philadelphia, but also vividly describes his work and travels in the American West. Also included are fascinating accounts of his early political career as a Socialist, "Wobbly," and anarcho-syndicalist, and of his activities as the architect of giant organizing campaigns by the American Federation of Labor, involving hundreds of thousands of workers in the meatpacking and steel industries. The author views Foster's influence in the American Communist movement from the perspective of the history of American labor and unionism, but he also offers a realistic assessment of Foster's career in light of factional intrigues at the highest levels of the Communist International. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships. The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Franz Anton Mesmer's concept of animal magnetism exercised a profound influence on key European and American thinkers. Mesmer, who saw in his discovery the secret of health, had hoped to recover the harmony between man and nature by harnessing the power of magnetic fluids. In calling attention to the existence of a second self that surfaces in the hypnotic trance, Mesmer made his real contribution and took the first, decisive steps on the road leading to the unconscious. While most critical studies of mesmerism originate in the history of science or medicine, Maria Tatar's book takes a fresh approach by tracing the impact of mesmerism on literature. The author launches her account with a portrait of Mesmer and places his views in the context of eighteenth-century thought. She then explores the significance of Mesmer's ideas and studies their influence on nineteenth-century German, French, and American writers. In conclusion, she examines the ways in which modern authors absorbed and reshaped the mesmerist legacy bequeathed to them by earlier generations. Whether discussing the electrical energy vibrating through Kleist's dramas, the electrical heat radiating from Hoffmann's figures, the streams of magnetic fluid coursing through Balzac's novels, or the magnetic chain of humanity linking Hawthorne's characters, Professor Tatar recaptures the meaning of ideas, motifs, and metaphors often overlooked by literary critics. Her study illuminates, in a remarkable way, the subtle connections between science, psychology, and literature. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Nicole Loraux has devoted much of her writing to charting the paths of the Greek "imaginary," revealing a collective masculine psyche fraught with ambivalence as it tries to grasp the differences between nature and culture, body and soul, woman and man. The Experiences of Tiresias, its title referring to the shepherd struck blind after glimpsing Athena's naked body, captures this ambivalence in exploring how the Greek male defines himself in relationship to the feminine. In these essays, Loraux disturbs the idea of virile men and feminine women, a distinction found in official discourse and aimed at protecting the ideals of male identity from any taint of the feminine. Turning to epic and to Socrates, however, she insists on a logic of an inclusiveness between the genders, which casts a shadow over their clear, officially defined borders. The emphasis falls on the body, often associated with feminine vulnerability and weakness, and often dissociated from the ideal of the brave, self-sacrificing male warrior. But heroes such as the Homeric Achilles, who fears yet fights bravely, and Socrates, who speaks of the soul through the language of the body, challenge these representations. The anatomy of pain, the heroics of childbirth, the sorrows of tears, the warrior's wounds, and the madness of the soul: all these experiences are shown to engage with both the masculine and the feminine in ways that do not denigrate the experiences for either gender. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In a century torn by violent civil uprisings, civilian bombings, and genocides, war has been an immediate experience for both soldiers and civilians, for both women and men. But has this reality changed our long-held images of the roles women and men play in war, or the emotions we attach to violence, or what we think war can accomplish? This provocative collection addresses such questions in exploring male and female experiences of war--from World War I, to Vietnam, to wars in Latin America and the Middle East--and how this experience has been articulated in literature, film and drama, history, psychology, and philosophy. Together these essays reveal a myth of war that has been upheld throughout history and that depends on the exclusion of "the feminine" in order to survive. The discussions reconsider various existing gender images: Do women really tend to be either pacifists or Patriotic Mothers? Are men essentially aggressive or are they threatened by their lack of aggression? Essays explore how cultural conceptions of gender as well as discursive and iconographic representation reshape the experience and meaning of war. The volume shows war as a terrain in which gender is negotiated. As to whether war produces change for women, some contributors contend that the fluidity of war allows for linguistic and social renegotiations; others find no lasting, positive changes. In an interpretive essay Klaus Theweleit suggests that the only good war is the lost war that is embraced as a lost war. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Humanism, in both its rhetoric and practice, attempted to transform the relationships between men that constituted the fabric of early modern society. So argues Alan Stewart in this ground-breaking investigation into the impact of humanism in sixteenth-century England. Here the author shows that by valorizing textual skills over martial prowess, humanism provided a new means of upward mobility for the lowborn but humanistically trained scholar: he could move into a highly intimate place in a nobleman's household that was previously not open to him. Because of its novelty and secrecy, the intimacy between master and scholar was vulnerable to accusations of another type of intimacy--sodomy. In comparing the ways both humanism and sodomy signaled a new economy of social relations capable of producing widespread anxiety, Stewart contributes to the foray of modern gay scholarship into Renais-sance art and literature. The author explores the intriguing relationship between humanism and sodomy in a series of case studies: the Medici court of the 1470s, the allegations against monks in the campaign to suppress the English monasteries, the institutionalized beating of young boys, the treacherous circle of the doomed Sir Thomas Seymour, and the closet secretaries of Elizabeth's final years. Stewart's documentation comes from a wide range of underused materials, from schoolboys' grammar books to political writings, enabling him to reconstruct frequently misunderstood events in their original contexts. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this broad historical and critical overview based on a lifetime of scholarship, James Alfred Martin, Jr., examines the development of the concepts of beauty and holiness as employed in theories of aesthetics and of religion. The injunction in the Book of Psalms to "worship the Lord in the beauty of holiness" addressed a tradition that has comprehended holiness primarily in terms of ethical righteousness--a conception that has strongly influenced Western understandings of religion. As the author points out, however, the Greek forbears of Western thought, as well as many Eastern traditions, were and are more broadly concerned with the pursuit of beauty, truth, and goodness as ideals of human excellence, that is, with the "holiness of beauty." In this work Martin describes a philosophical stance that should prove to be most productive for the dialogue between aesthetics and religion. Beginning with the treatment of beauty and holiness in Hebrew, Greek, and classical Christian thought, the author traces the emergence of modern theories of aesthetics and religion in the Enlightenment. He then outlines the role of aesthetics in the theories of religion proposed by Otto, Eliade, van der Leeuw, and Tillich, in the cultural anthropology of Geertz, and in the thought of Santayana, Dewey, Whitehead, Heidegger, and Wittgenstein. In a global context Martin explores the relation of aesthetic theory to religious thought in the traditions of India, China, and Japan and concludes with reflections on the viability of modern aesthetic and religious theory in the light of contemporary cultural and methodological pluralism. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Though central to the social, political, and cultural life of the nineteenth-century city, the urban volunteer fire department has nevertheless been largely ignored by historians. Redressing this neglect, Amy Greenberg reveals the meaning of this central institution by comparing the fire departments of Baltimore, St. Louis, and San Francisco from the late eighteenth to the mid-nineteenth century. Volunteer fire companies protected highly flammable cities from fire and provided many men with friendship, brotherhood, and a way to prove their civic virtue. While other scholars have claimed that fire companies were primarily working class, Greenberg shows that they were actually mixed social groups: merchants and working men, immigrants and native-born--all found a common identity as firemen. Cause for Alarm presents a new vision of urban culture, one defined not by class but by gender. Volunteer firefighting united men in a shared masculine celebration of strength and bravery, skill and appearance. In an otherwise alienating environment, fire companies provided men from all walks of life with status, community, and an outlet for competition, which sometimes even led to elaborate brawls. While this culture was fully respected in the early nineteenth century, changing social norms eventually demonized the firemen's vision of masculinity. Greenberg assesses the legitimacy of accusations of violence and political corruption against the firemen in each city, and places the municipalization of firefighting in the context of urban social change, new ideals of citizenship, the rapid spread of fire insurance, and new firefighting technologies. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning. Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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One of the most original and engaging composers of the twentieth century, Leos Janacek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Janacek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Janacek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before. The book is complemented by a chronology of Janacek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Janacek archive in Brno, this work is a classic of music documentary scholarship. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this study of voluntary charities in eighteenth-century London, Donna Andrew reconsiders the adequacy of humanitarianism as an explanation for the wave of charitable theorizing and experimentation that characterized this period. Focusing on London, the most visible area of both destitution and social experimentation, this book examines the political as well as benevolent motives behind the great expansion of public institutions--nondenominational organizations seeking not only to relieve hardship, but to benefit the nation directly--funded and run by voluntary associations of citizens. The needs of police, the maintaining of civil order and the refining of society, were thought by many ordinary citizens to be central to the expansion of England's role in the world and to the upholding of the country's peace at home. Drawing on previously unexplored and unsynthesized materials, this work reveals the interaction between charitable theorizing and practical efforts to improve the condition of the poor. The author argues that it is impossible to comprehend eighteenth-century charity without taking into account its perceived social utility, which altered as circumstances mandated. For example, the charities of the 1740s and 1750s, founded to aid in the strengthening of England's international supremacy, lost their public support as current opinions of England's most urgent needs changed. Creating and responding to new visions of what well-directed charities might accomplish, late-century philanthropists tried using charitable institutions to reknit what they believed was a badly damaged social fabric. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Regarded as one of the founders of the postwar American independent cinema, the legendary Maya Deren was a poet, photographer, ethnographer, filmmaker and impresario. Her efforts to promote an independent cinema have inspired filmmakers for over fifty years. "Meshes of the Afternoon" (1943) ranks among the most widely viewed of all avant-garde films. The eleven essays gathered here examine Maya Deren's writings, films, and legacy from a variety of intriguing perspectives. Some address her relative neglect during the rise of feminist film theory; all argue for her enduring significance. The essays cast light on her aesthetics and ethics, her exploration of film form and of other cultures, her role as (woman) artist and as film theorist. "Maya Deren and the American Avant-Garde" also includes one of the most significant reflections on the nature of art and the responsibilities of the filmmaker ever written - Deren's influential but long out-of-print book, "An Anagram of Ideas on Art, Form and Film", in its entirety. Among the topics covered in this volume are Deren's ties with the avant-garde of her day and its predecessors; her perspective on vodoun ritual, possession ceremonies, and social harmony; her work in relation to the modern dance tradition and its racial inflections; her thoughts, written in the shadow of Hiroshima and Nagasaki, about science, including how form can embody moral principles; the complex issue of the 'woman artist' in an avant-garde dominated by men; her famous dispute with Anais Nin; and, an exploration of issues of identification and desire in her major films. As the first critical evaluation of the enduring significance of Maya Deren, this book clarifies the filmmaker's theoretical and cinematic achievements and conveys the passionate sense of moral purpose she felt about her art. It is a long-overdue tribute to one of the most important and least written about filmmakers in American cinema, an artist who formulated the terms and conditions of independent cinema that remain with us today.

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A gripping tale of adventure that has enthralled readers since it was first published, John Buchan's The Thirty-Nine Steps is edited with an introduction and notes by Sir John Keegan in Penguin Classics.Adventurer Richard Hannay has just returned from South Africa and is thoroughly bored with his London life - until a spy is murdered in his flat, just days after having warned Hannay of an assassination plot that could plunge Britain into a war with Germany. An obvious suspect for the police and an easy target for the killers, Hannay picks up the trail left by the assassins, fleeing to Scotland, where he must use all his wits to stay one step ahead of the game - and warn the government before it is too late. One of the most popular adventure stories ever written, The Thirty-Nine Steps established John Buchan as the original thriller writer and inspired many other novelists and filmmakers including Alfred Hitchcock.In his introduction to this edition, historian Sir John Keegan compares Buchan's life - his experiences in South Africa, his love of Scotland and his moral integrity - with his fictional hero. This edition also includes notes, a chronology and further reading.John Buchan (1875-1940) was born in Perth, and first began writing at Oxford University, producing two volumes of essays, four novels and two collections of stories and poems before the age of twenty-five. During the First World War he worked both as a journalist and at Britain's War Propaganda Bureau, eventually becoming Director of Information. He published his most popular novel, The Thirty-Nine Steps, in 1915 - and it has never since been out of print.If you enjoyed The Thirty-Nine Steps, you might like G.K. Chesterton's The Man Who Was Thursday, also available in Penguin Classics.'Richard Hannay is ... a modern knight-errant'Observer'Once you've started, you can't put the book down'Stella Rimington

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From household gossip to public beatings, this social history explores the many channels through which Athenian maintained public order. Virginia Hunter draws mostly on Attic court proceedings, which allowed for a wide range of evidence, including common rumors about a defendant's character and testimony, obtained under torture, of slaves against their masters. She describes Athenian "policing" as a form of social control that took place across a range of private and public levels. Not only does policing appear to have a collective enterprise, but its methods were embedded in a variety of social institutions, resulting in the blurring of the line between state and society.Hunter's inquiry into topics such as household authority, disputes among kin, the presence of slaves in the house, gossip in the home and neighborhood, and forms of public punishment reveals a continuum extending from self-regulation among kn and punititve actions enforced by the state. Recognizing the bias of legal documents toward the wealthy, Hunter concentrates on exposing the voices of the less powerful and less privileged members of society, including women and slaves. In so doing she is among the first to address systematically such important issues as the authority of women, self-help, and corporal punishment.Virginia J. Hunter is Professor of History at York University. She is author of Past and Process in Herodotus and Thucydides (Princeton) and Thucydides, the Artful Reporter (Toronto).Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience.The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city.Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn).Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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