Search results for ""Johannes""

#1 New York Times bestselling author Daniel Silva delivers another stunning thriller in his action-packed tale of high stakes international intrigue. On the morning after the Venice Preservation Society’s annual black-tie gala, art restorer and legendary spy Gabriel Allon enters his favorite coffee bar on the island of Murano to find General Cesare Ferrari, the commander of the Art Squad, eagerly awaiting his arrival. The Carabinieri have made a startling discovery in the Amalfi villa of a murdered South African shipping tycoon—a secret vault containing an empty frame and stretcher matching the dimensions of the world’s most valuable missing painting. General Ferrari asks Gabriel to quietly track down the artwork before the trail goes cold. “Isn’t that your job?” “Finding stolen paintings? Technically speaking, yes. But you’re much better at it than we are.” The painting in question is The Concert by Johannes Vermeer, one of thirteen works of art stolen from Boston’s Isabella Stewart Gardner Museum in 1990. With the help of a most unlikely ally, a beautiful Danish computer hacker and professional thief, Gabriel soon discovers that the painting has changed hands as part of an illicit billion-dollar business deal involving a man code-named the Collector, an energy executive with close ties to the highest levels of Russian power. The missing masterpiece is the lynchpin of a conspiracy that if successful, could plunge the world into a conflict of apocalyptic proportions. To foil the plot, Gabriel must carry out a daring heist of his own, with millions of lives hanging in the balance.

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Christianus Ravius (Christian Raue, 1613-1677) led a life of remarkable variety, which illustrates many aspects of the career of a scholar in seventeenth century Europe. This biography, the first full-length treatment of him since 1744, covers the first three decades of his eventful career, from the Gymnasium in his native Berlin through Germany, Scandiniavia, Holland, England and the Ottoman Empire. Drawing on much previously unexploited evidence, and on detailed analyses of his numerous published works, it presents a picture of a scholar trying to establish himself in the Republic of Letters, cultivating the acquaintance of many contemporary scholars, including such great names as Hugo Grotius, John Selden, James Ussher, Claudius Salmasius, Johannes Buxtorf II, G. J. Vossius and Jaobus Golius. In the background of his precarious existence looms the Thirty Years’ War, which was a cause not only of his parents’ early death but also of the devastation of his family’s estate and his persistent poverty. Despite his failure to obtain a permanent position in any 0f the universities with which he was associated during this time, he persisted in promoting the study of oriental languages, especially Arabic. This led to his stay of two years in Constantinople and other parts of the Ottoman Empire, where he managed to acquire the remarkable collection of oriental manuscripts which was an important element in his attempts to attain employment and recognition. This study includes an account of the identity and present location of almost three hundred of those manuscripts, and also an edition of many unpublished letters from his extensive correspondence which are relevant to the narrative of his life. Ravius’s idiosyncratic theories on linguistic history receive due attention.

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In 2001, Vanity Fair declared that the Age of Irony was over. Joan Didion has lamented that the United States in the era of Barack Obama has become an "irony-free zone." Jonathan Lear in his 2006 book Radical Hope looked into America’s heart to ask how might we dispose ourselves if we came to feel our way of life was coming to an end. Here, he mobilizes a squad of philosophers and a psychoanalyst to once again forge a radical way forward, by arguing that no genuinely human life is possible without irony.Becoming human should not be taken for granted, Lear writes. It is something we accomplish, something we get the hang of, and like Kierkegaard and Plato, Lear claims that irony is one of the essential tools we use to do this. For Lear and the participants in his Socratic dialogue, irony is not about being cool and detached like a player in a Woody Allen film. That, as Johannes Climacus, one of Kierkegaard’s pseudonymous authors, puts it, “is something only assistant professors assume.” Instead, it is a renewed commitment to living seriously, to experiencing every disruption that shakes us out of our habitual ways of tuning out of life, with all its vicissitudes. While many over the centuries have argued differently, Lear claims that our feelings and desires tend toward order, a structure that irony shakes us into seeing. Lear’s exchanges with his interlocutors strengthen his claims, while his experiences as a practicing psychoanalyst bring an emotionally gripping dimension to what is at stake—the psychic costs and benefits of living with irony.

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Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century. Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance,mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpineenvironment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers,and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Höbusch, Dan Hooley, Peter Höyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Türk, Sabine Wilke, Wilfried Wilms. Sean Ireton is Associate Professor of German at the University of Missouri. Caroline Schaumann is Associate Professor of German Studies at Emory University.

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'The best novel I've encountered this year, brilliant and funny and profound, producing some of the most complex, fascinating characters I've ever known. As far as I'm concerned, the novel is an instant classic' Jaroslav Kalfar, author of Spaceman of Bohemia'This is art of the highest order, a masterpiece of restraint, insight and style' Matthew Thomas, author of We Are Not Ourselves9th November 1989, East Berlin, the day the Berlin Wall will fall - Bernd Zeiger, a Stasi agent whose life's work, a manual on the demoralisation of political opponents, once made him renowned now faces an ailing psyche and the fading twilight of his career. His whole life has been reduced to a preoccupation with the disappearance of Lara, a young waitress at his local café. Twenty-five years earlier, during the Cold War, a physicist Johannes Held had been sent by the East Germans to infiltrate a US military operation in the Arizona desert, where teleportation and other paranormal activities were being investigated. On his return to Germany he refused to divulge what he had learned there and Zeiger was summoned to obtain his confession. The torturer and the tortured strangely became friends. But Zeiger soon betrayed Held - a treachery that haunts him to this day and one that will prove to be connected to Lara's disappearance. Darkly comic and hauntingly surreal, The Standardization of Demoralization Procedures examines obsession, Cold War paranoia and the dwindling career of a Stasi operative. Set against the brutal backdrop of communist East Germany, Hofmann's debut captures the fate of humanist fantasies under an extreme surveillance state.

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Executive editors: Katja Happe, Michael Mayer, and Maja Peers, with Jean-Marc Dreyfus; English-language edition prepared by: Caroline Pearce, Johannes Gamm, Georg Felix Harsch, and Dorothy Mas In April-May 1940 the German Wehrmacht invaded Northern and Western Europe. The subsequent occupation of Norway, Denmark, the Netherlands, Belgium, Luxembourg, and France brought the Jewish population of these countries – both established residents and refugees – under German control. From autumn 1941 in Luxembourg and from spring/summer 1942 in Belgium, the Netherlands and occupied France, Jews were required to wear the ‘Jewish star’ and many were subjected to forced labour. By mid-1942, deportations from Luxembourg and France to the ghettos and extermination camps in occupied Eastern Europe had already begun, while in the other occupied countries they were imminent. In April 1942 Alfred Oppenheimer, the Jewish elder in Luxembourg, wrote: ‘A dreadful fate hangs over our community again. The worst that can happen has now happened and the Poland transport is a certainty.’ This volume covers Norway and Western Europe during the period from the German invasion to mid 1942 (developments in Denmark for this period are documented in vol. 12) and records how Jews in these parts of Europe were excluded from society and stripped of their rights, livelihoods, and property. Letters and diary entries by the persecuted Jews detail life under German occupation and the attempts by many Jews to emigrate. The sources show how Jewish organizations sought to alleviate the impact of persecution, and how the German occupiers and local collaborators targeted Jews with increasingly stringent measures and clamped down on any form of resistance. Learn more about the PMJ on https://pmj-documents.org/

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This accessible book provides an introduction to the analysis and design of dynamic multiagent networks. Such networks are of great interest in a wide range of areas in science and engineering, including: mobile sensor networks, distributed robotics such as formation flying and swarming, quantum networks, networked economics, biological synchronization, and social networks. Focusing on graph theoretic methods for the analysis and synthesis of dynamic multiagent networks, the book presents a powerful new formalism and set of tools for networked systems. The book's three sections look at foundations, multiagent networks, and networks as systems. The authors give an overview of important ideas from graph theory, followed by a detailed account of the agreement protocol and its various extensions, including the behavior of the protocol over undirected, directed, switching, and random networks. They cover topics such as formation control, coverage, distributed estimation, social networks, and games over networks. And they explore intriguing aspects of viewing networks as systems, by making these networks amenable to control-theoretic analysis and automatic synthesis, by monitoring their dynamic evolution, and by examining higher-order interaction models in terms of simplicial complexes and their applications. The book will interest graduate students working in systems and control, as well as in computer science and robotics. It will be a standard reference for researchers seeking a self-contained account of system-theoretic aspects of multiagent networks and their wide-ranging applications. This book has been adopted as a textbook at the following universities: * University of Stuttgart, Germany * Royal Institute of Technology, Sweden * Johannes Kepler University, Austria * Georgia Tech, USA * University of Washington, USA * Ohio University, USA

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The fifteenth century is more than any other the century of the persecution of witches. So wrote Johan Huizinga more than eighty years ago in his classic Autumn of the Middle Ages. Although Huizinga was correct in his observation, modern readers have tended to focus on the more spectacular witch-hunts of the sixteenth and seventeenth centuries. Nevertheless, it was during the late Middle Ages that the full stereotype of demonic witchcraft developed in Europe, and this is the subject of Battling Demons.At the heart of the story is Johannes Nider (d. 1438), a Dominican theologian and reformer who alternately persecuted heretics and negotiated with them—a man who was by far the most important church authority to write on witchcraft in the early fifteenth century. Nider was a major source for the infamous Malleus maleficarum, or Hammer of Witches (1486), the manual of choice for witch-hunters in late medieval Europe. Today Nider's reputation rests squarely on his witchcraft writings, but in his own day he was better known as a leader of the reform movement within the Dominican order and as a writer of important tracts on numerous other aspects of late medieval religiosity, including heresy and lay piety. Battling Demons places Nider in this wider context, showing that for late medieval thinkers, witchcraft was one facet of a much larger crisis plaguing Christian society. As the only English-language study to focus exclusively on the rise of witchcraft in the early fifteenth century, Battling Demons will be important to students and scholars of the history of magic and witchcraft and medieval religious history.

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The book describes goals and success criteria of early computer science education at pre-primary and primary school age. Two expert reports specify pedagogical content dimensions of computer science education and give recommendations for the further development of the “Haus der kleinen Forscher” Foundation’s offerings. The implementation of these professional recommendations in the programmes of the “Haus der kleinen Forscher” Foundation is also described. In their expert report, Nadine Bergner, Hilde Köster, Johannes Magenheim, Kathrin Müller, Ralf Romeike, Ulrik Schroeder and Carsten Schulte specify the pedagogical and content-related target dimensions of computer science education at early childhood education and care centres, after-school centres, and primary schools. In addition to a theoretical basis for various target dimensions, the authors discuss the success criteria for effective and efficient early computer science education in practise. They also give recommendations for the further development of the „Haus der kleinen Forscher“ Foundation’s offerings and scientific monitoring of the work of the Foundation in the field of computer science. In their expert recommendation, Nadine Bergner and Kathrin Müller describe a selection of informatics systems for children at early childhood education and care centres and primary schools and give suggestions for particularly suitable systems and their use in pre-primary and primary education on the basis of expert criteria. The English version is a partially revised edition of "Stiftung Haus der kleinen Forscher (Hrsg.) (2018). Frühe informatische Bildung – Ziele und Gelingensbedingungen für den Elementar- und Primarbereich. Wissenschaftliche Untersuchungen zur Arbeit der Stiftung „Haus der kleinen Forscher“ (Band 9). Opladen, Berlin, Toronto: Verlag Barbara Budrich. The information has been updated to new developments and offerings of the “Haus der kleinen Forscher” Foundation.

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Søren Kierkegaard’s Fear and Trembling is a classic in both theology and philosophy alike. In what is probably his most well-known book, Denmark’s most famous philosopher muses, through his pseudonym Johannes de Silentio, about the Akedah story, the story within the book of Genesis which recounts Abraham’s binding of his son Isaac as a sacrifice to God. This collection brings together seven essays that read Fear and Trembling as a classic, that is: as a work that can speak meaningfully to people in different places and at different times, and that can be read fruitfully from within a diversity of theoretical frameworks and approaches. Fear and Trembling is linked here, not only with other important philosophers, such as Adorno, Heidegger and Westphal, but it is also related to the so-called “non-metaphysical” approach to Hegel and to the debate on the “ethics of belief”. Questions are raised about Fear and Trembling and religious diversity, historical criticism, and authorial intent, and the work is approached from within poetry (Erik Johan Stagnelius) and drama (Paul Claudel), but also from within one contributor’s personal experiences with theological education. In this way, the seven contributions brought together in the present book offer something of a panoramic view on Fear and Trembling, a view that may inspire to either turn or return to Kierkegaard’s most famous book, and let oneself, for the first time or once more, be challenged, disturbed, and maybe even repelled by this text that reflects on a father that is, or at least seems, willing to sacrifice his only son because God ordered him to do so.

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A revelatory new account of the magus—the learned magician—and his place in the intellectual, social, and cultural world of Renaissance Europe.In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world.Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired—often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos.Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician’s mind and the many worlds he inhabited.

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What makes a work of art a masterpiece? Discover the answers in the fascinating stories of how these artworks came to be and the circumstances of their long-lasting impact on the world. Beginning with Botticelli’s The Birth of Venus, we travel through time and a range of styles and stories – including theft, scandal, artistic reputation, politics and power – to Warhol’s Campbell’s Soup Cans, challenging the idea of what a masterpiece can be, and arriving in the twenty-first century with Amy Sherald’s portrait of Michelle Obama, a modern-day masterpiece still to be tested by time. Each artwork has a tale that reveals making a masterpiece often involves much more than just a demonstration of artistic skill: their path to fame is only fully disclosed by looking beyond what the eye can see. Rather than trying to describe the elements of greatness, Making a Masterpiece takes account of the circumstances outside the frame that contribute to the perception of greatness and reveals that the journey from the easel to popular acclaim can be as compelling as the masterpiece itself.Featuring:Birth of Venus, Sandro BotticelliMona Lisa, Leonardo da VinciJudith Beheading Holofernes, Artemisia GentileschiGirl with a Pearl Earring, Johannes VermeerUnder the Wave off Kanagawa, Katsushika HokusaiFifteen Sunflowers, Vincent van GoghPortrait of Adele Bloch-Bauer I (Woman in Gold, Gustav KlimtAmerican Gothic, Grant WoodGuernica, Pablo PicassoSelf-Portrait with Thorn Necklace and Hummingbird, Frida KahloCampbell’s Soup Cans, Andy WarholMichelle LaVaughn Robinson Obama, Amy Sherald Discover the stories of how, why and what makes a masterpiece in this compelling and comprehensive title.

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This book provides the first systematic overview of German sociology today. Thirty-four chapters review current trends, relate them to international discussions and discuss perspectives for future research. The contributions span the whole range of sociological research topics, from social inequality to the sociology of body and space, addressing pressing questions in sociological theory and innovative research methods. TOC: Introduction Culture / Uta Karstein and Monika Wohlrab-Sahr Demography and Aging / François Höpflinger Economic Sociology / Andrea Maurer Education and Socialization / Matthias Grundmann Environment / Anita Engels Europe / Monika Eigmüller Family and Intimate Relationships / Dirk Konietzka, Michael Feldhaus, Michaela Kreyenfeld, and Heike Trappe (Felt) Body. Sports, Medicine, and Media / Robert Gugutzer and Claudia Peter Gender / Paula-Irene Villa and Sabine Hark Globalization and Transnationalization / Anja Weiß Global South / Eva Gerharz and Gilberto Rescher History of Sociology / Stephan Moebius Life Course / Johannes Huinink and Betina Hollstein Media and Communication / Andreas Hepp Microsociology / Rainer Schützeichel Migration / Ludger Pries Mixed-Methods and Multimethod Research / Felix Knappertsbusch, Bettina Langfeldt, and Udo Kelle Organization / Raimund Hasse Political Sociology / Jörn Lamla Qualitative Methods / Betina Hollstein and Nils C. Kumkar Quantitative Methods / Alice Barth and Jörg Blasius Religion / Matthias Koenig Science and Higher Education / Anna Kosmützky and Georg Krücken Social Inequalities―Empirical Focus / Gunnar Otte, Mara Boehle, and Katharina Kunißen Social Inequalities―Theoretical Focus / Thomas Schwinn Social Movements / Thomas Kern Social Networks / Roger Häußling Social Policy / Birgit Pfau-Effinger and Christopher Grages Social Problems / Günter Albrecht Social Theory / Wolfgang Ludwig Schneider Society / Uwe Schimank Space. Urban, Rural, Territorial / Martina Löw Technology and Innovation / Werner Rammert Work and Labor / Brigitte Aulenbacher and Johanna Grubner List of Contributors Index

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This book takes the reader on an exploration of the Cosmos, from Mesopotamia and Egypt to China; it unveils the fascinating development of astronomy and mathematics. After an overview of the origins of these subjects, highlighting the contributions of Greek astronomers, the Arab culture, and Copernicus' solar system model, the book delves into the revolutionary work of Tycho Brahe, Johannes Kepler, Galileo Galilei, and Isaac Newton, leading to a comprehensive understanding of the solar system. Special attention is given to the instruments used by ancient astronomers, including the most important astronomical clocks and planetary machines. In light of this, the author examines Kepler's almost unknown design of a planetary machine and offers an interpretation using virtual reality techniques. The book also highlights the Chinese view of the Cosmos and the evolution of its astronomy and astronomical machines, offering readers a unique perspective and insight into the relationship between astronomy and technology in different cultures. Finally, the author provides a practical approach to understanding the construction and mechanics of astronomical machines, exploring the process of designing and manufacturing a Tellurium. The reading is enriched with short videos of the Tellurium, along with a translation of the description of the planetary machine by Christiaan Huygens. In addition, it provides a unique glimpse into the religious influences on astronomical studies during the mid-1700s through the translation of Johann Albrecht Bengel's book Cyclus. This book is a must-read for anyone interested in the history of science and technology. It appeals to astronomers, mathematicians, physicists, and historians of science and technology alike, providing fascinating descriptions and insightful analysis of the vision of the Cosmos from its earliest conceptions to the present day.

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53 SHORT ESSAYS FOR BUSY PEOPLE . . . BY 49 AMAZING AUTHORS. Too tired to think? No time to read books? Zibby Owens gets it. Award-winning podcaster of Moms Don’t Have Time to Read Books and mother of four (ages six to fourteen) compiled fifty-three essays by forty-nine authors to help the rest of us feel understood, inspired, and less alone. The authors, all previous guests on her podcast (go listen!), include fifteen New York Times bestselling authors, five national bestsellers, and twenty-nine award-winning/notable/critically acclaimed writers. The super short essays were inspired by a few other things moms don't have time to do: sleep, get sick, write, lose weight, and see friends. Read one a week and you'll finish the whole book in a year: accomplishment! Topics range from taking care of an aging grandmother, mourning the loss of a family member, battling insomnia, wrestling with body image, coping with chronic illness, navigating writer's block, the power of women's friendship, and more juicy stuff. You'll laugh, cry, think, and feel like you just had coffee with a close friend. If that best friend were a world-renowned author. Contributors include: Aimee Agresti, Esther Amini, Chandler Baker, Adrienne Bankert, Andrea Buchanan, Terri Cheney, Jeanine Cummins, Stephanie Danler, KJ Dell'Antonia, Lydia Fenet, Michael Frank, Elyssa Friedland, Melissa Gould, Nicola Harrison, Kristy Woodson Harvey, Joanna Hershon, Angela Himsel, Richie Jackson, Shelli Johannes, Lily King, Jean Kwok, Heather Land, Brooke Adams Law, Caroline Leavitt, Jenny Lee, Shannon Lee, Elizabeth Lesser, Gigi Levangie, Emily Liebert, Lynda Loigman, Abby Maslin, Sarah McColl, Jeanne McCulloch, Malcolm Mitchell, Arden Myrin, Carla Naumburg, Rex Ogle, Zibby Owens, Camille Pagán, Elizabeth Passarella, Allison Pataki, Lindsay Powers, Susie Orman Schnall, Susan Shapiro, Melissa T. Shultz, Claire Bidwell Smith, Rev. Lydia Sohn, Laura Tremaine, and Cecily von Ziegesar.

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From acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart.From his earliest years it was apparent that the singular imagination of Wolfgang Mozart was tirelessly at work. He hated to be bored and hated to be idle, and he responded to these threats with a repertoire of antidotes mental and physical, going at every part of his life with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun.As a man, Mozart was an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to meow like a cat and leap over the furniture. He was forever drumming on things, tapping his feet, seeming both present and apart. But he also might grasp your hand and gaze at you with a profound, searching and melancholy look in his blue eyes. It was as if Mozart lived onstage and off simultaneously, a character in life's tragicomedy but also outside of it, watching, studying, gathering material for the fabric of his art.Like Swafford's biographies Beethoven, Johannes Brahms and Charles Ives, Mozart is both wide-ranging and intimate in its exploration of a genius in his life and his setting: a man who rose from a particular time and place, whose art would enrich the world for centuries to come, who would immeasurably shape the future of classical music, who from his age to ours has stood as the definition of a prodigy. As Swafford reveals, to understand the evolution of music it is vital to understand this singular genius as a man and an artist.

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'We come for the glitter, but instead we get the grit, in stories told with insight, tenderness and joy.' - Russell T DaviesWith a foreword by Steph McGovern'I never thought I'd write a memoir. I never thought I'd do a lot of the things I have done in my thirty-four years, but life has a wonderful way of surprising us.'Well-known as the winner of the third series of The Great British Bake Off and runner up of Strictly Come Dancing with his same-sex dance partner Johannes Radebe, John Whaite's personal story is a complicated narrative of contradictions, highs and lows, told with tenderness, joy, insight and wit, but also unflinching honesty. A shy little boy from rural Lancashire, who was scared to sleep alone and danced a little 'too gay' at family weddings, he was also an unruly teen who shaved a checkerboard pattern into his hair and refused to conform. From childhood his life has revolved around food - his parents owned a fish and chip shop where John worked in the back peeling potatoes - but for long periods he has been haunted by bulimia and body dysmorphia and not a day goes by when he doesn't worry about what or how much he eats. He achieved TV fame but then seemingly wilfully chose to self-destruct, before finding the strength to pull back when he woke up in a car with half a kebab at his feet and chilli sauce on his shoes. Through it all, his essential optimism has meant that he has chosen to take every step back as a chance to reassess and begin again, finally arriving at the realisation that external validation and fulfilment is transient - a distraction from the sometimes painful pilgrimage we make as we gain wisdom from our experiences.

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This beautiful art encyclopedia charts the evolution of the greatest cultural achievements in painting, sculpture, and photography.The greatest art exhibition at your fingertips! Packed with fascinating facts, clear explanations, and stunning photography, this awe-inspiring art encyclopedia for kids aged 9-12 years takes you on a magical tour through time exploring every artistic style and movement in stunning detail. From Leonardo da Vinci's iconic Mona Lisa to Vincent van Gogh's spectacular The Starry Night, this art history book celebrates the lives of groundbreaking artists and their most famous art masterpieces.Get to grips with world-famous sculptures, such as the ancient Chinese Terracotta Army and Henry Moore's beautiful bronze casts. Then find out about photography, from the development of the camera to pioneering photographers such as Johannes Vermeer and Julia Margaret Cameron. Designed for both parent and children to enjoy together, this bestselling book on art history is guaranteed to encourage a love of art through the generations.Celebrate your child's creativity as they explore:- "Artist profiles" explore the lives & major works of key painters, sculptors, photographers, musicians, & dancers.- Our "Closer look" pages delve deeper into a work of art, highlighting technique, detail, and symbols.- Stunning double-page spreads feature important works of art in full colour.- Striking visual artworks and photographs are all clearly explained and annotated.- Easily accessible & age-appropriate text covers key curriculum topics - Number 1 Best Seller in Children's Books on Art History From ancient cave paintings to modern-day street art, this gorgeously illustrated art book for children traces the development of painting, sculpture, and photography through the ages. It's the ultimate introduction to the world of art for kids! A must-have volume for children curious about the arts, as well as parents, carers and educators seeking an accessible and visually-engaging encyclopedia for children all about art history.

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This beautiful art encyclopedia charts the evolution of the greatest cultural achievements in painting, sculpture, and photography.The greatest art exhibition at your fingertips! Packed with fascinating facts, clear explanations, and stunning photography, this awe-inspiring art encyclopedia for kids aged 9-12 years takes you on a magical tour through time exploring every artistic style and movement in stunning detail. From Leonardo da Vinci's iconic Mona Lisa to Vincent van Gogh's spectacular The Starry Night, this art history book celebrates the lives of groundbreaking artists and their most famous art masterpieces. Get to grips with world-famous sculptures, such as the ancient Chinese Terracotta Army and Henry Moore's beautiful bronze casts. Then find out about photography, from the development of the camera to pioneering photographers such as Johannes Vermeer and Julia Margaret Cameron. Designed for both parents and children to enjoy together, this bestselling book on art history is guaranteed to encourage a love of art through the generations.Celebrate your child's creativity as they explore:- “Artist profiles" explore the lives & major works of key painters, sculptors, photographers, musicians, & dancers.- Our "Closer look" pages delve deeper into a work of art, highlighting technique, detail, and symbols.- Stunning double-page spreads feature important works of art in full color.- Striking visual artworks and photographs are all clearly explained and annotated.- Easily accessible & age-appropriate text covers key curriculum topics - Number 1 Best Seller in Children’s Books on Art History From ancient cave paintings to modern-day street art, this gorgeously illustrated art book for children traces the development of painting, sculpture, and photography through the ages. It's the ultimate introduction to the world of art for kids! A must-have volume for children curious about the arts, as well as parents, carers and educators seeking an accessible and visually-engaging encyclopedia for children all about art history.

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Despite a growing consensus that effective palliative care should be a core element in the treatment of all terminally ill patients, challenging questions remain about the physician's role in helping suffering patients end their lives. Physician-assisted dying remains one of the most controversial issues facing doctors, lawmakers, and patients today, and the need for intelligent and informed opinion on both sides of the debate is greater than ever. In this volume, a distinguished group of physicians, ethicists, lawyers, and activists come together to present the case for the legalization of physician-assisted dying, for terminally ill patients who voluntarily request it. To counter the arguments and assumptions of those opposed to legalization of assisted suicide, the contributors examine ethical arguments concerning self-determination and the relief of suffering; analyze empirical data from Oregon and the Netherlands; describe their personal experiences as physicians, family members, and patients; assess the legal and ethical responsibilities of the physician; and discuss the role of pain, depression, faith, and dignity in this decision. Together, the essays in this volume present strong arguments for the ethical acceptance and legal recognition of the practice of physician-assisted dying as a last resort-not as an alternative to excellent palliative care but as an important possibility for patients who seek it. Contributors: Marcia Angell, Anthony L. Back, Charles H. Baron, Andrew I. Batavia, Tom L. Beauchamp, Els Borst-Eilers, Dan W. Brock, Christine K. Cassel, Eric J. Cassel, Barbara Coombs-Lee, Linda Ganzini, Peter Goodwin, Martin Gunderson, Gerrit K. Kimsma, Sylvia A. Law, David Mayo, Alan Meisel, Robert A. Pearlman, Thomas Preston, John Shelby Spong, Helene Starks, Eli D. Stutsman, Kathryn L. Tucker, Johannes J. M. Van Delden, Herman H. van der Kloot Meijburg, Evert van Leeuwen, Jaap J. F. Visser

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Leading global experts, brought together by Johns Hopkins University, discuss national and international trends in a post-COVID-19 world.The ongoing COVID-19 pandemic has killed hundreds of thousands of people and infected millions while also devastating the world economy. The consequences of the pandemic, however, go much further: they threaten the fabric of national and international politics around the world. As Henry Kissinger warned, "The coronavirus epidemic will forever alter the world order." What will be the consequences of the pandemic, and what will a post-COVID world order look like? No institution is better suited to address these issues than Johns Hopkins University, which has convened experts from within and outside of the university to discuss world order after COVID-19. In a series of essays, international experts in public health and medicine, economics, international security, technology, ethics, democracy, and governance imagine a bold new vision for our future.Essayists include: Graham Allison, Anne Applebaum, Philip Bobbitt, Hal Brands, Elizabeth Economy, Jessica Fanzo, Henry Farrell, Peter Feaver, Niall Ferguson, Christine Fox , Jeremy A. Greene, Hahrie Han, Kathleen H. Hicks, William Inboden, Tom Inglesby, Jeffrey P. Kahn, John Lipsky, Margaret MacMillan, Anna C. Mastroianni, Lainie Rutkow, Kori Schake, Eric Schmidt, Thayer Scott, Benn Steil, Janice Gross Stein, James B. Steinberg, Johannes Urpelainen, Dora Vargha, Sridhar Venkatapuram, and Thomas Wright.In collaboration with and appreciation of the book's co-editors, Professors Hal Brands and Francis J. Gavin of the Johns Hopkins SAIS Henry A. Kissinger Center for Global Affairs, Johns Hopkins University Press is pleased to donate funds to the Maryland Food Bank, in support of the university's food distribution efforts in East Baltimore during this period of food insecurity due to COVID-19 pandemic hardships.

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The New Vienna School was and is the image-based alternative to iconology Explains and contextualizes the Gestalt theoretical basis of the New Vienna School Highlights the value of a Gestalt critical realism approach over positivism Models a visuality-based method in distinct case studies showing the breadth and depth of the New Vienna School Demystifies of the commitments of the Vienna School to structure" and "holism" Explains the wider "Strukturforschung" school beyond Sedlmayr and P cht which shows it to be a significant cultural phenomenon rather than a brief historical experiment This book is an account of the theory and practice of practitioners of the so-called "second" or "younger" Viennese school associated with Hans Sedlmayr and Otto P cht and their short-lived journal, Kunstwissenschaftliche Forschungen. It demonstrates the strong dependence of these writers on the work of Gestalt psychology which was emerging at the time. Gestalt theory emerges as the master key to interpreting Sedlmayr and P cht's ideas about art and history and how it affected their practices. This fresh interpretive apparatus casts light on the power and originality of Sedlmayr's and P cht's theoretical and empirical writings, revealing a practice-based approach to history that is more attuned to the visuality of art. Verstegen demonstrates the existence of a genealogy of Vienna formalism coursing throughout most of the twentieth century, encompassing Johannes Wilde and his students at the Courtauld as well as Otto Demus in Byzantine studies. By bringing Gestalt theory to the surface, he dispels misunderstandings about the Vienna School theory and attains a deeper understanding of the promise that a Gestalt analytic holism a non-intuitionist account of the relational logic of sense is offered. "

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The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist.In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.

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The role of Christian Democracy in the collapse of the Communist BlocDebates on the role of Christian Democracy in Central and Eastern Europe too often remain strongly tied to national historiographies. With the edited collection the contributing authors aim to reconstruct Christian Democracy’s role in the fall of Communism from a bird's-eye perspective by covering the entire region and by taking “third-way” options in the broader political imaginary of late-Cold War Europe into account. The book’s twelve chapters present the most recent insights on this topic and connect scholarship on the Iron Curtain’s collapse with scholarship on political Catholicism. Christian Democracy and the Fall of Communism offers the reader a two-fold perspective. The first approach examines the efforts undertaken by Western European actors who wanted to foster or support Christian Democratic initiatives in Central and Eastern Europe. The second approach is devoted to the (re-)emergence of homegrown Christian Democratic formations in the 1980s and 1990s. One of the volume’s seminal contributions lies in its documentation of the decisive role that Christian Democracy played in supporting the political and anti-political forces that engineered the collapse of Communism from within between 1989 and 1991.Contributors: Andrea Brait (University of Innsbruck), Alexander Brakel (Konrad Adenauer Foundation, Israel), Ladislav Cabada (Metropolitan University Prague), Giovanni Mario Ceci (Università degli Studi Roma Tre / IES-Rome), Kim Christiaens (KU Leuven), Michael Gehler (University of Hildesheim), Thomas Gronier (UMR SIRICE), Piotr H. Kosicki (University of Maryland), Sławomir Łukasiewicz (John Paul II Catholic University of Lublin), Anton Pelinka (Central European University in Budapest), Johannes Schönner (Karl von Vogelsang Institute), Artūras Svarauskas (Lithuanian University of Educational Science), Helmut Wohnout (Austrian Federal Chancellery / Karl von Vogelsang Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Executive editor: Klaus-Peter Friedrich; English-language edition prepared by: Elizabeth Harvey, Russell Alt-Haaker, Johannes Gamm, Georg Felix Harsch, Dorothy Mas, and Caroline Pearce This volume, the first of three in the series focusing on the persecution and murder of the Jews in occupied Poland, documents the developments from the attack on Poland in September 1939 up to July 1941. It covers the territories of western and northern Poland annexed to the Reich as well as the General Government. With the attack on Poland, around two million Polish Jews came under German rule. Jews were immediately subjected to stigmatization and humiliation, exposed to arbitrary acts of violence, deprived of their livelihoods, subjected to forced labour and forcibly displaced. In July 1940, a report by representatives of Polish Jews on the situation in the annexed territories of Poland sent to the US embassy in Berlin described a ‘downcast, stigmatized Jewish population’, terrorized and powerless in face of displacement, expulsions and the increasing incarceration of the Jewish population in ghettos, and it predicted that ‘the process of destruction is not yet complete’. The volume documents the drive by the occupiers systematically to confiscate the property of the Polish Jews, and the different, often chaotic and conflicting strategies for displacing Jews in the annexed territories and in the General Government. The volume shows a range of reactions by the non-Jewish population of Poland to the escalating persecution of the Polish Jews. It also shows the efforts by Jewish organizations to publicize their plight abroad, to withstand the onslaught on their communities and to manage daily life in the increasingly desperate conditions of the ghettos. Learn more about the PMJ on https://pmj-documents.org/

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Human rights are increasingly described as being in crisis. But are human rights really on the verge of disappearing? Human Rights Transformation in Practice argues that it is certainly the case that human rights organizations in many parts of the world are under threat, but that the ideals of justice, fairness, and equality inherent in human rights remain appealing globally—and that recognizing the continuing importance and strength of human rights requires looking for them in different places. These places are not simply the Human Rights Council or regular meetings of monitoring committees but also the offices of small NGOs and the streets of poor cities. In Human Rights Transformation in Practice, editors Tine Destrooper and Sally Engle Merry collect various approaches to the questions of how human rights travel and how they are transformed, offering a corrective to those perspectives locating human rights only in formal institutions and laws. Contributors to the volume empirically examine several hypotheses about the factors that impact the vernacularization and localization of human rights: how human rights ideals become formalized in local legal systems, sometimes become customary norms, and, at other times, fail to take hold. Case studies explore the ways in which local struggles may inspire the further development of human rights norms at the transnational level. Through these analyses, the essays in Human Rights Transformation in Practice consider how the vernacularization and localization processes may be shaped by different causes of human rights violations, the perceived nature of violations, and the existence of networks and formal avenues for information-sharing. Contributors: Sara L. M. Davis, Ellen Desmet, Tine Destrooper, Mark Goodale, Ken MacLean, Samuel Martínez, Sally Engle Merry, Charmain Mohamed, Vasuki Nesiah, Arne Vandenbogaerde, Wouter Vandenhole, Johannes M. Waldmüller.

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The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist.In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.

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A unique single-source of information on a little recognized and little understood syndrome While written specifically for professionals in the communication sciences, the lack of a single reference resource on the topic makes this a valuable tool for general practitioners, optometrists and ophthalmologists. This is thought to be the first book dedicated to Waardenburg Syndrome, first discovered by Dutch ophthalmologist Petrus Johannes Waardenburg in 1951. The hereditary syndrome manifests as skin discolorization, a wide bridge of the nose and, frequently, through dual pigmentation of the eyes, combined with deafness, the incidences of which led Waardenburg to his discovery. Although the syndrome is reported to occur in about 1 per 4000 live births, the author asserts that her 20 year's experience of diagnosing and treating patients leads her to believe the incidence is indeed far higher and that diagnosis goes undetected as health care professionals are generally unaware of the signs of the syndrome. The book intends to provide information about the syndrome, covering basic genetic concepts, and continuing with specific information about the four types of Waardenburg Syndrome as well as providing practical guidance on recognizing individuals with the syndrome, testing for hearing loss, and parent and patient counseling. Dr. Kahn provides a comprehensive plan of action for treating patients with the syndrome, and encourages readers to understand when and how to appropriately refer patients for craniofacial team or genetic assessment. Readers will also learn how interdisciplinary craniofacial teams collaborate to solve the problems created. Because there are several syndromes with phenotypic features similar to those of WS, these syndromes are also described and compared to Waardenburg syndrome. Resource materials are also included. Finally, several unresolved issues regarding diagnosis and treatment of WS patients are reviewed, and resources for treatment and referral of WS patients are identified. The book is written specifically for practicing speech and language pathologists and audiologists, but, because so little information exists in a single resource, it will also be of great value to ophthalmologists, nurses, physicians, general practitioners, geneticists, psychologists, and school teachers.

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Phenomenal Difference grants new attention to contemporary black British art, exploring its critical and social significance through attention to embodied experience, affectivity, the senses and perception.Featuring attention to works by the following artists:Said Adrus, Zarina Bhimji, Sonia Boyce, Vanley Burke, Chila Burman, Mona Hatoum, Bhajan Hunjan, Permindar Kaur, Sonia Khurana, Juginder Lamba, Manjeet Lamba, Hew Locke, Yeu-Lai Mo, Henna Nadeem, Kori Newkirk, Johannes Phokela, Keith Piper, Shanti Thomas, Aubrey Williams, Mario Ybarra Jr. Much before scholars in the arts and humanities took their recent ‘ontological turn’ toward the new materialism, black British art had begun to expose cultural criticism’s overreliance on the concepts of textuality, representation, identity and difference. Illuminating that original field of aesthetics and creativity, this book shows how black British artworks themselves can become the basis for an engaged and widely-reaching philosophy.Numerous extended descriptive studies of artworks spell out the affective and critical relations that pertain between individual works, their viewers and the world at hand: intimate, physically-involving and visceral relations that are brought into being through a wide range of phenomena including performance, photography, installation, photomontage and digital practice.Whether they subsist through movement, or in time, through gesture, or illusion, black British art is always an arresting nexus of making, feeling and thought. It celebrates particular philosophical interest in:- the use of art as a place for remembering the personal or collective past;- the fundamental ‘equivalence’ of texture and colour, and their instances of ‘rupture’;- figural presence, perceptual reversibility and the agency of objects;- the grounded materialities of mediation;- and the interconnections between art, politics and emancipation.Drawing first hand on the founding, historical texts of early and mid-twentieth century phenomenology (Heidegger; Merleau-Ponty), and current advances in art history, curating and visual anthropology, the author transposes black British art into a freshly expanded and diversified intellectual field. What emerges is a vivid understanding of phenomenal difference: the profoundly material processes of interworking philosophical knowledge and political strategy at the site of black British art.

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OVER FIVE MILLION COPIES SOLD WORLDWIDE ‘A phenomenon’ Jessie Burton ‘Dazzling’ Daily Mail ‘Truly magical' Guardian Those eyes are fixed on someone. But who? What is she thinking as she stares out from one of the world’s best-loved paintings? Johannes Vermeer can spot exceptional beauty. When servant girl Griet catches his eye, she soon becomes both student and muse. But then he gives her his wife’s pearl earrings to wear for a portrait, and a scandal erupts that could threaten Griet’s future… Vivid and captivating, this timeless modern classic has become a successful film and an international bestseller, with over 5 million copies sold around the world; now with a new introduction by the author. ‘A veritable work of art… one of those rare novels where all the decisions made by the author appear inevitable and right’ Rose Tremain ‘Timeless, delicate and as exquisitely measured as one of Vermeer's paintings. Tense yet perfectly-paced and filled with the beauty of life's colours, Girl with the Pearl Earring is a masterpiece in its own right. Just a phenomenon. I will hold this novel close for the rest of my life’ Jessie Burton, author of The Minaturist ‘If ever a novel rightly deserves its “five millions copies sold” achievement, it is this dazzling little masterpiece … Absolute magic’ Daily Mail 'A portrait of radiance…Tracy Chevalier brings the real artist Vermeer and a fictional muse to life in a jewel of a novel' Time ‘Chevalier doesn't put a foot wrong in this triumphant work … It is a beautifully written tale that mirrors the elegance of the painting that inspired it’ Wall Street Journal 'A wonderful novel, mysterious, steeped in atmosphere, deeply revealing about the process of painting…truly magical' Guardian ‘It is no wonder that this beautifully-written story has sold more than five million copies and been made into a successful film. An absolute triumph’ Woman’s Weekly

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Cardinal Tommaso de Vio (1469-1534), commonly known as Cajetan, remains a misunderstood figure. Cajetan on Sacred Doctrine is the first ever monograph on Cajetan as a theologian in his own right, and it fills an immense lacuna in the debate on the nature of sacred doctrine from the Thomism of the Renaissance. Confirming Cajetan as a key protagonist within the emergent Reformation, this work delivers an indispensable immersion into his theological method in relation to his closest predecessors and contemporaries: Hervaeus Natalis, Blessed Duns Scotus, Gregory of Rimini, Johannes Capreolus, Silvestro Mazzolini da Prierio, Martin Luther, and others.The first ever commentary on St. Thomas Aquinas’s entire Summa Theologiae was published by Cajetan. This monograph focuses primarily on the Summa Theologiae Ia pars, question 1, concerning sacred doctrine, and how Cajetan unpacks the potency of Aquinas’s opening syllogism, setting forth a coherent division of the question, and ultimately touching the mind of Aquinas when revealing the articles of the Apostles’ Creed as the Summa Theologiae’s macrostructure. Finally, we are shown how Cajetan emphasizes the essential link between ecclesiology and the communication of sacred doctrine, especially the papacy’s role in guaranteeing the proposal and explication of the faith.Cajetan’s accomplishments as a biblical exegete established him as a renowned Renaissance scholar and a forerunner of future ecumenical dialogue. Furthermore, his grasp of theology’s perennial properties continue to make him an important interlocutor in the renewed quest for a unity in theology in an ever more fragmented aggregation of theologies.Cajetan’s theological labor is a perpetuation of the via antiqua, a biblical-theological worldview handed down through Tradition. St. Gregory the Theologian (329-390), the via antiqua’s preeminent Eastern representative and chief theological constructor of Christendom, offers the monograph’s author--himself a Byzantine Hieromonk--a prime opportunity for a few closing insights on the innate symphony between two very distant periods and distinct theological traditions within the one ecumenical Church.

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To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story. For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium. Author Jessica Hundley traces this fascinating history in Tarot, the debut volume in TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind more than 500 cards and works of original art, two thirds of which have never been published outside of the decks themselves. It's the first ever visual compendium of its kind, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of nearly 100 diverse contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward. Rounding out the volume are excerpts from thinkers such as Éliphas Lévi, Carl Jung, and Joseph Campbell; a foreword by artist Penny Slinger; a guide to reading the cards by Johannes Fiebig; and an essay on oracle decks by Marcella Kroll.

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A collection of the world's most memorable, provocative, best-selling and groundbreaking posters from Johannes Gutenberg to Barack Obama. Classic posters from the last 300 years and the stories behind them. Posters have always been designed to seek an immediate response. From the time when paper was first affordable, the poster has been used to provoke a direct reaction, whether a public appeal, a legal threat, a call to arms, or the offer of entertainment. Newspapers might have the advantage of ubiquity in spreading the word, but a poster could be tightly targeted by its location. Organized chronologically, 100 Posters That Changed the World charts the history of poster design from their earliest forms as a means of information communication to the more subtle visual communication of the 21st century. As printing became cheaper, posters were used for more than just promoting the capture of local villains or announcing government decrees. Advertisements took over, citing up-and-coming events, auctions, public meetings, political rallies, sports games, lectures and theatrical performances. The technological leaps from engraving to aquatints to lithography, chromolithography and the offset press, all had their impact on what could be advertised by poster, and the art form took off spectacularly in the late 19th century with the influence of Lautrec and the Paris nightclubs. From then on, the poster became a sophisticated means of visual communication. In the West it was used to sell products – in the East it was used to sell regimes and control behaviour. Along with historic moments in poster evolution, 100 Posters That Changed the World charts the most impactful designs of the last 300 years – images that communicate a message whether commercial or political, images that sell a film, a musical, a cause or used for decoration, inspiration, motivation and affirmation. The affirmation for teenagers in the 1970s that Farah Fawcett was looking at you.

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Executive editors: Katja Happe, Barbara Lambauer, and Clemens Maier-Wolthausen, with Maja Peers; English-language edition prepared by: Elizabeth Harvey, Johannes Gamm, Georg Felix Harsch, Dorothy Mas, and Caroline Pearce In summer 1942 the Germans escalated the systematic deportations of Jews from Western and Northern Europe to the extermination camps. In most of the countries under German control, the occupying forces initially focused on arresting foreign and stateless Jews, thereby securing the cooperation of local authorities. However, before long the entire Jewish population was targeted for deportation. This volume documents the parallels and differences in the persecution of Jews in occupied Norway, Denmark, the Netherlands, Belgium, Luxembourg and France in the period from summer 1942 to liberation; it records the implementation of the systematic deportation and murder of Jews from Western and Northern Europe, and it also records the rescue of more than 5,000 Danish Jews. In letters and diary entries the persecuted Jews describe their attempts to flee, life in hiding, the transit camps, and deportation transports that often took several days. In Westerbork camp in the occupied Netherlands, Bob Cahen, himself an inmate, recorded in his diary the arrival in the camp of 17,000 Jews from across the Netherlands in October 1942: ‘People arrived here herded like livestock. Some were buried beneath their luggage, others without any possessions at all, not even properly dressed. Women in poor health who had been hauled out of bed in thin nightgowns, children in undergarments and barefoot, the elderly, the ill, the infirm – more and more new people came to the camp.’ The sources in the volume show how the perpetrators attempted to dupe their victims regarding the destination of the transports, and how Jewish organizations attempted to alleviate the suffering of the deportees. The documents additionally illustrate how the resistance movement gained momentum during this period. Learn more about the PMJ on https://pmj-documents.org/

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This title is about Friedrich Ebert (1871-1925). Ebert was influential in securing SPD support for the war in 1914. On the eve of war he travelled to Switzerland to arrange the movement of SPD funds if the party was outlawed. As the leader of organized labour, Ebert had close relations with government and military authorities throughout the war. Two of his sons were killed during the war, something he used to emphasise his patriotism. On 9 November, 1918, Ebert became Imperial Chancellor as revolution broke out in Berlin. He opposed the radical left, declaring, 'Without democracy there is no freedom. Violence, no matter who is using it, is always reactionary', but he compromised Weimar democracy by his dependence on the army command and his use of the para-military Freikorps against the left.Ebert headed a joint SPD-USPD government until elections were held to a National Constituent Assembly in January 1919. Ebert became president of the new Weimar Republic (Germany's first democratically elected head of state) and retained office in a turbulent period in German politics. Ebert reluctantly accepted the need for Germany to sign the Treaty of Versailles, at one point saying he might be prepared to resume the war. It was left to Johannes Bell (depicted by Sir William Orpen from behind) and Hermann Muller (shown leaning over him) to sign on behalf of Germany. There were arguments among the Allies over how Germany should be treated, as France, Britain and the United States prioritised different objectives.In May 1919, the terms of the Treaty - on reparations, war guilt clause, loss of territories in Europe and colonies, limitations on armed forces - were presented to German representatives, precipitating opposition in government and the Armed Forces, and heated discussion in Cabinet. He continued as President until 1925, forced to confront the issues that arose from the Treaty and its political and economic consequences. After his death came the unravelling of the Treaty and the book examines how much of a part it played in creating the circumstances of the Second World War.

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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuamán, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas Schönle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler

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This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819–1896), a musician of remarkable achievements. At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait. The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher. Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman. For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews.

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Named retrospectively, the Golden Age was a period when the new Dutch Republic had become the most prosperous nation in Europe, leading in trade, science and art. From 1600 for almost a century, more than four million paintings were produced there, and the accomplishments in realism and naturalism by a large number of Dutch artists were unprecedented.These artists painted life as had never been seen before; their technical skills were often outstanding, and their art was distinctive in its depiction of lifelike objects, places and people of all ages and backgrounds. Unlike traditional Flemish and Italian Baroque paintings, Dutch artists in general avoided idealization or portrayals of splendour, and instead developed their own unique and innovative styles, themes and subjects. The first section of this detailed book considers all this in a biographical guide to some of the greatest Dutch Golden Age artists and their work. Roughly chronological in order, it explains who the painters were, where they lived and worked, who and what taught and influenced them, and why their work was often groundbreaking. Among many others, included are Frans Hals, Rembrandt, Nicolaes Maes, Jan Lievens, Judith Leyster, Gerrit Dou, Gerrit van Honthorst, Adriaen Brouwer, Jan Steen, Hendrick Avercamp, Jacob van Ruisdael, Pieter de Hooch, Johannes Vermeer and Rachel Ruysch. While most are discussed, some do not appear, as even in this substantial book, there is room for only a proportion of the exceptionally proficient painters of the period. The second part of the book is a gallery of outstanding works from a range of Dutch Golden Age artists, grouped into the broad themes of landscapes (and town- and seascapes), portraits, genre, history and religion, and still life, giving a fascinating, colourful and in-depth overview of what constituted the art of the period.With more than 500 reproductions, you can dip in and out of this beautifully illustrated volume, or peruse it from cover to cover. It is essential reading for anyone who would like to learn more about the extraordinary flowering of art during the Dutch Golden Age, and a book that you will turn to over and again

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This is a very stimulating book which should be read by everyone who wants to gain an understanding of the latest developments in the shadow economy.'- Friedrich Schneider, Johannes Kepler University of Linz, Austria'Professor Williams is to be congratulated for this timely contribution - a fresh addition to the literature. As he explains, the recognition that the shadow economy is diverse and extensive has led to a rethinking of how to tackle it. In a reader-friendly fashion, the author explains the variable magnitude of and variable character of the shadow economy; he then discusses policy approaches, deterrence measures and incentives. The result is of interest to the policy-maker as well as to academics.'- Léo-Paul DANA, Groupe Sup de Co Montpellier Business School, FranceThis authoritative monograph explores the effectiveness and transferability of the rapidly expanding range of policy approaches and measures available as weaponry in the fight against the shadow economy.Beginning with a review of the extent of undeclared work, the author discusses the discrepancies between regions and the potential impacts of the economic crisis, comparing the nature of the potential solutions available with those actually adopted. The way forward, the book concludes, is to move away from increasing the costs of engaging in hidden work using repressive measures, and concentrate more on developing initiatives that enhance the benefits of engaging in declared work and increase the likelihood of compliance by engendering a commitment to tax morality.This insightful and unique exposition will have considerable appeal to academics, practitioners and policy-makers across the globe involved in the fight against undeclared work.Contents: 1. Introduction Part I Extent and Nature of the Shadow Economy 2. The Variable Magnitude of the Shadow Economy 3. The Variable Character of the Shadow Economy Part II Policy Approaches 4. Evaluating the Policy Options 5. A Typology of Policy Measures Part III Direct Controls 6. Deterrence Measures 7. Supply-Side Incentives for Businesses 8. Supply-Side Incentives for Individuals 9. Demand-Side Incentives Part IV Indirect Controls 10. Commitment Measures 11. Broader Economic and Social Policies 12. Conclusions References Index

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"Few cello players currently before the public have enjoyed the kind of international success in all conceivable musical career roles as Janos Starker. In his lifetime, Starker has gained renown as teacher, soloist and orchestra player." —Chicago Tribune"Starker . . .remains one of the wonders of the musical world, an artist who finds innumerable ways to shape and color lines." —Cleveland Plain Dealer"Starker is not just a cellist. He is widely recognized as one of the finest of the last 50 years." —Indianapolis Star"Starker emerges here as the rare artist who respects the past but lives enthusiastically in the present. . . Essential. All readers; all levels." —ChoiceJanos Starker is universally acknowledged as one of the world's great musicians. Known for a flawless technique paired with expressive playing and interpretation, the Hungarian-born cellist is arguably also the premier teacher of his instrument in our time. String players flock to his masterclasses from all over the world, and cellists compete vigorously to study under him at the Indiana University School of Music. More than the consummate musician, however, Starker is also a raconteur and writer, occasionally quirky and droll, always witty and with a pointed opinion to share.The World of Music According to Starker is a colorful autobiography spanning the author's fascinating life. From his early musical education during World War II in Hungary, to his world tours, educational philosophy, and recording and pedagogical legacy, Starker takes the reader on a riveting, entertaining, and informative journey. Included in the book are several of Starker's short stories and commentaries on world events, academia, and—of course—music that have appeared in newspapers, music periodicals, and trade magazines.Also includes a bonus CD recording of Starker's last public recital, which is unavailable commercially and includes his only recording of the Strauss Sonata in F, Opus 6.Included on the CD:Richard Strauss, Sonata in F, Opus 6Ludwig van Beethoven, Sonata in C major, Opus 102 no. 1Johannes Brahms, Sonata in E minor, Opus 38Franz Schubert, Sonatina in D, Opus 137 no. 1 (Starker edition)

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Explore the landscapes and places that inspired great art: find peace in Monet’s lily-filled garden oasis, climb Mount Fuji on a printmaker’s pilgrimage, sail with Gauguin to the South Pacific to stretch your imagination, or contemplate light and the changing seasons on Chelsea Embankment. Artistic Places is a stunningly hand-illustrated, visionary guide for seekers of beauty, rare tales and cultural riches. Find yourself instantly transported to the places where great artists have sought refuge, found their inspiration and changed the course of art history forever. Susie Hodge, bestselling author and art historian, presents 25 famous and forgotten artistic destinations around the world, and connects these to the artists they inspired. In keeping with the Inspired Traveller’s Guide series design, each entry is accompanied by specially commissioned illustrations from Amy Grimes which perfectly evoke the wonders that first attracted the masters, while Hodge delves into each location's curious history with insightful stories both in and beyond the canon. So take a leaf out of your favourite artist’s sketchbook and discover the places they loved best. Artists and locations include: J.A.M Whistler in London, England John Constable in Suffolk, England Barbara Hepworth in St Ives, England Paula Rego in Cascais and Estoril, Portugal Pablo Picasso and Guernica, Spain Salvador Dalí in Catalonia, Spain Claude Monet in Giverny, France Vincent van Gogh in Arles, France Rene Magritte in Brussels, Belgium Paul Klee in Bern, Switzerland Michelangelo in Florence, Italy Canaletto in Venice, Italy Johannes Vermeer in Delft, Netherlands Anni Albers in Dessau, Germany Caspar David Friedrich in the Elbe Sandstone Mountains, Germany Gustav Klimt and Lake Attersee, Austria Edvard Munch in Oslo, Norway Hilma af Klint and Lake Mälaren, Sweden Henri Matisse in Tangier, Morocco Hokusai on Mount Fuji, Japan Paul Gauguin in Papeete and Papeari, Tahiti Jean-Michel Basquiat in New York, USA Grant Wood in Iowa, USA Georgia O’Keeffe in New Mexico, USA Frida Kahlo in Coyoacán, Mexico Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Spiritual Places, Literary Places, Hidden Places and Mystical Places.

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With The Assembled Human the Museum Folkwang inquires into the ambivalent relationship between humans and machines. It's a conflicted relationship, fluctuating between utopia and nightmare, and it still influences our present time. From the conveyor belt to cybernetics and today's digital revolution, from Cubism, Futurism, and Constructivism into the recent present with Ed Atkins, Jon Rafman, Avery Singer, or Anna Uddenberg, the show traces the transformation of technology, presenting a wide panorama of artistic visual worlds: human beings as hybrid creatures, blended with their own self-made machines. Featuring 200 works by 100 artists as well as prolific essays, this extensive catalogue goes in-depth into this highly current issue. Artists: Walter Heinz Allner, Bettina von Arnim, Gerd Arntz, Ed Atkins, Giacomo Balla, Joachim Bandau, Lenora de Barros, Willi Baumeister, Thomas Bayrle, Rudolf Belling, Ella Bergmann-Michel, Renato Bertelli, Umberto Boccioni, Wilhelm Braune, John Cage, Helen Chadwick, Computer Technique Group (CTG), Charles A. Csuri, Mariechen Danz, Fortunato Depero, Walter Dexel, Otto Dix, Marcel Duchamp, Raymond Duchamp-Villon, Charles & Ray Eames, Max Ernst, Alexandra Exter, OEyvind Fahlstroem, Harun Farocki, William Allan Fetter, Otto Fischer, Herbert W. Franke, Carl Grossberg, George Grosz, Richard Hamilton, Barbara Hammer, Sidsel Meineche Hansen, Raoul Hausmann, John Heartfield, Lynn Hershman Leeson, Eva Hesse, Lewis Wickes Hine, Heinrich Hoerle, Rebecca Horn, Vilmos Huszar, Boris Ignatowitsch, Fritz Kahn, Wassily Kandinsky, Anne-Mie van Kerckhoven, Friedrich Kiesler, Konrad Klapheck, Jurgen Klauke, Paul Klee, Heinrich Kley, Josh Kline, Iwan Kljun, Gustavs Klucis, Alexander Kluge, Kiki Kogelnik, Germaine Krull, Boris Kudojarow, Helmuth Kurth, Jurgen van Kranenbrock, Maria Lassnig, Fernand Leger, Alice Lex-Nerlinger, Roy Lichtenstein, El Lissitzky, Hilary Lloyd, Goshka Macuga, Rene Magritte, Kasimir Malewitsch, Man Ray, Etienne-Jules Marey, Remy Markowitsch, Caroline Mesquita, Laszlo Moholy-Nagy, Johannes Molzahn, Alexei Morgunow, Martin Munkacsi, Eadweard Muybridge, Otto Neurath, Katja Novitskova, ORLAN, Tony Oursler, Trevor Paglen, Nam June Paik, Eduardo Paolozzi, Georgi Petrusow, Antoine Pevsner, Walter Pichler, Jon Rafman, Robert Rauschenberg, Timm Rautert, Alexander Rodtschenko, Thomas Ruff, Walter Ruttmann, James Shaffer, Arkadi Schaichet, Xanti Schawinsky, Helmut Schenk, Oskar Schlemmer, Nicolas Schoeffer, Franz Wilhelm Seiwert, Avery Singer, Stelarc, Friedemann von Stockhausen, Thayaht, Paul Thek, Jean Tinguely, Patrick Tresset, Anna Uddenberg, Andor Weininger, Erwin Wendt, Hugo von Werden, George Widener. Text in English and German.

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Finally available in English, Thomas Meyer's major biography of Ludwig Polzer-Hoditz (1869-1945) offers a panoramic view of an exceptional life. One of Rudolf Steiner's most valued and independent-minded colleagues, Polzer-Hoditz was born in Prague - in the midst of the Austro-Hungarian Empire - to an aristocratic family with royal connections. Leaving behind the traditions of his background, he was to become a key actor in Steiner's regenerative 'threefold' social impulses, working tirelessly for a genuinely unified and free Europe. Polzer-Hoditz also fought to protect Rudolf Steiner's esoteric legacy and the integrity of the Anthroposophical Society that had been founded to further his work. Following Steiner's untimely death, Polzer-Hoditz fostered a broad range of friendships and alliances with key figures such as D.N. Dunlop, Walter Johannes Stein and Ita Wegman. In a bid to avoid further division and conflict, he made significant interventions to alter the tragic course of events that consumed the Anthroposophical Society, although he was unable to stop the major split within the membership that was to follow. In the final decade of his life he concentrated his energies on world issues, seeking to influence events in Europe in particular, lecturing widely and writing a number of books and memoranda. In contrast to the destructive 'special interests' of the national and religious groups that craved dominion and power, Polzer-Hoditz sought to build a true understanding between Central and Eastern Europe and to cultivate a spiritual connection with the West. Meyer's book is a pioneering work in biographical literature, structured in four main sections that reflect the stages of an individual's personal development. In the concluding section he studies world events up to the present day, practising a method referred to as a 'symptomatological observation of history', which Polzer-Hoditz himself sought to develop. Much more than a standard biography, Ludwig Polzer-Hoditz presents a vibrantly living picture of how a spiritual individuality can work in human culture and history - in past, present and future. This first English edition is based on the latest German version and features additional material.

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This book portrays Voltaire as he was perceived by readers of gazettes and literary journals published in Holland. Among them the literary critic Prosper Marchand, who was allergic to the many factual errors in Voltaire's works, and Henri Du Sauzet, publisher of the Bibliotheque francoise. Also Jean Rousset de Missy, who in 1736 sided with Jean-Baptiste Rousseau in his controversy with Voltaire, and who in his journals Le Magazin and L'Epilogueur often attacked Voltaire: an arrogant little creature, always out to cheat his publishers. We provide a day-by-day chronology of Voltaire's visits to Holland, and illustrate these with a large number of as yet unpublished comments. Thus Henri Du Sauzet tells a correspondent about his problems with Voltaire over Histoire du siecle de Louis XIV, while at the same time his Amsterdam colleague Etienne Ledet clashes with Voltaire over Elements de la philosophie de Newton and 'uvres de M. de Voltaire. Diplomats reported in detail on Voltaire's dealings with Johannes van Duren over the Anti-Machiavel, and on his unsuccessful diplomatic mission to Berlin in 1743. We include an unknown version of Voltaire's Sur un usage tres utile etabli en Hollande, and discuss at some length his Sommaire des droits de Sa Majeste le roi de Prusse sur Herstal, first printed as a pamphlet in The Hague, and published in the Leydse Courant before it appeared in the Gazette d'Amsterdam, the Gazette de Leyde and the Gazette d'Utrecht. As to the Anti-Machiavel, the first edition to comprise variants was not published by Van Duren, but by Pierre Paupie under the false imprints of Colomb (Marseille) and Lacaze (Amsterdam). With regard to Voltaire's very popular Vers a M. Van Haren, composed in June 1743, we publish a letter by Voltaire, written in Dutch. It was a reaction to criticism of his verses by a Dutch reader, and we suggest that the pamphlet L'Anti-Magazin, a more extensive answer to his critic, may well have been by Voltaire himself. As for Voltaire's Representations aux Etats-Generaux de Hollande, only a few phrases of it were used in the memorandum presented by the French envoy in The Hague on 6 October 1745.

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Museum collections of Asian art in Central Europe.Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed.Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.Contributors: Zdenka Klimtová (National Gallery in Prague); Agnieszka Kluczewska-Wójcik (Polish Institute of World Art Studies); Partha Mitter (University of Sussex); Michaela Pejčochová (National Gallery in Prague); Uta Rahman Steinert (Staatliche Museen zu Berlin); Iván Szántó (Eötvös Loránd University); Nataša Vampelj Suhadolnik (University of Ljubljana); Johannes Wieninger (MAK – Museum of Applied Arts); Tomáš Winter (Czech Academy of Sciences).Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Companies everywhere are moving everyday business processes over to the cloud, and AI is increasingly being given the reins in these tasks. As this massive digital transformation continues, the combination of serverless computing and AI promises to become the de facto standard for business-to-consumer platform development—and developers who can design, develop, implement, and maintain these systems will be in high demand! AI as a Service is a practical handbook to building and implementing serverless AI applications, without bogging you down with a lot of theory. Instead, you’ll find easy-to-digest instruction and two complete hands-on serverless AI builds in this must-have guide! Key features Cloud AI from development to production Applying cloud AI services to your existing platform Understanding orchestration patterns for cloud AI systems How to architect and build scalable, resilient data pipelines Audience For software developers with intermediate skills in at least one programming language and a basic understanding of IP networking and HTTP protocol. About the technology Artificial Intelligence (AI), a machine’s ability to learn and make predictions based on patterns it identifies, is already being leveraged by businesses around the world in areas like targeted product recommendations, financial forecasting and resource planning, customer service chatbots, healthcare diagnostics, data security, and more. Peter Elger is the founder and CEO of fourTheorem, a software solutions company providing expertise on architecture, development, DevOps, and machine learning. He is also the cofounder and CTO of two other companies: nearForm, a Node.js consultancy, and StitcherAds, a digital advertising platform. He is a regular conference speaker and coauthor of The Node Cookbook as well as several academic papers. Eoin Shanaghy is the cofounder and CTO fourTheorem and the founder of Showpiper, a machine learning-driven video content marketing startup. He previously created real-time trading applications for Fortis Bank and developed Hewlett-Packard's enterprise application server as well as 3G network management systems for Ericsson and Arantech (now Netscout). Johannes Ahlmann is the founder and CEO of Sensatus.io, a Machine Learning company specialized in large-scale Web Crawling, Market Intelligence and On-Premise AI solutions. He previously created Information Extraction solutions as Head of Data Science at ScrapingHub, and created responsive mobile solutions at Dell EMC.

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Text in English & German. The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. Rob Krier, is an exception. Since the beginning of his career in construction, he has always seen his love of art as a vocation -- one which he nurtures parallel to his work. Fine art should stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders, moving them to thoughtful reflection. In his Pictorial Journal 19541971, Rob Krier describes in compelling words and pictures how he came to have a twin passion for fine art and architecture and told of his grammar school years in Echternach, his studies in Munich and his first taste of professional life with Oswald Mathias Ungers and Frei Otto. In his Pictorial Journal 19541971, which covers the period of Krier's work as a lecturer and assistant to Prof. Johannes Uhl at Stuttgart University, the text is restricted to a minimum. The pictures are less colourful, more composed. The 'daily scribbles' dominate -- mainly sketches and drawings of people and animals, buildings, landscapes, objects and also fantasies. The volume is rounded off with a detailed résumé. Born and raised in Luxembourg, Krier moved to Vienna after having studied in Munich and worked for Oswald Mathias Ungers and Frei Otto. After teaching posts in Stuttgart and Lausanne, he was a professor at the Technische Universität in Vienna from 1976 to 1998 and, in 1986, held a guest professorship at Yale University in New Haven, Mass. Krier has developed urban-design concepts for Stuttgart, Vienna, Berlin, Amiens, Montpellier, Leeds, Gothenburg, Lodz, Amsterdam, Den Haag and many other cities. Projects with which he was first able to translate his vision of a spatial concept, such as Rauchstrasse in Berlin, Breitenfurterstrasse in Vienna or Ritterstrasse with Schinkelplatz in Berlin, repeatedly found their place in international publications.

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The first-ever full-length biography in English of Engelbert Humperdinck, composer of the opera Hänsel und Gretel, examining the rest of his substantial output in a historical framework which sets him in the rich musical life of Wilhelmine Germany. Engelbert Humperdinck's opera Hänsel und Gretel is one of the best-known in the repertoire, its melodies as familiar as folk-tunes - and yet no full-length biography of Humperdinck (1854-1921) has ever been published in English: although highly regarded a century ago, he has since been overshadowed by the continued success of his own fairy-tale creation. His other works remain essentially unknown, but they include five additional operas, ten furtherstage works (including music for four Shakespeare plays), pieces for orchestra and for chorus, and many songs. This book sets a pioneering examination of Humperdinck's entire output in a biographical framework, with detailed, illustrated descriptions accompanied by quotations from Humperdinck's contemporaries. Humperdinck was a quintessential composer of the Germany of the Kaisers: his maturation coincided with the establishment of the German Empire,and his training with teachers who remembered Beethoven and Schubert culminated in an apprenticeship with Richard Wagner. His talents won him entry to the Bayreuth inner circle and to the home of Johannes Brahms, and earned him areception with Kaiser Wilhelm II and an evening in Theodore Roosevelt's White House. His friends included Richard Strauss, Hugo Wolf, Gustav Mahler, Giacomo Puccini and Isadora Duncan. Kurt Weill, Leo Blech, and Hans Pfitzner were among his hundreds of students. Humperdinck was a prolific writer, too, and the detailed and candid letters and diary entries quoted here provide an inside view of musical life in Wilhelmine Germany, with its extraordinary number of theatres, orchestras, choral societies, music publishers, journals and conservatoires, their principal personalities generously illustrated in the pages of this book. William Melton, born in Philadelphia in 1954, did hisgraduate studies in music history at the University of California Los Angeles and spent his career in the horn section of the Sinfonie Orchester Aachen (Aix-la-Chapelle). In addition, he is a contributor to The Cambridge Wagner Encyclopedia (2013) and the author of The Wagner Tuba: A History (edition ebenos, Aachen, 2008). Further projects have included biographical essays on lesser-known Romantics like Friedrich Klose, Henri Kling, Felix Draeseke, and Friedrich Gernsheim, and he has researched and edited the scores of the 'Forgotten Romantics' series for the publisher edition ebenos.

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