Search results for ""author alex"

A bold new look at war and diplomacy in Europe that traces the idea of a unified continent in attempts since the eighteenth century to engineer lasting peace.Political peace in Europe has historically been elusive and ephemeral. Stella Ghervas shows that since the eighteenth century, European thinkers and leaders in pursuit of lasting peace fostered the idea of European unification.Bridging intellectual and political history, Ghervas draws on the work of philosophers from Abbé de Saint-Pierre, who wrote an early eighteenth-century plan for perpetual peace, to Rousseau and Kant, as well as statesmen such as Tsar Alexander I, Woodrow Wilson, Winston Churchill, Robert Schuman, and Mikhail Gorbachev. She locates five major conflicts since 1700 that spurred such visionaries to promote systems of peace in Europe: the War of the Spanish Succession, the Napoleonic Wars, World War I, World War II, and the Cold War. Each moment generated a “spirit” of peace among monarchs, diplomats, democratic leaders, and ordinary citizens. The engineers of peace progressively constructed mechanisms and institutions designed to prevent future wars.Arguing for continuities from the ideals of the Enlightenment, through the nineteenth-century Concert of Nations, to the institutions of the European Union and beyond, Conquering Peace illustrates how peace as a value shaped the idea of a unified Europe long before the EU came into being. Today the EU is widely criticized as an obstacle to sovereignty and for its democratic deficit. Seen in the long-range perspective of the history of peacemaking, however, this European society of states emerges as something else entirely: a step in the quest for a less violent world.

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The United States possesses extraordinary holdings of seventeenth-century Flemish paintings. In this pioneering and richly illustrated volume, twelve scholars and museum curators reveal the origins of these collections by examining the American approach to and interest in the collecting of Flemish art over the course of the nineteenth and twentieth centuries.Chronicling in lively detail the roles played by individuals in forming private and public collections, the essays in this volume illuminate how and why collectors and museums in the United States embraced the Flemish masters with such enthusiasm. They trace how the taste for specific genres and the appreciation for certain artists, in particular Peter Paul Rubens and Anthony van Dyck, changed over the years, and they explore the historical and cultural motivations behind these trends. In doing so, they consider the effect of the great bequests of Flemish paintings to American museums and examine the private collections of the main tastemakers for Flemish painting, including the Baltimore merchant Robert Gilmor; John Graver Johnson, the leading corporate lawyer of the Gilded Age; and the California oil magnate J. Paul Getty. Gorgeously illustrated with almost one hundred representative pieces, this important contribution to the scholarship on American collecting of Flemish art will interest art lovers and stimulate further research in the fields of art history and museum history.In addition to the editor, the contributors include Ronni Baer, Adam Eaker, Lance Humphries, George S. Keyes, Margaret R. Laster, Alexandra Libby, Louisa Wood Ruby, Dennis P. Weller, Arthur K. Wheelock, Marjorie Wieseman, and Anne T. Woollett.

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‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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'Anything can happen... You turn the pages wondering, 'Whatever next?''' - SFXPolly, an average, completely ordinary property lawyer, is convinced she's losing her mind. Someone keeps drinking her coffee. And talking to her clients. And doing her job. And when she goes to the dry cleaner's to pick up her dress for the party, it's not there. Not the dress - the dry cleaner's.And then there are the chickens who think they are people. Something strange is definitely going on - and it's going to take more than a magical ring to sort it out.A wonderfully quirky and comedic outing from the hugely talented Tom HoltBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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One of the most innovative artists and thinkers of the first half of the 20th century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. This book examines the two years he spent in Britain in the mid-1930s before moving on to the United States - two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges and friendship.Moholy-Nagy was especially known in the UK as a photographer, his photos having previously been published in the Architectural Review. Although brief, Moholy-Nagy's English period represented the peak of his photographic activity. In Britain, he also worked as a graphic designer on books, advertisements and on London Transport posters. He worked as an art advisor for Simpsons' menswear store and designed publicity for the Isokon Furniture Company. He made a couple of documentary films – Lobsters and New Architecture at London Zoo and worked as a designer on Things to Come for Alexander Korda. As well as the films and photographic essays for the AR, he was introduced by John Betjeman to publisher John Miles, who commissioned him to illustrate three books: The Street Markets of London, Eton Portrait and An Oxford University Chest. He also worked with Gropius and Maxwell Fry on various exhibition designs, gave lectures and wrote articles throughout his stay, and The London Gallery held an exhibition of his work in January 1937. This highly visual book weaves together rarely seen images, documents and narrative to create a fascinating picture of the man and the artist during this critical and highly productive phase of his life.

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The Mathematician's Brain poses a provocative question about the world's most brilliant yet eccentric mathematical minds: were they brilliant because of their eccentricities or in spite of them? In this thought-provoking and entertaining book, David Ruelle, the well-known mathematical physicist who helped create chaos theory, gives us a rare insider's account of the celebrated mathematicians he has known-their quirks, oddities, personal tragedies, bad behavior, descents into madness, tragic ends, and the sublime, inexpressible beauty of their most breathtaking mathematical discoveries. Consider the case of British mathematician Alan Turing. Credited with cracking the German Enigma code during World War II and conceiving of the modern computer, he was convicted of "gross indecency" for a homosexual affair and died in 1954 after eating a cyanide-laced apple--his death was ruled a suicide, though rumors of assassination still linger. Ruelle holds nothing back in his revealing and deeply personal reflections on Turing and other fellow mathematicians, including Alexander Grothendieck, Rene Thom, Bernhard Riemann, and Felix Klein. But this book is more than a mathematical tell-all. Each chapter examines an important mathematical idea and the visionary minds behind it. Ruelle meaningfully explores the philosophical issues raised by each, offering insights into the truly unique and creative ways mathematicians think and showing how the mathematical setting is most favorable for asking philosophical questions about meaning, beauty, and the nature of reality. The Mathematician's Brain takes you inside the world--and heads--of mathematicians. It's a journey you won't soon forget.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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An "effervescent" (Rachel Lynn Solomon) Christmas LGBTQIA+ New Adult RomCom, perfect for fans of Schitt's Creek and Red White & Royal Blue.Bring a little joy to the world?Not today, Santa.Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He's on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents' charming small town hellscape. Population: who cares?It's bad enough he's stuck in some festive winter wonderland-it's even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who's unimpressed with anything and everything Matthew does.Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior...with Hector as his maddening plus-one. But even a Grinch can't resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince's heart grow three sizes this year.People Are Raving About Timothy Janovsky:"This book made my queer heart so very full and deeply happy."-Anita Kelly"A cinematic daydream guaranteed to steal your heart."-Julian Winters"Wonderfully upbeat and sweet."-Suzanne Park"Full of hope and heart."-Alexandria Bellefleur"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."-Alison Cochrun

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An authoritative new history of the Roman conquest of Britain Why did Julius Caesar come to Britain? His own account suggests that he invaded to quell a resistance of Gallic sympathizers in the region of modern-day Kent -- but there must have been personal and divine aspirations behind the expeditions in 55 and 54 BCE. To the ancients, the Ocean was a body of water that circumscribed the known world, separating places like Britain from terra cognita, and no one, not even Alexander the Great, had crossed it. While Caesar came and saw, he did not conquer. In the words of the historian Tacitus, "he revealed, rather than bequeathed, Britain to Rome." For the next five hundred years, Caesar's revelation was Rome's remotest imperial bequest. Conquering the Ocean provides a new narrative of the Roman conquest of Britain, from the two campaigns of Caesar up until the construction of Hadrian's Wall across the Tyne-Solway isthmus during the 120s CE. Much of the ancient literary record portrays this period as a long march of Roman progress but recent archaeological discoveries reveal that there existed a strong resistance in Britain, Boudica's short lived revolt being the most celebrated of them, and that Roman success was by no means inevitable. Richard Hingley here draws upon an impressive array of new information from archaeological research and recent scholarship on the classical sources to provide a balanced picture of the military activities and strategies that led to the conquest and subjugation of Britain. Conquering the Ocean is the fullest picture to date of a chapter in Roman military history that continues to captivate the public.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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A REESE'S BOOK CLUB PICKINSTANT NEW YORK TIMES BESTSELLER'I loved this book so much' REESE WITHERSPOON---In 1987, Mina Lee flies from Seoul to Los Angeles to start a new life.Thirty years later, Margot Lee speaks to her mother for the last time.Between these two moments extends a lifetime of secrets. These are stories of unexpected loves and devastating losses. Of choices made and those left behind. Of a mother and daughter who have always struggled to understand each other. These are stories waiting to be told, before it's too late.Reminiscent of Celeste Ng's page-turning meditations on identity, this searing mother-daughter story explores the diverse and unsettling realities of being an immigrant in America.---'Suspenseful and deeply felt... raises questions about the reality of the American dream and illuminates stories that often go untold' CHLOE BENJAMIN'Painful, joyous... A story that cries out to be told' LA TIMES'Carefully illuminates the two sides of the silence between a Korean immigrant mother and her Korean American daughter, a silence only too familiar to many of us - and emerges with a stunningly powerful and original novel' ALEXANDER CHEE'A timely, important novel... Fans of Celeste Ng won't be able to put down this heartfelt, cross-generational novel about the powerful bond and fragility of family and what it really means to strive for the "American dream"' POPSUGAR---Readers fell in love with Margot and Mina...'Beautifully rendered. Achingly sweet. Enjoyable story with wonderfully realistic characters that you want to follow''An emotionally gripping story of loss and belonging''I LOVED THIS BOOK''This book is filled with wonderful characters, a story to please and mouth-watering Korean food''It speaks to all women who have been marginalized by their families or society at large'

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‘We must reveal the truth – it’s our duty. The world must know what is going on here … We have to carry on reporting. This is what keeps me going: reporting so that the world will never forget.’ – Asami Terajima, reporter for The Kyiv IndependentHow does a newsroom, made up of young journalists, find itself in a war zone overnight? How do you do your job as a correspondent when the conflict is literally on your doorstep?One member of The Kyiv Independent’s young editorial staff was covering the business world in Ukraine, another was reporting on entertainment, while a third was dealing with geopolitics, when the Russian army crossed the border. They made the choice to stay: to face head-on the uncertainty of living and working in an active war zone. The power cuts, threat to life, trips to shelters, lethal attacks – despite it all, they keep informing.In War Diary of the Ukrainian Resistance, they share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences.Everyone has a part to play in the resistance; reporting the truth is theirs. Their names are Alexander, Anastasiia, Anna, Artur, Asami, Daria, Daryna, Dinara, Francis, Igor, Illia, Iryna, Kostyantyn, Liza, Natalia, Oleg, Oleksiy, Olena, Olga, Thaisa, Toma, Veronika and Zakhar. Their lives will never be the same again. Nor will ours.

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Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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To help students think critically about international relations and politics, Stephen Benedict Dyson examines the fictional but deeply political realities of three television shows: Star Trek, Game of Thrones, and Battlestar Galactica. Deeply familiar with the events, themes, characters, and plot lines of these popular shows, students can easily draw parallels from fictive worlds to contemporary international relations and political scenarios. In Dyson's experience, this engagement is frequently powerful enough to push classroom conversations out into the hallways and onto online discussion boards. In Otherworldly Politics, Dyson explains how these shows are plotted to offer alternative histories and future possibilities for humanity. Fascinated by politics and history, science fiction and fantasy screenwriters and showrunners suffuse their scripts with real-world ideas of empire, war, civilization, and culture, lending episodes a compelling intricacy and contemporary resonance. Dyson argues that science fiction and fantasy television creators share a fundamental kinship with great minds in international relations. Creators like Gene Roddenberry, George R. R. Martin, and Ronald D. Moore are world-builders of no lesser creativity, Dyson argues, than theorists such as Woodrow Wilson, Kenneth Waltz, and Alexander Wendt. Each of these thinkers imagines a realm, specifies the rules of its operation, and by so doing seeks to teach us something about ourselves and how we interact with one another. A vital spur to creative thinking for scholars and an accessible introduction for students, this book will also appeal to fans of these three influential shows.

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Drawing on more than 20 years of archaeological study and investigation at Zawiyet Umm el-Rakham by a team from the University of Liverpool (led by Professor Steven Snape), this book paints a nuanced picture of daily life not only at this liminal military site, but also in Ramesside Egypt more broadly. Constructed during the reign of Ramesses II, the fortified settlement was situated 300 kilometres west of Alexandria and represents the furthest western outpost of the Egyptian New Kingdom empire. Excavations in Area K of the fortress have uncovered extensive evidence for the living arrangements, minor industries, food production and daily life of the fort’s inhabitants. This previously unpublished material forms the bedrock of this volume, which focuses on analysing the various subsistence and craft production strategies that were conducted alongside each other in this area, from baking, brewing and butchery to lithics working, bone-carving and weaving. These traces of the activities of the soldiers and their families shed new light on what life was like at this military installation and for ordinary Egyptians more widely, shifting away from a focus on elite social groups. The archaeological evidence covered in this book prompts a re-evaluation of the realities of the relationship between Egyptians and Libyans at the close of the Late Bronze Age. The purpose of the fortress' construction was primarily defensive, however the surviving material points to co-operation by means of collaborative farming and trading, and provides a direct counterpoint to the more belligerent contemporary royal monumental inscriptions describing Egypto-Libyan relations.

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Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.

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The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved motherBarbara Chase-Riboud has led a remarkable life. After graduating from Yale’s School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminaries—from Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker.I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother.

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This volume includes: Olga Levaniouk, “The Dreams of Barčin and Penelope”; Paul K. Hosle, “Bacchylides’ Theseus and Vergil’s Aristaeus”; Vayos Liapis, “Arion and the Dolphin: Apollo Delphinios and Maritime Networks in Herodotus”; Nino Luraghi, “The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias”; Andrea Capra, “The Staging and Meaning of Aristophanes’ Assemblywomen”; Konstantine Panegyres, “Moses, Pharaoh, and the Waters of the Nile: Artapanus FGrHist 726 F 3”; Roy D. Kotansky, “Underworld and Celestial Eschatologies in the ‘Orphic’ Gold Leaves”; Vittorio Remo Danovi, “New Citations from the Libri Etruscorum and Varro in Vergilian Scholia”; T. H. M. Gellar-Goad, “Tears and Personified Nature in Juvenal 15.131–140 and Lucretius 3.931–962”; Tristan Power, “Textual Conjectures on Catullus 55.9-12”; Francesco Rotiroti, “From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil”; J. S. C. Eidinow, “The Critic and the Farmer: Horace, Maecenas, and Virgil in Horace Carm. 1.1”; Shirley Werner, “The Rules of the Game: Imitation and Mimesis in Horace Epistles 1.19”; Francis Newton, “Ovid Met. 1: Jupiter’s Plebeians, the Titles of Augustus, and the Poet’s Exile”; Simona Martorana, “Omission and Allusion: When Statius’ Hypsipyle Reads Ovid’s Heroides 6”; Michael Zellmann-Rohrer, “The Chronokratores in Greek Astrology, in Light of a New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1–2”; Konstantine Panegyres, “ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1”; Andrew C. Johnston, “Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance.”

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Ableism, a form of discrimination that elevates “able” bodies over those perceived as less capable, remains one of the most widespread areas of systematic and explicit discrimination in Western culture. Yet in contrast to the substantial body of scholarly work on racism, sexism, classism, and heterosexism, ableism remains undertheorized and underexposed. In this book, James L. Cherney takes a rhetorical approach to the study of ableism to reveal how it has worked its way into our everyday understanding of disability.Ableist Rhetoric argues that ableism is learned and transmitted through the ways we speak about those with disabilities. Through a series of textual case studies, Cherney identifies three rhetorical norms that help illustrate the widespread influence of ableist ideas in society. He explores the notion that “deviance is evil” by analyzing the possession narratives of Cotton Mather and the modern horror touchstone The Exorcist. He then considers whether “normal is natural” in Aristotle’s Generation of Animals and in the cultural debate over cochlear implants. Finally, he shows how the norm “body is able” operates in Alexander Graham Bell’s writings on eugenics and in the legal cases brought by disabled athletes Casey Martin and Oscar Pistorius. These three simple equivalencies play complex roles within the social institutions of religion, medicine, law, and sport. Cherney concludes by calling for a rhetorical model of disability, which, he argues, will provide a shift in orientation to challenge ableism’s epistemic, ideological, and visual components. Accessible and compelling, this groundbreaking book will appeal to scholars of rhetoric and of disability studies as well as to disability rights advocates.

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Amazon Book Review's No. 1 Best Romance of 2019 and one of Bustle's '21 Rom-Coms To Give You Warm And Fuzzy Feelings All Season Long'!If you love Ali Hazelwood, Sally Thorne and Helen Hoang, you'll LOVE Lyssa Kay Adams!Readers can't stop raving about The Bromance Book Club! ⭐ ⭐ ⭐ ⭐ ⭐ 'Romantic comedy at its finest''Completely lived up to the hype''The perfect blend of funny, wacky moments and also sexy and angsty moments''I didn't expect to read a new favourite but The Bromance Book Club has gone and done it!''I would recommend this to anyone who wants to escape into a book for a few hours and come out with a smile''This book made me feel warm and fuzzy. It was like being hugged, but in a sexy way - what more could you want?''I loved the emotional range it took me through, from laugh-out-loud moments to real tear-jerking scenes'.........................................................................The first rule of book club: You don't talk about book club.Gavin Scott's marriage is trouble. The Nashville Legends baseball star has recently discovered a humiliating secret: his wife Thea has always faked the Big O. His reaction to the revelation is the final straw for their already strained relationship. Thea asks for a divorce, and Gavin realizes he's let his pride and fear get the better of him. Welcome to the Bromance Book Club. Distraught and desperate, Gavin finds help from an unlikely source: a secret romance book club made up of Nashville's top alpha men. With the help of their current read, a steamy Regency called Courting the Countess, the guys coach Gavin on saving his marriage. But it'll take a lot more than flowery words and grand gestures for this hapless Romeo to find his inner hero and win back the trust of his beloved wife..........................................................................Raves for The Bromance Book Club:'A you're-gonna-burn-dinner book because you will not want to put it down. Laugh out loud with tons of heart, this is an absolutely adorable must read' AVERY FLYNN'A delight! . . . I raced to finish this book, but still never wanted it to end!' ALEXA MARTIN'A delightful, fast-paced read with the perfect mix of laugh-out-loud and swoony moments - every town should have a Bromance Book Club' EVIE DUNMORE'It is the reading aloud in this story that ultimately wins my heart, and shows that everything worth knowing can be learned from romance' KC DYERDon't miss any of the charming and swoonworthy Bromance Book Club reads! The Bromance Book ClubUndercover BromanceCrazy Stupid Bromance Isn't It Bromantic? A Very Merry Bromance

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“Don’t fire until you see the whites of their eyes” remains one of the enduring, and most stirring, quotations of the Revolutionary War, and it was very likely uttered at the Battle of Bunker Hill by General Israel Putnam. Despite this, and Putnam’s renown as a battlefield commander and his colorful military service far and wide, Putnam has never received his due from modern historians. In The Whites of Their Eyes, Michael Shay tells the exciting life of Israel Putnam.Born near Salem, Massachusetts, in 1718, Putnam relocated in 1740 to northeastern Connecticut, where he was a slaveowner and, according to folk legend, killed Connecticut’s last wolf, in a cave known as Israel Putnam Wolf Den, which is on the U.S. National Register of Historic Places. During the French and Indian War, Putnam enlisted as a private and rose to the rank of colonel. He served with Robert Rogers, famous Ranger founder and leader, and a popular phrase of the time said, “Rogers always sent, but Putnam led his men to action.” In 1759, Putnam led an assault on French Fort Carillon (later Ticonderoga); in 1760, he marched against Montreal; in 1762, he survived a shipwreck and yellow fever during an expedition against Cuba; and in 1763, he was sent to defend Detroit during Pontiac’s rebellion.When the Revolutionary War broke out, Putnam—who had been radicalized by the Stamp Act—was among those immediately considered for high command. Named one of the Continental Army’s first four major generals, he helped plan and lead at the Battle of Bunker Hill, where he gave the order about “the whites of their eyes” and argued in favor of fortifying Breed’s Hill, in addition to Bunker Hill. Most of the battle would take place on Breed’s. During the battles for Manhattan, Brooklyn, and Long Island during the summer of 1776, Putnam proved himself a capable and courageous battlefield commander with a special eye for fortifications, but he sometimes faltered in tactical and strategic decision-making. In the fall of 1777, the British tricked Putnam into withdrawing from the Hudson Highlands near West Point. Relieved of command, Putnam was exonerated by a court of inquiry, but—nearly sixty and opposed by powerful political elements from New York, including Alexander Hamilton—he spent the rest of the war on non-battlefield duty in Connecticut before being paralyzed by a stroke in 1779.The Whites of Their Eyes recounts the life and times of Israel Putnam, a larger-than-life general, a gregarious tavern keeper and farmer, who was a folk hero in Connecticut and the probable source of legendary words during the Revolutionary War—and whose exploits make him one of the most interesting officers in American military history.

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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Hailed by some as the Eighth Wonder of the World when it opened in 1883, the Brooklyn Bridge is one of the world’s most recognizable and beloved icons. For over one hundred years it has excited and fascinated with stories of ingenuity and heroism, and it has been endorsed as a flawless symbol of municipal improvement and a prime emblem of American technological progress. Despite its impressive physical presence, however, Brooklyn’s grand old bridge is much more than a testament of engineering and architectural achievement. As Richard Haw shows in this first of its kind cultural history, the Brooklyn Bridge owes as much to the imagination of the public as it does to the historical events and technical prowess that were integral to its construction. Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw’s account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge—in film, music, literature, art, and politics—from its opening ceremonies to the blackout of 2003. Classic accounts from such writers and artists as H. G. Wells, Charles Reznikoff, Hart Crane, Lewis Mumford, Joseph Pennell, Walker Evans, and Georgia O’Keeffe, among many others, present the bridge as a deserted, purely aestheticized romantic ideal, while others, including Henry James, Joseph Stella, Yun Gee, Ernest Poole, Alfred Kazin, Paul Auster, and Don DeLillo, offer a counter-narrative as they question not only the role of the bridge in American society, but its function as a profoundly public, communal place. Also included are never-before-published photographs by William Gedney and a discussion of Alexis Rockman’s provocative new mural Manifest Destiny. Drawing on hundreds of cultural artifacts, from the poignant, to the intellectual, to the downright quirky, The Brooklyn Bridge sheds new light on topics such as ethnic and foreign responses to America, nationalism, memory, parade culture, commemoration, popular culture, and post-9/11 America icons. In the end, we realize that this impressive span is as culturally remarkable today as it was technologically and physically astounding in the nineteenth century.

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"Miss Caroline Charles, aged 22 - youngest of the English designers whose fashions have captured New York - returns there to show her Spring collection. She is dark, beautiful and frail, with a small voice. But she is deceptive; she is made of iron; her energy is matched only by her persistence. Nothing will stop her. She is at the top now, and might stay there for 50 years." John Gale, Observer Oct 25th 1964 Caroline Charles is one of London's most respected womenswear designers. She has developed her business over the past five decades and the label is sold and marketed throughout the world. Caroline Charles began in the world of fashion art school followed by a couture apprenticeship and a stint as a photographer's assistant; she then worked for Mary Quant and was inspired by couturiers as well as being a leading designer in the '60s youthquake and swinging London. Her first collections were kooky and fresh and included a white cotton dress made from a bedspread! Caroline Charles was one of the original designers to join what was later to become British Fashion Week. Caroline opened a shop in Beverly Hills in the '70s and in the '90s had many successes with shops and shows in Japan. Her clothes were quickly snapped up by celebrities, which over the years have ranged from Lulu, Marianne Faithfull and Cilla Black as well as special suits being made for Mick Jagger and Ringo Starr. Princess Diana became a regular client as did Emma Thompson who wore a Caroline Charles design to receive an Oscar. Caroline Charles has been invited over the years to be a design consultant to major brands such as Burberry and Marks and Spencer as well as having design collaborations with major accessories and textile companies. In the '90s Caroline Charles designed the official scarf to mark the 40th anniversary of the accession of the Queen. As she celebrated her own 40th anniversary, Caroline Charles was awarded an OBE for services to the British Fashion Industry. Celebrations followed at the Victoria & Albert Museum with another award from the British Fashion Council. Book contributors include: Alexandra Shulman - Editor British Vogue, Suzy Menkes - Fashion Editor International Herald Tribune, Harold Tillman CBE - Chairman of the British Fashion Council, Caroline Baker - Fashion Director, Bruce Oldfield - Designer, Sue Crewe - Editor of House & Garden, Jess Cartner-Morley - Fashion Editor The Guardian and Richard Knight - Christies, London, among others.

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**A Red magazine book of 2023**'The most charming, utterly lovely story I've read in ages... this is one of my books of the year' RED 'This joyous novel is a feast for the senses, as well as the soul' JOANNA NELLA warm-hearted debut novel set in the beautiful coastal city of Chennai, for fans of Alexander McCall Smith, Joanna Nell and Graeme Simsion.Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.The residents have their own complicated lives to navigate, but what they all have in common is their love of where they live, so when a developer threatens to demolish the apartments and build over the gardens, the community of Grand Life Apartments is brought even closer together to fight for their beautiful home...-------------------------------'I loved this heartwarming read' PRIMA'It's utterly entrancing - so humane and funny, and so seeped in India that I could smell the cooking and breathe the exhaust fumes. I absolutely loved it from start to finish.' DEBORAH MOGGACH'I was put in mind of Armistead Maupin's Tales of the City . . . a distinctive and evocative voice' GRAEME SIMSION'Warm, gorgeous, tender, hopeful and human. I felt so HAPPY when I was reading it' DAISY BUCHANAN'An enchanting hug of a book with characters that you'll really root for' NIKKI MAY'A super warm and lovely read ... Should have a warning though: WILL MAKE YOU HUNGRY!' KATE SAWYER'Hema Sukumar's debut is an absolute joy. I loved being transported to the Grand Life Apartments and I was bewitched by the characters, colours and tastes of Chennai. Please can I move in forever?' CLARE POOLEY 'A gorgeous, beautifully-written story, full of wonderfully charming characters - and a loveable cat.' NICK BRADLEY'Written with such warmth ... full of life and love. Hema Sukumar's lovely characters became like friends to me, and I adored spending time with them.' SARA ADAMS

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No commander during the Civil War is more closely identified with the "cavalier mystique” as Major General J.E.B. (Jeb) Stuart. And none played a more prominent role during the brief period when the hopes of the nascent Confederacy were at their apex, when it appeared as though the Army of Northern Virginia could not be restrained from establishing Southern nationhood. Jeb Stuart was not only successful in leading Robert E. Lee's cavalry in dozens of campaigns and raids, but for riding magnificent horses, dressing outlandishly, and participating in balls and parties that epitomized the "moonlight and magnolia” image of the Old South. Longstreet reported that at the height of the Battle of Second Manasses, Stuart rode off singing, "If you want to have good time, jine the cavalry . . .” Porter Alexander remembered him singing, in the midst of the miraculous victory at Chancellorsville, "Old Joe Hooker, won't you come out of the Wilderness?” Stuart was blessed with an unusually positive personality—always upbeat, charming, boisterous, and humorous, remembered as the only man who could make Stonewall Jackson laugh, reciting poetry when not engaged in battle, and yet never using alcohol or other stimulants. Year of Glory focuses on the twelve months in which Stuart's reputation was made, following his career on an almost day-to-day basis from June 1862, when Lee took command of the army, to June 1863, when Stuart turned north to regain a glory slightly tarnished at Brandy Station, but found Gettysburg instead. It is told through the eyes of the men who rode with him, as well as Jeb's letters, reports, and anecdotes handed down over 150 years. It was a year like no other, filled with exhilaration at the imminent creation of a new country. This was a period when it could hardly be imagined that the cause, and Stuart himself, could dissolve into grief, Jeb ultimately separated from the people he cherished most.

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How Rome's citizen-soldiers conquered the world—and why this militaristic ideal still has a place in America today."For who is so worthless or indolent as not to wish to know by what means and under what system of polity the Romans . . . succeeded in subjecting nearly the whole inhabited world to their sole government—a thing unique in history?"—PolybiusThe year 146 BC marked the brutal end to the Roman Republic's 118-year struggle for the western Mediterranean. Breaching the walls of their great enemy, Carthage, Roman troops slaughtered countless citizens, enslaved those who survived, and leveled the 700-year-old city. That same year in the east, Rome destroyed Corinth and subdued Greece. Over little more than a century, Rome's triumphant armies of citizen-soldiers had shocked the world by conquering all of its neighbors. How did armies made up of citizen-soldiers manage to pull off such a major triumph? And what made the republic so powerful? In Killing for the Republic, Steele Brand explains how Rome transformed average farmers into ambitious killers capable of conquering the entire Mediterranean. Rome instilled something violent and vicious in its soldiers, making them more effective than other empire builders. Unlike the Assyrians, Persians, and Macedonians, it fought with part-timers. Examining the relationship between the republican spirit and the citizen-soldier, Brand argues that Roman republican values and institutions prepared common men for the rigors and horrors of war. Brand reconstructs five separate battles—representative moments in Rome's constitutional and cultural evolution that saw its citizen-soldiers encounter the best warriors of the day, from marauding Gauls and the Alps-crossing Hannibal to the heirs of Alexander the Great. A sweeping political and cultural history, Killing for the Republic closes with a compelling argument in favor of resurrecting the citizen-soldier ideal in modern America.

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In stark contrast to the rather modest performance of its large surface fleet in the Second World War, the Italian Navy's smallest units achieved its most spectacular successes. It made a speciality of unconventional methods of attack - explosive motor boats, human torpedoes and miniature submarines - that were employed with ingenuity and daring to surprise, discomfort and baffle the enemy. In December 1941 the whole balance of the naval war in the Mediterranean was altered by six frogmen riding three of the SLC craft they called maiale ('pigs') who penetrated Alexandria harbour to cripple the battleships Valiant and Queen Elizabeth, surely one of the most impressive ratios of results to resources in naval history. This book is the first complete history of these craft, both the details of the technology and the history of their deployment. Beginning in the Great War with the extraordinary 'jumping' boats designed to scale harbour boom defences, the story takes in the inter-war development of both lightweight surface craft and underwater systems from small submarines to 'Gamma' assault divers. By way of comparison, equivalent developments in other navies are analysed, including the British 'chariots' which were little more than copies of the Italian SLCs. Every operation by these craft is described, cataloguing the forces involved and the results, from high-profile successes like the sinking of the cruiser York by explosive motorboat to lesser-known incidents - the use of such craft by the Israelis as late as 1948 for example. Many were carried out by the famous Decima MAS, a unit as legendary in Italy as the SAS in Britain, and this book provides a comprehensive chronicle of their activities. Originally commissioned by CABI Cattaneo that designed and built most of these craft, Italian Assault Craft benefited from unrestricted access to the company's archives, technical drawings, and photo collection so it is replete with rarely seen illustrations. Very much secret weapons in their day, they are here revealed in full detail for the first time.

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Between 152 and 138 BC a series of wars from Africa to India produced a radically new geopolitical situation. In 150 Rome was confined to the western Mediterranean, and the largest state was the Seleukid empire. By 140 Rome had spread to the borders of Asia Minor and the Seleukid empire was confined to Syria. The new great power in the Middle East was Parthia, stretching from Babylonia to Baktria. These two divided the western world between them until the Arab conquests in the seventh century AD. These wars have generally been treated separately, but they were connected. The crisis began in Syria with the arrival of the pretender Alexander Balas; his example was copied by Andriskos in Macedon, formerly in Seleukid service; the reaction of Rome to defiance in Macedon, Greece and Africa produced conquest and destruction. The preoccupation of Seleukid kings with holding on to their thrones allowed Mithradates I of Parthia to conquer Iran and Babylonia, and in Judaea an insurrection was partly successful. Mithradates was able conquer in part because his other enemy, Baktria, was preoccupied with the nomad invasions which led to the destruction of Ai Khanum. One of the reasons for the nomad success in Baktria was the siphoning off of Greek strength into India, where a major expedition in these very years breifly conquered and sacked the old Indian imperial capital of Pataliputra. In the process the great cities of Carthage, Corinth, Ai Khanum, and Pataliputra were destroyed, while Antioch and Seleukeia-on-the-Tigris were extensively damaged. John Grainger's lucid narrative shows how these seismic events, stretching from India to the Western Meditteranean, interconnected to recast the ancient world.

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A private printed, limited edition facsimile of Aldous Huxley's 1940 essay on the significance and power of words. An argument as timely as it is timeless, Aldous Huxley's Words and Their Meanings argues the significance and power of words. A less well-known work originally published by The Ward Ritchie Press in 1940, Huxley's essay arrived at the end of the Great Depression and coincided with U.S. entry into WWII, a time when global relations were heavily impacted by the craft and manipulation of language. Words and Their Meanings was selected as one ofthe Western Books of 1940, which was a celebration and recognition of fine printing. Huxley wrote that "words are magical in the way they affect the minds of those who use them" while displaying his insight and proficiency with language. He blends accessible elements of linguistic theory, semiotics and philosophy with his erudite style. Alvin Lustig is recognized for introducing principles of modern art to graphic design, with contributions tobook design, interior design, and typography. His abstract style and innovative approach to typeface design became a trademark of titles published by New Directions Publishing. RIT Press presents a privately printed, limited edition facsimile of this title. This fine edition has been produced in partnership with More Vang, Alexandria, Virginia and designed byAlvin Lustig. He is recognized for introducing principles of modern art to graphic design, with contributions to book design, interior design, and typography. ALDOUS HUXLEY was a novelist, poet, and philosopher who relocated from England to the U.S. in 1937. He lived in southern California where he initiallyworked as a Hollywood screenwriter, later achieving success with his short stories, poetry, essays, and novels, especially Brave New World (1932).

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It may not be the longest, deepest or widest river in the world but few bodies of water reveal as much about a nation's past and present, or are suggestive of its future, as England's River Thames. Tales of legendary lock-keepers and long-vanished weirs evoke the distant past of a river which evolved into a prime commercial artery linking the heart of England with the ports of Europe. In Victorian times, the Thames hosted regattas galore, its new bridges and tunnels were celebrated as marvels of their time, and London's river was transformed from sewer to centrepiece of the British Empire. Talk of the Thames Gateway and the effectiveness of the Thames Barrier keeps the river in the news today, while the lengthening Thames Path makes the waterway more accessible than ever before. Through quiet meadows, rolling hills, leafy suburbia, industrial sites and a changing London riverside, Mick Sinclair tracks the Thames from source to sea, documenting internationally-known landmarks such as Tower Bridge and Windsor Castle and revealing lesser known features such as Godstow Abbey, Canvey Island, the Sanford Lasher, and George Orwell's tranquil grave. Paintings, Words and Music: Turner, Tissot, Whistler and Monet; Shakespeare at Southwark, Alexander Pope, Charles Dickens, Jerome K. Jerome, William Morris; Handel's Water Music, the first rendition of Rule Britannia, the Rolling Stones and The Who rocking Eel Pie Island. Power, Politics and Intrigue: Runnymede and Magna Carta, the first English parliament, Whitehall Palace, Cliveden and the Profumo affair, the Houses of Parliament and the brooding headquarters of MI5 and MI6. Trade and Commerce: Eel trapping, osier growing; bargemen, watermen and lightermen; the rise and fall of London's docks; urban regeneration, rural protection.

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Uncover the fascinating history of virtual communities and how we connect to each other online. The Rise of Virtual Communities, explores the earliest online community platforms, mapping the technological evolutions, and the individuals, that have shaped the culture of the internet.Read in-depth interviews with the visionary founders of iconic online platforms, and uncover the history of virtual communities and how the industry has developed over time. Featuring never-before told stories, this exploration introduces new ideas and predictions for the future, explaining how we got here and challenging what we think we may know about building online communities.Readers will: Learn what a virtual community is and how it has become an integral part of modern society Review key insights into building virtual communities and platforms from the founders and pioneers who created them See what the current developments and the potential challenges are related to the future of virtual communities Who is this for:Community managers, company founders and those who want to know more about the origins and future of virtual communities.interviews Include: Randy Farmer & Chip Morningstar – Lucasfilm Games ‘Habitat’ and creators of the modern Avatar Howard Rheingold - Community expert and member of the WELL Stacy Horn - Founder of Echo NYC Jim Bumgardner - Founder of The Palace Philip Rosedale - Founder of Second Life Sampo Karjalainen - Co-founder of Habbo Hotel Lance Priebe - Co-Founder of Club Penguin Angelo Sotira - Co-Founder of Deviant Art Caterina Fake - Co-Founder of Flickr Alexis Ohanian- Founder of Reddit Kevin Rose – Co-Founder of Digg & PROOF Collective Jason Citron - Founder of Discord Trevor McFedries - Founder of FWB & Brud Cherie Hu - Founder of Water & Music Michelle Kennedy - Founder of Peanut

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Thanks to the First Amendment, Americans enjoy a rare privilege: the constitutional right to lie. And although controversial, they should continue to enjoy this right.When commentators and politicians discuss misinformation, they often repeat five words: "fire in a crowded theater." Though governments can, if they choose, attempt to ban harmful lies, propaganda, misinformation, and disinformation, how effective will their efforts really be? Can they punish someone for yelling "fire" in a crowded theater—and would those lies then have any less impact? How do governments around the world respond to the spread of misinformation, and when should the US government protect the free speech of liars?In Liar in a Crowded Theater, law professor Jeff Kosseff addresses the pervasiveness of lies, the legal protections they enjoy, the harm they cause, and how to combat them. From the COVID-19 pandemic to the 2016 and 2020 presidential elections and the January 6, 2021, insurrection on the Capitol building, Kosseff argues that even though lies can inflict huge damage, US law should continue to protect them. Liar in a Crowded Theater explores both the history of protected falsehoods and where to go from here.Drawing on years of research and thousands of pages of court documents in dozens of cases—from Alexander Hamilton's enduring defense of free speech to Eminem's victory in a lawsuit claiming that he stretched the truth in a 1999 song—Kosseff illustrates not only why courts are reluctant to be the arbiters of truth but also why they're uniquely unsuited to that role. Rather than resorting to regulating speech and fining or jailing speakers, he proposes solutions that focus on minimizing the harms of misinformation. If we want to seriously address concerns about misinformation and other false speech, we must finally exit the crowded theater.

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Historian Gary Marker traces the Russian veneration of St. Catherine of Alexandria from its beginnings in Kievan times through the onset of female rulership in the eighteenth century. Two narratives emerge. The first focuses on St. Catherine within Christendom and, specifically, within Russia. The second shifts attention to the second wife of Peter the Great, Catherine I, who became Russia's first crowned female ruler. Marker then explores the evolution of divine queenship and the Catherine cult through the reigns of Elizabeth and Catherine the Great. Russia's cult of St. Catherine diverged from the veneration of Catherine in Western Christendom in several ways, particularly in the evolution of the Bride of Christ theme. Also, while St. Catherine became a figure of personal intercession in the West, her persona in Russia took a different path, one that valorized her regal and masculine qualities—attributes that supported her emerging role as a patron saint of the women of the ruling family. The intersection of gender, power, and religion is a central theme of this study. Under Catherine I, the ruler's identification with St. Catherine, her name-day saint, became critical. In ever-widening cascades of public ceremonies, Catherine was lauded as her saint's living image, an affinity that ultimately provided the basis for establishing a distinctly female path to divinely chosen leadership. Imperial Saint draws upon extensive and often rare sources, including service books, saints' lives, sermons, public ceremonies, pilgrims' accounts, laws, and personal correspondence. It also calls attention to icons, iconostases, fireworks, processionals, and other visual evidence. For readers interested in saints, cults, the ritualization of power, and the relationship between gender and religion—as well as scholars who study St. Catherine—this stimulating study offers valuable insights.

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The currents of History run deep and often unseen beneath the everyday ripple of events. But now and again the current rises to the surface, and the events of a single day shed an exceptional light on the meaning of the past. Such events are the subject of Days that Changed the World. Some of the 50 days described here mark the end of an era; others the start of something new. Many are the dates of bloody battles or murders; others of momentous decisions or breathtaking discoveries. All are remembered as powerful symbols of their time. Our story begins almost 2500 years ago on 28 September 480 before the Christian Era, when the Athenian navy destroyed the Persian invasion fleet in the Bay of Salamis. Had the Persians won we might never have heard the names of Plato, Aristotle or Alexander, nor recognize the word democracy. Charting 50 such defining moments, concluding with 11 September 2001 and the destruction of New York's Twin Towers, Days that Changed the World is a unique and fascinating way to portray the story of world history. These 50 history-making days include: The Battle of the Salamis; The Assassination of Julius Caesar; The Crucifixion of Jesus Christ; The Dedication of Constantinople; The Death of Muhammad; The Coronation of Charlemagne; The Death of Genghis Khan; The Fall of Constantinople; The Defeat of the Spanish Armada; The Defenestration of Prague; The Fall of the Bastille; The Battle of Waterloo; Parliament Passing the Emancipation Act; The Battle of Sedan; The Boxer Rebellion; The First Day of the Somme; The Japanese Attack on Pearl Harbour; The Bombing of Hiroshima; Martin Luther King's 'I have a Dream'; The Breaching of the Berlin Wall; Nelson Mandela's Release from Prison; Nine Eleven.

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How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds draws on a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant’s behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

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The American Short Story since 1950 offers a reappraisal and contextualisation of a critically underrated genre during a particularly rich period in its history. It offers new readings of important stories by key writers including Flannery O'Connor, John Cheever, Donald Barthelme, Raymond Carver, Lorrie Moore and Grace Paley. These readings are related throughout to the various contexts in which stories are written and published, including creative writing schools, story-writing handbooks, mass market and 'little' magazines. A long introduction tells the story of the American short story before 1950. The first four chapters are roughly chronological, covering the major trends (such as realism, fabulism and minimalism) in short fiction from the 1950s to 2000. The fifth explores the implications for the short story of its association with creative writing education. The sixth deals with the short story sequence since 1950. A conclusion surveys the state of short fiction today. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Diaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis * draws on previously unpublished interviews with many of these writers *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem

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‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. Hired as a dream auditor, he finds himself entering the dreams of white-collar workers to flag their anxieties for removal at night so they'll be more productive in the day. If Abernathy can at least appear competent, might he have a chance at a new life? As Abernathy tries to find his footing in this new gig, reality and morality begin to warp around him. Soon, the lines between life and work, right and wrong, and even sleep and consciousness, have blurred and Abernathy begins to wonder just what he might have signed away… Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB

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'The undisputed champion of South African crime. Meyer grabs you by the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson ***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters. Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland. Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him. The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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Beginning with a deceptively simple question—What do we mean when we designate behaviours, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalised young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.Shockley argues that a rigid notion of black aesthetics commonly circulates that is little more than a caricature of the concept. She sees the Black Aesthetic as influencing not only African American poets and their poetic production, but also, through its shaping of criteria and values, the reception of their work. Taking as its starting point the young BAM artists’ and activists’ insistence upon the interconnectedness of culture and politics, this study delineates how African American poets—in particular, Gwendolyn Brooks, Sonia Sanchez, Harryette Mullen, Anne Spencer, Ed Roberson, and Will Alexander—generate formally innovative responses to their various historical and cultural contexts.Out of her readings, Shockley eloquently builds a case for redefining black aesthetics descriptively, to account for nearly a century of efforts by African American poets and critics to name and tackle issues of racial identity and self-determination. In the process, she resituates innovative poetry that has been dismissed, marginalised, or misread because its experiments were not “recognisably black”—or, in relation to the avant-garde tradition, because they were.

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“Masterfully written and pitch perfect, Black Girls Must Be Magic is, simply, magic.”—Good Morning AmericaIn this highly anticipated second installment in the Black Girls Must Die Exhausted series, Tabitha Walker copes with more of life’s challenges and a happy surprise—a baby—with a little help and lots of love from friends old and new.For Tabitha Walker, her grandmother’s old adage, “Black girls must die exhausted” is becoming all too true. Discovering she’s pregnant—after she was told she may not be able to have biological children—Tabitha throws herself headfirst into the world of “single mothers by choice.” Between her job, doctor’s appointments, and preparing for the baby, she’s worn out. And that’s before her boss at the local news station starts getting complaints from viewers about Tabitha’s natural hair.When an unexpected turn of events draws Marc—her on and off-again ex-boyfriend—back into her world with surprising demands, and the situation at work begins to threaten her livelihood and her identity, Tabitha must make some tough decisions about her and her baby’s future. It takes a village to raise a child, and Tabitha turns to the women who have always been there for her.Bolstered by the fierce support of Ms. Gretchen, her grandmother’s best friend, the counsel of her closest friends Laila and Alexis, and the calming presence of her doula Andouele, Tabitha must find a way to navigate motherhood on her own terms. Will she harness the bravery, strength, and self-love she’ll need to keep “the village” together, find her voice at work, and settle things with Marc before the baby arrives?

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'The undisputed champion of South African crime. Meyer grabs you but the throat and never lets you go' Wilbur Smith'From its startling opening to its tense and thrilling conclusion, Deon Meyer's The Last Hunt takes you on a whirlwind safari across two continents. In the whole of the Benny Griessel series so far, the stakes have never been higher or the odds so much against' Peter Robinson***A cold case for Captain Benny Griessel and Vaughn Cupido of the Hawks elite police unit - not what they were looking for. And a difficult case, too. The body of Johnson Johnson, ex-cop, has been found beside a railway line. He appears to have jumped from South Africa's - perhaps the world's - most luxurious train, and two suspicious characters seen with him have disappeared into thin air. The regular police have already failed to make progress and others are intent on muddying the waters.Meanwhile in Bordeaux, Daniel Darret is settled in a new life on a different continent. A quiet life. But his skills as an international hit-man are required one more time, and Daniel is given no choice in the matter. He must hunt again - his prey the corrupt president of his homeland.Three strands of the same story become entwined in a ferocious race against time - for the Hawks to work out what lies behind the death of Johnson, for Daniel to evade the relentless Russian agents tracking him, for Benny Griessel to survive long enough to take another huge step in his efforts to piece together again the life he nearly destroyed - and finally ask Alexa Bernard to marry him.The Last Hunt shows one of the great crime writers operating at the peak of his powers.

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"In his interdisciplinary review of material culture, Ian Woodward goes beyond synthesis to offer a theoretically innovative reconstruction of the field. It is filled with gems of conceptual insight and empirical discovery. A wonderful book." - Jeffrey C. Alexander, Yale University "A well-grounded and accessible survey of the burgeoning field of material culture studies for students in sociology and consumption studies. While situating the field within the history of intellectual thought in the broader social sciences, it offers detailed and accessible case studies. These are supplemented by very useful directions for further in-depth reading, making it an excellent undergraduate course companion." - Victor Buchli, University College London Why are i-pods and mobile phones fashion accessories? Why do people spend thousands remodelling their perfectly functional kitchen? Why do people crave shoes or handbags? Is our desire for objects unhealthy, or irrational? Objects have an inescapable hold over us, not just in consumer culture but increasingly in the disciplines that study social relations too. This book offers a systematic overview of the diverse ways of studying the material as culture. Surveying the field of material culture studies through an examination and synthesis of classical and contemporary scholarship on objects, commodities, consumption, and symbolization, this book: introduces the key concepts and approaches in the study of objects and their meanings presents the full sweep of core theory - from Marxist and critical approaches to structuralism and semiotics shows how and why people use objects to perform identity, achieve social status, and narrativize life experiences analyzes everyday domains in which objects are important shows why studying material culture is necessary for understanding the social. This book will be essential reading for students and researchers in sociology, anthropology, cultural studies, consumer behaviour studies, design and fashion studies.

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The sensational discovery in 1922 of Tutankhamun's tomb, close on the heels of Britain's declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of 'pharaonism'-popular interest in ancient Egypt-as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser's revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies-Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciples, as well as the closely related history of tourism, together in a single engaging framework. Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt's long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.

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Volume 37— Literary Appropriations—examines medieval literature in a different light. This volume features six original articles, focusing on the art of appropriation, as well as fourteen reviews of recent scholarly publications. The first article “The Oldest Manuscript Witness of the First Life of Blessed Francis of Assisi” by Jacques Dalarun reveals the oldest known source of the writings of Francis of Assisi, until of late only found in an Italian church publication. Lisa Bansen-Harp’s essay “Ironic Patterning and Numerical Composition in the Vie de saint Alexis: Form and Effect/Affect” takes an ironic look at the oppositions used throughout the work to offer a rich analysis of patterns. Reexamining genealogy as spiritual rather than biological is Nicole Leapley’s essay “Rewriting Paternity: The Meaning of Renovating Westminster in La Esoire de seint Aedward le rei.” David Lummus’s essay “Boccaccio’s Three Venuses: On the Convergence of Celestial and Transgressive Love in the Genealogie Deorum Gentilium Libri” provides a comparative look of how love—celestial and transgressive—can be seen in the Decameron. “Dante’s Justinian, Cino’s Corpus: The Hermeneutics of Poetry and Law” by Lorenzo Valterza compares and contrasts Dante’s own view of law versus that of his friend Cino da Pistoia. Lastly, editor Paul Clogan contributes his own article “Dante’s Appropriation of Lucan’s Cato and Erichtho” to demonstrate the importance of Lucan’s characters in Dante’s own work Along with these articles, fourteen reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards include ten members from the United States and ten international members, making this a truly international publication. For submission guidelines, please contact Jin Yu at jyu@rowman.com. Please submit books for review consideration to: Attention: Reinhold F. Glei Medievalia et Humanistica Ruhr-University Bochum Seminar fuer Klassische Philologie D-44780 Bochum, Germany

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The Education of John Adams is a concise biography of John Adams (1735-1826), the first by a biographer with legal training. It examines his origins in colonial Massachusetts, his education, and his struggle to choose a career and define a place for himself in colonial society. It explores his flourishing legal career and the impact that law had on him and his perception of himself; his growing involvement with the emerging American Revolution as polemicist, as lawyer, as congressional delegate, and as diplomat; and his role in defining and expounding ideas about constitutionalism and how it should work as the governing ideology of the new United States. The book traces his part in launching the new government of the United States under the U.S. Constitution; his service as the nation's first vice president and second president; and his retirement years, during which he passed from being a vexed and rejected ex-president to the Sage of Braintree. It describes the relationships that sustained him--with his wife, the brilliant and eloquent Abigail Adams; with his children; with such allies and supporters as Benjamin Rush and John Marshall; such sometime friends and sometime adversaries as Benjamin Franklin, George Washington, and Thomas Jefferson; and with such foes as Alexander Hamilton and Timothy Pickering. It establishes Adams as a key but neglected figure in the evolution of American constitutional theory and practice. It also is the first biography to examine Adams's conflicted and hesitant ideas about slavery and race in the American context, raising serious questions about his mythic status as a friend of human equality and a foe of slavery. The focus of this book is the record left by Adams himself - in diaries, letters, essays, pamphlets, and books. The Education of John Adams concludes by re-examining the often-debated question of the relevance of Adams's thought to our own time.

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In Hamilton: The Energetic Founder, R. B. Bernstein provides a thorough history that reveals Hamilton's status as one of the key founding fathers of the United States. Hamilton: The Energetic Founder is a brief introduction to the life, thought, work, and legacy of Alexander Hamilton (1755-1804), but it is not a traditional biography. Public curiosity about Hamilton, his life, and his work has swelled, particularly among those intrigued by popular-culture portrayals in the Broadway musical Hamilton: An American Musical. This book presents a summary of Hamilton's life and explores his role in revolution, constitutionalism, economics, diplomacy, and war, as well as his relationship to honor culture and duelling. The epilogue considers Hamilton's legacies. The book considers Hamilton as a key founding father, focusing on his work as a politician, a constitutional thinker, and the nation's first secretary of the treasury. In that role, Hamilton was perhaps the leading American domestic policy-maker and nationalist. He led the effort to write the brilliant defense and exposition of the Constitution, The Federalist, and later, as treasury secretary, he pioneered efforts to interpret the Constitution broadly, as a generous grant of national power to the government of the United States. As part of that effort, he also pioneered expositions of the Constitution as a source of executive and judicial power. In addition, as a leading figure in the American world of honor culture, Hamilton was also a principal exponent of political combat in defense of personal and political honor. As such, he was a tragic victim of the honor culture he did so much to establish as a component of national politics, dying as the result of a mortal wound he suffered in his 1804 duel with Aaron Burr, his longtime antagonist and Vice President of the United States. Though not often an admired political figure in his own time, Hamilton was perhaps the leading and most enthusiastic exponent of American constitutional nationalism. In the more than two centuries since his death in 1804, Hamilton has continued to be the principal advocate of a nationalist reading of US constitutionalism.

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