Search results for ""Author Thames"

Caroline Benichou worked at Delpire Editeur for over ten years, where she was the editorial coordinator of books on Jules Etienne Marey, Michael Ackerman, William Klein and Robert Capa, as well as around fifty titles in the Photofile series. She has worked at Galerie VU since 2013.

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Gilbert McCarragher is an artist and photographer based in London and Dungeness. His architectural photography is featured extensively in books and magazines including El Croquis, Domus and John Pawson Plain Space (2010). As an artist, he works in multiple photographic mediums, and has exhibited at the Royal Academy of Arts, Victoria and Albert Museum, Institute of Contemporary Art (London), Jerwood Space and the Wapping Project.

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Based in Paris, Virginie Morgand's background is in animation but, having learnt how to screen print at L'atelier Dupont, she has developed her own visual language as an illustrator working to brief for a growing number of clients. Recent projects include campaigns for L'Occitane, Champs Élysées Film Festival, Le Meridien, London Transport Museum, Barneys in New York, Mairie de Paris, Martigues music and dance festival, children's books for Wide Eyed Editions and MeMo, illustrations for Le Bon Marché, Little White Lies, Elle, Les Inrocks and The Sunday Times. Virginie has recently exhibited solo shows in Paris, Portugal and the UK.

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Peter Stanford is an award-winning writer, journalist and broadcaster. His investigations into the history, theology and cultural significance of religious ideas include Judas: The Troubling History of the Renegade Apostle, Martin Luther: Catholic Dissident and Angels: A Visible and Invisible History. He is a former editor of the Catholic Herald, and writes for the Daily and Sunday Telegraph titles, and The Tablet. He is director of the Longford Trust for prison reform.

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The World Press Photo Foundation was founded in 1955. It is a major force in developing and promoting the work of visual journalists, with a range of activities and initiatives that span the globe. Its annual contest is one of the most prestigious awards in photojournalism and multimedia storytelling, and the exhibition it produces is seen by four million people worldwide each year.

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An illustrated study of the work of Charles Rennie Mackintosh. It features buildings, such as the Glasgow School of Art, as well as his interiors, such as the Willow Tea Rooms, many of which were designed in collaboration with his wife, Margaret Macdonald.

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Grab your gloves and your lab coat and prepare to explore chemistry, zoology, botany and astronomy in this ultimate science showdown. Did you know that Planet Earth is bigger than Mars? Or that you brushed your teeth with a chemical element this morning? Can you name a plant that eats insects? How about an animal that is louder than a jet engine? In Bigger Than This, the four suits have been replaced by four different fields of science chemistry, zoology, botany and astronomy. Collect cards by asking your opponents for cards that are either bigger than or smaller than one of the science elements in your hand. If your opponent can't satisfy your request, you'll win the round. Keep an eye out for the eight wildcards that will cause a malfunction in the lab they really throw a spanner in the works!

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Published to mark the centenary of Surrealism, this publication offers a new perspective on one of the most famous art movements with pioneering new research on its links with ecology and with politics. The development of Surrealism in the 1920s and 30s coincided with that of important new research and knowledge in the sciences, notably in biology. Forbidden Territories explores the unexamined interplay between Surrealism and life science, including the mutual influence of Sigmund Freud, illuminating how Surrealist strategies draw the eye to the astonishing aspects of scientific data and knowledge of the landscape, in ways that are prescient, even revelatory, in the present. The book further looks at the role of international conflict within Surreal landscapes and how these terrains became a vehicle for political statements and dissent. Finally, it expands on the Surrealist mythologization of the unconscious as a great ocean 'where the sharks of madness cruise', analysing the '

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A beautifully illustrated ode to the power of music. Wolfgang the Wolf dreams of starting a band. Without a second thought he places an advert, and to his great surprise Rex the Rabbit appears, a rocker with a fabulous voice. The Big Bads group was born. They are an immediate hit, and their fans come to listen from all over the forest. But Wolfgang's wolfish taste for rabbits is never far away Wolfgang and the Magic of Music is a sweet tale of an unlikely friendship, and the power of singing to bring everyone together.

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Rachel Church is Curator in the Sculpture, Metalwork, Ceramics and Glass department at the V&A, with a special responsibility for the rings collection. She has contributed to a number of V&A publications, including The Gilbert Collection at the V&A (2009).

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The definitive guide to the Bayeux Tapestry and its legacy, exploring the rich narrative behind its stitches and the turbulent times in which it was created. Political intrigue and treachery, heroism and brutal violence, victory and defeat all this is depicted in the Bayeux Tapestry, an epic account of a pivotal moment in English history. However, there is much more to this remarkable historical and artistic treasure, which tells its tale with an intensity and immediacy that speak to our modern world, almost 1,000 years after its creation. Many mysteries and questions still surround this unique embroidery - and not all is as it might appear at first glance. Who made it, and when, why, where and what for? David Musgrove and Michael Lewis set the events depicted in the context of the machinations on either side of the English Channel in the years leading up to the Norman Conquest and tease out what the Tapestry tells us of the deeds of kings as well as aspects of everyday life i

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The story of modern British art history told through the stories of its women. Consider for a moment the history of modern art in Britain; you may struggle to land on a narrative that features very many women. On this journey through a fascinating period of social change, artist Carolyn Trant fills in some of the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, British Women Artists sets these alongside such renowned presences as Barbara Hepworth, Laura Knight and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered make-up of the avant-garde', and the tyranny of artistic isms'. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions and spirite

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