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A LIFE-CHANGING BOOK FROM #1 NEW YORK TIMES BEST-SELLING AUTHORS OF ASK AND IT IS GIVEN AND THE TEACHINGS OF ABRAHAM MATERIAL THAT INSPIRED THE HIT MOVIE – THE SECRETThis leading-edge book by Esther and Jerry Hicks, who present the teachings of Abraham, the loving group consciousness from the non-physical dimension will help you understand and master the emotions that you’ve been experiencing all of your life. Instead of the out-of-control, knee-jerk reactions that most people have to their ever-changing life experience, this motivational work will put those responses into a broader context. You’ll come to understand what emotions are and how to effectively utilize your new awareness of them. As you read, you’ll come to appreciate, and make peace with, where you are right now, even though there is so much more that you may desire. Every thought you absorb will bring you to a greater understanding of your own personal value and will show you how to open your own doors to whatever you may wish to be, do, or have. Includes a FREE CD excerpt from a live Art of Allowing Workshop with Abraham!Example Chapters Include: · The Value of Your Faith· Remembering the Big Picture· Your Relationship with Your Inner Being· The Universe Continues to Expand Through You· Even Without Words, You Are Creating· You Are a Vibrational Being· Your Emotions Are Absolute Indicators· Your Expansion Is Constant· It Is All About Aligning Your Thoughts· Vibrational Alignment Feels Like Relief· Your Inner Being Has Already Become It· Emotions Indicate the Degree of Your Alignment· Living the Law of Allowing“These Teachings of Abraham are simply about you continuing to create the joyous, fulfilling life that you have intended to create, while allowing all others to create as they intend. And while there is nothing that we can desire that our abundant, unlimited Universe doesn’t have the capacity to give, we cannot receive that which we do not allow.This book is meant to stand on its own as another comprehensive volume of the Teachings of Abraham There is nothing that pleases Esther or me more than providing a forum where people from diverse environments can gather, lending their unique perspectives, asking Abraham their important questions. To actually feel the evolution and expansion of this message must surely be what Esther and I have been born to do. And the reason we know that is because it feels so very, very good to do it.”— From my heart, Jerry Hicks“Your work isn’t to convince someone to give you something you want; your work is to just find relief from wherever you are. When you get good at finding relief, you’ll begin to flow with your Stream, and these things that have been downstream waiting for you to queue up with them will begin to connect with you with such extraordinary persistence that people who are watching you will wonder what in the world has happened with you. There is great love here for you. And, for now, as always, we remain eternally and happily incomplete.” – Abraham

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A BARACK OBAMA BOOK OF THE YEARWINNER OF THE 2020 CRIME WRITERS' ASSOCIATION ALCS GOLD DAGGER FOR NON-FICTIONSHORTLISTED FOR THE 2019 BAILLIE GIFFORD PRIZE FOR NON-FICTIONA SUNDAY TIMES, ECONOMIST AND SPECTATOR BOOK OF THE YEAR'A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she'd spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.'DAVID GRANN, author of Killers of the Flower Moon_____________________________The stunning story of an Alabama serial killer and the true-crime book that Harper Lee worked on obsessively in the years after To Kill a MockingbirdReverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell's murderer was acquitted - thanks to the same attorney who had previously defended the Reverend.As Alabama is consumed by these gripping events, it's not long until news of the case reaches Alabama's - and America's - most famous writer. Intrigued by the story, Harper Lee makes a journey back to her home state to witness the Reverend's killer face trial. Harper had the idea of writing her own In Cold Blood, the true-crime classic she had helped her friend Truman Capote research. Lee spent a year in town reporting on the Maxwell case and many more years trying to finish the book she called The Reverend.Now Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South. At the same time, she offers a deeply moving portrait of one of the country's most beloved writers and her struggle with fame, success, and the mystery of artistic creativity.This is the story Harper Lee wanted to write. This is the story of why she couldn't._____________________________'Fascinating ... Cep has spliced together a Southern-gothic tale of multiple murder and the unhappy story of Lee's literary career, to produce a tale that is engrossing in its detail and deeply poignant... [Cep] spends the first third of Furious Hours following the jaw-dropping trail of murders ... Engrossing ... Cep writes about all this with great skill, sensitivity and attention to detail.'SUNDAY TIMES'It's been a long time since I picked up a book so impossible to put down. Furious Hours made me forget dinner, ignore incoming calls, and stay up reading into the small hours. It's a work of literary and legal detection as gripping as a thriller. But it's also a meditation on motive and mystery, the curious workings of history, hope, and ambition, justice, and the darkest matters of life and death. Casey Cep's investigation into an infamous Southern murder trial and Harper Lee's quest to write about it is a beautiful, sobering, and sometimes chilling triumph.'HELEN MACDONALD, author of H is for Hawk'This story is just too good ... Furious Hours builds and builds until it collides with the writer who saw the power of Maxwell's story, but for some reason was unable to harness it. It lays bare the inner life of a woman who had a world-class gift for hiding ... [this] book makes a magical leap, and it goes from being a superbly written true-crime story to the sort of story that even Lee would have been proud to write.'MICHAEL LEWIS, author of Moneyball and The Big Short

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The waning influence of the Catholic church in the ethical and political debate For centuries the Catholic Church was able to impose her ethical rules in matters related to the intimate, that is, questions concerning life (from its beginning until its end) and the family, in the so-called Catholic countries in Western Europe. When the polity started to introduce legislation that was in opposition to the Catholic ethic, the ecclesiastical authorities and part of the population reacted. The media reported massive manifestations in France against same-sex marriages and in Spain against the de-penalization of abortion. In Italy the Episcopal conference entered the political field in opposition to the relaxation of several restrictive legal rules concerning medically assisted procreation and exhorted the voters to abstain from voting so that the referendum did not obtain the necessary quorum. In Portugal, to the contrary, the Church made a “pact” with the prime minister so that the law on same-sex marriages did not include the possibility of adoption. And in Belgium the Episcopal conference limited its actions to clearly expressing with religious, legal, and anthropological arguments its opposition to such laws, which all other Episcopal conferences did also.In this book, the authors analyse the full spectrum of the issue, including the emergence of such laws; the political discussions; the standpoints defended in the media by professionals, ethicists, and politicians; the votes in the parliaments; the political interventions of the Episcopal conferences; and the attitude of professionals. As a result the reader understands what was at stake and the differences in actions of the various Episcopal conferences. The authors also analyse the pro and con evaluations among the civil population of such actions by the Church. Finally, in a comparative synthesis, they discuss the public positions taken by Pope Francis to evaluate if a change in Church policy might be possible in the near future.Research by GERICR (Groupe européen de recherche interdisciplinaire sur le changement religieux), a European interdisciplinary research group studying religious changes coordinated by Alfonso Pérez-Agote. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Céline Béraud (Université de Caen), Annalisa Frisina (Università degli Studi di Padova), Franco Garelli (Università degli Studi di Torino), Antonio Montañés (Universidad Complutense de Madrid), Enzo Pace (Università degli Studi di Padova), Philippe Portier (École pratique des hautes études, Paris-Sorbonne), Jose Santiago (Universidad Complutense de Madrid), Roberto Francesco Scalon (Università degli Studi di Torino), Liliane Voyé (Université Catholique de Louvain)

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Although The Book of Hours is the work of Rilke’s youth, it contains the germ of his mature convictions. Written as spontaneously received prayers, these poems celebrate a God who is not the Creator of the Universe but rather humanityitself and, above all, that most intensely conscious part of humanity, the artist. Babette Deutsch’s classic translations—born from “the pure desire to sing what thepoet sang” (Ursula K. Le Guin)—capture the rich harmony and suggestive imagery of the originals, transporting the reader to new heights of inspiration and musicality.

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Unsettled Solidarities examines contemporary Asian and Indigenous cross-representations within different settler states in the Américas. Quynh Nhu Le looks at literary works by both groups alongside public apologies, interviews, and hemispheric race theories to trace cross-community tensions and possibilities for solidarities amidst the uneven imposition of racialization and settler colonization.Contrasting texts such as Maxine Hong Kingston’s China Men with Gerald Vizenor’s Hiroshima Bugi, and Karen Tei Yamashita’s Through the Arc of the Rain Forest with Leslie Marmon Silko’s Almanac of the Dead, among others, Le reveals how settler colonialism persists through the liberal ideological structuring or incorporation of critical and political resistance. She illuminates the tense collisions of Asian and Indigenous movements from the heroic/warrior traditions, reparations and redress, and transnational/cross-racial mobilization against global capital to mixed-race narratives. Reading these tensions as formed through the unstable grammatical and emotional economies of liberalism, Le frames settler colonialism as a process that is invoked and yet ruptured by Asian and Indigenous peoples. In analyzing Asian/Indigenous crossings in the United States, Canada, Mexico, and Brazil, Unsettled Solidarities conveys the logics and instabilities that connect these settler empires.

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In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.

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Book 10 in the series of Arthurian legends - retold at an easy-to-read level for younger readers! Guinevere has been kidnapped! King Arthur is determined to rescue her and so is Lancelot. Camelot’s favourite knight has hidden his forbidden love for their queen for years, but it will soon become known to everyone. Then Morgan le Fay will finally make her move to take everything that Arthur holds dear. Will she succeed? About The Legends of King Arthur series: Epic battles, thrilling quests and forbidden love combine in the medieval story of the boy who would be king. A retelling of the Arthurian legends, adapted and illustrated to introduce children aged 7+ to classic folklore. Great to share aloud, just like the original tales.

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Winner of THE HW FISHER BEST FIRST BIOGRAPHY PRIZESPECTATOR, SUNDAY TIMES, DAILY TELEGRAPH, TLS, FINANCIAL TIMES, GUARDIAN, DAILY MAIL and SUNDAY TELEGRAPH BOOKS OF THE YEAR'Imagine Wolf Hall rewritten by John le Carré ... gripping ... a rare achievement' Tom Holland, GuardianIt is 1501. Henry VII has won the throne of England through luck, guile and ruthlessness. But for many he remains a usurper. Now, his elder son is to marry, in a wedding upon which the fate of the country, and the entire Tudor dynasty, will hang ...'A masterpiece. Rich, resonant and utterly compelling' Helen Castor, Sunday Telegraph, Books of the Year'Gripping ... brilliant ... The enigmatic Henry is brought thrillingly to life as one of the most unlikely but tenacious kings ever to wear the English crown' Dan Jones, Daily Telegraph, Books of the Year'Thrilling and sinister' Simon Sebag Montefiore, Daily Telegraph, Books of the Year'Enthralling ... Penn captures the weirdness, the ferocity, and a glint of unexpected tenderness' The Times Literary Supplement, Books of the Year

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What are the major issues and challenges that film archives, cinémathèques, and film museums are bound to face in the digital age and at a time when there is an expectation of access on demand? What is curatorship, and what does it imply in the context of film preservation and presentation? Is there a concept of “cinema event" that transcends the idea of film as “content” or “art” in the era of information?Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.The first edition of this book was jointly published with Le Giornate del Cinema muto, Pordenone, Italy.The second edition features a new preface by the authors.

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His haunting, impressionistic study of a man's slow corruption by jealousy, Emile Zola's The Beast Within (La Bete Humaine) is translated from the French with an introduction and notes by Roger Whitehouse in Penguin Classics.Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee. Jacques, meanwhile, must contend with his own terrible impulses, for every time he sees a woman he feels the overwhelming desire to kill. In the company of Roubaud's wife, Severine, he finds peace briefly, yet his feelings for her soon bring disasterous consequences. A key work in the Rougon-Macquart cycle, The Beast Within is one of Zola's most dark and violent works - a tense thriller of political corruption and a graphic exploration of the criminal mind.Roger Whitehouse's vivid translation is accompanied by an introduction discussing Zola's depiction of the railways, politics and the legal system and the influence of the studies of criminology and the Jack the Ripper murders on his novel. This edition also includes a chronology, suggestions for further reading and notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Beast Within, you might like Zola's The Drinking Den, also available in Penguin Classics.

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Previously published as L'assommoir (The Dram Shop), Emile Zola's The Drinking Den is an unflinching study of a desperate young woman struggling against the ravages of vice. This Penguin Classics edition is translated from the French with an introduction by Robin Buss.Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband's drinking and the unexpected appearance of a figure from her past, Gervaise's plans begin to unravel tragically. The Drinking Den caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola's great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise's struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature.Robin Buss's translation renders Zola's street argot into clear, contemporary English. This edition also includes an introduction discussing Zola's Naturalistic method, with maps of Paris, Zola's preface responding to his critics, notes, a chronology and further reading.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Drinking Den, you might like Zola's The Beast Within, also available in Penguin Classics.

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*WINNER OF THE 2023 SPORTS BOOK AWARDS SPORTS ENTERTAINMENT BOOK OF THE YEAR**FOREWORD BY BEN STOKES*Hallo - I'm Mark Wood. As an England and Durham cricketer who was born, raised and refined in Ashington, Northumberland, my life has been quite unique. Over the course of my career so far, I've won an Ashes and a World Cup in an international career that at the time of writing is going on seven years and counting. Being a fast bowler like myself is up there with the toughest of all sporting pursuits, like being Tyson Fury's punchbag or working behind the bar during the darts at Ally Pally.Being a cricketer? There's nothing like it. And doing it for England? Well, I'm lucky to call it a profession. There's been a lot of hard work along the way. Plenty of sacrifices and pain to accompany the good times that make them all worthwhile.I've been everywhere, from Barbados to Brisbane, Chester-le-Street to Chennai, waiting rooms to operating tables. I've played in some of the most exotic locations in the world and eaten margherita pizzas in every single one of them. To be honest, it's amazing I've waited this long to bring out my own self-help book.

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Thirty-five years of nonfiction films offer a unique lens on twentieth-century French social issuesCritical Mass is the first sustained study to trace the origins of social documentary filmmaking in France back to the late 1920s. Steven Ungar argues that socially engaged nonfiction cinema produced in France between 1945 and 1963 can be seen as a delayed response to what filmmaker Jean Vigo referred to in 1930 as a social cinema whose documented point of view would open the eyes of spectators to provocative subjects of the moment.Ungar identifies Vigo’s manifesto, his 1930 short À propos de Nice, and late silent-era films by Georges Lacombe, Boris Kaufman, André Sauvage, and Marcel Carné as antecedents of postwar documentaries by Eli Lotar, René Vautier, Alain Resnais, Chris Marker, and Jean Rouch, associated with critiques of colonialism and modernization in Fourth and early Fifth Republic France. Close readings of individual films alternate with transitions to address transnational practices as well as state- and industry-wide reforms between 1935 and 1960. Critical Mass is an indispensable complement to studies of nonfiction film in France, from Georges Lacombe’s La Zone (1928) to Chris Marker’s Le Joli Mai (1963).

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An examination of worldviews, religious belief and ritual as seen through the musical performances of one Afro-American Baptist church in a small black community in rural Mississippi. "Let the Church Sing!": Music and Worship in a Black Mississippi Community is based on years of fieldwork by an Irish ethnomusicologist, who examines, in more detail than ever before, how various facets of the Clear Creek citizens' worldview find expression through religious ritual and music. Thérèse Smith, though originally very much an outsider, gradually found herself welcomed into Clear Creek by members and officials of the Clear Creek Missionary Baptist Church. She was permitted to record many hours' worth of sermons and singing and engaged in community events as a participant-observer. In addition, she conducted plentiful interviews, not just at Clear Creek but, for comparison, at Main St. Baptist Church in Lexington, Kentucky. All of this enables her to analyze in detail how music is interwoven in the worship service, how people feel about the music that they make and hear, and, more generally, how the religious views so vividly expressed help the Church's members think about the relationship between themselves, their community, and the larger world. Music and prayer enable the members and leaders of the Church to bring the realm of the spiritual into intersection with the material world in a particularly active way. The book is enriched by extensive musical transcriptions and an accompanying CD of recordings from actual church services,and these are examined in detail in the book itself. Thérèse Smith is in the Music Department, University College, Dublin.

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A masterful history of the great dynasty of the Netherlands' Middle Ages. 'A sumptuous feast of a book' The Times, Books of the Year 'Thrillingly colourful and entertaining' Sunday Times 'A thrilling narrative of the brutal dazzlingly rich wildly ambitious duchy' Simon Sebag Montefiore 5 stars! Daily Telegraph 'A masterpiece' De Morgen 'A history book that reads like a thriller' Le Soir At the end of the fifteenth century, Burgundy was extinguished as an independent state. It had been a fabulously wealthy, turbulent region situated between France and Germany, with close links to the English kingdom. Torn apart by the dynastic struggles of early modern Europe, this extraordinary realm vanished from the map. But it became the cradle of what we now know as the Low Countries, modern Belgium and the Netherlands. This is the story of a thousand years, a compulsively readable narrative history of ambitious aristocrats, family dysfunction, treachery, savage battles, luxury and madness. It is about the decline of knightly ideals and the awakening of individualism and of cities, the struggle for dominance in the heart of northern Europe, bloody military campaigns and fatally bad marriages. It is also a remarkable cultural history, of great art and architecture and music emerging despite the violence and the chaos of the tension between rival dynasties.

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“Baudelaire is indeed the greatest exemplar in modern poetry in any language,” said T. S. Eliot. We experience Baudelaire in myriad ways through his multifaceted writing. His sensuous poems—dreams of escape to an impossible, preferably tropical, elsewhere—draw us in with their descriptive and perceptual richness. There is also the bitter, compassionate, and desolate Baudelaire. Ultimately, Baudelaire’s true genius might reside in his expressive force and in the tension between his passions and intellect. The latter is most evident in his control of rhetoric and poetic form, and—given the poems’ density of language, thought, and feeling—his astonishing clarity. This new English rendition of Baudelaire by award-winning translator Beverley Bie Brahic includes poems from his celebrated volumes: Les Fleurs du mal, Les Épaves, Le Spleen de Paris, and Paradis artificiels. It also includes several of his prose poems, as well as an excerpt from his famous essay on wine and hashish. The poems in verse have Baudelaire’s French originals on facing pages; the prose poems, unaccompanied by their originals, are printed near the poems in verse with which they resonate. Complete with the translator’s illuminating introduction and notes, this beautifully crafted volume is an important addition to Baudelaire’s work in English translation.

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Almost nine million people from all over the world flock to the Louvre in Paris every year to see its incomparable art collection. Yet few, if any, are aware of the remarkable history of that location and of the buildings themselves, and how they chronicle the history of Paris itself-a fascinating story that historian James Gardner elegantly tells for the first time.Before the Louvre was a museum, it was a palace, and before that a fortress. But much earlier still, it was a place called le Louvre for reasons unknown. People had inhabited that spot for more than 6,000 years before King Philippe Auguste of France constructed a fortress there in 1191 to protect against English soldiers stationed in Normandy. Two centuries later, Charles V converted the fortress to one of his numerous royal palaces. After Louis XIV moved the royal residence to Versailles in 1682, the Louvre inherited the royal art collection, which then included the Mona Lisa, given to Francis by Leonardo da Vinci; just over a century later, during the French Revolution, the National Assembly established the Louvre as a museum to display the nation's treasures. Subsequent leaders of France, from Napoleon to Napoleon III to Francois Mitterand, put their stamp on the museum, expanding it into the extraordinary institution it has become.With expert detail and keen admiration, James Gardner links the Louvre's past to its glorious present, and vibrantly portrays how it has been a witness to French history - through the Napoleonic era, the Commune, two World Wars, to this day - and home to a legendary collection whose diverse origins and back stories create a spectacular narrative that rivals the building's legendary stature.

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Francis Ingledew's book makes the case that Sir Gawain and the Green Knight, one of the canonical works of medieval English literature, should be recognized as a response to King Edward III's foundation in 1349 of the chivalric Order of the Garter. As well as providing the basis for a thorough reinterpretation of the poem's purposes and meanings, this argument dates to the mid-fourteenth-century reign of Edward III (1327–77) a poem conventionally ascribed to the reign of Richard II (1377–99). Through close readings of the poem and of an array of overlooked historical sources, Ingledew presents Sir Gawain and the Green Knight as a critique of Edward III's sexual and military behavior. Ingledew's argument takes him deep into chivalric practice in Edward's court of the 1340s, much of it connected with the early years of war with France. Ingledew pursues the significance of sexual scandal associated with Edward, especially the rape of the Countess of Salisbury confidently imputed to him by the formidable Liégois historian Jean le Bel. At the same time that he was trying to conquer France and Scotland and preside over a court vulnerable to scandal, Edward also called on the history (as it was seen) of King Arthur and the Round Table, associating himself with Arthur's imperial and moral authority through the founding of the Order of the Garter. In its portrayal of the Order of the Garter, Ingledew argues, Sir Gawain and the Green Knight sets itself at odds with Edward's central ethical and political projects. A new and persuasive interpretation of a central literary text, this book will be of interest to medievalist historians as well as literary scholars.

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Earl Creps is known for his work in connecting the younger generation of postmoderns with their Boomer predecessors. The author of Off-Road Disciplines, Creps, in this new book, takes up the topic of how older church leaders can learn from younger leaders who are more conversant with culture, technology, and social context. In addition to making the benefits of what he calls "reverse mentoring" apparent, he also makes it accessible by offering practical steps to implement this discipline at both personal and organizational levels, particularly in communication, evangelism, and leadership. Creps' new book is a topic of interest both inside and outside the church as older leaders realize that they're not "getting it" when it comes to technologies (iPod, IM, blogging) or cultural issues such as the fact that younger people see the world in an entirely different way. Creps has been personally involved in reverse mentoring for several years and has spoken and written on the subject extensively. He has pastored three churches (one Boomer, one Builder, on X'er) and is currently a church planter in Berkeley, California. He has also served as a consultant and and a seminary professor and administrator, holding a PhD in Communication Studies and a D.Min. from the Assemblies of God Theological Seminary.

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In Don’t Let Them See Me Like This, Jasmine Gibson explores myriad intersectional identities in relation to The State, disease, love, sex, failure, and triumph. Speaking to those who feel disillusioned by both radical and banal spaces and inspired/informed by moments of political crisis: Hurricane Katrina, The Jena Six, the extrajudicial executions of Black people, and the periods of insurgency that erupted in response, this book acts as a synthesis of political life and poetic form.

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The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. The black sign, painted in white letters that hangs upon the gates, reads:Opens at NightfalllCloses at DawnAs the sun disappears beyond the horizon, all over the tents small lights begin to flicker, as though the entirety of the circus is covered in particularly bright fireflies. When the tents are all aglow, sparkling against the night sky, the sign appears.Le Cirque des RêvesThe Circus of Dreams.Now the circus is open.Now you may enter.The Starless Sea, the magical second novel from the author of the The Night Circus, is available for pre-order now

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THE NO. 1 INTERNATIONAL BESTSELLER. WINNER OF THE 2020 PRIX GONCOURT. 1 MILLION COPIES SOLD.*SHORTLISTED FOR THE 2023 ARTHUR C. CLARKE AWARD**SHORTLISTED FOR THE 2023 CWA CRIME THRILLER IN TRANSLATION AWARD*'Just when you think you've worked it out . . . well, you probably haven't' DAILY MAIL'Mind-bending. Written with page-turning conviction' THE TIMES'A mind-bending, prize-winning speculative thriller' GUARDIAN'An intoxicating mix of the magical and life's big questions' FINANCIAL TIMES_______No one knows how it happened. But it'll change their lives forever . . .During a terrifying storm, Air France flight 006 - inexplicably - duplicates.For every passenger, there are now two: a double with the same mind, body and memories.Only one thing sets them apart - while one plane lands in March, the other doesn't arrive until June.Nothing can explain this unprecedented event. But for each duplicated passenger, an impossible moment of reckoning awaits.If there are two of you, and just one life . . . who gets to live it?______New York Times: Best Thriller of the YearPublishers Weekly: Best Thriller of the YearLit Hub: Favourite Book of the YearCrimeReads: Best International Crime Novel of the YearPopSugar: Best Mystery/Thriller of the MonthLONGLISTED FOR THE DUBLIN LITERARY AWARDReaders LOVE The Anomaly:'I absolutely loved this thrilling, addictive book' 5* Reader Review'This book spun my head. Fascinating, fantastic and thought provoking' 5* Reader Review'I absolutely love this book. It's a one-of-a-kind story, with perfect pacing. I would highly recommend' 5* Reader Review'An incredible read - intriguing and original. Keeps you fascinated until the very last page' 5* Reader Review 'A brilliant read . . . So cleverly written' 5* Reader Review

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This beautifully written ethnography follows the lives of two very different Japanese men entering political life in two very different communities. One is the rural leader of a citizens' referendum movement, while the other hopes to succeed his father in a Tokyo ward assembly. Fast-paced and engrossing, "The Art of the Gut" puts the reader behind the scenes to hear speeches, attend campaign functions, and eavesdrop on late-night strategy sessions and one-on-one conversations. In her groundbreaking analysis, Robin M. Le Blanc explores the two men's differing notions of what is expected of a 'good' man and demonstrates how the fundamental desire to be good men constrains their political choices even as it encourages both to become ethical agents. The result is a vibrant and up-to-date picture of politics in Japan today that also addresses masculine gender expectations in a male-dominated political world, the connection between gendered identity and ethical being, and the process by which men who are neither dominant nor marginal to their communities assert themselves both with and against power.

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Detective Moralès becomes immersed in a chilling case set on the icy seas of Quebec’s remote Magdalen Islands, in the midst of a brutal seal hunt. A breathtaking, atmospheric, race-against-the-clock thriller… **Number One bestseller in Canada****Shortlisted for the Crime Writers of Canada Award for Best French Crime Book** 'A shocking, exquisitely plotted mystery set in the brutal seas off Quebec. The writing is sublime … you can feel the sting of salt on your cheeks' Gill Paul ‘Detective fiction [with] a dreamily poetic cast’ Sunday Times 'Unique, stylish Canadian Noir … absolutely superb' Kjell Ola Dahl _________________________________________There’s only one thing more deadly than the storm… Fisheries officer Simone Lord is transferred to Quebec’s remote Magdalen Islands for the winter, and at the last minute ordered to go aboard a trawler braving a winter storm for the traditional grey seal hunt, while all of the other boats shelter onshore. Detective Sergeant Joaquin Moralès is on a cross-country boat trip down the St Lawrence River, accompanied by Nadine Lauzon, a forensic psychologist working on the case of a savagely beaten teenager with Moralès’ old team in Montreal. When it becomes clear that Simone is in grave danger aboard the trawler, the two cases converge, with startling, terrifying consequences for everyone involved… The award-winning author of The Coral Bride returns with an atmospheric, race-against-the-clock thriller set on the icy seas in the midst of a brutal seal hunt, where nothing is as it seems and absolutely no one can be trusted. For fans of Louise Penny, Ann Cleeves, Emma Stonex and Annie Proulx _________________________________________ ‘From the very beginning I had a feeling of tragic inevitability … the sense of isolation, both physical and emotional, pours from every page’ Jen Med’s Book Reviews ‘Beautiful prose, simple yet powerful, and a boatload of suspense … an absolute winner’ From Belgium with Booklove ‘Thrums with rhythm and tears at the heart … the best Detective Moralès yet’ Live & Deadly What Readers are saying…***** ‘Breathlessly gripping’ ‘Masterful storytelling’ ‘The suspense is palpable’ ‘If you like Louise Penny’s Armand Gamache series, you’ll LOVE this’ 'No one does atmospheric quite like Roxanne Bouchard' ‘Intricate, beautiful and compelling' ‘Gloriously shocking’ Praise for Roxanne Bouchard:**WINNER of the Crime Writers of Canada Award for Best French Crime Book** **Shortlisted for the CWA Crime in Translation Dagger** 'A haunting murder mystery about how human nature is every bit as dangerous and inscrutable as the sea draws out its suspense to the very last moment' Foreword Reviews 'A police procedural like no other – marvel at the clever plotting' Crime Fiction Lover 'An absolute joy to read, with as much tension as there is poetry' Le Journal de Montréal 'With a cast of characters you'll engage with and love and a mystery that will have you on edge, Bouchard pulls you into her world wonderful' Michael J. Malone 'Roxanne Bouchard is reinventing the crime novel' Quebec TV ‘Lyrical and elegiac, full of quirks and twists' William Ryan 'Asks questions right from page one' Quentin Bates 'A tour de force of both writing and translation' Su Bristow

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The Language of Song: Intermediate (High Voice) is part of the successful series by Heidi Pegler and Nicola-Jane Kemp. The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and professional singers Heidi and Nicola-Jane have written a graded series of songbooks that provide classic song repertoire, carefully selected to develop the vital skills required to sing in a foreign language. An invaluable resource for all singing students and teachers, each song gives both a literal and poetic translation of each text, a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide and background information on the songs as well as technical and musical teaching points. The accompanying CD provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist John Lenehan. Not just ideal for those taking graded singing exams, these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song! The Language of Song series was voted 'Best Educational Publication' at the 2007 Music Industries Association Awards. **ABRSM selected pieces (Singing from 2009): Vergebliches Ständchen (Brahms) Mariä Wiegenlied (The Virgin’s Slumber Song/Mary’s Cradle Song) (Reger) En Jerez de la Frontera (The Miller’s Wife) (Rodrigo) Tu lo sai (You know well) (Torelli) Le charme (Chausson) Aurore (Faure) Ständchen: No. 4 from Schwanengesang (Schubert) Amarilli, mia bella (Amaryllis, my lovely) (Caccini) Se tu m’ami (If you love me) (attrib. Parisotti/Pergolesi) Toglietemi la vita ancor: from Il Pompeo (Scarlatti) Vaga luna, che inargenti (Bellini) Clair de lune (Faure) Le secret (Faure) Die Forelle (Schubert) Die Lotosblume (Schumann) El majo discreto: from Tonadillas en un estilo antiguo (Granados) Canción de cuna para dormir a un negrito (Montsalvatge)

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Soraya was a schoolgirl in the coastal town of Sirte, when she was given the honour of presenting a bouquet of flowers to Colonel Gaddafi, "the Guide," on a visit he was making the following week. This one meeting - a presentation of flowers, a pat on the head from Gaddafi - changed Soraya's life forever. Soon afterwards, she was summoned to Bab al-Azizia, Gaddafi's palatial compound near Tripoli, where she joined a number of young women who were violently abused, raped and degraded by Gaddafi. Heartwrenchingly tragic but ultimately redemptive, Soraya's story is the first of many that are just now beginning to be heard.In Gaddafi's Harem, Le Monde special correspondent Annick Cojean gives a voice to Soraya's story, and supplements her investigation into Gaddafi's abuses of power through interviews with other women who were abused by Gaddafi, and those who were involved with his regime, including a driver who ferried women to the compound, and Gaddafi's former Chief of Security. Gaddafi's Harem is an astonishing portrait of the essence of dictatorship: how power gone unchecked can wreak havoc on the most intensely personal level, as well as a document of great significance to the new Libya.

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‘People often say that non-fiction books read like fast-moving thrillers, but this one genuinely does… This is a splendid book – and highly recommended.’ Daily Mail A remarkable piece of investigative journalism into one of the most pervasive and troubling mysteries of recent memory. 01:20am, 8 March 2014. Malaysia Airlines Flight 370, carrying 239 passengers, disappeared into the night, never to be seen or heard from again. The incident was inexplicable. In a world defined by advanced technology and interconnectedness, how could an entire aircraft become untraceable? Had the flight been subject to a perfect hijack? Perhaps the pilots lost control? And if the plane did crash, where was the wreckage? Writing for Le Monde in the days and months after the plane’s disappearance, journalist Florence de Changy closely documented the chaotic international investigation that followed, uncovering more questions than answers. Riddled with inconsistencies, contradictions and a lack of basic communication between authorities, the mystery surrounding flight MH370 only deepened. Now, de Changy offers her own explanation. Drawing together countless eyewitness testimonies, press releases, independent investigative reports and expert opinion, The Disappearing Act offers an eloquent and deeply unnerving narrative of what happened to the missing aircraft. An incredible feat of investigative journalism and a testament to de Changy’s tenacity and resolve, this book is an exhaustive, gripping account into one of the most profound mysteries of the 21st century.

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The subject of this book is Ferrari’s racing history from 1960 to 1965, a period that was one of the most successful in the marque’s history so far. In this era, which began with completion of the transition from front-engined to rear-engined configuration, Scuderia Ferrari won just about everything with a variety of iconic machinery that included the ‘shark-nose’ 156 and the fabled 250 GTO. Driving Formula 1 Ferraris, Phil Hill and John Surtees delivered two World Championship titles in the space of four years. Ferrari sports cars racked up a string of six consecutive victories in the Le Mans 24 Hours, a feat subsequently surpassed only by Porsche. This book covers this period in detail for the first time and exclusively features the work of one of the greatest racing photographers ever.

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Extraordinary Valor is the true story of American Special Forces officer John Duffy, and South Vietnamese paratrooper, Lê Văn Mễ, as they fight to defend Charlie Hill, a key to holding Vietnam's Central Highlands during North Vietnam's 1972 Easter Offensive.John Joseph Duffy was born in Brooklyn, New York; Le Van Mễ in a small village outside the old imperial capital of Hue in South Vietnam. Living on opposite sides of the globe, they come together in the heat of war in Southeast Asia when Major Duffy is assigned as the American advisor to the elite South Vietnamese 11th Airborne Battalion where Mễ is second in command. The battalion receives the order to "Fight to the death" on Charlie Hill. After two weeks of intense combat, hundreds lay dead and those still standing are out of food, water, and medical supplies. Their ammunition is nearly gone. Duffy and Mễ draw on their bond of friendship and trust to make a selfless two-man last stand against the final North Vietnamese human wave assault. Both are badly wounded, Duffy multiple times. Their heroic action allows 36 members of the 471-man battalion to escape and be rescued. The rest are killed, captured, or missing in action. This is their story.

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Cinema has always been "literary" in its desire to tell stories and in its need to borrow plots and narrative techniques from novels. But the French New Wave directors of the 1950s self-consciously rejected the idea that film was a mere extension of literature. With subversive techniques that exploded traditional methods of film narrative, they embraced fragmentation and alienation. Their cinema would be literature's rival, not its apprentice. In Screening the Text, T. Jefferson Kline argues that the New Wave's rebellious stance is far more complex and problematic than critics have acknowledged. Challenging conventional views of film and literature in postwar France, Kline explores the New Wave's unconscious obsession with the tradition it claimed to reject. He uncovers the wide range of the literary and cultural texts-American films, classical mythology, French literature, and a variety of Russian, Norwegian, German, and English writers and philosophers-as "screened" in seven films: Truffaut's Jules et Jim; Malle's Les Amants; Resnais's L'Annee derniere a Marienbad; Chabrol's Le Beau Serge; Rohmer's Ma Nuit chez Maud; Bresson's Pickpocket; and Godard's Pierrot le fou.

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For over 400 years the tailored suit has dominated wardrobes the world over. Its simple forms, inspired by royal, military, religious and professional clothing, have provided a functional and often elegant uniform for modern life. But whether bespoke or tailor-made, on the street or in the office, during times of celebration or of crisis, we typically take the suit for granted, ignoring its complex construction and many symbolic meanings.The Suit unpicks the story of this most familiar garment, from its emergence in western Europe at the end of the seventeenth century to today. Suit-wearing figures such as the Savile Row gentleman and the Wall Street businessman have long embodied ideas of tradition, masculinity, power and respectability, but the suit has also been used to disrupt concepts of gender and conformity. Adopted and subverted by women, artists, musicians and social revolutionaries through the decades - from dandies and Sapeurs to the Zoot Suit and Le Smoking - the suit is also a device for challenging the status quo. For all those interested in the history of menswear, this beautifully illustrated book offers new perspectives on this most mundane, and poetic, product of modern culture.

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Hugh Jackman is a true Hollywood juggernaut. The magnetic Australian has joined countrymen Mel Gibson and Russell Crowe as an international superstar thanks to his role as Wolverine in the X-Men series, and is loved by fans worldwide thanks to his extremely varied career in film and theatre. When a young Jackman turned down a role in Neighbours to study at the prestigious WAAPA in Perth, his gamble would pay off handsomely. After a string of successful Australian musicals, Jackman's Hollywood break came as he was cast as Wolverine in 2000, catapulting him to heavyweight stardom. He has since reprised the role in box office hits The Last Stand, Origins and The Wolverine. Premium offers including 2006 animation Happy Feet, Baz Lurhmann's epic Australia - and even a rumoured shortlist spot for James Bond - soon followed. With a 2013 Academy Award nomination for his tour de force performance as Jean Valjean in the epic Les Miserables, and a star turn as Wolverine in X-Men: Days of Future Past on the horizon, Hugh is set to dominate the silver screen for the foreseeable future.

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The Language Of Song: Advanced (Medium Voice) is part of the successful series by Heidi Pegler and Nicola-Jane Kemp. The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and professional singers Heidi and Nicola-Jane have written a graded series of songbooks that provide classic song repertoire, carefully selected to develop the vital skills required to sing in a foreign language An invaluable resource for all singing students and teachers, each song gives both a literal and poetic translation of each text, a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide and background information on the songs as well as technical and musical teaching points. The downloadable audio provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist Iain Harrington. Not just ideal for those taking graded singing exams, these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song! **ABRSM selected pieces (Singing from 2009): Sovra il campo (Donizetti) Chanson d'avril (Bizet) At the ball (Sred shumnovo bala) (Tchaikovsky) O del mio dolce ardor: from Paride ed Elena (Gluck) Pur dicesti, o bocca bella: from Arminio (Lotti) Poveri affetti miei: from Orlando furioso (Vivaldi) Les roses d’Ispahan (Faure) Notre amour (Faure) Mattinata (Leoncavallo) Du bist die Ruh (Schubert) Widmung: No. 1 from Myrthen (Schumann) Les filles de Cadix (Viardot) Verborgenheit: No. 12 from Mörike-Lieder (Wolf) Polyubila ya na pechal svoyu (The Soldier’s Wife) (Rachmaninov) Net, tolko tot, kto znal (None But the Lonely Heart) (Tchaikovsky)

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For 14 years, Los Angeles–based artist, fashion designer and musician Lun*na Menoh has been exploring the many unexpected possibilities of the dirty shirt collar, producing paintings, sculptures, music, DVDs, performance art and fashion shows inspired by this lowly, ubiquitous aspect of clothing. The collar is a fashion boundary--the dividing line between what is hidden by clothing and the body that emerges from the cloth--and the stains commonly found there often confound sartorial panache, a fact which Menoh takes as the mischievous starting point for her work. Lun*na Menoh: A Ring Around the Collar documents the paintings included in this series, as well as Menoh’s performance art and fashion shows. Included with this book is a flexi-disc with two songs by the artist’s band, Les Sewing Sisters, and an introduction by acclaimed author Leslie Dick.

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First published in France as Le Pagne Noir: Contes Africains in 1955. The writing of such chronicles of an African childhood was the author's way of coming to terms with the questions every sensitive colonized person educated in the Western tradition would sooner or later have to ask: Who am I? Where do I come from? Where am I going? While giving poetic and fictional expression to the tensions of independence and the events that led to it, the writer realized that he would at the same time have to rediscover his oral tradition. It was a natural development of what the new African poetry and drama in French, English, and, later, Portuguese, were already doing--probing the inner mysteries of indigenous mythology and symbolism. Only in this way could the enlightened African restore a sense of equilibrium in his people's culture. From the foreword by Es'kia Mphahlele, University of Witwatersrand, Johannesburg

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Les Mason approached the huge gates of the prison with apprehension; he rapped on a highly polished brass knocker and a fierce man in uniform appeared and beckoned him in. Nothing could have prepared him for what he would see, what he would witness, what he would become a part of or the dramatic effect it would have on his young life. Prisons hold a profound fascination for people and the author grips the reader’s attention with a humorous but sometimes harrowing story inviting us into the unseen world of two of the most infamous prisons in Britain. ‘High Walls and Iron Bars’ is a true account of a Prison Officer’s long and dedicated career from the day of his recruitment until his eventual retirement. You will enjoy this book.

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lanterne rouge (French | noun): The competitor who finishes last in the Tour de France Froome, Wiggins, Merckx – we know the winners of the Tour de France, but what about the men who finish last?Lanterne Rouge tells the forgotten, often inspirational and occasionally absurd stories of the last-placed rider. We learn of stage winners and former yellow jerseys who tasted life at the other end of the bunch; the breakaway leader who stopped for a bottle of wine and then took a wrong turn; the doper whose drug cocktail accidently slowed him down and the rider who was recognised as the most combative despite finishing at the back. Flipping the Tour de France on its head and examines what these stories tell us about ourselves, the 99% who don’t win the trophy, Lantern Rouge forces us to re-examine the meaning of success, failure and the very nature of sport.‘A lively account of largely forgotten men... It’s not easy to come up with an original angle on Le Tour, but with this rear view Leonard has managed the feat in style’ Independent on Sunday

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From Main Street to Stranger Things, how poetry changed our idea of small town life A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.

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From Main Street to Stranger Things, how poetry changed our idea of small town life A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.

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Let the dice decide the fate of your drawings, doodles and stories in this fun fill-in book.Readers can roll to create their own creatures, mash up incredible monsters, randomize names, assemble their own superheroes, plot their own adventure stories, predict the future and much, much more. With quirky illustrations by Sophie Foster, there are hundreds of outcomes and the possibilities are almost endless. Cut-out dice are included at the back of the book.

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This collection of ten chapters and three original interviews with Québécois filmmakers focuses on the past two decades of Quebec cinema and takes an in-depth look at a (primarily) Montreal-based filmmaking industry whose increasingly diverse productions continue to resist the hegemony of Hollywood and to exist as a visible and successful hub of French-language and ever more multilingual cinema in North America. This volume picks up where Bill Marshall's 2001 Quebec National Cinema ends to investigate the inherently global nature of Quebec's film industry and cinematic output since the beginning of the new millennium. Through their analyses of contemporary films (Une colonie, Avant les rues, Bon cop, bad cop, Les Affamés, Tom à la ferme, Uvanga, among others), directors (including Xavier Dolan, Denis Côté, Sophie Desrape, Chloé Robichaud, Jean-Marc Vallée, and Monia Chokri) and genres (such as the buddy comedy and the zombie film), our authors examine the growing tension between Queb

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The Second World War is coming to a close. But their fight is just beginning...Berlin, 1945: A group of Nazis frantically plot the next steps for their country. SS recruits gather east of the city for an audacious yet ill-fated mission to bring about a Fourth Reich.Three decades later, a young British diplomat in East Berlin is compromised after falling into a honey-trap. He contacts Major Edgar, a veteran British spymaster, who is drawn into an unlikely alliance with his old adversary, Viktor Krasotkin.Soon they are plunged into a world of Nazi war criminals and double agents. With nobody to trust, they must rely on each other. But as Cold War tensions rise, the cracks begin to show.The thrilling final novel in the Spies series, with an astonishing twist, perfect for fans of Jack Higgins, Frederick Forsyth and John le Carré.

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Perfect for fans of John le Carré – the most explosive secret of the Cold War could be exposed: but the bigger the lie, the more ruthlessly it will be protected… Hard-up Russia expert Dr Sam Gaddis finally has a lead for the book that could solve all his career problems. But the story of a lifetime becomes an obsession that could kill him. When his source is found dead, Gaddis is alone on the trail of the Cold War’s deadliest secret: the undiscovered sixth member of the infamous Cambridge spy ring. Suddenly threatened at every step and caught between two beautiful women, both with access to crucial evidence, Sam cannot trust anyone. To get his life back, he must chase shadows through Europe’s corridors of power. But the bigger the lie, the more ruthlessly the truth is kept buried…

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The Astrophotography Manual''s Third Edition is the most up to date and authoritative guide for enthusiasts who want to create beautiful images of nebulas, galaxies, clusters, and the stars with the latest professional tools and techniques.The book has been completely revised and, after a brief astronomy primer, it guides readers through the full astrophotography process, from choosing and using equipment to image capture, calibration, and processing. An extensive Assignment section at the end shows how several deep sky objects were captured and processed. Throughout the book, the Author's combination of technical background and hands-on approach brings the science down to earth, with practical methods to ensure success. This latest edition is packed full of fresh images and ideas, using the latest hardware and software tools.Given its breadth, depth, and online resources, this book is ideal for those who wish to take their astrophotography to the next le

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The definitive history of one of Porsche’s most beloved and competitive racing champions. Forty Six tells the unlikely underdog story of the car that scored Porsche’s first racing victories and helped establish their commercial success: the 356/2 063. Beginning at the company’s post-World War II nadir, Bill Wagenblatt illuminates how Porsche rose from the ashes to overcome multiple trials and near-disasters to compete with this vehicle at Le Mans, the Liege-Rome-Liege Rally, and Montlhéry, where they set new racing records in the 1950s. Wagenblatt follows the tale into the twenty-first century, making clear how the 356/2 063 helped set Porsche Motorsport on its way to becoming the juggernaut that we know today. Including a wealth of archival photos and documents that have never been before published, along with a unique look at the car’s US history, Forty Six is the definitive history of one of Porsche’s most beloved and competitive racing champions.

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THE TIMES THRILLER OF THE MONTH‘Strange alliances, personal vendettas and Cold War conspiracies build to a bloody climax in the snow’ - The Times Thriller of the Month‘This is a proper page-turning high-stakes thriller’ Crime TimeFrom the award-winning author of Moskva and Nightfall Berlin, a gripping suspense-filled thriller in the frozen North . . .Kola Peninsula, 1987. High in the Soviet Arctic, a tiny village houses an apocalyptic secret . . .When research zoologist Dr Amelia Blackburn ventures north to investigate the ravages of the Chernobyl reactor meltdown, she stumbles on the evidence of another sinister disaster on the Norway-Russia border - one that appears far from innocent. Mother Russia will stop at nothing to prevent this information from being revealed, putting Amelia and her team in grave danger from the moment they leave the site.When the news reaches London, the eyes of British intelligence turn to the one man with the knowledge and skills to bring her back to safety - and find out what has really happened in the frozen North.Major Tom Fox thought he'd put his intelligence career behind him, but wrapped in a custody battle for his young son, Charlie, a request from his high-ranking father-in-law forces his hand. When the reluctant spy reaches Russia, it quickly becomes clear that this is no ordinary mission.As Fox and Amelia fight for their lives - and their country - in Russia, Charlie is lead into dangers of his own in England. Three lives are about to be embroiled in the darkest secrets of the Cold War conflict - and a plot that, if left unchecked, will echo through history . . .Praise for Jack Grimwood'If you're missing the Cold War thrillers of le Carré, Jack Grimwood will fill the space in your heart with a thrilling splinter of ice' Val McDermid'Cold War thrillers - so atmospheric, SO SO GOOD, I recommend EXTREMELY highly' - Marian Keyes'The new le Carré . . . an absolutely brilliant page-turner . . . if you love thrillers, Jack Grimwood is a name you need to remember' BBC Radio 2 The Sara Cox Show'For those who enjoy vintage le Carré' Ian Rankin'Mesmerising . . . something special in the arena of international thrillers' Financial Times'Your new favourite thriller writer' Independent'Top-notch ... the suspense never wavers' Crimetime'The rejuvenation of the espionage thriller continues apace' Guardian

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